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call me maria by judith ortiz cofer: Call Me Maria (First Person Fiction) Judith Ortiz Cofer, 2015-07-28 A new novel from the award-winning author of An Island Like You, winner of the Pura Belpre Award. Maria is a girl caught between two worlds: Puerto Rico, where she was born, and New York, where she now lives in a basement apartment in the barrio. While her mother remains on the island, Maria lives with her father, the super of their building. As she struggles to lose her island accent, Maria does her best to find her place within the unfamiliar culture of the barrio. Finally, with the Spanglish of the barrio people ringing in her ears, she finds the poet within herself. In lush prose and spare, evocative poetry, Cofer weaves a powerful novel, bursting with life and hope. |
call me maria by judith ortiz cofer: The Latin Deli Judith Ortiz Cofer, 2012-03-15 Reviewing her novel, The Line of the Sun, the New York Times Book Review hailed Judith Ortiz Cofer as a writer of authentic gifts, with a genuine and important story to tell. Those gifts are on abundant display in The Latin Deli, an evocative collection of poetry, personal essays, and short fiction in which the dominant subject—the lives of Puerto Ricans in a New Jersey barrio—is drawn from the author's own childhood. Following the directive of Emily Dickinson to tell all the Truth but tell it slant, Cofer approaches her material from a variety of angles. An acute yearning for a distant homeland is the poignant theme of the title poem, which opens the collection. Cofer's lines introduce us to a woman of no-age presiding over a small store whose wares—Bustelo coffee, jamon y queso, green plantains hanging in stalks like votive offerings—must satisfy, however imperfectly, the needs and hungers of those who have left the islands for the urban Northeast. Similarly affecting is the short story Nada, in which a mother's grief over a son killed in Vietnam gradually consumes her. Refusing the medals and flag proferred by the government (Tell the Mr. President of the United States what I say: No, gracias.), as well as the consolations of her neighbors in El Building, the woman begins to give away all her possessions The narrator, upon hearing the woman say nada, reflects, I tell you, that word is like a drain that sucks everything down. As rooted as they are in a particular immigrant experience, Cofer's writings are also rich in universal themes, especially those involving the pains, confusions, and wonders of growing up. While set in the barrio, the essays American History, Not for Sale, and The Paterson Public Library deal with concerns that could be those of any sensitive young woman coming of age in America: romantic attachments, relations with parents and peers, the search for knowledge. And in poems such as The Life of an Echo and The Purpose of Nuns, Cofer offers eloquent ruminations on the mystery of desire and the conflict between the flesh and the spirit. Cofer's ambitions as a writer are perhaps stated most explicitly in the essay The Myth of the Latin Woman: I Just Met a Girl Named Maria. Recalling one of her early poems, she notes how its message is still her mission: to transcend the limitations of language, to connect through the human-to-human channel of art. |
call me maria by judith ortiz cofer: An Island Like You Judith Ortiz Cofer, 2015-07-28 Judith Ortiz Cofer's Pura Belpre award-winning collection of short stories about life in the barrio! Rita is exiled to Puerto Rico for a summer with her grandparents after her parents catch her with a boy. Luis sits atop a six-foot mountain of hubcaps in his father's junkyard, working off a sentence for breaking and entering. Sandra tries to reconcile her looks to the conventional Latino notion of beauty. And Arturo, different from his macho classmates, fantasizes about escaping his community. They are the teenagers of the barrio -- and this is their world. |
call me maria by judith ortiz cofer: Silent Dancing Judith Ortiz Cofer, 1991-01-01 Silent Dancing is a personal narrative made up of Judith Ortiz CoferÍs recollections of the bilingual-bicultural childhood which forged her personality as a writer and artist. The daughter of a Navy man, Ortiz Cofer was born in Puerto Rico and spent her childhood shuttling between the small island of her birth and New Jersey. In fluid, clear, incisive prose, as well as in the poems she includes to highlight the major themes, Ortiz Cofer has added an important chapter to autobiography, Hispanic American Creativity and womenÍs literature. Silent Dancing has been awarded the 1991 PEN/Martha Albrand Special Citation for Nonfiction and has been selected for The New York Public LibraryÍs 1991 Best Books for the Teen Age. |
call me maria by judith ortiz cofer: The Poet Upstairs Judith Ortiz Cofer, 2012-11-30 When a poet moves into the apartment above hers, young Juliana asks to meet her and together they write poems of tropical birds and a river that flows to the sea, typing out words that change the world, if only for a while. |
call me maria by judith ortiz cofer: If I Could Fly Judith Ortiz Cofer, 2011-05-24 If I Could Fly is a standalone novel based on characters introduced in Judith Ortiz Cofer's bestselling short story collection, An Island Like You: Stories of the Barrio, which won the inaugural Pura Belpré Award. Fifteen-year-old Doris is used to taking care of herself. Her musician parents have always spent more time singing in nightclubs than watching after her. But when her ailing mother goes home to Puerto Rico to get well and pursue a singing career there, and her father finds a new girlfriend, Doris is more alone than she's ever been. Disconnected from her family and her best friends, who are intertwined in terrifying relationships with a violent classmate, Doris finds refuge in taking care of homing pigeons on her apartment building's roof. As Doris tries to make sense of it all, she learns that, just like the pigeons, she might have to fly far distances before she finds out where she belongs. |
call me maria by judith ortiz cofer: Serafina's Promise Ann E. Burg, 2013-09-24 A luminous novel in verse from the author of the Jefferson Cup award winner ALL THE BROKEN PIECES. Serafina hasa secret dream. She wants to go to schooland become a doctorwith her best friend, Julie Marie. But in their rural villageoutside Port-au-Prince, Haiti,many obstaclesstand in Serafina’s way--little money,never-ending chores,and Manman’s worries. More powerful eventhan all of theseare the heavy rainsand the shaking earththat test Serafina’s resolvein ways she never dreamed. At once heartbreaking and hopeful,this exquisitely crafted storywill leave a lasting impressionon your heart. |
call me maria by judith ortiz cofer: Boricuas: Influential Puerto Rican Writings - An Anthology Roberto Santiago, 2009-08-05 MANY CULTURES * ONE WORLD Boricua is what Puerto Ricans call one another as a term of endearment, respect, and cultural affirmation; it is a timeless declaration that transcends gender and color. Boricua is a powerful word that tells the origin and history of the Puerto Rican people. --From the Introduction From the sun-drenched beaches of a beautiful, flamboyan-covered island to the cool, hard pavement of the fierce South Bronx, the remarkable journey of the Puerto Rican people is a rich story full of daring defiance, courageous strength, fierce passions, and dangerous politics--and it is a story that continues to be told today. Long ignored by Anglo literature studies, here are more than fifty selections of poetry, fiction, plays, essays, monologues, screenplays, and speeches from some of the most vibrant and original voices in Puerto Rican literature. * Jack Agüeros * Miguel Algarín * Julia de Burgos * Pedro Albizu Campos * Lucky CienFuegos * Judith Ortiz Cofer * Jesus Colon * Victor Hern ndez Cruz * José de Diego * Martin Espada * Sandra Maria Esteves * Ronald Fernandez * José Luis Gonzalez * Migene Gonzalez-Wippler * Maria Graniela de Pruetzel * Pablo Guzman * Felipe Luciano * René Marqués * Luis Muñoz Marín * Nicholasa Mohr * Aurora Levins Morales * Martita Morales * Rosario Morales * Willie Perdomo * Pedro Pietri * Miguel Piñero * Reinaldo Povod * Freddie Prinze * Geraldo Rivera * Abraham Rodriguez, Jr. * Clara E. Rodriguez * Esmeralda Santiago * Roberto Santiago * Pedro Juan Soto * Piri Thomas * Edwin Torres * José Torres * Joseph B. Vasquez * Ana Lydia Vega |
call me maria by judith ortiz cofer: The Watcher James Howe, 2012-01-24 A mysterious girl, dubbed The Watcher, spins tales of rescue from her lonely perch above the beach. She closely observes the actions of two people she has never met: a fourteen-year-old boy whose family seems perfect and a handsome eighteen-year-old lifeguard. Their lives become intertwined -- and their troubling truths are revealed. |
call me maria by judith ortiz cofer: From the Notebooks of Melanin Sun Jacqueline Woodson, 2010-01-07 Three-time Newbery Honor author Jacqualine Woodson explores race and sexuality through the eyes of a compelling narrator Melanin Sun has a lot to say. But sometimes it's hard to speak his mind, so he fills up notebooks with his thoughts instead. He writes about his mom a lot--they're about as close as they can be, because they have no other family. So when she suddenly tells him she's gay, his world is turned upside down. And if that weren't hard enough for him to accept, her girlfriend is white. Melanin Sun is angry and scared. How can his mom do this to him--is this the end of their closeness? What will his friends think? And can he let her girlfriend be part of their family? |
call me maria by judith ortiz cofer: Abuelita's Heart Perfection Learning Corporation, 2019 |
call me maria by judith ortiz cofer: Esperanza Rising (Scholastic Gold) Pam Muñoz Ryan, 2012-10-01 A modern classic for our time and for all time-this beloved, award-winning bestseller resonates with fresh meaning for each new generation. Perfect for fans of Kate DiCamillo, Christopher Paul Curtis, and Rita Williams-Garcia. Pura Belpre Award Winner * Readers will be swept up. -Publishers Weekly, starred review Esperanza thought she'd always live a privileged life on her family's ranch in Mexico. She'd always have fancy dresses, a beautiful home filled with servants, and Mama, Papa, and Abuelita to care for her. But a sudden tragedy forces Esperanza and Mama to flee to California and settle in a Mexican farm labor camp. Esperanza isn't ready for the hard work, financial struggles brought on by the Great Depression, or lack of acceptance she now faces. When Mama gets sick and a strike for better working conditions threatens to uproot their new life, Esperanza must find a way to rise above her difficult circumstances--because Mama's life, and her own, depend on it. |
call me maria by judith ortiz cofer: The Meaning of Consuelo Judith Ortiz Cofer, 2004-03-30 The Signe family is blessed with two daughters. Consuelo, the elder, is thought of as pensive and book-loving, the serious child-la niña seria-while Mili, her younger sister, is seen as vivacious, a ray of tropical sunshine. Two daughters: one dark, one light; one to offer comfort and consolation, the other to charm and delight. But, for all the joy both girls should bring, something is not right in this Puerto Rican family; a tragedia is developing, like a tumor, at its core. In this fierce, funny, and sometimes startling novel, we follow a young woman's quest to negotiate her own terms of survival within the confines of her culture and her family. magazine Judith Ortiz Cofer has created a character who takes us by the hand on a journey of self-discovery. She reminds readers young and old never to forget our own responsibilities, and to enjoy life with all its joys and sorrows.--Bessy Reyna, MultiCultural Review |
call me maria by judith ortiz cofer: They Call Me a Hero Daniel Hernandez, 2013-02-05 Daniel Hernandez helped save the life of Congresswoman Gabrielle Giffords, and his life experience is a source of true inspiration in this heartfelt memoir, “an absorbing eyewitness view of a shocking event wrapped in a fluent, engaging self-portrait” (Kirkus Reviews). “I don’t consider myself a hero,” says Daniel Hernandez. “I did what I thought anyone should have done. Heroes are people who spend a lifetime committed to helping others.” When Daniel Hernandez was twenty years old, he was working as an intern for US Representative Gabrielle Giffords. On January 8, 2011, during a “Congress on Your Corner” event, Giffords was shot. Daniel Hernandez’s quick thinking before the paramedics arrived and took Giffords to the hospital saved her life. Hernandez’s bravery and heroism has been noted by many, including President Barack Obama. But while that may have been his most well-known moment in the spotlight, Daniel Hernandez, Jr., is a remarkable individual who has already accomplished much in his young life, and is working to achieve much more. They Call Me a Hero explores Daniel’s life, his character, and the traits that a young person needs to rise above adversity and become a hero like Daniel. “His story is inspiring not only for his bravery during the shooting, but also for his commitment to education advocacy and public service, including his appointment to Tucson’s Commission on LGBT issues and election to the local school board. Photos of Hernandez with family, friends, colleagues, and political figures are included” (Publishers Weekly). |
call me maria by judith ortiz cofer: Woman in Front of the Sun Judith Ortiz Cofer, 2000 In this collection of essays woven with poems and folklore, Judith Ortiz Cofer tells the story of how she became a poet and writer and explores her love of words, her discovery of the magic of language, and her struggle to carve out time to practice her art. A native of Puerto Rico, Cofer came to the mainland as a child. Torn between two cultures and two languages, she learned early the power of words and how to wield them. She discovered her love for the subtleties, sounds, and rhythms of the written word when a Roman Catholic nun and teacher bent on changing traditions for the better gave her books of high literature to read, some of which were forbidden by the church. Later, as an adult, demands from her family and her profession made it difficult for Cofer to find time to devote to her art, but her need and determination to express herself led to solutions that can help all artists challenged with the limits of time. Cofer recalls the family cuentos, or stories, that inspire her and shows how they speak to all artists, all women, all people. She encourages her readers to insist on the right to be themselves and to pursue their passions. A book that entertains, instructs, and enthralls, Woman in Front of the Sun will be invaluable to students of poetry and creative nonfiction and will be a staple in every creative writing classroom as well as an inspiration to all those who write. |
call me maria by judith ortiz cofer: Behind the Mountains Edwidge Danticat, 2022-04-05 A lyrical and poignant coming-of-age story about one girl's immigration experience, as she moves from Haiti to New York City, by award-winning author Edwidge Danticat. It is election time in Haiti, and bombs are going off in the capital city of Port-au-Prince. During a visit from her home in rural Haiti, Celiane Espérance and her mother are nearly killed. Looking at her country with new eyes, Celiane gains a fresh resolve to be reunited with her father in Brooklyn, New York. The harsh winter and concrete landscape of her new home are a shock to Celiane, who witnesses her parents' struggle to earn a living and her brother's uneasy adjustment to American society, and at the same time encounters her own challenges with learning and school violence. National Book Award finalist Edwidge Danticat weaves a beautiful, honest, and timely story of the American immigrant experience in this luminous novel about resilience, hope, and family. |
call me maria by judith ortiz cofer: An Angle of Vision Lorraine López, 2009 An Angle of Vision is a compelling anthology that collects personal essays and memoir by a diverse group of gifted authors united by their poor or working-class roots in America. The contributors include Dorothy Alison, Joy Castro, Lisa D. Chavez, Mary Childers, Sandra Cisneros, Judith Ortiz Cofer, Teresa Dovalpage, Maureen Gibbon, Dwonna Goldstone, Joy Harjo, Lorraine M. Lpez, Karen Salyer McElmurray, Amelia Maria de la Luz Montes, Bich Minh Nguyen, Judy Owens, Lynn Pruett, Heather Sellers, and Angela Threatt. |
call me maria by judith ortiz cofer: Flight to Freedom Ana Veciana-Suarez, 2002 First Person Fiction is dedicated to the immigrant experience in modern America. Flight to Freedom is closely based on Suarez's own story of leaving Cuba during the Freedom Flights of the 1960s. Yara Garcia and her family live a middle-class life in Havana, Cuba. But in 1967, as Communist ruler Fidel Castro tightens his hold on Cuba, the Garcias, who do not share the political beliefs of the Communist Party, are forced to flee to Miami, Florida. There, Yara encounters a strange land with foreign customs. She knows very little English, and she finds that the other students in her new school have much more freedom than she and her sisters. Tension develops between her parents, as Mami grows more independent and Papi joins a militant anti-Castro organization. |
call me maria by judith ortiz cofer: Patterns for College Writing Laurie G. Kirszner, Stephen R. Mandell, 2011-12-22 Laurie Kirszner and Stephen Mandell, authors with nearly thirty years of experience teaching college writing, know what works in the classroom and have a knack for picking just the right readings. In Patterns for College Writing, they provide students with exemplary rhetorical models and instructors with class-tested selections that balance classic and contemporary essays. Along with more examples of student writing than any other reader, Patterns has the most comprehensive coverage of active reading, research, and the writing process, with a five-chapter mini-rhetoric; the clearest explanations of the patterns of development; and the most thorough apparatus of any rhetorical reader, all reasons why Patterns for College Writing is the best-selling reader in the country. And the new edition includes exciting new readings and expanded coverage of critical reading, working with sources, and research. It is now available as an interactive Bedford e-book and in a variety of other e-book formats that can be downloaded to a computer, tablet, or e-reader. Read the preface. |
call me maria by judith ortiz cofer: Unbearable Splendor Sun Yung Shin, 2016-09-19 Praise for Sun Yung Shin: Finalist for the Believer Poetry Award [her] work reads like redactions, offering fragments to be explored, investigated and interrogated, making her reader equal partner in the creation of meaning.—Star Tribune Sun Yung Shin moves ideas—of identity (Korean, American, adoptee, mother, Catholic, Buddhist) and interest (mythology, science fiction, Sophocles)— around like building blocks, forming and reforming new constructions of what it means to be at home. What is a cyborg but a hybrid creature of excess? A thing that exceeds the sum of its parts. A thing that has extended its powers, enhanced, even superpowered. |
call me maria by judith ortiz cofer: One Green Apple Eve Bunting, 2006-06-12 Farah feels alone, even when surrounded by her classmates. She listens and nods but doesn’t speak. It’s hard being the new kid in school, especially when you’re from another country and don’t know the language. Then, on a field trip to an apple orchard, Farah discovers there are lots of things that sound the same as they did at home, from dogs crunching their food to the ripple of friendly laughter. As she helps the class make apple cider, Farah connects with the other students and begins to feel that she belongs. Ted Lewin’s gorgeous sun-drenched paintings and Eve Bunting’s sensitive text immediately put the reader into another child’s shoes in this timely story of a young Muslim immigrant. |
call me maria by judith ortiz cofer: Caminar Skila Brown, 2014 Caminar is the story of a boy who joins a small band of guerilla fighters who must decide what being a man during a time of war really means. |
call me maria by judith ortiz cofer: The Cruel Country Judith Ortiz Cofer, 2015-03-01 “I am learning the alchemy of grief—how it must be carefully measured and doled out, inflicted—but I have not yet mastered this art,” writes Judith Ortiz Cofer in The Cruel Country. This richly textured, deeply moving, and lyrical memoir centers on Cofer's return to her native Puerto Rico after her mother has been diagnosed with late-stage lung cancer. Cofer's work has always drawn strength from her life's contradictions and dualities, such as the necessities and demands of both English and Spanish, her travels between and within various mainland and island subcultures, and the challenges of being a Latina living in the U.S. South. Interlaced with these far-from-common tensions are dualities we all share: our lives as both sacred and profane, our negotiation of both child and adult roles, our desires to be the person who belongs and also the person who is different. What we discover in The Cruel Country is how much Cofer has heretofore held back in her vivid and compelling writing. This journey to her mother's deathbed has released her to tell the truth within the truth. She arrives at her mother's bedside as a daughter overcome by grief, but she navigates this cruel country as a writer—an acute observer of detail, a relentless and insistent questioner. |
call me maria by judith ortiz cofer: The Realm of Hungry Spirits Lorraine López, 2011-05-02 The award-winning author of The Gifted Gabaldón Sisters returns with a new novel about a woman who craves solitude, only to find family more fulfilling. In Buddhism, there is a place where hungry souls gather between lives awaiting rebirth so they can finally satisfy the desires that haunt them. In the San Fernando Valley, that place is Marina Lucero's house. The Realm of Hungry Spirits For Marina Lucero, whose father transformed his life through meditation and whose mother gave hers to a Carmelite convent, spirituality should come easily. It doesn't. After a devastating relationship leaves her feeling lost and alone, she opens her home to a collection of wayward souls-- the abused woman next door and her alcoholic sister, her aimless nephew and his broken-hearted best friend. Her house now full but her heart still empty, Marina then turns to the wisdom of Gandhi, the Dalai Lama, even a Santeria priest who wants to cleanse her home. As Marina struggles to balance the disappointments and delights of daily life, she'll learn that, when it comes to inner peace and those we love, a little chaos can lead to a lot of happiness. |
call me maria by judith ortiz cofer: Ordinary Girls Jaquira Díaz, 2020-06-16 One of the Must-Read Books of 2019 According to O: The Oprah Magazine * Time * Bustle * Electric Literature * Publishers Weekly * The Millions * The Week * Good Housekeeping “There is more life packed on each page of Ordinary Girls than some lives hold in a lifetime.” —Julia Alvarez In this searing memoir, Jaquira Díaz writes fiercely and eloquently of her challenging girlhood and triumphant coming of age. While growing up in housing projects in Puerto Rico and Miami Beach, Díaz found herself caught between extremes. As her family split apart and her mother battled schizophrenia, she was supported by the love of her friends. As she longed for a family and home, her life was upended by violence. As she celebrated her Puerto Rican culture, she couldn’t find support for her burgeoning sexual identity. From her own struggles with depression and sexual assault to Puerto Rico’s history of colonialism, every page of Ordinary Girls vibrates with music and lyricism. Díaz writes with raw and refreshing honesty, triumphantly mapping a way out of despair toward love and hope to become her version of the girl she always wanted to be. Reminiscent of Tara Westover’s Educated, Kiese Laymon’s Heavy, Mary Karr’s The Liars’ Club, and Terese Marie Mailhot’s Heart Berries, Jaquira Díaz’s memoir provides a vivid portrait of a life lived in (and beyond) the borders of Puerto Rico and its complicated history—and reads as electrically as a novel. |
call me maria by judith ortiz cofer: Refugee 87 Ele Fountain, 2019-06-04 A young refugee crosses continents in this timely, heartbreaking, and ultimately uplifting novel of survival. Shif has a happy life, unfamiliar with the horrors of his country's regime. He is one of the smartest boys in school, and feels safe and loved in the home he shares with his mother and little sister, right next door to his best friend. But the day that soldiers arrive at his door, Shif knows that he will never be safe again -- his only choice is to run. Facing both unthinkable cruelty and boundless kindness, Shif bravely makes his way towards a future he can barely imagine. Based on real experiences and written in spare, powerful prose, this gripping debut illustrates the realities faced by countless young refugees across the world today. Refugee 87 is a story of friendship, kindness, hardship, survival, and -- above all -- hope. |
call me maria by judith ortiz cofer: Aristotle and Dante Discover the Secrets of the Universe Benjamin Alire Sáenz, 2012-02-21 Fifteen-year-old Ari Mendoza is an angry loner with a brother in prison, but when he meets Dante and they become friends, Ari starts to ask questions about himself, his parents, and his family that he has never asked before. |
call me maria by judith ortiz cofer: The Little School Alicia Partnoy, 1998-09-01 One of Argentina's 30,000 disappeared, Alicia Partnoy was abducted from her home by secret police and taken to a concentration camp where she was tortured, and where most of the other prisoners were killed. Her writings were smuggled out of prison and published anonymously in human rights journals. The Little School is Alicia Partnoy's memoir of her disappearance and imprisonment in Argentina in the 1970s. Told in a series of tales that resound in memory like parables, The Little School is proof of the resilience of the human spirit and the healing powers of art. This second edition features a revised introduction by the author and a preface by Julia Alvarez. |
call me maria by judith ortiz cofer: Land Without Thunder Grace Ogot, 1988-06-15 The first collection of short stories from Kenya's foremost woman novelist. Twelve stories bring alive the author's feeling for the macabre and fantastic - reminiscent of the tragedy in The Promised Land. |
call me maria by judith ortiz cofer: How to Survive Middle School Donna Gephart, 2011-08-09 Fans of James Patterson's Middle School series will root for David as he goes from feeling as insignificant as a hamster to becoming an Internet superstar. Perfect for back to school--no matter what that looks like! Eleven-year-old David Greenberg dreams of becoming a YouTube sensation and spends all of his time making hilarious Top 6½ Lists and Talk Time videos. But before he can get famous, he has to figure out a way to deal with: 6. Middle school (much scarier than it sounds!) 5. His best friend gone girl-crazy 4. A runaway mom who has no phone! 3. The threat of a swirlie on his birthday 2. A terrifying cousin 1. His # 1 fan, Bubbe (his Jewish grandmother) 1/2. Did we mention Hammy, the hamster who’s determined to break David’s heart? But when David’s new best friend, Sophie, starts sending out the links to everyone she knows and her friends tell their friends, thousands of people start viewing his videos. |
call me maria by judith ortiz cofer: The Way to Rainy Mountain N. Scott Momaday, 1976-09-01 First published in paperback by UNM Press in 1976, The Way to Rainy Mountain has sold over 200,000 copies. The paperback edition of The Way to Rainy Mountain was first published twenty-five years ago. One should not be surprised, I suppose, that it has remained vital, and immediate, for that is the nature of story. And this is particularly true of the oral tradition, which exists in a dimension of timelessness. I was first told these stories by my father when I was a child. I do not know how long they had existed before I heard them. They seem to proceed from a place of origin as old as the earth. The stories in The Way to Rainy Mountain are told in three voices. The first voice is the voice of my father, the ancestral voice, and the voice of the Kiowa oral tradition. The second is the voice of historical commentary. And the third is that of personal reminiscence, my own voice. There is a turning and returning of myth, history, and memoir throughout, a narrative wheel that is as sacred as language itself.--from the new Preface |
call me maria by judith ortiz cofer: Patterns for College Writing with 2021 MLA Update Laurie G. Kirszner, Stephen Mandell, 2021-08-17 This ebook has been updated to provide you with the latest guidance on documenting sources in MLA style and follows the guidelines set forth in the MLA Handbook, 9th edition (April 2021). Patterns for College Writing provides instruction, visual texts, diverse essays, and student writing examples to help you develop your writing skills using rhetorical patterns like narration, description, argumentation, and more. |
call me maria by judith ortiz cofer: Your Healing is Killing Me Virginia Grise, 2017 Your Healing is Killing Me is a performance manifesto based on lessons learned in San Antonio free health clinics and New York acupuncture schools; from the treatments and consejos of curanderas, abortion doctors, Marxist artists, community health workers, and bourgie dermatologists. One artist's reflections on living with post-traumatic stress disorder, ansia, and eczema in the new age of trigger warnings, the master cleanse, and crowd-funded self-care. |
call me maria by judith ortiz cofer: The Squatter and the Don MarÕa Amparo Ruiz de Burton, 1997-01-01 The Squatter and the Don, originally published in San Francisco in 1885, is the first fictional narrative written and published in English from the perspective of the conquered Mexican population that, despite being granted the full rights of citizenship under the Treaty of Guadalupe-Hidalgo in 1848, was, by 1860, a subordinated and marginalized national minority. |
call me maria by judith ortiz cofer: Pancho Rabbit and the Coyote Duncan Tonatiuh, 2013-05-07 Pancho Rabbit and the Coyote is an allegorical picture book about the hardships and struggles of immigration from award-winning children’s book author and illustrator Duncan Tonatiuh. A Pura Belpré Author and Illustrator Honor Book! An ALA/ALSC Notable Children’s Book! Papa Rabbit left two years ago to travel far away north to find work in the great carrot and lettuce fields to earn money for his family. When Papa does not return home on the designated day, Pancho sets out to find him. He packs Papa’s favorite meal—mole, rice and beans, a heap of still-warm tortillas, and a jug full of fresh aguamiel—and heads north. Along the way, Pancho crosses a river, climbs a fence, and passes through a tunnel guarded by uniformed, bribe-taking snakes. He soon meets a coyote, who offers to help Pancho in exchange for some of Papa’s favorite foods. They travel together until the food is gone and the coyote decides he is still hungry . . . for Pancho! Tonatiuh enlivens Pancho’s story with the spirit of regional folklore, and he adds cultural atmosphere in arresting, flat folk art filled with cultural references. Of course, “coyote” has two meanings here. With tenderness and honesty, he brings to light the trials and tribulations facing families who seek to make better lives for themselves and their children by illegally crossing borders. “Incandescent, humane and terribly necessary.” ―Kirkus Reviews (Starred Review) “Pancho Rabbit’s trip has the feel of a classic fable or fairy tale.” ―Publishers Weekly (Starred Review) |
call me maria by judith ortiz cofer: A Love Story Beginning in Spanish Judith Ortiz Cofer, 2005 Semi-autobiographical poems in English about life as a Cuban American, women's experiences, and related topics explore the role of language in identity. |
call me maria by judith ortiz cofer: The Sky Painter Margarita Engle, 2021-01-12 Louis loves to watch birds. He takes care of injured birds and studies how they look and how they move. His father wants him to become an engineer, but Louis dreams of being a bird artist. To achieve this dream, he must practice, practice, practice. He learns from the art of John James Audubon. But as Louis grows up, he begins to draw and paint living, flying birds in their natural habitats. Louis Agassiz Fuertes (1874-1927) is now known as the father of modern bird art. He traveled with many scientific expeditions all over the world. His best-known works--paintings for habitat exhibits at the American Museum of Natural History in New York--are still beloved by visitors today. His art helped to encourage wildlife conservation, inspiring people to celebrate and protect the world of wings. Poems by Newbery Honor-winning author Margarita Engle and illustrations by Aliona Bereghici capture the life of Louis Fuertes and the deep sense of wonder that he felt when he painted the sky. |
call me maria by judith ortiz cofer: The Richer, the Poorer Dorothy West, 2010-05-12 On the heels of the bestseller success of her novel The Wedding, Dorothy West, the last surviving member of the Harlem Renaissance, presents a collection of essays and stories that explore both the realism of everyday life, and the fantastical, extraordinary circumstances of one woman's life in a mythic time. Traversing the universal themes and conflicts between poverty and prosperity, men and women, and young and old, and compiling writing that spans almost seventy years, The Richer, The Poorer not only affords an unparalleled window into the African-American middle class, but also delves into the richness of experience of one of the finest writers produced in this country during the Roaring Twenties(Book Page). |
call me maria by judith ortiz cofer: Dreaming in Cuban Cristina García, 2011-06-08 “Impressive . . . [Cristina García’s] story is about three generations of Cuban women and their separate responses to the revolution. Her special feat is to tell it in a style as warm and gentle as the ‘sustaining aromas of vanilla and almond,’ as rhythmic as the music of Beny Moré.”—Time Cristina García’s acclaimed book is the haunting, bittersweet story of a family experiencing a country’s revolution and the revelations that follow. The lives of Celia del Pino and her husband, daughters, and grandchildren mirror the magical realism of Cuba itself, a landscape of beauty and poverty, idealism and corruption. Dreaming in Cuban is “a work that possesses both the intimacy of a Chekov story and the hallucinatory magic of a novel by Gabriel García Márquez” (The New York Times). In celebration of the twenty-fifth anniversary of the novel’s original publication, this edition features a new introduction by the author. Praise for Dreaming in Cuban “Remarkable . . . an intricate weaving of dramatic events with the supernatural and the cosmic . . . evocative and lush.”—San Francisco Chronicle “Captures the pain, the distance, the frustrations and the dreams of these family dramas with a vivid, poetic prose.”—The Washington Post “Brilliant . . . With tremendous skill, passion and humor, García just may have written the definitive story of Cuban exiles and some of those they left behind.”—The Denver Post |
call me maria by judith ortiz cofer: Mission to Space John Bennett Herrington, 2016 Go on a Mission to Space with Chickasaw astronaut John Herrington, as he shares his flight on the space shuttle Endeavour and his thirteen-day mission to the international Space Station. Learn what it takes to train for space flight, see the tasks he completed in space, and join him on his spacewalk 220 miles above the earth. |
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In lush prose and spare, evocative poetry, Cofer weaves a powerful novel, bursting with life and hope. Call Me Maria Judith Ortiz Cofer,2004 Fifteen-year-old María leaves her mother...
Call Me Maria - admissions.piedmont.edu
Call Me Maria Judith Ortiz Cofer,2004 Fifteen-year-old María leaves her mother and their Puerto Rican home to live in the barrio of New York with her father, feeling torn between the two …
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