Bastard Out Of Carolina By Dorothy Allison

  bastard out of carolina by dorothy allison: Bastard Out of Carolina Dorothy Allison, 2005-09-06 A profound portrait of family dynamics in the rural South and “an essential novel” (The New Yorker) “As close to flawless as any reader could ask for . . . The living language [Allison] has created is as exact and innovative as the language of To Kill a Mockingbird and The Catcher in the Rye.” —The New York Times Book Review The publication of Dorothy Allison’s Bastard Out of Carolina was a landmark event that won the author a National Book Award nomination and launched her into the literary spotlight. Critics have likened Allison to Harper Lee, naming her the first writer of her generation to dramatize the lives and language of poor whites in the South. Since its appearance, the novel has inspired an award-winning film and has been banned from libraries and classrooms, championed by fans, and defended by critics. Greenville County, South Carolina, is a wild, lush place that is home to the Boatwright family—a tight-knit clan of rough-hewn, hard-drinking men who shoot up each other’s trucks, and indomitable women who get married young and age too quickly. At the heart of this story is Ruth Anne Boatwright, known simply as Bone, a bastard child who observes the world around her with a mercilessly keen perspective. When her stepfather Daddy Glen, “cold as death, mean as a snake,” becomes increasingly more vicious toward her, Bone finds herself caught in a family triangle that tests the loyalty of her mother, Anney—and leads to a final, harrowing encounter from which there can be no turning back.
  bastard out of carolina by dorothy allison: Bastard Out of Carolina Dorothy Allison, 1992 Ruth Anne Boatwright--a South Carolina bastard who is attached to the indomitable women in her mother's family--is tired of being labeled white trash and longs to escape from her hometown, and especially from Daddy Glen and his meanspirited jealousy.
  bastard out of carolina by dorothy allison: Two or Three Things I Know for Sure Dorothy Allison, 1996-08-01 Bastard Out of Carolina, nominated for the 1992 National Book Award for fiction, introduced Dorothy Allison as one of the most passionate and gifted writers of her generation. Now, in Two or Three Things I Know for Sure, she takes a probing look at her family's history to give us a lyrical, complex memoir that explores how the gossip of one generation can become legends for the next. Illustrated with photographs from the author's personal collection, Two or Three Things I Know for Sure tells the story of the Gibson women -- sisters, cousins, daughters, and aunts -- and the men who loved them, often abused them, and, nonetheless, shared their destinies. With luminous clarity, Allison explores how desire surprises and what power feels like to a young girl as she confronts abuse. As always, Dorothy Allison is provocative, confrontational, and brutally honest. Two or Three Things I Know for Sure, steeped in the hard-won wisdom of experience, expresses the strength of her unique vision with beauty and eloquence.
  bastard out of carolina by dorothy allison: Trash Dorothy Allison, 2002-09-24 Trash, Allison's landmark collection, laid the groundwork for her critically acclaimed Bastard Out of Carolina, the National Book Award finalist that was hailed by The New York Times Book Review as simply stunning...a wonderful work of fiction by a major talent. In addition to Allison's classic stories, this new edition of Trash features Stubborn Girls and Mean Stories, an introduction in which Allison discusses the writing of Trash and Compassion, a never-before-published short story. First published in 1988, the award-winning Trash showcases Allison at her most fearlessly honest and startlingly vivid. The limitless scope of human emotion and experience are depicted in stories that give aching and eloquent voice to the terrible wounds we inflict on those closest to us. These are tales of loss and redemption; of shame and forgiveness; of love and abuse and the healing power of storytelling. A book that resonates with uncompromising candor and incandescence, Trash is sure to captivate Allison's legion of readers and win her a devoted new following.
  bastard out of carolina by dorothy allison: The Man Who Was a Woman and Other Queer Tales from Hindu Lore Devdutt Pattanaik, 2014-01-09 A god transforms into a nymph and enchants another god. A king becomes pregnant. A prince discovers on his wedding night that he is not a man. Another king has children who call him both father and mother. A hero turns into a eunuch and wears female apparel. A princess has to turn into a man before she can avenge her humiliation. Widows of a king make love to conceive his child. Friends of the same sex end up marrying each other after one of them metamorphoses into a woman. These are some of the tales from Hindu lore that this unique book examines. The Man Who Was a Woman and Other Queer Tales from Hindu Lore is a compilation of traditional Hindu stories with a common thread: sexual transformation and gender metamorphosis. In addition to the thought-provoking stories in The Man Who Was a Woman and Other Queer Tales from Hindu Lore, you'll also find: an examination of the universality of queer narratives with examples from Greek lore and Irish folklore a comparison of the Hindu paradigm to the biblical paradigm a look at how Hindu society and Hindu scripture responds to queer sexuality a discussion of the Hijras, popularly believed to be the “third gender” in India--their probable origin, and how they fit into Hindu society With the telling of each of these tales, you will also learn how the author came upon each of them and how they relate to the context of dominant Hindu attitudes toward sex, gender, pleasure, fertility, and celibacy.
  bastard out of carolina by dorothy allison: Skin Dorothy Allison, 1994 A collection of essays, autobiographical narratives, and performance pieces.
  bastard out of carolina by dorothy allison: The U.S. Constitution and Other Key American Writings Founding Fathers, 2015-07-01 “We the People of the United States, in order to form a more perfect union . . . ” — The U.S Constitution The U.S. Constitution and Other Key American Writings is part of the Word Cloud Classics series and a collection of the crucial documents that established the United States. In addition to the Constitution, readers can study supplementary texts like the Declaration of Independence, the Articles of Confederation, the Federalist Papers, and even important speeches by early presidents. The Founding Fathers’ inspirational and revolutionary ideals are all included in these doctrines, and this is a perfect volume for anyone who finds the history of America to be a fascinating and enlightening journey.
  bastard out of carolina by dorothy allison: Live Through This Sabrina Chapadjiev, 2011-01-04 “The 21 artists, who share their stories of madness, trauma, addiction, abuse and self-destruction, and their relationship to art, leave no vulnerable detail unwritten.”—Shameless A visceral look at the bizarre entanglement of destructive and creative forces, Live Through This is a collection of original stories, essays, artwork, and photography. It explores the use of art to survive abuse, incest, madness and depression, and the often deep-seated impulse toward self-destruction including cutting, eating disorders, and addiction. Here, some of our most compelling cartoonists, novelists, poets, dancers, playwrights, and burlesque performers traverse the pains and passions that can both motivate and destroy women artists, and mark a path for survival. Taken together, these artful reflections offer an honest and hopeful journey through a woman's silent rage, through the power inherent in struggles with destruction, and the ensuing possibilities of transforming that burning force into the external release of art. With contributions by Nan Goldin, bell hooks, Patricia Smith, Cristy C. Road, Carol Queen, Annie Sprinkle, Elizabeth Stephens, Carolyn Gage, Eileen Myles, Fly, Diane DiMassa, Bonfire Madigan Shive, Inga Muscio, Kate Bornstein, Toni Blackman, Nicole Blackman, Silas Howard, Daphne Gottleib, and Stephanie Howell.
  bastard out of carolina by dorothy allison: Every Bone a Prayer Ashley Blooms, 2020-08-04 Blooms has taken the voice and names of Appalachia, tended, and evolved them, and created a book that is at once haunting and hopeful.—NPR Praised by BuzzFeed, Good Housekeeping, POPSUGAR, Bustle, and more! Misty's holler looks like any of the thousands of hollers that fork through the Appalachian Mountains. But Misty knows her home is different. She may be only ten, but she hears things. Even the crawdads in the creek have something to say, if you listen. All that Misty's sister Penny wants to talk about are the strange objects that start appearing outside their trailer. The grown-ups mutter about sins and punishment, but that doesn't scare Misty. Not like the hurtful thing that's been happening to her, the hurtful thing that is becoming part of her. Ever since her neighbor William cornered her in the barn, she must figure out how to get back to the Misty she was before—the Misty who wasn't afraid to listen. This is the story of one tough-as-nails girl whose choices are few but whose fight is boundless, as her coping becomes a battle cry for everyone around her. Perfect for fans of Southern coming-of-age stories like Where the Crawdads Sing and If The Creek Don't Rise, Every Bone a Prayer is a beautifully honest exploration of healing and of hope. Praise for Every Bone a Prayer: Haunting and healing, Every Bone A Prayer is a powerful debut that will leave its mark on readers' hearts.—Kim Michele Richardson, New York Times bestselling author of The Book Woman of Troublesome Creek This is a book and a writer I highly recommend.—Dorothy Allison, author of Bastard out of Carolina This is the kind of book we need to set literary expectations for a new decade. It's so textured, so layered with love and so wonderfully terrifying, intimate and magical.—Kiese Laymon, author of Heavy: An American Memoir Searing and soothing, honest and elusive, Every Bone a Prayer is a gift. It's the pure truth, told slant.—Alix E. Harrow, author of The Once and Future Witches
  bastard out of carolina by dorothy allison: Amazing Grace Jonathan Kozol, 2012-06-26 Amazing Grace is Jonathan Kozol’s classic book on life and death in the South Bronx—the poorest urban neighborhood of the United States. He brings us into overcrowded schools, dysfunctional hospitals, and rat-infested homes where families have been ravaged by depression and anxiety, drug-related violence, and the spread of AIDS. But he also introduces us to devoted and unselfish teachers, dedicated ministers, and—at the heart and center of the book—courageous and delightful children. The children we come to meet through the friendships they have formed with Jonathan defy the stereotypes of urban youth too frequently presented by the media. Tender, generous, and often religiously devout, they speak with eloquence and honesty about the poverty and racial isolation that have wounded but not hardened them. Amidst all of the despair, it is the very young whose luminous capacity for love and transcendent sense of faith in human decency give reason for hope.
  bastard out of carolina by dorothy allison: The Women who Hate Me Dorothy Allison, 1991 Razor sharp, angry, and full of passion, Dorothy Allison stands her ground and refuses to leave any of the hard stuff behind. Whether writing about her dirt-poor Southern childhood, its brutalities and its love, or her lesbian lust--her outlaw sexuality--her poetry is cheeky, touching, and on target as she speaks the truth to the women she loves.--BOOK JACKET.
  bastard out of carolina by dorothy allison: Dorothy Allison Dorothy Allison, Scott Jacobson, 1980
  bastard out of carolina by dorothy allison: Critical Essays on the Works of American Author Dorothy Allison Christine Blouch, Laurie Vickroy, 2004 This is a collection of essays examining the works of Dorothy Allison (1950-), one of the most original and influential contemporary American women writers working today. Allison is perhaps best-known as author of the acclaimed best- selling novels Bastard Out of Carolina, a National Book Award Finalist in 1992, and Caved weller (1998). Her numerous other works have included short story and essay collections, poetry, and an autobiography. The critical essays in this collection consider Allison's short stories and essays, as well as her novels, discussing themes such as trauma and violence, the body, literary and critical connections, and class, among others. As the first major collection of essays to focus solely on Allison's works, this study provides ground-breaking work on an important and interesting contemporary writer. Allison's works attract readers from a range of academic disciplines, and they have found a broad national public readership as well. diverse, comprising readers interested in a range of gender issues, autobiographical writing, trauma narratives, Southern writing, and lesbian and gay writing and issues.
  bastard out of carolina by dorothy allison: The Strength of Bone Lucie Wilk, 2013-09-23 An Amazon.ca Best Book of 2013: Top 100/Editors' Pick “A gorgeous debut.”—JOSEPH BOYDEN, author of Through Black Spruce and The Orenda At the hospital in Blantyre, Malawi, Bryce is learning to predict the worst. Racing heart: infection, probably malaria. He’ll send Iris for saline. Shortness of breath? TB. Another patient rolled to the ward. And the round swellings, the rashes with dimpled centres, the small rough patches on a boy’s foot? HIV. Iris will make him comfortable. They’ll move on. Then there will be sleeplessness, rationed energy, a censuring of hope: the doctor’s disease. Iris sees that one all the time. Henry Bryce has come to Blantyre to work off the grief he feels for his old life, but he can’t adjust to the hopelessness that surrounds him. He relies increasingly upon Sister Iris’s steady presence. Yet it’s not until an accident brings them both to a village outpost that Bryce realizes the personal sacrifices Iris has made for her medical training, or that Iris in turn comes to fathom the depth of Henry’s loss. The Strength of Bone is the story of a Western doctor, a Malawian nurse, and the crises that push both of them to the brink of collapse. With biting emotion and a pathological eye for detail, novelist and medical doctor Lucie Wilk demonstrates how, in a place where knowledge can frustrate as often as it heals, true strength requires the flexibility to let go. Advance Praise for The Strength of Bone “In supple, beautiful prose, Lucie Wilk recounts a doctor’s struggle with technology and faith, and with the mysteries of death and love … The Strength of Bone is an extraordinary look at the clash of worlds.”—ANNABEL LYON, author of The Golden Mean and The Sweet Girl Lucie Wilk grew up in Toronto and completed her medical training in Vancouver. Her short fiction has been nominated for the McClelland & Stewart Journey Prize Anthology, longlisted for a CBC Canada Writes literary prize, and has appeared in Descant, Prairie Fire and Shortfire Press. She is working toward an MFA in Creative Writing at the University of British Columbia. She practices medicine and lives with her husband and two children in London, UK.
  bastard out of carolina by dorothy allison: Rediscovering Frank Yerby Matthew Teutsch, 2020-04-20 Contributions by Catherine L. Adams, Stephanie Brown, Gene Andrew Jarrett, John Wharton Lowe, Guirdex Massé, Anderson Rouse, Matthew Teutsch, Donna-lyn Washington, and Veronica T. Watson Rediscovering Frank Yerby: Critical Essays is the first book-length study of Yerby’s life and work. The collection explores a myriad of topics, including his connections to the Harlem and Chicago Renaissances; readership and reception; representations of masculinity and patriotism; film adaptations; and engagement with race, identity, and religion. The contributors to this collection work to rectify the misunderstandings of Yerby’s work that have relegated him to the sidelines and, ultimately, begin a reexamination of the importance of “the prince of pulpsters” in American literature. It was Robert Bone, in The Negro Novel in America, who infamously dismissed Frank Yerby (1916–1991) as “the prince of pulpsters.” Like Bone, many literary critics at the time criticized Yerby’s lack of focus on race and the stereotypical treatment of African American characters in his books. This negative labeling continued to stick to Yerby even as he gained critical success, first with The Foxes of Harrow, the first novel by an African American to sell more than a million copies, and later as he began to publish more political works like Speak Now and The Dahomean. However, the literary community cannot continue to ignore Frank Yerby and his impact on American literature. More than a fiction writer, Yerby should be put in conversation with such contemporaneous writers as Richard Wright, Dorothy West, James Baldwin, William Faulkner, Margaret Mitchell, and more.
  bastard out of carolina by dorothy allison: We Love You, Charlie Freeman Kaitlyn Greenidge, 2017-01-31 A FINALIST FOR THE 2016 CENTER FOR FICTION FIRST NOVEL PRIZE AND THE 2017 YOUNG LIONS AWARD “A terrifically auspicious debut.” —Janet Maslin, The New York Times “Smart, timely and powerful . . . A rich examination of America’s treatment of race, and the ways we attempt to discuss and confront it today.” —The Huffington Post The Freeman family--Charles, Laurel, and their daughters, teenage Charlotte and nine-year-old Callie--have been invited to the Toneybee Institute to participate in a research experiment. They will live in an apartment on campus with Charlie, a young chimp abandoned by his mother. The Freemans were selected because they know sign language; they are supposed to teach it to Charlie and welcome him as a member of their family. But when Charlotte discovers the truth about the institute’s history of questionable studies, the secrets of the past invade the present in devious ways. The power of this shattering novel resides in Greenidge’s undeniable storytelling talents. What appears to be a story of mothers and daughters, of sisterhood put to the test, of adolescent love and grown-up misconduct, and of history’s long reach, becomes a provocative and compelling exploration of America’s failure to find a language to talk about race. “A magnificently textured, vital, visceral feat of storytelling . . . [by] a sharp, poignant, extraordinary new voice of American literature.” —Téa Obreht, author of The Tiger’s Wife
  bastard out of carolina by dorothy allison: Gender Roles and Stereotypes in Dorothy Allison's "Bastard Out of Carolina" Anna Wertenbruch, 2011-10-11 Seminar paper from the year 2009 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,7, Ruhr-University of Bochum (Englisches Seminar), course: “You Nothing But Trash“, language: English, abstract: Gender stereotypes and roles are present in the people’s mind and can be found almost everywhere in daily life. Children and adults are confronted and influenced by those stereotypes, most of the time internalize them and behave according to their gender roles. Men and women perform different roles which are based on nothing more than their biological gender. Although these roles cannot be referred to each individual, the majority of people live out their lives in accordance to these pervasive roles. To sum it up, gender is a central and “organizing category in social life” (Warren 7). Women anthropologists from the 1920s up to the present time focused their research on Western women’s issues and examined women’s settings. Their result is that mainly the domestic sphere, child rearing, health and nutrition are the settings or the tasks ascribed to women. In part, this is - according to the anthropologists - a consequence of expectations associated with the society’s home territory and with Western anthropologist’s cultural assumptions. Additionally, the societies which were studied by these anthropologists were often highly gender-segregated and numerous roles and activities could be taken by one gender and were banned to the other (Warren 16). To put in other words, most societies are “husband-centered” (Warren 14) and some of the societies studied “to a degree even greater than is customary in Western Europe and America”. (ibid.) The novel “Bastard Out of Carolina” written by Dorothy Allison deals with gender stereotypes and tells the story of the so called ‘white trash’-girl Ruth ‘Bone’ Boatwright and her family. Allison critiques in the novel not only two of the most damaging bourgeois myths about “white trash” - illegitimacy and incest – but also the ideology of motherhood emphasizing a socially constructed gender system that cuts across social classes (Baker).
  bastard out of carolina by dorothy allison: The Limits of Autobiography Leigh Gilmore, 2023-07-15 In The Limits of Autobiography, Leigh Gilmore analyzes texts that depict trauma by combining elements of autobiography, fiction, biography, history, and theory in ways that challenge the constraints of autobiography. Astute and compelling readings of works by Michel Foucault, Louis Althusser, Dorothy Allison, Mikal Gilmore, Jamaica Kincaid, and Jeanette Winterson explore how each poses the questions How have I lived? and How will I live? in relation to the social and psychic forms within which trauma emerges. First published in 2001, this new edition of one of the foundational texts in trauma studies includes a new preface by the author that assesses the gravitational pull between life writing and trauma in the twenty-first century, a tension that continues to produce innovative and artful means of confronting kinship, violence, and self-representation.
  bastard out of carolina by dorothy allison: The Reckonings Lacy M. Johnson, 2019-06-04 “Unflinching and honest…both timely and timeless” (Houston Chronicle), this extraordinary collection of essays by the award-winning writer of The Other Side—rooted in her own experience with sexual assault—pursues questions that strike at the heart of our national conversation about the justness of society. In 2014, Lacy Johnson was giving a reading from The Other Side, her “instant classic” (Kirkus Reviews) memoir of kidnapping and rape, when a woman asked her what she would like to happen to her rapist. This collection “attempts to parcel out several knotted problems and suggests forms of meaningful justice” (Booklist, starred review). Drawing from philosophy, art, literature, mythology, anthropology, film, and her own experience of violence, Johnson considers how our ideas about justice might be expanded beyond vengeance and retribution to include acts of compassion, patience, mercy, and grace. “The Reckonings is not a book about changing the world. It’s philosophy in disguise, equal parts memoir, criticism, and ethics…The twelve essays deserve great consideration, while you read it and long after” (NPR). From “Speak Truth to Power,” about the condition of not being believed about rape and assault; to “Goliath,” about the ways evil is used as a form of social control; to “The Fallout,” about ecological and generational violence, Johnson creates masterful, elaborate, gorgeously written essays that speak incisively about our current era. She grapples with justice and retribution, truth and fairness, and sexual assault and workplace harassment, as well as the broadest societal wrongs: the BP Oil Spill, government malfeasance, police killings. The Reckonings is a powerful and necessary work, ambitious in its scope, which “challenges our culture’s expectations of justice and expose the limits of vengeance and mercy” (Ms. Magazine).
  bastard out of carolina by dorothy allison: The Part That Burns Jeannine Ouellette, 2021-01-04 In her fiercely beautiful memoir, Jeannine Ouellette recollects fragments of her life and arranges them elliptically to witness each piece as torn and whole, as something more than itself. Caught between the dramatic landscapes of Lake Superior and Casper Mountain, between her stepfather's groping and her mother's erratic behavior, Ouellette lives for the day she can become a mother herself and create her own sheltering family. But she cannot know how the visceral reality of both birth and babies will pull her back into the body she long ago abandoned, revealing new layers of pain and desire, and forcing her to choose between her idealistic vision of perfect marriage and motherhood, and the birthright of her own awakening flesh, unruly and alive. The Part That Burns is a story about the tenacity of family roots, the formidable undertow of trauma, and the rebellious and persistent yearning of human beings for love from each other.
  bastard out of carolina by dorothy allison: Antlers of Water Kathleen Jamie, 2020-08-06 'Luminous' The Times 'Beautiful’ Caught by the River Bringing together contemporary Scottish writing on nature and landscape, this inspiring collection takes us from walking to wild swimming, from red deer to pigeons and wasps, from remote islands to back gardens, through prose, poetry and photography. Edited and introduced by Kathleen Jamie, and with contributions from Amy Liptrot, Jim Crumley, Chitra Ramaswamy, Malachy Tallack, Amanda Thomson and many more, Antlers of Water urges us to renegotiate our relationship with the more-than-human world, in writing which is by turns celebratory, radical and political.
  bastard out of carolina by dorothy allison: Goldenrod Ann McMan, 2017-07-04 Welcome back to Jericho, a small town tightly tucked into the Appalachian Mountains of Virginia, where life and love have as many twists and turns as a winding mountain road. Join Syd, Maddie, David, Michael, Henry, Celine, and the irrepressible Roma Jean Freemantle as they band together to navigate the minefields of their ever-changing world in this newest Jericho novel.
  bastard out of carolina by dorothy allison: What Night Brings Carla Trujillo, 2003-04-01 What Night Brings focuses on a Chicano working-class family living in California during the 1960s. Marci—smart, feisty and funny—tells the story with the wisdom of someone twice her age as she determines to defy her family and God in order to find her identity, sexuality and freedom.
  bastard out of carolina by dorothy allison: The Snow Train Joseph Cummins, 2001 A chronicle of one small boy's horribly disfiguring and mysteriously transfiguring disease. Told through Robbie O'Conor's perspective, it catches the tone of a child who cannot comprehend the forces that shape his life, yet manages to convey the brute reality of those forces with consummate maturity. By turns intimate, imaginative and in the final conclusion, blissful.
  bastard out of carolina by dorothy allison: Looking for Miss America Margot Mifflin, 2020-08-04 From an author praised for writing “delicious social history” (Dwight Garner, The New York Times) comes a lively account of memorable Miss America contestants, protests, and scandals—and how the pageant, nearing its one hundredth anniversary, serves as an unintended indicator of feminist progress Looking for Miss America is a fast–paced narrative history of a curious and contradictory institution. From its start in 1921 as an Atlantic City tourist draw to its current incarnation as a scholarship competition, the pageant has indexed women’s status during periods of social change—the post–suffrage 1920s, the Eisenhower 1950s, the #MeToo era. This ever–changing institution has been shaped by war, evangelism, the rise of television and reality TV, and, significantly, by contestants who confounded expectations. Spotlighting individuals, from Yolande Betbeze, whose refusal to pose in swimsuits led an angry sponsor to launch the rival Miss USA contest, to the first black winner, Vanessa Williams, who received death threats and was protected by sharpshooters in her hometown parade, Margot Mifflin shows how women made hard bargains even as they used the pageant for economic advancement. The pageant’s history includes, crucially, those it excluded; the notorious Rule Seven, which required contestants to be “of the white race,” was retired in the 1950s, but no women of color were crowned until the 1980s. In rigorously researched, vibrant chapters that unpack each decade of the pageant, Looking for Miss America examines the heady blend of capitalism, patriotism, class anxiety, and cultural mythology that has fueled this American ritual.
  bastard out of carolina by dorothy allison: Southernmost Silas House, 2019-06-04 “A novel for our time, a courageous and necessary book.” —Jennifer Haigh, author of Heat and Light In this stunning novel about judgment, courage, heartbreak, and change, author Silas House wrestles with the limits of belief and the infinite ways to love. In the aftermath of a flood that washes away much of a small Tennessee town, evangelical preacher Asher Sharp offers shelter to two gay men. In doing so, he starts to see his life anew—and risks losing everything: his wife, locked into her religious prejudices; his congregation, which shuns Asher after he delivers a passionate sermon in defense of tolerance; and his young son, Justin, caught in the middle of what turns into a bitter custody battle. With no way out but ahead, Asher takes Justin and flees to Key West, where he hopes to find his brother, Luke, whom he’d turned against years ago after Luke came out. And it is there, at the southernmost point of the country, that Asher and Justin discover a new way of thinking about the world, and a new way of understanding love. Southernmost is a tender and affecting book, a meditation on love and its consequences.
  bastard out of carolina by dorothy allison: Burnt Shadows Kamila Shamsie, 2009-05-29 Longlisted for the Orange Prize for Fiction (now Women's Prize for Fiction) Winner of the Anisfield-Wolf Book Award Nagasaki, August 9, 1945. Hiroko Tanaka watches her lover from the veranda as he leaves. Sunlight streams across Urakami Valley, and then the world goes white. In the devastating aftermath of the atomic bomb, Hiroko leaves Japan in search of new beginnings. From Delhi, amid India's cry for independence from British colonial rule, to New York City in the immediate wake of 9/11, to the novel's astonishing climax in Afghanistan, a violent history casts its shadow the entire world over. Sweeping in its scope and mesmerizing in its evocation of time and place, this is a tale of love and war, of three generations, and three world-changing historic events. Kamila Shamsie’s Burnt Shadows is an enthralling meta-cultural epic, the panoramic tale of two families tangled together in some of the most devastating conflicts of modern history.
  bastard out of carolina by dorothy allison: Darkroom Lila Quintero Weaver, 2012-03 The author tells her story of being a Latina in the Jim Crow South.
  bastard out of carolina by dorothy allison: Womenomics Claire Shipman, Katty Kay, 2009-06-02 You are not alone. Finally, here is a book that gets to the heart of what professional women want. You've probably been loath to admit it, but like most of us, you have had enough of the sixty-hour workweeks, the day-care dash, and the vacations that never get taken. You don't want to quit, you want to work—but on your own terms and in ways that make it possible to have a life as well. Women have power. In Womenomics, journalists Shipman and Kay deal in facts, not stereotypes, providing a fresh perspective on the largely hidden power that women have in today's marketplace. Why? Companies with more women managers are more profitable. Women do more of the buying. A talent shortage looms. Younger generations want to work flexibly, too. It all adds up to a workplace revolution that is great news for professional women—not to mention men and businesses as well. As Brenda Barnes, CEO of Sara Lee, notes: “Companies need to recognize that this kind of flexibility offers employees the ability to manage and balance their own careers and lives, which in turn improves productivity and employee morale.” This new way of thinking and working is all the more valuable in a recession, as companies begin offering flexible schedules, four-day workweeks, and extended vacations as a way to avoid layoffs, save costs, and still reward employees. It is personal. Womenomics does more than marshal the evidence of this historic shift. It also shows women how to redefine success, be productive, and build satisfying careers that don't require an all-or-nothing lifestyle. Most appealing are the candid personal anecdotes from Shipman's and Kay's own experiences and the stories they have gathered from professional women around the country who are coping with the same issues. It is possible. Shipman and Kay don't waste time on what women can't do or can't have. Instead, they show women how to chart an empowering, exhilarating course to a richer life. Inspiring, practical, and persuasive, Womenomics offers a groundbreaking blueprint for changing the way you live and work—with advice, guidance, and fact-based support that proves you don't have to do it all to have it all.
  bastard out of carolina by dorothy allison: Trauma Narratives and Herstory S. Andermahr, S. Pellicer-Ortin, Silvia Pellicer-Ortín, 2013-04-09 Featuring contributions from a wide array of international scholars, the book explores the variety of representational strategies used to depict female traumatic experiences in texts by or about women, and in so doing articulates the complex relation between trauma, gender and signification.
  bastard out of carolina by dorothy allison: The Freezer Door Mattilda Bernstein Sycamore, 2020-11-24 A meditation on the trauma and possibility of searching for connection in a world that enforces bland norms of gender, sexual, and social conformity. When you turn the music off, and suddenly you feel an unbearable sadness, that means turn the music back on, right? When you still feel the sadness, even with the music, that means there's something wrong with this music. Sometimes I feel like sex without context isn't sex at all. And sometimes I feel like sex without context is what sex should always be.--The Freezer Door The Freezer Door records the ebb and flow of desire in daily life. Crossing through loneliness in search of communal pleasure in Seattle, Mattilda Bernstein Sycamore exposes the failure and persistence of queer dreams, the hypocritical allure of gay male sexual culture, and the stranglehold of the suburban imagination over city life. Ferocious and tender, The Freezer Door offers a complex meditation on the trauma and possibility of searching for connection in a world that relentlessly enforces bland norms of gender, sexual, and social conformity while claiming to celebrate diversity.
  bastard out of carolina by dorothy allison: Backcast Ann McMan, 2015-11-16 I love Ann McMan.—Dorothy Allison, National Book Award finalist for Bastard Out of Carolina When sculptor and author Barb Davis is given an NEA grant to pair original feminist sculptures with searing first-person essays on transitions in women's lives, she organizes a two week writing retreat with twelve of the best, brightest, and most notorious lesbian authors in the business. But in between regularly scheduled happy hours and writing sessions, the women enter a tournament bass fishing competition, receive life coaching from a wise-cracking fish named Phoebe, and uncover a subterranean world of secrets and desires that is as varied and elusive as the fish that swim the inland sea. Set on the beautiful shores of Vermont's Lake Champlain, Backcast is richly populated with an expansive cast of endearing and outrageous characters who battle writer's block, quirky locals, personal demons, unexpected attractions, and even each other during their two-week residency. For Barb and each of her twelve writers, the stakes in this fast-moving story are high, but its emotional and romantic payoffs are slow and sweet. Filled with equal parts laugh-out-loud humor and breathtaking pathos, Backcast serves up a sometimes irreverent, sometimes sobering look at the hidden lives of women, and how they laugh, love, lose, and blunder through their own search for meaning. Ann McMan is the author of five novels, including Jericho and Aftermath, and two short story collections. She has won two Golden Crown Literary Awards and her novel, Hoosier Daddy, was a Lambda Literary Award Finalist.
  bastard out of carolina by dorothy allison: Blood of the Oak Eliot Pattison, 2016-03-01 The Edgar Award–winner’s colonial series continues as Scottish exile Duncan McCallum uncovers a loyalist conspiracy—“Historical mystery at its best” (Booklist, starred review). The American Colonies, 1765. As the Stamp Act dissent marks the first organized resistance to English rule, someone is kidnapping and killing members of the Iroquois Nation. Asked by an elder to investigate, Scottish exile Duncan McCallum soon uncovers a network of secret runners supporting the nascent “committees of correspondence,” engaged in the political dissent fomenting across colonial borders. But as Duncan follows the trail further, it leads to his capture. Thrown into slavery with the kidnapped runners, Duncan discovers a powerful conspiracy of highly placed English aristocrats bent on crushing all dissent. Inspired by an aged Native American slave and new African friends, Duncan decides not just to escape but to turn their own intrigue against the London lords. A Publishers Weekly Best Book, the fourth entry in the Bone Rattler series moves ever closer to the beginning of the American Revolution. With a cast of characters that includes Benjamin Franklin, Samuel Adams, the early Pennsylvania rebel James Smith, and Dr. Benjamin Rush, Blood of the Oak takes a fresh view on the birth of the new American nation.
  bastard out of carolina by dorothy allison: Child of God Cormac McCarthy, 2010-08-11 From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road • In this taut, chilling story, Lester Ballard—a violent, dispossessed man falsely accused of rape—haunts the hill country of East Tennessee when he is released from jail. While telling his story, Cormac McCarthy depicts the most sordid aspects of life with dignity, humor, and characteristic lyrical brilliance. Like the novelists he admires-Melville, Dostoyevsky, Faulkner-Cormac McCarthy has created an imaginative oeuvre greater and deeper than any single book. Such writers wrestle with the gods themselves. —Washington Post Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
  bastard out of carolina by dorothy allison: The Singer's Gun Emily St. John Mandel, 2010-05-01 From the award-winning, bestselling author of Station Eleven and Sea of Tranquility, “a gripping story, full of moral ambiguities, where deception and betrayal become the norm, and where the expression ‘a riddle wrapped in a mystery, inside an enigma’ is lifted to new heights” (St. Louis Post-Dispatch). Everyone Anton Waker grew up with is corrupt. His parents dealt in stolen goods, and he was a successful purveyor of forged documents until he abandoned it all in his early twenties, determined to live a normal life, complete with career, apartment, and a fiancée who knows nothing of his criminal beginnings. He’s on the verge of finally getting married when Aria—his cousin and former partner in crime—blackmails him into helping her with one last job. Anton considers the task a small price for future freedom. But as he sets off for an Italian honeymoon, it soon becomes clear that the ghosts of his past can't be left behind so easily, and that the task Aria requires will cost him more than he could ever imagine. Look for Emily St. John Mandel’s bestselling new novel, Sea of Tranquility!
  bastard out of carolina by dorothy allison: The Female Gothic Juliann E. Fleenor, 1983
  bastard out of carolina by dorothy allison: Embodied Shame J. Brooks Bouson, 2010-07-02 Examines how twentieth-century women writers depict female bodily shame and trauma.
  bastard out of carolina by dorothy allison: Covenant Ann McMan, 2021-07-13 Independent Publishers Awards (IPPY) Bronze Medalist in Mid-Atlantic Best Regional Fiction Covenant continues the beloved saga of the residents of Jericho, a sleepy town in the Appalachian Mountains of Virginia, where life and love have as many twists and turns as a winding mountain road. Six weeks have passed since the fateful unfolding of events at the town's Fourth of July celebration. Questions swirl about the mysterious circumstances surrounding the death of the town nemesis, Gerald Watson. Was it an accident, or was Watson murdered? As the scorching summer gives way to an early fall, suspects in the potential homicide abound, and everyone seems to be keeping secrets. Throughout it all, bonds of love and fealty are stretched and tested as the endearing and quirky residents of this once-idyllic community weigh the covenants they keep against the secrets that threaten to tear them apart. Join Syd, Maddie, David, Michael, Henry, Celine, and the irrepressible Roma Jean Freemantle as they band together to navigate the minefields of their ever-changing world in this newest Jericho novel.
  bastard out of carolina by dorothy allison: That Smell and Notes from Prison Sonallah Ibrahim, 2013-02-19 That Smell is Sonallah Ibrahim’s modernist masterpiece and one of the most influential Arabic novels. Composed in the wake of a five-year prison sentence, the semi-autobiographical story follows a recently released political prisoner as he wanders through Cairo, adrift in his native city. That Smell is Sonallah Ibrahim’s modernist masterpiece and one of the most influential novels written in Arabic since WWII. Composed after a five-year term in prison, the semi-autobiographical story follows a recently released political prisoner as he wanders through Cairo, adrift in his native city. Living under house arrest, he tries to write of his tortuous experience, but instead smokes, spies on the neighbors, visits old lovers, and marvels at Egypt’s new consumer culture. Published in 1966, That Smell was immediately banned and the print-run confiscated. The original, uncensored version did not appear in Egypt for another twenty years. For this edition, translator Robyn Creswell has also included an annotated selection of the author’s Notes from Prison, Ibrahim’s prison diaries—a personal archive comprising hundreds of handwritten notes copied onto Bafra-brand cigarette papers and smuggled out of jail. These stark, intense writings shed unexpected light on the sources and motives of Ibrahim’s groundbreaking novel. Also included in this edition is Ibrahim’s celebrated essay about the writing and reception of That Smell.
  bastard out of carolina by dorothy allison: If You Find Me Emily Murdoch, 2013-03-26 NOW INCLUDING A BRAND-NEW EPILOGUE! There are some things you can't leave behind... In If You Find Me by Emily Murdoch, a broken-down camper hidden deep in a national forest is the only home fifteen year-old Carey can remember. The trees keep guard over her threadbare existence; the one bright spot is Carey's younger sister, Jenessa, who depends on Carey for her very survival. All they have is each other, as their mentally ill mother comes and goes with greater frequency. Until that one fateful day their mother disappears for good, and two strangers arrive. Suddenly, the girls are taken from the woods and thrust into a bright and perplexing new world of high school, clothes and boys. Now, Carey must face the truth of why her mother abducted her ten years ago, while haunted by a past that won't let her go... a dark past that hides many a secret, including the reason Jenessa hasn't spoken a word in over a year. Carey knows she must keep her sister close, and her secrets even closer, or risk watching her new life come crashing down.
BASTARD Definition & Meaning - Merriam-Webster
The meaning of BASTARD is a child born to parents who are not married to each other. How to use bastard in a sentence.

Bastard - Wikipedia
Look up bastard in Wiktionary, the free dictionary. Bastard or The Bastard may refer to:

BASTARD | English meaning - Cambridge Dictionary
BASTARD definition: 1. an unpleasant person: 2. a person born to parents who are not married to each other: 3. an…. Learn more.

BASTARD Definition & Meaning | Dictionary.com
something irregular, inferior, spurious, or unusual. bastard culverin. illegitimate in birth. The architecture was bastard Gothic. bastard quartz; bastard mahogany. a bastard Michelangelo; …

bastard - Wiktionary, the free dictionary
May 6, 2025 · Life can be a real bastard. A variation that is not genuine; something irregular or inferior or of dubious origin, fake or counterfeit. The architecture was a kind of bastard, …

Bastard - Definition, Meaning & Synonyms - Vocabulary.com
Bastard used to be a not nice thing you called a child whose parents weren't married. But now it's a more general insult hurled toward a jerk or bad person. Bastard can also simply mean …

BASTARD definition and meaning | Collins English Dictionary
A bastard is a person whose parents were not married to each other at the time that he or she was born.

bastard, n., adj., & adv. meanings, etymology and more | Oxford …
What does the word bastard mean? There are 37 meanings listed in OED's entry for the word bastard , seven of which are labelled obsolete, and one of which is considered derogatory. See …

What does BASTARD mean? - Definitions.net
Something extremely difficult or unpleasant to deal with. Life can be a real bastard. A variation that is not genuine; something irregular or inferior or of dubious origin, fake or counterfeit. The …

bastard noun - Definition, pictures, pronunciation and usage …
Definition of bastard noun from the Oxford Advanced Learner's Dictionary. (offensive, slang) an offensive word for somebody, especially a man, who you think has been rude, unpleasant or …

BASTARD Definition & Meaning - Merriam-Webster
The meaning of BASTARD is a child born to parents who are not married to each other. How to use bastard in a sentence.

Bastard - Wikipedia
Look up bastard in Wiktionary, the free dictionary. Bastard or The Bastard may refer to:

BASTARD | English meaning - Cambridge Dictionary
BASTARD definition: 1. an unpleasant person: 2. a person born to parents who are not married to each other: …

BASTARD Definition & Meaning | Dictionary.com
something irregular, inferior, spurious, or unusual. bastard culverin. illegitimate in birth. The architecture …

bastard - Wiktionary, the free dictionary
May 6, 2025 · Life can be a real bastard. A variation that is not genuine; something irregular or inferior or of dubious origin, fake or counterfeit. …