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| yellow woman leslie marmon silko: Yellow Woman Leslie Marmon Silko, 1993 Ambiguous and unsettling, Silko's Yellow Woman explores one woman's desires and changes--her need to open herself to a richer sensuality. Walking away from her everyday identity as daughter, wife and mother, she takes possession of transgressive feelings and desires by recognizing them in the stories she has heard, by blurring the boundaries between herself and the Yellow Woman of myth. |
| yellow woman leslie marmon silko: Yellow Woman and a Beauty of the Spirit Leslie Marmon Silko, 2013-04-30 Yellow Woman and a Beauty of the Spirit is a collection of twenty-two powerful and indispensable essays on Native American life, written by one of America's foremost literary voices. Bold and impassioned, sharp and defiant, Leslie Marmon Silko's essays evoke the spirit and voice of Native Americans. Whether she is exploring the vital importance literature and language play in Native American heritage, illuminating the inseparability of the land and the Native American people, enlivening the ways and wisdom of the old-time people, or exploding in outrage over the government's long-standing, racist treatment of Native Americans, Silko does so with eloquence and power, born from her profound devotion to all that is Native American. Yellow Woman and a Beauty of the Spirit is written with the fire of necessity. Silko's call to be heard is unmistakable—there are stories to remember, injustices to redress, ways of life to preserve. It is a work of major importance, filled with indispensable truths—a work by an author with an original voice and a unique access to both worlds. |
| yellow woman leslie marmon silko: Yellow Woman and a Beauty of the Spirit Leslie Marmon Silko, 1997-03-18 A passionate weaving of past and present, this collection of 22 essays illuminates the Native American experience. There is no one writing in America who more deserves our attention and respect.--Larry McMurtry. |
| yellow woman leslie marmon silko: Storyteller Leslie Marmon Silko, 2012-09-25 Storyteller blends original short stories and poetry influenced by the traditional oral tales that Leslie Marmon Silko heard growing up on the Laguna Pueblo in New Mexico with autobiographical passages, folktales, family memories, and photographs. As she mixes traditional and Western literary genres, Silko examines themes of memory, alienation, power, and identity; communicates Native American notions regarding time, nature, and spirituality; and explores how stories and storytelling shape people and communities. Storyteller illustrates how one can frame collective cultural identity in contemporary literary forms, as well as illuminates the importance of myth, oral tradition, and ritual in Silko's own work. |
| yellow woman leslie marmon silko: Ceremony Leslie Marmon Silko, 2006-12-26 The great Native American Novel of a battered veteran returning home to heal his mind and spirit One of The Atlantic’s Great American Novels of the Past 100 Years More than thirty-five years since its original publication, Ceremony remains one of the most profound and moving works of Native American literature, a novel that is itself a ceremony of healing. Tayo, a World War II veteran of mixed ancestry, returns to the Laguna Pueblo Reservation. He is deeply scarred by his experience as a prisoner of the Japanese and further wounded by the rejection he encounters from his people. Only by immersing himself in the Indian past can he begin to regain the peace that was taken from him. Masterfully written, filled with the somber majesty of Pueblo myth, Ceremony is a work of enduring power. The Penguin Classics Deluxe Edition contains a new preface by the author and an introduction by Larry McMurtry. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
| yellow woman leslie marmon silko: Almanac of the Dead Leslie Marmon Silko, 1992-11-01 “To read this book is to hear the voices of the ancestors and spirits telling us where we came from, who we are, and where we must go.” —Maxine Hong Kingston From critically acclaimed author Leslie Marmon Silko, an epic novel about people caught between two cultures and two times: the modern-day Southwest, and the places of the old ones, the native peoples of the Americas In its extraordinary range of character and culture, Almanac of the Dead is fiction on the grand scale, a brilliant, haunting, and tragic novel of ruin and resistance in the Americas. At the heart of this story is Seese, an enigmatic survivor of the fast-money, high-risk world of drug dealing—a world in which the needs of modern America exist in a dangerous balance with Native American traditions. Seese has been drawn back to the Southwest in search of her missing child. In Tuscon, she encounters Lecha, a well-known psychic who is hiding from the consequences of her celebrity. Lecha's larger duty is to transcribe the ancient, painfully preserved notebooks that contain the history of her own people—a Native American Almanac of the Dead. Through the violent lives of Lecha's extended familiy, a many-layered narrative unfolds to tell the magnificent, tragic, and unforgettable story of the struggle of native peoples in the Americas to keep, at all costs, the core of their culture: their way of seeing, their way of believing, their way of being. |
| yellow woman leslie marmon silko: Gardens in the Dunes Leslie Marmon Silko, 2013-04-30 A sweeping, multifaceted tale of a young Native American pulled between the cherished traditions of a heritage on the brink of extinction and an encroaching white culture, Gardens in the Dunes is the powerful story of one woman’s quest to reconcile two worlds that are diametrically opposed. At the center of this struggle is Indigo, who is ripped from her tribe, the Sand Lizard people, by white soldiers who destroy her home and family. Placed in a government school to learn the ways of a white child, Indigo is rescued by the kind-hearted Hattie and her worldly husband, Edward, who undertake to transform this complex, spirited girl into a “proper” young lady. Bit by bit, and through a wondrous journey that spans the European continent, traipses through the jungles of Brazil, and returns to the rich desert of Southwest America, Indigo bridges the gap between the two forces in her life and teaches her adoptive parents as much as, if not more than, she learns from them. |
| yellow woman leslie marmon silko: The Turquoise Ledge Leslie Marmon Silko, 2010-10-07 A highly original and poetic self-portrait from one of America's most acclaimed writers. Leslie Marmon Silko's new book, her first in ten years, combines memoir with family history and reflections on the creatures and beings that command her attention and inform her vision of the world, taking readers along on her daily walks through the arroyos and ledges of the Sonoran desert in Arizona. Silko weaves tales from her family's past into her observations, using the turquoise stones she finds on the walks to unite the strands of her stories, while the beauty and symbolism of the landscape around her, and of the snakes, birds, dogs, and other animals that share her life and form part of her family, figure prominently in her memories. Strongly influenced by Native American storytelling traditions, The Turquoise Ledge becomes a moving and deeply personal contemplation of the enormous spiritual power of the natural world-of what these creatures and landscapes can communicate to us, and how they are all linked. The book is Silko's first extended work of nonfiction, and its ambitious scope, clear prose, and inventive structure are captivating. The Turquoise Ledge will delight loyal fans and new readers alike, and it marks the return of the unique voice and vision of a gifted storyteller. |
| yellow woman leslie marmon silko: The Man to Send Rain Clouds Kenneth Rosen, 1992-12-01 Fourteen stories about the strength and passion of today’s American Indian—including six from the acclaimed Leslie Marmon Silko. Anthropologists have long delighted us with the wise and colorful folktales they transcribed from their Indian informants. The stories in this collection are another matter altogether: these are white-educated Indians attempting to bear witness through a non-Indian genre, the short story. Over a two-year period, Kenneth Rosen traveled from town to town, pueblo to pueblo, to uncover the stories contained in this volume. All reveal, to varying degrees and in various ways, the preoccupations of contemporary American Indians. Not surprisingly, many of the stories are infused with the bitterness of a people and a culture long repressed. Several deal with violence and the effort to escape from the pervasive, and so often destructive, white influence and system. In most, the enduring strength of the Indian past is very much in evidence, evoked as a kind of counterpoint to the repression and aimlessness that have marked, and still mark today, the lives of so many American Indians. |
| yellow woman leslie marmon silko: Leslie Marmon Silko's Ceremony Allan Richard Chavkin, 2002 Ceremony is one of the most widely taught Native American literature texts. This casebook includes theoretical approaches & information, especially on Native American beliefs, that will enhance the understanding & appreciation of this classic. |
| yellow woman leslie marmon silko: Silko Brewster E. Fitz, 2005-07-30 Leslie Marmon Silko, a Laguna Pueblo Native American was raised in a culture with a strong oral tradition. She also grew up in a household where books were cherished and reading at the dinner table was not deemed rude, but instead was encouraged. In his examination of Silko's literature, the author explores the complex dynamic between the spoken story and the written word, revealing how it carries over from Silko's upbringing and plays out in her writings. Focusing on critical essays by and interviews with Silko, the author argues that Silko's storytelling is informed not so much by oral Laguna culture as by the Marmon family tradition in which writing was internalized long before her birth. In Silko's writings, this conflicted desire between the oral and the written evolves into a yearning for a paradoxical written orality that would conceivably function as a perfect, nonmediated language. The critical focus on orality in Native literature has kept the equally important tradition of Native writing from being honored. By offering close readings of stories from Storyteller and Ceremony, as well as passages from Almanac of the Dead and Gardens in the Dunes, the author shows how Silko weaves the oral and the written, the spirit and the flesh, into a new vision of Pueblo culture. As he asserts, Silko's written word, rather than obscuring or destroying her culture's oral tradition, serves instead to sharpen it. |
| yellow woman leslie marmon silko: Oceanstory Leslie Marmon Silko, 2011-02-17 A new novella from the acclaimed author of Ceremony, and Almanac of the Dead. Leslie Marmon Silko is the author of the novels Ceremony, Almanac of the Dead, and Gardens in the Dunes. She has also written many short stories, poems and essays, and her most recent book is a memoir, The Turquoise Ledge. The recipient of a MacArthur Fellowship and an NEA fellowship, Silko lives in Tucson, Arizona, on the boundary of Saguaro National Park West. |
| yellow woman leslie marmon silko: Laguna Woman Leslie Marmon Silko, 1974 |
| yellow woman leslie marmon silko: Sacred Water Leslie Marmon Silko, 1993 An autobiographical narrative, with emphasis on the importance of water. |
| yellow woman leslie marmon silko: Woman Hollering Creek Sandra Cisneros, 2013-04-30 A collection of stories by Sandra Cisneros, the celebrated bestselling author of The House on Mango Street and the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature. The lovingly drawn characters of these stories give voice to the vibrant and varied life on both sides of the Mexican border with tales of pure discovery, filled with moments of infinite and intimate wisdom. |
| yellow woman leslie marmon silko: East, West Salman Rushdie, 2014-01-08 From the Booker Prize-winning, bestselling author of Midnight's Children and The Satanic Verses comes nine stories that reveal the oceanic distances and the unexpected intimacies between East and West. Daring, extravagant, comical and humane, this book renews Rushdie's stature as a storyteller who can enthrall and instruct us with the same sentence. Richly nuanced, full or humor, bitter anger, an embracing tenderness, and a buyancy of language. —Boston Globe |
| yellow woman leslie marmon silko: The Delicacy and Strength of Lace Leslie Marmon Silko, 1986 The Delicacy and Strength of Lace Letters between Leslie Marmon Silko and James Wright This moving, eighteen-month exchange of correspondence chronicles the friendship-through-the-mail of two extraordinary writers. Leslie Marmon Silko is a poet and novelist. James Wright won the Pulitzer Prize in 1972 for his Collected Poems. They met only twice. First, briefly, in 1975, at a writers conference in Michigan. Their correspondence began three years later, after Wright wrote to Silko praising her book Ceremony. The letters begin formally, and then each writer gradually opens to the other, venturing to share his or her life, work and struggles. The second meeting between the two writers came in a hospital room, as James Wright lay dying of cancer. The New York Times wrote something of Wright that applies to both writers-- of qualities that this exchange of letters makes evident. Our age desperately needs his vision of brotherly love, his transcendent sense of nature, the clarity of his courageous voice. |
| yellow woman leslie marmon silko: Immigrant Agency Yang Sao Xiong, 2022-03-18 Through a sociological analysis of Hmong former refugees’ grassroots movements in the United States between the 1990s and 2000s, Immigrant Agency shows how Hmong, despite being one of America’s most economically impoverished ethnic groups, were able to make sustained claims on and have their interests represented in public policies. The author, Yang Sao Xiong argues that the key to understanding how immigrants incorporate themselves politically is to understand how they mobilize collective action and make choices in circumstances far from racially neutral. Immigrant groups, in response to political threats or opportunities or both, mobilize collective action and make strategic choices about how to position themselves vis-à-vis other minority groups, how to construct group identities, and how to deploy various tactics in order to engage with the U.S. political system and influence policy. In response to immigrants’ collective claims, the racial state engages in racialization which undermines immigrants’ political standing and perpetuates their marginalization. |
| yellow woman leslie marmon silko: Skin Folk Nalo Hopkinson, 2015-01-27 The SFWA Grand Master’s award-winning collection “combines a richly textured multicultural background with incisive storytelling” (Library Journal). In Skin Folk, with works ranging from science fiction to Caribbean folklore, passionate love to chilling horror, Nalo Hopkinson is at her award-winning best, spinning tales like “Precious,” in which the narrator spews valuable coins and gems from her mouth whenever she attempts to talk or sing. In “A Habit of Waste,” a self-conscious woman undergoes elective surgery to alter her appearance; days later she’s shocked to see her former body climbing onto a public bus. In “The Glass Bottle Trick,” the young protagonist ignores her intuition regarding her new husband’s superstitions—to horrifying consequences. Hopkinson’s unique pacing and vibrant dialogue sets a steady beat for stories that illustrate why she received the John W. Campbell Award for Best New Writer. Entertaining, challenging, and alluring, Skin Folk is not to be missed. Praise for Nalo Hopkinson and the World Fantasy Award–winning Skin Folk “Hopkinson’s prose is vivid and immediate.” —The Washington Post Book World “An important new writer.” —The Dallas Morning News “Her descriptions of ordinary people finding themselves in extraordinary circumstances ring true, the result of her strong evocation of place and her ear for dialect.” —Publishers Weekly “A marvelous display of Nalo Hopkinson’s talents, skills and insights into the human conditions of life, especially of the fantastic realities of the Caribbean . . . Everything is possible in her imagination.” —Science Fiction Chronicle |
| yellow woman leslie marmon silko: A Yellow Raft in Blue Water Michael Dorris, 1988 Moving backward in time, Dorris's critically acclaimed debut novel is a lyrical saga of three generations of Native American women beset by hardship and torn by angry secrets. |
| yellow woman leslie marmon silko: Analysis of Discourses in Leslie Silko's "Yellow Woman" Alfhonce Michael, 2017-09-11 Essay from the year 2016 in the subject English Language and Literature Studies - Literature, grade: 76.2, Kenyatta University, language: English, abstract: Every Literature work gives exposure the historical and cultural issues in the society it is taken. Through contextual analysis of literary work, a lot of information about society can be obtained. Therefore, this essay takes a closer look at Leslie Silko's story Yellow Woman. In the few pages of the story Silko brings to light a compendium on regard to the voice of a woman. She manages to explore pertinent issues within the historical and cultural setting of the Native American. The relevant matters surveyed include marriage, spiritualism, change, nature, gender, storytelling, resistance, and wisdom incarnate in the elderly Native Americans. The work exposes the social, cultural way of life of the world it is set in. Also, a new historical perspective is given from the eye of the young Pueblo-woman. |
| yellow woman leslie marmon silko: Leslie Marmon Silko Louise K. Barnett, James L. Thorson, 1999 An exciting collection of new essays on the work of the outstanding American Indian woman writer. |
| yellow woman leslie marmon silko: The Pueblo Imagination Lee Marmon, 2003 Evocative photographs celebrating the rich culture and dramatic landscapes of the Laguna Pueblo, the native people of the U.S. Southwest. Lee Marmon is America's most renowned Native American photographer and yet this is the first book to showcase his breathtaking photography. This book combined Mr. Marmon's award-winning photographs celebrating the Laguna Pueblo - their distinctive landscapes, their traditions and history - with equally gorgeous prose and poetry by three of our most celebrated Native American writers: Lee's daughter, the novelist Leslie Marmon Silko, and the poets Joy Harpo and Simon Ortiz. With each flash of the camera, Lee Marmon captured a piece of Native American history; this book preserves that precious legacy.The Pueblo Imagination will be lavishly produced, with the highest quality reproductions, including some seventy black-and-white photos printed in duotone and eight pages of arresting color photographps. The text will flow in prose and verse from the images, setting the stage and capturing in words the history preserved in Lee Marmon's unforgettable images. |
| yellow woman leslie marmon silko: The Function of Tradition in "Everyday Use" by Alice Walker and "Yellow Woman" by Leslie Marmon Silko Sylvi Burkhardt, 2005-02-06 Seminar paper from the year 2000 in the subject American Studies - Literature, grade: 1,3, University of Dusseldorf Heinrich Heine, language: English, abstract: Tradition is a simple and abstract word, but it contains a vast amount of important connotations, among them culture, identity, knowledge, advice and emotions. I have chosen the field of African American tradition and Native American tradition to present different views on tradition and tradition awareness. To give a more detailed and concrete analysis I will use the short stories ”Everyday Use“ by Alice Walker and “Yellow Woman“ by Leslie Marmon Silko. In “Everyday Use“ I will mainly point out what tradition means to the characters Dee, Maggie and Mrs. Johnson. With the help of the story, I will prove both the antagonistic relationship and the parallels between Dee on the one side and Mrs. Johnson and Maggie on the other. Then I will focus on the importance of the traditional quiltmaking and the conflicts it brings up among the family members. The short story “Yellow Woman“ includes important aspects of the Native American culture such as the Trickster figure or the element of oral narration. So I will present the character Silva as a Trickster figure and describe the importance of oral tradition. Then I will continue with the protagonist’s inner conflicts concerning her identity. The last chapter concludes by comparing the attitudes of the shortstories‘ characters and gives perspectives. |
| yellow woman leslie marmon silko: The Successful TA Kathy M. Nomme, Carol Pollock, 2022-02-15 Maybe you’re an undergraduate or graduate student who’s just been appointed a TA. Or maybe you’re a postdoctoral student or a new hire with limited teaching experience. In either case, you’ll be expected – with little to no training – to excel at teaching and to enhance the learning experience of your students. Kathy Nomme and Carol Pollock recognize this gap between expectations and preparation and draw on decades of experience in teaching and TA training to offer practical advice on: interacting with course instructors dealing with nerves and anxiety preparing for the first session supporting student learning developing learning exercises engaging students with diverse needs and backgrounds using technology in the classroom assessing student work and providing feedback. The lessons and scenarios in this short, accessible guide can be applied to any discipline or teaching venue – from large lecture halls to smaller labs, studios, seminars, and tutorials. It not only demystifies expectations for TAs, it sets the stage for developing a lifelong teaching practice. |
| yellow woman leslie marmon silko: Native Voices Simon J. Ortiz, Leslie Marmon Silko, Luci Tapahonso, Joy Harjo, Sherwin Bitsui, Heid Ellen Erdrich, Layli Long Soldier, Orlando White, Diane Glancy, Chrystos, Louise Erdrich, LeAnne Howe, Allison Adelle Hedge Coke, Suzanne S. Rancourt, Mandy L. Smoker, 2019 Poetry. Literary Nonfiction. Essays. Native American Studies. NATIVE VOICES is a comprehensive collection of the most urgent Indigenous American poetry and prose spanning the mid 20th Century to today. Featuring forty-two poets, including Simon Ortiz, Leslie Marmon Silko, Luci Tapahonso, Joy Harjo, Sherwin Bitsui, Heid E. Erdrich, Layli Long Soldier, and Orlando White; original influence essays by Diane Glancy on Lorca, Chrystos on Audre Lorde, Louise Erdrich on Elizabeth Bishop, LeAnne Howe on W. D. Snodgrass, Allison Hedge Coke on Delmore Schwartz, Suzanne Rancourt on Ai, and M. L. Smoker on Richard Hugo, among others; and a selection of resonant work chosen from previous generations of Native artists. |
| yellow woman leslie marmon silko: White Space Daniel J. Keyes, Luis L.M. Aguiar, 2021-12-15 Much attention has been paid to race in the Canadian metropolis, but how are the workings of whiteness manifested in the rural-urban? White Space analyzes the dominance of whiteness in the Okanagan Valley of British Columbia to expose how this racial notion sustains forms of settler privilege today. Contributors to this perceptive collection critique the cultural economics of whiteness and white supremacy. The first half documents the historical construction of whiteness: how settlers and their ancestors have sought to exalt pioneers by erasing non-whites from the region’s heritage while Indigenous people resist this white-out. The second half explores the persistence of whiteness as an organizing principle in the neoliberal deindustrialized present. White Space moves beyond appraising whiteness as if it were a solid and unshakable category. Instead it offers a powerful demonstration of how the concept can be re-envisioned, resisted, and reshaped in contexts of economic change. |
| yellow woman leslie marmon silko: Searching for Mary Schäffer Colleen Skidmore, 2017-10-13 Mary Schäffer was a photographer, writer, botanical painter, and mapmaker from Philadelphia, well known for her travels in the Canadian Rockies and Japan at the turn of the twentieth century. In Searching for Mary Schäffer, Colleen Skidmore takes up Schäffer’s own resonant themes—women and wilderness, travel and science—to ask new questions, tell new stories, and reassess the persona of Mary Schäffer imagined in more recent times. Public and private archival collections in the United States and Canada set the stage for this engrossing exploration of Schäffer’s creative, collaborative, and competitive enterprise amid the cultural complexities of Philadelphia’s science and photography communities, and the scientific, tourist, and Indigenous societies of the Rocky Mountains of Canada. “In this impressive book, Colleen Skidmore uses her considerable skills as a social historian of photography to shed new light on the remarkable life of Mary Schäffer. She knows the stories, the characters, and presents a social history that is fresh and convincing. Skidmore’s conclusion is brilliant and will certainly serve as a catalyst for further research and study of Mary Schäffer.” Donna Livingstone, President and CEO, Glenbow Museum |
| yellow woman leslie marmon silko: A Study Guide for Leslie Marmon Silko's "Yellow Woman" Gale, Cengage Learning, |
| yellow woman leslie marmon silko: Writing Women and Space Alison Blunt, Gillian Rose, 1994-08-19 Drawing lessons from the complex and often contradictory position of white women writing in the colonial period, This unique book explores how feminism and poststructuralism can bring new types of understanding to the production of geographical knowledge. Through a series of colonial and postcolonial case studies, essays address the ways in which white women have written and mapped different geographies, in both the late nineteenth century and today, illustrating the diverse objects (landscapes, spaces, views), the variety of media (letters, travel writing, paintings, sculpture, cartographic maps, political discourse), and the different understandings and representations of people and place. |
| yellow woman leslie marmon silko: The Oxford Book of American Short Stories Joyce Carol Oates, 1992 This volume offers a survey of American short fiction in 59 tales that combine classic works with 'different, unexpected gems', which invite readers to explore a wealth of important pieces by women and minority writers. Authors include: Amy Tan, Alice Adams, David Leavitt and Tim O'Brien. |
| yellow woman leslie marmon silko: The Swimmer , |
| yellow woman leslie marmon silko: Black Indian Shonda Buchanan, 2019-08-26 A moving memoir exploring one family’s legacy of African Americans with American Indian roots. Finalist, 2024 American Legacy Book Awards, Autobiography/Memoir Black Indian, searing and raw, is Amy Tan's The Joy Luck Club and Alice Walker's The Color Purple meets Leslie Marmon Silko's Ceremony—only, this isn't fiction. Beautifully rendered and rippling with family dysfunction, secrets, deaths, alcoholism, and old resentments, Shonda Buchanan's memoir is an inspiring story that explores her family's legacy of being African Americans with American Indian roots and how they dealt with not just society's ostracization but the consequences of this dual inheritance. Buchanan was raised as a Black woman, who grew up hearing cherished stories of her multi-racial heritage, while simultaneously suffering from everything she (and the rest of her family) didn't know. Tracing the arduous migration of Mixed Bloods, or Free People of Color, from the Southeast to the Midwest, Buchanan tells the story of her Michigan tribe—a comedic yet manically depressed family of fierce women, who were everything from caretakers and cornbread makers to poets and witches, and men who were either ignored, protected, imprisoned, or maimed—and how their lives collided over love, failure, fights, and prayer despite a stacked deck of challenges, including addiction and abuse. Ultimately, Buchanan's nomadic people endured a collective identity crisis after years of constantly straddling two, then three, races. The physical, spiritual, and emotional displacement of American Indians who met and married Mixed or Black slaves and indentured servants at America's early crossroads is where this powerful journey begins. Black Indiandoesn't have answers, nor does it aim to represent every American's multi-ethnic experience. Instead, it digs as far down into this one family's history as it can go—sometimes, with a bit of discomfort. But every family has its own truth, and Buchanan's search for hers will resonate with anyone who has wondered maybe there's more than what I'm being told. |
| yellow woman leslie marmon silko: What Moon Drove Me to This? Joy Harjo, 1979 |
| yellow woman leslie marmon silko: What Wildness Is This Susan Wittig Albert, 2007-03-01 A collection of short stories, poems, and essays written by women who share the experiences of living in the Southwest. |
| yellow woman leslie marmon silko: Against the Tides Ronald Rudin, 2021-11-15 For four centuries, dykes held back the largest tides in the world, in the Bay of Fundy region of New Brunswick and Nova Scotia. These dykes turned salt marsh into arable land and made farming possible, but by the 1940s they had fallen into disrepair. Against the Tides is the never-before-told story of the Maritime Marshland Rehabilitation Administration (MMRA), a federal agency created in 1948 to reshape the landscape. Although agency engineers often borrowed from long-standing dykeland practices, they were so convinced of their own expertise that they sometimes disregarded local conditions, marginalizing farmers in the process. The engineers’ hubris resulted in tidal dams that compromised some of the region’s rivers, leaving behind environmental damage. This book is a vivid, richly detailed account of a distinctive landscape and its occupants, revealing the push–pull of local and expert knowledge and the role of the state in the postwar era. |
| yellow woman leslie marmon silko: Rare Merit Colleen Skidmore, 2022-06-01 Rare Merit is a beautifully illustrated and astute examination of women photographers in Canada as it took shape in the nineteenth and early-twentieth centuries. Throughout, the camera was both a witness to the colonialism, capitalism, and gendered and racialized social organization, and a protagonist. And women across the country, whether residents or visitors, captured people and places that were entirely new to the lens. This book shows how they did so, and the meaning their work carries. |
| yellow woman leslie marmon silko: Dwellings Linda Hogan, 1996-09-17 Whether she is writing about bats, bees, procupines, or wolves, contemplating the mysteries of caves, or delving into the traditions, beliefs, and myths of Native American cultures, Linda Hogan expresses a deep reverence for the dwelling we all share--the Earth. 16 line drawings. |
| yellow woman leslie marmon silko: Legend: the Graphic Novel Marie Lu, 2015-04-21 Born into an elite family in one of the Republic's wealthiest districts, fifteen-year-old June is a military prodigy. Born into the slums of the Republic’s Lake Sector, fifteen-year-old Day is the country’s most wanted criminal. But his motives are not as sinister as they often they seem. One day June’s brother is murdered and Day becomes the prime suspect. Now, Day is in a race for his family’s survival, while June tries desperately to avenge her brother’s death. And the two uncover the truth of what has really brought them together and the lengths their country will go to in order to keep its secrets. |
| yellow woman leslie marmon silko: This Wild Spirit Colleen Skidmore, 2006-06-20 In 1912, Mary Vaux, a botanist, glaciologist, painter, and photographer, wrote about her mountain adventures. This Wild Spirit explores a sampling of women's creative responses--in fiction and travel writing, photographs and paintings, embroidery and beadwork, letters and diaries, poetry and posters--to their experiences in the Rocky Mountains of Canada. |
Trash Or Be Trashed - Yellow Bullet Forums
Apr 11, 2005 · Where the weak are killed and eaten!!!! Vulgar language and nudity may be enclosed!! No Politics …
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A forum community dedicated to drag racing drivers and enthusiasts. Come join the discussion about racing, builds, pro mods, hot rods, events, turbos, nitrous, superchargers, and more!
Need helpbl | Yellow Bullet Forums
Apr 18, 2025 · The first one sells new for 3500-4000 and I don't know what the ZL1 blocks sell for. They're pretty hard to find new. I've seen a couple of them for sale a while back for $4000.
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Old Drag photos - Yellow Bullet Forums
Mar 16, 2012 · I was looking at another site, and it gave me an idea. Let's post up our old Drag race photos from the 50's, 60's and 70's. I'm sure some of you have some pretty cool old car …
Trash Or Be Trashed - Yellow Bullet Forums
Apr 11, 2005 · Where the weak are killed and eaten!!!! Vulgar language and nudity may be enclosed!! No Politics or Hate Speech!! NWS
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A forum community dedicated to drag racing drivers and enthusiasts. Come join the discussion about racing, builds, pro mods, hot rods, events, turbos, nitrous, superchargers, and more!
Need helpbl | Yellow Bullet Forums
Apr 18, 2025 · The first one sells new for 3500-4000 and I don't know what the ZL1 blocks sell for. They're pretty hard to find new. I've seen a couple of them for sale a while back for $4000.
Items For Sale - Yellow Bullet Forums
Apr 30, 2024 · Buy/Sell at your own risk! NO COMMERCIAL ADS!! Threads/posts will be deleted and member banned!!
Old Drag photos - Yellow Bullet Forums
Mar 16, 2012 · I was looking at another site, and it gave me an idea. Let's post up our old Drag race photos from the 50's, 60's and 70's. I'm sure some of you have some pretty cool old car …
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May 11, 2015 · Talk about drag racing with censorship...Iowa Legislature has passed a bill aimed at protecting longstanding race tracks from nuisance lawsuits brought by surrounding property …
