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| you can count on me screenplay: You Can Count on Me Kenneth Lonergan, 2009-09-02 Acclaimed playwright Kenneth Lonergan’s You Can Count on Me is one of the most highly praised independent films of recent years, earning many of the major screenplay awards. This is the lovingly drawn story of a sister and brother’s complicated, fragile, but somehow enduring bond. Sammy and Terry Prescott were orphaned as children. Sammy, now the single mother of a young son, has stayed in their hometown and is an officer at the local bank. Terry has become something of a drifter, surfacing only when he needs money. Sammy’s own life has its complications: she puts off an old boyfriend’s proposal and begins an affair with her new boss. Together in their family home, Terry’s charming irresponsibility collides with Sammy’s confusion over her own actions. What remains unspoken is what they’ve known since they were left with only each other sixteen years before. |
| you can count on me screenplay: You Can Count on Me Kenneth Lonergan, 1999 |
| you can count on me screenplay: Three Screenplays E. L. Doctorow, 2003 One of America's most accomplished and acclaimed living writers, E. L. Doctorow has played an active role in transforming his novels into films, writing screenplay adaptations of three works: The Book of Daniel, Ragtime, and Loon Lake. |
| you can count on me screenplay: Margaret Kenneth Lonergan, 2014-01-07 A triumph . . . the sort of ambitious American storytelling you find too rarely at the movies.-Michael Phillips, Chicago Tribune Academy Award® nominated writer and director Kenneth Lonergan has written a stirring drama that was called extraordinarily ambitious by Time and a film of rare beauty and shocking gravity by Rolling Stone. Delayed for 4 years in post-production, the film was finally released in 2011, with a director's cut following on DVD in 2012. Our edition will include the scripts of the full director's cut, along with an introduction and key tie-in art. Margaret is the story of a Manhattan teenager whose life is profoundly altered after witnessing a terrible accident. It is the extraordinary journey of an emotional teen who abides by her moral code and wants to set things right, but whose innocent ideals come crashing against the harsh realities of the adult world. It is a story of youth, love, the consequences of mistakes, and the fundamental questions of morality as faced by a teenager in an extraordinary situation. |
| you can count on me screenplay: Here's Looking at You Ernest D. Giglio, 2010 Now in its third edition, Here's Looking at You: Hollywood, Film and Politics examines the tangled relationship between politics and Hollywood, which manifests itself in celebrity involvement in political campaigns and elections, and in the overt and covert political messages conveyed by Hollywood films. The book's findings contradict the film industry's assertion that it is simply in the entertainment business, and examines how, while the majority of Hollywood films are strictly commercial ventures, hundreds of movies - ranging from Birth of a Nation to Capitalism - do indeed contain political messages. This new edition has been updated with new photos and cartoons, and includes two new chapters, one on Afghan-Iraqi war films and the other on the treatment of race and gender in Hollywood films, that are sure to stimulate discussion. Here's Looking at You serves as a basic text for political film courses and as a supplement in American government and film studies courses, and will also appeal to film buffs and people in the film industry. |
| you can count on me screenplay: The Movie Lovers' Club Cathleen Rountree, 2011-02-09 Large screen TVs and full-line DVD services have liberated movie lovers from fear of parking and stale popcorn. Across the country, movie lovers are staying in and creating their own version of book clubs — but without the homework. The Movie Lovers’ Club — the only guide for movie nights with friends — motivates readers to form their own Lovers’ Club clubs to explore the more than 100 excellent film suggestions, summaries, critical reviews, and insider anecdotes. Author Cathleen Rountree offers a year’s worth of must-see classic, contemporary, independent, and foreign films and provocative discussion questions to keep the cinematic conversation lively. With everything readers need to know to start a Movie Lovers’ Club, the book’s selections run the gamut and include powerful films such as To Kill a Mockingbird, Henry and June, and Real Women Have Curves. Whether you need advice for a political group, a girls’ night out party, or a band of indie film devotees, movie watching reaches new depths with ideas on where, when, and how to launch a film group. |
| you can count on me screenplay: Tell Them It's A Dream Sequence John Gaspard, 2021-04-04 Is it your dream to make feature films? Get advice on how to do that by some of the best in the business! It’s like going to film school without ever leaving home. Valuable Lessons on Making a Successful Feature Film. Includes great tips and ideas from: Steven Soderbergh (“sex, lies & videotape”) Roger Corman (“Little Shop of Horrors”) Jon Favreau (“Swingers”) Rebecca Miller (“Personal Velocity”) Kenneth Lonergan (“You Can Count on Me”) Henry Jaglom (“Venice/Venice”) Miranda July (“Me and You and Everyone We Know”) Bob Odenkirk (“Melvin Goes to Dinner”) Dan O'Bannon (“Dark Star”) Whit Stillman (“Metropolitan”) Jonathan Lynn (“My Cousin Vinny”) Carol Littleton (“The Big Chill”) Dan Futterman (“Capote”) Joan Micklin Silver (“Hester Street”) Griffin Dunne (“Lisa Picard is Famous”) Stuart Gordon (“Re-Animator”) Kasi Lemmons (“Eve’s Bayou”) George Romero (“Martin”) Tom Noonan (“What Happened Was…”) Daniel Myrick (“The Blair Witch Project”) And many more! Topics covered include getting started, scripting, pre-production, production, post-production and distribution. An ideal handbook for all filmmakers, providing great insights that will help you whether or making your first film or your tenth. |
| you can count on me screenplay: Manchester by the Sea Kenneth Lonergan, 2021-03-09 The Academy Award–winning screenplay of “a drama of surpassing beauty” (Wall Street Journal) Kenneth Lonergan’s Academy Award and BAFTA–winning screenplay for the acclaimed film Manchester by the Sea is a staggering achievement and an emotionally devastating meditation on grief. Lee Chandler is a brooding, irritable loner who works as a handyman in Boston. One damp winter day he gets a call summoning him to his hometown, Manchester-by-the-Sea, the fishing village where his working-class family has lived for generations. His brother’s heart has given out suddenly, and he’s been named guardian to his riotous 16-year-old nephew. His return re-opens an unspeakable tragedy, as he is forced to confront a past that separated him from his wife, Randi, and the community where he was born and raised. A sweeping story of loss and new beginnings, Manchester by the Sea “illuminates with quiet, unyielding grace how you and I and our neighbors get by, and sometimes how we don’t” (Boston Globe). Rounding out the volume is a trenchant and incisive introduction by Kenneth Lonergan on writing for film. |
| you can count on me screenplay: Los Angeles Magazine , 2001-03 Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian. |
| you can count on me screenplay: Who Wrote That Movie? Chris Wehner, 2003 Before the director or actors can work their magic onscreen a writer, often working alone, faces the blank page and must be the first to create the magic. Yet the writer is usually ignored by critics eager to give credit to the director or sometimes an actor. Not only that, the original vision of the screenwriter rarely makes it to the screen intact-Imagine if your favorite movie could have even been better had that image-conscious actress not demanded changes to the script? The screenplays and movies discussed include: A Beautiful Mind Adaptation Almost Famous Ararat Black Hawk Down Blade 2 Cast Away Catch Me if You Can City by the Sea The Cell Dancer in the Dark Far From Heaven Frailty The Gift Gladiator John Q. Insomnia In the Bedroom Memento MIB2 Minority Report Monster's Ball Ocean's Eleven Panic Room Pay it Forward Pearl Harbor Proof of Life Road to Perdition Signs Spy Game We Were Soldiers Windtalkers Traffic Unbreakable |
| you can count on me screenplay: The Waverly Gallery Kenneth Lonergan, 2001 Dramatic comedy / 3m, 2f / interior set--back cover. |
| you can count on me screenplay: Fast, Cheap & Written That Way: Top Screenwriters on Writing for Low-Budget Movies John Gaspard, 2023-05-29 Write Your Screenplay with the Help of Top Screenwriters! It’s like taking a Master Class in screenwriting … all in one book! Discover the pitfalls of writing to fit a budget from screenwriters who have successfully navigated these waters already. Learn from their mistakes and improve your script with their expert advice. I wish I'd read this book before I made Re-Animator. Stuart Gordon, Director, Re-Animator, Castle Freak, From Beyond John Gaspard has directed half a dozen low-budget features, as well as written for TV, movies, novels and the stage. The book covers (among other topics): Academy-Award Winner Dan Futterman (“Capote”) on writing real stories Tom DiCillio (“Living In Oblivion”) on turning a short into a feature Kasi Lemmons (“Eve’s Bayou”) on writing for a different time period George Romero (“Martin”) on writing horror on a budget Rebecca Miller (“Personal Velocity”) on adapting short stories Stuart Gordon (“Re-Animator”) on adaptations Academy-Award Nominee Whit Stillman (“Metropolitan”) on cheap ways to make it look expensive Miranda July (“Me and You and Everyone We Know”) on making your writing spontaneous Alex Cox (“Repo Man”) on scaling the script to meet a budget Joan Micklin Silver (“Hester Street”) on writing history on a budget Bob Clark (“Children Shouldn’t Play with Dead Things”) on mixing humor and horror Amy Holden Jones (“Love Letters”) on writing romance on a budget Henry Jaglom (“Venice/Venice”) on mixing improvisation with scripting L.M. Kit Carson (“Paris, Texas”) on re-writing while shooting Academy-Award Winner Kenneth Lonergan (“You Can Count on Me”) on script editing Roger Nygard (“Suckers”) on mixing genres This is the book for anyone who’s serious about writing a screenplay that can get produced! Grab it today! ★★★★★ A perfect read for anyone who wants to write a film script or for anyone who just enjoys watching movies. Fred Willard, Actor, A Mighty Wind, Best in Show, Waiting for Guffman This volume is packed full of useful little nuggets of information. Jonathan Lynn, Director, My Cousin Vinny, Clue, Nuns on the Run, The Whole Nine Yards “Packed with war stories and savvy advice for beginning screenwriters.” Larry Gross, Screenwriter, 48 hrs., Streets of Fire, True Crime |
| you can count on me screenplay: Inside Oscar 2 Damien Bona, 2002-02-06 FINALLY, A SEQUEL AS GOOD AS THE ORIGINAL! Enlivened by humorous incidents, brewing controversies, and deeply moving personal dramas, Inside Oscar 1995-2000 offers the complete lowdown on six more years of Academy Awards glory . . . from Braveheart in 1995 through Gladiator in 2000, with the Titanic phenomenon and the Saving Private Ryan/Shakespeare in Love feud in between. There is also complete coverage of the awards ceremonies?with delicious anecdotes on the presenters and performers, the producers and egos, the fashion stars and fashion victims. And, of course, a complete list of all the nominees and winners, as well as a list of notable non-nominees. Picking up where the classic Inside Oscar leaves off, this must-have guide treats us to a behind-the-scenes look at one of America?s most beloved annual traditions! |
| you can count on me screenplay: Reel Views 2 James Berardinelli, 2005 Thoroughly revised and updated for 2005! Includes a new chapter on the best special edition DVDs and a new chapter on finding hidden easter egg features. |
| you can count on me screenplay: Selling Your Screenplay Ashley Scott Meyers, 2007 Selling Your Screenplay is a step-by-step guide to getting your screenplay sold and produced. Learn how to get your script into the hands of the producers and directors who can turn your story into a movie. |
| you can count on me screenplay: Story and Character Alistair Owen, 2016-05-19 'Owen's thorough research and penetrating questions are what make this book ... the conversation is hilarious as well as informative, and budding screenwriters should pay close attention to extraordinary nuggets' GUARDIAN 'A fascinating, insightful collection' INDEPENDENT ON SUNDAY Covering the cream of British screenwriters, this gives a deep insight into the film industry and the way that classic British films came to be. Featuring conversations with the writers of, among other films, The Full Monty, Billy Elliot, Four Weddings and a Funeral, 24-Hour Party People, The Wings of a Dove, The World is Not Enough and A World Apart, this is an in-depth study of ten of the top names in British screenwriting. Lively and funny, challenging and revealing, this series of exclusive interviews with the unsung heroes of contemporary British cinema provides a unique behind-the-scenes look at the movie business, essential both for aspiring writers, industry insiders and film fans. Featured are interviews with Shawn Slovo, William Boyd, Rupert Preston, Richard Curtis, Lee Hall, Simon Beaufoy, Hossein Amini, Frank Cottrell-Boyce and Neal Purvis & Robert Wade. |
| you can count on me screenplay: AGAINFILM George Sydgal, 2024-08-06 Description Book Title: “AGAINFILM” On the pages of the book, Sarah, the producer, brings her successful film production to life. There is always a way out of chaos. Lights, Love, Chaos: A Producer's Story Sarah, a successful producer, is well-acquainted with the taste of success. However, her life is far from the glamour it appears to be on the red carpet. Her personal life is like a house of cards on the verge of collapse; her boyfriend, whom she truly loves, is a notorious womanizer who shows no signs of settling down. Her career is not spared from chaos either, as she finds herself at a low point. Just when it seems all hope is lost, a series of unexpected events begin to reshape Sarah's life. The author, also a film director and screenwriter, innovatively uses cinematic techniques to tell Sarah's story. The dialogue and scenes vividly emerge, captivating the reader and providing a unique reading experience. Discover how Sarah overcomes the turmoil, and how she finds herself anew through love, lights, and chaos. |
| you can count on me screenplay: 50 Oscar Nights Dave Karger, 2024-01-23 An exclusive look behind the scenes of the Academy Awards as top stars and filmmakers discuss their Oscar wins and tell never-before-told tales of Hollywood's biggest night, in a collection of original interviews with Turner Classic Movies host and entertainment media journalist Dave Karger. For almost a century, movie fans have been riveted by the Academy Awards and the stars who have won Oscars. 50 Oscar Nights takes readers behind the scenes of Hollywood’s most storied awards show through new and exclusive interviews with dozens of A-list actors, filmmakers, and craftspeople spanning sixty years of the Oscars. Here these artists reflect on their winning work and recount all the details of how they got ready, how they felt when they heard their name and got up on stage to accept their award, what they wore, how the entire experience impacted their life, and more. Some interviews bring to light fun stories like why Hilary Swank decided to celebrate her Academy Award at the Astro Burger in West Hollywood, or insight into the work as Elton John explains why he was convinced he won his Best Original Song award for the wrong tune. Other interviews illuminate why for some honorees, such as Julia Roberts, John Legend, and Octavia Spencer, the day remains a life highlight to be treasured, while for Marlee Matlin, Mira Sorvino, and Barry Jenkins, complex emotions cloud what most think would be a purely celebratory moment. Filled with more than 150 photos of red-carpet moments, emotional acceptances, and after-party play, 50 Oscar Nights is both a stunning record of cinema glamour and a must-read for any movie lover. Full list of interviewees: Nicole Kidman, Elton John, Jennifer Hudson, Steven Spielberg, Jane Fonda, Barry Jenkins, Halle Berry, J. K. Simmons, Julia Roberts, John Legend, Rita Moreno, Martin Scorsese, Marlee Matlin, Dustin Hoffman, Hannah Beachler, Cameron Crowe, Mira Sorvino, Kevin O’Connell, Sally Field, Kristen Anderson-Lopez and Robert Lopez, Eddie Redmayne, Lee Grant, Louis Gossett Jr., Hilary Swank, Clint Eastwood, Jessica Yu, Michael Douglas, Catherine Martin, Francis Ford Coppola, Allison Janney, Mel Brooks, Emma Thompson, Peter Jackson, Marcia Gay Harden, Mark Bridges, Sofia Coppola, Joel Grey, Glen Hansard and Markéta Irglová, Olivia Colman, Rob Epstein, Whoopi Goldberg, Alan Menken, Melissa Etheridge, Sissy Spacek, Keith Carradine, Estelle Parsons, Geoffrey Fletcher, Octavia Spencer, Aaron Sorkin, Meryl Streep |
| you can count on me screenplay: Entertainment Awards Don Franks, 2014-12-03 What show won the Emmy for Outstanding Drama Series in 1984? Who won the Oscar as Best Director in 1929? What actor won the Best Actor Obie for his work in Futz in 1967? Who was named “Comedian of the Year” by the Country Music Association in 1967? Whose album was named “Record of the Year” by the American Music Awards in 1991? What did the National Broadway Theatre Awards name as the “Best Musical” in 2003? This thoroughly updated, revised and “highly recommended” (Library Journal) reference work lists over 15,000 winners of twenty major entertainment awards: the Oscar, Golden Globe, Grammy, Country Music Association, New York Film Critics, Pulitzer Prize for Theater, Tony, Obie, New York Drama Critic’s Circle, Prime Time Emmy, Daytime Emmy, the American Music Awards, the Drama Desk Awards, the National Broadway Theatre Awards (touring Broadway plays), the National Association of Broadcasters Awards, the American Film Institute Awards and Peabody. Production personnel and special honors are also provided. |
| you can count on me screenplay: The Scene Book Sandra Scofield, 2007-03-27 A treasure-trove of scene-writing wisdom from award-winning author and teacher Sandra Scofield To write a good scene, you have to know the following: • Every scene has an EVENT • Every scene has a FUNCTION in the narrative • Every scene has a STRUCTURE: a beginning, middle, and end • Every scene has a PULSE The Scene Book is a fundamental guide to crafting more effective scenes in fiction. In clear, simple language, Sandra Scofield shows both the beginner and the seasoned writer how to build better scenes, the underpinning of any good narrative. |
| you can count on me screenplay: Encyclopedia of American Drama Jackson R. Bryer, Mary C. Hartig, 2015-04-22 Provides a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to American classics such as Arthur Miller's Death of a Salesman and Thornton Wilder's Our Town to the groundbreaking works of today's best writers. |
| you can count on me screenplay: Filmmaker , 2001 |
| you can count on me screenplay: The Cinema of Generation X Peter Hanson, 2010-06-28 When Steven Soderbergh exploded onto movie screens with sex, lies, and videotape in 1989, it represented more than the arrival of an important new director--it heralded the arrival of an entire generation of important new directors. Quentin Tarantino (Pulp Fiction), Kevin Smith (Dogma), David Fincher (Fight Club), M. Night Shyamalan (The Sixth Sense), Ben Stiller (Reality Bites), Michael Bay (Pearl Harbor), and dozens of others are all members of Generation X, the much talked about but much misunderstood successors to baby boomers. This book is a critical study of the films directed by Gen Xers and how those directors have been influenced by their generational identity. While Generation X as a whole sometimes seems to lack direction, its filmmakers have devoted their careers to making powerful statements about contemporary society and their generation's role in it. Each section of the book deals with an aspect of Gen X filmmaking, including the influence of popular culture, postmodern narrative devices, slackerdom and the lack of direction, disenfranchisement and nihilism, the ever-evolving role of technology, gender issues and sexuality, the question of race, the influence of older filmmakers, and visions of the future. |
| you can count on me screenplay: Save the Cat! Blake Snyder, 2005 This ultimate insider's guide reveals the secrets that none dare admit, told by a show biz veteran who's proven that you can sell your script if you can save the cat! |
| you can count on me screenplay: Leonard Maltin's 2013 Movie Guide Leonard Maltin, 2012-09-04 NEW More than 16,000 capsule movie reviews, with more than 300 new entries NEW More than 13,000 DVD and 13,000 video listings NEW Up-to-date list of mail-order and online sources for buying and renting DVDs and videos NEW Completely updated index of leading performers MORE Official motion picture code ratings from G to NC-17 MORE Old and new theatrical and video releases rated **** to BOMB MORE Exact running times—an invaluable guide for recording and for discovering which movies have been edited MORE Reviews of little-known sleepers, foreign films, rarities, and classics AND Leonard's personal list of fifty notable debut features Summer blockbusters and independent sleepers; masterworks of Alfred Hitchcock, Billy Wilder, and Martin Scorsese; the timeless comedy of the Marx Brothers and Buster Keaton; animated classics from Walt Disney and Pixar; the finest foreign films ever made. This 2013 edition covers the modern era, from 1965 to the present, while including all the great older films you can’t afford to miss—and those you can—from box-office smashes to cult classics to forgotten gems to forgettable bombs, listed alphabetically, and complete with all the essential information you could ask for. • Date of release, running time, director, stars, MPAA ratings, color or black and white • Concise summary, capsule review, and four-star-to-BOMB rating system • Precise information on films shot in widescreen format • Symbols for DVD s, videos, and laserdiscs • Completely updated index of leading actors • Up-to-date list of mail-order and online sources for buying and renting DVDs and videos |
| you can count on me screenplay: Roger Ebert's Movie Yearbook 2003 Roger Ebert, 2002-12-02 Every single new Ebert review. |
| you can count on me screenplay: Film Review , 2006 |
| you can count on me screenplay: Philly Eddie Hujo, 2013-09-12 As a Philadelphian, born in Center City, Eddie Hijo was raised by his family, of Irish, Scottish, English, Polish and Hebrew descent. The family’s faith bases were many churches. He grew up in a waterfront neighborhood; it was the School of Hard Knocks. He became a boilermaker, a mechanic and rigger, drove a straight truck, for a few years Hijo was an exterminator, and, of course, a part-time cab driver. Hijo’s advice to anyone would be to work hard, be honest, be yourself, be confident, always believe in our government’s Constitution and Declaration and never be late for work! |
| you can count on me screenplay: Roger Ebert's Movie Yearbook 2004 Roger Ebert, 2003 Featuring every review Ebert wrote from January 2001 to mid-June 2003, this treasury also includes his essays, interviews, film festival reports, and In Memoriams, along with his famous star ratings. |
| you can count on me screenplay: Los Angeles Magazine , 2001 |
| you can count on me screenplay: Naked Angels Mark Armstrong, Geoffrey Nauffts, 2009 These plays respond to resonant themes such as war, homelessness, the environment, guns, democracy, and fear. |
| you can count on me screenplay: Motion Picture Almanac , 2002 |
| you can count on me screenplay: The Bulletin , 2001 |
| you can count on me screenplay: The New York Times Film Reviews 1999-2000 New York Times Theater Reviews, 2001-12 From the Oscar-winning blockbustersAmerican BeautyandShakespeare in Loveto Sundance oddities likeAmerican MovieandThe Tao of Steve, to foreign films such asAll About My Mother, the latest volume in this popular series features a chronological collection of facsimiles of every film review and awards article published inThe New York Timesbetween January 1999 and December 2000. Includes a full index of personal names, titles, and corporate names. This collection is an invaluable resource for all libraries. |
| you can count on me screenplay: A Study Guide for Kenneth Lonergan's "This Is Our Youth" Gale, Cengage Learning, 2016 A Study Guide for Kenneth Lonergan's This Is Our Youth, excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs. |
| you can count on me screenplay: Film Writers , 2002 |
| you can count on me screenplay: US Independent Film After 1989 Claire Perkins, 2015-02-27 Looking beyond the directors and works that have branded indie discourse in the 1990s and 2000s, US Independent Film After 1989: Possible Films attends to a group of 20 texts that have not been so fully subsumed by existing critical and promotional rhetoric. Through individual studies of films including All the Real Girls, The Exploding Girl, Laurel Canyon, Jesus' Son, Old Joy, Primer and You Can Count on Me, leading cinema scholars consider how notions of indie practice, poetics and politics can be opened up to account for a larger body of work than the dominant canon admits. With particular attention to female directors, this innovative and comprehensive book explores the central tenets of indie scholarship while simultaneously emphasising the classifying processes that can limit it.--Quatrième de couverture. |
| you can count on me screenplay: Playbill , 2000-10 |
| you can count on me screenplay: Tribeca Talks Fondazione Prada, Germano Celant, 2004 Lauren Bacall, Martin Scorsese, Frank Rich, Richard Price, James Harvey, Isabella Rossellini and other leading actors, critics, filmmakers and scholars engage in discussions on a variety of topics that demonstrate the range and vitality of artistic dialogue that takes place at the Tribeca Film Festival. This volume provides a view into their explorations of romance in film, the crafts of acting and directing, the impact of science and war on cinema, the challenge of representing truth in non-narrative features and the role of New York as cinematic character as well as muse.--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
| you can count on me screenplay: Beyond Casablanca Mohamed Abderrahman Tazi, Kevin Dwyer, 2004-11-25 A fascinating journey through the world of Moroccan cinema. |
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