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| witness voices from the holocaust: Witness Fortunoff Video Archive for Holocaust Testimonies, 2000 In this companion book to the PBS documentary scheduled to air in May, the realities of the Holocaust emerge through the remarkable accounts of 27 eyewitnesses. Photos. |
| witness voices from the holocaust: Witness Joshua M. Greene, Shiva Kumar, 2001 In association with the Fortunoff Video Archive for Holocaust Testimonies, Yale University. |
| witness voices from the holocaust: Witness Joshua M. Greene, Shiva Kumar, 2000 First published in the USA. Presents first-person accounts by 27 people of their experiences during the Holocaust. Jews, Gentiles, Americans, a member of the Hitler Youth, a Jesuit priest, resistance fighters and child survivors tell of life under the Nazis in ghettos, concentration camps and death camps and describe their emotions and actions following liberation. Includes references and an index. |
| witness voices from the holocaust: A Companion to the Holocaust Simone Gigliotti, Hilary Earl, 2020-06-02 Provides a cutting-edge, nuanced, and multi-disciplinary picture of the Holocaust from local, transnational, continental, and global perspectives Holocaust Studies is a dynamic field that encompasses discussions on human behavior, extremity, and moral action. A diverse range of disciplines – history, philosophy, literature, social psychology, anthropology, geography, amongst others – continue to make important contributions to its scholarship. A Companion to the Holocaust provides exciting commentaries on current and emerging debates and identifies new connections for research. The text incorporates new language, geographies, and approaches to address the precursors of the Holocaust and examine its global consequences. A team of international contributors provides insightful and sophisticated analyses of current trends in Holocaust research that go far beyond common conceptions of the Holocaust’s causes, unfolding and impact. Scholars draw on their original research to interpret current, agenda-setting historical and historiographical debates on the Holocaust. Six broad sections cover wide-ranging topics such as new debates about Nazi perpetrators, arguments about the causes and places of persecution of Jews in Germany and Europe, and Jewish and non-Jewish responses to it, the use of forced labor in the German war economy, representations of the Holocaust witness, and many others. A masterful framing chapter sets the direction and tone of each section’s themes. Comprising over thirty essays, this important addition to Holocaust studies: Offers a remarkable compendium of systematic, comparative, and precise analyses Covers areas and topics not included in any other companion of its type Examines the ongoing cultural, social, and political legacies of the Holocaust Includes discussions on non-European and non-Western geographies, inter-ethnic tensions, and violence A Companion to the Holocaust is an essential resource for students and scholars of European, German, genocide, colonial and Jewish history, as well as those in the general humanities. |
| witness voices from the holocaust: Living Witnesses Sabrina Must, 2009 |
| witness voices from the holocaust: Forgotten Voices of The Holocaust Lyn Smith, 2010-09-15 Following the success of Forgotten Voices of the Great War, Lyn Smith visits the oral accounts preserved in the Imperial War Museum Sound Archive, to reveal the sheer complexity and horror of one of human history's darkest hours. The great majority of Holocaust survivors suffered considerable physical and psychological wounds, yet even in this dark time of human history, tales of faith, love and courage can be found. As well as revealing the story of the Holocaust as directly experienced by victims, these testimonies also illustrate how, even enduring the most harsh conditions, degrading treatment and suffering massive family losses, hope, the will to survive, and the human spirit still shine through. |
| witness voices from the holocaust: Holocaust Testimonies Lawrence L. Langer, 1993-01-27 Annotation This important and original book is the first sustained analysis of the unique ways in which oral testimony of survivors contributes to our understanding of the Holocaust. Langer argues that it is necessary to deromanticize the survival experience and that to burden it with accolades about the indomitable human spirit is to slight its painful complexity and ambivalence. |
| witness voices from the holocaust: Reframing Holocaust Testimony Noah Shenker, 2015-08-03 “An invaluable resource” for individuals and institutions documenting the experiences of Holocaust survivors—or other historical testimony—on video (Journal of Jewish Identities). Institutions that have collected video testimonies from the few remaining Holocaust survivors are grappling with how to continue their mission to educate and commemorate. Noah Shenker calls attention to the ways that audiovisual testimonies of the Holocaust have been mediated by the institutional histories and practices of their respective archives. Shenker argues that testimonies are shaped not only by the encounter between interviewer and interviewee, but also by technical practices and the testimony process—and analyzes the ways in which interview questions, the framing of the camera, and curatorial and programming preferences impact how Holocaust testimony is molded, distributed, and received. |
| witness voices from the holocaust: Time's Witnesses Jakob Lothe, 2017-01-13 |
| witness voices from the holocaust: Tiepolo's Hound Derek Walcott, 2014-09-09 From the Nobel laureate Derek Walcott, a book-length poem on two educations in painting, a century apart Between me and Venice the thigh of a hound; my awe of the ordinary, because even as I write, paused on a step of this couplet, I have never found its image again, a hound in astounding light. Tiepolo's Hound joins the quests of two Caribbean men: Camille Pissarro--a Sephardic Jew born in 1830 who leaves his native St. Thomas to follow his vocation as a painter in Paris--and the poet himself, who longs to rediscover a detail--a slash of pink on the inner thigh / of a white hound--of a Venetian painting encountered on an early visit from St. Lucia to New York. Both journeys take us through a Europe of the mind's eye, in search of a connection between the lost, actual landscape of a childhood and the mythical landscape of empire. Published with twenty-five full-color reproductions of Derek Walcott's own paintings, the poem is at once the spiritual biography of a great artist in self-imposed exile, a history in verse of Impressionist painting, and a memoir of the poet's desire to catch the visual world in more than words. |
| witness voices from the holocaust: Witness Joshua M. Greene, Shiva Kumar, 2001-04-03 Fifty-five years after the end of World War II, the Holocaust continues to cast a dark shadow. For the past two decades, the Fortunoff Video Archive at Yale University has sought to preserve the human side of this inhuman era by videotaping testimonies from those who lived through the Nazi regime, a project that has led to an acclaimed documentary film and this extraordinary book. Fifty-five years after the end of World War II, the Holocaust continues to cast a dark shadow. For the past two decades, the Fortunoff Video Archive at Yale University has sought to preserve the human side of this inhuman era by videotaping testimonies from those who lived through the Nazi regime, a project that has led to an acclaimed documentary film and this extraordinary book. The Wall Street Journal called the documentary “eloquent and unsparing,” and Daily Variety said it was “a staggeringly powerful record.” The Washington Times said that Witness “gives new meaning to the term documentary. [It is] as pure a document as I have ever seen on television.” In Witness: Voices from the Holocaust, Joshua M. Greene and Shiva Kumar weave a single and compelling narrative from the first-person accounts of twenty-seven witnesses, including camp survivors, American military personnel, a member of the Hitler Youth, a Jesuit priest, and resistance fighters. The vivid and detailed memories of these witnesses testify to the continuing impact of this human catastrophe, and their impassioned words lend immediacy to events that resonate to this day. |
| witness voices from the holocaust: Last Witnesses Svetlana Alexievich, 2019-07-02 “A masterpiece” (The Guardian) from the Nobel Prize–winning writer, an oral history of children’s experiences in World War II across Russia NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST For more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her for inventing “a new kind of literary genre,” describing her work as “a history of emotions . . . a history of the soul.” Bringing together dozens of voices in her distinctive style, Last Witnesses is Alexievich’s collection of the memories of those who were children during World War II. They had sometimes been soldiers as well as witnesses, and their generation grew up with the trauma of the war deeply embedded—a trauma that would change the course of the Russian nation. Collectively, this symphony of children’s stories, filled with the everyday details of life in combat, reveals an altogether unprecedented view of the war. Alexievich gives voice to those whose memories have been lost in the official narratives, uncovering a powerful, hidden history from the personal and private experiences of individuals. Translated by the renowned Richard Pevear and Larissa Volokhonsky, Last Witnesses is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war. Praise for Last Witnesses “There is a special sort of clear-eyed humility to [Alexievich’s] reporting.”—The Guardian “A bracing reminder of the enduring power of the written word to testify to pain like no other medium. . . . Children survive, they grow up, and they do not forget. They are the first and last witnesses.”—The New Republic “A profound triumph.”—The Big Issue “[Alexievich] excavates and briefly gives prominence to demolished lives and eradicated communities. . . . It is impossible not to turn the page, impossible not to wonder whom we next might meet, impossible not to think differently about children caught in conflict.”—The Washington Post |
| witness voices from the holocaust: Polish Literature and the Holocaust Rachel Feldhay Brenner, 2019-04-15 In this pathbreaking study of responses to the Holocaust in wartime and postwar Polish literature, Rachel Feldhay Brenner explores seven writers’ compulsive need to share their traumatic experience of witness with the world. The Holocaust put the ideological convictions of Kornel Filipowicz, Józef Mackiewicz, Tadeusz Borowski, Zofia Kossak-Szczucka, Leopold Buczkowski, Jerzy Andrzejewski, and Stefan Otwinowski to the ultimate test. Tragically, witnessing the horror of the Holocaust implied complicity with the perpetrator and produced an existential crisis that these writers, who were all exempted from the genocide thanks to their non-Jewish identities, struggled to resolve in literary form. Polish Literature and the Holocaust: Eyewitness Testimonies,1942–1947 is a particularly timely book in view of the continuing debate about the attitudes of Poles toward the Jews during the war. The literary voices from the past that Brenner examines posit questions that are as pertinent now as they were then. And so, while this book speaks to readers who are interested in literary responses to the Holocaust, it also illuminates the universal issue of the responsibility of witnesses toward the victims of any atrocity. |
| witness voices from the holocaust: Testimony Shoshana Felman, Dori Laub, 2013-10-18 In this unique collection, Yale literary critic Shoshana Felman and psychoanalyst Dori Laub examine the nature and function of memory and the act of witnessing, both in their general relation to the acts of writing and reading, and in their particular relation to the Holocaust. Moving from the literary to the visual, from the artistic to the autobiographical, and from the psychoanalytic to the historical, the book defines for the first time the trauma of the Holocaust as a radical crisis of witnessing the unprecedented historical occurrence of...an event eliminating its own witness. Through the alternation of a literary and clinical perspective, the authors focus on the henceforth modified relation between knowledge and event, literature and evidence, speech and survival, witnessing and ethics. |
| witness voices from the holocaust: We Are Witnesses Jacob Boas, 2009-03-17 Five diares of teenages who died in the Holocaust. |
| witness voices from the holocaust: The Ones Who Remember Rita Benn, Julie Goldstein Ellis, Ruth Finkel Wade, Joy Wolfe Ensor, 2022-04-12 How do you talk about and make sense of your life when you grew up with parents who survived the most unimaginable horrors of family separation, systematic murder and unending encounters of inhumanity? Sixteen authors reveal the challenges and gifts of living with the aftermath of their parents’ inconceivable experiences during the Holocaust. The Ones Who Remember: Second-Generation Voices of the Holocaust provides a window into the lived experience of sixteen different families grappling with the legacy of genocide. Each author reveals the many ways their parents’ Holocaust traumas and survival seeped into their souls and then affected their subsequent family lives – whether they knew the bulk of their parents’ stories or nothing at all. Several of the contributors’ children share interpretations of the continuing effects of this legacy with their own poems and creative prose. Despite the diversity of each family's history and journey of discovery, the intimacy of the collective narratives reveals a common arc from suffering to resilience, across the three generations. This book offers a vision of a shared humanity against the background of inherited trauma that is relatable to anyone who grew up in the shadow of their parents’ pain. |
| witness voices from the holocaust: The Era of the Witness Annette Wieviorka, 2006 What is the role of the survivor testimony in Holocaust remembrance? In this book, a concise, rigorously argued, and provocative work of cultural and intellectual history, the author seeks to answer this surpassingly complex question. |
| witness voices from the holocaust: The Voice of Memory Primo Levi, 2018-05-18 Over the course of more than twenty-five years, Primo Levi gave more than two hundred newspaper, journal, radio and television interviews speaking with such varied authors as Philip Roth and Germaine Greer. Marco Belpoliti and Robert Gordon have selected and translated thirty-six of the most important of these interviews for The Voice of Memory. |
| witness voices from the holocaust: Witnessing Witnessing Thomas Trezise, 2014-05-01 Witnessing Witnessing focuses critical attention on those who receive the testimony of Holocaust survivors. Questioning the notion that traumatic experience is intrinsically unspeakable and that the Holocaust thus lies in a quasi-sacred realm beyond history, the book asks whether much current theory does not have the effect of silencing the voices of real historical victims. It thereby challenges widely accepted theoretical views about the representation of trauma in general and the Holocaust in particular as set forth by Giorgio Agamben, Cathy Caruth, Berel Lang, and Dori Laub. It also reconsiders, in the work of Theodor Adorno and Emmanuel Levinas, reflections on ethics and aesthetics after Auschwitz as these pertain to the reception of testimony. Referring at length to videotaped testimony and to texts by Charlotte Delbo, Primo Levi, and Jorge Semprun, the book aims to make these voices heard. In doing so, it clarifies the problems that anyone receiving testimony may encounter and emphasizes the degree to which listening to survivors depends on listening to ourselves and to one another. Witnessing Witnessing seeks to show how, in the situation of address in which Holocaust survivors call upon us, we discover our own tacit assumptions about the nature of community and the very manner in which we practice it. |
| witness voices from the holocaust: Witness (Scholastic Gold) Karen Hesse, 2013-03-01 Newbery Medalist Karen Hesse emerses readers in a small Vermont town in 1924 with this haunting and harrowing tale. Leanora Sutter. Esther Hirsh. Merlin Van Tornhout. Johnny Reeves . . .These characters are among the unforgettable cast inhabiting a small Vermont town in 1924. A town that turns against its own when the Ku Klux Klan moves in. No one is safe, especially the two youngest, twelve-year-old Leanora, an African-American girl, and six-year-old Esther, who is Jewish.In this story of a community on the brink of disaster, told through the haunting and impassioned voices of its inhabitants, Newbery Award winner Karen Hesse takes readers into the hearts and minds of those who bear witness. |
| witness voices from the holocaust: Musical Witness and Holocaust Representation Amy Lynn Wlodarski, 2015-07-09 The first comprehensive study of musical Holocaust representations in the Western tradition to examine both musical language and cultural value. |
| witness voices from the holocaust: Witness Between Languages Peter Davies, Peter J. Davies, 2018 A growing body of scholarship is making visible the contribution of translators to the creation, preservation, and transmission of knowledge about the Holocaust. The discussion has tended to be theoretical or to concentrate on exposing the distorted translations of texts by important witnesses such as Anne Frank or Elie Wiesel. There is therefore a need for a positive, concrete, and contextually aware approach to the translation of Holocaust testimonies that acknowledges the achievements of translators while being sensitive to the consequences of particular translation strategies. Peter Davies's study proceeds from the assumption that translators are active co-creators whose work does not simply mediate a pre-existing text, but creates a representation of that text for a new readership in a specific context. Translators of Holocaust testimonies, then, provide a form of textual commentary that works through ideas about witnessing, historical truth, and the meaning of the Holocaust. In this way they are important co-creators of knowledge about the Holocaust and its legacy. The study focuses on translations between English and German, and from other languages (principally French, Russian, and Polish) into English and German. It works through a number of case studies, showing how making translation and its effects visible contributes to a clearer understanding of how knowledge about the Holocaust has been and continues to be created and mediated. Peter Davies is Professor of German at the University of Edinburgh. |
| witness voices from the holocaust: Facing Death Sarah K. Pinnock, 2016-12-05 What do we learn about death from the Holocaust and how does it impact our responses to mortality today? Facing Death: Confronting Mortality in the Holocaust and Ourselves brings together the work of eleven Holocaust and genocide scholars who address these difficult questions, convinced of the urgency of further reflection on the Holocaust as the last survivors pass away. The volume is distinctive in its dialogical and introspective approach, where the contributors position themselves to confront their own impending death while listening to the voices of victims and learning from their life experiences. Broken into three parts, this collection engages with these voices in a way that is not only scholarly, but deeply personal. The first part of the book engages with Holocaust testimony by drawing on the writings of survivors and witnesses such as Elie Wiesel, Jean Améry, and Charlotte Delbo, including rare accounts from members of the Sonderkommando. Reflections of post-Holocaust generations—the children and grandchildren of survivors—are housed in the second part, addressing questions of remembrance and memorialization. The concluding essays offer intimate self-reflection about how engagement with the Holocaust impacts the contributors’ lives, faiths, and ethics. In an age of continuing atrocities, this volume provides careful attention to the affective dimension of coping with death, in particular, how loss and grief are deferred or denied, narrated, and passed along. |
| witness voices from the holocaust: Diary of a Witness Raymond-Raoul Lambert, 2007 For years Raymond-Raoul Lambert's Diary has been among the important untranslated records of the experience of French Jews in the Holocaust. Lambert's Diary survived the war and was published in France in 1985. This book reveals Lambert's efforts to save at least a remnant of the Jews in France. It is illustrated with maps and photographs. |
| witness voices from the holocaust: After the Holocaust Charlotte Schallié, Helga Thorson, Andrea Van Noord, 2020 Collected voices make clear why Holocaust, genocide, and human rights education are more crucial than ever. After the Holocaust brings together scholarship, activism, poetry, and personal narratives from some of the last living survivors of the Holocaust to tackle the changing face of genocide and human rights education in the 21st century. The collected voices draw on decades of research on the Holocaust and discuss how it can help us understand and educate about a range of human rights issues throughout history, and, in turn, that local histories of other human rights atrocities can shed light on the way the Holocaust is represented and taught. Advancing the dialogue between civic advocacy, public remembrance, and research, the contributors of this edited collection discuss Holocaust education's broad relevance in a human rights framework. 'The first- and second-generation survivor accounts are treasures--invaluable reflections that anchor this collection.'--David MacDonald, author of The Sleeping Giant Awakens: Genocide, Indian Residential Schools, and the Challenge of Conciliation-- |
| witness voices from the holocaust: Signs of Survival: A Memoir of the Holocaust Renee Hartman, Joshua M. Greene, 2022-01-04 RENEE: I was ten years old then, and my sister was eight. The responsibility was on me to warn everyone when the soldiers were coming because my sister and both my parents were deaf. I was my family's ears. Meet Renee and Herta, two sisters who faced the unimaginable -- together. This is their true story. As Jews living in 1940s Czechoslovakia, Renee, Herta, and their parents were in immediate danger when the Holocaust came to their door. As the only hearing person in her family, Renee had to alert her parents and sister whenever the sound of Nazi boots approached their home so they could hide. But soon their parents were tragically taken away, and the two sisters went on the run, desperate to find a safe place to hide. Eventually they, too, would be captured and taken to the concentration camp Bergen-Belsen. Communicating in sign language and relying on each other for strength in the midst of illness, death, and starvation, Renee and Herta would have to fight to survive the darkest of times. This gripping memoir, told in a vivid oral history format, is a testament to the power of sisterhood and love, and now more than ever a reminder of how important it is to honor the past, and keep telling our own stories. |
| witness voices from the holocaust: As the Witnesses Fall Silent: 21st Century Holocaust Education in Curriculum, Policy and Practice Zehavit Gross, E. Doyle Stevick, 2015 This volume represents the most comprehensive collection ever produced of empirical research on Holocaust education around the world. It comes at a critical time, as the world approaches the 70th anniversary of the liberation of Auschwitz. We are now at a turning point as the generations that witnessed and survived the Shoah are slowly passing on. Governments are charged with ensuring that this defining event of the 20th century should take its rightful place in the historical consciousness of the world's peoples and their education. The policies and practices of Holocaust education around the world are as diverse as the countries that grapple with its history and its meaning.The effort to reconcile national histories and memories with the international realities of the Holocaust and its implications for the present persists. These efforts take place at a time when scholarship about the Holocaust itself has made great strides. In this book, these issues are framed by some of the leading voices in the field, including Elie Wiesel and Yehuda Bauer, and then explored by many distinguished scholars who represent a wide range of expertise. Holocaust education is of such significance, so rich in meaning, so powerful in content, and so diverse in practice that the need for extensive, high-quality empirical research is critical. This book provides exactly that. . |
| witness voices from the holocaust: The Stolen Narrative of the Bulgarian Jews and the Holocaust Jacky Comforty, 2021-04-19 The Stolen Narrative of the Bulgarian Jews and the Holocaust collects narratives of Bulgarian Jews who survived the Holocaust. Through the analysis of eye-witness testimonies, archival documents, photographs, and researchers’ investigations, the authors weave a complex tapestry of voices that were previously underrepresented, ignored, and denied. Taken together, the collected memories offer an alternative perspective that counters official accounts and corroborates war crimes. |
| witness voices from the holocaust: Guidelines for Teaching about the Holocaust , 1994 |
| witness voices from the holocaust: Survivors Club Michael Bornstein, Debbie Bornstein Holinstat, 2017-03-07 The incredible true story of Michael Bornstein--who at age 4 was one of the youngest children to be liberated from Auschwitz--and of his family-- |
| witness voices from the holocaust: Holocaust and the Moving Image Toby Haggith, Joanna Newman, 2005 Based on an event held at the Imperial War Museum in 2001, this book is a blend of voices and perspectives - archivists, curators, filmmakers, scholars, and Holocaust survivors. Each section examines films and how they have contributed to wider awareness and understanding of the Holocaust since the war. |
| witness voices from the holocaust: Justice at Dachau Joshua Greene, 2007-12-18 The world remembers Nuremberg, where a handful of Nazi policymakers were brought to justice, but nearly forgotten are the proceedings at Dachau, where hundreds of Nazi guards, officers, and doctors stood trial for personally taking part in the torture and execution of prisoners inside the Dachau, Mauthausen, Flossenburg, and Buchenwald concentration camps. In Justice at Dachau, Joshua M. Greene, maker of the award winning documentary film Witness: Voices from the Holocaust, recreates the Dachau trials and reveals the dramatic story of William Denson, a soft-spoken young lawyer from Alabama whisked from teaching law at West Point to leading the prosecution in the largest series of Nazi trials in history. In a makeshift courtroom set up inside Hitler’s first concentration camp, Denson was charged with building a team from lawyers who had no background in war crimes and determining charges for crimes that courts had never before confronted. Among the accused were Dr. Klaus Schilling, responsible for hundreds of deaths in his “research” for a cure for malaria; Edwin Katzen-Ellenbogen, a Harvard psychologist turned Gestapo informant; and one of history’s most notorious female war criminals, Ilse Koch, “Bitch of Buchenwald,” whose penchant for tattooed skins and human bone lamps made headlines worldwide. Denson, just thirty-two years old, with one criminal trial to his name, led a brilliant and successful prosecution, but nearly two years of exposure to such horrors took its toll. His wife divorced him, his weight dropped to 116 pounds, and he collapsed from exhaustion. Worst of all was the pressure from his army superiors to bring the trials to a rapid end when their agenda shifted away from punishing Nazis to winning the Germans’ support in the emerging Cold War. Denson persevered, determined to create a careful record of responsibility for the crimes of the Holocaust. When, in a final shocking twist, the United States used clandestine reversals and commutation of sentences to set free those found guilty at Dachau, Denson risked his army career to try to prevent justice from being undone. From the Hardcover edition. |
| witness voices from the holocaust: Children of Job Alan L. Berger, 1997-01-01 An original contribution to Holocaust studies that demonstrates the theological and psychosocial issues emerging in novels and films by sons and daughters of survivors. |
| witness voices from the holocaust: The Afterdeath of the Holocaust Lawrence L. Langer, 2021-02-11 This book consists of ten essays that examine the ways in which language has been used to evoke what Lawrence L. Langer calls the ‘deathscape’ and the ‘hopescape’ of the Holocaust. The chapters in this collection probe the diverse impacts that site visits, memoirs, survivor testimonies, psychological studies, literature and art have on our response to the atrocities committed by the Germans during World War II. Langer also considers the misunderstandings caused by erroneous, embellished and sentimental accounts of the catastrophe, and explores some reasons why they continue to enter public and printed discourse with such ease. |
| witness voices from the holocaust: Drunk on Genocide Edward B. Westermann, 2021-03-15 In Drunk on Genocide, Edward B. Westermann reveals how, over the course of the Third Reich, scenes involving alcohol consumption and revelry among the SS and police became a routine part of rituals of humiliation in the camps, ghettos, and killing fields of Eastern Europe. Westermann draws on a vast range of newly unearthed material to explore how alcohol consumption served as a literal and metaphorical lubricant for mass murder. It facilitated performative masculinity, expressly linked to physical or sexual violence. Such inebriated exhibitions extended from meetings of top Nazi officials to the rank and file, celebrating at the grave sites of their victims. Westermann argues that, contrary to the common misconception of the SS and police as stone-cold killers, they were, in fact, intoxicated with the act of murder itself. Drunk on Genocide highlights the intersections of masculinity, drinking ritual, sexual violence, and mass murder to expose the role of alcohol and celebratory ritual in the Nazi genocide of European Jews. Its surprising and disturbing findings offer a new perspective on the mindset, motivation, and mentality of killers as they prepared for, and participated in, mass extermination. Published in Association with the US Holocaust Memorial Museum. |
| witness voices from the holocaust: Different Horrors, Same Hell Myrna Goldenberg, Amy Shapiro, 2013-05-15 Different Horrors, Same Hell brings together a variety of essays demonstrating the breadth of contributions that feminist theory and gender analysis make to the study of the Holocaust. The collection provides new perspectives on central works of Holocaust scholarship and representation, from the books of Hannah Arendt and Ruth Kl�ger to films such as Claude Lanzmann's Shoah and Steven Spielberg's Schindler's List. Interviews with survivors and their descendants draw new attention to the significance of women's roles and family structures during and in the aftermath of the Holocaust, and interviews and archival research reveal the undercurrents of sexual violence within the Final Solution. As Doris Bergen shows in the book's first chapter, the focus on women's and gender issues in this collection complicates familiar and outworn categories, and humanizes the past in powerful ways. |
| witness voices from the holocaust: Witness Ariel Burger, 2018 WINNER OF THE NATIONAL JEWISH BOOK AWARD--BIOGRAPHY Elie Wiesel was a towering presence on the world stage--a Nobel laureate, activist, adviser to world leaders, and the author of more than forty books, including the Oprah's Book Club selection Night. But when asked, Wiesel always said, I am a teacher first. In fact, he taught at Boston University for nearly four decades, and with this book, Ariel Burger--devoted prot g , apprentice, and friend--takes us into the sacred space of Wiesel's classroom. There, Wiesel challenged his students to explore moral complexity and to resist the dangerous lure of absolutes. In bringing together never-before-recounted moments between Wiesel and his students, Witness serves as a moral education in and of itself--a primer on educating against indifference, on the urgency of memory and individual responsibility, and on the role of literature, music, and art in making the world a more compassionate place. Burger first met Wiesel at age fifteen; he became his student in his twenties, and his teaching assistant in his thirties. In this profoundly thought-provoking and inspiring book, Burger gives us a front-row seat to Wiesel's remarkable exchanges in and out of the classroom, and chronicles the intimate conversations between these two men over the decades as Burger sought counsel on matters of intellect, spirituality, and faith, while navigating his own personal journey from boyhood to manhood, from student and assistant, to rabbi and, in time, teacher. Listening to a witness makes you a witness, said Wiesel. Ariel Burger's book is an invitation to every reader to become Wiesel's student, and witness. |
| witness voices from the holocaust: Hell Before Their Very Eyes John C. McManus, 2015-11-16 The life-altering experiences of the American soldiers who liberated three Nazi concentration camps. On April 4, 1945, United States Army units from the 89th Infantry Division and the 4th Armored Division seized Ohrdruf, the first of many Nazi concentration camps to be liberated in Germany. In the weeks that followed, as more camps were discovered, thousands of soldiers came face to face with the monstrous reality of Hitler’s Germany. These men discovered the very depths of human-imposed cruelty and depravity: railroad cars stacked with emaciated, lifeless bodies; ovens full of incinerated human remains; warehouses filled with stolen shoes, clothes, luggage, and even eyeglasses; prison yards littered with implements of torture and dead bodies; and—perhaps most disturbing of all—the half-dead survivors of the camps. For the American soldiers of all ranks who witnessed such powerful evidence of Nazi crimes, the experience was life altering. Almost all were haunted for the rest of their lives by what they had seen, horrified that humans from ostensibly civilized societies were capable of such crimes. Military historian John C. McManus sheds new light on this often-overlooked aspect of the Holocaust. Drawing on a rich blend of archival sources and thousands of firsthand accounts—including unit journals, interviews, oral histories, memoirs, diaries, letters, and published recollections—Hell Before Their Very Eyes focuses on the experiences of the soldiers who liberated Ohrdruf, Buchenwald, and Dachau and their determination to bear witness to this horrific history. |
| witness voices from the holocaust: The Holocaust by Bullets Patrick Desbois, 2008-08-19 Winner of the National Jewish Book Award: The story of how a Catholic priest uncovered the truth behind the murder of more than a million Ukrainian Jews. Father Patrick Desbois documents the daunting task of identifying and examining all the sites where Jews were exterminated by Nazi mobile units in Ukraine in WWII. Using innovative methodology, interviews, and ballistic evidence, he has determined the location of many mass gravesites with the goal of providing proper burials for the victims of the forgotten Ukrainian Holocaust. Compiling new archival material and many eye-witness accounts, Desbois has put together the first definitive account of one of World War II’s bloodiest chapters. Published with the support of the United States Holocaust Memorial Museum. “This modest Roman Catholic priest from Paris, without using much more than his calm voice and Roman collar, has shattered the silence surrounding a largely untold chapter of the Holocaust.” —Chicago Tribune “Part memoir, part prosecutorial brief, The Holocaust by Bullets tells a compelling story in which a priest unconnected by heritage or history is so moved by an injustice he sets out to right a daunting wrong.” —The Miami Herald “Father Desbois is a generation too late to save lives. Instead, he has saved memory and history.” —The Wall Street Journal “An outstanding contribution to Holocaust literature, uncovering new dimensions of the tragedy . . . Highly recommended.” —Library Journal (starred review) |
| witness voices from the holocaust: Denying the Holocaust Deborah E. Lipstadt, 2012-12-18 The denial of the Holocaust has no more credibility than the assertion that the earth is flat. Yet there are those who insist that the death of six million Jews in Nazi concentration camps is nothing but a hoax perpetrated by a powerful Zionist conspiracy. Sixty years ago, such notions were the province of pseudohistorians who argued that Hitler never meant to kill the Jews, and that only a few hundred thousand died in the camps from disease; they also argued that the Allied bombings of Dresden and other cities were worse than any Nazi offense, and that the Germans were the “true victims” of World War II. For years, those who made such claims were dismissed as harmless cranks operating on the lunatic fringe. But as time goes on, they have begun to gain a hearing in respectable arenas, and now, in the first full-scale history of Holocaust denial, Deborah Lipstadt shows how—despite tens of thousands of living witnesses and vast amounts of documentary evidence—this irrational idea not only has continued to gain adherents but has become an international movement, with organized chapters, “independent” research centers, and official publications that promote a “revisionist” view of recent history. Lipstadt shows how Holocaust denial thrives in the current atmosphere of value-relativism, and argues that this chilling attack on the factual record not only threatens Jews but undermines the very tenets of objective scholarship that support our faith in historical knowledge. Thus the movement has an unsuspected power to dramatically alter the way that truth and meaning are transmitted from one generation to another. |
Four States Require Witnesses for Mortgages and Deeds - Notary …
Nov 7, 2010 · South Carolina: Notary MAY be a witness Georgia: Notary MUST be a witness Louisiana: Notary CANNOT be a witness Inasmuch as Connecticut is a "Witness State", I …
Witness - notaryrotary.com
Mar 2, 2025 · Witness: Posted by David Everett of AK on 3/2/25 12:48pm : Msg #650207: Just curious on how you handle ...
loan modification agreement..Witness required? - Notary Rotary
Aug 20, 2009 · loan modification agreement..Witness required? I notarized a loan modification agreement for a company in California and on one of the documents there was a signature line …
General Acknowledgment - Notary Rotary
Posted by Susan Bryant on 4/12/12 3:29pm Msg #417717 General Acknowledgment Does anyone have a general acknowledgment they would be willing to share?
witness - Notary Rotary
Oct 29, 2009 · witness I have been hired to witness seller signatures for property in Florida I am in Ky. I was told I would witness and would require a second witness. I thought witnesses were …
Clarification on form Waiver of Borrower's Rights (GA)
Jan 27, 2010 · Based on past experience with GA signings, I had a witness sign Security Deed as GA state requires for recordable docs. Because I am unaware whether a closing attorney …
What goes in the blank - Notary Rotary
A credible witness appears together with the principal and swears to the identity of the principal. A subscribing witness meets with the principal when a notary is not available and takes the …
What is a "witness closing" (snapdocs)? - Notary Rotary
I occasionally get pushes for something called a "witness closing" via snapdocs. What kind of job is that exactly? Are they just asking for a notary to show up and witness the signing? (a local …
Re: Witness - notaryrotary.com
As a general rule, California doesn't require witnesses (e.g. on Deeds, etc.), so the only witnesses I keep track of in my journal are those used for identification, i.e. Credible Witnesses, which is …
Notarized or Not? - Notary Rotary
Nov 30, 2004 · "in witness whereof,I herunto set my hand and official seals" Then a line with Notary Public, so I signed on the line, but do I stamp it? Reply by BrendaTX on 11/29/04 …
Four States Require Witnesses for Mortgages and Deeds - Notary …
Nov 7, 2010 · South Carolina: Notary MAY be a witness Georgia: Notary MUST be a witness Louisiana: Notary CANNOT be a witness Inasmuch as Connecticut is a "Witness State", I …
Witness - notaryrotary.com
Mar 2, 2025 · Witness: Posted by David Everett of AK on 3/2/25 12:48pm : Msg #650207: Just curious on how you handle ...
loan modification agreement..Witness required? - Notary Rotary
Aug 20, 2009 · loan modification agreement..Witness required? I notarized a loan modification agreement for a company in California and on one of the documents there was a signature line …
General Acknowledgment - Notary Rotary
Posted by Susan Bryant on 4/12/12 3:29pm Msg #417717 General Acknowledgment Does anyone have a general acknowledgment they would be willing to share?
witness - Notary Rotary
Oct 29, 2009 · witness I have been hired to witness seller signatures for property in Florida I am in Ky. I was told I would witness and would require a second witness. I thought witnesses were …
Clarification on form Waiver of Borrower's Rights (GA)
Jan 27, 2010 · Based on past experience with GA signings, I had a witness sign Security Deed as GA state requires for recordable docs. Because I am unaware whether a closing attorney …
What goes in the blank - Notary Rotary
A credible witness appears together with the principal and swears to the identity of the principal. A subscribing witness meets with the principal when a notary is not available and takes the …
What is a "witness closing" (snapdocs)? - Notary Rotary
I occasionally get pushes for something called a "witness closing" via snapdocs. What kind of job is that exactly? Are they just asking for a notary to show up and witness the signing? (a local …
Re: Witness - notaryrotary.com
As a general rule, California doesn't require witnesses (e.g. on Deeds, etc.), so the only witnesses I keep track of in my journal are those used for identification, i.e. Credible Witnesses, which is …
Notarized or Not? - Notary Rotary
Nov 30, 2004 · "in witness whereof,I herunto set my hand and official seals" Then a line with Notary Public, so I signed on the line, but do I stamp it? Reply by BrendaTX on 11/29/04 …
