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| woman hollering creek and other stories: Woman Hollering Creek Sandra Cisneros, 2013-04-30 A collection of stories by Sandra Cisneros, the celebrated bestselling author of The House on Mango Street and the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature. The lovingly drawn characters of these stories give voice to the vibrant and varied life on both sides of the Mexican border with tales of pure discovery, filled with moments of infinite and intimate wisdom. |
| woman hollering creek and other stories: The House on Mango Street Sandra Cisneros, 2013-04-30 NATIONAL BESTSELLER • A coming-of-age classic about a young girl growing up in Chicago • Acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature. “Cisneros draws on her rich [Latino] heritage...and seduces with precise, spare prose, creat[ing] unforgettable characters we want to lift off the page. She is not only a gifted writer, but an absolutely essential one.” —The New York Times Book Review The House on Mango Street is one of the most cherished novels of the last fifty years. Readers from all walks of life have fallen for the voice of Esperanza Cordero, growing up in Chicago and inventing for herself who and what she will become. “In English my name means hope,” she says. “In Spanish it means too many letters. It means sadness, it means waiting. Told in a series of vignettes—sometimes heartbreaking, sometimes joyous—Cisneros’s masterpiece is a classic story of childhood and self-discovery and one of the greatest neighborhood novels of all time. Like Sinclair Lewis’s Main Street or Toni Morrison’s Sula, it makes a world through people and their voices, and it does so in language that is poetic and direct. This gorgeous coming-of-age novel is a celebration of the power of telling one’s story and of being proud of where you're from. |
| woman hollering creek and other stories: Sandra Cisneros's Woman Hollering Creek Cecilia S. Donohue, 2010 This addition to Rodopi Press's Dialogue Series presents a collection of essays solely dedicated to Woman Hollering Creek (1991), Sandra Cisneros's groundbreaking collection of short fiction stories and sketches. The emerging and veteran scholars who have contributed to this text approach Cisneros's work from varied perspectives, including negotiation of geographic and sociocultural borders, popular and material culture, and gender portrayals. Author dialogues, in which the scholars comment upon each other's research, constitute a unique, innovative feature of this particular volume. This book will be of interest to those engaged in Chicano/a literature and feminist/gender studies, as well as instructors of literary critical analysis. |
| woman hollering creek and other stories: My Wicked Wicked Ways Sandra Cisneros, 2015-04-28 In this beautiful collection of poems, remarkable for their plainspoken radiance, the bestselling author of The House on Mango Street and winner of the 2019 PEN/Nabokov Award for Achievement in International Literature embraces her first passion-verse. With lines both comic and sad, Sandra Cisneros deftly-and dazzlingly-explores the human experience. For those familiar with Cisneros only from her acclaimed fiction, My Wicked Wicked Ways presents her in an entirely new light. And for readers everywhere, here is a showcase of one of our most powerful writers at her lyrical best. “Here the young voice of Esperanza of The House on Mango Street merges with that of the grown woman/poet. My Wicked Wicked Ways is a kind of international graffiti, where the poet—bold and insistent—puts her mark on those traveled places on the map and in the heart.” —Cherríe Moraga |
| woman hollering creek and other stories: Puro Amor Sandra Cisneros, 2018-10-09 Sandra Cisneros has a fondness for animals and this little gem of a story makes that abundantly clear. “La casa azul,” the cobalt blue residence of Mister and Missus Rivera, overflows with hairless dogs, monkeys, a fawn, a “passionate” Guacamaya macaw, tarantulas, an iguana, and rescues that resemble “ancient Olmec pottery.” Missus loves the rescues most “because their eyes were filled with grief.” She takes lavish care of her husband too, a famous artist, though her neighbors insist he has eyes for other women: “He’s spoiled.” “He’s a fat toad.” She cannot reject him. “...because love is like that. No matter how much it bites, we enjoy and admire the scars.” Thus, the generous creatures pawing her belly, sleeping on her pillow, and “kneeling outside her door like the adoring Magi before the just-born Christ.” This beautiful chapbook is bi-lingual and contains several illustrations—line drawings by Cisneros herself. |
| woman hollering creek and other stories: Loose Woman Sandra Cisneros, 2013-04-30 A candid, sexy and wonderfully mood-strewn collection of poetry that celebrates the female aspects of love, from the reflective to the overtly erotic. • From the bestselling author of The House on Mango Street and winner of the 2019 PEN/Nabokov Award for Achievement in International Literature. “Not only a gifted writer, but an absolutely essential one.” —The New York Times Book Review “All poets would do well to follow the example of Sandra Cisneros, who takes no prisoners and has not made a single compromise in her language.” — Barbara Kingsolver, Los Angeles Times |
| woman hollering creek and other stories: A House of My Own Sandra Cisneros, 2015-10-06 Winner of the PEN Center USA Literary Award for Creative Nonfiction • From the celebrated bestselling author of The House on Mango Street: This memoir has the transcendent sweep of a full life.” —Houston Chronicle From Chicago to Mexico, the places Sandra Cisneros has lived have provided inspiration for her now-classic works of fiction and poetry. But a house of her own, a place where she could truly take root, has eluded her. In this jigsaw autobiography, made up of essays and images spanning three decades—and including never-before-published work—Cisneros has come home at last. Written with her trademark lyricism, in these signature pieces the acclaimed author of The House on Mango Street and winner of the 2019 PEN/Nabokov Award for Achievement in International Literature shares her transformative memories and reveals her artistic and intellectual influences. Poignant, honest, and deeply moving, A House of My Own is an exuberant celebration of a life lived to the fullest, from one of our most beloved writers. |
| woman hollering creek and other stories: Have You Seen Marie? Sandra Cisneros, 2012-10-02 The internationally acclaimed author of The House on Mango Street and winner of the PEN/Nabokov Award for Achievement in International Literature gives us a deeply moving tale of loss, grief, and healing: a lyrically told, richly illustrated fable for grown-ups about a woman’s search for a cat who goes missing in the wake of her mother’s death. The word “orphan” might not seem to apply to a fifty-three-year-old woman. Yet this is exactly how Sandra feels as she finds herself motherless, alone like “a glove left behind at the bus station.” What just might save her is her search for someone else gone missing: Marie, the black-and-white cat of her friend, Roz, who ran off the day they arrived from Tacoma. As Sandra and Roz scour the streets of San Antonio, posting flyers and asking everywhere, “Have you seen Marie?” the pursuit of this one small creature takes on unexpected urgency and meaning. With full-color illustrations that bring this transformative quest to vivid life, Have You Seen Marie? showcases a beloved author’s storytelling magic, in a tale that reminds us how love, even when it goes astray, does not stay lost forever. |
| woman hollering creek and other stories: Posthegemony Jon Beasley-Murray, 2010 A challenging new work of cultural and political theory rethinks the concept of hegemony. |
| woman hollering creek and other stories: Caramelo Sandra Cisneros, 2013-04-30 NATIONAL BESTSELLER • Every year, Ceyala “Lala” Reyes' family—aunts, uncles, mothers, fathers, and Lala's six older brothers—packs up three cars and, in a wild ride, drive from Chicago to the Little Grandfather and Awful Grandmother's house in Mexico City for the summer. From the celebrated bestselling author of The House on Mango Street and winner of the 2019 PEN/Nabokov Award for Achievement in International Literature. Struggling to find a voice above the boom of her brothers and to understand her place on this side of the border and that, Lala is a shrewd observer of family life. But when she starts telling the Awful Grandmother's life story, seeking clues to how she got to be so awful, grandmother accuses Lala of exaggerating. Soon, a multigenerational family narrative turns into a whirlwind exploration of storytelling, lies, and life. Like the cherished rebozo, or shawl, that has been passed down through generations of Reyes women, Caramelo is alive with the vibrations of history, family, and love. From the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature. |
| woman hollering creek and other stories: Y No Se Lo Trago La Tierra / ...and the Earth Did Not Devour Him Tomás Rivera, 2015-09-30 I tell you, God could care less about the poor. Tell me, why must we live here like this? What have we done to deserve this? You're so good and yet you suffer so much, a young boy tells his mother in Tomas Rivera's classic novel about the migrant worker experience. Outside the chicken coop that is their home, his father wails in pain from the unbearable cramps brought on by sunstroke after working in the hot fields. The young boy can't understand his parents' faith in a god that would impose such horrible suffering, poverty and injustice on innocent people. Adapted into the award-winning film ]€]and the earth did not swallow him and recipient of the first award for Chicano literature, the Premio Quinto Sol, in 1970, Rivera's masterpiece recounts the experiences of a Mexican-American community through the eyes of a young boy. Forced to leave their home in search of work, the migrants are exploited by farmers, shopkeepers, even other Mexican Americans, and the boy must forge his identity in the face of exploitation, death and disease, constant moving and conflicts with school officials. In this new edition of a powerful novel comprised of short vignettes, Rivera writes hauntingly about alienation, love and betrayal, man and nature, death and resurrection and the search for community. |
| woman hollering creek and other stories: Vintage Cisneros Sandra Cisneros, 2007-12-18 Vintage Readers are a perfect introduction to some of the great modern writers: The celebrated bestselling author of The House on Mango Street “knows both that the heart can be broken and that it can rise and soar like a bird. Whatever story she chooses to tell, we should be listening for a long time to come (The Washington Post Book World). A winner of the PEN/Nabokov Award for Achievement in International Literature and the prestigious MacArthur Fellowship, Sandra Cisneros evokes working-class Latino experience with an irresistible mix of realism and lyrical exuberance. Vintage Cisneros features an excerpt from her bestselling novel The House on Mango Street, which has become a favorite in school classrooms across the country. Also included are a chapter from her novel, Caramelo; a generous selection of poems from My Wicked Wicked Ways and Loose Woman; and seven stories from her award-winning collection Woman Hollering Creek. |
| woman hollering creek and other stories: Hairs/Pelitos Sandra Cisneros, 1997-11 A story in English and Spanish from The House on Mango Street in which a child describes how each person in the family has hair that looks and acts different--Papa's like a broom, Kiki's like fur, and Mama's with the smell of warm bread. |
| woman hollering creek and other stories: Exploraciones Mary Ann Blitt, Margarita Casas, 2015-01-01 EXPLORACIONES transforms students into culturally competent Spanish speakers by providing learning strategies, systematic self-assessments, integration of the National Standards, and a focus on the practical purposes of language study. Created through a “student-tested, faculty-approved” review process with thousands of students and hundreds of faculty, this text is an engaging and accessible solution. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version. |
| woman hollering creek and other stories: Eleven Patricia Reilly Giff, 2008-12-24 Sam is almost 11 when he discovers a locked box in the attic above his grandfather Mack’s room, and a piece of paper that says he was kidnapped. There are lots of other words, but Sam has always had trouble reading. He’s desperate to find out who he is, and if his beloved Mack is really his grandfather. At night he’s haunted by dreams of a big castle and a terrifying escape on a boat. Who can he trust to help him read the documents that could unravel the mystery? Then he and the new girl, Caroline, are paired up to work on a school project, building a castle in Mack’s woodworking shop. Caroline loves to read, and she can help. But she’s moving soon, and the two must hurry to discover the truth about Sam. |
| woman hollering creek and other stories: Blasphemy Sherman Alexie, 2012-10-02 Sixteen new stories and fifteen classics by the National Book Award–winning, New York Times–bestselling author of War Dances. Sherman Alexie’s stature as a writer of stories, poetry, and novels has soared over the course of his twenty-book, twenty-year career. His wide-ranging, acclaimed fiction throughout the last two decades—from The Lone Ranger and Tonto Fistfight in Heaven to his most recent PEN/Faulkner Award–winning War Dances—have established him as a star in contemporary American literature. A bold and irreverent observer of life among Native Americans in the Pacific Northwest, the daring, versatile, funny, and outrageous Alexie showcases his many talents in Blasphemy, where he unites fifteen beloved classics with sixteen new stories in one sweeping anthology for devoted fans and first-time readers. Included here are some of his most esteemed tales, including “What You Pawn I Will Redeem,” in which a homeless Indian man quests to win back a family heirloom; “This Is What It Means to Say Phoenix, Arizona,” a road-trip morality tale; “The Toughest Indian in the World,” about a night shared between a writer and a hitchhiker; and his most recent, “War Dances,” about a man grappling with sudden hearing loss in the wake of his father’s death. Alexie’s new stories are fresh and quintessential, about donkey basketball leagues, lethal wind turbines, a twenty-four-hour Asian manicure salon, good and bad marriages, and all species of warriors in America today. An indispensable Alexie collection, Blasphemy reminds us, on every thrilling page, why Alexie is one of our greatest contemporary writers and a true master of the short story. Praise for Blasphemy “Alexie once again reasserts himself as one the most compelling contemporary practitioners of the short story. In Blasphemy, the author demonstrates his talent on nearly every page. . . . [Alexie] illuminates the lives of his characters in unique, surprising, and, ultimately, hopeful ways.” —Boston Globe “Alexie writes with arresting perception in praise of marriage, in mockery of hypocrisy, and with concern for endangered truths and imperiled nature. He is mischievously and mordantly funny, scathingly forthright, deeply and universally compassionate, and wholly magnetizing. This is a must-have collection.” —Donna Seaman, Booklist (starred review) “[A] sterling collection of short stories by Alexie, a master of the form. . . . The newer pieces are full of surprises. . . . These pieces show Alexie at his best: as an interpreter and observer, always funny if sometimes angry, and someone, as a cop says of one of his characters, who doesn’t “fit the profile of the neighborhood.”“—Kirkus Reviews (starred review) |
| woman hollering creek and other stories: Woman Hollering Creek and Other Stories Sandra Cisneros, 1992 From the author of the widely acclaimed The House on Mango Street comes a story collection of breathtaking range and authority, whose characters give voice to the vibrant and varied life on both sides of the Mexican border. The women in these stories offer tales of pure discovery, filled with moments of infinite and intimate wisdom. |
| woman hollering creek and other stories: Woman Without Shame Sandra Cisneros, 2022-09-13 A BEST BOOK OF THE YEAR: TIME and GOODREADS • A brave new collection of poems from Sandra Cisneros, the best-selling author of The House on Mango Street. It has been twenty-eight years since Sandra Cisneros published a book of poetry. With dozens of never-before-seen poems, Woman Without Shame is a moving collection of songs, elegies, and declarations that chronicle her pilgrimage toward rebirth and the recognition of her prerogative as a woman artist. These bluntly honest and often humorous meditations on memory, desire, and the essential nature of love blaze a path toward self-awareness. For Cisneros, Woman Without Shame is the culmination of her search for home—in the Mexico of her ancestors and in her own heart. |
| woman hollering creek and other stories: Drown Junot Díaz, 1997-07-01 From the beloved and award-winning author Junot Díaz, a spellbinding saga of a family’s journey through the New World. A coming-of-age story of unparalleled power, Drown introduced the world to Junot Díaz's exhilarating talents. It also introduced an unforgettable narrator— Yunior, the haunted, brilliant young man who tracks his family’s precarious journey from the barrios of Santo Domingo to the tenements of industrial New Jersey, and their epic passage from hope to loss to something like love. Here is the soulful, unsparing book that made Díaz a literary sensation. |
| woman hollering creek and other stories: Prietita Y la Llorona Gloria Anzaldúa, 1995 All her life, Prietita has heard terrifying tales of la llorona, the legendary ghost of a woman who steals children at night. When she actually encounters the ghost, Prietita discovers a compassionate woman who helps Prietita on her journey of self-discovery. Based on a Mexican legend. Full-color illustrations. |
| woman hollering creek and other stories: The Madonnas of Echo Park Brando Skyhorse, 2011-02-08 We slipped into this country like thieves, onto the land that once was ours. With these words, spoken by an illegal Mexican day laborer, The Madonnas of Echo Park takes us into the unseen world of Los Angeles, following the men and women who cook the meals, clean the homes, and struggle to lose their ethnic identity in the pursuit of the American dream. When a dozen or so girls and mothers gather on an Echo Park street corner to act out a scene from a Madonna music video, they find themselves caught in the crossfire of a drive-by shooting. In the aftermath, Aurora Esperanza grows distant from her mother, Felicia, who as a housekeeper in the Hollywood Hills establishes a unique relationship with a detached housewife. The Esperanzas’ shifting lives connect with those of various members of their neighborhood. A day laborer trolls the streets for work with men half his age and witnesses a murder that pits his morality against his illegal status; a religious hypocrite gets her comeuppance when she meets the Virgin Mary at a bus stop on Sunset Boulevard; a typical bus route turns violent when cultures and egos collide in the night, with devastating results; and Aurora goes on a journey through her gentrified childhood neighborhood in a quest to discover her own history and her place in the land that all Mexican Americans dream of, the land that belongs to us again. Like the Academy Award–winning film Crash, The Madonnas of Echo Park follows the intersections of its characters and cultures in Los Angeles. In the footsteps of Junot Díaz and Sherman Alexie, Brando Skyhorse in his debut novel gives voice to one neighborhood in Los Angeles with an astonishing— and unforgettable—lyrical power. |
| woman hollering creek and other stories: The Floating World Cynthia Kadohata, 1991 Maks the debut of a luminious new voice in fiction. THE NEW YORK TIMES Olivia, the young narrator of this beautiful novel, and her Japanese-American family are constantly on the road, looking for a home in the 1950s. Then traveling becomes a kind of home, a place for her parents to work out their difficulties, in towns that barely linger in memory, hanging in the air among them as the part of a family history that reaches further back than they care to recall, but can't help remembering.... |
| woman hollering creek and other stories: The Rain God Arturo Islas, 2021-01-19 The Rain God is a lost masterpiece that helped launch a legion of writers. Its return, in times like these, is a plot twist that perhaps only Arturo Islas himself could have conjured. May it win many new readers. — Luis Alberto Urrea, bestselling author of The House of Broken Angels and The Hummingbird’s Daughter Rivers, rivulets, fountains and waters flow, but never return to their joyful beginnings; anxiously they hasten on to the vast realms of the Rain God. A beloved Southwestern classic—as beautiful, subtle and profound as the desert itself—Arturo Islas's The Rain God is a breathtaking masterwork of contemporary literature. Set in a fictional small town on the Texas-Mexico border, it tells the funny, sad and quietly outrageous saga of the children and grandchildren of Mama Chona the indomitable matriarch of the Angel clan who fled the bullets and blood of the 1911 revolution for a gringo land of promise. In bold creative strokes, Islas paints on unforgettable family portrait of souls haunted by ghosts and madness--sinners torn by loves, lusts and dangerous desires. From gentle hearts plagued by violence and epic delusions to a child who con foretell the coming of rain in the sweet scent of angels, here is a rich and poignant tale of outcasts struggling to live and die with dignity . . . and to hold onto their past while embracing an unsteady future. |
| woman hollering creek and other stories: Sandra Cisneros's The House on Mango Street Harold Bloom, 2010 A collection of essays exploring various aspects of Sandra Cisneros' novel The House on Mango Street. |
| woman hollering creek and other stories: Border Crossings and Beyond Carmen Haydée Rivera, 2009-09-23 Best known as the author of The House on Mango Street, Sandra Cisneros is recognized as one the most important contemporary U.S. writers. In this book, the author examines the ways in which issues of cultural and racial identity are reflected in Cisneros' writing and social activism. She looks at Cisneros' creative process when writing novels and analyzes her poetry collections, highlighting the distinctions that she makes between the two forms of writing. The author concludes with a discussion of Cisneros' role as an activist involved in community affairs, particularly those related to the development of Latino/a lives. This book is a revealing and multi-faceted portrait of Cisneros as writer, woman, and Mexican American. |
| woman hollering creek and other stories: The Short Story Cycle Susan Mann, 1989 This guide is an excellent beginning for the study of a little-recognized genre and will be needed by all academic libraries. Choice During the 1970s many distinguished writers began experimenting with the short story cycle, a literary form that achieved prominence in the early decades of the century through such works as James Joyce's Dubliners and Sherwood Anderson's Winesburg, Ohio. Despite the growing interest of both writers and readers, no theoretical work has been done on this genre in the past ten years. The Short Story Cycle provides a wide-ranging survey of the subject, offering detailed analyses of nine classic short story cycles and an annotated listing of over 120 others, many by contemporary authors. In addition, the introduction includes a history of the genre and its related forms as well as a discussion of conventions associated with the cycle. Short story cycles by Joyce, Anderson, Hemingway, Steinbeck, Faulkner, Welty, O'Connor, and Updike are described in individual chapters. These works illustrate the genre's diversity and vitality, ranging from cycles that are explicitly related through chronology, plot, and character to collections that reveal subtler, implicit unities. The author looks at the ways different writers use repeated or developed characters, themes, myth, imagery, setting, point of view, and plot or chronology to create the sense of a larger whole. Chapter bibliographies supply information on relevant critical writings as well as biographical and autobiographical materials. The volume concludes with an annotated listing of important twentieth-century short-story cycles by American, British, European, Canadian, Australian, Polish, Soviet, and Latin American writers. |
| woman hollering creek and other stories: Woman Hollering Creek Rita Anderson, 2021-02 WOMAN HOLLERING CREEK is set in the fictional town of Dark Cloud, Texas, at the DRESSY BBQ FISH TACOS, a restaurant, dress, and bait-and-tackle shop that also offers fishing and hunting tours, as well as massages. DRESSY BBQ FISH TACOS is doing a booming business since the ghost town hopes to get into the Book of World Records for their Largest Ball of Dental Floss. The shop is like an old-fashioned General Store on steroids. It prides itself in finding you whatever you need, and they dabble in just about everything. But, when a stranger comes to town and promises to make them all rich, we learn that no one is who they claim to be in Dark Cloud and everyone has a secret. WOMAN HOLLERING CREEK, a serio-comedy with a farcical flair, takes its name from the creek that runs through San Antonio, and the script was inspired by the legend of La Llorona, the weeping woman. |
| woman hollering creek and other stories: The Power of Management Capital Armand Feigenbaum, 2003-03-05 From the man whom BusinessWeek has called a founding father and the hands-on implementer of the Quality Movement comes a breakthrough approach to management and leadership Just as Armand Feigenbaum's pioneering Total Quality Control changed the world's approach to quality and productivity, The Power of Management Capital will also transform the contemporary business landscape. The Power of Management Capital explains the new business model of management capital--what it is and how the deployment of management assets sets pacesetter companies apart from the also-rans and business failures of the past decade. Armand Feigenbaum and his brother Donald, an executive vice president at General Systems, Inc., provide a definition of the distinct components of management capital--it is the physical assets, the culture, the approach to innovation, the intellectual capital, the human resources, etc.--and then show how the deployment of each of these assets is key to successful growth and profitability. |
| woman hollering creek and other stories: Woman Hollering Creek and Other Stories Sandra Cisneros, 1993 A collection of short stories which bring to life the sounds and smells of Mexico. They range from stories narrated by witches as they see through the ages from past to future, to stories about distressed adolescents who request nothing more than a pimple-free face. |
| woman hollering creek and other stories: Puro Chicanx Writers of the 21st Century Luis Alberto Urrea, Pamela Uschuk, 2020-03-06 Edited by Beth Alvarado, Octavio Quintanilla, Carmen Tafolla, Luis Alberto Urrea, and Edward Vidaurre, this anthology of poetry and prose features 90 plus Chicanx writers from all over the U.S., including Lorna Dee Cervantes, Ana Castillo, Sandra Cisneros, Rosemary Catacalos, Alberto Rios, Gary Soto, Alma Garcia, Leticia Del Toro, Jenn Givhan, Octavio Solis, Odilia Galvan Rodriguez, Rachel Gutierrez, and many more. It is a feast of contemporary Chicanx literature. Black Earth Institute and Cutthroat, a Journal of the Arts, coordinated by Pamela Uschuk, collaborated on publishing this historic collection of Chicanx writers. |
| woman hollering creek and other stories: Writing Hard Stories Melanie Brooks, 2017-02-07 Some of the country’s most admired authors—including Andre Dubus III, Mark Doty, Marianne Leone, Michael Patrick MacDonald, Richard Blanco, Abigail Thomas, Kate Bornstein, Jerald Walker, and Kyoko Mori—describe their treks through dark memories and breakthrough moments and attest to the healing power of putting words to experience. What does it take to write an honest memoir? And what happens to us when we embark on that journey? Melanie Brooks sought guidance from the memoirists who most moved her to answer these questions. Called an essential book for creative writers by Poets & Writers, Writing Hard Stories is a unique compilation of authentic stories about the death of a partner, parent, or child; about violence and shunning; and about the process of writing. It will serve as a tool for teachers of writing and give readers an intimate look into the lives of the authors they love. Authors profiled in Writing Hard Stories: Andre Dubus III, Sue William Silverman, Michael Patrick MacDonald, Joan Wickersham, Kyoko Mori, Richard Hoffman, Suzanne Strempek Shea, Abigail Thomas, Monica Wood, Mark Doty, Edwidge Dantict, Marianne Leone, Jerald Walker, Kate Bornstein, Jessica Handler, Richard Blanco, Alysia Abbott, and Kim Stafford Insights from Writing Hard Stories “Why we endeavor collectively to write a book or paint a canvas or write a symphony...is to understand who we are as human beings, and it’s that shared knowledge that somehow helps us to survive.”—Richard Blanco “Here’s what you need to understand: your brothers [or family or friends] are going to have their own stories to tell. You don’t have to tell the family story. You have to tell your story of being in that family.”—Andre Dubus III “We all need a way to express or make something out of experiences that otherwise have no meaning. If what you want is clarity and meaning, you have to break the secrets over your knee and make something of those ingredients.”—Abigail Thomas “What we remember and how we remember it really tells us how we became who we became.”—Michael Patrick MacDonald “The reason I write memoir is to be able to see the experience itself...I hardly know what I think until I write...Writing is a way to organize your life, give it a frame, give it a structure, so that you can really see what it was that happened.”—Sue William Silverman “After a while in the process, you have some distance and you start thinking of it as a story, not as your story...It was a personal grief, but no longer personal...[It’s] something that has not just happened to me and my family, but something that’s happened in the world.”—Edwidge Danticat “Tibetan Buddhists believe that eloquence is the telling of a truth in such a way that it eases suffering...The more suffering that is eased by your telling of the truth, the more eloquent you are. That’s all you can really hope for—being eloquent in that fashion. All you have to do is respond to your story honestly, and that’s the ideal.”—Kate Bornstein “You can never entirely redeem the experience. You can’t make it not hurt anymore. But you can make it beautiful enough so that there’s something to balance it in the other scale. And if you understand that word beautiful as not necessarily pretty, then you’re getting close to recognizing the integrative power of restoring the balance, which is restoring the truth.”—Richard Hoffman |
| woman hollering creek and other stories: Family Pictures/Cuadros De Familia Carmen Lomas Garza, Harriet Rohmer, Rosalma Zubizarreta, 1998-03-01 Reprinted in a large-format, English/Spanish bilingual paperback edition, a School Library Journal and Library of Congress Best Books of the Year selection describes a little girl's childhood in a traditional Mexican-American community. Reprint. |
| woman hollering creek and other stories: Infinite Divisions Tey Diana Rebolledo, Eliana Su‡rez Rivero, 1993 Offers examples of oral narratives and literature from the nineteenth century to the present |
| woman hollering creek and other stories: Understanding Contemporary Chicana Literature Deborah L. Madsen, 2000 Exploring the work of six notable authors, this text reveals characteristic themes, images and stylistic devices that make contemporary Chicana writing a vibrant and innovative part of a burgeoning Latina creativity. |
| woman hollering creek and other stories: Learning from Experience Paula M. L. Moya, 2002-02-01 In Learning from Experience, Paula Moya offers an alternative to some influential philosophical assumptions about identity and experience in contemporary literary theory. Arguing that the texts and lived experiences of subordinated people are rich sources of insight about our society, Moya presents a nuanced universalist justification for identity-based work in ethnic studies. This strikingly original book provides eloquent analyses of such postmodernist feminists as Judith Butler, Donna Haraway, Norma Alarcón, and Chela Sandoval, and counters the assimilationist proposals of minority neoconservatives such as Shelby Steele and Richard Rodriguez. It advances realist proposals for multicultural education and offers an understanding of the interpretive power of Chicana feminists including Cherríe Moraga, Gloria Anzaldúa, and Helena María Viramontes. Learning from Experience enlarges our concept of identity and offers new ways to situate aspects of race, gender, class, and sexual orientation in discursive and sociopolitical contexts. |
| woman hollering creek and other stories: Rikki-Tikki-Tavi Rudyard Kipling, 2012-11-01 A 19th-century English family - discovers a young mongoose half drowned from a flood. They revive it and decide to keep it as a pet. The young mongoose, named Rikki Tikki Tavi, finds himself confronted by two dangerous king cobras, Nag and his even more dangerous wife Nagaina, who had the run of the garden while the house was unoccupied. |
| woman hollering creek and other stories: Ethnicity and the American Short Story Julie Brown, 2013-05-13 How do different ethnic groups approach the short story form? Do different groups develop culture-related themes? Do oral traditions within a particular culture shape the way in which written stories are told? Why does the community loom so large in ethnic stories? How do such traditional forms as African American slave narratives or the Chinese talk-story shape the modern short story? Which writers of color should be added to the canon? Why have some minority writers been ignored for such a long time? How does a person of color write for white publishers, editors, and readers? Each essay in this collection of original studies addresses these questions and other related concerns. It is common knowledge that most scholarly work on the short story has been on white writers: This collection is the first work to specifically focus on short story practice by ethnic minorities in America, ranging from African Americans to Native Americans, Chinese Americans to Hispanic Americans. The number of women writers discussed will be of particular interest to women studies and genre studies researchers, and the collections will be of vital interest to scholars working in American literature, narrative theory, and multicultural studies. |
| woman hollering creek and other stories: Quetzalcoatl and Guadalupe Jacques Lafaye, 1987-08-15 In this study of complex beliefs in which Aztec religion and Spanish Catholicism blend, Lafaye demonstrates the importance of religious beliefs in the formation of the Mexican nation. Far from being of only parochial interest, this volume is of great value to any historian of religions concerned with problems of nativism and syncretism.—Franke J. Neumann, Religious Studies Review |
| woman hollering creek and other stories: Zoot Suit & Other Plays Luis Valdez, 1992-04-30 This critically acclaimed play by Luis Valdez cracks open the depiction of Chicanos on stage, challenging viewers to revisit a troubled moment in our nationÕs history. From the moment the myth-infused character El Pachuco burst onto the stage, cutting his way through the drop curtain with a switchblade, Luis Valdez spurred a revolution in Chicano theater. Focusing on the events surrounding the Sleepy Lagoon Murder Trial of 1942 and the ensuing Zoot Suit Riots that turned Los Angeles into a bloody war zone, this is a gritty and vivid depiction of the horrifying violence and racism suffered by young Mexican Americans on the home front during World War II. ValdezÕs cadre of young urban characters struggle with the stereotypes and generalizations of AmericaÕs dominant culture, the questions of assimilation and patriotism, and a desire to rebel against the mainstream pressures that threaten to wipe them out. Experimenting with brash forms of narration, pop culture of the war era, and complex characterizations, this quintessential exploration of the Mexican-American experience in the United States during the 1940Õs was the first, and only, Chicano play to open on Broadway. This collection contains three of playwright and screenwriter Luis ValdezÕs most important and recognized plays: Zoot Suit, Bandido! and I DonÕt Have to Show You No Stinking Badges. The anthology also includes an introduction by noted theater critic Dr. Jorge Huerta of the University of California-San Diego. Luis Valdez, the most recognized and celebrated Hispanic playwright of our times, is the director of the famous farm-worker theater, El Teatro Campesino. |
| woman hollering creek and other stories: One Line Drive Daniel Ponce de Leon, 2021-03-09 Daniel Ponce de Leon's hard-fought journey to Major League Baseball and recovery from a near-death injury, followed by his astonishing big league debut, will inspire readers to trust God in all circumstances. The path you take to achieving your dreams is not always easy. Daniel Ponce de Leon, an acclaimed pitcher for the St. Louis Cardinals, overcame many challenges to get to the Major Leagues. Drafted four times, he spent a long four years climbing his way up through the minors before finally reaching AAA, only one step away from the Major Leagues. Then, Daniel's dream was almost shattered when he was struck in the head by a line drive. Spending weeks in the hospital and months recovering from a large epidural hematoma, skull fracture, brain swelling, and hemorrhaging, Daniel held on to his belief that he would one day realize his dream. Fourteen months later, and fully recovered, he made his first Major League start, becoming the fifth pitcher in modern Major League history to throw seven innings of no-hit ball in his first outing. MLB.com referred to it as one of the greatest debuts in Major League Baseball history. In One Line Drive, Daniel retells his remarkable journey, sharing how he never would have made it without his faith in God and the support of family and friends. Full of grit, determination, and faith, Daniel's story is an inspiring reminder to keep pressing on regardless of any setback or disappointment. |
Woman - Wikipedia
A woman is an adult female human. [a][2][3] Before adulthood, a female child or adolescent is referred to as a girl. [4] Typically, women are of the female sex and inherit a pair of X …
WOMAN Definition & Meaning - Merriam-Webster
The meaning of WOMAN is an adult female person.
WOMAN | English meaning - Cambridge Dictionary
WOMAN definition: 1. an adult female human being: 2. an adult who lives and identifies as female though they may…. Learn more.
Woman: Definition, Meaning, and Examples - usdictionary.com
4 days ago · Woman (noun): A female person associated with a particular role, occupation, or characteristic. 3. Woman (noun): The female sex, collectively. The term "woman" is a …
WOMAN definition in American English - Collins Online Dictionary
A woman is an adult female human being. ...a young Lithuanian woman named Dayva. ...men and women over 75 years old. You can refer to women in general as woman. ...the oppression of …
Woman - definition of woman by The Free Dictionary
1. an adult female person, as distinguished from a girl or a man. 2. a wife. 3. a female lover or sweetheart. 4. a female servant or attendant. 5. women collectively; womankind. 6. the nature, …
Woman - Definition, Meaning & Synonyms - Vocabulary.com
When you're talking about a woman, you're talking about a girl who's all grown up. Just as man sometimes refers to all people or all men, woman can refer to all women, as in "What's next for …
What does WOMAN mean? - Definitions.net
What does WOMAN mean? This dictionary definitions page includes all the possible meanings, example usage and translations of the word WOMAN. An adult female human. To man with …
woman - Wiktionary, the free dictionary
May 31, 2025 · American grammarians and style guides often proscribe/reject the usage of woman as an attributive (a noun used to describe other nouns, as in "a woman leader", a …
Woman - Simple English Wikipedia, the free encyclopedia
Women have sex organs including a vagina, uterus, and ovaries from birth. After they become adults, women also have breasts to make milk for babies. Women's bodies are usually …
Woman - Wikipedia
A woman is an adult female human. [a][2][3] Before adulthood, a female child or adolescent is referred to as a girl. [4] Typically, women are of the female sex and inherit a pair of X …
WOMAN Definition & Meaning - Merriam-Webster
The meaning of WOMAN is an adult female person.
WOMAN | English meaning - Cambridge Dictionary
WOMAN definition: 1. an adult female human being: 2. an adult who lives and identifies as female though they may…. Learn more.
Woman: Definition, Meaning, and Examples - usdictionary.com
4 days ago · Woman (noun): A female person associated with a particular role, occupation, or characteristic. 3. Woman (noun): The female sex, collectively. The term "woman" is a …
WOMAN definition in American English - Collins Online Dictionary
A woman is an adult female human being. ...a young Lithuanian woman named Dayva. ...men and women over 75 years old. You can refer to women in general as woman. ...the oppression of …
Woman - definition of woman by The Free Dictionary
1. an adult female person, as distinguished from a girl or a man. 2. a wife. 3. a female lover or sweetheart. 4. a female servant or attendant. 5. women collectively; womankind. 6. the nature, …
Woman - Definition, Meaning & Synonyms - Vocabulary.com
When you're talking about a woman, you're talking about a girl who's all grown up. Just as man sometimes refers to all people or all men, woman can refer to all women, as in "What's next for …
What does WOMAN mean? - Definitions.net
What does WOMAN mean? This dictionary definitions page includes all the possible meanings, example usage and translations of the word WOMAN. An adult female human. To man with …
woman - Wiktionary, the free dictionary
May 31, 2025 · American grammarians and style guides often proscribe/reject the usage of woman as an attributive (a noun used to describe other nouns, as in "a woman leader", a usage which is …
Woman - Simple English Wikipedia, the free encyclopedia
Women have sex organs including a vagina, uterus, and ovaries from birth. After they become adults, women also have breasts to make milk for babies. Women's bodies are usually different …
