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| whos afraid of virginia woolf script: Who's Afraid of Virginia Woolf? Edward Albee, 2006-08-01 A bitter marriage unravels in Edward Albee's darkly humorous play—winner of the Tony Award for Best Play. “Twelve times a week,” answered actress Uta Hagen when asked how often she’d like to play Martha in Who’s Afraid of Virginia Woolf? In the same way, audiences and critics alike could not get enough of Edward Albee’s masterful play. A dark comedy, it portrays husband and wife George and Martha in a searing night of dangerous fun and games. By the evening’s end, a stunning, almost unbearable revelation provides a climax that has shocked audiences for years. With its razor-sharp dialogue and the stripping away of social pretense, Newsweek rightly foresaw Who’s Afraid of Virginia Woolf? as “a brilliantly original work of art—an excoriating theatrical experience, surging with shocks of recognition and dramatic fire [that] will be igniting Broadway for some time to come.” |
| whos afraid of virginia woolf script: Who's Afraid of Virginia Woolf? Edward Albee, 2003-07-29 George, a disillusioned academic, and Martha, his caustic wife, have just come home from a faculty party. When a handsome young professor and his mousy wife stop by for a nightcap, an innocent night of fun and games quickly turns dark and dangerous. Long-buried resentment and rage are unleashed as George and Martha turn their rapier-sharp wits against each other, using their guests as pawns in their verbal sparring. By night's end, the secrets of both couples are uncovered and the lies they cling to are exposed. Considered by many to be Albee's masterpiece, Who's Afraid of Virginia Woolf? is a brilliantly original work of art -- an excoriating theatrical experience, surging with shocks of recognition and dramatic fire (Newsweek). |
| whos afraid of virginia woolf script: Who's Afraid of Virginia Woolf? , 1965 |
| whos afraid of virginia woolf script: Who's Afraid of Virginia Woolf? Ard Albee, 1962 |
| whos afraid of virginia woolf script: Richard Burton Michael Munn, 2014-07-10 ‘ After reading this affectionately candid biography, it is hard not to echo Olivier’ s response on hearing of Burton’ s death: “ He was so young, so young” ’ Daily Mail A man of contradictions, Richard Burton’ s life and remarkable career are revealed by a writer who knew him from 1968 up to Burton’ s last film. Recounting Burton’ s deepest and often darkest thoughts and secrets, as well as hell-raising stories quashed by the Hollywood system, such as affairs with Monroe and Lana Turner, being caught in a brothel with Errol Flynn and a fist fight with Frank Sinatra, Munn offers a stunning portrait of a great man. From nursing Burton through an epileptic seizure to witnessing Burton’ s part in East End gang violence, this is an intimate and deeply moving biography. Writer, actor, director and former journalist and Hollywood publicist, Michael Munn, has written twenty-one books, including the best selling John Wayne: The Man Behind the Myth and the acclaimed Jimmy Stewart: The Truth Behind the Legend |
| whos afraid of virginia woolf script: Edward Albee's At Home at the Zoo Edward Albee, 2008 When you emerge from this impish comic playwright's glittering tribute to Molière, written entirely in verse, your head will be so dizzy with syncopated rhyme that you'll almost expect to find yourself speaking and thinking in chiming couplets...[Ives] add The truism that families come in all shapes and sizes is illuminated with haunting beauty...in this exquisitely wrought comedy-drama...a piercing portrait of the contemporary social architecture, in which the distance between people can be widened or collaps |
| whos afraid of virginia woolf script: Who's Afraid of Virginia Woolf? Edward Albee, 1962 Play depicting present-day life on the campus of a small New England college. |
| whos afraid of virginia woolf script: A Room of One's Own Virginia Woolf, 2024-05-30 Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries. |
| whos afraid of virginia woolf script: Who's Afraid of Virginia Woolf? Edward Albee, 1962 |
| whos afraid of virginia woolf script: Between the Acts Virginia Woolf, 1988 In Woolf's last novel, the action takes place on one summer's day at a country house in the heart of England, where the villagers are presenting their annual pageant. A lyrical, moving valedictory. |
| whos afraid of virginia woolf script: Edward Albee's Who's Afraid of Virginia Woolf? Edward Albee, 1990 THE STORY: George, a professor at a small college, and his wife, Martha, have just returned home, drunk from a Saturday night party. Martha announces, amidst general profanity, that she has invited a young couple--an opportunistic new professor at t |
| whos afraid of virginia woolf script: Frank James Kaplan, 2011-11-01 Frank Sinatra was the best-known entertainer of the twentieth century—infinitely charismatic, lionized and notorious in equal measure. But despite his mammoth fame, Sinatra the man has remained an enigma. Now James Kaplan brings deeper insight than ever before to the complex psyche and turbulent life behind that incomparable voice, from Sinatra’s humble beginning in Hoboken to his fall from grace and Oscar-winning return in From Here to Eternity. Here at last is the biographer who makes the reader feel what it was really like to be Frank Sinatra—as man, as musician, as tortured genius. |
| whos afraid of virginia woolf script: Stretching My Mind Edward Albee, 2009-04-20 America's most important living playwright, Edward Albee, has been rocking our country's moral, political and artistic complacency for more than 50 years. Beginning with his debut play, The Zoo Story (1958), and on to his barrier breaking works of the 1960s, most notably The American Dream (1960), Who's Afraid of Virginia Woolf? (1963), and the Pulitzer Prize-winning A Delicate Balance (1966), Albee's unsparing indictment of the American way of life earned him early distinction as the dramatist of his generation. His acclaim was enhanced further in the decades that followed with prize-winning dramas such as Seascape (1974) and Three Tall Women (1991), as well as recent works like The Play About the Baby (2001) and The Goat. (2002). Albee has brought the same critical force to his non-theatrical prose. Stretching My Mind collects for the first time ever the author's writings on theater, literature, and the political and cultural battlegrounds that have defined his career. Many of the selections were drawn from Albee's private papers, and almost all previously published material -- dating from 1960 to the present -- has never been reprinted. Topics include Samuel Beckett, Eugene Ionesco, Sam Shepherd, as well as autobiographical writings about Albee's life, work, and worldview. |
| whos afraid of virginia woolf script: Edward Albee's Occupant Edward Albee, 2009 New York sculptor Louise Nevelson's life was marked by intrepid triumphs and deep inner turmoil. Both her public accomplishments and private emotional conflicts are thoroughly examined by an unnamed interviewer who questions the posthumous Nevelson with an unabashed scrutiny. The result is a touching, humorous, and honest tribute to a woman who was a pioneer for free-thinking females everywhere, but also stood on her own as one of the 20th century's greatest artistic minds. |
| whos afraid of virginia woolf script: Mike Nichols Mark Harris, 2021-02-02 A National Book Critics Circle finalist • One of People's top 10 books of 2021 • An instant New York Times bestseller • Named a best book of the year by NPR and Time A magnificent biography of one of the most protean creative forces in American entertainment history, a life of dazzling highs and vertiginous plunges—some of the worst largely unknown until now—by the acclaimed author of Pictures at a Revolution and Five Came Back Mike Nichols burst onto the scene as a wunderkind: while still in his twenties, he was half of a hit improv duo with Elaine May that was the talk of the country. Next he directed four consecutive hit plays, won back-to-back Tonys, ushered in a new era of Hollywood moviemaking with Who's Afraid of Virginia Woolf?, and followed it with The Graduate, which won him an Oscar and became the third-highest-grossing movie ever. At thirty-five, he lived in a three-story Central Park West penthouse, drove a Rolls-Royce, collected Arabian horses, and counted Jacqueline Kennedy, Elizabeth Taylor, Leonard Bernstein, and Richard Avedon as friends. Where he arrived is even more astonishing given where he had begun: born Igor Peschkowsky to a Jewish couple in Berlin in 1931, he was sent along with his younger brother to America on a ship in 1939. The young immigrant boy caught very few breaks. He was bullied and ostracized--an allergic reaction had rendered him permanently hairless--and his father died when he was just twelve, leaving his mother alone and overwhelmed. The gulf between these two sets of facts explains a great deal about Nichols's transformation from lonely outsider to the center of more than one cultural universe--the acute powers of observation that first made him famous; the nourishment he drew from his creative partnerships, most enduringly with May; his unquenchable drive; his hunger for security and status; and the depressions and self-medications that brought him to terrible lows. It would take decades for him to come to grips with his demons. In an incomparable portrait that follows Nichols from Berlin to New York to Chicago to Hollywood, Mark Harris explores, with brilliantly vivid detail and insight, the life, work, struggle, and passion of an artist and man in constant motion. Among the 250 people Harris interviewed: Elaine May, Meryl Streep, Stephen Sondheim, Robert Redford, Glenn Close, Tom Hanks, Candice Bergen, Emma Thompson, Annette Bening, Natalie Portman, Julia Roberts, Lorne Michaels, and Gloria Steinem. Mark Harris gives an intimate and evenhanded accounting of success and failure alike; the portrait is not always flattering, but its ultimate impact is to present the full story of one of the most richly interesting, complicated, and consequential figures the worlds of theater and motion pictures have ever seen. It is a triumph of the biographer's art. |
| whos afraid of virginia woolf script: The Sandbox Edward Albee, 1963 |
| whos afraid of virginia woolf script: Furious Love Sam Kashner, Nancy Schoenberger, 2013-02-18 A tough Welshman, he was softened by the affections of a breathtakingly beautiful woman: she was a modern-day Cleopatra madly in love with her own Mark Antony. For quarter of a century, Elizabeth Taylor and Richard Burton were the king and queen of Hollywood. Yet their two marriages to each other represented much more than outlandish romance. Together, Elizabeth and Richard were a fascinating embodiment of the mores and transgressions of their time and even luminaries like Jacqueline Kennedy looked to them as a barometer of the culture. The enduring glamour, grandeur, drama and bravado embodied in the couple gave rise to the type of rabid gossip and wide-eyed adoration that are the staples of todayÕ s media. Using brand-new research and interviews Ð including unique access to Taylor herself, the Burton family, and TaylorÕ s extensive personal correspondence Ð this ultimate celebrity biography is the gripping real-life story of a fairy-tale couple whose lives were even grander and more outrageous than the epic films they made. |
| whos afraid of virginia woolf script: Edward Albee: A Singular Journey Mel Gussow, 2012-11-27 In 1960, Edward Albee electrified the theater world with the American premiere of The Zoo Story, and followed it two years later with his extraordinary first Broadway play, Who's Afraid of Virginia Woolf? Proclaimed as the playwright of his generation, he went on to win three Pulitzer Prizes for his searing and innovative plays. Mel Gussow, author, critic, and cultural writer for The New York Times, has known Albee and followed his career since its inception, and in this fascinating biography he creates a compelling firsthand portrait of a complex genius. The book describes Albee's life as the adopted child of rich, unloving parents and covers the highs and lows of his career. A core myth of Albee's life, perpetuated by the playwright, is that The Zoo Story was his first play, written as a thirtieth birthday present to himself. As Gussow relates, Albee has been writing since adolescence, and through close analysis the author traces the genesis of Who's Afraid of Virginia Woolf?, Tiny Alice, A Delicate Balance, and other plays. After his early triumphs, Albee endured years of critical neglect and public disfavor. Overcoming artistic and personal difficulties, he returned in 1994 with Three Tall Women. In this prizewinning play he came to terms with the towering figure of his mother, the woman who dominated so much of his early life. With frankness and critical acumen, and drawing on extensive conversations with the playwright, Gussow offers fresh insights into Albee's life. At the same time he provides vivid portraits of Albee's relationships with the people who have been closest to him, including William Flanagan (his first mentor), Thornton Wilder, Richard Barr, John Steinbeck, Alan Schneider, John Gielgud, and his leading ladies, Uta Hagen, Colleen Dewhurst, Irene Worth, Myra Carter, Elaine Stritch, Marian Seldes, and Maggie Smith. And then there are, most famously, Elizabeth Taylor and Richard Burton, who starred in Mike Nichols's acclaimed film version of Who's Afraid of Virginia Woolf? The book places Albee in context as a playwright who inspired writers as diverse as John Guare and Sam Shepard, and as a teacher and champion of human rights. Edward Albee: A Singular Journey is rich with colorful details about this uniquely American life. It also contains previously unpublished photographs and letters from and to Albee. It is the essential book about one of the major artists of the American theater. |
| whos afraid of virginia woolf script: Who's Afraid of Virginia Woolf? Matthew Charles Roudané, 1990 Written in an easy-to-read, accessible style by teachers with years of classroom experience, Masterwork Studies are guides to the literary works most frequently studied in high school. Presenting ideas that spark imaginations, these books help students to gain background knowledge on great literature useful for papers and exams. The goal of each study is to encourage creative thinking by presenting engaging information about each work and its author. This approach allows students to arrive at sound analyses of their own, based on in-depth studies of popular literature. Each volume: -- Illuminates themes and concepts of a classic text -- Uses clear, conversational language -- Is an accessible, manageable length from 140 to 170 pages -- Includes a chronology of the author's life and era -- Provides an overview of the historical context -- Offers a summary of its critical reception -- Lists primary and secondary sources and index |
| whos afraid of virginia woolf script: The Play about the Baby Edward Albee, 2004 The first British publication of a brilliant new Albee play If you have no wounds, how can you know if you're alive? In THE PLAY ABOUT THE BABY, a young couple who are madly in love with each other, have a child - the perfect family - that is, until an older couple steal the baby. Through a series of mind games and manipulations, they call into question both couples' sense of reality and fiction, joy and sorrow in this devastating black comedy which invites parallels with Who's Afraid of Virginia Woolf. You're unlikely to find a more intriguingly structured, provocative or entertaining new play - Curtain Up The Play about the Baby rockets into that special corner of theatre heaven where words shoot off like fireworks into dazzling patterns and hues - New York Times |
| whos afraid of virginia woolf script: All That Glittered Ethan Mordden, 2015-04-07 From the late 1920s to late 1950s, the Broadway theatre was America's cultural epicenter. Television didn't exist and movies were novelties. Entertainment took the form of literature, music, and theatre. During this golden age of Broadway, actors and actresses became legends and starred in now classic plays. Laurence Olivier, Alfred Lunt and Lynne Fontaine were names to remember, etching plays into memory as they brought the words of Tennessee Williams or Eugene O'Neill to life. Joseph Cotton romanced Katherine Hepburn in Philip Barry's The Philadelphia Story while Laurette Taylor became The Glass Menagerie's Amanda Wingfield. Frederic March, Florence Eldridge, Jason Robards Jr. and Bradford Dillman showed us life among the ruins in Long Day's Journey Into Night. In All That Glittered, Ethan Mordden, long one of Broadway's best chroniclers, recreates the fascinating lost world of its golden age. |
| whos afraid of virginia woolf script: Who's Afraid of Virginia Woolf? Edward Albee, 1973 |
| whos afraid of virginia woolf script: Albee: Who's Afraid of Virginia Woolf? Stephen J. Bottoms, 2000-09-21 A full study of this major contemporary play, including an interview with Edward Albee. |
| whos afraid of virginia woolf script: Buried Child Sam Shepard, 2006-02-14 A newly revised edition of an American classic, Sam Shepard’s Pulitzer Prize—winning Buried Child is as fierce and unforgettable as it was when it was first produced in 1978. A scene of madness greets Vince and his girlfriend as they arrive at the squalid farmhouse of Vince’s hard-drinking grandparents, who seem to have no idea who he is. Nor does his father, Tilden, a hulking former All-American footballer, or his uncle, who has lost one of his legs to a chain saw. Only the memory of an unwanted child, buried in an undisclosed location, can hope to deliver this family from its sin. |
| whos afraid of virginia woolf script: The Sandbox ; And, The Death of Bessie Smith ; With, Fam and Yam Edward Albee, 1988 Two modern plays explore the spiritual and tragic aspects of the human struggle with death |
| whos afraid of virginia woolf script: Pictures at a Revolution Mark Harris, 2008 Documents the cultural revolution behind the making of 1967's five Best Picture-nominated films, including Guess Who's Coming to Dinner, The Graduate, Doctor Doolittle, In the Heat of the Night, and Bonnie and Clyde, in an account that discusses how the movies reflected period beliefs about race, violence, and identity. 40,000 first printing. |
| whos afraid of virginia woolf script: Killer Joe Tracy Letts, 1999 Killer Cop Tony Law meets trailer-park trash Phil Nichol and Lizzie Roper in Tracy Letts' jaw-dropping smash-hit dark comedy. Breath-taking events. Truly shocking behaviour. Thrilling high-energy climax. |
| whos afraid of virginia woolf script: American Dream Edward Albee, 1997-10-01 For use in schools and libraries only. American Dream and Zoo story: two plays |
| whos afraid of virginia woolf script: The Zoo Story Edward Albee, 1960 A collection of some of Edward Albee's earliest and most acclaimed works. |
| whos afraid of virginia woolf script: A Haunted House and Other Short Stories (The Original Unabridged Posthumous Edition of 18 Short Stories) Virginia Woolf, 2013-05-01 This carefully crafted ebook: A Haunted House and Other Short Stories (The Original Unabridged Posthumous Edition of 18 Short Stories) is formatted for your eReader with a functional and detailed table of contents. A Haunted House is a 1944 collection of 18 short stories by Virginia Woolf. It was produced by her husband Leonard Woolf after her death. The first six stories appeared in her only previous collection Monday or Tuesday in 1921: A Haunted House Monday or Tuesday An Unwritten Novel The String Quartet Kew Gardens The Mark on the Wall The next six appeared in magazines between 1922 and 1941 : The New Dress The Shooting Party Lappin and Lappinova Solid Objects The Lady in the Looking-Glass The Duchess and the Jeweller The final six were unpublished, although only Moments of Being and The Searchlight were finally revised by Virginia Woolf herself : Moments of Being The Man who Loved his Kind The Searchlight The Legacy Together and Apart A Summing Up |
| whos afraid of virginia woolf script: Three Tall Women Edward Albee, 1995-09-01 WINNER OF THE PULITZER PRIZE FOR DRAMA Recently revived on Broadway in a production directed by Joe Mantello, starring two-time Oscar winner Glenda Jackson and Tony winner Laurie Metcalf Earning a Pulitzer and Best Play awards from the Evening Standard, Critics Circle, and Outer Critics Circle, among others, when it premiered, Edward Albee has, in Three Tall Women, created a masterwork of modern theater. As an imperious, acerbic old woman lies dying, she is tended by two other women and visited by a young man. Albee’s frank dialogue about everything from incontinence to infidelity portrays aging without sentimentality. His scenes are charged with wit, pain, and laughter, and his observations tell us about forgiveness, reconciliation, and our own fates. But it is his probing portrait of the three women that reveals Albee’s genius. Separate characters on stage in the first act, yet actually the same “everywoman” at different ages in the second act, these “tall women” lay bare the truths of our lives—how we live, how we love, what we settle for, and how we die. Edward Albee has given theatergoers, critics, and students of drama reason to rejoice. |
| whos afraid of virginia woolf script: Edward Albee's Marriage Play Edward Albee, 1995 THE STORY: Jack comes home from a middling day at the office to quickly announce to his wife, Gillian, that he is leaving her. Suspecting for some time a midlife crisis, Gillian goads Jack about this announcement, forcing him to try it again--going |
| whos afraid of virginia woolf script: Hollywood As Historian Peter C. Rollins, 2021-03-17 “A commendably comprehensive analysis of the issue of Hollywood’s ability to shape our minds . . . invigorating reading.” ?Booklist Film has exerted a pervasive influence on the American mind, and in eras of economic instability and international conflict, the industry has not hesitated to use motion pictures for propaganda purposes. During less troubled times, citizens’ ability to deal with political and social issues may be enhanced or thwarted by images absorbed in theaters. Tracking the interaction of Americans with important movie productions, this book considers such topics as racial and sexual stereotyping; censorship of films; comedy as a tool for social criticism; the influence of “great men” and their screen images; and the use of film to interpret history. Hollywood As Historian benefits from a variety of approaches. Literary and historical influences are carefully related to The Birth of a Nation and Apocalypse Now, two highly tendentious epics of war and cultural change. How political beliefs of filmmakers affected cinematic styles is illuminated in a short survey of documentary films made during the Great Depression. Historical distance has helped analysts decode messages unintended by filmmakers in the study of The Snake Pit and Dr. Strangelove. Hollywood As Historian offers a versatile, thought-provoking text for students of popular culture, American studies, film history, or film as history. Films considered include: The Birth of a Nation (1915), The Plow that Broke the Plains (1936), The River (1937), March of Time (1935-1953), City Lights (1931), Modern Times (1936), The Great Dictator (1940), The Grapes of Wrath (1940), Native Land (1942), Wilson (1944), The Negro Soldier (1944), The Snake Pit (1948), On the Waterfront (1954), Dr. Strangelove (1964), Who’s Afraid of Virginia Woolf? (1966), and Apocalypse Now (1979). “Recommended reading for anyone concerned with the influence of popular culture on the public perception of history.” ?American Journalism |
| whos afraid of virginia woolf script: Putting It Together James Lapine, 2021-08-03 A NEW YORK TIMES BESTSELLER A behind-the-scenes look at the making of the iconic musical Sunday in the Park with George Putting It Together chronicles the two-year odyssey of creating the iconic Broadway musical Sunday in the Park with George. In 1982, James Lapine, at the beginning of his career as a playwright and director, met Stephen Sondheim, nineteen years his senior and already a legendary Broadway composer and lyricist. Shortly thereafter, the two decided to write a musical inspired by Georges Seurat’s nineteenth-century painting A Sunday Afternoon on the Island of La Grande Jatte. Through conversations between Lapine and Sondheim, as well as most of the production team, and with a treasure trove of personal photographs, sketches, script notes, and sheet music, the two Broadway icons lift the curtain on their beloved musical. Putting It Together is a deeply personal remembrance of their collaboration and friend - ship and the highs and lows of that journey, one that resulted in the beloved Pulitzer Prize–winning classic. |
| whos afraid of virginia woolf script: The Things They Carried Tim O'Brien, 2009-10-13 A classic work of American literature that has not stopped changing minds and lives since it burst onto the literary scene, The Things They Carried is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling. The Things They Carried depicts the men of Alpha Company: Jimmy Cross, Henry Dobbins, Rat Kiley, Mitchell Sanders, Norman Bowker, Kiowa, and the character Tim O’Brien, who has survived his tour in Vietnam to become a father and writer at the age of forty-three. Taught everywhere—from high school classrooms to graduate seminars in creative writing—it has become required reading for any American and continues to challenge readers in their perceptions of fact and fiction, war and peace, courage and fear and longing. The Things They Carried won France's prestigious Prix du Meilleur Livre Etranger and the Chicago Tribune Heartland Prize; it was also a finalist for the Pulitzer Prize and the National Book Critics Circle Award. |
| whos afraid of virginia woolf script: King Liz Fernanda Coppel, 2016 Sports agent Liz Rico has money and an elite client roster but a woman in a man’s industry has to fight to stay on top. She’s worked twice as hard to get where she is and wants to take over the agency that she's helped build. Enter Freddie Luna, a high school basketball superstar with a troubled past. If Liz can keep this talented yet volatile young star in line, she just might end up making not only his career, but her own as well. But at what price? -- Publisher website. |
| whos afraid of virginia woolf script: Water by the Spoonful Quiara Alegría Hudes, 2013 THE STORY: Somewhere in Philadelphia, Elliot has returned from Iraq and is struggling to find his place in the world. Somewhere in a chat room, recovering addicts keep each other alive, hour by hour, day by day. The boundaries of family and communi |
| whos afraid of virginia woolf script: The Nina Variations Steven Dietz, 2003 THE STORY: In this funny, fierce and heartbreaking homage to THE SEAGULL , Steven Dietz puts Chekhov's star-crossed lovers in a room and doesn't let them out. In forty-three variations on their famous final scene, Nina (a young actress) and T |
| whos afraid of virginia woolf script: To the Lighthouse Virginia Woolf, 2023-09-05 The Ramsays spend their summers on the Isle of Skye, where they happily entertain friends and family and make idle plans to visit the nearby lighthouse. Over the course of the book, the lighthouse becomes a silent witness to the ebbs and flows, the births and deaths, that punctuate the individual lives of the Ramsays. |
| whos afraid of virginia woolf script: The Zoo Story and Other Plays Edward Albee, 1995 This volume of plays contains Edward Albee's four most famous one-act works. They are Death of Bessie Smith, Zoo Story, American Dream, and Sand Box. |
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