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| walt whitman memoranda during the war: Memoranda During the War Walt Whitman, 2006-07-13 In December of 1862, having read his brother's name in a casualty list, Walt Whitman rushed from Brooklyn to the war front, where he found his brother wounded but recovering. But Whitman also found there a new world, a world dense with horror and revelation. Memoranda During the War is Whitman's testament to the anguish, heroism, and terror of the Civil War. The book consists of journal entries extending from Whitman's arrival on the front in 1862 through to the war's conclusion in 1865. Whitman details his encounters with soldiers and doctors, meditates on particular battles and on the meanings of the war for the nation, and recounts his wordless though peculiarly intimate public exchanges with President Lincoln, a man Whitman saw often on the streets of Washington and by whom he was deeply fascinated. The book offers an astounding amalgam of death portraits, anecdotes of battle, last words, messages to distant loved ones, and remarkably restrained and muted descriptions of pain, dismemberment, and dying--all of it, however grim, suffused with Whitman's undiminished enthusiasm and affection for these young soldiers. And throughout, we find Whitman laboring with heroic determination to sustain and nourish his once-ardent faith in America and American life, even as the nation unleashed unprecedented violence upon itself. |
| walt whitman memoranda during the war: Memoranda During the War , 2005 |
| walt whitman memoranda during the war: Memoranda During the War Walt Whitman, 1972 |
| walt whitman memoranda during the war: Memoranda During the War Walt Whitman, 2012-03-14 While serving as a volunteer at military hospitals, the poet recorded soldiers' anecdotes of army life, their last words and final messages, and his own reflections on the Civil War. |
| walt whitman memoranda during the war: Lincoln and Whitman Daniel Mark Epstein, 2007-12-18 It was more than coincidence—indeed, it was all but fate—that the lives and thoughts of Abraham Lincoln and Walt Whitman should converge during the terrible years of the Civil War. Kindred spirits despite their profound differences in position and circumstance, Lincoln and Whitman shared a vision of the democratic character that sprang from the deepest part of their being. They had read or listened to each other’s words at crucial turning points in their lives. Both were utterly transformed by the tragedy of the war. In this radiant book, poet and biographer Daniel Mark Epstein tracks the parallel lives of these two titans from the day that Lincoln first read Leaves of Grass to the elegy Whitman composed after Lincoln’s assassination in 1865. Drawing on the rich trove of personal and newspaper accounts, diary records, and lore that has accumulated around both the president and the poet, Epstein structures his double portrait in a series of dramatic, atmospheric scenes. Whitman, though initially skeptical of the Illinois Republican, became enthralled when Lincoln stopped in New York on the way to his first inauguration. During the war years, after Whitman moved to Washington to minister to wounded soldiers, the poet’s devotion to the president developed into a passion bordering on obsession. “Lincoln is particularly my man, and by the same token, I am Lincoln’s man.” As Epstein shows, the influence and reverence flowed both ways. Lincoln had been deeply immersed in Whitman’s verse when he wrote his incendiary “House Divided” speech, and Whitman remained an influence during the darkest years of the war. But their mutual impact went beyond the intellectual. Epstein brings to life the many friends and contacts his heroes shared—Lincoln’s debonair private secretary John Hay, the fiery abolitionist senator Charles Sumner, the mysterious and possibly dangerous Polish Count Gurowski—as he unfolds the story of their legendary encounters in New York City and especially Washington during the war years. Blending history, biography, and a deeply informed appreciation of Whitman’s verse and Lincoln’s rhetoric, Epstein has written a masterful and original portrait of two great men and the era they shaped through the vision they held in common. |
| walt whitman memoranda during the war: The Better Angel Roy Morris, 2000-07-27 For nearly three years, Walt Whitman immersed himself in the devastation of the Civil War, tending to thousands of wounded soldiers and recording his experiences with an immediacy and compassion unequaled in wartime literature anywhere in the world. In The Better Angel, acclaimed biographer Roy Morris, Jr. gives us the fullest account of Whitman's profoundly transformative Civil War years and an historically invaluable examination of the Union's treatment of its sick and wounded. Whitman was mired in depression as the war began, subsisting on journalistic hackwork, his great career as a poet apparently stalled. But when news came that his brother George had been wounded at Fredericksburg, Whitman rushed south to find him. Deeply affected by his first view of the war's casualties, he began visiting the camp's wounded and found his calling for the duration of the war. Three years later, he emerged as the war's most unlikely hero, a living symbol of American democratic ideals of sharing and brotherhood. Brilliantly researched and beautifully written, The Better Angel explores a side of Whitman not fully examined before, one that greatly enriches our understanding of his later poetry. Moreover, it gives us a vivid and unforgettable portrait of the other army--the legions of sick and wounded soldiers who are usually left in the shadowy background of Civil War history--seen here through the unflinching eyes of America's greatest poet. |
| walt whitman memoranda during the war: Specimen Days and Collect Walt Whitman, 1883 |
| walt whitman memoranda during the war: The Wound Dresser Walt Whitman, 2018-04-05 Reproduction of the original: The Wound Dresser by Walt Whitman |
| walt whitman memoranda during the war: Civil War Poetry and Prose Walt Whitman, 1995-10-04 A collection of poetry, letters, and prose by Walt Whitman that were inspired by the Civil War. |
| walt whitman memoranda during the war: Re-Scripting Walt Whitman Ed Folsom, Kenneth M. Price, 2008-04-15 This introductory guide to Walt Whitman weaves together thewriter’s life with an examination of his works. · An innovative introductory guide to Walt Whitman. · Weaves together the writer’s life with anexamination of his works. · Focuses especially on Whitman’s evolvingmasterpiece Leaves of Grass. · Examines the material conditions and products ofWhitman’s “scripted life”, including his originalmanuscripts. · Investigates Whitman’s “life in print”– his belief that he could literally embody himself in hisbooks. · Linked to a large electronic archive of Whitman’swork at www.whitmanarchive.org |
| walt whitman memoranda during the war: Democratic Vistas Walt Whitman, 1871 |
| walt whitman memoranda during the war: "The Million Dead, Too, Summ'd Up" Walt Whitman, 2021-03-02 This book is the first to offer a comprehensive selection of Walt Whitman’s Civil War poetry and prose with a full commentary on each work. Ed Folsom and Christopher Merrill carry on a dialogue with Whitman (and with each other) as they invite readers to trace how Whitman’s writing about the Civil War develops, shifts, and manifests itself in different genres throughout the years of the war. The book offers forty selections of Whitman’s war writings, including not only the well-known war poems but also his prose and personal letters. Each are followed by Folsom’s critical examination and then by Merrill’s afterword, suggesting broader contexts for thinking about the selection. The real democratic reader, Whitman said, “must himself or herself construct indeed the poem, argument, history, metaphysical essay—the text furnishing the hints, the clue, the start or frame-work,” because what is needed for democracy to flourish is “a nation of supple and athletic minds.” Folsom and Merrill model this kind of active reading and encourage both seasoned and new readers of Whitman’s war writings to enter into the challenging and exhilarating mode of talking back to Whitman, arguing with him, and learning from him. |
| walt whitman memoranda during the war: The Works of Walt Whitman Walt Whitman, 1995 This collection contains the poetic works of Walt Whitman. These poems reflect the vitality of a new nation and the vastness of its lands. They combine autobiographical, sociological and religious themes but did not conform to previous genres. |
| walt whitman memoranda during the war: The Afterlives of Specimens Lindsay Tuggle, 2017-11-15 The Afterlives of Specimens explores the space between science and sentiment, the historical moment when the human cadaver became both lost love object and subject of anatomical violence. Walt Whitman witnessed rapid changes in relations between the living and the dead. In the space of a few decades, dissection evolved from a posthumous punishment inflicted on criminals to an element of preservationist technology worthy of the presidential corpse of Abraham Lincoln. Whitman transitioned from a fervent opponent of medical bodysnatching to a literary celebrity who left behind instructions for his own autopsy, including the removal of his brain for scientific study. Grounded in archival discoveries, Afterlives traces the origins of nineteenth-century America’s preservation compulsion, illuminating the influences of botanical, medical, spiritualist, and sentimental discourses on Whitman’s work. Tuggle unveils previously unrecognized connections between Whitman and the leading “medical men” of his era, such as the surgeon John H. Brinton, founding curator of the Army Medical Museum, and Silas Weir Mitchell, the neurologist who discovered phantom limb syndrome. Remains from several amputee soldiers whom Whitman nursed in the Washington hospitals became specimens in the Army Medical Museum. Tuggle is the first scholar to analyze Whitman’s role in medically memorializing the human cadaver and its abandoned parts. |
| walt whitman memoranda during the war: Memoranda During the War Walt Whitman, 1962 |
| walt whitman memoranda during the war: Song of Ourselves Mark Edmundson, 2021-04-13 In the midst of a crisis of democracy, we have much to learn from Walt Whitman’s journey toward egalitarian selfhood. Walt Whitman knew a great deal about democracy that we don’t. Most of that knowledge is concentrated in one stunning poem, Song of Myself. Esteemed cultural and literary thinker Mark Edmundson offers a bold reading of the 1855 poem, included here in its entirety. He finds in the poem the genesis and development of a democratic spirit, for the individual and the nation. Whitman broke from past literature that he saw as “feudal”: obsessed with the noble and great. He wanted instead to celebrate the common and everyday. Song of Myself does this, setting the terms for democratic identity and culture in America. The work captures the drama of becoming an egalitarian individual, as the poet ascends to knowledge and happiness by confronting and overcoming the major obstacles to democratic selfhood. In the course of his journey, the poet addresses God and Jesus, body and soul, the love of kings, the fear of the poor, and the fear of death. The poet’s consciousness enlarges; he can see more, comprehend more, and he has more to teach. In Edmundson’s account, Whitman’s great poem does not end with its last line. Seven years after the poem was published, Whitman went to work in hospitals, where he attended to the Civil War’s wounded, sick, and dying. He thus became in life the democratic individual he had prophesied in art. Even now, that prophecy gives us words, thoughts, and feelings to feed the democratic spirit of self and nation. |
| walt whitman memoranda during the war: Memoranda During the War Walt Whitman, 1993 |
| walt whitman memoranda during the war: Two Rivulets Including Democratic Vistas, Centennial Songs and Passage to India [As a Strong Bird on Pinions Free. Memoranda During the War] Walt Whitman, 1876 |
| walt whitman memoranda during the war: Walt Whitman Ed Folsom, 1994 In 1992, the year of the hundredth anniversary of Walt Whitman's death, a major gathering of international scholars took place at the University of Iowa. Over 150 participants heard papers by 20 of the world's most eminent critics of Whitman. Three generations of scholars offered new essays that brilliantly tracked the course of past and present Whitman scholarship. So significant was this historic celebration of the great American poet that the opening session was covered by CBS Sunday Morning, National Public Radio's Morning Edition, the New York Times, and other newspapers across the country. Musical and theatrical performances, art exhibitions, slide shows, readings, songs, and even a recently discovered recording of Whitman's voice were presented during the three days of the conference. But the heart of the conference was this series of original essays by some of the most innovative scholars working in the field of American literature. There has never been a more important collection of Whitman criticism. In these essays, readers will find the most suggestive recent approaches to Whitman alongside the most reliable traditional approaches. Walt Whitman: The Centennial Essays captures Whitman's energy and vitality, which have only increased in the century after his death. |
| walt whitman memoranda during the war: Civil War Nursing Louisa May Alcott, Emily Elizabeth Parsons, 1984 An account of Alcott's experiences as a nurse during the Civil War. |
| walt whitman memoranda during the war: The Portable Walt Whitman Walt Whitman, 2003-12-30 A comprehensive collection of Whitman's most beloved works of poetry, prose, and short stories When Walt Whitman self-published Leaves of Grass in 1855 it was a slim volume of twelve poems and he was a journalist and poet from Long Island, little-known but full of ambition and poetic fire. To give a new voice to the new nation shaken by civil war, he spent his entire life revising and adding to the work, but his initial act of bravado in answering Ralph Waldo Emerson's call for a national poet has made Whitman the quintessential American writer. This rich cross-section of his work includes poems from throughout Whitman's lifetime as published on his deathbed edition of 1891, short stories, his prefaces to the many editions of Leaves of Grass, and a variety of prose selections, including Democratic Vistas, Specimen Days, and Slang in America. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
| walt whitman memoranda during the war: Franklin Evans, Or The Inebriate Walt Whitman, 2007-07-17 DIVA reprint of a novel and other temperance writings by Walt Whitman, with an introduction and explanatory notes by the editors./div |
| walt whitman memoranda during the war: Whitman and the Romance of Medicine Robert Leigh Davis, 1997 Not only does Davis encourage us to re-value work that used to be dismissed as minor . . . he also places Whitman at a peculiar nexus of diverse groups, and diverse cultural practices, that turn out to be surprisingly exemplary of American (and democratic) concerns.--Tenney Nathanson, University of Arizona This is a powerful and innovative study of Whitman's Civil War hospital writings. It offers the best reading so far of these challenging texts. . . . Davis makes one of the most persuasive and fascinating cases I've seen for the much-contested relationship between artistic representation and political representation.--Ed Folsom, author of Walt Whitman's Native Representations |
| walt whitman memoranda during the war: Delia's Tears Molly Rogers, David W. Blight, 2010-05-25 M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z |
| walt whitman memoranda during the war: The Strange Sad War Revolving Luke Mancuso, 1997 Analysis of Whitman's reflection of civil rights legislation in his work, 1865-1876. Walt Whitman's prolific Reconstruction project has remained the most uncultivated decade in Whitman studies for over a century. This first book-length analysis seeks to point the way for a needed recovery of Whitman's 1865-1876 publications by embedding them in the legislative discourse of black emancipation and its stormy aftermath. The supposed absence of race relations in Whitman's post-war texts has recently become a source of curiosity and denunciation. However, from 1865 to 1876, the Congressional 'workshop' was seeking to forge interracial civil rights legislation through surveillance of the implementation of such egalitarianism, as manifested in the Civil War Amendments, the Enforcement Acts of 1870-71, and the Civil Rights Act of 1875. The analysis of the hegemonic shift in Whitman's implementation of his democratic poetics constitutes the innovative contribution in these pages. By welcoming ex-slaves into the Union, as well as ex-Rebel states, Whitman's Reconstruction texts enlisted his representations in the federalizing rhetoric of civil rights protection that would lapse for almost a century, before recovery in the Second Reconstruction of the 1950s and 1960s. |
| walt whitman memoranda during the war: Two rivulets, including Democratic vistas, Centennial songs, and Passage to India [and As a strong bird on pinions free, and Memoranda during the war. Author's ed Walt Whitman, 1876 |
| walt whitman memoranda during the war: Beat! Beat! Drums! Walt Whitman, 2015-12-12 Walter Walt Whitman (1819 - 1892) was an American poet, essayist and journalist. A humanist, he was a part of the transition between transcendentalism and realism, incorporating both views in his works. Whitman is among the most influential poets in the American canon, often called the father of free verse. Whitman's work breaks the boundaries of poetic form and is generally prose-like. He also used unusual images and symbols in his poetry, including rotting leaves, tufts of straw, and debris. He also openly wrote about death and sexuality, including prostitution. He is often labeled as the father of free verse, though he did not invent it. Whitman wrote in the preface to the 1855 edition of Leaves of Grass, The proof of a poet is that his country absorbs him as affectionately as he has absorbed it. He believed there was a vital, symbiotic relationship between the poet and society. This connection was emphasized especially in Song of Myself by using an all-powerful first-person narration. As an American epic, it deviated from the historic use of an elevated hero and instead assumed the identity of the common people. Leaves of Grass also responded to the impact that recent urbanization in the United States had on the masses. |
| walt whitman memoranda during the war: Critical Companion to Walt Whitman Charles M. Oliver, 2005 Presents a complete reference to the life and works of Walt Whitman. |
| walt whitman memoranda during the war: Specimen Days Michael Cunningham, 2007-04-01 In each section of Michael Cunningham's bold new novel, his first since The Hours, we encounter the same group of characters: a young boy, an older man, and a young woman. In the Machine is a ghost story that takes place at the height of the industrial revolution, as human beings confront the alienating realities of the new machine age. The Children's Crusade, set in the early twenty-first century, plays with the conventions of the noir thriller as it tracks the pursuit of a terrorist band that is detonating bombs, seemingly at random, around the city. The third part, Like Beauty, evokes a New York 150 years into the future, when the city is all but overwhelmed by refugees from the first inhabited planet to be contacted by the people of Earth. Presiding over each episode of this interrelated whole is the prophetic figure of the poet Walt Whitman, who promised his future readers, It avails not, neither time or place . . . I am with you, and know how it is. Specimen Days is a genre-bending, haunting, and transformative ode to life in our greatest city and a meditation on the direction and meaning of America's destiny. It is a work of surpassing power and beauty by one of the most original and daring writers at work today. |
| walt whitman memoranda during the war: Leaves of Grass Walt Whitman, 1855 |
| walt whitman memoranda during the war: Abraham Lincoln; a History, by John G. Nicolay and John Hay John George Nicolay, John Hay, 1890 |
| walt whitman memoranda during the war: Poetry for Kids: Walt Whitman Walt Whitman, 2017-05-01 A 2018 Notable Poetry Book for Children (National Council of Teachers of English) Introduce your children to the beautiful words of classic American poet, Walt Whitman. Poetry for Kids: Walt Whitman makes the work engaging and easy to understand. Walt Whitman is considered by many to be one of the most prolific poets in American history. What better time to introduce your children to the written word than now? This collection of thirty-five of Walt's best works has been carefully curated for kids. Each piece of work is lovingly illustrated, and are both presented and explained by New York University professor Karen Karbenier, PhD, a primary authority Whitman's poetry. Walt Whitman includes enlightening commentary for each poem, definitions of key words, and a foreword by the expert so that kids, or even parents new to poems, will understand. Starting off with I Hear America Singing, the collection includes excerpts from Song of Myself, O Captain! My Captain!, poems from Leaves of Grass, and many more thought-provoking, descriptive, and kid-friendly selections. |
| walt whitman memoranda during the war: Poems by Walt Whitman Walt Whitman, 2016-04-22 Walt Whitman is widely regarded as one of the masters of American poetry. Here are collected his finest poems, a perfect companion for any fan of Whitman's work. |
| walt whitman memoranda during the war: Poetry & Prose Walt Whitman, 2003 The Toby Edition brings together the earliest and last editions of Leaves of Grass, together with other major works of the writer, including such seminal works as Song of Myself, I Sing the Body Electric, and Democratic Vistas. It includes an introductory essay and chronology by the editor, Shira Wolosky, Professor of English and American Literature at the Hebrew University of Jerusalem. --Toby Press. |
| walt whitman memoranda during the war: Wars within a War Joan Waugh, Gary W. Gallagher, 2009-06-01 Comprised of essays from twelve leading scholars, this volume extends the discussion of Civil War controversies far past the death of the Confederacy in the spring of 1865. Contributors address, among other topics, Walt Whitman's poetry, the handling of the Union and Confederate dead, the treatment of disabled and destitute northern veterans, Ulysses S. Grant's imposing tomb, and Hollywood's long relationship with the Lost Cause narrative. The contributors are William Blair, Stephen Cushman, Drew Gilpin Faust, Gary W. Gallagher, J. Matthew Gallman, Joseph T. Glatthaar, Harold Holzer, James Marten, Stephanie McCurry, James M. McPherson, Carol Reardon, and Joan Waugh. |
| walt whitman memoranda during the war: A Life of Walt Whitman Henry Bryan Binns, 1905 |
| walt whitman memoranda during the war: Complete Prose Works Walt Whitman, 1910 |
| walt whitman memoranda during the war: Chancellorsville Stephen W. Sears, 2014-12-16 A new look at the Civil War battle that led to Stonewall Jackson’s death: A Publishers Weekly Best Book of the Year and “tour de force in military history” (Library Journal). From the award-winning, national bestselling author of Gettysburg, this is the definitive account of the Chancellorsville campaign, from the moment “Fighting Joe” Hooker took command of the Army of the Potomac to the Union’s stinging, albeit temporary, defeat. Along with a vivid description of the experiences of the troops, Stephen Sears provides “a stunning analysis of how terrain, personality, chance, and other factors affect fighting and distort strategic design” (Library Journal). “Most notable is his use of Union military intelligence reports to show how Gen. Joseph Hooker was fed a stream of accurate information about Robert E. Lee’s troops; conversely, Sears points out the battlefield communications failures that hampered the Union army at critical times . . . A model campaign study, Sears’s account of Chancellorsville is likely to remain the standard for years to come.” —Publishers Weekly “The finest and most provocative Civil War historian writing today.” —Chicago Tribune Includes maps |
| walt whitman memoranda during the war: Prose Works Walt Whitman, 1892 The Good Gray Poet also contributed to the greatest prose of American letters with his war diaries, Prefaces and Democratic Vistas in this complete Prose Works, the companion volume to Bartleby.com's Leaves of Grass. |
| walt whitman memoranda during the war: The Better Angel Roy Morris, 2000 The first full account of Whitman's Civil War years sheds new light on the man, his poetry, and the treatment of the war's sick and wounded. |
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