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| virginia woolf moments of being: Moments of Being Virginia Woolf, 2022-11-13 This edition includes: A Haunted House Monday or Tuesday An Unwritten Novel The String Quartet Kew Gardens The Mark on the Wall The New Dress The Shooting Party Lappin and Lappinova Solid Objects The Lady in the Looking-Glass The Duchess and the Jeweller Moments of Being The Man who Loved his Kind The Searchlight The Legacy Together and Apart A Summing Up |
| virginia woolf moments of being: Moments of Being Virginia Woolf, 1976 Moments of Being contains Virginia Woolf' s only autobiographical writing: By far the most important book about Virginia Woolf...that has appeared since her death [Angus Wilson, Observer (London)]. Edited and with an Introduction by Jeanne Schulkind; Index. |
| virginia woolf moments of being: On Being Ill Virginia Woolf, 2012-11-06 Virginia Woolf’s daring essay on how illness transforms our perception, plus an essay by Woolf’s mother from the caregiver’s perspective: “Revelatory.” —Booklist This new publication of “On Being Ill” with “Notes from Sick Rooms” presents Virginia Woolf and her mother, Julia Stephen, in textual conversation for the first time in literary history. In the poignant and humorous essay “On Being Ill,” Woolf observes that though illness is part of every human being’s experience, it is not celebrated as a subject of great literature in the way that love and war are embraced by writers and readers. We must, Woolf says, invent a new language to describe pain. Illness, she observes, enhances our perceptions and reduces self-consciousness; it is “the great confessional.” Woolf discusses the taboos associated with illness, and she explores how it changes our relationship to the world around us. “Notes from Sick Rooms,” meanwhile, addresses illness from the caregiver’s perspective. With clarity, humor, and pathos, Julia Stephen offers concrete information that remains useful to nurses and caregivers today. This edition also includes an introduction to “Notes from Sick Rooms” by Mark Hussey, founding editor of Woolf Studies Annual, and a poignant afterword by Rita Charon, MD, founder of the field of Narrative Medicine. In addition, Hermione Lee’s brilliant introduction to “On Being Ill” offers a superb overview of Woolf’s life and writing. “Woolf’s inquiry into illness and its impact on the mind is paired with her mother’s observations about caring for the body. Julia Stephen . . . had no professional training but took to heart Florence Nightingale’s precept that every woman is a nurse and emulated Nightingale’s best-selling Notes on Nursing with her own “Notes from Sick Rooms.” In this long-overlooked, precise, and piquant little manual, Stephen is compassionate and ironic, observing that everyone deserves to be tenderly nursed while addressing the small evil of crumbs in bed. This unprecedented literary reunion of mother and daughter is stunning on many fronts, but physician and literary scholar Rita Charon focuses on the essentials in her astute afterword, writing that Woolf’s perspective as a patient and Stephen’s as a nurse together illuminate the goal of care—to listen, to recognize, to imagine, to honor.” —Booklist “Woolf and Stephen will certainly change the way readers think of illness.” —Publishers Weekly |
| virginia woolf moments of being: Moments of Being by Virginia Woolf - Delphi Classics (Illustrated) Virginia Woolf, 2017-07-17 This eBook features the unabridged text of ‘Moments of Being by Virginia Woolf - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of Virginia Woolf’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Woolf includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Moments of Being by Virginia Woolf - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Woolf’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles |
| virginia woolf moments of being: Virginia Woolf and Being-in-the-world Emma Simone, 2017-04-19 Breaking fresh ground in Woolfian scholarship, this study presents a timely and compelling interpretation of Virginia Woolf's textual treatment of the relationship between self and world from the perspective of the philosophy of Martin Heidegger. Drawing on Woolf's novels, essays, reviews, letters, diary entries, short stories, and memoirs, the book explores the political and the ontological, as the individual's connection to the world comes to be defined by an involvement and engagement that is always already situated within a particular physical, societal, and historical context. Emma Simone argues that at the heart of what it means to be an individual making his or her way in the world, the perspectives of Woolf and Heidegger are founded upon certain shared concerns, including the sustained critique of Cartesian dualism, particularly the resultant binary oppositions of subject and object, and self and Other; the understanding that the individual is a temporal being; an emphasis upon intersubjective relations insofar as Being-in-the-world is defined by Being-with-Others; and a consistent emphasis upon average everydayness as both determinative and representative of the individual's relationship to and with the world. |
| virginia woolf moments of being: Moments of Being. Slater's Pins Have No Points Virginia Woolf, 2020-10-05 Slater's pins have no points--don't you always find that? said Miss Craye, turning round as the rose fell out of Fanny Wilmot's dress, and Fanny stooped, with her ears full of the music, to look for the pin on the floor.The words gave her an extraordinary shock, as Miss Craye struck the last chord of the Bach fugue. Did Miss Craye actually go to Slater's and buy pins then, Fanny Wilmot asked herself, transfixed for a moment. Did she stand at the counter waiting like anybody else, and was she given a bill with coppers wrapped in it, and did she slip them into her purse and then, an hour later, stand by her dressing table and take out the pins? What need had she of pins? For she was not so much dressed as cased, like a beetle compactly in its sheath, blue in winter, green in summer. What need had she of pins--Julia Craye--who lived, it seemed in the cool glassy world of Bach fugues, playing to herself what she liked, to take one or two pupils at the one and only consenting Archer Street College of Music (so the Principal, Miss Kingston, said) as a special favour to herself, who had the greatest admiration for her in every way. Miss Craye was left badly off, Miss Kingston was afraid, at her brother's death. Oh, they used to have such lovely things, when they lived at Salisbury, and her brother Julius was, of course, a very well-known man: a famous archaeologist. It was a great privilege to stay with them, Miss Kingston said (My family had always known them--they were regular Canterbury people, Miss Kingston said), but a little frightening for a child; one had to be careful not to slam the door or bounce into the room unexpectedly. |
| virginia woolf moments of being: The Cambridge Companion to the Modernist Novel Morag Shiach, 2007-04-19 The novel is modernism's most vital and experimental genre. With a chronology and guide to further reading, this 2007 Companion is an accessible and informative overview of the genre. |
| virginia woolf moments of being: Virginia Woolf Gillian Gill, 2019 An insightful, witty look at Virginia Woolf through the lens of the extraordinary women closest to her. How did Adeline Virginia Stephen become the great writer Virginia Woolf? Acclaimed biographer Gillian Gill tells the stories of the women whose legacies--of strength, style, and creativity--shaped Woolf's path to the radical writing that inspires so many today. Gill casts back to Woolf's French-Anglo-Indian maternal great-grandmother Th r se de L'Etang, an outsider to English culture whose beauty passed powerfully down the female line; and to Woolf's aunt Anne Thackeray Ritchie, who gave Woolf her first vision of a successful female writer. Yet it was the women in her own family circle who had the most complex and lasting effect on Woolf. Her mother, Julia, and sisters Stella, Laura, and Vanessa were all, like Woolf herself, but in markedly different ways, warped by the male-dominated household they lived in. Finally, Gill shifts the lens onto the famous Bloomsbury group. This, Gill convinces, is where Woolf called upon the legacy of the women who shaped her to transform a group of men--united in their love for one another and their disregard for women--into a society in which Woolf ultimately found her freedom and her voice. |
| virginia woolf moments of being: Virginia Woolf Lorraine Sim, 2010 Placing Virginia Woolf's views in the context of the philosophical and lay accounts of everyday experience that dominated the cultural thought of her time, Sim draws on the major novels and on a number of shorter and less-discussed texts such as short stories, essays, memoirs, and diaries. Woolf, Sim contends, explores the potential of everyday experience as a site of personal meaning, social understanding, and ethical value. |
| virginia woolf moments of being: Virginia Woolf Julia Briggs, 2006 Julia Briggs has written a chronological exploration of Woolf's life that reads her life through her books, using the novels to create a new form of biography. Each chapter is illustrated with a sample of Woolf's original manuscript. |
| virginia woolf moments of being: What Would Virginia Woolf Do? Nina Lorez Collins, 2018-04-10 When Nina Collins entered her forties she found herself awash in a sea of hormones. As symptoms of perimenopause set in, she began to fear losing her health, looks, sexuality, sense of humor-perhaps all at once. Craving a place to discuss her questions and concerns, and finding none, Nina started a Facebook group with the ironic name, What Would Virginia Woolf Do?, which has grown exponentially into a place where women-most with strong opinions and fierce senses of humor--have surprisingly candid, lively, and intimate conversations. Mid-life is a time when women want to think about purpose, about how to be their best selves, and how to love themselves as they enter the second half of life. They yearn to acknowledge the nostalgia and sadness that comes with aging, but also want to revel in their hard-earned wisdom. Part memoir and part resource on everything from fashion and skincare to sex and surviving the empty nest, What Would Virginia Woolf Do? is a frank and intimate conversation mixed with anecdotes and honesty, wrapped up in a literary joke. It's also a destination, a place where readers can nestle in and see what happens when women feel comfortable enough to get real with each other: defy the shame that the culture often throws their way, find solace and laugh out loud, and revel in this new phase of life. |
| virginia woolf moments of being: A Specially Tender Piece of Eternity Teresa Prudente, 2009 A Specially Tender Piece of Eternity examines Virginia Woolf's treatment of time both as a theme of her works and as an essential element in her experimental narrative techniques. By drawing on both stylistic analysis and philosophy, Teresa Prudente investigates Paul Riceour's concept of a-linear time within Woolf's work, as both the possibility for the subject to enter a timeless temporal dimension (in Orlando and To the Lighthouse) and as a tragic alteration and separation from reality (in Mrs. Dalloway). Through the examination of the meta-narrative elements in Woolf's novels, and of her original employment of interior monologue and free indirect speech, Prudente redefines and reassesses Woolf's experiments in narrative that challenged ineffability while recreating moments of ecstasy. Book jacket. |
| virginia woolf moments of being: How Should One Read a Book? Virginia Woolf, 2021-11-24 First delivered as a speech to schoolgirls in Kent in 1926, this enchanting short essay by the towering Modernist writer Virginia Woolf celebrates the importance of the written word. With a measured but ardent tone, Woolf weaves together thought and quote, verse and prose into a moving tract on the power literature can have over its reader, in a way which still resounds with truth today. I have sometimes dreamt, at least, that when the Day of Judgement dawns and the great conquerors and lawyers and statesmen come to receive their rewards – their crowns, their laurels, their names carved indelibly upon imperishable marble – the Almighty will turn to Peter and will say, not without a certain envy when he sees us coming with our books under our arms, “Look, these need no reward. We have nothing to give them here. They have loved reading.” |
| virginia woolf moments of being: The Captain's Death Bed & Other Essays Virginia Woolf, 2017-12-06 These twenty-five short essays demonstrate the beauty of style, the wit, and the sensibility for which Woolf is admired. This book contains...the same delicious things to read as always....Virginia Woolf was a great artist, one of the glories of our time, and she never published a line that was not worth reading (Katherine Anne Porter). Adeline Virginia Woolf (25 January 1882 – 28 March 1941) was an English writer, and one of the foremost modernists of the twentieth century. During the interwar period, Woolf was a significant figure in London literary society and a central figure in the influential Bloomsbury Group of intellectuals. Her most famous works include the novels Mrs Dalloway (1925), To the Lighthouse (1927) and Orlando (1928), and the book-length essay A Room of One's Own (1929), with its famous dictum, A woman must have money and a room of her own if she is to write fiction. |
| virginia woolf moments of being: "Am I a Snob?" Sean Latham, 2003 Is there a great divide between highbrow and mass cultures? Are modernist novels for, by, and about snobs? What might Lord Peter Wimsey, Mrs. Dalloway, and Stephen Dedalus have to say to one another?Sean Latham's appealingly written book Am I a Snob? traces the evolution of the figure of the snob through the works of William Makepeace Thackeray, Oscar Wilde, Virginia Woolf, James Joyce, and Dorothy Sayers. Each of these writers played a distinctive role in the transformation of the literary snob from a vulgar social climber into a master of taste. In the process, some novelists and their works became emblems of sophistication, treated as if they were somehow apart from or above the fiction of the popular marketplace, while others found a popular audience. Latham argues that both coterie writers like Joyce and popular novelists like Sayers struggled desperately to combat their own pretensions. By portraying snobs in their novels, they attempted to critique and even transform the cultural and economic institutions that they felt isolated them from the broad readership they desired.Latham regards the snobbery that emerged from and still clings to modernism not as an unfortunate by-product of aesthetic innovation, but as an ongoing problem of cultural production. Drawing on the tools and insights of literary sociology and cultural studies, he traces the nineteenth-century origins of the snob, then explores the ways in which modernist authors developed their own snobbery as a means of coming to critical consciousness regarding the connections among social, economic, and cultural capital. The result, Latham asserts, is a modernism directly engaged with the cultural marketplace yet deeply conflicted about the terms of its success. |
| virginia woolf moments of being: Granite and Rainbow Virginia Woolf, 2012-12 Granite and Rainbow is a collection of essays on the art of writing fiction and biographies. |
| virginia woolf moments of being: Selected Essays Virginia Woolf, 2009-10-15 'A good essay must draw its curtain round us, but it must be a curtain that shuts us in, not out.' According to Virginia Woolf, the goal of the essay 'is simply that it should give pleasure...It should lay us under a spell with its first word, and we should only wake, refreshed, with its last.' One of the best practitioners of the art she analysed so rewardingly, Woolf displayed her essay-writing skills across a wide range of subjects, with all the craftsmanship, substance, and rich allure of her novels. This selection brings together thirty of her best essays, including the famous 'Mr Bennett and Mrs Brown', a clarion call for modern fiction. She discusses the arts of writing and of reading, and the particular role and reputation of women writers. She writes movingly about her father and the art of biography, and of the London scene in the early decades of the twentieth century. Overall, these pieces are as indispensable to an understanding of this great writer as they are enchanting in their own right. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. |
| virginia woolf moments of being: Selected Diaries Virginia Woolf, 2008 Virginia Woolf turned to her diary as to an intimate friend, to whom she could freely and spontaneously confide her thoughts on public events or the joys and trials of domestic life. Between 1st January 1915 and her death in 1941 she regularly recorded he |
| virginia woolf moments of being: Hourglass Dani Shapiro, 2017 Hourglass is an inquiry into how marriage is transformed by time--abraded, strengthened, shaped in miraculous and sometimes terrifying ways by accident and experience. With courage and relentless honesty, Dani Shapiro opens the door to her house, her marriage, and her heart, and invites us to witness her own marital reckoning--a reckoning in which she confronts both the life she dreamed of and the life she made, and struggles to reconcile the girl she was with the woman she has become. |
| virginia woolf moments of being: Virginia Woolf and the Natural World Kristin Czarnecki, Carrie Rohman, 2011 Virginia Woolf and the Natural World is a compilation of thirty-one essays presented at the twentieth annual international conference on Virginia Woolf. This volume explores Woolf's complex engagement with the natural world, an engagement that was as political as it was aesthetic. The diversity of topics within this collection-ecofeminism, the nature of time, the nature of the self, nature and sporting, botany, climate, and landscape, just to name a few-fosters a deeper understanding of the nature of nature in Woolf's works. Contributors include Bonnie Kime Scott, Carrie Rohman, Diana Swanson, Elisa Kay Sparks, Beth Rigel Daugherty, Jane Goldman, and Diane Gillespie, among many others from the international community of Woolf scholars. |
| virginia woolf moments of being: Are You My Mother? Alison Bechdel, 2012-05-01 The New York Times–bestselling graphic memoir about Alison Bechdel, author of Fun Home, becoming the artist her mother wanted to be. Alison Bechdel’s Fun Home was a pop culture and literary phenomenon. Now, a second thrilling tale of filial sleuthery, this time about her mother: voracious reader, music lover, passionate amateur actor. Also a woman, unhappily married to a closeted gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood…and who stopped touching or kissing her daughter good night, forever, when she was seven. Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf. It's a richly layered search that leads readers from the fascinating life and work of the iconic twentieth-century psychoanalyst Donald Winnicott, to one explosively illuminating Dr. Seuss illustration, to Bechdel’s own (serially monogamous) adult love life. And, finally, back to Mother—to a truce, fragile and real-time, that will move and astonish all adult children of gifted mothers. A New York Times, USA Today, Time, Slate, and Barnes & Noble Best Book of the Year “As complicated, brainy, inventive and satisfying as the finest prose memoirs.”—New York Times Book Review “A work of the most humane kind of genius, bravely going right to the heart of things: why we are who we are. It's also incredibly funny. And visually stunning. And page-turningly addictive. And heartbreaking.”—Jonathan Safran Foer “Many of us are living out the unlived lives of our mothers. Alison Bechdel has written a graphic novel about this; sort of like a comic book by Virginia Woolf. You won't believe it until you read it—and you must!”—Gloria Steinem |
| virginia woolf moments of being: The Mother of All Questions Rebecca Solnit, 2017-02-12 A collection of feminist essays steeped in “Solnit’s unapologetically observant and truth-speaking voice on toxic, violent masculinity” (The Los Angeles Review). In a timely and incisive follow-up to her national bestseller Men Explain Things to Me, Rebecca Solnit offers sharp commentary on women who refuse to be silenced, misogynistic violence, the fragile masculinity of the literary canon, the gender binary, the recent history of rape jokes, and much more. In characteristic style, “Solnit draw[s] anecdotes of female indignity or male aggression from history, social media, literature, popular culture, and the news . . . The main essay in the book is about the various ways that women are silenced, and Solnit focuses upon the power of storytelling—the way that who gets to speak, and about what, shapes how a society understands itself and what it expects from its members. The Mother of All Questions poses the thesis that telling women’s stories to the world will change the way that the world treats women, and it sets out to tell as many of those stories as possible” (The New Yorker). “There’s a new feminist revolution—open to people of all genders—brewing right now and Rebecca Solnit is one of its most powerful, not to mention beguiling, voices.”—Barbara Ehrenreich, New York Times–bestselling author of Natural Causes “Short, incisive essays that pack a powerful punch.” —Publishers Weekly “A keen and timely commentary on gender and feminism. Solnit’s voice is calm, clear, and unapologetic; each essay balances a warm wit with confident, thoughtful analysis, resulting in a collection that is as enjoyable and accessible as it is incisive.” —Booklist |
| virginia woolf moments of being: Michael Cunningham's The Hours Tory Young, 2003 This is an excellent guide to 'The Hours'. It features a biography of the author, a full-length analysis of the novel, and a great deal more. If you're studying this novel, reading it for your book club, or if you simply want to know more about it, you'll find this guide informative, intelligent, and helpful. This is part of a new series of guides to contemporary novels. The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from 'The Remains of the Day' to 'White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question. |
| virginia woolf moments of being: The Things They Carried Tim O'Brien, 2009-10-13 A classic work of American literature that has not stopped changing minds and lives since it burst onto the literary scene, The Things They Carried is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling. The Things They Carried depicts the men of Alpha Company: Jimmy Cross, Henry Dobbins, Rat Kiley, Mitchell Sanders, Norman Bowker, Kiowa, and the character Tim O’Brien, who has survived his tour in Vietnam to become a father and writer at the age of forty-three. Taught everywhere—from high school classrooms to graduate seminars in creative writing—it has become required reading for any American and continues to challenge readers in their perceptions of fact and fiction, war and peace, courage and fear and longing. The Things They Carried won France's prestigious Prix du Meilleur Livre Etranger and the Chicago Tribune Heartland Prize; it was also a finalist for the Pulitzer Prize and the National Book Critics Circle Award. |
| virginia woolf moments of being: Three Guineas (annotated) Virginia Woolf, Mark Hussey, 2014-11-25 Three Guineas is written as a series of letters in which Virginia Woolf ponders the efficacy of donating to various causes to prevent war — and a statement of feminine purpose. Annotated and introduced by feminist literary scholar Jane Marcus, this is an ideal edition for the college classroom and beyond. In reflecting on her situation as the daughter of an educated man in 1930s England, Woolf challenges liberal orthodoxies and marshals vast research to make discomforting and still-challenging arguments about the relationship between gender and violence, and about the pieties of those who fail to see their complicity in war-making. This pacifist-feminist essay is a classic whose message resonates loudly in our contemporary global situation. This annotated edition of Three Guineas offers students the resources to help them understand the text as well as the reasons and methods behind Woolf's writing. |
| virginia woolf moments of being: All the Lives We Ever Lived Katharine Smyth, 2020-01-21 A wise, lyrical memoir about the power of literature to help us read our own lives—and see clearly the people we love most. “Transcendent.”—The Washington Post • “You’d be hard put to find a more moving appreciation of Woolf’s work.”—The Wall Street Journal NAMED ONE OF THE BEST BOOKS OF THE YEAR BY TOWN & COUNTRY Katharine Smyth was a student at Oxford when she first read Virginia Woolf’s modernist masterpiece To the Lighthouse in the comfort of an English sitting room, and in the companionable silence she shared with her father. After his death—a calamity that claimed her favorite person—she returned to that beloved novel as a way of wrestling with his memory and understanding her own grief. Smyth’s story moves between the New England of her childhood and Woolf’s Cornish shores and Bloomsbury squares, exploring universal questions about family, loss, and homecoming. Through her inventive, highly personal reading of To the Lighthouse, and her artful adaptation of its groundbreaking structure, Smyth guides us toward a new vision of Woolf’s most demanding and rewarding novel—and crafts an elegant reminder of literature’s ability to clarify and console. Braiding memoir, literary criticism, and biography, All the Lives We Ever Lived is a wholly original debut: a love letter from a daughter to her father, and from a reader to her most cherished author. Praise for All the Lives We Ever Lived “This searching memoir pays homage to To the Lighthouse, while recounting the author’s fraught relationship with her beloved father, a vibrant figure afflicted with alcoholism and cancer. . . . Smyth’s writing is evocative and incisive.”—The New Yorker “Like H Is for Hawk, Smyth’s book is a memoir that’s not quite a memoir, using Woolf, and her obsession with Woolf, as a springboard to tell the story of her father’s vivid life and sad demise due to alcoholism and cancer. . . . An experiment in twenty-first century introspection that feels rooted in a modernist tradition and bracingly fresh.”—Vogue “Deeply moving – part memoir, part literary criticism, part outpouring of longing and grief… This is a beautiful book about the wildness of mortal life, and the tenuous consolations of art.”—The Times Literary Supplement “Blending analysis of a deeply literary novel with a personal story... gently entwining observations from Woolf's classic with her own layered experience. Smyth tells us of her love for her father, his profound alcoholism and the unpredictable course of the cancer that ultimately claimed his life.”—Time |
| virginia woolf moments of being: Virginia Woolf Katherine Dalsimer, 2011-11 By the time she was twenty-four, Virginia Woolf had suffered a series of devastating losses that later she would describe as sledge-hammer blows, beginning with the death of her mother when she was thirteen years old and followed by those of her half-sister, father, and brother. Yet vulnerable as she was (skinless was her word) she began, through these years, to practice her art--and to discover how it could serve her. Ultimately, she came to feel that it was her shock-receiving capacity that had made her a writer. Astonishingly gifted from the start, Woolf learned to be attentive to the movements of her own mind. Through self-reflection she found a language for the ebb and flow of thought, fantasy, feeling, and memory, for the shifts of light and dark. And in her writing she preserved, recreated, and altered the dead, altering in the process her internal relationship with their invisible presences. I will go backwards & forwards she remarked in her diary, a comment on both her imaginative and writerly practice. Following Woolf's lead, psychologist Katherine Dalsimer moves backward and forward between the work of Woolf's maturity and her early journals, letters, and unpublished juvenilia to illuminate the process by which Woolf became a writer. Drawing on psychoanalytic theory as well as on Woolf's life and work, and trusting Woolf's own self-observations, Dalsimer offers a compelling account of a young artist's voyage out--a voyage that Virginia Woolf began by looking inward and completed by looking back. |
| virginia woolf moments of being: Modernism, Feminism and the Culture of Boredom Allison Pease, 2012-08-27 Illustrates how boredom formed an important category of critique against the constraints of women's lives in British modernist literature. |
| virginia woolf moments of being: Epiphany in the Modern Novel Morris Beja, 1971 |
| virginia woolf moments of being: Katherine Mansfield and Virginia Woolf Gerri Kimber, 2018-08-30 Reconsiders of Arendt's philosophy of natality in terms of biopolitical theory and feminism to defend women's reproductive choices |
| virginia woolf moments of being: The Essays of Virginia Woolf, 1919-1924 Virginia Woolf, Andrew McNeillie, 1991-10-18 Collects articles and book reviews by the English novelist |
| virginia woolf moments of being: Night and Day Virginia Woolf, 2024-05-30 Katharine Hilbery, torn between her duty to her family and her desire for intellectual independence, finds herself entangled in a hesitant courtship with Ralph Denham, a persistent suitor who challenges her ideals. Meanwhile, her friend Mary, dedicated to women's suffrage and social reform, grapples with her feelings for Cyril Alardyce, a promising young lawyer whose commitment to social justice mirrors her own. Published in 1919, Night and Day is Virginia Woolf's exploration of the societal constraints faced by women and the evolving dynamics of relationships amidst shifting cultural landscapes. Departing from the experimental techniques of her later works, this novel offers a more conventional narrative structure while still showcasing Woolf's keen insight into human emotions and societal norms. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries. |
| virginia woolf moments of being: A Writer's Diary Virginia Woolf, Lyndall Gordon, 2012-04-01 2012 Reprint of 1953 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. An invaluable guide to the art and mind of Virginia Woolf, A Writer's Diary was collected by her husband from the personal record she kept over a period of twenty-seven years. Included are entries that refer to her own writing and those that are clearly writing exercises, accounts of people and scenes relevant to the raw material of her work, and finally, comments on books she was reading. The first entry is dated 1918 and the last, three weeks before her death in 1941. Between these points of time unfolds the private world - the anguish, the triumph, the creative vision - of one of the great writers of our century. |
| virginia woolf moments of being: Virginia Woolf: The Complete Collection Virginia Woolf, Century Book, 2017-03-19 This volume collects the complete writings of Virginia Woolf: 8 novels, 3 'biographies,' 46 short stories, 606 essays, 1 play, her diary and some letters. Contents: THE NOVELS The Voyage Out (1915) Night and Day (1919) Jacob's Room (1922) Mrs. Dalloway (1925) To the Lighthouse (1927) The Waves (1931) The Years (1937) Between the Acts (1941) THE 'BIOGRAPHIES' Orlando: a biography (1928) Flush: a biography (1933) Roger Fry: a biography (1940) THE STORIES Monday or Tuesday (1921) A Haunted House, and other short stories (1944) Mrs Dalloway's Party (1973) The Complete Shorter Fiction (1985) THE ESSAYS The Common Reader I (1925) A Room of One's Own (1929) On Being Ill (1930) The London Scene (1931) The Common Reader II (1932) Three Guineas (1938) The Death of the Moth, and other essays (1942) The Moment, and other essays (1947) The Captain's Death Bed, and other essays (1950) Granite and Rainbow (1958) Books and Portraits (1978) Women And Writing (1979) 383 Essays from newspapers and magazines (see update v.3.0) AUTOBIOGRAPHICAL WRITING A Writer's Diary (1953) Moments of Being (1976) The Diary Vols. 1–5 (1977-84) (see updates v.4.0, v.5.0, and v.6.0) The Letters Vols. 1–6 (1975-80) (see update v.7.0, v.8.0, v.9.0, and v.10.0) The Letters of V.W. and Lytton Strachey (1956) (see update v.8.0) A Passionate Apprentice. The Early Journals 1887-1909 (1990) (see update v.10.0) THE PLAY Freshwater: A Comedy (both versions) (1976) |
| virginia woolf moments of being: The Diary of Virginia Woolf: 1915-1919 Virginia Woolf, 1979 “Nothing yet published about her so totally contradicts the legend of Virginia Woolf.... [This] is a first chance to meet the writer in her own unguarded words and to observe the root impulses of her art without the distractions of a commentary” (New York Times). Edited and with a Preface by Anne Olivier Bell; Introduction by Quentin Bell; Index. |
| virginia woolf moments of being: Virginia Woolf Louise A. DeSalvo, 1990 In this amazing odyssey of two black women from the 1930s to the present, all the storytelling gifts of a brilliant Pulitzer Prize -- winning writer are abundantly displayed. When we first meet Baby, she's one of six black children abandoned by their parents during the Depression. They are roadwalkers -- homeless wanderers across the rural South, leading a dangerous, almost enchanted life. One by one they are saved, lost, or simply disappear, until only Baby and a brother are left, living off the land -- a primitive gypsy existence hauntingly described. Finally Baby is captured -- almost like a wild animal -- by the white farm manager of an old plantation where the children have been hiding. He sends her to an orphanage in New Orleans, where she guards the rich mythic content of her wandering against the invasive kindness of the nuns by covering the walls with strange, brilliant drawings of flowers and animals. We next see Baby decades later, through the eyes of her daughter, Nanda, who at thirty-six looks back at her own childhood. Baby and Nanda move into the middle class through Baby's eccentrically successful career -- first as a seamstress, then as a designer of dresses for rich white women. Raised a princess in the protective circle of Baby's magic, Nanda in her teens is suddenly catapulted into the white world when she is sent off to integrate a white Catholic girls' school in the East. Seeing herself as her mother saw herself -- alone in an alien place, Nanda finds an entirely different means of survival. A rich and wonderfully fresh -- often astonishing -- evocation of the black experience in the South, seen through the lives of two fascinating women. |
| virginia woolf moments of being: The Little Gardener Emily Hughes, 2018-07-03 Celebrate the tender story The Little Gardener with a beautiful new cover in the updated 2018 edition! There was once a little gardener and his garden meant everything to him. He worked hard, very hard, but he was just too little (or at least he felt he was). In this gentle, beautiful tale, Emily Hughes, the celebrated author of Wild, departs from the larger than life Wild-girl of her debut to pursue a littler than life Gardener, in a story that teaches us just how important it is to persist and try, no matter what the odds. With delicately woven tapestries of illustrated magic, Hughes once again transports us to a world not unlike our own, while still brimming with fantasy and wonder. |
| virginia woolf moments of being: Virginia Woolf Lorraine Sim, 2016-02-11 In her timely contribution to revisionist approaches in modernist studies, Lorraine Sim offers a reading of Virginia Woolf's conception of ordinary experience as revealed in her fiction and nonfiction. Contending that Woolf's representations of everyday life both acknowledge and provide a challenge to characterizations of daily life as mundane, Sim shows how Woolf explores the potential of everyday experience as a site of personal meaning, social understanding, and ethical value. Sim's argument develops through readings of Woolf's literary representations of a subject's engagement with ordinary things like a mark on the wall, a table, or colour; Woolf's accounts of experiences that are both common and extraordinary such as physical pain or epiphanic 'moments of being'; and Woolf's analysis of the effect of new technologies, for example, motor-cars and the cinema, on contemporary understandings of the external world. Throughout, Sim places Woolf's views in the context of the philosophical and lay accounts of ordinary experience that dominated the cultural thought of her time. These include British Empiricism, Romanticism, Platonic thought and Post-Impressionism. In addition to drawing on the major novels, particularly The Voyage Out, Mrs. Dalloway, and To the Lighthouse, Sim focuses close attention on short stories such as 'The Mark on the Wall', 'Solid Objects', and 'Blue & Green'; nonfiction works, including 'On Being Ill', 'Evening over Sussex: Reflections in a Motor-car', and 'A Sketch of the Past'; and Woolf's diaries. Sim concludes with an account of Woolf's ontology of the ordinary, which illuminates the role of the everyday in Woolf's ethics. |
| virginia woolf moments of being: The Death of the Moth & Other Essays Virginia Woolf, 2017-12-06 Musaicum Books presents to you this carefully created volume of The Death of the Moth & Other Essays. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices. CONTENTS: The Death of the Moth Evening Over Sussex: Reflections in a Motor Car Three Pictures Old Mrs. Grey Street Haunting: A London Adventure Jones and Wilkinson Twelfth Night At the Old Vic Madame de Sévigné The Humane Art Two Antiquaries: Walpole and Cole The Rev William Cole The Historian and The Gibbon Reflections at Sheffield Place The Man at the Gate Sara Coleridge Not One of Us Henry James: 1. Within the Rim Henry James: 2. The Old Order Henry James: 3. The Letters of Henry James George Moore The Novels of E. M. Forster Middlebrow The Art of Biography Craftsmanship A Letter to a Young Poet Why? Professions for Women Thoughts on Peace in an Air Raid Adeline Virginia Woolf (25 January 1882 – 28 March 1941) was an English writer who is considered one of the foremost modernists of the twentieth century and a pioneer in the use of stream of consciousness as a narrative device. |
| virginia woolf moments of being: Genius and Ink: Virginia Woolf on How to Read Virginia Woolf, 2019-11-28 FOREWORD BY ALI SMITH WITH AN INTRODUCTION BY FRANCESCA WADE Who better to serve as a guide to great books and their authors than Virginia Woolf? |
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