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| waterlily by ella cara deloria: Waterlily Ella Cara Deloria, 2009-04-01 When Blue Bird and her grandmother leave their family?s camp to gather beans for the long, threatening winter, they inadvertently avoid the horrible fate that befalls the rest of the family. Luckily, the two women are adopted by a nearby Dakota community and are eventually integrated into their kinship circles. Ella Cara Deloria?s tale follows Blue Bird and her daughter, Waterlily, through the intricate kinship practices that created unity among her people. Waterlily, published after Deloria?s death and generally viewed as the masterpiece of her career, offers a captivating glimpse into the daily life of the nineteenth-century Sioux. This new Bison Books edition features an introduction by Susan Gardner and an index. |
| waterlily by ella cara deloria: Waterlily Ella Cara Deloria, 1990-01-01 Traces the life of Waterlily, a Sioux woman, from her birth to the birth of her own child, and shares her view of tribal culture. |
| waterlily by ella cara deloria: Waterlily, New Edition Ella Cara Deloria, 2014-05-27 When Blue Bird and her grandmother leave their familyOCOs camp to gather beans for the long, threatening winter, they inadvertently avoid the horrible fate that befalls the rest of the family. Luckily, the two women are adopted by a nearby Dakota community and are eventually integrated into their kinship circles. Ella Cara DeloriaOCOs tale follows Blue Bird and her daughter, Waterlily, through the intricate kinship practices that created unity among her people. Waterlily, published after DeloriaOCOs death and generally viewed as the masterpiece of her career, offers a captivating glimpse into the daily life of the nineteenth-century Sioux. This new Bison Books edition features an introduction by Susan Gardner and an index. |
| waterlily by ella cara deloria: Waterlily Ella Cara Deloria, 2009-04-01 When Blue Bird and her grandmother leave their family?s camp to gather beans for the long, threatening winter, they inadvertently avoid the horrible fate that befalls the rest of the family. Luckily, the two women are adopted by a nearby Dakota community and are eventually integrated into their kinship circles. Ella Cara Deloria?s tale follows Blue Bird and her daughter, Waterlily, through the intricate kinship practices that created unity among her people. Waterlily, published after Deloria?s death and generally viewed as the masterpiece of her career, offers a captivating glimpse into the daily life of the nineteenth-century Sioux. This new Bison Books edition features an introduction by Susan Gardner and an index. |
| waterlily by ella cara deloria: Dakota Texts Ella Cara Deloria, 2006-01-01 Ella Deloria (1889?1971), one of the first Native students of linguistics and ethnography in the United States, grew up on the Standing Rock Reservation on the northern Great Plains and was trained by Franz Boas at Columbia University. Dakota Texts presents a rich array of Sioux mythology and folklore in its original language and in translation. Originally published in 1932 by the American Ethnological Society, this work is a landmark contribution to the study of the Sioux tribes. |
| waterlily by ella cara deloria: The Dakota Way of Life Ella Cara Deloria, 2022-12 Ella Cara Deloria devoted much of her life to the study of the language and culture of the Sioux (Dakota and Lakota). The Dakota Way of Life is the result of the long history of her ethnographic descriptions of traditional Dakota culture and social life. Deloria was the most prolific Native scholar of the greater Sioux Nation, and the results of her work comprise an essential source for the study of the greater Sioux Nation culture and language. For years she collected material for a study that would document the variations from group to group. Tragically, her manuscript was not published during her lifetime, and at the end of her life all of her major works remained unpublished. Deloria was a perfectionist who worked slowly and cautiously, attempting to be as objective as possible and revising multiple times. As a result, her work is invaluable. Her detailed cultural descriptions were intended less for purposes of cultural preservation than for practical application. Deloria was a scholar through and through, and yet she never let her dedication to scholarship overwhelm her sense of responsibility as a Dakota woman, with family concerns taking precedence over work. Her constant goal was to be an interpreter of an American Indian reality to others. Her studies of the Sioux are a monument to her talent and industry. |
| waterlily by ella cara deloria: Speaking Of Indians Ella Cara Deloria, 2016-01-18 Beginning with a general discussion of American Indian origins, language families, and culture areas, Deloria then focuses on her own people, the Dakotas, and the intricate kinship system that governed all aspects of their life. She writes, “Exacting and unrelenting obedience to kinship demands made the Dakotas a most kind, unselfish people, always acutely aware of those about them and innately courteous.” Deloria goes on to show the painful transition to reservations and how the holdover of the kinship system worked against Indians trying to follow white notions of progress and success. Her ideas about what both races must do to participate fully in American life are as cogent now as when they were first written. Originally published in 1944, “Speaking of Indians” is an important source of information about Dakota culture and a classic in its elegant clarity of insight. |
| waterlily by ella cara deloria: Native Speakers María Eugenia Cotera, 2010-01-01 Gloria Anzaldua Book Prize, National Women's Studies Association, 2009 In the early twentieth century, three women of color helped shape a new world of ethnographic discovery. Ella Cara Deloria, a Sioux woman from South Dakota, Zora Neale Hurston, an African American woman from Florida, and Jovita González, a Mexican American woman from the Texas borderlands, achieved renown in the fields of folklore studies, anthropology, and ethnolinguistics during the 1920s and 1930s. While all three collaborated with leading male intellectuals in these disciplines to produce innovative ethnographic accounts of their own communities, they also turned away from ethnographic meaning making at key points in their careers and explored the realm of storytelling through vivid mixed-genre novels centered on the lives of women. In this book, Cotera offers an intellectual history situated in the borderlands between conventional accounts of anthropology, women's history, and African American, Mexican American and Native American intellectual genealogies. At its core is also a meditation on what it means to draw three women—from disparate though nevertheless interconnected histories of marginalization—into conversation with one another. Can such a conversation reveal a shared history that has been erased due to institutional racism, sexism, and simple neglect? Is there a mode of comparative reading that can explore their points of connection even as it remains attentive to their differences? These are the questions at the core of this book, which offers not only a corrective history centered on the lives of women of color intellectuals, but also a methodology for comparative analysis shaped by their visions of the world. |
| waterlily by ella cara deloria: Ella Deloria's The Buffalo People Ella Cara Deloria, Julian Rice, 1994 The five narratives in this book, the third in Julian Rice's examination of the work of Ella Deloria, demonstrate Deloria's artistry in portraying the central values of Lakota (Sioux) culture. The introductory stories illustrate courage in three extraordinary women and Deloria's ability to subordinate her voice to that of different narrators. Another tale, The Prairie Dogs, explains how the warriors' and chiefs' societies, the strongest forces for social cohesion, came into being. The longest story, The Buffalo People, concerns the origin of tribal identity based on such ideal qualities as the strength and generosity of the buffalo and the resiliency and grace of the corn. Following the noted storyteller Makula (Breast or Left Heron), Deloria improvises upon the poetic conventions of oral performance, from simple asides to traditional set speeches of the Buffalo Woman ceremony. Blending careful observation with creative skill, these stories offer new and often surprising perspectives on Lakota culture. They will entertain and instruct any reader with an interest in Native American societies of the past and present.--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
| waterlily by ella cara deloria: Mni Sota Makoce Gwen Westerman, Bruce M. White, 2012 An intricate narrative of the Dakota people over the centuries in their traditional homelands, the stories behind the profound connections that hold true today. |
| waterlily by ella cara deloria: Holding Our World Together Brenda J. Child, 2012-02-16 A groundbreaking exploration of the remarkable women in Native American communities. Too often ignored or underemphasized in favor of their male warrior counterparts, Native American women have played a more central role in guiding their nations than has ever been understood. Many Native communities were, in fact, organized around women's labor, the sanctity of mothers, and the wisdom of female elders. In this well-researched and deeply felt account of the Ojibwe of Lake Superior and the Mississippi River, Brenda J. Child details the ways in which women have shaped Native American life from the days of early trade with Europeans through the reservation era and beyond. The latest volume in the Penguin Library of American Indian History, Holding Our World Together illuminates the lives of women such as Madeleine Cadotte, who became a powerful mediator between her people and European fur traders, and Gertrude Buckanaga, whose postwar community activism in Minneapolis helped bring many Indian families out of poverty. Drawing on these stories and others, Child offers a powerful tribute to the many courageous women who sustained Native communities through the darkest challenges of the last three centuries. |
| waterlily by ella cara deloria: Sacred Wilderness Susan Power, 2014-02-01 A Clan Mother story for the twenty-first century, Sacred Wilderness explores the lives of four women of different eras and backgrounds who come together to restore foundation to a mixed-up, mixed-blood woman—a woman who had been living the American dream, and found it a great maw of emptiness. These Clan Mothers may be wisdom-keepers, but they are anything but stern and aloof—they are women of joy and grief, risking their hearts and sometimes their lives for those they love. The novel swirls through time, from present-day Minnesota to the Mohawk territory of the 1620s, to the ancient biblical world, brought to life by an indigenous woman who would come to be known as the Virgin Mary. The Clan Mothers reveal secrets, the insights of prophecy, and stories that are by turns comic, so painful they can break your heart, and perhaps even powerful enough to save the world. In lyrical, lushly imagined prose, Sacred Wilderness is a novel of unprecedented necessity. |
| waterlily by ella cara deloria: Keeper'n Me Richard Wagamese, 2018-10-02 When Garnet Raven was three years old, he was taken from his home on an Ojibway Indian reserve and placed in a series of foster homes. Having reached his mid-teens, he escapes at the first available opportunity, only to find himself cast adrift on the streets of the big city. Having skirted the urban underbelly once too often by age 20, he finds himself thrown in jail. While there, he gets a surprise letter from his long-forgotten native family. The sudden communication from his past spurs him to return to the reserve following his release from jail. Deciding to stay awhile, his life is changed completely as he comes to discover his sense of place, and of self. While on the reserve, Garnet is initiated into the ways of the Ojibway--both ancient and modern--by Keeper, a friend of his grandfather, and last fount of history about his people's ways. By turns funny, poignant and mystical, Keeper'n Me reflects a positive view of Native life and philosophy--as well as casting fresh light on the redemptive power of one's community and traditions. |
| waterlily by ella cara deloria: Night Flying Woman Ignatia Broker, 2008-10-14 In the accounts of the lives of several generations of Ojibway people in Minnesota is much information about their history and culture. |
| waterlily by ella cara deloria: April Raintree Beatrice Mosionier, 2011-03-17 A revised version of the novel In Search of April Raintree, written specifically for students in grades 9 through 12. Through her characterization of two young sisters who are removed from their family, the author poignantly illustrates the difficulties that many Aboriginal people face in maintaining a positive self-identity. |
| waterlily by ella cara deloria: Deer Women and Elk Men Ella Cara Deloria, Julian Rice, 1992 While Ella Deloria is known as a linguist and ethnologist and as author of the novel Waterlily, many readers may not know that she also wrote extensively in several Dakota dialects. Trained under Franz Boas, Deloria collected stories, autobiographies, and extensive descriptions of all aspects of Lakota life in the 1920s and 1930s, when the memories of her informants extended well back into camp circle days. She wrote the interviews from memory--first in Lakota, then in English, creating a literary extension of the oral tradition. In this first extended critical study of Deloria's work, Rice claims her as a major American writer. In discussing Deloria's Dakota Texts, Rice selects the theme of sexuality because it presents social and spiritual problems that are resolved in the narratives. In addition, a comparison of such issues in Lakota narratives and in familiar Shakespeare plays highlights Lakota values and serves to contextualize Deloria's work. English translations of the thirteen stories under discussion are provided in an appendix for ease of reference. Readers familiar with Deloria's writing will welcome this critical study, and new readers will gain an increased understanding of Lakota culture. It will be of value to scholars of literature, religion, and Native American culture.--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
| waterlily by ella cara deloria: Lakota of the Rosebud Elizabeth S. Grobsmith, 1981 This tribe of South Dakota has met the challenge of living in the 20th century by expressing religion and beliefs in a cultural style that mixes tradition and Christian influence with western technology. |
| waterlily by ella cara deloria: The Morning the Sun Went Down Darryl Babe Wilson, 2016 Nowconsidered a classic of California Indian writing. Highly regarded for authentic description of living between two worlds |
| waterlily by ella cara deloria: Beka Lamb Zee Edgell, 2021-07-30 There have been many great and enduring works of literature by Caribbean authors over the last century. The Caribbean Contemporary Classics collection celebrates these deep and vibrant stories, overflowing with life and acute observations about society. Set in Belize City in the early 1950s, Beka Lamb is the record of a few months in the life of Beka and her family. Beka and her friend Toycie Qualo are on the threshold of change from childhood to adulthood. Their personal struggles and tragedies play out against a backdrop of political upheaval and regeneration as the British colony of Belize gears up for universal suffrage, and progression towards independence. The politics of the colony, the influence of the mixing of races in society, and the dominating presence of the Catholic Church are woven into the fabric of the story to provide a compelling portrait, 'a loving evocation of Belizean life and landscape'. Beka's vibrant character guides us through a tumultuous period in her own life and that of her country. |
| waterlily by ella cara deloria: Tracks Louise Erdrich, 2006 Set in North Dakota, at a time in the early 20th century when Indian tribes were struggling to keep what little remained of their lands, 'Tracks' is a tale of passion and deep unrest. |
| waterlily by ella cara deloria: Woman Hollering Creek Sandra Cisneros, 2013-04-30 A collection of stories by Sandra Cisneros, the celebrated bestselling author of The House on Mango Street and the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature. The lovingly drawn characters of these stories give voice to the vibrant and varied life on both sides of the Mexican border with tales of pure discovery, filled with moments of infinite and intimate wisdom. |
| waterlily by ella cara deloria: Doubters and Dreamers Janice Gould, 2011-01-20 Doubters and Dreamers opens with a question from a young girl faced with the spectacle of Indian effigies lynched and burned “in jest” before UC Berkeley’s annual Big Game against Stanford: “What’s a debacle, Mom?” This innocent but telling question marks the girl’s entrée into the complicated knowledge of her heritage as a mixed-blood Native American of Koyangk’auwi (Concow) Maidu descent. The girl is a young Janice Gould, and the poems and narrations that follow constitute a remarkable work of sustained and courageous self-revelation, retracing the precarious emotional terrain of an adolescence shaped by a mother’s tough love and a growing consciousness of an ancestral and familial past. In the first half of the book, “Tribal History,” Gould ingeniously repurposes the sonnet form to preserve the stories of her mother and aunt, who grew up when “muleback was the customary mode / of transport” and the “spirit world was present”—stories of “old ways” and places claimed in memory but lost in time. Elsewhere, she remembers her mother’s “ferocious, upright anger” and her unexpected tenderness (“Like a miracle, I was still her child”), culminating in the profound expression of loss that is the poem “Our Mother’s Death.” In the second half of the book, “It Was Raining,” Gould tells of the years of lonely self-making and “unfulfilled dreams” as she comes to terms with what she has been told are her “crazy longings” as a lesbian: “It’s been hammered into me / that I’ll be spurned / by a ‘real woman,’ / the only kind I like.” The writing here commemorates old loves and relationships in language that mingles hope and despair, doubt and devotion, veering at times into dreamlike moments of consciousness. One poem and vignette at a time, Doubters and Dreamers explores what it means to be a mixed-blood Native American who grew up urban, lesbian, and middle class in the West. |
| waterlily by ella cara deloria: Before the Great Spirit Julian Rice, 1998 In Before the Great Spirit Julian Rice explores the spiritual values that informed Sioux attitudes surrounding warriors, tricksters, spirits, games, and conflict. Countering the widespread myths that both denigrate and appropriate Indian spirituality, Rice examines accounts written in the 1830s by Congregationalist ministers Samuel and Gideon Pond and Stephen R. Riggs; Ella Deloria, a Yankton Nakota linguist; Wilson D. Wallis, a Canadian anthropologist; native Lakota George Bushotter; and physician James R. Walker in order to delineate clearly Sioux thought from the biases and perspectives of these observers. |
| waterlily by ella cara deloria: On Our Own Ground William Apess, 1992 This book brings together all of the known writings of William Apess, a Native American of mixed Pequot and white parentage who fought for the United States in the War of 1812, became a Methodist minister in 1829, and championed the rights of the Mashpee tribe on Cape Cod in the 1830s. Apess's A Son of the Forest, originally published in 1829, was the first extended autobiography by an American Indian. Readable and engaging, it is not only a rare statement by a Native American, but also an unusually full document in the history of New England native peoples. Another piece in the collection, The Experiences of Five Christian Indians of the Pequo(d) Tribe (1833), concludes with an eloquent and unprecedented attack on Euro-American racism entitled An Indian's Looking-Glass for the White Man. Also included are Apess's account of the Mashpee Revolt of 1833-34, when the Native Americans of Mashpee petitioned the government of Massachusetts for the right to elect their own representatives, and his Eulogy on King Philip, an address delivered in Boston in 1836 to mark the 160th anniversary of King Philip's War. In his extensive introduction to the volume, Barry O'Connell reconstructs the story of Apess's life, situates him in the context of early nineteenth-century Pequot society, and interprets his writings both as a literary act and as an expression of emerging Native American politics. |
| waterlily by ella cara deloria: Lakota Belief and Ritual James R. Walker, 1980-01-01 The real value of Lakota Belief and Ritual is that it provides raw narratives without any pretension of synthesis or analysis, as well as insightful biographical information on the man who contributed more than any other individual to our understanding of early Oglala ritual and belief. Plains AnthropologistIn the writing of Indian history, historians and other scholars seldom have the opportunity to look at the past through 'native eyes' or to immerse themselves in documents created by Indians. For the Oglala and some of the other divisions of the Lakota, the Walker materials provide this kind of experience in fascinating and rich detail during an important transition period in their history. Minnesota HistoryThis collection of documents is especially remarkable because it preserves individual variations of traditional wisdom from a whole generation of highly developed wicasa wakan (holy men). . . . Lakota Belief and Ritual is a wasicun (container of power) that can make traditional Lakota wisdom assume new life. American Indian QuarterlyA work of prime importance. . . . its publication represents a major addition to our knowledge of the Lakotas' way of life Journal of American FolkloreRaymond J. DeMallie, director of the American Indian Studies Research Institute and a professor of anthropology at Indiana University, is the editor of James R. Walker's Lakota Society (1982) and of The Sixth Grandfather: Black Elk's Teachings Given to John G. Neihardt (1984, a Bison Book), both published by the University of Nebraska Press. Elaine A. Jahner, a professor of English at Dartmouth College, has edited Walker's Lakota Myth (1983), also a Bison Book. |
| waterlily by ella cara deloria: Griffintown Matthew Barlow, 2017-06-15 This vibrant biography of Griffintown, an inner-city Montreal neighbourhood, brings to life the history of Irish identity in the legendary enclave. As Irish immigration dwindled by the late nineteenth century, Irish culture in the city became diasporic, reflecting an imagined homeland. Focusing on the power of memory to shape community, Matthew Barlow finds that, despite sociopolitical pressures and a declining population, the spirit of this ethnic quarter was nurtured by the men and women who grew up there. Today, as Griffintown attracts renewed interest from developers, this textured analysis reveals how public memory defines our urban centres. |
| waterlily by ella cara deloria: From the River's Edge Elizabeth Cook-Lynn, 2012 Orignally published: New York: Arcade Pub., 1991. |
| waterlily by ella cara deloria: Roots of Our Renewal Clint Carroll, 2015-05-30 Honorable Mention: Labriola Center American Indian National Book Award In Roots of Our Renewal, Clint Carroll tells how Cherokee people have developed material, spiritual, and political ties with the lands they have inhabited since removal from their homelands in the southeastern United States. Although the forced relocation of the late 1830s had devastating consequences for Cherokee society, Carroll shows that the reconstituted Cherokee Nation west of the Mississippi eventually cultivated a special connection to the new land—a connection that is reflected in its management of natural resources. Until now, scant attention has been paid to the interplay between tribal natural resource management programs and governance models. Carroll is particularly interested in indigenous environmental governance along the continuum of resource-based and relationship-based practices and relates how the Cherokee Nation, while protecting tribal lands, is also incorporating associations with the nonhuman world. Carroll describes how the work of an elders’ advisory group has been instrumental to this goal since its formation in 2008. An enrolled citizen of the Cherokee Nation, Carroll draws from his ethnographic observations of Cherokee government–community partnerships during the past ten years. He argues that indigenous appropriations of modern state forms can articulate alternative ways of interacting with and “governing” the environment. |
| waterlily by ella cara deloria: Memoirs Of A Monticello Slave Isaac Jefferson, 2021-09-09 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| waterlily by ella cara deloria: Sustaining the Cherokee Family Rose Stremlau, 2011 Sustaining the Cherokee Family |
| waterlily by ella cara deloria: Memory and Political Change A. Assmann, L. Shortt, 2011-11-08 Examining the role of memory in the transition from totalitarian to democratic systems, this book makes an important contribution to memory studies. It explores memory as a medium of and impediment to change, looking at memory's biological, cultural, narrative and socio-psychological dimensions. |
| waterlily by ella cara deloria: Two Crows Denies it Robert Harrison Barnes, 2005-01-01 In Two Crows Denies It, R. H. Barnes undertakes an ambitious historical analysis of anthropological scholarship about Omaha kinship systems. His groundbreaking work offers a critique of this established scholarship, including the work of Lävi-Strauss, Dorsey, and Fletcher. In comparing the primary and secondary accounts of Omaha descent, relationship, and naming systems, Barnes reveals the dissonance between the reality of Omaha society and the scholarship that has formed around it. Not only does he put forth a new and more realistic interpretation of Omaha sociology specifically, but in so doing he provides a reinterpretation of an aspect of anthropological theory. This edition includes a new introduction by Raymond J. DeMallie. |
| waterlily by ella cara deloria: Growing Up Native American Bill Adler, Ines Hernandez, Patricia Riley, 2009-03-17 Stories of oppression and survival, of heritage denied and reclaimed -- twenty-two American writers recall childhood in their native land. |
| waterlily by ella cara deloria: A Northern Light Jennifer Donnelly, 2003 In 1906, sixteen-year-old Mattie, determined to attend college and be a writer against the wishes of her father and fiance, takes a job at a summer inn where she discovers the truth about the death of a guest. Based on a true story. |
| waterlily by ella cara deloria: Lakota Society James R. Walker, 1992-02-01 As agency physician on the Pine Ridge Reservation from 1896 to 1914, Dr. James R. Walker recorded a wealth of information on the traditional lifeways of the Oglala Sioux. Lakota Society presents the primary accounts of Walker's informants and his syntheses dealing with the organization of camps and bands, kinship systems, beliefs, ceremonies, hunting, warfare, and methods of measuring time. |
| waterlily by ella cara deloria: Life Among the Indians Alice C. Fletcher, 2013-12-01 Alice C. Fletcher (1838–1923), one of the few women who became anthropologists in the United States during the nineteenth century, was a pioneer in the practice of participant-observation ethnography. She focused her studies over many years among the Native tribes in Nebraska and South Dakota. Life among the Indians, Fletcher’s popularized autobiographical memoir written in 1886–87 about her first fieldwork among the Sioux and the Omahas during 1881–82, remained unpublished in Fletcher’s archives at the Smithsonian Institution for more than one hundred years. In it Fletcher depicts the humor and hardships of her field experiences as a middle-aged woman undertaking anthropological fieldwork alone, while showing genuine respect and compassion for Native ways and beliefs that was far ahead of her time. What emerges is a complex and fascinating picture of a woman questioning the cultural and gender expectations of nineteenth-century America while insightfully portraying rapidly changing reservation life. Fletcher’s account of her early fieldwork is available here for the first time, accompanied by an essay by the editors that sheds light on Fletcher’s place in the development of anthropology and the role of women in the discipline. |
| waterlily by ella cara deloria: Black Hawk Black Hawk (Sauk chief), 1964 Sauk Indian chief Black Hawk tells his life story from his childhood to fighting the Black Hawk War and finally living in peace with the white man. |
| waterlily by ella cara deloria: Caballero Jovita González Mireles, Eve Raleigh, 1996 Written by a Mexican-American woman and her coauthor during the 1930s and 1940s, Caballero remained unprinted and unavailable to the public for over 50 years. The novel examines the impact of the 1846-48 war with Mexico on a tejano family and particularly on Mexican women. Paper edition (unseen), $19.95. Annotation copyright by Book News, Inc., Portland, OR |
| waterlily by ella cara deloria: The Punishment of the Stingy and Other Indian Stories George Bird Grinnell, 1982-01-01 The Punishment of the Stingy, first published in 1901, has become a classic of American Indian literature. George Bird Grinnell?s retelling of Indian tales like ?The Star Boy,? ?The Girl Who Was the Ring,? ?The First Medicine Lodge,? and ?Nothing Child? retains the humor and mystery of their sources. Featuring the twin themes of generosity and stinginess, this is the only one of Grinnell's collections to embrace narratives from a number of tribes--Blackfoot, Pawnee, Blood, Piegan, and Chinook. Plucky young heroes emerge from obscurity through their generosity; the closefisted draw down supernatural punishments befitting their cold and hardened spirits. Jarold Ramsey writes, The history of the Plains Indians as we have it would be unthinkable without the keen eye and honest, diligent pen of George Bird Grinnell. With him, it is still possible after eighty or one hundred years to leap through that historical lightning door that shut so suddenly on the Old West. Among the heroic Pawnees, Cheyennes, Blackfeet, and their neighbors of long ago, stories like these will continue to be our horses, and Grinnell our faithful overland guide. |
| waterlily by ella cara deloria: Kindred: A Graphic Novel Adaptation Octavia E. Butler, 2017-01-10 Octavia E. Butler’s bestselling literary science-fiction masterpiece, Kindred, now in graphic novel format. More than 35 years after its release, Kindred continues to draw in new readers with its deep exploration of the violence and loss of humanity caused by slavery in the United States, and its complex and lasting impact on the present day. Adapted by celebrated academics and comics artists Damian Duffy and John Jennings, this graphic novel powerfully renders Butler’s mysterious and moving story, which spans racial and gender divides in the antebellum South through the 20th century. Butler’s most celebrated, critically acclaimed work tells the story of Dana, a young black woman who is suddenly and inexplicably transported from her home in 1970s California to the pre–Civil War South. As she time-travels between worlds, one in which she is a free woman and one where she is part of her own complicated familial history on a southern plantation, she becomes frighteningly entangled in the lives of Rufus, a conflicted white slaveholder and one of Dana’s own ancestors, and the many people who are enslaved by him. Held up as an essential work in feminist, science-fiction, and fantasy genres, and a cornerstone of the Afrofuturism movement, there are over 500,000 copies of Kindred in print. The intersectionality of race, history, and the treatment of women addressed within the original work remain critical topics in contemporary dialogue, both in the classroom and in the public sphere. Frightening, compelling, and richly imagined, Kindred offers an unflinching look at our complicated social history, transformed by the graphic novel format into a visually stunning work for a new generation of readers. |
WaterLily | Portable Power for Paddling and Camping Trips
WaterLily is a portable turbine that generates power from rivers. It can charge USB and 12V devices, including cell phones, battery banks, camp lights, and Bluetooth speakers. When …
WaterLily vs. Portable Solar Panels
WaterLily doesn’t rely on the sun like solar panels, so you can generate power in the rain, fog, or shade. Power for all your devices WaterLily can charge GPS, cell phones, GoPros, LED lights, …
WaterLily Turbine
WaterLily can be placed in moving water or wind to effortlessly charge your device. Or 10 minutes with the optional hand crank gets you enough charge for a 6 minute phone call. Get yours now!
WaterLily | Portable Power for Paddling and Camping Trips
WaterLily is a portable turbine that generates power from rivers. It can charge USB and 12V devices, including cell phones, battery banks, camp lights, and Bluetooth speakers. When …
WaterLily vs. Portable Solar Panels
WaterLily doesn’t rely on the sun like solar panels, so you can generate power in the rain, fog, or shade. Power for all your devices WaterLily can charge GPS, cell phones, GoPros, LED lights, …
WaterLily Turbine
WaterLily can be placed in moving water or wind to effortlessly charge your device. Or 10 minutes with the optional hand crank gets you enough charge for a 6 minute phone call. Get yours now!
