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| veronica franco and marco venier relationship: The Honest Courtesan Margaret F. Rosenthal, 2012-07-13 The Venetian courtesan has long captured the imagination as a female symbol of sexual license, elegance, beauty, and unruliness. What then to make of the cortigiana onesta—the honest courtesan who recast virtue as intellectual integrity and offered wit and refinement in return for patronage and a place in public life? Veronica Franco (1546-1591) was such a woman, a writer and citizen of Venice, whose published poems and familiar letters offer rich testimony to the complexity of the honest courtesan's position. Margaret F. Rosenthal draws a compelling portrait of Veronica Franco in her cultural social, and economic world. Rosenthal reveals in Franco's writing a passionate support of defenseless women, strong convictions about inequality, and, in the eroticized language of her epistolary verses, the seductive political nature of all poetic contests. It is Veronica Franco's insight into the power conflicts between men and women—and her awareness of the threat she posed to her male contemporaries—that makes her literary works and her dealings with Venetian intellectuals so pertinent today. Combining the resources of biography, history, literary theory, and cultural criticism, this sophisticated interdisciplinary work presents an eloquent and often moving account of one woman's life as an act of self-creation and as a complex response to social forces and cultural conditions. A book . . . pleasurably redolent of Venice in the 16th-century. Rosenthal gives a vivid sense of a world of salons and coteries, of intricate networks of family and patronage, and of literary exchanges both intellectual and erotic.—Helen Hackett, Times Higher Education Supplement The Honest Courtesan is the basis for the film Dangerous Beauty (1998) directed by Marshall Herskovitz. (The film was re-titled The Honest Courtesan for release in the UK and Europe in 1999.) |
| veronica franco and marco venier relationship: The Currency of Eros Ann Rosalind Jones, 1990 Professor Jones' book uniquely fills a huge hole in gender studies in the Renaissance. Its easy clarity of argument, its scrupulous care for detail, its just plain good story telling, and its theoretical sophistication make it an obvious candidate for the status of standard work. —Maureen Quilligan . . full of fine insights . . . a fine addition to a growing body of work on Renaissance women writers. —Renaissance Quarterly In this forceful and perceptive study . . . Jones has fused gyno- and gender criticism superbly and produced one of the most important works on the European renaissance lyric in this decade. —L'Esprit Créateur . . . this absorbing study encourages (re)reading, reflection, and debate on the texts in question, and revitalizes and reorients the reader's understanding of the function and potential of early modern love lyric. —French Studies . . . an intelligent, persuasive work . . . —Italica . . . is richly suggestive of the range and variety of women's writing in the early modern period . . . —Review of English Studies The Currency of Eros examines women's love lyrics in Renaissance Europe as strategic responses to two cultural systems: early modern gender ideologies and male-authored literary conventions. |
| veronica franco and marco venier relationship: Poems and Selected Letters Veronica Franco, 2007-11-01 Veronica Franco (whose life is featured in the motion picture Dangerous Beauty) was a sixteenth-century Venetian beauty, poet, and protofeminist. This collection captures the frank eroticism and impressive eloquence that set her apart from the chaste, silent woman prescribed by Renaissance gender ideology. As an honored courtesan, Franco made her living by arranging to have sexual relations, for a high fee, with the elite of Venice and the many travelers—merchants, ambassadors, even kings—who passed through the city. Courtesans needed to be beautiful, sophisticated in their dress and manners, and elegant, cultivated conversationalists. Exempt from many of the social and educational restrictions placed on women of the Venetian patrician class, Franco used her position to recast virtue as intellectual integrity, offering wit and refinement in return for patronage and a place in public life. Franco became a writer by allying herself with distinguished men at the center of her city's culture, particularly in the informal meetings of a literary salon at the home of Domenico Venier, the oldest member of a noble family and a former Venetian senator. Through Venier's protection and her own determination, Franco published work in which she defended her fellow courtesans, speaking out against their mistreatment by men and criticizing the subordination of women in general. Venier also provided literary counsel when she responded to insulting attacks written by the male Venetian poet Maffio Venier. Franco's insight into the power conflicts between men and women and her awareness of the threat she posed to her male contemporaries make her life and work pertinent today. |
| veronica franco and marco venier relationship: The Renaissance Courtesan in Words, Letters and Images. Social Amphibology and Moral Framing (A Diachronic Perspective) Eugenio L. Giusti, 2014 |
| veronica franco and marco venier relationship: Women and the Circulation of Texts in Renaissance Italy Brian Richardson, 2020-03-26 The first comprehensive guide to women's promotion and use of textual culture, in manuscript and print, in Renaissance Italy. |
| veronica franco and marco venier relationship: The Onlife Manifesto Luciano Floridi, 2014-11-16 What is the impact of information and communication technologies (ICTs) on the human condition? In order to address this question, in 2012 the European Commission organized a research project entitled The Onlife Initiative: concept reengineering for rethinking societal concerns in the digital transition. This volume collects the work of the Onlife Initiative. It explores how the development and widespread use of ICTs have a radical impact on the human condition. ICTs are not mere tools but rather social forces that are increasingly affecting our self-conception (who we are), our mutual interactions (how we socialise); our conception of reality (our metaphysics); and our interactions with reality (our agency). In each case, ICTs have a huge ethical, legal, and political significance, yet one with which we have begun to come to terms only recently. The impact exercised by ICTs is due to at least four major transformations: the blurring of the distinction between reality and virtuality; the blurring of the distinction between human, machine and nature; the reversal from information scarcity to information abundance; and the shift from the primacy of stand-alone things, properties, and binary relations, to the primacy of interactions, processes and networks. Such transformations are testing the foundations of our conceptual frameworks. Our current conceptual toolbox is no longer fitted to address new ICT-related challenges. This is not only a problem in itself. It is also a risk, because the lack of a clear understanding of our present time may easily lead to negative projections about the future. The goal of The Manifesto, and of the whole book that contextualises, is therefore that of contributing to the update of our philosophy. It is a constructive goal. The book is meant to be a positive contribution to rethinking the philosophy on which policies are built in a hyperconnected world, so that we may have a better chance of understanding our ICT-related problems and solving them satisfactorily. The Manifesto launches an open debate on the impacts of ICTs on public spaces, politics and societal expectations toward policymaking in the Digital Agenda for Europe’s remit. More broadly, it helps start a reflection on the way in which a hyperconnected world calls for rethinking the referential frameworks on which policies are built. |
| veronica franco and marco venier relationship: A History of Painting in North Italy Joseph Archer Crowe, Giovanni Battista Cavalcaselle, 1871 |
| veronica franco and marco venier relationship: City Culture and the Madrigal at Venice Martha Feldman, 2023-11-10 Martha Feldman's exploration of sixteenth-century Venetian madrigals centers on the importance to the Venetians of Ciceronian rhetorical norms, which emphasized decorum through adherence to distinct stylistic levels. She shows that Venice easily adapted these norms to its long-standing mythologies of equilibrium, justice, peace, and good judgment. Feldman explains how Venetian literary theorists conceived variety as a device for tempering linguistic extremes and thereby maintaining moderation. She further shows how the complexity of sacred polyphony was adapted by Venetian music theorists and composers to achieve similar ends. At the same time, Feldman unsettles the kinds of simplistic alignments between the collectivity of the state and its artistic production that have marked many historical studies of the arts. Her rich social history enables a more intricate dialectics among sociopolitical formations; the roles of individual printers, academists, merchants, and others; and the works of composers and poets. City Culture offers a new model for situating aesthetic products in a specific time and place, one that sees expressive objects not simply against a cultural backdrop but within an integrated complex of cultural forms and discursive practices. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995. |
| veronica franco and marco venier relationship: Canon Pietro Casola's Pilgrimage to Jerusalem in the Year 1494 Mary Margaret Newett, 1907 |
| veronica franco and marco venier relationship: Law and Popular Culture Michael Asimow, Shannon Mader, 2004 This book explores the interface between law and popular culture, two subjects of enormous current importance and influence. Exploring how they affect each other, each chapter discusses a legally themed film or television show, such as Philadelphia or Dead Man Walking, and treats it as both a cultural and a legal text, illustrating how popular culture both constructs our perceptions of law, and changes the way that players in the legal system behave. Written without theoretical jargon, Law and Popular Culture: A Course Book is intended for use in undergraduate or graduate courses and can be taught by anyone who enjoys pop culture and is interested in law. |
| veronica franco and marco venier relationship: The Prodigious Muse Virginia Cox, 2011-09-01 Winner, 2012 Book Award, Society for the Study of Early Modern WomenHonorable Mention, Literature, 2012 PROSE Awards, Professional and Scholarly Publishing Division of the Association of American Publishers In her award-winning, critically acclaimed Women’s Writing in Italy, 1400–1650, Virginia Cox chronicles the history of women writers in early modern Italy—who they were, what they wrote, where they fit in society, and how their status changed during this period. In this book, Cox examines more closely one particular moment in this history, in many ways the most remarkable for the richness and range of women’s literary output. A widespread critical notion sees Italian women’s writing as a phenomenon specific to the peculiar literary environment of the mid-sixteenth century, and most scholars assume that a reactionary movement such as the Counter-Reformation was unlikely to spur its development. Cox argues otherwise, showing that women’s writing flourished in the period following 1560, reaching beyond the customary feminine genres of lyric, poetry, and letters to experiment with pastoral drama, chivalric romance, tragedy, and epic. There were few widely practiced genres in this eclectic phase of Italian literature to which women did not turn their hand. Organized by genre, and including translations of all excerpts from primary texts, this comprehensive and engaging volume provides students and scholars with an invaluable resource as interest in these exceptional writers grows. In addition to familiar, secular works by authors such as Isabella Andreini, Moderata Fonte, and Lucrezia Marinella, Cox also discusses important writings that have largely escaped critical interest, including Fonte’s and Marinella’s vivid religious narratives, an unfinished Amazonian epic by Maddalena Salvetti, and the startlingly fresh autobiographical lyrics of Francesca Turina Bufalini. Juxtaposing religious and secular writings by women and tracing their relationship to the male-authored literature of the period, often surprisingly affirmative in its attitudes toward women, Cox reveals a new and provocative vision of the Italian Counter-Reformation as a period far less uniformly repressive of women than is commonly assumed. |
| veronica franco and marco venier relationship: The Vatican Collections Metropolitan Museum of Art (New York, N.Y.), Art Institute of Chicago, Fine Arts Museums of San Francisco, 1982 Nearly three hundred illustrations and a text reveal the entire range of the Vatican's artistic holdings, replete with priceless masterworks from all periods. |
| veronica franco and marco venier relationship: The UK Richard Ambrosini, Andrew Rutt, Adriano Elia, 2005 Il libro, interamente in inglese, è pensato per un corso di lingua da due moduli (sei crediti) nelle lauree triennali. Ciascuna unità didattica fornisce agli studenti gli strumenti per esercitarsi su una forma o struttura grammaticale e contiene testi in cui compaiono termini ricorrenti in una pluralità di linguaggi specialistici. Integrando il metodo comunicativo con testi costruiti intorno a temi storici o di attualità , il volume intende combinare lo studio di nozioni grammaticali di base e avanzate con la trasmissione di informazioni sulla geografia umana e storica, le istituzioni, la società , l'economia e il dibattito politico nella Gran Bretagna contemporanea. Annotation Supplied by Informazioni Editoriali |
| veronica franco and marco venier relationship: A History of Women's Writing in Italy Letizia Panizza, Sharon Wood, 2000 This volume offers a comprehensive account of writing by women in Italy. |
| veronica franco and marco venier relationship: Selected Poems Gaspara Stampa, 1994 GASPARA STAMPA (1523-54) is considered the greatest woman poet of the Italian Renaissance, and she is regarded by many as the greatest Italian woman poet of any age. A highly skilled musician, Stampa produced some of the most musical poetry in the Italian language. Her sonnets of unrequited love speak in a language of honest passion and profound loss. They look forward to the women writers of the nineteenth century and are a milestone in women's literature. This dual-language edition of selected poems presents, along with the Italian original, the first English translation of Stampa's work. It includes an introduction to the poet and her work, a note on the translation, and provides the reader with notes to the poems, a bibliography, and a first-line index. DUAL-LANGUAGE POETRY Introduction, bibliography, first-line index. |
| veronica franco and marco venier relationship: The Rainmaker John Grisham, 2010-03-16 #1 NEW YORK TIMES BESTSELLER • “A taut and terrific page-turner” (Entertainment Weekly) from the master of the courtroom thriller “Great fun to read . . . The complex plotting is Grisham’s major accomplishment.”—Los Angeles Times In development as a USA Network series starring John Slattery It’s summer in Memphis. The sweat is sticking to Rudy Baylor’s shirt and creditors are nipping at his heels. Once he had aspirations of breezing through law school and punching his ticket to the good life. Now he doesn’t have a job or a prayer—except for one: an insurance dispute that leaves a family devastated and opens the door for a lawsuit, if Rudy can find a way to file it. By the time Rudy gets to court, a heavyweight corporate defense team is there to meet him. And suddenly he’s in over his head, plunged into a nightmare of lies and legal maneuverings. A case that started small is exploding into a thunderous million-dollar war of nerves, skill, and outright violence—a fight that could cost one young lawyer his life, or turn him into the biggest rainmaker in the land. |
| veronica franco and marco venier relationship: Music of the Sirens Linda Austern, Inna Naroditskaya, 2006-07-21 Whether referred to as mermaid, usalka, mami wata, or by some other name, and whether considered an imaginary being or merely a person with extraordinary abilities, the siren is the remarkable creature that has inspired music and its representations from ancient Greece to present-day Africa and Latin America. This book, co-edited by a historical musicologist and an ethnomusicologist, brings together leading scholars and some talented newcomers in classics, music, media studies, literature, and cultural studies to consider the siren and her multifaceted relationships to music across human time and geography. |
| veronica franco and marco venier relationship: Bibliotheca Heberiana ; Catalogue Of The Library Of The Late Richard Heber, Esq Richard Heber, 1834 |
| veronica franco and marco venier relationship: Veronica Franco in Dialogue Marilyn Migiel, 2022-03-31 Since the late twentieth century, the Venetian courtesan Veronica Franco has been viewed as a triumphant proto-feminist icon: a woman who celebrated her sexuality, an outspoken champion of women and their worth, and an important intellectual and cultural presence in sixteenth-century Venice. In Veronica Franco in Dialogue, Marilyn Migiel provides a nuanced account of Franco’s rhetorical strategies through a close analysis of her literary work. Focusing on the first fourteen poems in the Terze rime, a collection of Franco’s poems published in 1575, Migiel looks specifically at back-and-forth exchanges between Franco and an unknown male author. Migiel argues that in order to better understand what Franco is doing in the poetic collection, it is essential to understand how she constructs her identity as author, lover, and sex worker in relation to this unknown male author. Veronica Franco in Dialogue accounts for the moments of ambivalence, uncertainty, and indirectness in Franco’s poetry, as well as the polemicism and assertions of triumph. In doing so, it asks readers to consider their ideological investments in the stories we tell about early modern female authors and their cultural production. |
| veronica franco and marco venier relationship: The Education of a Christian Woman Juan Luis Vives, 2007-11-01 From meetings and conversation with men, love affairs arise. In the midst of pleasures, banquets, dances, laughter, and self-indulgence, Venus and her son Cupid reign supreme. . . . Poor young girl, if you emerge from these encounters a captive prey! How much better it would have been to remain at home or to have broken a leg of the body rather than of the mind! So wrote the sixteenth-century Spanish humanist Juan Luis Vives in a famous work dedicated to Henry VIII's daughter, Princess Mary, but intended for a wider audience interested in the education of women. Praised by Erasmus and Thomas More, Vives advocated education for all women, regardless of social class and ability. From childhood through adolescence to marriage and widowhood, this manual offers practical advice as well as philosophical meditation and was recognized soon after publication in 1524 as the most authoritative pronouncement on the universal education of women. Arguing that women were intellectually equal if not superior to men, Vives stressed intellectual companionship in marriage over procreation, and moved beyond the private sphere to show how women's progress was essential for the good of society and state. |
| veronica franco and marco venier relationship: Soil Biology and Land Management , 2004 |
| veronica franco and marco venier relationship: The Gallery of Memory Lina Bolzoni, 2001-01-01 This book takes as its starting point a striking paradox: that the antique tradition of the art of memory -- created by an oral culture -- reached its moment of greatest diffusion during an age that saw the birth of the printed book. |
| veronica franco and marco venier relationship: The Courtesan's Arts Martha Feldman, Bonnie Gordon, 2006-03-23 Courtesans, hetaeras, tawaif-s, ji-s--these women have exchanged artistic graces, elevated conversation, and sexual favors with male patrons throughout history and around the world. In Ming dynasty China and early modern Italy, exchange was made through poetry, speech, and music; in pre-colonial India through magic, music, chemistry, and other arts. Yet like the art of courtesanry itself, those arts have often thrived outside present-day canons and modes of transmission, and have mostly vanished without trace.The Courtesan's Arts delves into this hidden legacy, while touching on its equivocal relationship to geisha. At once interdisciplinary, empirical, and theoretical, the book is the first to ask how arts have figured in the survival or demise of courtesan cultures by juxtaposing research from different fields. Among cases studied by writers on classics, ethnomusicology, anthropology, and various histories of art, music, literature, and political culture are Ming dynasty China, twentieth-century Korea, Edo and modern Japan, ancient Greece, early modern Italy, and India, past and present. Refusing a universal model, the authors nevertheless share a perception that courtesans hover in the crevices of space, time, and practice--between gifts and money, courts and cities, subtlety and flamboyance, feminine allure and masculine power, as wifely surrogates but keepers of culture. What most binds them to their arts in our post-industrialized world of global services and commodities, they find, is courtesans' fragility, as their cultures, once vital to civilizations founded in leisure and pleasure, are now largely forgotten, transforming courtesans into national icons or historical curiosities, or reducing them to prostitution. |
| veronica franco and marco venier relationship: Essays on Italian Poetry and Music in the Renaissance, 1350-1600 James Haar, 2022-07-15 These essays illuminate the changing nature of text-music relationships from the time of Petrarch to Guarini and, in music, from the madrigals of Giovanni da Cascia to those of Gesualdo da Venosa. Haar traces a line of development from the stylized rhetoric of Trecento song through the popularizing trends of Quattrocento music and on to the union of verbal and musical cadence that marked the high Renaissance in sixteenth-century Italian music. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1986. |
| veronica franco and marco venier relationship: A Companion to Music in Sixteenth-Century Venice , 2017-12-18 This book offers an overview of all facets of musical life in sixteenth-century Venice. It addresses the city’s institutions (churches, confraternities, and academies) against the background of public and private occasions of music making. Supported by a generous collection of archival, literary, and iconographical sources, it treats both ceremonial life in the Serenissima and private forms of patronage. The Companion also addresses the dense web of musical activity (from chapel masters and singers to instrumentalists and instrument makers to music printers and theorists) and the rich variety of styles and musical genres (the frottola, the madrigal, motets and masses, instrumental music, polychoral music, Venetian-language polyphony), broadening the geographical perspective beyond the Veneto to Istria and Dalmatia. Contributors are Rodolfo Baroncini, Sherri Bishop, Bonnie J. Blackburn, David Bryant, Ivano Cavallini, Paolo Da Col, Daniel Donnelly, Rebecca Edwards, Iain Fenlon, Jonathan Glixon, Don Harrán (†), Jeffrey Kurtzman, Giulio M. Ongaro, Francesco Passadore, Elena Quaranta, Katelijne Schiltz, Eleanor Selfridge-Field, and Giovanni Zanovello. |
| veronica franco and marco venier relationship: Wisdom's Daughters Cathy Pagano, 2013 Wisdom is Women’s Gift to the World. In the many cultural stories that speak about the changing of the ages, it is always Feminine Spirit which brings about the transition to new life, for Feminine Spirit knows the rhythms of life, death, and rebirth and is the “opener of the way.” In times of cultural transformation, it is also our right-brain, feminine consciousness that is our best guide, for it opens us to the creative imagination, the realm of possibility. The return of the Goddess awakens the transformative energy that births the changing of the ages. In the western story of worldwide spiritual transformation, there is a powerful image of Cosmic Woman, an image of the archetypal Feminine Spirit who transforms and gives birth to this new age. And her archetypal image gives us instructions for opening to and incarnating wisdom. This image of the awakening Feminine Spirit is an image of the Conscious Woman: a woman, clothed with the sun, standing on the moon, crowned with stars, who is in labor, giving birth to a savior. In earlier times and different traditions, this archetypal image was understood as Lady Wisdom. Today I feel this Goddess image of conscious woman can be incarnated by women everywhere. This woman clothed with the sun is Lady Wisdom, who calls all women to become her daughters. “I love Cathy’s insights into fairy tales, mythology, dreams, astrological energies, and archetypes. She makes sense of how our lives are impacted by these complex yet very beautiful elements, making them accessible and keeping them profound. Her wisdom can only enhance anyone lucky enough to have crossed her path.” —Alix Toland, Artist & Creator of Color-Scope: An Astrological Mandala |
| veronica franco and marco venier relationship: Sor Juana Ilan Stavans, 2018-09-18 A sixteenth-century Mexican nun, Sor Juana Inés de la Cruz, has become one of the most rebellious and lasting icons in modern times, on par with Mahatma Gandhi, Ernesto “Che” Guevara, and Nelson Mandela. Referenced in ranchera, tejana, and hip-hop lyrics, and celebrated in popular art as a guerrillera with rifle and bullet belts, Sor Juana has become ubiquitous. The conduits keep multiplying: statues, lotería cards, key chains, recipe books, coffee mugs, Día de los Muertos costumes. Ironically, Juana Inés de Asbaje—alias Sor Juana Inés de la Cruz—died in anonymity. Her grave was unmarked until the 1970s. Sor Juana: Or, the Persistence of Pop encapsulates the life, times, and legacy of Sor Juana. In this immersive work, essayist Ilan Stavans provides a biographical and meditative picture of the ways in which popular perceptions of her life and body of work both shape and reflect modern Latinx culture. |
| veronica franco and marco venier relationship: Copahue Volcano Franco Tassi, Orlando Vaselli, Alberto Tomas Caselli, 2015-09-21 This book provides a comprehensive description of the volcanological, petrological and geochemical features of the Copahue volcano, located at the border between Argentina and Chile. Scientific studies are limited for this volcanic system, due to its remote location and difficult access in winter. However, Copahue is one of the most active volcanic systems in the southern Andes. Monitoring the volcano's activity is of utter importance, as it provides means of existence for the nearby village of the same name, hosting the world's highest-located hot-springs resort. This book's aim is to present the current monitoring activities, and to describe future research programs that are planned in order to mitigate volcanic hazards. Special attention is therefore devoted to the social and industrial activities close to the volcano, such as health therapies and geothermal energy exploitation. In a special section, the Copahue volcano is presented as a terrestrial modern analog for early-Earth and Mars environments. |
| veronica franco and marco venier relationship: Cantus. Altus , 1588 |
| veronica franco and marco venier relationship: Essentials of Pediatric Neuroanesthesia Sulpicio G. Soriano, Craig D. McClain, 2018-11-22 A practical guide to best practice in managing the perioperative care of pediatric neurosurgical patients. |
| veronica franco and marco venier relationship: Italian Women and the City Janet Levarie Smarr, Daria Valentini, 2003 Studies of the city, and of women's experiences of the city, have focused primarily on modern times, especially as modernism was defined in large part by urban life. Italy, however, has a long history of urban-centered culture, and women have been a vocal part of that culture since the Renaissance. This volume, therefore, looks at the art and literature of both earlier and more modern periods to investigate the meanings of the city for Italian women, the intensely gendered meanings (for both sexes) of those city spaces that excluded women, and the conditions that permitted a limited permeability of gendered boundaries. Two aspects to the combination of women and city are salient to these investigations. One involves their metaphorical relationship. Urbs, citta, ville -- the words for city tend to be grammatically feminine, and a long tradition of representation associates the city. with a woman. Women, especially writers, could exploit, modify, or resist the prevailing uses of such metaphors. The second aspect of connection involves social realities. What was or is the relation of the (female) city with the real women who inhabit it? What kind of site has it provided for women seeking a satisfying life for themselves? How has art and literature, by men and by women, represented the relationship of female persons or characters to urban spaces? |
| veronica franco and marco venier relationship: The ESC Textbook of Cardiovascular Medicine A. John Camm, 2019 |
| veronica franco and marco venier relationship: Sounds, Feelings, Thoughts Wislawa Szymborska, 2020-05-05 Translated and Introduced by Magnus J. Krynski and Robert A. Maguire Regarded as one of the best representatives since World War II of the rich and ancient art of poetry in Poland, Wislawa Szymborska (1923-2012) is, in the translators' words, that rarest of phenomena: a serious poet who commands a large audience in her native land. The seventy poems in this bilingual edition are among the largest and most representative offering of her work in English, with particular emphasis on the period since 1967. They illustrate virtually all her major themes and most of her important techniques. Describing Szymborka's poetry, Magnus Krynski and Robert Maguire write that her verse is marked by high seriousness, delightful inventiveness, a prodigal imagination, and enormous technical skill. She writes of the diversity, plenitude, and richness of the world, taking delight in observing and naming its phenomena. She looks on with wonder, astonishment, and amusement, but almost never with despair. |
| veronica franco and marco venier relationship: Viewing the Morea Sharon E. J. Gerstel, 2013 Viewing the Morea focuses on the late medieval Morea (Peloponnese), beginning with the bold attempt of Western knights to establish a kingdom on its soil. The authors explore how the groups of this contested region--Crusaders, Orthodox villagers, and Venetians--interacted, asserted identity, and recollected the ancient history of the Peloponnese. |
| veronica franco and marco venier relationship: Romeo and Ethel William Shakespeare, 2020-11-19 This book is a perfect gift for any woman named Ethel. Romeo and Ethel is a modified version of William Shakespeare's Romeo and Juliet. In this version, the main character is not Juliet, but Ethel. The book has a beautiful cover and font. There are 10 pictures inside the book. We also have versions with other names. Two households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean. From forth the fatal loins of these two foes A pair of star-cross'd lovers take their life; Whose misadventur'd piteous overthrows Doth with their death bury their parents' strife. The fearful passage of their death-mark'd love, And the continuance of their parents' rage, Which, but their children's end, nought could remove, Is now the two hours' traffic of our stage; The which, if you with patient ears attend, What here shall miss, our toil shall strive to mend. This is a story about Romeo and Ethel. |
| veronica franco and marco venier relationship: The Tulip of Sinai Sir Muhammad Iqbal, 1949 |
| veronica franco and marco venier relationship: Twenty-Five Women Who Shaped the Italian Renaissance Meredith K. Ray, 2023-12-22 • This book offers an engaging, well-researched introduction to the influential female figures who helped lay the foundations of Renaissance culture, making it easy for educators to integrate women’s history into the study of the past and for the general reader to gain a reliable, richly detailed overview. • Each chapter functions as a stand-alone study, combining an engaging narrative biography with an expert grasp of the cultural, political, and artistic context of this historical period to allow students and lecturers to either use parts or the whole of this book to support their studies and teaching. • Taken as a whole, students will be shown that these women were not isolated cases of female exceptionality, but rather a part of a larger and more complex tapestry of Renaissance achievement, one that connects them to one another as well as to the male writers, artists, and leaders whose names many readers will already know. • Interwoven within each chapter are primary sources (letters, poems, sketches) and portraits of each of the women discussed, providing students with a fuller picture of these women. |
| veronica franco and marco venier relationship: In the Age of Giorgione , 2016 In the Age of Giorgione assembles many of the works attributed to Giorgione, along with masterpieces by Titian, Lorenzo Lotto, Sebastiano del Piombo and Giovanni Cariani, among others. This volume includes landscapes, portraits and devotional works, all exemplars of the exceptional richness of colour and mood that were to become the hallmark of the Golden Age of Venetian painting. -- Publisher's description |
| veronica franco and marco venier relationship: Voices from the Love Generation Leonard Wolf, 1968 A collection of 15 interviews. |
| veronica franco and marco venier relationship: Madrigals for Four Voices John Bennet, 1845 |
Veronica Franco And Marco Venier - listserv.hlth.gov.bc.ca
Veronica Franco (1546-1591) was such a woman, a writer and citizen of Venice, whose published poems and familiar letters offer rich testimony to the complexity of the honest courtesan's position. Margaret F. Rosenthal draws a compelling portrait of Veronica Franco in her cultural social, and economic world. Rosenthal reveals in Franco's writing a
Veronica Franco Marco Venier - graduate.ohiochristian.edu
Veronica Franco (1546-1591) was such a woman, a writer and citizen of Venice, whose published poems and familiar letters offer rich testimony to the complexity of the honest courtesan's position. Margaret F. Rosenthal draws a compelling portrait of Veronica Franco in her cultural social, and economic world. Rosenthal reveals in Franco's writing a
Veronica Franco Marco Venier - 45.79.9.118
Veronica Franco (1546-1591) was such a woman, a writer and citizen of Venice, whose published poems and familiar letters offer rich testimony to the complexity of the honest courtesan's position. Margaret F. Rosenthal draws a compelling portrait of Veronica Franco in her cultural social, and economic world. Rosenthal reveals in Franco's writing a
Veronica Franco Marco Venier - 45.79.9.118
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VERONICA FRANCO, TINTORETTO, AND NARCISSUS
2. The letter is in Veronica Franco, Lettere Famil iari a diversi (Venice: 1580), pp. 38-39. For a transla tion of the letter, see Veronica Franco, Poems and Selected Letters, ed. and trans. Ann Rosalind Jones and Margaret F. Rosenthal (Chicago and London: University of Chicago Press, 1998), pp. 35-37. See also Margaret F. Rosenthal, The Honest ...
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Stampa and Veronica Franco - JSTOR
Franco creates an artistic world within her text in which to play out her narrative(s) of erotic and social exchange. In addition, Franco re-appropriates the martial itself for use by the female speaker, and casts the female poet as Amazon. In poems like Capitoli 13 and 16, Franco literalizes the "battle of the sexes" and redefines the martial ...
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Veronica Franco's Petrarchan Terze Rime: Subverting the Master …
VERONICA FRANCO'S PETRARCHAN TERZE RIME 215 Terze Rime embodies a systematic, largely polemical expos6 and correction of Petrarchism.9 A fundamental way she accomplishes this is by including in her collection a number of poems by male poets and alternating them with her own poems in a dialogue format. Veronica
The Honest Courtesan Veronica Franco Citizen And Writer In …
Veronica Franco (1546-1591) was such a woman, a writer and citizen of Venice, whose published poems and familiar letters offer rich testimony to the complexity of the honest courtesan's position. Margaret F. Rosenthal draws a compelling portrait of Veronica Franco in her cultural social, and economic world. Rosenthal reveals in Franco's writing a
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Veronica Franco And Marco Venier Relationship . This emotionally charged ebook, available for download in a PDF format ( *), is a celebration of love in all its forms. Download now and let the warmth of these stories envelop your heart.
Veronica Franco And Marco Venier
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What Is An Allowance In Construction , AN Whitehead [PDF] …
veronica franco and marco venier relationship Table of Contents What Is An Allowance In Construction 1. Understanding the eBook What Is An Allowance In Construction The Rise of Digital Reading What Is An Allowance In Construction Advantages of eBooks Over Traditional Books 2. Identifying What Is An Allowance In Construction Exploring Different ...
VENICE AND THE VENETO S - Cambridge University Press
COLOR PLATES(before p.1) i Piazza San Marco,Venice ii Canal scene in Venice iii Doge’s Palace,Venice,from the southwest iv San Tarasio Chapel,San Zaccaria,Venice (1440s) v Porta della Carta,Doge’s Palace,Venice (1438‒42) vi Bartolomeo Vivarini, Saint Marktriptych (1474),Corner Chapel,Frari,Venice vii Zen Chapel with tomb of Cardinal Zen, San …
The Courtesan's Singing Body as Cultural Capital in Seventeenth ...
Along similar lines Marco Venier writes of his love for Veronica Franco, "my suffering is more bitter than any death."" Love is a cruel fate acted upon an unwilling victim. The despair of Venier and Aretino comes from the idea of love as a physical turmoil. Ficino explained that
16.rom Hollywood Film to Musical F Theater: Veronica Franco in …
between Veronica Franco and Marco Venier, a powerful Venetian senator, who defends her against male detractors in the Inquisition courts. While the
Veronica Franco Marco Venier - stats.communityfunded.com
Veronica Franco (1546-1591) was such a woman, a writer and citizen of Venice, whose published poems and familiar letters offer rich testimony to the complexity of the honest courtesan's position. Margaret F. Rosenthal draws a compelling portrait of Veronica Franco in her cultural social, and economic world. Rosenthal reveals in Franco's writing a
Veronica Franco Marco Venier - stats.communityfunded.com
Veronica Franco (1546-1591) was such a woman, a writer and citizen of Venice, whose published poems and familiar letters offer rich testimony to the complexity of the honest courtesan's position. Margaret F. Rosenthal draws a compelling portrait of Veronica Franco in her cultural social, and economic world. Rosenthal reveals in Franco's writing a
Veronica Franco Marco Venier - apache4.rationalwiki.org
Veronica Franco (1546-1591) was such a woman, a writer and citizen of Venice, whose published poems and familiar letters offer rich testimony to the complexity of the honest courtesan's position. Margaret F. Rosenthal draws a compelling portrait of Veronica Franco in her cultural social, and economic world. Rosenthal reveals in Franco's writing a
VERONICA FRANCO: A PROFILE OF A CORTIGIANA …
to th primare y sources namely; to, the texts of Veronica Franco. Th texe itselft therefore, is considere, d the most importan documentt Als. o great attentio has been n paid to the bibliography: all the studies on Veronica Franco hav beee rean and consideredd , …
Ebook Download Veronica Franco In Dialogue 1st Edition ebook, …
Veronica Franco in Dialogue accounts for the moments of ambivalence, uncertainty, and indirectness in Franco's poetry, as well as the ... 16, she writes a fierce and persuasive response to three obscene poems written against her in Venetian dialect by Marco Venier's cousin, Maffio Venier. She defends herself against Maffio's attempts to ...
Veronica Franco, meretrice e scrittora - corriere spettacolo
Veronica Franco (cortigiana e poetessa) Anzola Verdin (suora, timida) Domenico Venier ( vecchio amante di Veronica, zoppo, senatore) Paolo Panizza (marito di Veronica, dottore) Gaspara Greghetta (serva di Veronica) Marco Venier ( figlio di Domenico, innamorato di Veronica)
Le Terze rime di Veronica Franco e il film biografico Padrona del …
personaggio di Veronica Franco e quello di Marco Venier nel testo filmico. Presenterò infine il capitolo 16 delle Terze rime, in cui l’autrice si difende dagli attacchi letterari del poeta Maffio Venier, e lo metterò a confronto con una scena del film ad esso ispirata. 2. LA CONDIZIONE DELLE DONNE NEL RINASCIMENTO E IL
Veronica Franco vs. Maffio Venier: Sex, Death, and Poetry in ...
sought to destroy Franco's reputation as a courtesan and as a poet/per former in the literary ridotto, or salon, sponsored by his uncle Domenico Venier. Domenico, an aristocrat, a patron of Veronica Franco, and a poet himself, led the informal academy that grew out of a close circle of patrician friends and included many prominent literati of the
The Honest Courtesan Veronica Franco Citizen And
The Honest Courtesan Veronica Franco Citizen And Writer In Sixteenth Century Venice Women In Culture And Society ... insulting attacks written by the male Venetian poet Maffio Venier Franco s insight into the power conflicts between men and women and ... scope is exceptionally broad and includes manuscript studies textual criticism iconography ...
European issues The Franco-Italian relationship on - Robert …
1. THE FRANCO-ITALIAN RELATIONSHIP IN THE SHADOW OF FRANCO-GERMAN RELATIONS Since the end of the Second World War[5], the Franco-German link appears to have become the symmetrical axis of the Franco-Italian one. While the proximity between France and Italy seemed as obvious as it was immediate, the Franco-German friendship was never …
The Honest Courtesan Veronica Franco Citizen And
Poems and Selected Letters Veronica Franco,2007-11-01 Veronica Franco (whose life is featured in the motion picture Dangerous Beauty) was a sixteenth-century Venetian beauty, poet, and protofeminist. ... meetings of a literary salon at the home of Domenico Venier, the oldest member of a noble family and a former Venetian senator.
The Honest Courtesan Veronica Franco Citizen And
Poems and Selected Letters Veronica Franco,2007-11-01 Veronica Franco (whose life is featured in the motion picture Dangerous Beauty) was a sixteenth-century Venetian beauty, poet, and protofeminist. ... responded to insulting attacks written by the male Venetian poet Maffio Venier. Franco's insight into the power conflicts between men and
Reshaping the figure of the Courtesan in a digital archive: a …
3.2 Veronica Franco 64 3.2.1 Witchcraft in Venice: Veronica Franco’sprocesso (1580) 67 Chapter 4 The case study: workflow and methodologies 73 4.1 Modelling the domain of Knowledge 76 4.1.1 The selected materials 76 4.1.2 Tools used for the archival documents and letters 77 eScriptorium and SegmOnto 77
The Honest Courtesan Veronica Franco Citizen And
Poems and Selected Letters Veronica Franco,2007-11-01 Veronica Franco (whose life is featured in the motion picture Dangerous Beauty) was a sixteenth-century Venetian beauty, poet, and protofeminist. ... informal meetings of a literary salon at the home of Domenico Venier, the oldest member of a noble family and a former Venetian senator ...
Veronica Franco vs. Maffio Venier: Sex, Death, and Poetry in ...
sought to destroy Franco's reputation as a courtesan and as a poet/per former in the literary ridotto, or salon, sponsored by his uncle Domenico Venier. Domenico, an aristocrat, a patron of Veronica Franco, and a poet himself, led the informal academy that grew out of a close circle of patrician friends and included many prominent literati of the
The Honest Courtesan Veronica Franco Citizen And Writer In …
Veronica Franco (1546-1591) was such a woman, a writer and citizen of Venice, whose published poems and familiar letters offer rich testimony to the complexity of the honest courtesan's position. Margaret F. Rosenthal draws a compelling portrait of Veronica Franco in her cultural social, and economic world. Rosenthal reveals in Franco's writing a
The Honest Courtesan Veronica Franco Citizen And
Poems and Selected Letters Veronica Franco,2007-11-01 Veronica Franco (whose life is featured in the motion picture Dangerous Beauty) was a sixteenth-century Venetian beauty, poet, and protofeminist. ... counsel when she responded to insulting attacks written by the male Venetian poet Maffio Venier. Franco's insight into the power conflicts
The Honest Courtesan Veronica Franco Citizen And
Poems and Selected Letters Veronica Franco,2007-11-01 Veronica Franco (whose life is featured in the motion picture Dangerous Beauty) was a sixteenth-century Venetian beauty, poet, and protofeminist. ... meetings of a literary salon at the home of Domenico Venier, the oldest member of a noble family and a former Venetian senator.
The Honest Courtesan Veronica Franco Citizen And
Poems and Selected Letters Veronica Franco,2007-11-01 Veronica Franco (whose life is featured in the motion picture Dangerous Beauty) was a sixteenth-century Venetian beauty, poet, and protofeminist. ... responded to insulting attacks written by the male Venetian poet Maffio Venier. Franco's insight into the power conflicts between men and
The Honest Courtesan Veronica Franco Citizen And
Poems and Selected Letters Veronica Franco,2007-11-01 Veronica Franco (whose life is featured in the motion picture Dangerous Beauty) was a sixteenth-century Venetian beauty, poet, and protofeminist. ... meetings of a literary salon at the home of Domenico Venier, the oldest member of a noble family and a former Venetian senator.
The Honest Courtesan Veronica Franco Citizen And
Poems and Selected Letters Veronica Franco,2007-11-01 Veronica Franco (whose life is featured in the motion picture Dangerous Beauty) was a sixteenth-century Venetian beauty, poet, and protofeminist. ... informal meetings of a literary salon at the home of Domenico Venier, the oldest member of a noble family and a former Venetian senator ...
the Venetian Courtesan's Defense* - JSTOR
research. This essay is based in part on a synthesis of my doctoral dissertation "Veronica Franco: The Courtesan as Poet in Sixteenth-Century Venice" (Yale Univ., i985). I am deeply grateful to Prof. Ann R. Jones for her generous help and critical insights that have been useful throughout the writing of this essay. I would also like to thank ...
The Honest Courtesan Veronica Franco Citizen And Writer In …
Veronica Franco's life serves as a testament to the resilience and intellectual capacity of women even within restrictive. ... with sexual relations being part of a more complex relationship. 2. How did Veronica Franco’s work impact Venetian society? Veronica Franco's writings, particularly her poetry, provided a unique perspective on ...
The Honest Courtesan Veronica Franco Citizen And
The Honest Courtesan Veronica Franco Citizen And Writer In Sixteenth Century Venice Women In Culture And Society: Mathematics of Personal Finance - Apex Learning Virtual School Our Mathematics of Personal Finance online high school
Between universal and local: Towards an evolutionary …
The anthropology of emotions between nature and culture The interface between nature and culture has become a “classic” field of study but has
Le Terze rime di Veronica Franco e il film biografico Padrona del …
personaggio di Veronica Franco e quello di Marco Venier nel testo filmico. Presenterò infine il capitolo 16 delle Terze rime, in cui l’autrice si difende dagli attacchi letterari del poeta Maffio Venier, e lo metterò a confronto con una scena del film ad esso ispirata. 2. LA CONDIZIONE DELLE DONNE NEL RINASCIMENTO E IL
The Honest Courtesan Veronica Franco Citizen And
Poems and Selected Letters Veronica Franco,2007-11-01 Veronica Franco (whose life is featured in the motion picture Dangerous Beauty) was a sixteenth-century Venetian beauty, poet, and protofeminist. ... counsel when she responded to insulting attacks written by the male Venetian poet Maffio Venier. Franco's insight into the power conflicts
The Honest Courtesan Veronica Franco Citizen And Writer In …
Veronica Franco (1546-1591) was such a woman, a writer and citizen of Venice, whose published poems and familiar letters offer rich testimony to the complexity of the honest courtesan's position. Margaret F. Rosenthal draws a compelling portrait of Veronica Franco in her cultural social, and economic world. Rosenthal reveals in Franco's writing a
