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| to be a slave by julius lester 2: To Be a Slave Julius Lester, 2000-12-18 A Newbery Honor Book What was it like to be a slave? Listen to the words and learn about the lives of countless slaves and ex-slaves, telling about their forced journey from Africa to the United States, their work in the fields and houses of their owners, and their passion for freedom. You will never look at life the same way again. The dehumanizing aspects of slavery are made abundantly clear, but a testament to the human spirit of those who endured or survived this experience is exalted.—Children's Literature |
| to be a slave by julius lester 2: Day of Tears Julius Lester, 2007-03-20 Emma cares for Mr. Butler's daughters and has been promised that she will never be sold as a slave. When he breaks his promise and sells her on auction day, Emma runs away, gets married and eventually gains her freedom in Canada. |
| to be a slave by julius lester 2: Time's Memory Julius Lester, 2006-03-21 A boy sent by an African god to tend the spirits of the dead struggles to fulfill his duty from within the bonds of slavery in Time's Memory, by National Book Award finalist Julius Lester. Amma is the creator god, the master of life and death, and he is worried. His people have always known how to take care of the spirits of the dead – the nyama – so that they don't become destructive forces among the living. But amid the chaos of the African slave trade and the brutality of American slavery, too many of his people are dying and their souls are being ignored in this new land. Amma sends a young man, Ekundayo, to a plantation in Virginia where he becomes a slave on the eve of the Civil War. Amma hopes that Ekundayo will be able to find a way to bring peace to the nyama before it is too late. But Ekundayo can see only sorrow in this land – sorrow in the ownership of people, in the slaves who have been separated from their children and spouses, in the restless spirits of the dead, and in his own forbidden relationship with his master's daughter. How Ekundayo finds a way to bring peace to both the dead and the living makes this an unforgettable journey into the slave experience and Newbury Honor author Julius Lester's most powerful work to date. Time's Memory is a 2007 Bank Street - Best Children's Book of the Year. |
| to be a slave by julius lester 2: Black Cowboy, Wild Horses Julius Lester, 2021-09-28 Bob Lemmons is famous for his ability to track wild horses. He rides his horse, Warrior, picks up the trail of mustangs, then runs with them day and night until they accept his presence. Bob and Warrior must then challenge the stallion for leadership of the wild herd. A victorious Bob leads the mustangs across the wide plains and for one last spectacular run before guiding them into the corral. Bob's job is done, but he dreams of galloping with Warrior forever to where the sky and land meet. This splendid collaboration by an award-winning team captures the beauty and harshness of the frontier, a boundless arena for the struggle between freedom and survival. Based on accounts of Bob Lemmons, a formerly enslaved person, Black Cowboy, Wild Horses has been rewritten as a picture book by Julius Lester from his story The Man Who Was a Horse in Long Journey Home, first published by Dial in 1972. |
| to be a slave by julius lester 2: John Henry Julius Lester, 1999-12-01 Julius Lester and Jerry Pinkney's warm, humorous retelling of a popular African-American folk ballad. When John Henry was born the birds, bears, rabbits, and even a unicorn came to see him. He grew so fast, he burst right through the porch roof, and laughed so loud, he scared the sun! Soon John Henry is swinging two huge sledgehammers to build roads, pulverizing boulders, and smashing rocks to smithereens. He's stronger than ten men and can dig through a mountain faster than a steam drill. Nothing can stop John Henry, and his courage stays with us forever. A Caldecott Honor Book * This is a tall tale and heroic myth, a celebration of the human spirit . . . The story is told with rhythm and wit, humor and exageration, and with a heart-catching immediacy that connects the human and the natural world. --Booklist, starred review Another winning collaboration from the master storyteller and gifted artist of Tales of Uncle Remus fame. --School Library Journal A great American hero comes fully to life in this epic retelling filled with glorious, detailed watercolors . . . This carefully crafted updating begs to be read aloud for its rich, rhythmic storytelling flow, and the suitably oversize illustrations amplify the text. --Publishers Weekly |
| to be a slave by julius lester 2: Lovesong Julius Lester, 2013-08-01 Julius Lester was born the son of a black Methodist minister in the south. His book Lovesong is a beautifully written account of his spiritual journey away from the conventions of his Southern heritage and Methodist upbringing, culminating in his personal self-discovery through a conversion to Judaism. Growing up in the turbulent civil rights era South, Lester was often discouraged by the disconnectedness between the promises of religion and the realities of his life. He used the outlets available to him to try to come to grips with this split and somehow reconcile the injustices he was witnessing with the purity of religion. He became a controversial writer and commentator, siding with neither blacks nor whites in his unconventional viewpoints. He became a luminal figure of the times, outside of the conventional labels of race, religion, politics, or philosophy. Lester’s spiritual quest would take him through the existential landscape of his Southern, Christian upbringing, into his ancestry, winding through some of the holiest places on the planet and into the spiritual depths of the world’s major religious cultures. His odyssey of faith would unexpectedly lead him to discovering Judaism as his true spiritual calling. |
| to be a slave by julius lester 2: Ackamarackus Julius Lester, 2008 A collection of six original fables with morals both silly and serious. |
| to be a slave by julius lester 2: Let's Talk About Race Julius Lester, 2020-07-14 This wonderful book should be a first choice for all collections and is strongly recommended as a springboard for discussions about differences.” —School Library Journal (starred review) In this acclaimed book, the author of the Newbery Honor Book To Be a Slave shares his own story as he explores what makes each of us special. A strong choice for sharing at home or in the classroom. Karen Barbour's dramatic, vibrant paintings speak to the heart of Lester's unique vision, truly a celebration of all of us. This stunning picture book introduces race as just one of many chapters in a person's story (School Library Journal). Lester's poignant picture book helps children learn, grow, discuss, and begin to create a future that resolves differences (Children's Literature). Julius Lester said: I write because our lives are stories. If enough of these stories are told, then perhaps we will begin to see that our lives are the same story. The differences are merely in the details. I am a story. So are you. So is everyone. |
| to be a slave by julius lester 2: Black Folktales Julius Lester, 1970 Twelve tales of African and Afro-American origin include How God Made the Butterflies, The Girl With the Large Eyes, Stagolee, and People Who Could Fly. |
| to be a slave by julius lester 2: The Old African Julius Lester, 2005 The Old African tells the story of his original capture into slavery, and then leads a group of slaves back to the homeland. |
| to be a slave by julius lester 2: To Be a Slave Julius Lester, 1996-03 This story for teenagers is based on the theme of slavery: The Auction Block, The Plantation, Resistance to Slavery 1, Resistance to Slavery 2, Emancipation, After Emancipation. |
| to be a slave by julius lester 2: The Guardian , 1823 |
| to be a slave by julius lester 2: The Slave Dancer Paula Fox, 2016-06-28 Newbery Medal Winner: A young Louisiana boy faces the horrors of slavery when he is kidnapped and forced to work on a slave ship in this iconic novel. Thirteen-year-old Jessie Bollier earns a few pennies playing his fife on the docks of New Orleans. One night, on his way home, a canvas is thrown over his head and he’s knocked unconscious. When he wakes up, Jessie finds himself aboard a slave ship, bound for Africa. There, the Moonlight picks up ninety-eight black prisoners, and the men, women, and children, chained hand and foot, are methodically crammed into the ship’s hold. Jessie’s job is to provide music for the slaves to dance to on the ship’s deck—not for amusement but for exercise, as a way to to keep their muscles strong and their bodies profitable. Over the course of the long voyage, Jessie grows more and more sickened by the greed of the sailors and the cruelty with which the slaves are treated. But it’s one final horror, when the Moonlight nears her destination, that will change Jessie forever. Set during the middle of the nineteenth century, when the illegal slave trade was at its height, The Slave Dancer not only tells a vivid and shocking story of adventure and survival, but depicts the brutality of slavery with unflinching historical accuracy. |
| to be a slave by julius lester 2: How Many Spots Does a Leopard Have? and Other Tales Julius Lester, 1994-04-01 An illustrated collection of twelve folk tales, ten African and two Jewish. |
| to be a slave by julius lester 2: Two Tickets to Freedom Florence Bernstein Freedman, 1989 Traces the search for freedom by a black man and wife who traveled to Boston and eventually to England after their escape from slavery in Georgia. |
| to be a slave by julius lester 2: Pharaoh's Daughter Julius Lester, 2009 A fictionalized account of the Biblical tale in which a Hebrew infant, rescued by the daughter of the Pharaoh, passes through a turbulent adolescence to eventually become a prophet of his people while his sister finds her true self as a priestess to the Egyptian gods. |
| to be a slave by julius lester 2: Thirty Years a Slave Louis Hughes, 2006-05-22 I was born in Virginia, in 1832, near Charlottesville, in the beautiful valley of the Rivanna river. My father was a white man and my mother a negress, the slave of one John Martin. I was a mere child, probably not more than six years of age, as I remember, when my mother, two brothers and myself were sold to Dr. Louis, a practicing physician in the village of Scottsville. We remained with him about five years, when he died, and, in the settlement of his estate, I was sold to one Washington Fitzpatrick, a merchant of the village. He kept me a short time when he took me to Richmond, by way of canal-boat, expecting to sell me; but as the market was dull, he brought me back and kept me some three months longer, when he told me he had hired me out to work on a canal-boat running to Richmond, and to go to my mother and get my clothes ready to start on the trip. I went to her as directed, and, when she had made ready my bundle, she bade me good-by with tears in her eyes, saying: My son, be a good boy; be polite to every one, and always behave yourself properly. |
| to be a slave by julius lester 2: Fifty Cents and a Dream Jabari Asim, 2012-12-04 Booker dreamed of making friends with words, setting free the secrets that lived in books. Born into slavery, young Booker T. Washington could only dream of learning to read and write. After emancipation, Booker began a five-hundred-mile journey, mostly on foot, to Hampton Institute, taking his first of many steps towards a college degree. When he arrived, he had just fifty cents in his pocket and a dream about to come true. The young slave who once waited outside of the schoolhouse would one day become a legendary educator of freedmen. Award-winning artist Bryan Collier captures the hardship and the spirit of one of the most inspiring figures in American history, bringing to life Booker T. Washington's journey to learn, to read, and to realize a dream. |
| to be a slave by julius lester 2: If I Ran the Zoo Dr. Seuss, 1950 Gerald tells of the very unusual animals he would add to the zoo, if he were in charge. |
| to be a slave by julius lester 2: January's Sparrow Patricia Polacco, 2009-10-29 Patricia Polacco's most powerful book since Pink and Say. In the middle of the night, The Crosswhites?including young Sadie?must flee the Kentucky plantation they work on. Dear January has been beaten and killed by the plantation master, and they fear who may be next. But Sadie must leave behind her most valuable possession, the wooden sparrow carved for her by January. Through the Underground Railroad, the Crosswhites make the slow and arduous journey to Marshall, Michigan, where they finally live in freedom. And there they stay, happily, until the day a mysterious package shows up on their doorsteps. It is January?s sparrow, with a note that reads, ?I found you.? How the Crosswhites, and the whole town of Marshall, face this threat will leave readers empowered and enthralled. This is a Polacco adventure that will live in the minds of children for years. |
| to be a slave by julius lester 2: The Annotated African American Folktales (The Annotated Books) Henry Louis Gates Jr., Maria Tatar, 2017-11-14 Winner • NAACP Image Award for Outstanding Literary Work (Fiction) Winner • Anne Izard Storytellers’ Choice Award Holiday Gift Guide Selection • Indiewire, San Francisco Chronicle, and Minneapolis Star-Tribune These nearly 150 African American folktales animate our past and reclaim a lost cultural legacy to redefine American literature. Drawing from the great folklorists of the past while expanding African American lore with dozens of tales rarely seen before, The Annotated African American Folktales revolutionizes the canon like no other volume. Following in the tradition of such classics as Arthur Huff Fauset’s “Negro Folk Tales from the South” (1927), Zora Neale Hurston’s Mules and Men (1935), and Virginia Hamilton’s The People Could Fly (1985), acclaimed scholars Henry Louis Gates Jr. and Maria Tatar assemble a groundbreaking collection of folktales, myths, and legends that revitalizes a vibrant African American past to produce the most comprehensive and ambitious collection of African American folktales ever published in American literary history. Arguing for the value of these deceptively simple stories as part of a sophisticated, complex, and heterogeneous cultural heritage, Gates and Tatar show how these remarkable stories deserve a place alongside the classic works of African American literature, and American literature more broadly. Opening with two introductory essays and twenty seminal African tales as historical background, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics, but also stories like “The Talking Skull” and “Witches Who Ride,” as well as out-of-print tales from the 1890s’ Southern Workman. Beginning with the figure of Anansi, the African trickster, master of improvisation—a spider who plots and weaves in scandalous ways—The Annotated African American Folktales then goes on to draw Caribbean and Creole tales into the orbit of the folkloric canon. It retrieves stories not seen since the Harlem Renaissance and brings back archival tales of “Negro folklore” that Booker T. Washington proclaimed had emanated from a “grapevine” that existed even before the American Revolution, stories brought over by slaves who had survived the Middle Passage. Furthermore, Gates and Tatar’s volume not only defines a new canon but reveals how these folktales were hijacked and misappropriated in previous incarnations, egregiously by Joel Chandler Harris, a Southern newspaperman, as well as by Walt Disney, who cannibalized and capitalized on Harris’s volumes by creating cartoon characters drawn from this African American lore. Presenting these tales with illuminating annotations and hundreds of revelatory illustrations, The Annotated African American Folktales reminds us that stories not only move, entertain, and instruct but, more fundamentally, inspire and keep hope alive. The Annotated African American Folktales includes: Introductory essays, nearly 150 African American stories, and 20 seminal African tales as historical background The familiar Brer Rabbit classics, as well as news-making vernacular tales from the 1890s’ Southern Workman An entire section of Caribbean and Latin American folktales that finally become incorporated into the canon Approximately 200 full-color, museum-quality images |
| to be a slave by julius lester 2: Look Out, Whitey! Julius Lester, 1969 |
| to be a slave by julius lester 2: And All Our Wounds Forgiven Julius Lester, 2012-08-01 When John Calvin Marshall graduated from Harvard in 1956, he was prepared for a life of teaching and relative tranquility. But history had another plan for him: here, a veteran author re-envisions the Martin Luther King Jr. story in fearful, exciting, and violent terms. Political and provocative, And All Our Wounds Forgiven is both a compelling political fable and a striking and tender love story about one of this century's most charismatic black leaders and the two women he loved. |
| to be a slave by julius lester 2: Slave Songs of the United States William Francis Allen, Charles Pickard Ware, Lucy McKim Garrison, 1996 Originally published in 1867, this book is a collection of songs of African-American slaves. A few of the songs were written after the emancipation, but all were inspired by slavery. The wild, sad strains tell, as the sufferers themselves could, of crushed hopes, keen sorrow, and a dull, daily misery, which covered them as hopelessly as the fog from the rice swamps. On the other hand, the words breathe a trusting faith in the life after, to which their eyes seem constantly turned. |
| to be a slave by julius lester 2: Rise of the Jumbies Tracey Baptiste, 2017-09-19 Deep beneath the waves, a great enemy awakens . . . Corinne LaMer defeated the wicked jumbie Severine months ago, but things haven’t exactly gone back to normal in her Caribbean island home. Everyone knows Corinne is half-jumbie, and many of her neighbors treat her with mistrust. When local children begin to go missing, snatched from the beach and vanishing into wells, suspicious eyes turn to Corinne. To rescue the missing children and clear her own name, Corinne goes deep into the ocean to find Mama D’Leau, the dangerous jumbie who rules the sea. But Mama D’Leau’s help comes with a price. Corinne and her friends Dru, Bouki, and Malik must travel with mermaids across the ocean to fetch a powerful object for Mama D’Leau. The only thing more perilous than Corinne’s adventures across the sea is the jumbie that waits for her back home. With action-packed storytelling and inventive twists on Caribbean and West African mythology and fairy tales, Rise of the Jumbies is a breathlessly exciting tale of courage and friendship. An NPR Best Book of 2017 A Kirkus Reviews Best Book of 2017 A School Library Journal Best Book of 2017 |
| to be a slave by julius lester 2: The Story of Little Black Sambo Helen Bannerman, 1923-01-01 The jolly and exciting tale of the little boy who lost his red coat and his blue trousers and his purple shoes but who was saved from the tigers to eat 169 pancakes for his supper, has been universally loved by generations of children. First written in 1899, the story has become a childhood classic and the authorized American edition with the original drawings by the author has sold hundreds of thousands of copies. Little Black Sambo is a book that speaks the common language of all nations, and has added more to the joy of little children than perhaps any other story. They love to hear it again and again; to read it to themselves; to act it out in their play. |
| to be a slave by julius lester 2: The Blues Singers: Ten Who Rocked the World Julius Lester, 2001-05 Highlights the careers of Bessie Smith, Robert Johnson, Mahalia Jackson, Muddy Waters, Billie Holiday, B.B. King, Ray Charles, Little Richard, James Brown, and Aretha Franklin. |
| to be a slave by julius lester 2: The Invention of Wings Sue Monk Kidd, 2014-01-07 The #1 New York Times bestseller of hope, daring, and the quest for freedom taken on by two unforgettable American women, from the celebrated author of The Secret Life of Bees. “A remarkable novel that heightened my sense of what it meant to be a woman – slave or free . . a conversation changer.” – Oprah Winfrey, O, The Oprah Magazine “Powerful…furthers our essential understanding of what has happened among us as Americans – and why it still matters.” –The Washington Post Writing at the height of her narrative and imaginative gifts, Sue Monk Kidd presents a masterpiece of hope, daring, the quest for freedom, and the desire to have a voice in the world—and it is now the newest Oprah’s Book Club 2.0 selection. Hetty “Handful” Grimke, an urban slave in early nineteenth century Charleston, yearns for life beyond the suffocating walls that enclose her within the wealthy Grimke household. The Grimke’s daughter, Sarah, has known from an early age she is meant to do something large in the world, but she is hemmed in by the limits imposed on women. Kidd’s sweeping novel is set in motion on Sarah’s eleventh birthday, when she is given ownership of ten year old Handful, who is to be her handmaid. We follow their remarkable journeys over the next thirty five years, as both strive for a life of their own, dramatically shaping each other’s destinies and forming a complex relationship marked by guilt, defiance, estrangement and the uneasy ways of love. As the stories build to a riveting climax, Handful will endure loss and sorrow, finding courage and a sense of self in the process. Sarah will experience crushed hopes, betrayal, unrequited love, and ostracism before leaving Charleston to find her place alongside her fearless younger sister, Angelina, as one of the early pioneers in the abolition and women’s rights movements. Inspired by the historical figure of Sarah Grimke, Kidd goes beyond the record to flesh out the rich interior lives of all of her characters, both real and invented, including Handful’s cunning mother, Charlotte, who courts danger in her search for something better. This exquisitely written novel is a triumph of storytelling that looks with unswerving eyes at a devastating wound in American history, through women whose struggles for liberation, empowerment, and expression will leave no reader unmoved. |
| to be a slave by julius lester 2: Slavery Krista Warnock-Carman, 2000 Literature-based, curriculum-wide teaching materials focusing on the history of slavery. |
| to be a slave by julius lester 2: War, Terrible War Joy Hakim, 2005 An eleven volume set about American history that attempts to make history fun for young readers. |
| to be a slave by julius lester 2: The Tales of Uncle Remus Julius Lester, 2009-04-09 A retelling of the African-American tales about the adventures and misadventures of Brer Rabbit and his friends and enemies describes the origins of Uncle Remus, the tricks of Brer Fox, and their encounters with Mr. Man. Reprint. |
| to be a slave by julius lester 2: National Union Catalog , 1968 Includes entries for maps and atlases. |
| to be a slave by julius lester 2: A Crack in the Sea H. M. Bouwman, 2017 Pip, a young boy who can speak to fish, and his sister Kinchen set off on a great adventure, joined by twins with magical powers, refugees fleeing post-war Vietnam, and some helpful sea monsters-- |
| to be a slave by julius lester 2: Black Like Me John Howard Griffin, 1964 |
| to be a slave by julius lester 2: Minty Alan Schroeder, 2000 Most people know her as Harriet Tubman, but her childhood name was Minty. As a child she kept a dream of freedom tucked inside her heart, and became known a Moses to her people. |
| to be a slave by julius lester 2: The New Yale Book of Quotations Fred R. Shapiro, 2021-08-31 A revised, enlarged, and updated edition of this authoritative and entertaining reference book —named the #2 essential home library reference book by the Wall Street Journal “Shapiro does original research, earning [this] volume a place on the quotation shelf next to Bartlett's and Oxford's.”—William Safire, New York Times Magazine (on the original edition) “A quotations book with footnotes that are as fascinating to read as the quotes themselves.”—Arthur Spiegelman, Washington Post Book World (on the original edition) Updated to include more than a thousand new quotations, this reader-friendly volume contains over twelve thousand famous quotations, arranged alphabetically by author and sourced from literature, history, popular culture, sports, digital culture, science, politics, law, the social sciences, and all other aspects of human activity. Contemporaries added to this edition include Beyoncé, Sandra Cisneros, James Comey, Drake, Louise Glück, LeBron James, Brett Kavanaugh, Lady Gaga, Lin-Manuel Miranda, Barack Obama, John Oliver, Nancy Pelosi, Vladimir Putin, Bernie Sanders, Donald Trump, and David Foster Wallace. The volume also reflects path-breaking recent research resulting in the updating of quotations from the first edition with more accurate wording or attribution. It has also incorporated noncontemporary quotations that have become relevant to the present day. In addition, The New Yale Book of Quotations reveals the striking fact that women originated many familiar quotations, yet their roles have been forgotten and their verbal inventions have often been credited to prominent men instead. This book’s quotations, annotations, extensive cross-references, and large keyword index will satisfy both the reader who seeks specific information and the curious browser who appreciates an amble through entertaining pages. |
| to be a slave by julius lester 2: Slave Culture : Nationalist Theory and the Foundations of Black America Sterling Stuckey Professor of History Northwestern University, 1987-04-23 How were blacks in American slavery formed, out of a multiplicity of African ethnic peoples, into a single people? In this major study of Afro-American culture, Sterling Stuckey, a leading thinker on black nationalism for the past twenty years, explains how different African peoples interacted during the nineteenth century to achieve a common culture. He finds that, at the time of emancipation, slaves were still overwhelmingly African in culture, a conclusion with profound implications for theories of black liberation and for the future of race relations in America. By examining anthropological evidence about Central and West African cultural traditions--Bakongo, Ibo, Dahomean, Mendi and others--and exploring the folklore of the American slave, Stuckey has arrived at an important new cross-cultural analysis of the Pan-African impulse among slaves that contributed to the formation of a black ethos. He establishes, for example, the centrality of an ancient African ritual--the Ring Shout or Circle Dance--to the black American religious and artistic experience. Black nationalist theories, the author points out, are those most in tune with the implication of an African presence in America during and since slavery. Casting a fresh new light on these ideas, Stuckey provides us with fascinating profiles of such nineteenth century figures as David Walker, Henry Highland Garnet, and Frederick Douglas. He then considers in detail the lives and careers of W. E. B. Dubois and Paul Robeson in this century, describing their ambition that blacks in American society, while struggling to end racism, take on roles that truly reflected their African heritage. These concepts of black liberation, Stuckey suggests, are far more relevant to the intrinsic values of black people than integrationist thought on race relations. But in a final revelation he concludes that, with the exception of Paul Robeson, the ironic tendency of black nationalists has been to underestimate the depths of African culture in black Americans and the sophistication of the slave community they arose from. |
| to be a slave by julius lester 2: The Willie Lynch Letter and the Making of a Slave Willie Lynch, Willie Lynch, a British slave owner from the West Indies, stepped onto the shores of colonial Virginia in 1712, bearing secrets that would shape the fate of generations to come. Within this manuscript, allegedly transcribed from Lynch’s speech to American slaveholders on the banks of the James River, lies a blueprint for subjugation. Lynch’s genius lay not in brute force but in psychological warfare. He understood that to break a people, one must first break their spirit. His methods—pitiless and cunning—sowed seeds of distrust, pitting slave against slave, exploiting vulnerabilities, and perpetuating a cycle of suffering. This document sheds light on the brutal realities of slavery and the ways in which its legacy continues to shape contemporary society |
| to be a slave by julius lester 2: The Golden Age of Black Nationalism, 1850-1925 Wilson Jeremiah Moses, 1988 Discusses the work of Crummell, DuBois, Douglass, and Washington, looks at the literature of Black nationalism, and identifies trends and goals of Black Americans. |
| to be a slave by julius lester 2: Reclaiming the Spirituals Yolanda Y. Smith, 2010-11-01 This volume deals with the varied forms of shame reflected in biblical, theological, psychological and anthropological sources. Although traditional theology and church practice concentrate on providing forgiveness for shameful behavior, recent scholarship has discovered the crucial relevance of social shame evoked by mental status, adversity, slavery, abuse, illness, grief and defeat. Anthropologists, sociologists, and psychologists have discovered that unresolved social shame is related to racial and social prejudice, to bullying, crime, genocide, narcissism, post-traumatic stress and other forms of toxic behavior. Eleven leaders in this research participated in a conference on The Shame Factor, sponsored by St. Mark's United Methodist Church in Lincoln, NE in October 2010. Their essays explore the impact and the transformation of shame in a variety of arenas, comprising in this volume a unique and innovative resource for contemporary religion, therapy, ethics, and social analysis. |
Slavery - Wikipedia
When the Atlantic slave trade began, many of the local slave systems began supplying captives for chattel slave markets outside Africa. Although the Atlantic slave trade was not the only …
SLAVE Definition & Meaning - Merriam-Webster
The meaning of SLAVE is someone captured, sold, or born into chattel slavery. How to use slave in a sentence.
Slavery | Definition, History, & Facts | Britannica
May 28, 2025 · It is also clear that most of the slave societies have been concentrated in Western (including Greece and Rome) and Islamic civilizations. In a slave-owning society, slaves were …
U.S. Slavery: Timeline, Figures & Abolition | HISTORY
Apr 25, 2024 · Though the U.S. Congress outlawed the African slave trade in 1808, the domestic trade flourished, and the enslaved population in the United States nearly tripled over the next …
SLAVE Definition & Meaning | Dictionary.com
to engage in the slave trade; procure, transport, or sell slaves. slaved, slaving. Machinery, Computers. to connect (a device) to a master as its slave. Archaic. to enslave.
Slavery and Freedom | National Museum of African American …
Through powerful objects and first person accounts, visitors encounter both free and enslaved African Americans’ contributions to the making of America and explore the economic and …
SLAVE | English meaning - Cambridge Dictionary
SLAVE definition: 1. a person who is legally owned by someone else and has to work for that person: 2. to work very…. Learn more.
SLAVE definition and meaning | Collins English Dictionary
A slave is a person who is owned by another person and has to work for that person without pay.
slavery | Wex | US Law | LII / Legal Information Institute
Throughout history, some forms of slavery existed as punishment for committing crimes or to pay off debts. In the United States, individuals were forced into slavery, born into slavery, and were …
Historical Context: Facts about the Slave Trade and Slavery
The Atlantic Slave Trade was likely the most costly in human life of all long-distance global migrations. The first Africans forced to work in the New World left from Europe at the …
Slavery - Wikipedia
When the Atlantic slave trade began, many of the local slave systems began supplying captives for chattel slave markets outside Africa. Although the Atlantic slave trade was not the only …
SLAVE Definition & Meaning - Merriam-Webster
The meaning of SLAVE is someone captured, sold, or born into chattel slavery. How to use slave in a sentence.
Slavery | Definition, History, & Facts | Britannica
May 28, 2025 · It is also clear that most of the slave societies have been concentrated in Western (including Greece and Rome) and Islamic civilizations. In a slave-owning society, slaves were …
U.S. Slavery: Timeline, Figures & Abolition | HISTORY
Apr 25, 2024 · Though the U.S. Congress outlawed the African slave trade in 1808, the domestic trade flourished, and the enslaved population in the United States nearly tripled over the next …
SLAVE Definition & Meaning | Dictionary.com
to engage in the slave trade; procure, transport, or sell slaves. slaved, slaving. Machinery, Computers. to connect (a device) to a master as its slave. Archaic. to enslave.
Slavery and Freedom | National Museum of African American …
Through powerful objects and first person accounts, visitors encounter both free and enslaved African Americans’ contributions to the making of America and explore the economic and …
SLAVE | English meaning - Cambridge Dictionary
SLAVE definition: 1. a person who is legally owned by someone else and has to work for that person: 2. to work very…. Learn more.
SLAVE definition and meaning | Collins English Dictionary
A slave is a person who is owned by another person and has to work for that person without pay.
slavery | Wex | US Law | LII / Legal Information Institute
Throughout history, some forms of slavery existed as punishment for committing crimes or to pay off debts. In the United States, individuals were forced into slavery, born into slavery, and were …
Historical Context: Facts about the Slave Trade and Slavery
The Atlantic Slave Trade was likely the most costly in human life of all long-distance global migrations. The first Africans forced to work in the New World left from Europe at the …
