The Plough And The Stars Sean O Casey

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  the plough and the stars sean o casey: The Plough and the Stars Sean O'Casey, 1926 The play examines the powerful force of political idealism and the lives of those swept up in its tide. It is the final play in Sean O'Casey's Dublin trilogy.
  the plough and the stars sean o casey: Selected Plays of Sean O'Casey Sean O'Casey, 1954
  the plough and the stars sean o casey: Three Dublin Plays Sean O'Casey, 1998 This volume contains the three plays commonly recognized as the height of O'Casey's achievement as a playwright. His tragi-comedy has relevance to the violent politics in the North and the post-nationalist bewilderments in the Republic.
  the plough and the stars sean o casey: Three Plays Sean O'Casey, 1957
  the plough and the stars sean o casey: Five One-Act Plays Sean O'Casey, 1990-12-01 The comedy 'The End of the Beginning' and the sketch 'A Pound on Demand' were both published in 1934 as part of the collection of essays, verse and fiction, entitled 'Windfalls'. 'Hall of Healing, A Sincerious Farce', 'Bedtime Story' and 'Time to Go, A Morality Comedy', were written in 1951.
  the plough and the stars sean o casey: The Star Turns Red Sean O'Casey, 1940
  the plough and the stars sean o casey: Modern Ireland in 100 Artworks Fintan O'Toole, Catherine Marshall, Eibhear Walshe, 2016 The Irish Times literary editor Fintan O'Toole selects 100 artworks to narrate a history of Ireland.
  the plough and the stars sean o casey: The Story of the Irish Citizen Army Sean O'Casey, 1919
  the plough and the stars sean o casey: Juno and the Paycock Sean O'Casey, 2024-10-10 Ah, what can God do agen the stupidity o' men! Dublin, 1922. The Irish Civil War is tearing the nation apart. In the cauldron of the family's tiny tenement flat, Juno Boyle, a beleaguered matriarch whose sharp wit is a survival tool, struggles to make ends meet and keep the family together. Her husband, 'Captain' Jack Boyle, fancies himself a ship's commander but sails no further than the pub. Then providence comes knocking with news of a great inheritance. Sean O'Casey's tragicomic masterpiece was first performed at the Abbey Theatre, Dublin, in 1924, and revived at the Gielgud Theatre, London, in September 2024. 'The power of Juno and the Paycock never fails to surprise and enthral and inspire. Its violent passion, its deep humanity, its bubbling humour and its appalling tragedy are soaked in the very spirit of Ireland itself.' Daily Mail
  the plough and the stars sean o casey: Bernard Shaw, Sean O’Casey, and the Dead James Connolly Nelson O’Ceallaigh Ritschel, 2021-07-21 This book details the Irish socialistic tracks pursued by Bernard Shaw and Sean O’Casey, mostly after 1916, that were arguably impacted by the executed James Connolly. The historical context is carefully unearthed, stretching from its 1894 roots via W. B. Yeats’ dream of Shaw as a menacing, yet grinning sewing machine, to Shaw’s and O’Casey’s 1928 masterworks. In the process, Shaw’s War Issues for Irishmen, Annajanska, the Bolshevik Empress, The Tragedy of an Elderly Gentleman, Saint Joan, The Intelligent Woman’s Guide to Socialism and Capitalism, and O’Casey’s The Story of the Irish Citizen Army, The Shadow of a Gunman, Juno and the Paycock, The Plough and the Stars, and The Silver Tassie are reconsidered, revealing previously undiscovered textures to the masterworks. All of which provides a rethinking, a reconsideration of Ireland’s great drama of the 1920s, as well as furthering the knowledge of Shaw, O’Casey, and Connolly.
  the plough and the stars sean o casey: Cyprus Avenue David Ireland, 2016-04-21 Gerry Adams has disguised himself as a newborn baby and successfully infiltrated my family home. Eric Miller is a Belfast Loyalist. He believes his five-week old granddaughter is Gerry Adams. His family keep telling him to stop living in the past and fighting old battles that nobody cares about anymore, but his cultural heritage is under siege. He must act. David Ireland's black comedy takes one man's identity crisis to the limits as he uncovers the modern day complexity of Ulster Loyalism. Cyprus Avenue was first performed at the Abbey Theatre, Dublin, on 11 February 2016, before transferring to the Royal Court Theatre, London in April 2016.
  the plough and the stars sean o casey: Seven Plays Sean O'Casey, 1985 The shadow of a gunman - Juno and the paycock - The plough and the stars - The silver Tassie - Red roses for me - Cock-a-doodle dandy - The bishop's bonfire.
  the plough and the stars sean o casey: Sean O'Casey Garry O'Connor, 1988
  the plough and the stars sean o casey: Wild Irish Love Marian Broderick, 2021-11-01 Tales of passion and romance, love on the battlefield, affairs kept secret on pain of death ... From the bride who married in a prison cell, to the leader caught in a love triangle, to the revolutionaries who did their loving on the run, the romantic lives of Ireland's most famous characters have been predictably turbulent. Some Irish lovers have shocked a nation and brought down governments, some have produced the world's most beautiful poetry, some have reached across oceans – not to mention deep divisions at home – to find love. Marian Broderick views historical Irish romances through a contemporary lens, from the legendary lovers of prehistory to more modern convention-defying pioneers. The greatest Irish romances from history. With chapters on Inspirations, Love & War, Love Across the Divide, Secrets & Scandals and When Love Goes Wrong, among others, Marian Broderick tells of the men and women whose passions drove them to be together: often in the face of society, family, and even their own safety. From the legendary Deirdre and Naoise to WB Yeats and Maud Gonne, Charles Stuart Parnell and Katherine O'Shea to Hilton Edwards and Micheál MacLiammóir, romantic Ireland is far from dead and gone!
  the plough and the stars sean o casey: The Rising of Bella Casey Mary Morrissy, 2013-09-16 'a wonderful book from one of our finest writers' Colum McCann Bella is a bright, clever girl who trains as a school teacher, determined to escape the limitations of her genteel impoverishment and become a mistress of her own life. However, the manager of her school, the Rev Archibald Leeper, a married clergyman, develops a morbid attachment to her, which is to colour the rest of her life. Leeper places Bella in an untenable position; her only escape is to seduce a young army corporal, Nicholas Beaver, to hide the fact that her reputation has been ruined by the clergyman. She marries Nicholas and they have five children. However, when Nicholas dies at the age of 40 from syphilis, Bella realizes belatedly that she is not the only one who has been keeping sexual secrets. Bella Casey was the sister of the playwright, Sean O'Casey. Tellingly, though, her brother chose to kill her off prematurely in his autobiography – at least 10 years before her actual demise.
  the plough and the stars sean o casey: Red Roses for Me Sean O'Casey, 1943 The New York Times describes the play ... as based on a strike in Dublin in 1913-1914 that led to the 'bloody Easter Week Rising of 1916.' But as in all Mr. O'Casey's latter-day plays, the real theme is the life of man-his valor, his joy, his love, his religious devotion, his loyalty and his belief in the future... --www.doollee.com.
  the plough and the stars sean o casey: Modernism, Drama, and the Audience for Irish Spectacle Paige Reynolds, 2011-02-17 Employing previously unexamined archival material, Paige Reynolds reconstructs five large-scale public events in early twentieth-century Irish culture: the riotous premiere of J. M. Synge's The Playboy of the Western World in 1907; the events of Dublin Suffrage Week, including the Irish premiere of Ibsen's Rosmersholm, in 1913; the funeral processions of the playwright and Lord Mayor of Cork Terence MacSwiney in 1920; the sporting and arts competitions of the Tailteann Games in 1924; and the organized protests accompanying the premiere of Sean O'Casey's The Plough and the Stars in 1926. The book provides attentive readings of the literature and theatre famously produced in tandem with these events, as well as introducing surprising texts that made valuable contributions to Irish national theatre. This detailed study revises pessimistic explanations of twentieth-century mass politics and crowd dynamics by introducing a more sympathetic account of national communities and national sentiment.
  the plough and the stars sean o casey: Behind the Green Curtains. Figuro in the Night. The Moon Shines on Kylenamoe Sean O'Casey, 1961
  the plough and the stars sean o casey: The Cambridge Companion to Twentieth-Century Irish Drama Shaun Richards, 2004-01-29 Publisher Description
  the plough and the stars sean o casey: The Last September Elizabeth Bowen, 1960
  the plough and the stars sean o casey: Niall Sean O'Casey, 1991
  the plough and the stars sean o casey: Consent Nina Raine, 2017 Why is Justice blind? Is she impartial? Or is she blinkered? Friends Ed and Matt take opposing briefs in a rape case. The key witness is a woman whose life seems a world away from theirs. At home, their own lives begin to unravel as every version of the truth is challenged.
  the plough and the stars sean o casey: The Believers are But Brothers Javaad Alipoor, 2018-01-24 We live in a time where old orders are collapsing: from the postcolonial nation states of the Middle East, to the EU and the American election. Through it all, tech savvy and extremist groups rip up political certainties. Amidst this, a generation of young men find themselves burning with resentment, without the money, power and sex they think they deserve. This crisis of masculinity leads them into an online world of fantasy, violence and reality. The Believers Are But Brothers is based on Alipoor's experiences of working with young people, and research he conducted online. The original show was performed at the Edinburgh Fringe and transferred to the Bush Theatre, London. The show envelops its audience in this digital realm, weaving us into the webs of resentment, violence and power networks that are eating away at the structures of the twentieth century. This bold one-man show explores the smoke and mirrors world of online extremism, anonymity and hate speech.
  the plough and the stars sean o casey: The Remains of Maisie Duggan Carmel Winters, 2016-12-05 Now I'm dead there'll be changes. I won't keep rolling over. I won't wag my tail at every insult and injury! Kathleen Duggan has rushed home to Ireland upon hearing the news that her mother, Maisie, has died. Only when she gets back to the house, she finds that her mother is alive and well. Almost. However, after a routine car accident, Maisie believes that she is now dead and wandering around the homestead, awaiting her funeral. Still able to talk to her childish adult son and her violent, temperamental husband, she will no longer be silenced by the male-dominated, pugnacious atmosphere that has kept her quiet all these years. So when Kathleen comes back for the 'funeral', Maisie expects to find her final resting place, safe from the threat of domestic violence once and for all. The Remains of Maisie Duggan received its world premiere on the Peacock stage of the Abbey Theatre, Dublin, in autumn 2016.
  the plough and the stars sean o casey: Twentieth-Century Irish Drama Christopher Murray, 2000-05-01 This work provides an overview of Irish theatre, read in the light of Ireland's self-definition. Mediating between history and its relations with politics and art, it attempts to do justice to the enabling and mirroring preoccupations of Irish drama.
  the plough and the stars sean o casey: The Silver Tassie Sean O'Casey, 1928 Ireland, World War One. Dashing Harry Heegan leads his football team to victory, arriving home in swaggering celebration before he grabs his kit and heads for the trenches. A nightmare world awaits, the men, reduced to cannon fodder, speaking in mangled incantations as the casualties stack up. Months later, Harry returns, a cripple at the football club party. Everyone but the shattered war veterans dance and forget.
  the plough and the stars sean o casey: Sean O'Casey Christopher Murray, 2004-11-08 Se?O'Casey was the quintessential Dublin playwright. In critical works that include his Dublin Trilogy - The Shadow of a Gunman, Juno and the Paycock, and The Plough and the Stars - he portrayed the traumatic birth of a nation and delved into the Irish national character. Christopher Murray's Se?O'Casey: Writer at Work takes a fresh look at the last of the great writers of the Irish literary revival.
  the plough and the stars sean o casey: Tales of the Elders of Ireland Harry Roe, Ann Dooley, 1999 Tales of the Elders of Irelandis the first complete translation of the late Middle-IrishAcallam na Sen rach, the largest literary text surviving from twelfth-century Ireland. It contains the earliest and most comprehensive collection of Fenian stories and poetry, intermingling the contemporary Christian world of Saint Patrick with his scribes; clerics; occasional angels and souls rescued from Hell; the earlier pagan world of the ancient, giant Fenians and Irish kings; and the parallel, timeless Otherworld (peopled by ever-young, shape-shifting fairies). This readable, lucid new translation is based on existing manuscript sources and is richly annotated, complete with an Introduction discussing the place of theAcallamin Irish tradition and the impact of the Fenian or Ossianic tradition on English and European literature. About the Series:For over 100 yearsOxford World's Classicshas made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
  the plough and the stars sean o casey: Walls and Windows Rosaleen McDonagh, 2021-11-01 Lads, when it comes to your time for pickin' women, you're not going to have my kind of luck. The best one is taken. All Julia and John want is to live their lives with their two sons, on their own terms. But despite their hopes, the outside world and its racism puts paid to their plans. A world premiere of a new play from Rosaleen McDonagh, this tender, complex and beautiful love story examines how external circumstances pull us apart, when all we really want is to be together. This edition was published to coincide with the world premiere at Abbey Theatre, Dublin, in August 2021
  the plough and the stars sean o casey: The Plough and the Stars , 2015
  the plough and the stars sean o casey: Foster Claire Keegan, 2022-11-01 An international bestseller and one of The Times’ “Top 50 Novels Published in the 21st Century,” Claire Keegan’s piercing contemporary classic Foster is a heartbreaking story of childhood, loss, and love; now released as a standalone book for the first time ever in the US It is a hot summer in rural Ireland. A child is taken by her father to live with relatives on a farm, not knowing when or if she will be brought home again. In the Kinsellas’ house, she finds an affection and warmth she has not known and slowly, in their care, begins to blossom. But there is something unspoken in this new household—where everything is so well tended to—and this summer must soon come to an end. Winner of the prestigious Davy Byrnes Award and published in an abridged version in the New Yorker, this internationally bestselling contemporary classic is now available for the first time in the US in a full, standalone edition. A story of astonishing emotional depth, Foster showcases Claire Keegan’s great talent and secures her reputation as one of our most important storytellers.
  the plough and the stars sean o casey: Irish Drama and Theatre Since 1950 Patrick Lonergan, 2019-02-21 Drawing on major new archival discoveries and recent research, Patrick Lonergan presents an innovative account of Irish drama and theatre, spanning the past seventy years. Rather than offering a linear narrative, the volume traces key themes to illustrate the relationship between theatre and changes in society. In considering internationalization, the Troubles in Northern Ireland, the Celtic Tiger period, feminism, and the changing status of the Catholic Church in Ireland, Lonergan asserts the power of theatre to act as an agent of change and uncovers the contribution of individual artists, plays and productions in challenging societal norms. Irish Drama and Theatre since 1950 provides a wide-ranging account of major developments, combined with case studies of the premiere or revival of major plays, the establishment of new companies and the influence of international work and artists, including Tennessee Williams, Chekhov and Brecht. While bringing to the fore some of the untold stories and overlooked playwrights following the declaration of the Irish Republic, Lonergan weaves into his account the many Irish theatre-makers who have achieved international prominence in the period: Samuel Beckett, Siobhán McKenna and Brendan Behan in the 1950s, continuing with Brian Friel and Tom Murphy, and concluding with the playwrights who emerged in the late 1990s, including Martin McDonagh, Enda Walsh, Conor McPherson, Marie Jones and Marina Carr. The contribution of major Irish companies to world theatre is also examined, including both the Abbey and Gate theatres, as well as Druid, Field Day and Charabanc. Through its engaging analysis of seventy years of Irish theatre, this volume charts the acts of gradual but revolutionary change that are the story of Irish theatre and drama and of its social and cultural contexts.
  the plough and the stars sean o casey: Songs of Unreason Jim Harrison, 2012-12-18 One of America's leading novelists and poets, Jim Harrison is a writer with immortality in him.-The Sunday Times
  the plough and the stars sean o casey: Tales from the Colony Room Darren Coffield, 2020-04-16 'Entertaining, shocking, uproarious, hilarious . . . like eavesdropping on a wake, as the mourners get gradually more drunk and tell ever more outrageous stories' Sunday Times This is the definitive history of London's most notorious drinking den, the Colony Room Club in Soho. It’s a hair-raising romp through the underbelly of the post-war scene: during its sixty-year history, more romances, more deaths, more horrors and more sex scandals took place in the Colony than anywhere else. Tales from the Colony Room is an oral biography, consisting of previously unpublished and long-lost interviews with the characters who were central to the scene, giving the reader a flavour of what it was like to frequent the Club. With a glass in hand you’ll move through the decades listening to personal reminiscences, opinions and vitriol, from the authentic voices of those who were actually there. On your voyage through Soho’s lost bohemia, you’ll be served a drink by James Bond, sip champagne with Francis Bacon, queue for the loo with Christine Keeler, go racing with Jeffrey Bernard, get laid with Lucian Freud, kill time with Doctor Who, pick a fight with Frank Norman and pass out with Peter Langan. All with a stellar supporting cast including Peter O’Toole, George Melly, Suggs, Lisa Stansfield, Dylan Thomas, Jay Landesman, Sarah Lucas, Damien Hirst and many, many more.
  the plough and the stars sean o casey: Studies on Sean O'Casey Collectif, 2013-02-13 A large number of critics who have tried to penetrate the complexity of Sean O'Casey's theatrical works have been fighting against a matter which seems to reject every easy outline and label. They seem to be shaped by a deep will to experiment which leads the author to embrace theatrical forms and techniques very different from each other. This is why almost all of his plays appear full of contradictory elements and tendencies, traumatic breaks and bold innovations. After his explosion at the Abbey Theatre of Dublin with the vigorous realism of his trilogy, O'Casey abandons this reassuring haven – it was probably too reassuring for his restlessness – and begins his collection of experimental plays, starting with The Silver Tassie (1929) and going on with Within the Gates (1910), The Star Turns Red, 1940, Red Roses For Me (1912)...
  the plough and the stars sean o casey: Shakespeare and Twentieth-Century Irish Drama Rebecca Steinberger, 2017-11-28 Exploring the influence of Shakespeare on drama in Ireland, the author examines works by two representative playwrights: Sean O'Casey (1880-1964) and Brian Friel (1929-). Shakespeare's plays, grounded in history, nationalism, and imperialism, are resurrected, rewritten, and reinscribed in twentieth-century Irish drama, while Irish plays, in turn, historicize the Subject/Object relationship of England and Ireland. In particular, the author argues, Irish dramatists' appropriations of Shakespeare were both a reaction to the language of domination and a means to support their revision of the Irish as Subject. This study reveals that Shakespeare's plays embody an empathy for the Irish Other. As she investigates Shakespeare's commiseration with marginalized peoples and the anticolonial underpinnings in his texts, the author situates Shakespeare between the English discourse that claims him and the Irish discourse that assimilates him.
  the plough and the stars sean o casey: The Complete Plays of Sean O'Casey: Juno and the paycock. The shadow of a gunman. The plough and the stars. The end of the beginning. A pound on demand Sean O'Casey, 1984
  the plough and the stars sean o casey: Gender and Modern Irish Drama Susan Cannon Harris, 2002-09-06 Gender and Modern Irish Drama argues that the representations of sacrificial violence central to the work of the Abbey playwrights are intimately linked with constructions of gender and sexuality. Susan Cannon Harris goes beyond an examination of the relationship between Irish national drama and Irish nationalist politics to the larger question of the way national identity and gender identity are constructed through each other. Radically redefining the context in which the Abbey plays were performed, Harris documents the material and discursive forces that produced Irish conceptions of gender. She looks at cultural constructions of the human body and their influence on nationalist rhetoric, linking the production and reception of the plays to conversations about public health, popular culture, economic policy, and racial identity that were taking place inside and outside the nationalist community. The book is both a crucial intervention in Irish studies and an important contribution to the ongoing feminist project of theorizing the production of gender and the body.
  the plough and the stars sean o casey: Sean O'Casey Christopher Murray, 2000 The next installment inThe Faber Critical Guides Series: An in-depth look at the maverick Irish playwright Sean O'Casey was one of the most affecting playwrights of his generation; a renegade who came of age at the dawn of Ireland's fight for independence from Britain and championed the working-class during the bleak years of The Great Depression. Praised for his genius-ear for dialogue and the poetry of his prose, O'Casey's work brought audiences into the gritty, impoverished world of Dublin's streets and pubs. His controversial plays helped establish the reputation of the internationally renowned Abbey Theatre, where the productions ofThe Plough and the StarsandJuno and the Paycockwere met with riots and vigorous protests. InSean O'Casey, Christopher Murray examines the abovementioned works as well asThe Shadow of a Gunman, which taken together comprise O'Casey's famed Dublin trilogy, and elucidates the social context of the plays and the theatrical environment of the times--crucial elements in understanding O'Casey's writing.
  the plough and the stars sean o casey: The Plough and the Stars Sean O'Casey, 1926
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This issue of Plough Quarterly explores many dimensions of freedom: not only what people need to be freed from, but what we are set free to do. Contributors look at freedom in light of …