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| the norton anthology of western music: Norton Anthology of Western Music Burkholder, J. Peter, Grout, Donald Jay, Palisca, Claude V., 2019-07-01 The definitive survey, combining current scholarship with a vibrant narrative. Carefully informed by feedback from dozens of scholars, it remains the book that students and teachers trust to explain whatÕs important, where it fits, and why it matters. Peter Burkholder weaves a compelling story of people, their choices, and the western musical tradition that emerged. From chant to hip-hop, he connects past to present to create a context for tomorrowÕs musicians. |
| the norton anthology of western music: Norton Anthology of Western Music Claude V. Palisca, 1996 |
| the norton anthology of western music: Concise History of Western Music Barbara Russano Hanning, 1998 Concise History of Western Music combines Grout and Palisca's uncompromising reliability, scope, and respect for the narrative, while offering many more pedagogical aids, such as chapter preludes and postludes; Etudes, excursions that explore the material more deeply than the main text; and Windows, boxed discussions of special topics. |
| the norton anthology of western music: A History of Western Music Donald Jay Grout, 1996 |
| the norton anthology of western music: Study and Listening Guide for A History of Western Music, Fifth Edition, by Donald Jay Grout and Claude V. Palisca and Norton Anthology of Western Music, Third Edition, by Claude V. Palisca James Peter Burkholder, 1996 |
| the norton anthology of western music: Norton Anthology of Western Music, 8th Edition Volume 2 Reg Card J. Peter Burkholder, Donald Jay Grout, Claude V. Palisca, 2019-09-03 |
| the norton anthology of western music: Music in the Nineteenth Century Walter Frisch, 2013 Nineteenth-century music in its cultural, social, and intellectual contexts. Music in the Nineteenth Century examines the period from the Congress of Vienna in 1815 to the advent of Modernism in the 1890s. Frisch traces a complex web of relationships involving composers, performers, publishers, notated scores, oral traditions, audiences, institutions, cities, and nations. The book's central themes include middle-class involvement in music, the rich but elusive concept of Romanticism, the cult of virtuosity, and the ever-changing balance between musical and commercial interests. The final chapter considers the sound world of nineteenth-century music as captured by contemporary witnesses and early recordings. Western Music in Context: A Norton History comprises six volumes of moderate length, each written in an engaging style by a recognized expert. Authoritative and current, the series examines music in the broadest sense--as sounds notated, performed, and heard--focusing not only on composers and works, but also on broader social and intellectual currents. |
| the norton anthology of western music: A Concise History of Western Music Paul Griffiths, 2006-06-29 Publisher Description |
| the norton anthology of western music: Music in the Twentieth and Twenty-First Centuries (Western Music in Context: A Norton History) Joseph Auner, 2013-05-07 The music of the twentieth and twenty-first centuries in its cultural, social, and intellectual contexts. Joseph Auner's Music in the Twentieth and Twenty-First Centuries explores the sense of possibility unleashed by the era's destabilizing military conflicts, social upheavals, and technological advances. Auner shows how the multiplicity of musical styles has called into question traditional assumptions about compositional practice, the boundaries of music and noise, and the relationship among composer, performer, and listener. He also shows how composers and their works have played important roles in defining ideas of nation, race, and gender, and thus in shaping the modern world for better and worse. Western Music in Context: A Norton History comprises six volumes of moderate length, each written in an engaging style by a recognized expert. Authoritative and current, the series examines music in the broadest sense—as sounds notated, performed, and heard—focusing not only on composers and works, but also on broader social and intellectual currents. |
| the norton anthology of western music: Music in the Eighteenth Century John A. Rice, 2013 Eighteenth Century Music in its cultural, social, and intellectual contexts. John Rice's Music in the Eighteenth Century takes the reader on an engrossing Grand Tour of Europe's musical centers, from Naples, to London, Berlin, Vienna, Prague, and St. Petersburg —with a side trip to the colonial New World. Against the backdrop of Europe's largely peaceful division into Catholic and Protestant realms, Rice shows how learned and galant styles developed and commingled. While considering Mozart, Haydn, and early Beethoven in depth, he broadens his focus to assess the contributions of lesser-known but significant figures like Johann Adam Hiller, Francois-André Philidor, and Anna Bon. Western Music in Context: A Norton History comprises six volumes of moderate length, each written in an engaging style by a recognized expert. Authoritative and current, the series examines music in the broadest sense—as sounds notated, performed, and heard—focusing not only on composers and works, but also on broader social and intellectual currents. |
| the norton anthology of western music: The Norton Anthology of Western Literature Martin Puchner, Suzanne Conklin Akbari, Wiebke Denecke, Barbara Fuchs, Caroline Levine, Pericles Lewis, 2014 A classic, reimagined. |
| the norton anthology of western music: Norton Anthology of Western Music, 8th Edition Volume 1 Reg Card J. Peter Burkholder, Donald Jay Grout, Claude V. Palisca, 2019-09-03 |
| the norton anthology of western music: Music in the Baroque (Western Music in Context: A Norton History) Wendy Heller, 2014 Companion to Music in the baroque. |
| the norton anthology of western music: Study & Listening Guide for Concise History of Western Music James Peter Burkholder, 1998-01 Study and listening guide for Concise history of western music by Barbara Russano Hanning and Norton anthology of western music. |
| the norton anthology of western music: The Norton Anthology of American Literature Nina Baym, 2003 Includes outstanding works of American poetry, prose, and fiction from the Colonial era to the present day. |
| the norton anthology of western music: Listening to Charles Ives J. Peter Burkholder, 2021-02-10 Charles Ives is widely regarded as the first great American composer of classical music. But listening to his music is an adventure—hearing how a piece begins may not prepare you for what comes next, or how it ends. Knowing one Ives piece may not prepare you for another. Award-winning music historian J. Peter Burkholder provides an introduction to the composer’s diverse musical output and unusual career to readers of any background, discussing about forty of the best and most characteristic pieces framed with biographical sketches. Burkholder shows how Ives mastered each tradition he encountered, from American popular music to classical European genres, from Protestant church music to his own unique experimental idiom, and then interwove elements from all these traditions in the astonishing works of his maturity. Listening to Charles Ives contains compelling walkthroughs of select pieces and ultimately reveals that there is an Ives piece for everyone. |
| the norton anthology of western music: All Made of Tunes James Peter Burkholder, 1995-01-01 Charles Ives is famous for using borrowed material in his music. Almost two hundred individual works or movements, spanning his entire career and representing more than a third of his output, incorporate music by other composers or from his own previous work. In this book, the eminent Ives scholar J. Peter Burkholder identifies the different kinds of quotations in Ives's music, explores the complex musical, aesthetic, and psychological motivations behind the borrowings, and shows the purpose, techniques, and effects that characterize each one. Burkholder catalogues fourteen distinct ways that Ives borrowed, ranging from direct quotation to paraphrase, variation, collage, modeling, and stylistic allusion. Arguing that these borrowing procedures were compositional strategies, he provides a new perspective on Ives's process of composition. In addition, by tracing the development of Ives's borrowing practices through his career, he contributes to an understanding of the composer's stylistic evolution. And by showing how much of Ives's music uses borrowing procedures that are common to many composers, he reveals that Ives is not as far removed from the classic-romantic tradition as has been thought. Finally, Burkholder's comprehensive treatment of Ives's borrowing techniques offers a new perspective on the entire field of musical borrowing. |
| the norton anthology of western music: Norton Anthology of World Religions Cunningham, Lawrence S, Miles, Jack, 2015-02-18 <p>This magisterial Norton Anthology, edited by world-renowned scholars, offers a portable library of more than 1,000 primary texts from the world’s major religions. To help readers encounter strikingly unfamiliar texts with pleasure; accessible introductions, headnotes, annotations, pronouncing glossaries, maps, illustrations and chronologies are provided. For readers of any religion or none, <em>The Norton Anthology of World Religions</em> opens new worlds that, as Miles writes, invite us to see others with a measure of openness, empathy, and good will...</p><p>Unprecedented in scope and approach, <em>The Norton Anthology of World Religions: Christianity</em> brings together over 150 texts from the Apostolic Era to the New Millennium. The volume features Jack Miles’s illuminating General Introduction—“How the West Learned to Compare Religions”—as well as Lawrence S. Cunningham’s “The Words and the Word Made Flesh,” a lively primer on the history and core tenets of Christianity.</p> |
| the norton anthology of western music: Music in the Western World Piero Weiss, Richard Taruskin, 2008 Pt. 1. The heritage of antiquity -- pt. 2. The Middle Ages -- pt. 3. The Renaissance -- pt. 4. The Baroque -- pt. 5. The pre-classical period -- pt. 6. The classical period -- pt. 7. The later nineteenth century : romanticism and other preoccupations -- pt. 8. The twentieth century -- pt. 9. The recent, past, and the present. |
| the norton anthology of western music: The Norton Anthology of Western Literature: Beginnings through the Renaissance Sarah N. Lawall, 2005-08-01 Read by millions of students over seven editions, The Norton Anthology of Western Literature remains the most trusted undergraduate survey of Western literature available and one of the most successful college texts ever published. |
| the norton anthology of western music: Oxford Anthology of Western Music David J. Rothenberg, Robert R. Holzer, Klára Móricz, David E. Schneider, 2013 From ancient Greek music and Christian plainchant to the keyboard sonatas of Domenico Scarlatti, this comprehensive volume includes a rich assortment of landmark musical scores. These include works found in many surveys as well as important pieces that are rarely anthologized, including Antoine de Févin's Missa super Ave Maria; Adrian Willaert's Benedicta es; the Overture and Act 3 of Jean-Baptiste Lully's Atys; Dietrich Buxtehude's Durch Adams Fall; and an aria from Jean-Philippe Rameau's Castor et Pollux. Designed with students in mind, this unique collection includes introductory essays at the beginning of each piece and an index of names and terms. A corresponding set of recordings* (2 CDs) contains all musical examples from the anthology in high-quality MP3 format (9780199768288). Features: Each score has an introductory essay -- These scores are works found in many surveys as well as important pieces rarely anthologized -- An Index of Names and an Index of Terms were designed with your students in mind Publisher's note. |
| the norton anthology of western music: The Turn of the Screw Henry James, 2024-08-22 The Turn of the Screw by Henry James is a classic ghost story that continues to captivate readers over a century after its initial publication. Set in the late 19th century, the novella follows a young governess who is hired to care for two young children, Flora and Miles, at the remote and eerie Bly Manor. As the governess begins her duties, she becomes increasingly convinced that the manor is haunted by the spirits of the previous governess, Miss Jessel, and her lover, Peter Quint, who both died under mysterious circumstances. The story unfolds as the governess tries to protect the children from the malevolent ghosts, while also questioning her own sanity and the motives of the children in their interactions with the spirits. One of the most intriguing aspects of The Turn of the Screw is its unreliable narrator. The story is told through the perspective of the governess, whose mental state and perceptions of events are constantly called into question. This creates a sense of ambiguity and uncertainty, leaving readers to question whether the ghosts are real or just figments of the governess's imagination. James masterfully plays with the theme of perception and reality, leaving readers to draw their own conclusions about the events at Bly Manor. Another striking element of the novella is its use of Gothic elements. The isolated location, the decaying mansion, and the presence of ghosts all contribute to the eerie atmosphere of the story. James also incorporates psychological horror, as the governess's fears and paranoia intensify throughout the story, building tension and suspense. The Turn of the Screw is a prime example of Gothic literature, with its exploration of the dark side of human nature and the blurred lines between the living and the dead. One of the most controversial aspects of the novella is its ambiguous ending. The governess's final confrontation with the ghosts and the fate of the children are left open to interpretation, inviting readers to ponder the true meaning of the story. Some critics argue that the ghosts are a product of the governess's overactive imagination, while others believe that they are real and that the children are in danger. This open-ended conclusion has sparked countless debates and interpretations, making The Turn of the Screw a thought-provoking and enduring piece of literature. In addition to its literary merits, The Turn of the Screw also offers insight into the societal norms and expectations of the time period in which it was written. James explores themes of gender roles and class distinctions through the character of the governess, who is expected to be subservient and obedient to her male employer and to maintain the social hierarchy between herself and the children. The story also touches on the taboo subject of sexual relationships, particularly in regards to the ghosts and their influence on the children. Ultimately, The Turn of the Screw is a haunting and enigmatic work that continues to captivate readers with its complex characters, Gothic atmosphere, and thought-provoking themes. It is a testament to Henry James's mastery of storytelling and his ability to create a sense of unease and suspense that lingers long after the final page. A must-read for anyone interested in Gothic literature, psychological thrillers, or the blurred lines between reality and the supernatural. |
| the norton anthology of western music: The Things They Carried Tim O'Brien, 2009-10-13 A classic work of American literature that has not stopped changing minds and lives since it burst onto the literary scene, The Things They Carried is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling. The Things They Carried depicts the men of Alpha Company: Jimmy Cross, Henry Dobbins, Rat Kiley, Mitchell Sanders, Norman Bowker, Kiowa, and the character Tim O’Brien, who has survived his tour in Vietnam to become a father and writer at the age of forty-three. Taught everywhere—from high school classrooms to graduate seminars in creative writing—it has become required reading for any American and continues to challenge readers in their perceptions of fact and fiction, war and peace, courage and fear and longing. The Things They Carried won France's prestigious Prix du Meilleur Livre Etranger and the Chicago Tribune Heartland Prize; it was also a finalist for the Pulitzer Prize and the National Book Critics Circle Award. |
| the norton anthology of western music: Instrumental Music Education Evan Feldman, Ari Contzius, 2015-12-21 Instrumental Music Education: Teaching with the Musical and Practical in Harmony, 2nd Edition is intended for college instrumental music education majors studying to be band and orchestra directors at the elementary, middle school, and high school levels. This textbook presents a research-based look at the topics vital to running a successful instrumental music program, while balancing musical, theoretical, and practical approaches. A central theme is the compelling parallel between language and music, including sound-to-symbol pedagogies. Understanding this connection improves the teaching of melody, rhythm, composition, and improvisation. The companion website contains over 120 pedagogy videos for wind, string, and percussion instruments, performed by professional players and teachers, over 50 rehearsal videos, rhythm flashcards, and two additional chapters, The Rehearsal Toolkit, and Job Search and Interview. It also includes over 50 tracks of acoustically pure drones and demonstration exercises for use in rehearsals, sectionals and lessons. New to this edition: • Alternative, non-traditional ensembles: How to offer culturally relevant opportunities for more students, including mariachi, African drumming, and steel pans. • More learning and assessment strategies • The science of learning and practicing: How the brain acquires information • The philosophies of Orff and El Sistema, along with the existing ones on Kodály, Suzuki, and Gordon. • The Double Pyramid of Balance: Francis McBeth’s classic system for using good balance to influence tone and pitch. • Updated information about copyright for the digital age Evan Feldman is Conductor of the Wind Ensemble and Associate Professor of Music at the University of North Carolina at Chapel Hill Ari Contzius is the Wind Ensemble Conductor at Washingtonville High School, Washingtonville, NY Mitchell Lutch is Associate Professor of Music and Director of Bands at Central College in Pella, Iowa |
| the norton anthology of western music: Music in the Renaissance Richard Freedman, 2013 Like the other volumes in the series, Music in the Renaissance brings a fresh perspective to the study of music by emphasizing social, cultural, intellectual, and political contexts of the music. Richard Freedman looks far beyond the notes on the page or the details of composers’ lives to embrace audiences, performers, institutions, and social settings. For example, the text shows how new technologies of music printing in the Renaissance permitted composers to align notation with sound, causing audiences accustomed to aural transmission to rethink the concept of a musical work.--Résumé du site web de l'éditeur. |
| the norton anthology of western music: Manual for Ear Training and Sight Singing GARY S. KARPINSKI, 2021-08-30 A research-based aural skills curriculum that reflects the way students learn. |
| the norton anthology of western music: World Music Terry E. Miller, Andrew Shahriari, 2013-04-03 Authors Terry E. Miller and Andrew Shahriari take students around the world to experience the diversity of musical expression. World Music: A Global Journey, now in its third edition, is known for its breadth in surveying the world’s major cultures in a systematic study of world music within a strong pedagogical framework. As one prepares for any travel, each chapter starts with background preparation, reviewing the historical, cultural, and musical overview of the region. Visits to multiple ‘sites’ within a region provide in-depth studies of varied musical traditions. Music analysis begins with an experimental first impression of the music, followed by an aural analysis of the sound and prominent musical elements. Finally, students are invited to consider the cultural connections that give the music its meaning and life. Features of the Third Edition Over 3 hours of diverse musical examples. with a third audio CD of new musical examples Listening Guides analyze the various pieces of music with some presented in an interactive format online Biographical highlights of performers and ethnomusicologists updated and new ones added Numerous pedagogical aids, including On Your Own Time and Explore More sidebars, and Questions to Consider Popular music incorporated with the traditional Dynamic companion web site hosts new Interactive Listening Guides, plus many resources for student and instructor. Built to serve online courses. The CD set is available separately (ISBN 978-0-415-89402-9) or with its Value Pack and book (ISBN 978 0415- 80823-1). For eBook users, MP3 files for the accompanying audio files are available only with the Value Pack of eBook & MP3 files (ISBN 978-0-203-15298-0). Please find instructions on how to obtain the audio files in the contents section of the eBook. |
| the norton anthology of western music: The Vintage Guide to Classical Music Jan Swafford, 1992-12-15 The most readable and comprehensive guide to enjoying over five hundred years of classical music -- from Gregorian chants, Johann Sebastian Bach, and Wolfgang Amadeus Mozart to Johannes Brahms, Igor Stravinsky, John Cage, and beyond. The Vintage Guide to Classical Music is a lively -- and opinionated -- musical history and an insider's key to the personalities, epochs, and genres of the Western classical tradition. Among its features: -- chronologically arranged essays on nearly 100 composers, from Guillaume de Machaut (ca. 1300-1377) to Aaron Copland (1900-1990), that combine biography with detailed analyses of the major works while assessing their role in the social, cultural, and political climate of their times; -- informative sidebars that clarify broader topics such as melody, polyphony, atonality, and the impact of the early-music movement; -- a glossary of musical terms, from a cappella to woodwinds; -- a step-by-step guide to building a great classical music library. Written with wit and a clarity that both musical experts and beginners can appreciate, The Vintage Guide to Classical Music is an invaluable source-book for music lovers everywhere. |
| the norton anthology of western music: Anthology for Music in the Medieval West Margot Elsbeth Fassler, 2014 ...The ideal companion to Music in the medieval West. Forty-four carefully chosen works...offer representative examples of the music of the period. Commentaries following each score present a careful analysis of the music...--Page 4 de la couverture. |
| the norton anthology of western music: Music Then and Now Thomas Forrest Kelly, 2013 A you are there guide to masterpieces of Western music. |
| the norton anthology of western music: The Norton Anthology of Theory and Criticism Vincent B. Leitch, William E. Cain, Laurie A. Finke, John McGowan, T. Denean Sharpley-Whiting, Jeffrey Williams, 2018 More comprehensive and up-to-date than ever before |
| the norton anthology of western music: An Outline History of Western Music Milo Wold, 1994 Looks at the most important facts for each major period of western music history, from ancient times, through the Middle Ages and the Renaissance to the present day. The book should offer students enough information to gain an understanding of musical development without overwhelming them. |
| the norton anthology of western music: The Norton Anthology of World Literature Sarah N. Lawall, Maynard Mack, 2001-06-01 Nine years ago, W. W. Norton changed the way world literature is taught by introducing The Norton Anthology of World Masterpieces, Expanded Edition. |
| the norton anthology of western music: Twentieth-century Music Robert P. Morgan, ROBERT C. MORGAN, 1991 Traces the currents that have shaped the development of music in the twentieth century and discusses the contributions of such composers as Mahler, Debussy, Stockhausen, Vaughan Williams, Bartok, and Stravinsky |
| the norton anthology of western music: Charles Ives and His World James Peter Burkholder, 1996-08-25 This volume shows Charles Ives in the context of his world in a number of revealing ways. Five new essays examine Ives's relationships to European music and to American music, politics, business, and landscape. J. Peter Burkholder shows Ives as a composer well versed in four distinctive musical traditions who blended them in his mature music. Leon Botstein explores the paradox of how, in the works of Ives and Mahler, musical modernism emerges from profoundly antimodern sensibilities. David Michael Hertz reveals unsuspected parallels between one of Ives's most famous pieces, the Concord Piano Sonata, and the piano sonatas of Liszt and Scriabin. Michael Broyles sheds new light on Ives's political orientation and on his career in the insurance business, and Mark Tucker shows the importance for Ives of his vacations in the Adirondacks and the representation of that landscape in his music. The remainder of the book presents documents that illuminate Ives's personal life. A selection of some sixty letters to and from Ives and his family, edited and annotated by Tom C. Owens, is the first substantial collection of Ives correspondence to be published. Two sections of reviews and longer profiles published during his lifetime highlight the important stages in the reception of Ives's music, from his early works through the premieres of his most important compositions to his elevation as an almost mythic figure with a reputation among some critics as America's greatest composer. |
| the norton anthology of western music: The Norton Anthology of World Literature Professor Emeritus of Near Eastern Studies Jerome W Clinton, PH D, Francis Abiola Irele, Heather James, Stephen Owen, Sarah Lawall, Lee Patterson, Indira Viswanathan Peterson, Edgar Shannon Professor and Chair Department of English Patricia Meyer Spacks, PH D, William G. Thalmann, 2009-02 A collection of poetry, prose, drama, and fiction written from the sixteenth century through the twentieth century by various writers from around the world. |
| the norton anthology of western music: The Norton Anthology of Drama J. Ellen Gainor, Stanton B. Garner, Martin Puchner, 2018 Comprehensive and up-to-date, now with more instructor resources |
| the norton anthology of western music: Music in the Medieval West Margot Fassler, 2014-03-27 Medieval music in its cultural, social, and intellectual contexts. Margot Fassler's Music in the Medieval West imaginatively reconstructs the repertoire of the Middle Ages by drawing on a wide range of sources. In addition to highlighting the ceremonial and dramatic functions of medieval music (both sacred and secular), she pays special attention to the exchange of musical ideas, the development of musical notation and other methods of transmission, and the role of women in musical culture. Western Music in Context: A Norton History comprises six volumes of moderate length, each written in an engaging style by a recognized expert. Authoritative and current, the series examines music in the broadest sense—as sounds notated, performed, and heard—focusing not only on composers and works, but also on broader social and intellectual currents. |
| the norton anthology of western music: Berklee Music Theory Paul Schmeling, 2011 Teaches the concepts of music theory based on the curriculum at Berklee College of Music. |
| the norton anthology of western music: The Norton Anthology of Drama: Antiquity through the eighteenth century J. Ellen Gainor, Stanton B. Garner, Martin Puchner, 2009 The most comprehensive collection of its kind, The Norton Anthology of Drama, Volume Two, offers thirty-five major plays - including three twentieth-century plays not available in any other drama anthology - the most carefully prepared introductions, annotations, and play texts, and a distinctive and convenient format. --Book Jacket. |
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