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| the origins of the first world war 3: The Origins of the First World War James Joll, Gordon Martel, 2013-11-05 James Joll's study is not simply another narrative, retracing the powder trail that was finally ignited at Sarajevo. It is an ambitious and wide-ranging analysis of the historical forces at work in the Europe of 1914, and the very different ways in which historians have subsequently attempted to understand them. The importance of the theme, the breadth and sympathy of James Joll's scholarship, and the clarity of his exposition, have all contributed to the spectacular success of the book since its first appearance in 1984. Revised by Gordon Martel, this new 3rd edition accommodates recent research and an expanded further reading section. |
| the origins of the first world war 3: Encyclopaedia Britannica Hugh Chisholm, 1910 This eleventh edition was developed during the encyclopaedia's transition from a British to an American publication. Some of its articles were written by the best-known scholars of the time and it is considered to be a landmark encyclopaedia for scholarship and literary style. |
| the origins of the first world war 3: Britain and the Origins of the First World War Zara S. Steiner, Keith Neilson, 2017-04-25 How and why did Britain become involved in the First World War? Taking into account the scholarship of the last twenty-five years, this second edition of Zara S. Steiner's classic study, thoroughly revised with Keith Neilson, explores a subject which is as highly contentious as ever. While retaining the basic argument that Britain went to war in 1914 not as a result of internal pressures but as a response to external events, Steiner and Neilson reject recent arguments that Britain became involved because of fears of an 'invented' German menace, or to defend her Empire. Instead, placing greater emphasis than before on the role of Russia, the authors convincingly argue that Britain entered the war in order to preserve the European balance of power and the nation's favourable position within it. Lucid and comprehensive, Britain and the Origins of the First World War brings together the bureaucratic, diplomatic, economic, strategical and ideological factors that led to Britain's entry into the Great War, and remains the most complete survey of the pre-war situation. |
| the origins of the first world war 3: The Origins of the Second World War in Europe P. M. H. Bell, 2014-09-11 PMH Bell's famous book is a comprehensive study of the period and debates surrounding the European origins of the Second World War. He approaches the subject from three different angles: describing the various explanations that have been offered for the war and the historiographical debates that have arisen from them, analysing the ideological, economic and strategic forces at work in Europe during the 1930s, and tracing the course of events from peace in 1932, via the initial outbreak of hostilities in 1939, through to the climactic German attack on the Soviet Union in 1941 which marked the descent into general conflict. Written in a lucid, accessible style, this is an indispensable guide to the complex origins of the Second World War. |
| the origins of the first world war 3: The Origins of the First World War James Joll, 1984 |
| the origins of the first world war 3: Germany's Aims in the First World War Fritz Fischer, 1967 This professor's great work is possibly the most important book of any sort, probably the most important historical book, certainly the most controversial book to come out of Germany since the war. It had already forced the revision of widely held views in Germany's responsibility for beginning and continuing World War 1, and of supposed divergence of aim between business and the military on one side and labor and intellectuals on the other. |
| the origins of the first world war 3: The Western Front 1917–1918 Andrew Wiest, 2014-02-23 With the aid of over 300 photographs, complemented by full-colour maps, The Western Front 1917–1918 provides a detailed guide to the background and conduct of the conflict on the Western Front in the final years of World War I. |
| the origins of the first world war 3: An Illustrated History of the First World War John Keegan, 2001 Illustrates life on the home front, important battles, war from the perspective of generals and soldiers, the collapse of empires, and glimpses of World War II through photographs, paintings, cartoons, and posters. |
| the origins of the first world war 3: The Origins of the First and Second World Wars Frank McDonough, 1997-08-21 This innovative new study analyzes the origins of the First and Second World Wars in one single volume by drawing on a wide range of material, including original sources. In concise, readable chapters, the author surveys the key issues surrounding the causes of both wars, offers an original and critical survey of the conflict of opinion among historians and provides a lively selection of primary documents on major issues. The result is a unique perspective on the origins of the two most devastating military conflicts in world history. |
| the origins of the first world war 3: First World War John D. Clare, 1995 Excellent visuals & a vivid text are used in this history of World War I. |
| the origins of the first world war 3: The Fourteen Points Speech Woodrow Wilson, 2017-06-17 This Squid Ink Classic includes the full text of the work plus MLA style citations for scholarly secondary sources, peer-reviewed journal articles and critical essays for when your teacher requires extra resources in MLA format for your research paper. |
| the origins of the first world war 3: The Origins of the Second World War R. J. Overy, 2014-01-14 The Origins of the Second World War explores the reasons why the Second World War broke out in September 1939 and not sooner, and why a European war expanded into world war by 1941. Richard Overy argues that this was not just 'Hitler's War' but one that had its roots and origins in the decline of the old empires of Britain and France and the rise of ambitious new powers in Germany, Italy and Japan. Any explanation of the outbreak of hostilities must be multinational in scope taking into account the basic instability of the international system that had still not recovered from the shocks of the Great War. In this third edition: The role of Italy in the approach to war has been re-evaluated; Overy addresses recent revelations about Soviet policy in the 1930s, particularly exploring Soviet military planning and preparations; Arguments about Chamberlain and his policy of appeasement are rethought and reassessed. This new edition has now been completely overhauled, updated, expanded and reset. With a comprehensive documents section, colour plates, Guide to Who's Who, and a Chronology, The Origins of the Second World War will provide an invaluable introduction to any student of this fascinating period.--Page 4 of cover |
| the origins of the first world war 3: The Outbreak of the First World War Jack S. Levy, John A. Vasquez, 2014-04-03 This volume brings together leading historians and international relations scholars to debate the causes of the First World War. |
| the origins of the first world war 3: George, Nicholas and Wilhelm Miranda Carter, 2010 In the years before World War I, the great European powers were ruled by three first cousins: King George V, Kaiser Wilhelm II, and Tsar Nicholas II. Carter uses the cousins' correspondence and a host of historical sources to tell their tragicomic stories. |
| the origins of the first world war 3: The Path to War Michael S. Neiberg, 2016 In 1914 America was determined to stay clear of Europe's war. By 1917, the country was ready to lunge into the fray. The Path to War tells the full story of what happened. |
| the origins of the first world war 3: The Harlem Hellfighters Max Brooks, 2014-04-01 From bestselling author Max Brooks, the riveting story of the highly decorated, barrier-breaking, historic black regiment—the Harlem Hellfighters In 1919, the 369th infantry regiment marched home triumphantly from World War I. They had spent more time in combat than any other American unit, never losing a foot of ground to the enemy, or a man to capture, and winning countless decorations. Though they returned as heroes, this African American unit faced tremendous discrimination, even from their own government. The Harlem Hellfighters, as the Germans called them, fought courageously on—and off—the battlefield to make Europe, and America, safe for democracy. In THE HARLEM HELLFIGHTERS, bestselling author Max Brooks and acclaimed illustrator Caanan White bring this history to life. From the enlistment lines in Harlem to the training camp at Spartanburg, South Carolina, to the trenches in France, they tell the heroic story of the 369th in an action-packed and powerful tale of honor and heart. |
| the origins of the first world war 3: Nationalizing the Russian Empire Associate Professor of History Eric Lohr, Eric Lohr, 2003-05-15 Table of contents |
| the origins of the first world war 3: The Great War and the Origins of Humanitarianism, 1918-1924 Bruno Cabanes, 2014-03-13 Pioneering study of the transition from war to peace and the birth of humanitarian rights after the Great War. |
| the origins of the first world war 3: France and the Origins of the First World War John F. V. Keiger, 1983 |
| the origins of the first world war 3: The Improbable War Christopher Coker, 2015 The Improbable War explains why conflict between the USA and China cannot be ruled out. In 1914 war between the Great Powers was considered unlikely, yet it happened. We learn only from history, and popular though the First World War analogy is, the lessons we draw from its outbreak are usually mistaken. Among these errors is the tendency to over-estimate human rationality. All major conflicts of the past 300 years have been about the norms and rules of the international system. In China and the US the world confronts two 'exceptional' powers whose values differ markedly, with China bidding to challenge the current order. The 'Thucydidean Trap' - when a conservative status quo power confronts a rising new one - may also play its part in precipitating hostilities. To avoid stumbling into an avoidable war both Beijing and Washington need a coherent strategy, which neither of them has. History also reveals that war evolves continually. The next global conflict is likely to be played out in cyberspace and outer space and like all previous wars it will have devastating consequences. Such a war between the United States and China may seem improbable, but it is all too possible, which is why we need to discuss it now. |
| the origins of the first world war 3: The Economics of World War I Stephen Broadberry, Mark Harrison, 2005-09-29 This unique volume offers a definitive new history of European economies at war from 1914 to 1918. It studies how European economies mobilised for war, how existing economic institutions stood up under the strain, how economic development influenced outcomes and how wartime experience influenced post-war economic growth. Leading international experts provide the first systematic comparison of economies at war between 1914 and 1918 based on the best available data for Britain, Germany, France, Russia, the USA, Italy, Turkey, Austria-Hungary and the Netherlands. The editors' overview draws some stark lessons about the role of economic development, the importance of markets and the damage done by nationalism and protectionism. A companion volume to the acclaimed The Economics of World War II, this is a major contribution to our understanding of total war. |
| the origins of the first world war 3: With Snow on Their Boots Jamie H. Cockfield, 1999-07-02 In 1916, in an exchange of human flesh for war material, the Russian government sent to France two brigades to fight on the side of their French allies. By the end of World War I, these two brigades had experienced their own form of the Russian Revolution, had been isolated at a southern training post in a discipline move by the French government, had battled against each other in what was one of the first confrontations of the Russian Civil War, and had emerged from the conflict as a single force, the Russian Legion of Honor, which would remain loyal to France until the end of the war. The remarkable story of these Russian soldiers has been overlooked by historians until now. Jamie Cockfield here explores the journey and transformation of these men, and in so doing, he examines the impact of the revolution on the Russians who were caught in the middle of wartime alliances and nationalist ardor. |
| the origins of the first world war 3: The Oxford Illustrated History of the First World War Hew Strachan, 2016-03-29 Originally published: 1998. New edition published in hardcover in 2014. |
| the origins of the first world war 3: U.S. History P. Scott Corbett, Volker Janssen, John M. Lund, Todd Pfannestiel, Sylvie Waskiewicz, Paul Vickery, 2024-09-10 U.S. History is designed to meet the scope and sequence requirements of most introductory courses. The text provides a balanced approach to U.S. history, considering the people, events, and ideas that have shaped the United States from both the top down (politics, economics, diplomacy) and bottom up (eyewitness accounts, lived experience). U.S. History covers key forces that form the American experience, with particular attention to issues of race, class, and gender. |
| the origins of the first world war 3: Mobilizing Cultural Identities in the First World War Federica G. Pedriali, Cristina Savettieri, 2021-09-03 This book tackles cultural mobilization in the First World War as a plural process of identity formation and de-formation. It explores eight different settings in which individuals, communities and conceptual paradigms were mobilized. Taking an interdisciplinary approach, it interrogates one of the most challenging facets of the history of the Great War, one that keeps raising key questions on the way cultures respond to times of crisis. Mobilization during the First World War was a major process of material and imaginative engagement unfolding on a military, economic, political and cultural level, and existing identities were dramatically challenged and questioned by the whirl of discourses and representations involved. |
| the origins of the first world war 3: The Origins of the War of 1914 Luigi Albertini, 1980 |
| the origins of the first world war 3: The Western Front 1914-1916 Professor Michael S Neiberg, 2012-03-15 The History of World War I series recounts the battles and campaigns of the 'Great War'. From the Falkland Islands to the lakes of Africa, across the Eastern and Western Fronts, to the former German colonies in the Pacific, the World War I series provides a six-volume history of the battles and campaigns that raged on land, at sea and in the air. |
| the origins of the first world war 3: Modernism, History and the First World War Trudi Tate, 2013-01-01 Drawing upon medical journals, newspapers, propaganda, military histories, and other writings of the day, 'Modernism, History and the First World War' reads such writers as Woolf, HD, Ford, Faulkner, Kipling, and Lawrence alongside fiction and memoirs of soldiers and nurses who served in the war. This ground breaking blend of cultural history and close readings shows how modernism after 1914 emerges as a strange but important form of war writing, and was profoundly engaged with its own troubled history. |
| the origins of the first world war 3: World War One Lawrence Sondhaus, 2020-10-29 This revised and updated interpretation of World War I highlights the revolutionary nature and legacy of the conflict of 1914-1919. It examines the political, economic, social and cultural history of the war at home as well as the war's origins, ending and subsequent legacy. |
| the origins of the first world war 3: The Great War, 1914-1918 Marc Ferro, 2002 In this, his most famous work, Marc Ferro looks at the realities faced by the millions who fought in the Great War and their families at home. In doing so, he presents us with one of the most significant reappraisals of the war ever written.Marc Ferro's most famous work, The Great War looks at the realities faced by those men and their families at home. Mapping tensions old and new, he offers an overview to the Great War that is unrivalled in vision or in scope.From detailing the meteoric rise of the bureaucratic classes prior to 1914, to charting the horrors of trench warfare, Ferro travels well beyond the remit of 'historian'. In particular he documents the reactions of the warring countries' socialist and labour organisations to the conflict.By doing so, Ferro has presented us with one of the most significant reappraisals of the Great War ever to be written, one that rightfully takes its place as a Routledge Classic. |
| the origins of the first world war 3: The Beauty and the Sorrow Peter Englund, Peter Graves, 2012-09-04 An intimate narrative history of World War I told through the stories of twenty men and women from around the globe--a powerful, illuminating, heart-rending picture of what the war was really like. In this masterful book, renowned historian Peter Englund describes this epoch-defining event by weaving together accounts of the average man or woman who experienced it. Drawing on the diaries, journals, and letters of twenty individuals from Belgium, Denmark, France, Great Britain, Germany, Austria, Hungary, Italy, Australia, New Zealand, Russia, Venezuela, and the United States, Englund’s collection of these varied perspectives describes not a course of events but a world of feeling. Composed in short chapters that move between the home front and the front lines, The Beauty and Sorrow brings to life these twenty particular people and lets them speak for all who were shaped in some way by the War, but whose voices have remained unheard. |
| the origins of the first world war 3: The Third World War Sir John Hackett, 1983 |
| the origins of the first world war 3: The Great and Holy War Philip Jenkins, 2014-06-20 The Great and Holy War offers the first look at how religion created and prolonged the First World War, and the lasting impact it had on Christianity and world religions more extensively in the century that followed. The war was fought by the world's leading Christian nations, who presented the conflict as a holy war. A steady stream of patriotic and militaristic rhetoric was served to an unprecedented audience, using language that spoke of holy war and crusade, of apocalypse and Armageddon. But this rhetoric was not mere state propaganda. Philip Jenkins reveals how the widespread belief in angels, apparitions, and the supernatural, was a driving force throughout the war and shaped all three of the Abrahamic religions - Christianity, Judaism, and Islam - paving the way for modern views of religion and violence. The disappointed hopes and moral compromises that followed the war also shaped the political climate of the rest of the century, giving rise to such phenomena as Nazism, totalitarianism, and communism. Connecting remarkable incidents and characters - from Karl Barth to Carl Jung, the Christmas Truce to the Armenian Genocide - Jenkins creates a powerful and persuasive narrative that brings together global politics, history, and spiritual crisis. We cannot understand our present religious, political, and cultural climate without understanding the dramatic changes initiated by the First World War. The war created the world's religious map as we know it today. |
| the origins of the first world war 3: Ambassador Morgenthau's Story Henry Morgenthau, 1919 |
| the origins of the first world war 3: World War I and American Art Robert Cozzolino, Anne Classen Knutson, David M. Lubin, 2016-11 -World War I and American Art provides an unprecedented look at the ways in which American artists reacted to the war. Artists took a leading role in chronicling the war, crafting images that influenced public opinion, supported mobilization efforts, and helped to shape how the war's appalling human toll was memorialized. The book brings together paintings, drawings, prints, photographs, posters, and ephemera, spanning the diverse visual culture of the period to tell the story of a crucial turning point in the history of American art--- |
| the origins of the first world war 3: The First World War William Kelleher Storey, 2010-09-16 A second edition of this book is now available. In a compact but comprehensive and clear narrative, this book explores the First World War from a genuinely global perspective. Putting a human face on the war, William Kelleher Storey brings to life individual decisions and experiences as well as environmental and technological factors such as food, geography, manpower, and weapons. Without neglecting traditional themes, the author's deft interweaving of the role of environment and technology enriches our understanding of the social, political, and military history of the war, not only in Europe, but throughout the world. |
| the origins of the first world war 3: World War Three 1946 Harry Kellogg, 2014-08-19 World War Three 1946 - Book One - The Red Tide - Stalin Strikes First - Illustrated, Revised and Annotated edition. An almost total re-write, including end notes that assist the reader down the path of a convincing, alternate history. An alternate history based on facts and logic. * On the border of West Germany; Stalin has 60 mechanized divisions, composed of the battle hardened veterans. * The US and Britain have demobilized their armies. * Britain is bankrupt and rationing bread. Its empire is crumbling and its colonies are in revolt. * Tens of thousands of USAAF and RAF planes have been dumped into the ocean, pushed into piles, crushed and left rotting in jungles around the world. * Gangs of deserters roam the European country side. * The US has entered a period of isolationism. * The people of Europe are starving. * The Germans are being brutally punished for their part in the war. * The Soviet Union has acquired the major secrets of every strategic weapons system that the West has developed since 1935, including the atomic bomb. They have prototypes of every major German Wonder Weapon system produced since 1943. * Greece, Italy and even France are in danger of turning Communist. * The US and Britain have large Communist parties with thousands of sympathizers * 90% of the industry in the US and Britain has been transformed from producing weapons, to consumer goods. * Europe is in chaos and Capitalism has failed in the eyes of many. These are facts, and this was the state of the world in May 1946. This alternate history proposes that this was the opportune time for Stalin to strike. This was his best chance of furthering the cause of Communism. This was his moment. The Red Tide is the first in this series of fictional books. Alternate history explores the great what ifs of time. This is one of those great what ifs. The ribbons of time start to unravel and diverge from ours in 1943. Slowly at first and then faster and faster until a fateful day in May 1946. The Soviets have stopped the production of the US atomic bomb by incapacitating the majority of the American program's scientists. This systematic crippling of the US atomic program convinces Stalin that the time is right to fulfill his deepest ambitions and once and for all rid Western Europe of Capitalism. We were able to obtain copies of many of the actual post war strategic plans of the US Joint Chiefs of Staff. Many of the strategies proposed in these works, were developed from these actual plans, and would have been in effect for much of the 1946-1948 era. What if German designed jet fighters, jet bombers, rocket powered interceptors, super tanks, undetectable submarines, guided air to air and ground to air missiles were all in the hands of Joseph Stalin. The Wasserfall and the X4 missiles will sweep the skies clear. The V2 will strike without warning. A guided V1 will unerringly strike unsuspecting targets The Seehund will make the oceans unsafe once again. The Me 262, Me 163, He 162 and the AR 234 along with the Mig 9 and Yak 15 will duel with the Meteor and Shooting Star. Over 800,000 hits on the AlternativeHistory.com website. These books are not written in any traditional style but is a combination of historical facts, oral histories, third person and first person accounts. I was inspired by The Good War: An Oral History of World War Two (1984 in literature-1984) by Studs Terkel and Cornelius Ryan's wonderful books The Longest Day and A Bridge too Far. There is no hero or character development. The story is the story and not the characters. We hear from those who felt, saw, ran, lost and won as well as from officials and historians. The story is told using the techniques of reporters, oral historians, historians and politicians. Although told in a short stories, vignettes and in an episodic manner, the novel builds on what has gone before. |
| the origins of the first world war 3: Pacific Nightmare Simon Winchester, 1992 The year is 1999. As Hong Kong collapsed in the years leading up to 1997, Asia became dangerously unstable. Civil war breaks out in China between North and South, Shanghai against Szechuan. A new North Korean leader follows in his father's footsteps and invades the prosperous miracle country of South Korea. The Western allies, committed to defending South Korea, are reluctantly drawn into a conflict not of their own making. |
| the origins of the first world war 3: July 1914 Sean McMeekin, 2014-04-29 When a Serbian-backed assassin gunned down Archduke Franz Ferdinand in late June 1914, the world seemed unmoved. Even Ferdinand's own uncle, Franz Josef I, was notably ambivalent about the death of the Hapsburg heir, saying simply, It is God's will. Certainly, there was nothing to suggest that the episode would lead to conflict -- much less a world war of such massive and horrific proportions that it would fundamentally reshape the course of human events. As acclaimed historian Sean McMeekin reveals in July 1914, World War I might have been avoided entirely had it not been for a small group of statesmen who, in the month after the assassination, plotted to use Ferdinand's murder as the trigger for a long-awaited showdown in Europe. The primary culprits, moreover, have long escaped blame. While most accounts of the war's outbreak place the bulk of responsibility on German and Austro-Hungarian militarism, McMeekin draws on surprising new evidence from archives across Europe to show that the worst offenders were actually to be found in Russia and France, whose belligerence and duplicity ensured that war was inevitable. Whether they plotted for war or rode the whirlwind nearly blind, each of the men involved -- from Austrian Foreign Minister Leopold von Berchtold and German Chancellor Bethmann Hollweg to Russian Foreign Minister Sergei Sazonov and French president Raymond Poincaré- sought to capitalize on the fallout from Ferdinand's murder, unwittingly leading Europe toward the greatest cataclysm it had ever seen. A revolutionary account of the genesis of World War I, July 1914 tells the gripping story of Europe's countdown to war from the bloody opening act on June 28th to Britain's final plunge on August 4th, showing how a single month -- and a handful of men -- changed the course of the twentieth century. |
| the origins of the first world war 3: The Rise of Nuclear Fear Spencer R. Weart, 2012-04-02 After a tsunami destroyed the cooling system at Japan's Fukushima Nuclear Power Plant, triggering a meltdown, protesters around the world challenged the use of nuclear power. Germany announced it would close its plants by 2022. Although the ills of fossil fuels are better understood than ever, the threat of climate change has never aroused the same visceral dread or swift action. Spencer Weart dissects this paradox, demonstrating that a powerful web of images surrounding nuclear energy holds us captive, allowing fear, rather than facts, to drive our thinking and public policy.Building on his classic, Nuclear Fear, Weart follows nuclear imagery from its origins in the symbolism of medieval alchemy to its appearance in film and fiction. Long before nuclear fission was discovered, fantasies of the destroyed planet, the transforming ray, and the white city of the future took root in the popular imagination. At the turn of the twentieth century when limited facts about radioactivity became known, they produced a blurred picture upon which scientists and the public projected their hopes and fears. These fears were magnified during the Cold War, when mushroom clouds no longer needed to be imagined; they appeared on the evening news. Weart examines nuclear anxiety in sources as diverse as Alain Resnais's film Hiroshima Mon Amour, Cormac McCarthy's novel The Road, and the television show The Simpsons.Recognizing how much we remain in thrall to these setpieces of the imagination, Weart hopes, will help us resist manipulation from both sides of the nuclear debate. |
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