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| the prime of miss jean brodie script: The Prime of Miss Jean Brodie Muriel Spark, 2012-03-20 “A perfect book”—and basis for the Maggie Smith film—about a teacher who makes a lasting impression on her female students in the years before World War II (Chicago Tribune). “Give me a girl at an impressionable age, and she is mine for life!” So asserts Jean Brodie, a magnetic, dubious, and sometimes comic teacher at the conservative Marcia Blaine School for Girls in Edinburgh. Brodie selects six favorite pupils to mold—and she doesn’t stop with just their intellectual lives. She has a plan for them all, including how they will live, whom they will love, and what sacrifices they will make to uphold her ideals. When the girls reach adulthood and begin to find their own destinies, Jean Brodie’s indelible imprint is a gift to some, and a curse to others. The Prime of Miss Jean Brodie is Spark’s masterpiece, a novel that offers one of twentieth-century English literature’s most iconic and complex characters—a woman at once admirable and sinister, benevolent and conniving. This ebook features an illustrated biography of Muriel Spark including rare photos and never-before-seen documents from the author’s archive at the National Library of Scotland. |
| the prime of miss jean brodie script: The Prime of Miss Jean Brodie Jay Presson Allen, 1969 Ironic comedy about an indomitable teacher who molds girls minds to her form. |
| the prime of miss jean brodie script: The Girls of Slender Means (New Directions Classic) Muriel Spark, 1998-04-17 Long ago in 1945 all the nice people in England were poor, allowing for exceptions, begins The Girls of Slender Means, Dame Muriel Spark's tragic and rapier-witted portrait of a London ladies' hostel just emerging from the shadow of World War II. Like the May of Teck Club itself—three times window shattered since 1940 but never directly hit—its lady inhabitants do their best to act as if the world were back to normal: practicing elocution, and jostling over suitors and a single Schiaparelli gown. The novel's harrowing ending reveals that the girls' giddy literary and amorous peregrinations are hiding some tragically painful war wounds. Chosen by Anthony Burgess as one of the Best Modern Novels in the Sunday Times of London, The Girls of Slender Means is a taut and eerily perfect novel by an author The New York Times has called one of this century's finest creators of comic-metaphysical entertainment. |
| the prime of miss jean brodie script: The Prime of Miss Jean Brodie, The Girls of Slender Means, The Driver's Seat, The Only Problem Muriel Spark, 2004-04-06 The brevity of Muriel Spark’s novels is equaled only by their brilliance. These four novels, each a miniature masterpiece, illustrate her development over four decades. Despite the seriousness of their themes, all four are fantastic comedies of manners, bristling with wit. Spark’s most celebrated novel, The Prime of Miss Jean Brodie, tells the story of a charismatic schoolteacher’s catastrophic effect on her pupils. The Girls of Slender Means is a beautifully drawn portrait of young women living in a hostel in London in the giddy postwar days of 1945. The Driver’s Seat follows the final haunted hours of a woman descending into madness. And The Only Problem is a witty fable about suffering that brings the Book of Job to bear on contemporary terrorism. All four novels give evidence of one of the most original and unmistakable voices in contemporary fiction. Characters are vividly etched in a few words; earth-shaking events are lightly touched on. Yet underneath the glittering surface there is an obsessive probing of metaphysical questions: the meaning of good and evil, the need for salvation, the search for significance. |
| the prime of miss jean brodie script: Script Girls Lizzie Francke, 1994 No Marketing Blurb |
| the prime of miss jean brodie script: Hollywood Heroines Laura L. S. Bauer, 2018-12-07 This is a topical resource that provides a comprehensive look at the most influential women in Hollywood cinema across a wide-range of occupations rarely found together in a single volume. Unlike other anthologies, Hollywood Heroines: The Most Influential Women in Film History is a hybrid of film history and industry information with an exclusive focus on prominent women. This reference work includes more commonly discussed categories of important women in Hollywood film history, such as directors and actresses, and reaches beyond them to encompass women working as cinematographers, casting directors, studio heads, musical composers, and visual and special effects supervisors. The wide range of filmmaking crafts covered in the book provides an acute view of the industry and increases the visibility of and quality of representation for women working in Hollywood. By bringing the experience of these influential women to light, Hollywood Heroines joins a growing movement that endeavors to dismantle harmful, long-standing industry myths that perpetuate the systemic underrepresentation of women and the devaluation of women's stories in the Hollywood film industry. |
| the prime of miss jean brodie script: The Prime of Miss Jean Brodie Muriel Spark, 2020 |
| the prime of miss jean brodie script: Letters from the Prophets Julian Schulsberg, 2001-05-21 Letters From the Prophets recounts the life and thirty-year career of a teacher who monitored the creation and growth of one of the most formidable and successful educational theater programs in the United States. Told through personal anecdotes and moving, heartfelt letters sent from students of all ages, a vivid world of rehearsals, performances, backstage life, a shocking murder, and intimate recollections unfold before the reader. What made this program so outstanding? While audiences witnessed a long series of stellar performances on the stage, few were aware of the intense spiritual journey simultaneously occurring; one which channeled restless passions and unbridled energy into deep philosophical and mystical exchange, lifting its participants toward unlocking the secret of life. Was it all an accident? An emotional whirlwind, this book has been enthusiastically recommended to teachers, theater students, and parents. It is a story not to be missed! |
| the prime of miss jean brodie script: It's Only a Movie Charlotte Chandler, 2006-03-01 North by Northwest. Psycho. Rear Window. The Birds. Vertigo. When it comes to murder and mayhem, shock and suspense, the films of Alfred Hitchcock can not be surpassed. For this book, Charlotte Chandler interviewed Hitchcock, his wife, daughter, film crew members, and many of the stars who appeared in his films, including Kim Novak, Janet Leigh, Cary Grant, Tippi Hedren and James Stewart. Throughout the book, Chandler shares Hitchcock's wit and wisdom. When actors took themselves too seriously, he would remind them, “it's only a movie.” Chandler introduces us to the real Hitchcock, a devoted family man and notorious practical joker, who made suspenseful thrillers mixed with subtle humor and tacit eroticism. “It's Only a Movie is the best book ever written about my father. It really is amazing.” – Patricia Hitchcock |
| the prime of miss jean brodie script: The Keepers' Tattoo Gill Arbuthnott, 2010 Orphaned as an infant, Nyssa can only dream about who she is, where she comes from--and the meaning behind the mysterious words branded on her skin. |
| the prime of miss jean brodie script: I'll Have What She's Having Erin Carlson, 2017-08-29 A backstage look at the making of Nora Ephron's revered trilogy--When Harry Met Sally, You've Got Mail, and Sleepless in Seattle--which brought romantic comedies back to the fore, and an intimate portrait of the beloved writer/director who inspired a generation of Hollywood women, from Mindy Kaling to Lena Dunham. In I'll Have What She's Having entertainment journalist Erin Carlson tells the story of the real Nora Ephron and how she reinvented the romcom through her trio of instant classics. With a cast of famous faces including Rob Reiner, Tom Hanks, Meg Ryan, and Billy Crystal, Carlson takes readers on a rollicking, revelatory trip to Ephron's New York City, where reality took a backseat to romance and Ephron--who always knew what she wanted and how she wanted it--ruled the set with an attention to detail that made her actors feel safe but sometimes exasperated crew members. Along the way, Carlson examines how Ephron explored in the cinema answers to the questions that plagued her own romantic life and how she regained faith in love after one broken engagement and two failed marriages. Carlson also explores countless other questions Ephron's fans have wondered about: What sparked Reiner to snap out of his bachelor blues during the making of When Harry Met Sally? Why was Ryan, a gifted comedian trapped in the body of a fairytale princess, not the first choice for the role? After she and Hanks each separatel balked at playing Mail's Kathleen Kelly and Sleepless' Sam Baldwin, what changed their minds? And perhaps most importantly: What was Dave Chappelle doing . . . in a turtleneck? An intimate portrait of a one of America's most iconic filmmakers and a look behind the scenes of her crowning achievements, I'll Have What She's Having is a vivid account of the days and nights when Ephron, along with assorted cynical collaborators, learned to show her heart on the screen. |
| the prime of miss jean brodie script: Alfred Hitchcock Gene Adair, 2002-06-06 Alfred Hitchcock is a fascinating look at the life of one of the most influential filmmakers in the world -- a man known for his portly profile and distinct, leery voice almost as much as for his groundbreaking movies. From Hitchcock's first film, Blackmail -- the first British movie with sound -- to his blockbuster Hollywood successes, Psycho, The Birds, Rear Window, and Vertigo, Alfred Hitchcock chronicles the Master of Suspense's close working relationship with his wife, Alma, who was an integral part of his filmmaking process, and the struggle to gain full artistic control over his work. With illustrations throughout and sidebars showcasing Hitchcocks techniques and directing style, Alfred Hitchcock reveals how some of the greatest films ever created came to be through the life and work of one of the most admired filmmakers ever. |
| the prime of miss jean brodie script: Hitchcock and the Making of Marnie Tony Lee Moral, 2013-07-29 After a decade of successful films that included Rear Window, Vertigo, North by Northwest, and Psycho, Alfred Hitchcock produced Marnie, an apparent artistic failure and an unquestionable commercial disappointment. Over the decades, however, the film’s reputation has undergone a reevaluation, and both critics and fans alike have come to appreciate Marnie’s many qualities. In Hitchcock and the Making of Marnie, Tony Lee Moral investigates the cultural and political factors governing the 1964 film’s production, the causes of its critical and commercial failure, and Marnie’s relevance for today’s artists and filmmakers. Hitchcock’s style, motivation, and fears regarding the film are well-documented in this examination of one of his most undervalued efforts. Moral uses extensive research, including personal interviews with Tippi Hedren and Psycho screenwriter Joseph Stefano—as well as unpublished excerpts from interviews with Hitchcock himself—to delve into the issues surrounding the film’s production and release. This revised edition features four new chapters that provide even more fascinating insights into the film’s production and Hitchcock’s working methods. Biographies of Winston Graham—the author of the novel on which the film is based—and screenwriter Jay Presson Allen provide clues into how they brought a feminist viewpoint to Marnie. Additional material addresses Hitchcock’s unrealized project Mary Rose and his efforts to bring it to the screen, the director’s visual style and subjective approach to Marnie, and an exploration of the “real” Alfred Hitchcock. The book also addresses criticisms of the director following the HBO television movie The Girl, which depicted the filming of Marnie. With newly obtained access to the Hitchcock Collection Production Archives at the Margaret Herrick Library, the files of Jay and Lewis Allen, and the memoirs of Winston Graham—as well as interviews in 2012 with the Hitchcock crew—this new edition of Hitchcock and the Making of Marnie provides an invaluable look behind the scenes of a film that has finally been recognized for its influence and vision. It contains more than thirty photos, including a storyboard sequence for the film. |
| the prime of miss jean brodie script: The Ballad of Peckham Rye Muriel Spark, 2014-05-27 A slender satirical gem from the “master of malice and mayhem” (The New York Times) The Ballad of Peckham Rye is a wickedly farcical tale of an English factory town turned upside-down by a Scot who may or may not be in league with the Devil. Dougal Douglas is hired to do “human research” into the lives of the workers, Douglas stirs up mutiny and murder. |
| the prime of miss jean brodie script: Script Partners: How to Succeed at Co-Writing for Film & TV Matt Stevens, Claudia Johnson, 2016-03-31 Some of the greatest movies and television series have been written by script partners. Script Partners, Second Edition brings together the experience, knowledge, and winning techniques of Hollywood’s most productive partnerships—including Lucy Alibar & Benh Zeitlin (Beasts of the Southern Wild ), Craig Borten & Melisa Wallack (Dallas Buyers Club), and Andrew Reich & Ted Cohen (Friends). Established and aspiring screenwriters will learn how to pick the right partner and the right project, co-create character and story structure, co-draft and revise a script, collaborate in film school and in the film industry, and manage both the creative and business sides of partnerships. |
| the prime of miss jean brodie script: Prime Time Soap Operas Douglas M. Snauffer, 2009-09-03 Prime time soaps are often revered long after their runs on television have ended, as Dallas, Twin Peaks, and Beverly Hills 90210 readily demonstrate. Due to their profound impact, it's easy to forget how recently the genre itself was born. Dallas premiered in 1978, and was originally intended to air solely as a five-part mini-series. Then, in 1981, producer Aaron Spelling stepped in and introduced his own ultra-glitzy entry Dynasty. Between these two mega-hits, the era of the nighttime soap was born. Soaps soon spun off into non-traditional avenues as well, in sitcoms like Filthy Rich and the supernatural drama Twin Peaks. Then, with the arrival of the more youth-oriented Fox Network, producers were able to hook an entirely new generation on programs such as Beverly Hills, 90210, Melrose Place, and Party of Five. Pay-cable channels have also stepped into the picture and now act as trendsetters with hits like Sex and the City, Six Feet Under, The Sopranos, and The L Word. Now, from the spiritually themed 7th Heaven to the naughty neighbors of ABC's Desperate Housewives, soaps dominate prime time. Prime Time Soaps covers all the major shows within the soap-opera genre, and also investigates all the ways that soaps have contributed to the development of more general television trends. Interviews with producers, actors, and other artistic collaborators also supplement this revealing and entertaining account. Even outside of their genre, these shows continue to influence current programming. Few series on TV today are purely episodic, instead containing on-going storylines involving the personal dilemmas of their characters. Another very recognizable contribution from soaps occurred on the evening of March 21, 1980, when Dallas finished out its third year with J.R. Ewing being shot by an unknown assailant, leaving fans to wait until the fall for the resolution. This was the beginning of the cliffhanger endings that are now implemented by just about every series on television. Prime Time Soaps covers all the major shows, and also investigates all the ways that soaps have contributed to the development of more general television trends. Interviews with producers, actors, and other artistic collaborators supplement this revealing and entertaining account. |
| the prime of miss jean brodie script: Brody's Human Pharmacology Lynn Wecker, 2018-05-31 Focusing on the essential aspects of pharmacology you need to know, Brody's Human Pharmacology, 6th Edition, keeps you fully up to date with all that's new in the field. Streamlined content, a new organizational approach, and thoroughly updated information ensure your grasp of key concepts and prepare you for exams. Nearly 500 full-color illustrations explain important processes, while color-coded boxes for major drugs, therapeutic overviews, clinical problems, and trade names reinforce your mastery of the information. The 6th Edition of this easy-to-use text is now fully up to date with: - NEW chapter devoted entirely to pharmacogenomics and personalized medicine. - NEW chapter on cannabinoids and their use for pain and other disorders, in light of recent legalization in many states. - NEW chapters on recent developments in the treatment of Alzheimer's disease, ADHD and the latest treatments for HIV. - NEW section on pain management. - NEW section in each chapter covering Clinical Relevance for Healthcare Professionals that provides important information specific to physical therapists, dentists and dental hygienists, and many other medical professionals. Plus these student-friendly features: - A new organizational approach, focusing on integration and systems-based learning. - Contributions from leading faculty who cover the most important aspects of pharmacology necessary for a basic understanding of the subject, including concepts, clinical applications, and side effects. - USMLE-style self-assessment questions at the end of every chapter, answers and rationales in the Appendix. Evolve Instructor Resources, including a downloadable image and test bank, are available to instructors through their Elsevier sales rep or via request at: https://evolve.elsevier.com |
| the prime of miss jean brodie script: Curtain Times Otis L. Guernsey, 1987 (Applause Books). Curtain Times is a uniquely comprehensive, uniquely detailed and uniquely contemporaneous history of the New York theater in the seasons from 1964-65 up to 1987. This is a collection of more than two decades of annual critical surveys (originally published in the Best Plays series of yearbooks) in a single volume. Each of these surveys is a report and criticism of a whole New York theater season: its hits and misses onstage and off, its esthetic innards. Each is a comprehensive overview which takes in every play, musical, specialty and revival, foreign and domestic, produced on and off Broadway during the theater season. Hardcover. |
| the prime of miss jean brodie script: On Streisand Ethan Mordden, 2019-04-11 She said, I became a singer because I couldn't get work as an actress, but Barbra Streisand not only became both but revolutionized the two professions. Her music transformed the smooth, uninflected style of the Frank Sinatras and Ella Fitzgeralds into an engine of dramatic vocalism in which each song is like a miniature three-act play. And Streisand's films changed forever the ideal of how a movie star chooses roles, going from musicals to dramas to comedies, from period fare to ultra-modern tales, from Funny Girl to The Way We Were to Yentl. On Streisand begins with a broad year-by-year outline of the landmark achievements and a few of her more whimsical escapades, as when Rex Reed apologizes for an oafish interview piece and she responds with I had more respect for him when he hated me. This is followed by a long essay on how Streisand's idiosyncratic self-realization marks her as a unique national treasure, an artist without limits. Then comes the major part of the book, a work-by-work analysis. This section is broken down into separate chapters, each organized chronologically: the stage shows, then the television shows and concerts, then the movies, and last (because longest) the recordings. Throughout, Mordden follows Streisand's independence, which he sees as her central quality. Throughout all of the chapters on Streisand's shows, concerts, films, and recordings, Mordden illustrates how she was exercising individualistic control of her career from her very first audition, and how the rest of her professional life unfolded from that point. A book written by an opinionated expert whose prose is consistently full of flair and wit, On Streisand: An Opinionated Guide will appeal to general readers in all aspects of American life that Streisand has touched, from film to television to popular music to stardom. |
| the prime of miss jean brodie script: Anna Lee Anna Lee, Barbara Roisman Cooper, 2015-02-16 Born Joan Boniface Winnifrith on January 2, 1913, Anna Lee is best known for her portrayal of General Hospital's Lila Quartermaine, a character who she brought to life for over two decades. From her early years in England to her final days in Hollywood, she recounts details of her extraordinary life in her memoir. Expressed in her energetic style, Anna Lee tells of her childhood as the daughter of an English clergyman and her early determination to become an actress. She writes of her teenage struggles to realize her dream, two failed marriages, and the difficulties she faced raising a family while maintaining her career. Finally, we see the picture of a mature Anna Lee--a successful actress playing a role she loved while enjoying an ideal marriage to writer Robert Nathan. Personal remembrances from her family and General Hospital co-stars round out this touching, entertaining self-portrait of the actress' life. A complete filmography and list of television appearances is also included. |
| the prime of miss jean brodie script: Twentieth-Century Literary Theory Vassilis Lambropoulos, David Neal Miller, 1987-01-09 The ten topics contained in Twentieth-Century Literary Theory reflect contemporary theoretical interests and guide the reader through fundamental questions, from the formation to the uses of theory, and from the construction to the interpretation of literature. The selected essays cover a wealth of scholarship from both the United States and Europe. They go beyond traditional categories by focusing on issues rather than writers or critical movements, thus providing a forum for the continuing discussion of what theory is and does. |
| the prime of miss jean brodie script: Cracks Sheila Kohler, 2023-02-21 An “eerie, elliptical masterpiece set in a South African boarding school in the early 1960s. . . . First-rate psychological suspense . . . played out flawlessly” (Kirkus Reviews). The members of an elite girls swim team are the reigning queens at their South African boarding school. And then Italian student Fiamma Coronna joins their ranks. Beautiful, athletic, and suddenly commanding all the coach’s attention, Fiamma is the envy of every girl on the team—until the summer she walks into the rural grasslands surrounding the school and disappears. Forty years later, the former teammates return to the school for a reunion, and the memory of that summer emerges like a long buried secret, the shocking, violent truth of what really happened to Fiamma no longer able to be contained . . . “Riveting . . . while evocative of The Prime of Miss Jean Brodie and Picnic at Hanging Rock, Kohler’s writing is so smoothly confident and erotic that she has produced a tale resonant with a chilling power all its own.” —Elle “A stunning and singular tale of the passion and tribalism of adolescence, Cracks lays bare the violence that lurks in the heart of even the most innocent. Shocking, reminiscent of Lord of the Flies . . . conjures up the wildness of the veld and the passion and drama of adolescence . . . peculiarly satisfying.” —The Times Literary Supplement “A disturbing, note-perfect novel. Dissection of evil has rarely been so extravagantly executed.” —San Francisco Chronicle “Polished, compact and chilling . . . Powerful.” —Publishers Weekly A Library Journal and Newsday Best Book of the Year, now a major motion picture starring Eva Green |
| the prime of miss jean brodie script: The prime of Miss Jean Brodie ; The comforters ; The only problem ; The driver's seat ; Memento mori Muriel Spark, 1995 Here, in two handsome volumes, are ten celebrated novels by the author acclaimed as the best English novelist writing today (Times Literary Supplement). Available singly and as a boxed set, The Novels of Muriel Spark is both a collector's item for Spark's loyal following and an ideal introduction for new readers. Volume 1 begins with Spark's best-selling The Prime of Miss Jean Brodie (1961), whose Scottish schoolmistress remains one of the most memorable characters in modern fiction, and follows it with The Comforters, her first novel (1957), The Only Problem (1984), The Driver's Seat (1970), and Memento Mori (1959), a comic and macabre study of old age. Volume 2 continues with Loitering with Intent (1981), a fascinating story of how art and life imitate each other; The Girls of Slender Means (1963), whose resourceful young heroines of war-ravaged London are of Spark's own generation; The Abbess of Crewe (1973), the tale of a Watergate-style power struggle ingeniously set in a conven |
| the prime of miss jean brodie script: Miss Julie August Strindberg, 2012-03-01 One of the greatest classics of modern theater concerns a willful young aristocrat's seduction of her father's valet during a Midsummer's Eve celebration. Complete with Strindberg's highly-regarded critical preface. |
| the prime of miss jean brodie script: The Social Frameworks of Knowledge Georges Gurvitch, 1972 |
| the prime of miss jean brodie script: The Teacher and Student in Literature Robert Eidelberg, 2021-05-25 The information about the book is not available as of this time. |
| the prime of miss jean brodie script: Put on a Happy Face Charles Strouse, 2008 Strouse composed some of the most successful shows in Broadway history (Annie, Bye Bye Birdie, Applause, and Golden Boy); wrote the film score for Bonnie and Clyde as well as the theme song for All in the Family; has been sampled by one of today's biggest rap stars (Jay-Z, in the Grammy-winning Hard Knock Life); and his songs have been sung by musical greats from Frank Sinatra to Ray Charles to Barbra Streisand. Timed to coincide with public celebrations of his 80th birthday, this memoir grants an insider's glimpse of Broadway, Hollywood, and beyond. Strouse relates the behind-the-curtain stories of his remarkable achievements, and tells about the people he's worked with along the way, including Butterfly McQueen, Gower Champion, Sammy Davis Jr., Lauren Bacall, Mel Brooks, Clifford Odets, Warren Beatty, Hal Prince and Carol Burnett.--From publisher description. |
| the prime of miss jean brodie script: Muriel Spark: The Biography Martin Stannard, 2010-04-26 In 1992 the Spark invited Martin Stannard to write her biography, offering interviews and full access to her papers. The result is this biography of the Scottish author. |
| the prime of miss jean brodie script: Women Screenwriters Jill Nelmes, Jule Selbo, 2015-09-29 Women Screenwriters is a study of more than 300 female writers from 60 nations, from the first film scenarios produced in 1986 to the present day. Divided into six sections by continent, the entries give an overview of the history of women screenwriters in each country, as well as individual biographies of its most influential. |
| the prime of miss jean brodie script: Curriculum Vitae Muriel Spark, 2011 Muriel Spark's bracingly salty memoir is a no-holds-barred trip through an extraordinary writer's life. |
| the prime of miss jean brodie script: Catalogue of the Book Library of the British Film Institute, London, England: Title catalogue, G-Z. Script catalogue. Subject catalogue. Personality index. Film index British Film Institute. Library, 1975 |
| the prime of miss jean brodie script: Tales Out of School Jo Keroes, 1999 Jo Keroes's scope is wide: she examines the teacher as represented in fiction and film in works ranging from the twelfth-century letters of Abelard and Heloise to contemporary films such as Dangerous Minds and Educating Rita. And from the twelfth through the twentieth century, Keroes shows, the teaching encounter is essentially erotic. Tracing the roots of eros from cultural as well as psychological perspectives, Keroes defines erotic in terms broader than the merely sexual. She analyzes ways in which teachers serve as convenient figures on whom to map conflicts about gender, power, and desire. To show how portrayals of men and women differ, she examines pairs of texts, using a film or a novel with a woman protagonist (Up the Down Staircase, for example) as counterpoint to one featuring a male teacher (Blackboard Jungle) or The Prime of Miss Jean Brodie balanced against Dead Poets Society. The portrayals of teachers, like all images a culture presents of itself, reveal much about our private and social selves. Keroes points out authentic accounts of authoritative women teachers who are admired and respected by colleagues and students alike. Real teachers differ from the stereotypes we see in fiction and film, however. Male teachers are often portrayed as heroes in film and fallibly human in fiction, whereas women in either genre are likely to be monstrous or muddled and are virtually never women of color. Among other things, Keroes demonstrates, the tension between reality and representation reveals society's ambivalence about power in the hands of women. |
| the prime of miss jean brodie script: George Cukor George Cukor, 2001 Collected interviews with the director of such films as The Philadelphia Story, Adam's Rib, A Star Is Born, and My Fair Lady |
| the prime of miss jean brodie script: George Cukor Patrick McGilligan, 2013-02-01 One of the highest-paid studio contract directors of his time, George Cukor was nominated five times for an Academy Award as Best Director. In publicity and mystique he was dubbed the “women’s director” for guiding the most sensitive leading ladies to immortal performances, including Greta Garbo, Ingrid Bergman, Judy Garland, and—in ten films, among them The Philadelphia Story and Adam’s Rib—his lifelong friend and collaborator Katharine Hepburn. But behind the “women’s director” label lurked the open secret that set Cukor apart from a generally macho fraternity of directors: he was a homosexual, a rarity among the top echelon. Patrick McGilligan’s biography reveals how Cukor persevered within a system fraught with bigotry while becoming one of Hollywood’s consummate filmmakers. |
| the prime of miss jean brodie script: The Actor's Art Jackson R. Bryer, Richard Allan Davison, 2001 Bryer (English, U. of Maryland) and Davison (English, U. of Delaware) interviewed 17 seasoned actors about their professional lives, their views of American theater, and their perspectives on acting, the characters they've played, and the directors they've worked with. The interviews are presented in qanda format, and include the thoughts of Zoe Caldwell, Hume Cronyn and Jessica Tandy, Blythe Danner, Ruby Dee, George Grizzard, Julie Harris, Eileen Heckart, Cherry Jones, James Earl Jones, Stacy Keach, Shirley Knight, Nathan Lane, Jason Robards, Maureen Stapleton, and Eli Wallach and Anne Jackson. Annotation copyrighted by Book News Inc., Portland, OR |
| the prime of miss jean brodie script: Out at the Movies Steven Paul Davies, Simon Callow, 2008-12-01 Over the decades, gay cinema has reflected the community's journey from persecution to emancipation to acceptance. Politicized dramas like Victim in the 1960s, The Naked Civil Servant in the 1970s, and the AIDS cinema of the 1980s have given way in recent years to films which celebrate a vast array of gay lifestyles. Gay films have undergone a major shift from the fringe to the mainstream—2005’s Academy Awards were dubbed the gay Oscars with statues going to Brokeback Mountain, Capote, and Transamerica. Producers began clamoring to back gay-themed movies and the most high profile of these is Gus Van Sant’s forthcoming Milk, starring Sean Penn as Harvey Milk, the first prominent American political figure to be elected to office on an openly gay ticket back in the 1970s. The book also covers gay filmmakers and actors and their influence within the industry, the most iconic scenes from gay cinema, and the most memorable dialogue from key films. |
| the prime of miss jean brodie script: Scripting Hitchcock Walter Raubicheck, Walter Srebnick, 2011-10-01 Scripting Hitchcock explores the collaborative process between Alfred Hitchcock and the screenwriters he hired to write the scripts for three of his greatest films: Psycho, The Birds, and Marnie. Drawing from extensive interviews with the screenwriters and other film technicians who worked for Hitchcock, Walter Raubicheck and Walter Srebnick illustrate how much of the filmmaking process took place not on the set or in front of the camera, but in the adaptation of the sources, the mutual creation of plot and characters by the director and the writers, and the various revisions of the written texts of the films. Hitchcock allowed his writers a great deal of creative freedom, which resulted in dynamic screenplays that expanded traditional narrative and defied earlier conventions. Critically examining the question of authorship in film, Raubicheck and Srebnick argue that Hitchcock did establish visual and narrative priorities for his writers, but his role in the writing process was that of an editor. While the writers and their contributions have generally been underappreciated, this study reveals that all the dialogue and much of the narrative structure of the films were the work of screenwriters Jay Presson Allen, Joseph Stefano, and Evan Hunter. The writers also shaped American cultural themes into material specifically for actors such as Janet Leigh, Tippi Hedren, and Tony Perkins. This volume gives due credit to those writers who gave narrative form to Hitchcock's filmic vision. |
| the prime of miss jean brodie script: Women and New Hollywood Aaron Hunter, Martha Shearer, 2023-05-12 The 1970s has often been hailed as a great moment for American film, as a generation of “New Hollywood” directors like Scorsese, Coppola, and Altman offered idiosyncratic visions of what movies could be. Yet the auteurist discourse hailing these directors as the sole authors of their films has obscured the important creative roles women played in the 1970s American film industry. Women and New Hollywood revises our understanding of this important era in American film by examining the contributions that women made not only as directors, but also as screenwriters, editors, actors, producers, and critics. Including essays on film history, film texts, and the decade’s film theory and criticism, this collection showcases the rich and varied cinematic products of women’s creative labor, as well as the considerable barriers they faced. It considers both women working within and beyond the Hollywood film industry, reconceptualizing New Hollywood by bringing it into dialogue with other American cinemas of the 1970s. By valuing the many forms of creative labor involved in film production, this collection offers exciting alternatives to the auteurist model and new ways of appreciating the themes and aesthetics of 1970s American film. |
| the prime of miss jean brodie script: Women Screenwriters Today Marsha Mccreadie, 2005-12-30 The question of whether women write from a unique perspective has been debated since the silent era. McCreadie examines how this female sensibility has been defined and whether, in fact, it exists at all. Such films as Lost in Translation and Monster suggest that women screenwriters are moving in a new direction, heading away from the big-budget action movies that dominate Hollywood today. But action-driven genre films, like the thrillers of Alexandra Seros, seem to belie the perception that women write films that are more dialogue- and character-driven than those of male screenwriters. Whether or not women actually write differently from men and about different topics, the author's unique approach—working with and through the words and lives of the women screenwriters themselves—allows both readers and writers an otherwise unattainable look into the ever-growing and ever more essential world of women in Hollywood. Over the course of cinematic history, women screenwriters have played an essential role in the creation of the films we watch. The question of whether women write from a unique perspective has been debated since the silent era. Marsha McCreadie examines how this female sensibility has been defined and questions whether, in fact, it exists at all. The emergence of such films as Lost in Translation and Monster would seem to suggest that women screenwriters are moving in a new direction, heading away from the big-budget action movies that dominate Hollywood today. But there can always be found an Alexandra Seros, for instance, whose thrillers would seem to prove the opposite case. Working through these contradictions, Marsha McCreadie takes a captivating look at the words and lives of women screenwriters, allowing readers an otherwise unattainable look into the ever-growing and ever more essential world of women in film. Readers interested in film and women's studies will especially enjoy reading Marsha McCreadie's discussions of such films as Little Women, The Thomas Crown Affair, The Piano, Pollock, and Under the Tuscan Sun. Interviews with major women players in the movie business, including Sofia Coppola (Lost in Translation) and Emma Thompson (Sense and Sensibility), allow readers a unique chance to learn firsthand how women are trying to enter the business, how they pursue and approach the topics they love, and how they have managed to survive and prosper in the unforgiving world of modern cinema. By talking with writers working in Hollywood, Australia, New Zealand, and Europe, Marsha McCreadie provides film fans with an international perspective on the increasingly global film industry. |
| the prime of miss jean brodie script: Muriel Spark Martin Stannard, 2009-08-13 The long-awaited biography of one of the great writers of the twentieth century - 'a wonderful blend of scholarly fact and juicy storytelling' (Mail on Sunday). Muriel Spark ended was one of the great writers of the twentieth century. Hers is a Cinderella story, the first thirty-nine years of which she presented in her autobiography, Curriculum Vitae (1992), politely blurring the intensity of her darker moments: her relations with her brother, mother, son, husband; a terrifying period of hallucinations and subsequent depression; and the disastrously misplaced love she had felt for two men she had wanted to marry, Howard Sergeant and Derek Stanford. Aged nineteen, Spark left Scotland to marry in Southern Rhodesia, escaping back to Britain on a troopship in 1944 after her divorce. Her son returned in 1945 to be brought up by her parents in Edinburgh while she established herself as a poet and critic in London. After becoming a Roman Catholic in 1954, she began a novel, The Comforters, and with Memento Mori, The Ballad of Peckham Rye and The Bachelors rose rapidly into the literary stratosphere. The Prime of Miss Jean Brodie (1961), with its adaptation into a successful stage-play and film, marked her full translation into international celebrity and from that point she went to live first in New York, then Rome, and finally Tuscany where for over thirty years, until her death in 2006, she shared a house with her companion, the artist Penelope Jardine. |
The Prime of Miss Jean Brodie by Muriel Spark - Moodle USP: e ...
The Prime of Miss Jean Brodie by Muriel Spark (1961) The boys, as they talked to the girls from Marcia Blaine School, stood on the far side of their bicycles holding the handlebars, which established a protective fence of bicycle between the sexes, and …
The Prime Of Miss Jean Brodie Script - Dialogue Transcript
Finally, the The Prime Of Miss Jean Brodie script is here for all you quotes spouting fans of the Maggie Smith movie. This script is a transcript that was painstakingly transcribed using the screenplay and/or viewings of The Prime Of Miss Jean Brodie.
The Prime of Miss Jean Brodie Movie Script
The Prime of Miss Jean Brodie. Synopsis: A liberated young schoolteacher at an Edinburgh girls' school in the period between the two wars, instructs her girls on the ways of life. Ignoring the more mundane subjects, she teaches them of love, politics and art.
The Prime of Miss Jean Brodie script in PDF format
Read, review and discuss the The Prime of Miss Jean Brodie script in PDF format on Scripts.com.
The prime of Miss Jean Brodie : Spark, Muriel : Free Download ...
10 Jul 2021 · The prime of Miss Jean Brodie by Spark, Muriel. Publication date 1965 Topics ... Ocr_detected_script_conf 1.0000 Ocr_module_version 0.0.13 Ocr_parameters ...
The Internet Movie Script Database (IMSDb)
The Internet Movie Script Database (IMSDb) The web's largest movie script resource!
The Prime of Miss Jean Brodie (film) - Wikipedia
The Prime of Miss Jean Brodie is a 1969 British drama film directed by Ronald Neame from a screenplay written by Jay Presson Allen, adapted from her own stage play, which was in turn based on the 1961 novel of the same name by Muriel Spark.
The Prime of Miss Jean Brodie by Muriel Spark - Moodle USP: e ...
The Prime of Miss Jean Brodie by Muriel Spark (1961) The boys, as they talked to the girls from Marcia Blaine School, stood on the far side of their bicycles holding the handlebars, which established a protective fence of bicycle between the sexes, and …
The Prime Of Miss Jean Brodie Script - Dialogue Transcript
Finally, the The Prime Of Miss Jean Brodie script is here for all you quotes spouting fans of the Maggie Smith movie. This script is a transcript that was painstakingly transcribed using the screenplay and/or viewings of The Prime Of Miss Jean Brodie.
The Prime of Miss Jean Brodie Movie Script
The Prime of Miss Jean Brodie. Synopsis: A liberated young schoolteacher at an Edinburgh girls' school in the period between the two wars, instructs her girls on the ways of life. Ignoring the more mundane subjects, she teaches them of love, politics and art.
The Prime of Miss Jean Brodie script in PDF format
Read, review and discuss the The Prime of Miss Jean Brodie script in PDF format on Scripts.com.
The prime of Miss Jean Brodie : Spark, Muriel : Free Download ...
10 Jul 2021 · The prime of Miss Jean Brodie by Spark, Muriel. Publication date 1965 Topics ... Ocr_detected_script_conf 1.0000 Ocr_module_version 0.0.13 Ocr_parameters ...
The Internet Movie Script Database (IMSDb)
The Internet Movie Script Database (IMSDb) The web's largest movie script resource!
The Prime of Miss Jean Brodie (film) - Wikipedia
The Prime of Miss Jean Brodie is a 1969 British drama film directed by Ronald Neame from a screenplay written by Jay Presson Allen, adapted from her own stage play, which was in turn based on the 1961 novel of the same name by Muriel Spark.
