Advertisement
| the great war and modern memory: The Great War and Modern Memory Paul Fussell, 2000 Landmark study of World War I, describing its effects on the nation. |
| the great war and modern memory: The Great War and Modern Memory Paul Fussell, 2009 Paul Fussell s award-winning landmark study of World War I, originally published in 1975, remains as original and gripping today as ever but now, for the first time, his literary and illuminating account comes in a beautifully illustrated edition. World War I changed a generation, ushered in the modern era, and revolutionized how we see the world. By drawing from a variety of primary sources including personal correspondence, newspapers, and literary works Fussell brings the period alive. Not only does he give us a more profound understanding of what the Great War meant to the people who lived through it, he also analyzes our modern perception of its impact. The wide selection of rare and fascinating images (approximately 160 of them) includes photographs, illustrations, and maps from period books, magazines, newspapers, advertisements, and other publications. Not only do they heighten the impact of Fussell s remarkable critical interpretation, they help us fully grasp the true scope of this aptly named and catastrophic war. |
| the great war and modern memory: The Great War and Modern Memory Paul Fussell, 2013-08-08 A new edition of Paul Fussell's literate, literary, and illuminating account of the Great War, now a classic text of literary and cultural criticism. |
| the great war and modern memory: The Great War and Modern Memory Paul Fussell, 1975 A study of the British experience in the trenches between 1914 and 1918, of the literature that memorialized, conventionalized, and mythologized that experience, and of the resulting impact on modern consciousness |
| the great war and modern memory: Rites of Spring Modris Eksteins, 2000 Looks at the origins and impact of World War I, discusses the premiere of Stravinsky's ballet, and analyzes public opinion of the period. |
| the great war and modern memory: Wartime Paul Fussell, 1990-10-25 Winner of both the National Book Award for Arts and Letters and the National Book Critics Circle Award for Criticism, Paul Fussell's The Great War and Modern Memory was one of the most original and gripping volumes ever written about the First World War. Frank Kermode, in The New York Times Book Review, hailed it as an important contribution to our understanding of how we came to make World War I part of our minds, and Lionel Trilling called it simply one of the most deeply moving books I have read in a long time. In its panaramic scope and poetic intensity, it illuminated a war that changed a generation and revolutionized the way we see the world. Now, in Wartime, Fussell turns to the Second World War, the conflict he himself fought in, to weave a narrative that is both more intensely personal and more wide-ranging. Whereas his former book focused primarily on literary figures, on the image of the Great War in literature, here Fussell examines the immediate impact of the war on common soldiers and civilians. He describes the psychological and emotional atmosphere of World War II. He analyzes the euphemisms people needed to deal with unacceptable reality (the early belief, for instance, that the war could be won by precision bombing, that is, by long distance); he describes the abnormally intense frustration of desire and some of the means by which desire was satisfied; and, most important, he emphasizes the damage the war did to intellect, discrimination, honesty, individuality, complexity, ambiguity and wit. Of course, no Fussell book would be complete without some serious discussion of the literature of the time. He examines, for instance, how the great privations of wartime (when oranges would be raffled off as valued prizes) resulted in roccoco prose styles that dwelt longingly on lavish dinners, and how the high-mindedness of the era and the almost pathological need to accentuate the positive led to the downfall of the acerbic H.L. Mencken and the ascent of E.B. White. He also offers astute commentary on Edmund Wilson's argument with Archibald MacLeish, Cyril Connolly's Horizon magazine, the war poetry of Randall Jarrell and Louis Simpson, and many other aspects of the wartime literary world. Fussell conveys the essence of that wartime as no other writer before him. For the past fifty years, the Allied War has been sanitized and romanticized almost beyond recognition by the sentimental, the loony patriotic, the ignorant, and the bloodthirsty. Americans, he says, have never understood what the Second World War was really like. In this stunning volume, he offers such an understanding. |
| the great war and modern memory: The Norton Book of Modern War Paul Fussell, 1991 Selections from poetry and fiction describe the 20th century's major conflicts. |
| the great war and modern memory: Sites of Memory, Sites of Mourning Jay Winter, 2014-06-05 This 'collective remembrance' of the Great War reassesses one of the critical episodes in twentieth-century cultural history. |
| the great war and modern memory: Media, Memory, and the First World War David Williams, 2009 Why does the Great War seem part of modern memory when its rituals of mourning and remembrance were traditional, romantic, even classical? In this highly original history of memory, David Williams shows how classic Great War literature, including work by Remarque, Owen, Sassoon, and Harrison, was symptomatic of a cultural crisis brought on by the advent of cinema. He argues that images from Geoffrey Malins' hugely popular war film The Battle of the Somme (1916) collapsed social, temporal, and spatial boundaries, giving film a new cultural legitimacy, while the appearance of writings based on cinematic forms of remembering marked a crucial transition from a verbal to a visual culture. By contrast, today's digital media are laying the ground for a return to Homeric memory, whether in History Television, the digital Memory Project, or the interactive war museum. Of interest to historians, classicists, media and digital theorists, literary scholars, museologists, and archivists, Media, Memory, and the First World War is a comparative study that shows how the dominant mode of communication in a popular culture - from oral traditions to digital media - shapes the structure of memory within that culture. |
| the great war and modern memory: The Great War and Medieval Memory Stefan Goebel, 2007-01-25 A comparative study of the cultural impact of the Great War on British and German societies. Taking medievalism as a mode of public commemorations as its focus, this book unravels the British and German search for historical continuity and meaning in the shadow of an unprecedented human catastrophe. |
| the great war and modern memory: The Long Shadow David Reynolds, 2013-11-07 In Britain we have lost touch with the Great War. Our overriding sense now is of a meaningless, futile bloodbath in the mud of Flanders -- of young men whose lives were cut off in their prime for no evident purpose. But by reducing the conflict to personal tragedies, however moving, we have lost the big picture: the history has been distilled into poetry. In TheLong Shadow, critically acclaimed author David Reynolds seeks to redress the balance by exploring the true impact of 1914-18 on the 20th century. Some of the Great War's legacies were negative and pernicious but others proved transformative in a positive sense. Exploring big themes such as democracy and empire, nationalism and capitalism and re-examining the differing impacts of the War on Britain, Ireland and the United States,TheLong Shadowthrows light on the whole of the last century and demonstrates that 1914-18 is a conflict that Britain, more than any other nation, is still struggling to comprehend. Stunningly broad in its historical perspective, The Long Shadowis a magisterial and seismic re-presentation of the Great War. |
| the great war and modern memory: The Great War in Post-Memory Literature and Film Martin Löschnigg, Marzena Sokolowska-Paryz, 2014-10-14 The twenty-seven original contributions to this volume investigate the ways in which the First World War has been commemorated and represented internationally in prose fiction, drama, film, docudrama and comics from the 1960s until the present. The volume thus provides a comprehensive survey of the cultural memory of the war as reflected in various media across national cultures, addressing the complex connections between the cultural post-memory of the war and its mediation. In four sections, the essays investigate (1) the cultural legacy of the Great War (including its mythology and iconography); (2) the implications of different forms and media for representing the war; (3) ‘national’ memories, foregrounding the differences in post-memory representations and interpretations of the Great War, and (4) representations of the Great War within larger temporal or spatial frameworks, focusing specifically on the ideological dimensions of its ‘remembrance’ in historical, socio-political, gender-oriented, and post-colonial contexts. |
| the great war and modern memory: The Great War and German Memory Jason Crouthamel, 2009 Focuses on the traumatized German war veteran. This work traces how some of the most vulnerable members of society, marginalized and persecuted as 'enemies of the nation, ' attempted to regain authority over their own minds and reclaim the authentic memory of the Great War. |
| the great war and modern memory: The Beauty and the Sorrow Peter Englund, Peter Graves, 2012-09-04 An intimate narrative history of World War I told through the stories of twenty men and women from around the globe--a powerful, illuminating, heart-rending picture of what the war was really like. In this masterful book, renowned historian Peter Englund describes this epoch-defining event by weaving together accounts of the average man or woman who experienced it. Drawing on the diaries, journals, and letters of twenty individuals from Belgium, Denmark, France, Great Britain, Germany, Austria, Hungary, Italy, Australia, New Zealand, Russia, Venezuela, and the United States, Englund’s collection of these varied perspectives describes not a course of events but a world of feeling. Composed in short chapters that move between the home front and the front lines, The Beauty and Sorrow brings to life these twenty particular people and lets them speak for all who were shaped in some way by the War, but whose voices have remained unheard. |
| the great war and modern memory: Literature and the Great War 1914-1918 Randall Stevenson, 2013-05-02 Literature and the Great War offers a fresh, challenging interpretation of the literature of the period, reappraising the settled assumptions through which war writing has come to be read in recent years. |
| the great war and modern memory: Fallen Soldiers George L. Mosse, 1991-12-12 At the outbreak of the First World War, an entire generation of young men charged into battle for what they believed was a glorious cause. Over the next four years, that cause claimed the lives of some 13 million soldiers--more than twice the number killed in all the major wars from 1790 to 1914. But despite this devastating toll, the memory of the war was not, predominantly, of the grim reality of its trench warfare and battlefield carnage. What was most remembered by the war's participants was its sacredness and the martyrdom of those who had died for the greater glory of the fatherland. War, and the sanctification of it, is the subject of this pioneering work by well-known European historian George L. Mosse. Fallen Soldiers offers a profound analysis of what he calls the Myth of the War Experience--a vision of war that masks its horror, consecrates its memory, and ultimately justifies its purpose. Beginning with the Napoleonic wars, Mosse traces the origins of this myth and its symbols, and examines the role of war volunteers in creating and perpetuating it. But it was not until World War I, when Europeans confronted mass death on an unprecedented scale, that the myth gained its widest currency. Indeed, as Mosse makes clear, the need to find a higher meaning in the war became a national obsession. Focusing on Germany, with examples from England, France, and Italy, Mosse demonstrates how these nations--through memorials, monuments, and military cemeteries honoring the dead as martyrs--glorified the war and fostered a popular acceptance of it. He shows how the war was further promoted through a process of trivialization in which war toys and souvenirs, as well as postcards like those picturing the Easter Bunny on the Western Front, softened the war's image in the public mind. The Great War ended in 1918, but the Myth of the War Experience continued, achieving its most ruthless political effect in Germany in the interwar years. There the glorified notion of war played into the militant politics of the Nazi party, fueling the belligerent nationalism that led to World War II. But that cataclysm would ultimately shatter the myth, and in exploring the postwar years, Mosse reveals the extent to which the view of death in war, and war in general, was finally changed. In so doing, he completes what is likely to become one of the classic studies of modern war and the complex, often disturbing nature of human perception and memory. |
| the great war and modern memory: The Female Imagination Patricia Meyer Spacks, 2022-09-12 Is there such a thing as a female literary imagination – a special brand of insight and intuition that characterises women’s writing? Is there something about a novel, whether by Jane Austen, Charlotte Brontë or Doris Lessing, that tells us that it could only have been written by a woman? Do the subject matter, form and style that women choose throw light on the way they think and feel? In this brilliant and highly readable book, originally published in 1976, Patricia Spacks analyses the female view of the world. Juxtaposing – sometimes in startlingly original combination some eighty books written between the seventeenth century and the present day she uses both literary and psychological analysis to explore patterns that recur again and again in the stories women tell – whether about their own lives or the lives of their fictional characters. She dissects female experience in the twentieth century as viewed by an array of writers ranging from Kate Millet to Virginia Woolf; examines the interplay of social passivity and psychic power that dominates characters such as Maggie Tulliver and Jane Eyre, the altruism that impels Jane Austen’s and Mrs Gaskell’s heroines, the ‘acceptance’ of Virginia Woolf’s Mrs Ramsey, the personal and social conflicts that beset so many of the adolescent girls that figure in both nineteenth-century and contemporary literature; reveals the complex motives that can be bound up in a women’s deliberate choice of the artist’s role, as appears in the writings of Isadora Duncan’s and Dora Carrington, Marie Bashkirtseff and Mary McCartney – and the surprising forms ‘freedom’ can take, as for Beatrice Webb in the East End of London or Isak Dinerson in the wilds of Africa... The voices echo and re-echo across the years in fascinating counter-point. Their range is enormous – rebels and reformers, actresses and painters, Society ladies and unknown girls in small towns, novels, poems, memoirs, diaries and letters, both English and American, and alongside classics such as Wuthering Heights and well-known modern works such as The Bell Jar, Patricia Spacks introduces an intriguing selection of relatively unknown writers, such as Napoleon’s psychoanalyst great-niece Marie Bonaparte, the Victorian arch-fantasist Mary MacLane and the autobiography of a seventeenth-century Duchess. The Female Imagination is much more than a study of women’s writing. It is an inquiry into the nature of female thought, self-expression and experience. As such it should appeal to every educated woman – and to many men too. |
| the great war and modern memory: Dynamic of Destruction Alan Kramer, 2008-11-06 On 26 August 1914 the world-famous university library in the Belgian town of Louvain was looted and destroyed by German troops. The international community reacted in horror - 'Holocaust at Louvain' proclaimed the Daily Mail - and the behaviour of the Germans at Louvain came to be seen as the beginning of a different style of war, without the rules that had governed military conflict up to that point - a more total war, in which enemy civilians and their entire culture were now 'legitimate' targets. Yet the destruction at Louvain was simply one symbolic moment in a wider wave of cultural destruction and mass killing that swept Europe in the era of the First World War. Using a wide range of examples and eye-witness accounts from across Europe at this time, award-winning historian Alan Kramer paints a picture of an entire continent plunging into a chilling new world of mass mobilization, total warfare, and the celebration of nationalist or ethnic violence - often directed expressly at the enemy's civilian population. |
| the great war and modern memory: Death So Noble Jonathan F. Vance, 2011-11-01 This book examines Canada's collective memory of the First World War through the 1920s and 1930s. It is a cultural history, considering art, music, and literature. Thematically organized into such subjects as the symbolism of the soldier, the implications of war memory for Canadian nationalism, and the idea of a just war, the book draws on military records, memoirs, war memorials, newspaper reports, fiction, popular songs, and films. It takes an unorthodox view of the Canadian war experience as a cultural and philosophical force rather than as a political and military event. |
| the great war and modern memory: 14-18 Stéphane Audoin-Rouzeau, Annette Becker, 2002 About the causes and effects of World War I. |
| the great war and modern memory: Not Forgotten Neil Oliver, 2006-06-29 There are 37,780 First World War memorials in Britain. This work looks at the untold stories that lie behind these lists of names and the impact the war had on Britain, laying the foundations for today's society. |
| the great war and modern memory: The Historiography of World War I from 1918 to the Present Christoph Cornelissen, Arndt Weinrich, 2022-11-11 From the Treaty of Versailles to the 2018 centenary and beyond, the history of the First World War has been continually written and rewritten, studied and contested, producing a rich historiography shaped by the social and cultural circumstances of its creation. Writing the Great War provides a groundbreaking survey of this vast body of work, assembling contributions on a variety of national and regional historiographies from some of the most prominent scholars in the field. By analyzing perceptions of the war in contexts ranging from Nazi Germany to India’s struggle for independence, this is an illuminating collective study of the complex interplay of memory and history. |
| the great war and modern memory: British Cultural Memory and the Second World War Lucy Noakes, Juliette Pattinson, 2013-11-21 Few historical events have resonated as much in modern British culture as the Second World War. It has left a rich legacy in a range of media that continue to attract a wide audience: film, TV and radio, photography and the visual arts, journalism and propaganda, architecture, museums, music and literature. The enduring presence of the war in the public world is echoed in its ongoing centrality in many personal and family memories, with stories of the Second World War being recounted through the generations. This collection brings together recent historical work on the cultural memory of the war, examining its presence in family stories, in popular and material culture and in acts of commemoration in Britain between 1945 and the present. |
| the great war and modern memory: A World Undone G. J. Meyer, 2007-05-29 NEW YORK TIMES BESTSELLER • Drawing on exhaustive research, this intimate account details how World War I reduced Europe’s mightiest empires to rubble, killed twenty million people, and cracked the foundations of our modern world “Thundering, magnificent . . . [A World Undone] is a book of true greatness that prompts moments of sheer joy and pleasure. . . . It will earn generations of admirers.”—The Washington Times On a summer day in 1914, a nineteen-year-old Serbian nationalist gunned down Archduke Franz Ferdinand in Sarajevo. While the world slumbered, monumental forces were shaken. In less than a month, a combination of ambition, deceit, fear, jealousy, missed opportunities, and miscalculation sent Austro-Hungarian troops marching into Serbia, German troops streaming toward Paris, and a vast Russian army into war, with England as its ally. As crowds cheered their armies on, no one could guess what lay ahead in the First World War: four long years of slaughter, physical and moral exhaustion, and the near collapse of a civilization that until 1914 had dominated the globe. Praise for A World Undone “Meyer’s sketches of the British Cabinet, the Russian Empire, the aging Austro-Hungarian Empire . . . are lifelike and plausible. His account of the tragic folly of Gallipoli is masterful. . . . [A World Undone] has an instructive value that can scarcely be measured”—Los Angeles Times “An original and very readable account of one of the most significant and often misunderstood events of the last century.”—Steve Gillon, resident historian, The History Channel |
| the great war and modern memory: Soldier Boys Dean Hughes, 2015-07-21 Spencer Morgan And Dieter Hedrick, one American, one German, are both young and eager to get into action in the war. Dieter, a shining member of the Hitler Youth movement, has actually met the Führer himself and was praised for his hard work. Now he is determined to make it to the front lines, to push back the enemy and defend the honor of the Fatherland. Spencer, just sixteen, must convince his father to sign his induction papers. He is bent on becoming a paratrooper -- the toughest soldiers in the world. He will prove to his family and hometown friends that he is more than the little guy with crooked teeth. He?ll prove to his father that he can amount to something and keep his promises. Everyone will look at him differently when he returns home in his uniform, trousers tucked into his boots in the paratrooper style. Both boys get their wishes when they are tossed into intense conflict during the Battle of the Bulge. And both soon learn that war is about a lot more than proving oneself and one?s bravery. Dean Hughes offers young readers a wrenching look at parallel lives and how innocence must eventually be shed. |
| the great war and modern memory: The Great War and Memory in Central and South-Eastern Europe Oto Luthar, 2016-03-21 This volume presents a series of chapters about the Great War and memory in Central and South-Eastern Europe which will widen the insufficient and spotty representations of the Great War in that region. The contributors deliver an important addition to present-day scholarship on the more or less unknown war in the Balkans and at the Italian fronts. Although it might not completely fill the striking gap in the historical representations of the situation between the Slovene-Italian Soča-Isonzo river in the North-West and the Greek-Macedonian border mountains around Mount Kajmakčalan in the South-East, it will add significantly to the scholarship on the Balkan theatre of war and provide a much-needed account of the suffering of civilians, ideas, loyalties and cultural hegemonies, as well as memories and the post-war memorial landscape. The contributors are Vera Gudac Dodić, Silviu Hariton, Vijoleta Herman Kaurić, Oto Luthar, Olga Manojlović Pintar, Ahmed Pašić, Ignác Romsics, Daniela Schanes, Fabio Todero, Nikolai Vukov and Katharina Wesener. |
| the great war and modern memory: Fields of Memory Anne Roze, John Foley, 2001-03-01 Anyone who tours the famous battlefields of 1914-1918 finds that most traces of the fighting have disappeared. An expert on World War I teams with a battle photographer to uncover thousands of these lost details. Hundreds of full-color, oversized photos dramatize what once were bloody landscapes. Then close-ups detail the all but invisible bullet marks, tank tracks, and rusty relics of bunkers, craters, fortifications, and tunnels—from the Marne, Flanders, and the Argonne, to Artois, Verdun, and Ypres. |
| the great war and modern memory: The Great War and the Origins of Humanitarianism, 1918-1924 Bruno Cabanes, 2014-03-13 Pioneering study of the transition from war to peace and the birth of humanitarian rights after the Great War. |
| the great war and modern memory: One Mission Chris Fussell, C. W. Goodyear, 2017-06-13 From the co-author of the New York Times bestseller Team of Teams, a practical guide for leaders looking to make their organizations more interconnected and unified in the midst of sudden change. Too often, companies end up with teams stuck in their own silos, pursuing goals and metrics in isolation. Their traditional autocratic structures create stability, scalability, and predictability -- but in a world that demands rapid adaptation to a new reality, this traditional model simply doesn’t work. In Team of Teams, retired four-star General Stanley McChrystal and former Navy SEAL Chris Fussell made the case for a new organizational model combining the agility, adaptability, and cohesion of a small team with the power and resources of a giant organization. Now, in One Mission, Fussell channels all his experiences, both military and corporate, into powerful strategies for unifying isolated and distrustful teams. This practical guide will help leaders in any field implement the Team of Teams approach to tear down their silos improve collaboration, and avoid turf wars. By committing to one higher mission, organizations develop an overall capability that far exceeds the sum of their parts. From Silicon Valley software giant Intuit to a government agency on the plains of Oklahoma, organizations have used Fussell’s methods to unite their people around a single compelling vision, resulting in superior performance. One Mission will help you follow their example to a more agile and resilient future. |
| the great war and modern memory: Remembering War J. M. Winter, 2006 This is a masterful volume on remembrance and war in the twentieth century. Jay Winter locates the fascination with the subject of memory within a long-term trajectory that focuses on the Great War. Images, languages, and practices that appeared during and after the two world wars focused on the need to acknowledge the victims of war and shaped the ways in which future conflicts were imagined and remembered. At the core of the “memory boom” is an array of collective meditations on war and the victims of war, Winter says. The book begins by tracing the origins of contemporary interest in memory, then describes practices of remembrance that have linked history and memory, particularly in the first half of the twentieth century. The author also considers “theaters of memory”—film, television, museums, and war crimes trials in which the past is seen through public representations of memories. The book concludes with reflections on the significance of these practices for the cultural history of the twentieth century as a whole. |
| the great war and modern memory: In Dreams Begin Responsibilities and Other Stories Delmore Schwartz, 1978 Eight stories portray the world of the New York intellectual during the 1930s and 40s, probing the conflict between ambitious, educated youths and their immigrant parents. |
| the great war and modern memory: Doing Battle Paul Fussell, 1998-01-07 In this highly praised autobiographical work, the author of The Great War and Modern Memory recounts his own experience of combat in World War II and how it became a determining force in his life. Doing Battle is at once a summing-up of one man's life and a profoundly thoughtful portrait of America's own search for identity in the second half of this century. of photos. |
| the great war and modern memory: The Boys' Crusade Paul Fussell, 2005-09-13 The Boys’ Crusade is the great historian Paul Fussell’s unflinching and unforgettable account of the American infantryman’s experiences in Europe during World War II. Based in part on the author’s own experiences, it provides a stirring narrative of what the war was actually like, from the point of view of the children—for children they were—who fought it. While dealing definitively with issues of strategy, leadership, context, and tactics, Fussell has an additional purpose: to tear away the veil of feel-good mythology that so often obscures and sanitizes war’s brutal essence. “A chronicle should deal with nothing but the truth,” Fussell writes in his Preface. Accord-ingly, he eschews every kind of sentimentalism, focusing instead on the raw action and human emotion triggered by the intimacy, horror, and intense sorrows of war, and honestly addressing the errors, waste, fear, misery, and resentments that plagued both sides. In the vast literature on World War II, The Boys’ Crusade stands wholly apart. Fussell’s profoundly honest portrayal of these boy soldiers underscores their bravery even as it deepens our awareness of their experiences. This book is both a tribute to their noble service and a valuable lesson for future generations. |
| the great war and modern memory: War beyond Words Jay Winter, 2017-07-06 What we know of war is always mediated knowledge and feeling. We need lenses to filter out some of its blinding, terrifying light. These lenses are not fixed; they change over time, and Jay Winter's panoramic history of war and memory offers an unprecedented study of transformations in our imaginings of war, from 1914 to the present. He reveals the ways in which different creative arts have framed our meditations on war, from painting and sculpture to photography, film and poetry, and ultimately to silence, as a language of memory in its own right. He shows how these highly mediated images of war, in turn, circulate through language to constitute our 'cultural memory' of war. This is a major contribution to our understanding of the diverse ways in which men and women have wrestled with the intractable task of conveying what twentieth-century wars meant to them and mean to us. |
| the great war and modern memory: Trauma, Primitivism and the First World War Joy Porter, 2021-04-08 This book examines the extraordinary life of Frank “Toronto” Prewett and the history of trauma, literary expression, and the power of self-representation after WWI. Joy Porter sheds new light on how the First World War affected the Canadian poet, and how war-induced trauma or “shell-shock” caused him to pretend to be an indigenous North American. Porter investigates his influence of, and acceptance by, some of the most significant literary figures of the time, including Siegfried Sassoon, Edmund Blunden, Wilfred Owen and Robert Graves. In doing so, Porter skillfully connects a number of historiographies that usually exist in isolation from one another and rarely meet. By bringing together a history of the WWI era, early twentieth century history, Native American history, the history of literature, and the history of class Porter expertly crafts a valuable contribution to the field. |
| the great war and modern memory: Men Under Fire Jiří Hutečka, 2019-12-03 In historical writing on World War I, Czech-speaking soldiers serving in the Austro-Hungarian military are typically studied as Czechs, rarely as soldiers, and never as men. As a result, the question of these soldiers’ imperial loyalties has dominated the historical literature to the exclusion of any debate on their identities and experiences. Men under Fire provides a groundbreaking analysis of this oft-overlooked cohort, drawing on a wealth of soldiers’ private writings to explore experiences of exhaustion, sex, loyalty, authority, and combat itself. It combines methods from history, gender studies, and military science to reveal the extent to which the Great War challenged these men’s senses of masculinity, and to which the resulting dynamics influenced their attitudes and loyalties. |
| the great war and modern memory: First World War Poetry Jon Silkin, 1997-02-01 A selection of poetry written during World War I. In the introduction Jon Silkin traces the changing mood of the poets - from patriotism through anger and compassion to an active desire for social change. The book includes work by Sassoon, Owen, Blunden, Rosenberg, Hardy and Lawrence. |
| the great war and modern memory: Nation, Memory and Great War Commemoration Shanti Sumartojo, Ben Wellings, 2014 The Great War continues to play a prominent role in contemporary consciousness. With commemorative activities involving seventy-two countries, its centenary is a titanic undertaking: not only 'the centenary to end all centenaries' but the first truly global period of remembrance. In this innovative volume, the authors examine First World War commemoration in an international, multidisciplinary and comparative context. The contributions draw on history, politics, geography, cultural studies and sociology to interrogate the continuities and tensions that have shaped national commemoration and the social and political forces that condition this unique international event. New studies of Western Europe, Australia, New Zealand and the South Pacific address the relationship between increasingly fractured grand narratives of history and the renewed role of the state in mediating between individual and collective memories. Released to coincide with the beginning of the 2014-2018 centenary period, this collection illuminates the fluid and often contested relationships amongst nation, history and memory in Great War commemoration. |
| the great war and modern memory: The Great War and Modern Memory Paul Fussell, 2013-05-15 Winner of both the National Book Award and the National Book Critics Circle Award and named by the Modern Library one of the twentieth century's 100 Best Non-Fiction Books, Paul Fussell's The Great War and Modern Memory was universally acclaimed on publication in 1970. Today, Fussell's landmark study remains as original and gripping as ever: a literate, literary, and unapologetic account of the Great War, the war that changed a generation, ushered in the modern era, and revolutionized how we see the world. This brilliant work illuminates the trauma and tragedy of modern warfare in fresh, revelatory ways. Exploring the work of Siegfried Sassoon, Robert Graves, Edmund Blunden, David Jones, Isaac Rosenberg, and Wilfred Owen, Fussell supplies contexts, both actual and literary, for those writers who--with conspicuous imaginative and artistic meaning--most effectively memorialized World War I as an historical experience. Dispensing with literary theory and elevated rhetoric, Fussell grounds literary texts in the mud and trenches of World War I and shows how these poems, diaries, novels, and letters reflected the massive changes--in every area, including language itself--brought about by the cataclysm of the Great War. For generations of readers, this work has represented and embodied a model of accessible scholarship, huge ambition, hard-minded research, and haunting detail. Restored and updated, this new edition includes an introduction by historian Jay Winter that takes into account the legacy and literary career of Paul Fussell, who died in May 2012. |
| the great war and modern memory: Across the Black Waters Mulk Raj Anand, 2020-04-01 Across the Black Waters is widely rated as an outstanding novel. It is a simple story about the ultimate futility and sorrow of war. It is a journey not just from a small village in Punjab to Flanders, from father to soldier, field to front — but from a soul that nurtures to one that kills. Overlooking the claims of war classics like All Quiet on the Western Front, the British Council selected and adapted this novel into a play to mark the 80th anniversary of the end of World War I. The foremost of Indian novelists. — Daily Telegraph His descriptions of brutality match in compassion and outrage, and perhaps also in poetic flair, those of Wilfred Owen, Siegfried Sasson, or David Jones. — Alastair Niven, British Literary Critic |
The Great War and Modern Memory - Wikipedia
The Great War and Modern Memory is a book of literary criticism written by Paul Fussell and published in 1975 by Oxford University Press. It describes the literary responses by English …
The Great War and Modern Memory by Paul Fussell - Goodreads
1 Jan 1975 · Fussell illuminates a war that changed a generation and revolutionised the way we see the world. He explores the British experience on the western Front from 1914 to 1918, …
The Great War and Modern Memory Paperback – 6 Dec. 2013
6 Dec 2013 · Exploring the work of Siegfried Sassoon, Robert Graves, Edmund Blunden, David Jones, Isaac Rosenberg, and Wilfred Owen, Fussell supplies contexts, both actual and …
The Great War and Modern Memory : Paul Fussell - Archive.org
2 Jul 2022 · The Great War and Modern Memory by Paul Fussell. Publication date 1975 Collection internetarchivebooks; inlibrary; printdisabled Contributor Internet Archive Language …
The Great War and Modern Memory: Twenty-Fifth Anniversary Edition
The Great War and Modern Memory: Twenty-Fifth Anniversary Edition Hardcover – 2 Mar. 2000. by Paul Fussell (Author) 4.4 341 ratings. See all formats and editions. The year 2000 marks …
The Great War and Modern Memory - Paul Fussell - Google Books
15 May 2013 · Today, Fussell's landmark study remains as original and gripping as ever: a literate, literary, and unapologetic account of the Great War, the war that changed a …
The Great War and Modern Memory New Edition - amazon.com
12 Jun 2013 · Today, Fussell's landmark study remains as original and gripping as ever: a literate, literary, and unapologetic account of the Great War, the war that changed a generation, …
the great war and modern memory : Free Download, Borrow, and …
10 Mar 2023 · the great war and modern memory. Publication date. 1975. Collection. internetarchivebooks; inlibrary; printdisabled. Contributor. Internet Archive. Language. English.
The Great War and Modern Memory by Paul Fussell - Waterstones
8 Aug 2013 · Today, Fussell's landmark study remains as original and gripping as ever: a literate, literary, and unapologetic account of the Great War, the war that changed a generation, …
The Great War and Modern Memory - amazon.com
4 Sep 2012 · Fussell's book on WWI (or the Great War) details the specifics of the Western Front for the British and connects the war and how memories of the war with irony.
The Great War and Modern Memory - Wikipedia
The Great War and Modern Memory is a book of literary criticism written by Paul Fussell and published in 1975 by Oxford University Press. It describes the literary responses by English participants in World War I to their experiences of combat, particularly in trench warfare.
The Great War and Modern Memory by Paul Fussell - Goodreads
1 Jan 1975 · Fussell illuminates a war that changed a generation and revolutionised the way we see the world. He explores the British experience on the western Front from 1914 to 1918, focusing on the various literary means by which it has …
The Great War and Modern Memory Paperback – 6 Dec. 2013
6 Dec 2013 · Exploring the work of Siegfried Sassoon, Robert Graves, Edmund Blunden, David Jones, Isaac Rosenberg, and Wilfred Owen, Fussell supplies contexts, both actual and literary, for those writers who--with conspicuous imaginative and artistic meaning-most effectively memorialized World War I as an historical experience.
The Great War and Modern Memory : Paul Fussell - Archive.org
2 Jul 2022 · The Great War and Modern Memory by Paul Fussell. Publication date 1975 Collection internetarchivebooks; inlibrary; printdisabled Contributor Internet Archive Language English Item Size 902.1M . Access-restricted-item true Addeddate 2022-07-02 01:06:50 Autocrop_version ...
The Great War and Modern Memory: Twenty-Fifth Anniversary Edition
The Great War and Modern Memory: Twenty-Fifth Anniversary Edition Hardcover – 2 Mar. 2000. by Paul Fussell (Author) 4.4 341 ratings. See all formats and editions. The year 2000 marks the 25th anniversary of one of the most original and gripping …
The Great War and Modern Memory - Paul Fussell - Google Books
15 May 2013 · Today, Fussell's landmark study remains as original and gripping as ever: a literate, literary, and unapologetic account of the Great War, the war that changed a generation, ushered in the...
The Great War and Modern Memory New Edition - amazon.com
12 Jun 2013 · Today, Fussell's landmark study remains as original and gripping as ever: a literate, literary, and unapologetic account of the Great War, the war that changed a generation, ushered in the modern era, and revolutionized how we see the world.
the great war and modern memory : Free Download, Borrow, …
10 Mar 2023 · the great war and modern memory. Publication date. 1975. Collection. internetarchivebooks; inlibrary; printdisabled. Contributor. Internet Archive. Language. English.
The Great War and Modern Memory by Paul Fussell - Waterstones
8 Aug 2013 · Today, Fussell's landmark study remains as original and gripping as ever: a literate, literary, and unapologetic account of the Great War, the war that changed a generation, ushered in the modern era, and revolutionized how we see the world.
The Great War and Modern Memory - amazon.com
4 Sep 2012 · Fussell's book on WWI (or the Great War) details the specifics of the Western Front for the British and connects the war and how memories of the war with irony.
