The First Of Baritone Bass Solos

  the first of baritone bass solos: The First Book of Tenor Solos John Keene, 1993-12 More great teaching material, at the same level as Volume 1. The contents, completely new and unduplicated from Volume 1, once again include American and English art songs, folk songs, sacred songs, and an introduction to singing in German, French, Italian, and Spanish. Over 30 songs in each book. Joan Boytim, who has emerged as the nationally recognized expert in the field of teaching pre-collegiate voice, has done exhaustive research in preparing these volumes.
  the first of baritone bass solos: The First Book of Broadway Solos Joan Frey Boytim, 1997 (Vocal Collection). This is the perfect first collection for many voice students, whether they are teens or college singers or adults. Joan Boytim has selected songs appropriate for each voice type, and has chosen keys that suit the vocal needs of novice singers studying in traditional, generally classical lyric singing. The editions of the songs in these collections are short and straight-forward. Teachers have found these books invaluable. To make the collections even more useful, each volume is offered in a book/companion CD edition with piano accompaniments recorded by pianist Laura Ward. Contents: Comedy Tonight (from A FUNNY THING HAPPENED ON THE WAY TO THE FORUM) * Edelweiss (from THE SOUND OF MUSIC) * Get Me To The Church On Time (from MY FAIR LADY) * The Girl That I Marry (from the Stage Production ANNIE GET YOUR GUN) * Gonna Be Another Hot Day (from 110 IN THE SHADE) * How To Handle A Woman (from CAMELOT) * I Talk To The Trees (from PAINT YOUR WAGON) * I've Grown Accustomed To Her Face (from MY FAIR LADY) * If Ever I Would Leave You (from CAMELOT) * The Impossible Dream (The Quest) (from MAN OF LA MANCHA) * Just In Time (from BELLS ARE RINGING) * Leaning On A Lamp Post (from ME AND MY GIRL) * My Cup Runneth Over (from I DO! I DO!) * My Defenses Are Down (from the Stage Production ANNIE GET YOUR GUN) * Oklahoma (from OKLAHOMA!) * Some Enchanted Evening (from SOUTH PACIFIC) * Soon It's Gonna Rain (from THE FANTASTICKS) * The Surrey With The Fringe On Top (from OKLAHOMA!) * There Is Nothin' Like A Dame (from SOUTH PACIFIC) * They Call The Wind Maria (from PAINT YOUR WAGON) * This Nearly Was Mine (from SOUTH PACIFIC) * Try To Remember (from THE FANTASTICKS) * Wunderbar (from KISS ME, KATE)
  the first of baritone bass solos: Arias for Soprano Hal Leonard Corp., 1991-05-01 (Vocal Collection). Contents: Handel: V'adoro pupille (Giulio Cesare) Mozart: Porgi, amor (Le Nozze di Figaro) * Dove sono (Le Nozze Figaro) * Deh vieni, non tardar (Le Nozze di Figaro) * Bester Jungling (Der Schauspieldirektor) * Batti, batti, bel Masetto (Don Giovanni) * Vedrai carino (Don Giovanni) * Ach, ich fuhl's (Die Zauberflote) Beethoven: O war' ich schon mit dir vereint (Fidelio) C.M. von Weber: Kommt ein schlanker Bursch gegangen (Der Freischutz) Verdi: Caro nome (Rigoletto) * Saper vorreste (Un Ballo in Maschera) * Sul fil d'un soffio etesio (Falstaff) Gounod: The Jewel Song (Faust) * Ah! Je veux vivre (Romeo et Juliette) Bizet: Je dis que rien ne m 'epouvante (Carmen) Offenbach: Elle a fui, la tourterelle! (Les Contes d'Hoffmann) Massenet: Adieu, notre petite table (Manon) Leoncavallo: Ballatella (I Pagliacci) Puccini: Mi chiamano Mimi (La Boheme) * Donde lieta (La Boheme) * Quando men vo (La Boheme) * Un bel di (Madama Butterfly) * O mio babbino caro (Gianni Schicchi) * Signore, ascolta (Turandot) * Tu che di gel sei cinta (Turandot) Menotti: The Black Swan (The Medium) * Monica's Waltz (The Medium) Moore: Willow Song (The Ballad of Baby Doe) * The Silver Aria (The Ballad of Baby Doe) Mechem: Fair Robin, I love (Tartuffe).
  the first of baritone bass solos: Sonatina Album Louis Kí_hler, Allan Small, 2005-05-03 Originally compiled and edited by Louis Kí_hler, this edition contains some of the most popular keyboard sonatinas, rondos and other works (including symphonic transcriptions) of Beethoven, Clementi, Haydn, Kuhlau and Mozart, among others. In clarifying this edition, editor Allan Small has removed impractical fingerings and unnecessary accidentals found in other editions.
  the first of baritone bass solos: Baritone Songs , 1930
  the first of baritone bass solos: Pathways of Song, Volume One Frank La Forge, Will Earhart, 1994-11 The Pathways of Song series offers concert songs in easy vocal ranges for the voice student, by composers such as Schubert, Brahms, Handel, Bach, Mozart, Beethoven, and Haydn. The series includes representative repertoire, with English translations and piano accompaniment. This title is available in MakeMusic Cloud.
  the first of baritone bass solos: 26 Italian Songs and Arias John Glenn Paton, 2005-05-03 This authoritative, new edition of the world's most loved songs and arias draws on original manuscripts, historical first editions and recent research by prominent musicologists to meet a high standard of accuracy and authenticity. Includes fascinating background information about the arias and their composers as well as a singable rhymed translation, a readable prose translation and a literal translation of each single Italian word.
  the first of baritone bass solos: Dirt Simple Upright Bass Nate Sabat, 2021-04-29 Although designed for newcomers to the upright bass and bluegrass music in general, this unique approach to creating basslines has something for everyone! The first half focuses on bass-playing essentials, giving the reader a solid technical footing with the instrument. Then, using his own baritone voice and the classic bluegrass song, “Going Down the Road Feeling Bad,” author Nate Sabat reveals his creative process in crafting effective basslines from the song’s melody and chord progression. The second half focuses on bass playing within the specific context of complementing bluegrass vocals. Well beyond what you might expect from an introductory method, Nate tastefully guides the reader by presenting multiple composed bassline options for each of five well-known bluegrass songs: Rabbit in the Log, Don’t this Road Look Rough and Rocky?, Long Journey Home, I Am a Pilgrim, and Angel Band. Nate’s warm, pitch-perfect vocals can be heard on virtually every track, giving this method an undeniable musicality. A lightly accompanied vocal track with no bass is also provided, so you can be the sole upright or electric bassist in the band. You’ll not only want to back Nate up—but sing harmony with him too! The impulse to sing can’t help but influence your bass playing in a natural and positive way. Nate provides notated versions of the eight major scales most commonly used in bluegrass. Once you get them under your fingers, you’ll soon be able to play along with the book’s 50 companion online recordings. With its simple harmonic palette and repetitive nature, bluegrass music offers bassists the perfect opportunity to become musically literate. If you’ve hesitated to learn to read music, this is the time and place to eliminate that drawback. Working through these 46 pages will provide the tools and confidence needed to create your own engaging and musical basslines and hopefully, you’ll be inspired to continue your bluegrass bass journey for years to come. Includes access to online audio.
  the first of baritone bass solos: Literature for Teaching Christopher Arneson, Lauren Athey-Janka, 2014-07-01 This first of its kind text explores voice repertoire from a unique perspective: how it can be used to foster the vocal growth of developing singers. Following in the footsteps of seminal works including Kagen's Music for the Voice, Arneson presents insights into a vast range of specific repertoire, both on and off the beaten track, showing how it can be used to support and enhance learning and skills acquisition in singers, from beginners to experienced professionals.
  the first of baritone bass solos: First Year Charts Collection for Jazz Ensemble Alfred Music, 12 outstanding arrangements for the beginning jazz ensemble written by experienced educational arrangers and composers. A variety of styles and tempos are included: swing, ballads, rock, pop, holiday, Latin and a great warm-up chart titled Loosen Up. This collection of charts is written for full instrumentation of 5 saxophones, 3 trumpets, 3 trombones, and 4 rhythm, but designed to sound full and complete with reduced instrumentation of just nine players - 2 Alto Saxes, Tenor Sax, 2 Trumpets, Trombone, Piano, Bass and Drums. Optional parts are available for C Flute, Tuba (doubles Bass part), Horn in F (doubles 1st Trombone), and Baritone Horn T.C. (doubles 1st Trombone). Rhythm section parts offer suggestions for voicings and rhythms and guitar chord frames are included to assist young guitarists. Solos are written out for improvised sections and there is plenty of full sounding ensemble. Titles: * Chattanooga Choo Choo * El Gato Gordo * James Bond Theme * A Jazzy Merry Christmas * The Judge * Li'l Darlin' * Loosen Up * One O'Clock Jump * Over the Rainbow * Peter Gunn Theme * The Pink Panther * Rock This Town
  the first of baritone bass solos: Guitar Fretboard Workbook (Music Instruction) , 2003-08-01 (Musicians Institute Press). Navigate the guitar neck better than ever before with this easy-to-use book! Designed from Musicians Institute core curriculum programs, it covers essential concepts for players of every level, acoustic or electric. A hands-on guide to theory, it will help you learn to build any scale or chord on your own and unleash creativity. No music reading is required.
  the first of baritone bass solos: The 16-bar Theatre Audition Michael Dansicker, 2003 (Vocal Collection). Contents: All I Care About * All I Need Is The Girl * All Of You * Alone At The Drive-In Movie * Anywhere I Wander * Being Alive * Blow High, Blow Low * Bring Me My Bride * Buddy's Blues (The God-Why-Don't-You-Love-Me Blues) * C'est Moi * Can't Help Falling In Love * Celebration * Colorado, My Home * Come Back To Me * Dear Old Syracuse * Do I Love You Because You're Beautiful? * Don't Get Around Much Anymore * Empty Chairs At Empty Tables * A Fellow Needs A Girl * Get Me To The Church On Time * Haben Sie Gehort Das Deutsche Band? (Have You Ever Heard The German Band?) * Heaven's Light * I Can See It * I Could Write A Book * I Don't Remember You * I Have Dreamed * I Know About Love * I Met A Girl * I Want To Be With You * I Wish I Were In Love Again * I Won't Send Roses * I'll Build A Stairway To Paradise * I'll Never Say No * I've Just Seen Her (As Nobody Else Has Seen Her) * If Ever I Would Leave You * If I Can't Love Her * If I Loved You * The Impossible Dream (The Quest) * It Only Happens When I Dance With You * It Only Takes A Moment * Jackie (La Chanson De Jacky) * Jailhouse Rock * Joey, Joey, Joey * Kansas City * The Kite (Charlie Brown's Kite) * Let Me Sing And I'm Happy * Lizzie's Comin' Home * Lonely Room * A Lot Of Livin' To Do * Love, I Hear * Loving You * Luck Be A Lady * Make Someone Happy * Man Of La Mancha (I, Don Quixote) * Me * My Defenses Are Down * My Name * My Romance * Nothing Can Stop Me Now! * Old Devil Moon * On A Clear Day (You Can See Forever) * On Broadway * On The Street Where You Live * Once In A Lifetime * Once In Love With Amy * Once Upon A Time * Out Of This World * Out There * People Will Say We're In Love * Put On A Happy Face * The Sadder But Wiser Girl * Santa Fe (from Walt Disney's NEWSIES) * A Secretary Is Not A Toy * She (He) Touched Me * The Shortest Day Of The Year * Some Enchanted Evening * Somebody Loves Me * Someone Like You * Something Was Missing * Something, Somewhere * Stayin' Alive * Steppin' Out With My Baby * Ten Minutes Ago * That's For Me * There's No Reason In The World * They Call The Wind Maria * 'Til Him * (Walking) Among My Yesterdays * Were Thine That Special Face * What Kind Of Fool Am I? * When She Loved Me * Where Is The Life That Late I Led? * Where Or When * Who Can I Turn To (When Nobody Needs Me) * Who Do You Love I Hope * Why Should I Wake Up? * With So Little To Be Sure Of * YesterdayYou're Never Fully Dressed Without A Smile * Young And Foolish
  the first of baritone bass solos: Cantolopera: Arias for Mezzo-Soprano - Volume 2 Hal Leonard Corp, Hal Leonard Corp. Staff, 2002-08 (Vocal). Cantolopera is an exceptional new series of book/CD packs from Ricordi that offers a fresh approach to great opera repertoire. The books include versions for voice and piano of the world's most famous arias. The CDs feature two versions of each aria: one with a 130-piece orchestra providing accompaniments to allow the professional, student or opera fan to practice, and another sung by an established artist for reference. Each volume contains the lyrics of the arias, plus a short plot summary and background information on the orchestra and the performers.
  the first of baritone bass solos: New Method for the Double Bass: English and German Franz Simandl, Frederick Zimmermann, 2018-11-13 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
  the first of baritone bass solos: Rhythm Vocabulary Charts Ed Sueta, 1985
  the first of baritone bass solos: Foundations for Superior Performance Richard S. Williams, Jeffrey T. King, 1998 Foundations for Superior Performance is designed to help structure the daily rehearsal and advance the performance level of the ensemble. The primary goal is to offer a framework of exercises and routine drills that will facilitate the mastery of essential playing fundamentals. Different skill levels have been integrated into this book to meet the needs of the inexperienced player, and, at the same time, challenge the most advanced.
  the first of baritone bass solos: Easy Songs for the Beginning Baritone/bass Joan Frey Boytim, 2000 (Vocal Collection). This series was designed to supplement traditional vocal instruction and works perfectly as preparatory literature for The First Book of Solos and The First Book of Solos Part II . Each piece is in English and has a limited vocal range as well as a piano accompaniment that is playable by a student pianist. The pieces include art songs, folksongs, humorous songs, and suitable vintage popular songs and are all appropriate for contest solos. The book includes a code to acess professionally-recorded piano accompaniments online via download or streaming. Baritone/Bass Contents: Aura Lee (Poulton) * Beautiful Dreamer (Foster) * The Erie Canal (Folksong) * Foolish Questions (Folksong) * Funiculi, Funicula (Denza) * Go Down, Moses * I Wish I Was Single Again (Beckel) * If You Were the Only Girl in the World (Ayer) * The Jolly Miller (arr. Manney) * Joshua Fit the Battle of Jericho * The Lark in the Morn (arr. Sharp) * The Lost Chord (Sullivan) * The Minstrel Boy (arr. Weckerlin) * Mrs. Murphy's Chowder (arr. Culli) * Out of My Soul's Great Sadness (Franz) * Request (Franz) * Simple Gifts (Shaker song) * Smick, Smack, Smuck (Sousa) * Sometimes I Feel Like a Motherless Child (arr. Burleigh) * The Story of a Tack (Parks) * Swing Low, Sweet Chariot * Where Did You Get That Hat? (Sullivan) * While Strolling Through the Park One Day * You'll Miss Lots of Fun When You're Married (Sousa).
  the first of baritone bass solos: Voices, Singers & Critics J. B. Steane, 1992 John Steane's subject, in all three sections of this book, is the art of singing. In the first part he takes the material, the voices themselves, in the second he considers the work and achievement of ten individual singers; and in the third he listens through the ears of an earlier generation of critics, finding much to learn. The 'Assortment of Voices' in Part I is a sorting, a distinguishing of voice-types with regard to timbre and quality as well as range, repertoire and power. Description of terms such as coloratura, soubrette, spinto and baryton-Martin involves the meaning and derivation of the words. The need is argued for a new category, the soprano-mezzo, and for a broader but more sharply delineated notion of the Heldentenor. The ten singers chosen for special attention in Part II range chronologically from the great baritone Mattia Battistini, who lived two-thirds of his long life in the nineteenth century, to Maria Callas and Elisabeth Schwarzkopf in our own day. Rosa Ponselle and Giovanni Martinelli are given special attention. Part III criticises the critics, from Dyneley Hussey and the veteran Herman Klein to Neville Cardus and the presiding authority Ernest Newman. These were entertaining writers as well as acute critics, and with John Steane's observant commentaries they provide a quickening of response to music in general and singing in particular.
  the first of baritone bass solos: Jazz Conception Jim Snidero, 1999
  the first of baritone bass solos: Standard of Excellence Bruce Pearson, 1996-08-01
  the first of baritone bass solos: The Giant Book of Intermediate Classical Piano Music: Schirmer's Library of Musical Classics Hal Leonard Corp, 2018-10 (Piano). 269 pieces by 32 composers nearly 400 pages of music!
  the first of baritone bass solos: Beautiful Singing Stanford Felix, 2020-11-20 An extensive guide to classical vocal technique, which provides original insights into the great teaching masters of bel canto(beautiful singing), presented in a scholarly yet readable and accessible way. A fresh approach to this time-honored technique, Beautiful Singing addresses the physical, mental, and aesthetic elements of the art of singing in a style designed for vocal teachers and students of all levels.
  the first of baritone bass solos: The Thespian's Bucket List Stacy Karyn, 2019-02-11 Plays, musicals, movies, documentaries, places to visit, books to read, and other stagey surprises. A must-have bucket list for all thespians who are serious about their love for the theatre!
  the first of baritone bass solos: The Structure of Singing Richard Miller, 1986
  the first of baritone bass solos: Solos for the Tenor Saxophone Player with Piano Accompaniment Larry Teal, 1965
  the first of baritone bass solos: Songs for Beginning Bass Voice Alan J. Ord, 2001-11-08 The beginning bass singer, with his range and tessitura at the bottom end of the scale of voices, has unique difficulties finding suitable vocal music, which is often very frustrating for him and his teacher. As the young or beginning bass works and waits patiently for his voice to develop, appropriate vocal literature needs to be found which is within his present range and tessitura. To address this problem, this new book lists selected songs carefully chosen from the repertoire, with annotations. Some songs, given as an illustration or example of what is appropriate, are presented in their entirety. Each of these has its own background material complete with interesting biographical information and tips on interpretation. If the song is originally in a foreign language a suitable English version is given as well. In addition, the selected entries provide full access to suitable material; annotations include composer, title, range, tessitura, tempo, meter, difficulty, source, publisher, and pertinent comments. Also includes indexes by composer, title, and publisher.
  the first of baritone bass solos: Catalogue of Vocal Solos and Duets Arranged in Biblical Order James Laster, Diana Reed Strommen, 2003 The second edition of A Catalogue of Vocal Solos and Duets Arranged in Biblical Order serves as a companion volume to A Catalogue of Choral Music Arranged in Biblical Order (Second edition, 1996, and supplement, 2001, both published by Scarecrow Press). It is a necessary tool for the church musician to coordinate music with the scripture readings and/or the sermon topic and a valuable aid to the vocal soloist seeking a work using a particular biblical text. The work serves as a working document for the church musician, soloist, or voice teacher. Titles are arranged in the same order as found in the Bible. Each entry contains title, composer, voice range/type, and publisher information. Two indexes are also included: a title index and a composer index.
  the first of baritone bass solos: Songs for Young Singers Arden J. Hopkin, 2001-12-20 Each year as high school solo and ensemble festivals approach, choir directors and voice teachers search for the right songs for their students to sing. There is so much music available for young developing voices, but how can an overworked teacher keep track of it all? Songs for Young Singers, a careful review of more than 2,000 songs printed in over 70 anthologies, has been written to address the needs of choir directors and voice teachers of junior high and high school age students. Section I lists songs by title as well as the anthologies in which they are found . Teachers wishing to explore the works of a particular composer will turn to section II, where songs are listed by composer. In section III, IV, and V, the songs are categorized by Beginning, Intermediate, and Advanced levels for Quick reference. Section VI lists the anthologies reviewed with a detailed description of the vocal demand of each song in the anthology. The songs have been evaluated on seven criteria: melodic contour (including range), phrase length, language, rhythm, accompaniment, harmonic language, and dynamics, and are listed by title, composer, and level of difficulty.
  the first of baritone bass solos: The Private Voice Studio Handbook , 2003 A nationally recognized expert in teaching private voice, Joan Boytim has compiled some of the most widely used vocal collections in the US. Her clinics about various aspects of teaching voice, literature, and running a voice studio have been attended by thousands of teachers. Now that professional wisdom has been put into a new book indispensible for independent instructors, The Private Voice Studio Handbook. Its chapters address, in practical detail, topics such as - starting a private voice studio; equipment and space; recruiting and accepting students; ideas for the very first lesson with a student; studio policies, guidelines and ethics; teaching music reading; recommended syllable drills and vocalises; lesson plans; practice procedures; choosing repertoire suitable to students' abilities; finding appropriate sacred solos; accounting and record-keeping; tax, insurance and retirement advice; techniques for teaching voice to children and adults; planning studio recitals; and many more. An excellent resource for college and university voice faculty.
  the first of baritone bass solos: Art Song in the United States, 1759-1999 Judith E. Carman, William K. Gaeddert, Rita M. Resch, 2001 Originally created as a teaching tool, this bibliography has taken on a second life as a research tool for various facets of American art song, including, in this edition, both current and historical discography.
  the first of baritone bass solos: A Beginning Singer's Guide Richard Davis, 1998-09-10 A Beginning Singer's Guide is a vocal pedagogy with four practical uses. First, it can be used as a collateral text for studio voice lessons. The teacher can conserve time by assigning relevant reading in the book instead of making lengthy expositions during the lesson. Second, it can be used as a primary text for undergraduate vocal pedagogy classes. Many schools offer a vocal pedagogy class whose enrollment includes singers and future choral conductors. A special chapter for the future choral conductor containing methods and other aids should meet the need for an all-in-one text for this class. Third, it can be used as a practical guide for new voice teachers. A special chapter containing methods for new voice teachers and studio administration will be very useful to the new teacher of voice. Fourth, the book explores subjects not usually covered in music pedagogy books, such as notes on working with a pianist, improving memory, common acting terms, subtexting, and methods for alleviating performance anxiety. These important, yet often disregarded areas, further complement a singer's talent and skill. The author does not espouse any particular 'method' of singing; instead, he applies a universal, scientific approach with the firm belief that singing can be enhanced through further musical knowledge. The sequence of the book follows the natural sequence of learning to sing. The book is rounded out with line art of the vocal mechanism, musical examples, tables outlining the musculature of singing, practical forms, information for the beginning teacher, and a bibliography.
  the first of baritone bass solos: Recorded Solo Concert Spirituals, 1916-2022 , 2023-05-08 This work catalogs commercially produced recordings of Negro spirituals composed for solo concert vocalists. More than 5,000 tracks are listed, with entries sourced from a variety of recording formats. The featured recordings enhance the study of concert spiritual performance in studio, concert, worship service or competition settings. Arranged alphabetically, entries variously identify the accompaniment--including chorus, piano, orchestra, guitar, flute, and violin--in concert spiritual recordings. The voice types of soloists are included, as is the level of dialect used by various performers. The composers, publishers and format information are also listed when available. While structured like a discography, this guide extends beyond solely providing historical context and encourages the use of the recordings themselves.
  the first of baritone bass solos: Brass Roots Roy Newsome, 2019-06-04 This book was originally published in 1998. For most of the nineteenth and the early part of the twentieth century, the brass band was a major feature of musical life in Britain. This book surveys the hundred years from 1836 in which bands flourished, examining their origins in the village bands of the nineteenth century, the culture of banding competitions that developed and the manner in which this fostered the growth and success of bands. Roy Newsome charts the impact of social and economic change on amateur bands during this period. The influence of classical music, in particular opera, on early band music is also examined. The latter part of the book looks in detail at the original music written for brass bands by composers such as Holst, Elgar and Bliss, as well as pieces written by prominent band leaders.
  the first of baritone bass solos: Bandmaster , 1929
  the first of baritone bass solos: Metronome , 1928
  the first of baritone bass solos: S.A. Pictorical , 1921
  the first of baritone bass solos: Frank Leslie's Sunday Magazine , 1885
  the first of baritone bass solos: The Musical Times and Singing-class Circular , 1903
  the first of baritone bass solos: Musical News , 1898
  the first of baritone bass solos: Treatise on Harmony, Counterpoint, Instrumentation and Orchestration Thomas H. Rollinson, 1886
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