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| the death of a salesman: Death of a Salesman Arthur Miller, 1976-10-28 The Pulitzer Prize-winning tragedy of a salesman’s deferred American dream Ever since it was first performed in 1949, Death of a Salesman has been recognized as a milestone of the American theater. In the person of Willy Loman, the aging, failing salesman who makes his living riding on a smile and a shoeshine, Arthur Miller redefined the tragic hero as a man whose dreams are at once insupportably vast and dangerously insubstantial. He has given us a figure whose name has become a symbol for a kind of majestic grandiosity—and a play that compresses epic extremes of humor and anguish, promise and loss, between the four walls of an American living room. By common consent, this is one of the finest dramas in the whole range of the American theater. —Brooks Atkinson, The New York Times So simple, central, and terrible that the run of playwrights would neither care nor dare to attempt it. —Time |
| the death of a salesman: Death of a Salesman W. John Campbell, Arthur Miller, 1983 |
| the death of a salesman: Death of a Salesman , 1988 |
| the death of a salesman: Death of a Salesman: Certain Private Conversations in Two Acts and a Requiem Arthur Miller, 1949 |
| the death of a salesman: Death of a Salesman Arthur Miller, 1998 First published in the United States of America by The Viking Press, 1949--T.p. verso. |
| the death of a salesman: Death of a Salesman Arthur Miller, 1996-01-01 The Pulitzer Prize-winning tragedy of a salesman’s deferred American dream Ever since it was first performed in 1949, Death of a Salesman has been recognized as a milestone of the American theater. In the person of Willy Loman, the aging, failing salesman who makes his living riding on a smile and a shoeshine, Arthur Miller redefined the tragic hero as a man whose dreams are at once insupportably vast and dangerously insubstantial. He has given us a figure whose name has become a symbol for a kind of majestic grandiosity—and a play that compresses epic extremes of humor and anguish, promise and loss, between the four walls of an American living room. By common consent, this is one of the finest dramas in the whole range of the American theater. —Brooks Atkinson, The New York Times So simple, central, and terrible that the run of playwrights would neither care nor dare to attempt it. —Time |
| the death of a salesman: A Heartbreaking Work of Staggering Genius Dave Eggers, 2001-02-13 I think this book is kind of malleable. I've never really wanted to put it away and be done with it forever -- the second I first 'finished' it, I wanted to dig back in and change everything around. So I'm looking forward to getting back into the text, and straightening and focusing and deleting. Most of all, I'm thrilled that Vintage will be letting me include all the cool chase scenes, previously censored. -- Dave Eggers The literary sensation of the year, a book that redefines both family and narrative for the twenty-first century. A Heartbreaking Work of Staggering Genius is the moving memoir of a college senior who, in the space of five weeks, loses both of his parents to cancer and inherits his seven-year-old brother. Here is an exhilarating debut that manages to be simultaneously hilarious and wildly inventive as well as a deeply heartfelt story of the love that holds a family together. A Heartbreaking Work of Staggering Genius is an instant classic that will be read in paperback for decades to come. PAPERBACK EDITION -- 15% MORE STAGGERING - Eggers has written 15,000 additional words for the Vintage Canada edition, including an entirely new appendix. |
| the death of a salesman: The Cambridge Companion to Arthur Miller C. W. E. Bigsby, 2010-04-22 Revised and updated to include Miller's late work and the key productions and criticism since the playwright's death in 2005. |
| the death of a salesman: Salesman in Beijing Arthur Miller, 1991 In 1983 Arthur Miller was invited to direct Death of a Salesman at the Beijing People's Theatre, with Chinese actors. While there, he kept a diary: this book tells the story of Miller's time in China, and of the paradoxes of directing in a Communist country a tragedy of American capitalism. |
| the death of a salesman: Approaches to Teaching Miller's Death of a Salesman Matthew Charles Roudané, 1995-01-01 Part 1, Materials, surveys editions, anthologies, and a large selection of published works on Miller. Part 2, Approaches, has fourteen concise, helpful essays by experienced instructors focusing on stage directions and scenery; comparing Willy Loman with salesmen in plays by O'Neill and Mamet; and reading the play from psychoanalytic, poststructuralist, sociological, and feminist perspectives. |
| the death of a salesman: Death as a Salesman Brian P. Johnston, 1998 |
| the death of a salesman: Arthur Miller's Death of a Salesman Harold Bloom, 2011 An overview of Arthur Miller's Death of a Salesman features a biographical sketch of the author, a list of characters, a summary of the plot, and critical and analytical views of the work. |
| the death of a salesman: CliffsNotes on Miller's Death of a Salesman Jennifer L. Scheidt, 1999-03-03 The original CliffsNotes study guides offer a look into critical elements and ideas within classic works of literature. The latest generation of titles in this series also feature glossaries and visual elements that complement the classic, familiar format. CliffsNotes on Death of a Salesman shares an intimate glimpse into the dreams and disappointments of an American family. Following the story of Willy Loman, an aging salesman who can't accept change within himself and society, this study guide provides a character list, character map, and character analyses to explore the personalities within Arthur Miller's masterful play. Other features that help you figure out this important work include Personal and career background of the author Introduction to and brief synopsis of the play Summaries and expert commentaries for each act and scene Essays that explore the play's major themes and the author's manipulation of time and space A review section that tests your knowledge and suggests essay topics and practice projects A Resource Center full of books, publications, films, and Internet resources Classic literature or modern-day treasure—you'll understand it all with expert information and insight from CliffsNotes study guides. |
| the death of a salesman: Death of a Salesman, by Arthur Miller Brenda Murphy, 2010 Examines the individual author's entire body of work and on his/her single works of literature. |
| the death of a salesman: Incident at Vichy Arthur Miller, 1994 THE STORY: In the detention room of a Vichy police station in 1942, eight men have been picked up for questioning. As they wait to be called, they wonder why they were chosen. At first, their hopeful guess is that only their identity papers will be |
| the death of a salesman: Death of a Salesman ( Critical Edition) Arthur Miller, 2009-07-01 |
| the death of a salesman: Marine Tom Clancy, 1996-11-01 An in-depth look at the United States Marine Corps-in the New York Times bestselling tradition of Submarine, Armored Cav, and Fighter Wing Only the best of the best can be Marines. And only Tom Clancy can tell their story--the fascinating real-life facts more compelling than any fiction. Clancy presents a unique insider's look at the most hallowed branch of the Armed Forces, and the men and women who serve on America's front lines. Marine includes: An interview with the Commandant of the Marine Corps, General Charles Chuck Krulak The tools and technology of the Marine Expeditionary Unit The role of the Marines in the present and future world An in-depth look at recruitment and training Exclusive photographs, illustrations, and diagrams |
| the death of a salesman: Conversations in American Literature Robin Dissin Aufses, Renee Shea, Lawrence Scanlon, 2020-12-30 Teachers have struggled for years to balance the competing demands of American Literature and AP English Language. Now, the team that brought you the bestselling Language of Composition is here to help. Conversations in American Literature: Language ∙ Rhetoric ∙ Culture is a new kind of American Literature anthology—putting nonfiction on equal footing with the traditional fiction and poetry, and emphasizing the skills of rhetoric, close reading, argument, and synthesis. To spark critical thinking, the book includes TalkBack pairings and synthesis Conversations that let students explore how issues and texts from the past continue to impact the present. Whether you’re teaching AP English Language, or gearing up for Common Core, Conversations in American Literature will help you revolutionize the way American literature is taught. |
| the death of a salesman: Resurrection Blues Arthur Miller, 2006-02-07 Arthur Miller’s penultimate play, Resurrection Blues, is a darkly comic satirical allegory that poses the question: What would happen if Christ were to appear in the world today? In an unidentified Latin American country, General Felix Barriaux has captured an elusive revolutionary leader. The rebel, known by various names, is rumored to have performed miracles throughout the countryside. The General plans to crucify the mysterious man, and the exclusive television rights to the twenty-four-hour reality-TV event have been sold to an American network for $25 million. An allegory that asserts the interconnectedness of our actions and each person’s culpability in world events, Resurrection Blues is a comedic and tragic satire of precarious morals in our media-saturated age. |
| the death of a salesman: Death of A Salesman Harold Bloom, 2009 Discusses the writing of Death of a salesman by Arthur Miller. Includes critical essays on the play and a brief biography of the author. |
| the death of a salesman: The Creation of the World and Other Business Arthur Miller, 2015-12-01 A master dramatist’s humorous retelling of the biblical creation story as a parable for our time Breathing new life into timeless biblical tales, Arthur Miller charmingly reimagines the Book of Genesis from the temptation of Adam and Eve to the fraternal tragedy of Cain and Abel. In the beginning, God, generally satisfied with his creation, is nonetheless perplexed by Adam and Eve—why won’t they multiply? It takes wily Lucifer to interest them in anything more than playing handball in the Garden of Eden, but their new knowledge comes at a price. The first family is exiled from paradise—just as Lucifer is banned from heaven—and a fallen, morally ambiguous state becomes the destiny of humankind. Though The Creation of the World and Other Business was Arthur Miller’s first Broadway comedy, it is full of the searching insight and sparkling dialogue that distinguish his best dramas. |
| the death of a salesman: Understanding Death of a Salesman Brenda Murphy, Susan C. W. Abbotson, 1999-02-28 This collection of social, cultural, and historical documents and popular materials, with linking explanations and commentary, will help the reader to study the play in context of its time and cultural background. The collected materials are designed to work with the play to highlight inherent conflicts within American society which lie at the heart of 'Death of a Salesman, ' and to explore how the play affects and is affected by social mores and beliefs. Salesmanship and the changing face of business, along with perceptions of sports, gender, and families, are explored through selections drawn from a rich variety of sources that provide forceful evidence of the play's influence. Documents include essays, articles, and fiction, which have created or explored the social expectations of a typical American family in the late 1940s; unusual selections such as a self-analysis chart, an obituary, and a diary, which help to trace the history of salesmanship from the nineteenth century to the present day; and advertisements, song lyrics, speeches, how-to books, and other readings that promote an interdisciplinary study of the play. The material is organized to offer five views of the play and to analyze its impact on American culture in terms of 'Cultural Myths and values, ' 'Economic Interests and Forces, ' 'American Business Culture, ' 'Family and Gender Expectations, ' and 'Sports and American Life.' Each chapter concludes with a list of 'Study Questions, '; 'Topics for Written or Oral Exploration'; and 'Suggested Readings, ' which are expecially useful for teachers. SLJ. |
| the death of a salesman: Arthur Miller's Death of a Salesman Eric Sterling, Eric J. Sterling, 2008 Arthur Miller's Death of a Salesman, the third volume in the Dialogue series, covers six major and controversial topics dealing with Miller's classic play. The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play. |
| the death of a salesman: The Catcher in the Rye J. D. Salinger, 2024-06-28 The Catcher in the Rye," written by J.D. Salinger and published in 1951, is a classic American novel that explores the themes of adolescence, alienation, and identity through the eyes of its protagonist, Holden Caulfield. The novel is set in the 1950s and follows Holden, a 16-year-old who has just been expelled from his prep school, Pencey Prep. Disillusioned with the world around him, Holden decides to leave Pencey early and spend a few days alone in New York City before returning home. Over the course of these days, Holden interacts with various people, including old friends, a former teacher, and strangers, all the while grappling with his feelings of loneliness and dissatisfaction. Holden is deeply troubled by the "phoniness" of the adult world and is haunted by the death of his younger brother, Allie, which has left a lasting impact on him. He fantasizes about being "the catcher in the rye," a guardian who saves children from losing their innocence by catching them before they fall off a cliff into adulthooda. The novel ends with Holden in a mental institution, where he is being treated for a nervous breakdown. He expresses some hope for the future, indicating a possible path to recovery.. |
| the death of a salesman: A View from the Bridge Arthur Miller, 1995 When his wife's cousins seek refuge as illegal immigrants in New York, Eddie Carbone agrees to shelter them. Trouble begins when her niece is attracted to his glamorous younger brother, Rodolpho. 13 parts: 10 male, 3 female plus extras |
| the death of a salesman: Timebends Arthur Miller, 2013-11-01 The definitive memoir of Arthur Miller—the famous playwright of The Crucible, All My Sons, Death of a Salesman, A View from the Bridge, and other plays—Timebends reveals Miller’s incredible trajectory as a man and a writer. Born in 1915, Miller grew up in Harlem in the 1920s and 1930s, developed leftist political convictions during the Great Depression, achieved moral victory against McCarthyism in the 1950s, and became president of PEN International near the end of his life, fighting for writers’ freedom of expression. Along the way, his prolific output established him as one of the greatest writers of the twentieth century—he wrote twenty-two plays, various screenplays, short stories, and essays, and won the Pulitzer Prize in 1949 for Death of a Salesmanand the New York Drama Critics Circle Award in 1947 for All My Sons. Miller also wrote the screenplay for The Misfits, Marilyn Monroe’s final film. This memoir also reveals the incredible host of notables that populated his life, including Marilyn Monroe, Elia Kazan, Clark Gable, Sir Laurence Olivier, John F. Kennedy, and Mikhail Gorbachev. Leaving behind a formidable reputation in the worlds of theater, cinema, and politics, Arthur Miller died in 2005 but his memoir continues his legacy. |
| the death of a salesman: The Penguin Arthur Miller Arthur Miller, 2015-10-27 To celebrate the centennial of his birth, the collected plays of America’s greatest twentieth-century dramatist in a beautiful bespoke hardcover edition In the history of postwar American art and politics, Arthur Miller casts a long shadow as a playwright of stunning range and power whose works held up a mirror to America and its shifting values. The Penguin Arthur Miller celebrates Miller’s creative and intellectual legacy by bringing together the breadth of his plays, which span the decades from the 1930s to the new millennium. From his quiet debut, The Man Who Had All the Luck, and All My Sons, the follow-up that established him as a major talent, to career hallmarks like The Crucible and Death of a Salesman, and later works like Mr. Peters’ Connections and Resurrection Blues, the range and courage of Miller’s moral and artistic vision are here on full display. This lavish bespoke edition, specially produced to commemorate the Miller centennial, is a must-have for devotees of Miller’s work. The Penguin Arthur Miller will ensure a permanent place on any bookshelf for the full span of Miller’s extraordinary dramatic career. The Penguin Arthur Miller includes: The Man Who Had All the Luck, All My Sons, Death of a Salesman, An Enemy of the People, The Crucible, A View from the Bridge, After the Fall, Incident at Vichy, The Price, The Creation of the World and Other Business, The Archbishop’s Ceiling, The American Clock, Playing for Time, The Ride Down Mt. Morgan, The Last Yankee, Broken Glass, Mr. Peters’ Connections, and Resurrection Blues. |
| the death of a salesman: Notes From the Midnight Driver Jordan Sonnenblick, 2010-02-01 Just when you thought you had it all figured out . . . Alex Peter Gregory, you are a moron! Laurie slammed her palms down on my desk and stomped her foot. I get a lot of that.One car crash.One measly little car crash. And suddenly, I'm some kind of convicted felon.My parents are getting divorced, my dad is shacking up with my third-grade teacher, I might be in love with a girl who could kill me with one finger, and now I'm sentenced to babysit some insane old guy.What else could possibly go wrong?This is the story of Alex Gregory, his guitar, his best gal pal Laurie, and the friendship of a lifetime that he never would have expected. |
| the death of a salesman: Meeting Jesus in the Sacraments Ave Maria Press, 2018-11 |
| the death of a salesman: Dracula Bram Stoker, 1982-04-12 String garlic by the window and hang a cross around your neck! The most powerful vampire of all time returns in our Stepping Stone Classic adaption of the original tale by Bran Stoker. Follow Johnathan Harker, Mina Harker, and Dr. Abraham van Helsing as they discover the true nature of evil. Their battle to destroy Count Dracula takes them from the crags of his castle to the streets of London... and back again. |
| the death of a salesman: Death of a Car Salesman Collin Brantmeyer, 2020-10-06 On a brutally hot summer morning in Charlotte, North Carolina, Big Al Washington-a local legend for car sales and eccentric commercials-dies under mysterious circumstances. As the vultures line up for their fair share of his fortune, Big Al's trusted attorney, Larry Bridges, informs the Washington kin that the estate will be frozen until the case is solved. Weary of probing police detectives and avaricious beneficiaries, Larry enlists his savvy daughter, Emily, and Alice Washington-Big Al's estranged daughter and the only family member with a legitimate alibi-to figure out who killed his former boss. Meanwhile, Big Al's grandson and successor Luke, in serious need of cash flow, hatches his own plans to speed up the dispersion process. He sees it as his mission to save the dealership and will fulfill it at any cost. When everyone in the Washington family's inner circle has a potential motive, how will Emily and Alice narrow it down? Or is Big Al's legacy already doomed, as autonomous cars overtake the market and drive his lifelong business into the ground? |
| the death of a salesman: Death of a Salesman, Arthur Miller Adrian Page, 2003 A fresh and exciting approach to English Literature |
| the death of a salesman: The Theater Essays Of Arthur Miller Arthur Miller, Robert A. Martin, Steven R. Centola, 1996-08-22 Arthur Miller is one of the most important and enduring playwrights of the last fifty years. This new edition of The Theater Essays has been expanded by nearly fifty percent to include his most significant articles and interviews since the book's initial publication in 1978. Within these pages Miller discusses the roots of modern drama, the nature of tragedy, and the state of contemporary theater; offers illuminating observations on Ibsen, Strindberg, Chekhov, O'Neill, and Williams; probes the different approaches and attitudes toward theater in Russia, China, and at home; and, of course, provides valuable insights into his own vast dramatic corpus. For this edition the literary chronology and cast and production information have been updated, and an extensive new bibliography has been added. The Theater Essays confirms Arthur Miller's standing as a brilliant, eloquent commentator on drama and culture. No one interested in theater should be without this definitive collection. |
| the death of a salesman: Quicklet on Arthur Miller's Death of a Salesman (CliffNotes-like Book Summary and Analysis) Steven John, 2012-07-30 ABOUT THE BOOK “A diamond is hard and rough to the touch.” - Ben Loman, Death of a Salesman Why is Arthur Miller’s Death of a Salesman still relevant today? Perhaps this simple question begs the question “IS it still relevant?” To any who ask this, the simple answer is an admonition to read the play. Or see it staged. Or watch any of the myriad cinematic adaptations. (Dustin Hoffman’s portrayal of Willy Loman is arguably a gold standard performance. There are many fine renditions of the role, but the best is surely the one conjured in a careful reader’s mind.) Before we delve too deeply into the lasting meaning of this play and the still poignant struggles of its characters, let us discuss something held so directly before our faces that we may well look through it and never recognize its paramount importance: the play’s name. Arthur Miller titled his play -- his first real success -- not simply Death of a Salesman but added the sub-title Certain private conversations in two acts and a requiem. Indeed, death hangs heavy here. The title makes it clear and the word requiem makes it tangible. But let us look, briefly, at the title in surgical detail. Why not “The” Death of a Salesman? Or why not Death of THE salesman? These simple words, these direct object identifiers, would change Willy Loman from the everyman to the man. The genius of Arthur Miller is that Loman manages to be both an everyman and a “real” person -- a character we believe existed, with all his faults, his ticks, his occasional smiles, and his undeniable, unbearable descent. This is the story of one man and his family as his life circles the drain, the lives of all those who touch his -- an ever smaller circle of people -- following not far behind. It is a story of neurosis and denial, of failure and suffering and of a falsified, gilded past in which the broken characters try to find happiness and solace. Well, that sounds rather bleak. So why is this such a resonant, potent, and beloved play? Perhaps because it tells a story we all know, and tells it so well. Perhaps it is because as we watch the ever descending arc that is the lives of Willy, Linda, Biff, and Happy Loman, we are made to whisper under our breath “Yes... and there but for the grace of god go I.” Or maybe it is simply because Arthur Miller was such a fine playwright that he could likely have made a three act about pipe fitting enthralling to all. We shall see as we head deeper into the meat of the play; farther down into the minds -- and psychoses -- of the players. But first, who wrought this jewel? “And I looked at the pen and I thought, what the hell am I grabbing this for? EXCERPT FROM THE BOOK The curtain opens on a small house, several of its walls “removed” so we can see inside it. The lights gradually change to reveal that the house, once quaint and on a lovely spread of land, is now falling apart and is surrounded by tall, drab apartment buildings. The home’s decline mimics that of the head of household, Willy Loman, a man in his 60s and very, very tired. Loman enters late at night, carrying his heavy valises -- the tools of the trade of a salesman in the 1940s -- and shuffling his tired feet. He is greeted by his wife Linda, a kind, patient but sad woman. The couple talk at length and Willy reveals that he could not complete his trip, intended to take him from their home in New York up to Boston, and has sold nothing that day. He could not complete the trip because his tired mind kept wandering into memories of the past and he found the car drifting about the road, following his meandering thoughts. Loman even thinks he was driving a car the family has not owned for years. He is a man whose best years are past; whose very mind is fading... ...buy the book to continue reading! |
| the death of a salesman: Oxford Playscripts: Death of a Salesman Arthur Miller, 2019-02-18 Brand new edition of Miller's award-winning play that brings it alive for 16-18 students. With the clearest and most accessible design, together with supporting activities, biography and contextual information targeting exactly the right level, this edition provides comprehensive, relevant and engaging support for students. |
| the death of a salesman: About Arthur Miller's "Death of a Salesman". A Story of Dreams Andra Stefanescu, 2008-05-30 Essay from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 10 (A), University of Bucharest (Faculty of Foreign Languages and Literatures), course: English Literature, language: English, abstract: My paper deals with the exploration of the American dream for a wealthy, comfortable and successful life and the failure in achieving it, as reflected in the Requiem of Arthur Miller’s Death of a Salesman, taking into account the traits of Social Realism that the play meets. In this respect, Willy Loman represents the archetype of man obsessed with material gains and madly engaged in a pursuit for success, but who eventually ends up tragically, as a victim of his own delusions of grandeur. |
| the death of a salesman: Death of a Salesman by Arthur Miller Peter Spalding, 1987 |
| the death of a salesman: The Grownup Gillian Flynn, 2015-11-03 A young woman is making a living faking it as a cut-price psychic (with some illegal soft-core sex work on the side). She makes a decent wage mostly by telling people what they want to hear. But then she meets Susan Burke. Susan moved to the city one year ago with her husband and 15-year-old stepson Miles. They live in a Victorian house called Carterhook Manor. Susan has become convinced that some malevolent spirit is inhabiting their home. The young woman doesn't believe in exorcism or the supernatural. However when she enters the house for the first time, she begins to feel it too, as if the very house is watching her, waiting, biding its time . . . The Grownup, which originally appeared as 'What Do You Do?' in George R. R. Martin's Rogues anthology, proves once again that Gillian Flynn is one of the world's most original and skilled voices in fiction. |
| the death of a salesman: Death of a Salesman Arthur Miller, 1976 |
| the death of a salesman: American Psycho Bret Easton Ellis, 2014-12-15 A cult classic, adapted into a film starring Christian Bale. Is evil something you are? Or is it something you do? Patrick Bateman has it all: good looks, youth, charm, a job on Wall Street, reservations at every new restaurant in town and a line of girls around the block. He is also a psychopath. A man addicted to his superficial, perfect life, he pulls us into a dark underworld where the American Dream becomes a nightmare . . . With an introduction by Irvine Welsh, Bret Easton Ellis's American Psycho is one of the most controversial and talked-about novels of all time. A multi-million-copy bestseller hailed as a modern classic, it is a violent black comedy about the darkest side of human nature. |
The 1000 Most Common SAT Words - SparkNotes
A SAT Vocabulary aggregate 1. (n.) a whole or total (The three branches of the U.S. Government form an aggregate much more powerful than its individual parts.) 2. (v.) to gather into a mass (The dictator tried to aggregate as many people into his army as he possibly could.) aggrieved (adj.) distressed, wronged, injured (The foreman mercilessly overworked his
The 1000 Most Common SAT Words - SparkNotes
A SAT Vocabulary aggregate 1. (n.) a whole or total (The three branches of the U.S. Government form an aggregate much more powerful than its individual parts.) 2. (v.) to gather into a mass …
