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| the coquette by hannah webster foster: The Coquette Hannah Webster Foster, 1855 |
| the coquette by hannah webster foster: The Coquette (EasyRead Comfort Edition) Hannah Webster Foster, 2011 |
| the coquette by hannah webster foster: The Coquette Hannah Webster Foster, 2015-05-04 The Coquette from Hannah Webster Foster. American novelist (1758-1840). |
| the coquette by hannah webster foster: The Coquette; Or, The History of Eliza Wharton Hannah Webster Foster, 1824 |
| the coquette by hannah webster foster: The Coquette; Or, the History of Eliza Wharton (Dodo Press) Hannah Webster Foster, 2008-11-01 Hannah Webster Foster (1758-1840) was an American novelist. In the 1770s she began writing political articles for Boston newspapers. Her epistolary novel, The Coquette; or, The History of Eliza Wharton, was published anonymously in 1797. In 1798, she published The Boarding School; or, Lessons of a Preceptress to Her Pupils, a commentary on female education in the United States. |
| the coquette by hannah webster foster: The Coquette and The Boarding School Hannah Webster Foster, 2011-07-14 Hannah Webster Foster based The Coquette on the true story of Elizabeth Whitman, an unmarried woman who died in childbirth in New England. Fictionalizing Whitman’s experiences in her heroine, Eliza Wharton, Foster created a compelling narrative of seduction that was hugely successful with readers. The Boarding School, a less widely known work by Foster, is an experimental text, part epistolary novel and part conduct book. Together, the novels explore the realities of women’s lives in early America. The critical introduction and appendices to this edition, which explore female friendship and the education of women in the novels, frame Foster as more than a purveyor of the sentimental novel, and re-evaluate her placement in American literary history. |
| the coquette by hannah webster foster: The Coquette Hannah Webster Foster, 1855 |
| the coquette by hannah webster foster: The Coquette; Or, the History of Eliza Wharton Hannah Foster, 2014-01-22 The Coquette or, The History of Eliza Wharton is an epistolary novel by Hannah Webster Foster. It was published anonymously in 1797, and did not appear under the author's real name until 1856, 16 years after Webster's death. It was one of the best-selling novels of its time and was reprinted eight times between 1824 and 1828. A fictionalized account of the much-publicized death of a socially elite Connecticut woman after giving birth to a stillborn, illegitimate child at a roadside tavern, Foster's novel highlights the social conditions that lead to the downfall of an otherwise well-educated and socially adept woman. |
| the coquette by hannah webster foster: The Coquette; Or, the History of Eliza Wharton: a Novel; Founded on Fact. By a Lady of Massachusetts [Hannah Foster]. Hannah Webster FOSTER, 1802 |
| the coquette by hannah webster foster: The Coquette Hannah W. Foster, 1987-02-19 The Coquette tells the much-publicized story of the seduction and death of Elizabeth Whitman, a poet from Hartford, Connecticut. Written as a series of letters--between the heroine and her friends and lovers--it describes her long, tortuous courtship by two men, neither of whom perfectly suits her. Eliza Wharton (as Whitman is called in the novel) wavers between Major Sanford, a charming but insincere man, and the Reverend Boyer, a bore who wants to marry her. When, in her mid-30s, Wharton finds herself suddenly abandoned when both men marry other women, she willfully enters into an adulterous relationship with Sanford and becomes pregnant. Alone and dejected, she dies in childbirth at a roadside inn. Eliza Wharton, whose real-life counterpart was distantly related to Hannah Foster's husband, was one of the first women in American fiction to emerge as a real person facing a dilemma in her life. In her Introduction, Davidson discusses the parallels between Elizabeth Whitman and the fictional Eliza Wharton. She shows the limitations placed on women in the 18th century and the attempts of one woman to rebel against those limitations. |
| the coquette by hannah webster foster: The Coquette Hannah Webster Foster, Webster Foster Hannah, 2009-04-10 Books for All Kinds of Readers. ReadHowYouWant offers the widest selection of on-demand, accessible format editions on the market today. Our 7 different sizes of EasyRead are optimized by increasing the font size and spacing between the words and the letters. We partner with leading publishers around the globe. Our goal is to have accessible editions simultaneously released with publishers' new books so that all readers can have access to the books they want to read. |
| the coquette by hannah webster foster: The Coquette, or, The History of Eliza Wharton Hannah Webster Foster, 2019-11-20 The Coquette, or, The History of Eliza Wharton: A Novel: Founded on Fact by Hannah Webster Foster is a fictionalized account of the much-publicized death of a socially elite Connecticut woman after giving birth to a stillborn, illegitimate child at a roadside tavern, Foster's novel highlights the social conditions that lead to the downfall of an otherwise well-educated and socially adept woman. The story is about Eliza Wharton, the daughter of a clergyman. At the beginning of the novel she has just been released from an unwanted marriage by the death of her betrothed, the Rev. Haly, also a clergyman, whom Eliza nursed during his final days in her own home. After this experience, she decides she wants friendship and independence. |
| the coquette by hannah webster foster: The Power of Sympathy William Hill Brown, 2021-08-03 The Power of Sympathy (1789) is a novel by American author William Hill Brown. Considered the first American novel, The Power of Sympathy is a work of sentimental fiction which explores the lessons of the Enlightenment on the virtues of rational thought. A story of forbidden romance, seduction, and incest, Brown’s novel is based on the real-life scandal of Perez Morton and Fanny Apthorp, a New England brother- and sister-in-law who struck up an affair that ended in suicide and infamy. Inspired by their tragedy, and hoping to write a novel which captured the need for rational education in the newly formed United States of America, Brown wrote and published The Power of Sympathy anonymously in Boston. The novel, narrated in a series of letters, is the story of Thomas Harrington. He falls for the local beauty Harriot Fawcet, initially hoping to make her his mistress. But when she rejects him, his friend Jack Worthy suggests that he attempt to court and then propose to her, which is the honorable and lawful choice. Thomas’ overly sentimental mind is persuaded by Jack’s unflinching reason, and so he decides to pursue Harriot once more. This time, he is successful, and the two eventually become engaged, but their happiness soon fades when Mrs. Eliza Holmes, a family friend of the Harringtons, reveals the true nature of Harriot’s identity. As the secrets of Mr. Harrington—Thomas’ father—are revealed, the couple are forced to choose between the morals and laws of society and the passionate love they share. The Power of Sympathy is a moving work of tragedy and romance with a pointed message about the need for education in the recently founded United States. Despite borrowing from the British and European traditions of sentimental fiction and the epistolary novel, Brown’s work is a distinctly American masterpiece worthy of our continued respect and attention. With a beautifully designed cover and professionally typeset manuscript, this edition of William Hill Brown’s The Power of Sympathy is a classic of American literature reimagined for modern readers. |
| the coquette by hannah webster foster: The Coquette Hannah Foster, 2011 Hannah Webster Foster based The Coquette on the true story of Elizabeth Whitman, an unmarried woman who died in childbirth in New England. Fictionalizing Whitman's experiences in her heroine, Eliza Wharton, Foster created a compelling narrative of seduction that was hugely successful with readers. It explores the realities of women's lives in early America, female friendship and the education of women. It frames Foster as more than a purveyor of the sentimental novel, and re-evaluate her placement in American literary history. |
| the coquette by hannah webster foster: The Coquette Hannah Webster Foster, 1939 A fictionalized account of the much-publicized death of a socially elite Connecticut woman after giving birth to a stillborn, illegitimate child at a roadside tavern, Foster's novel highlights the social conditions that lead to the downfall of an otherwise well-educated and socially adept woman. --Wikipedia.com. |
| the coquette by hannah webster foster: Erotic Citizens Elizabeth Dill, 2019-11-28 What is the role of sex in the age of democratic beginnings? Despite the sober republican ideals of the Enlightenment, the literature of America’s early years speaks of unruly, carnal longings. Elizabeth Dill argues that the era’s proliferation of texts about extramarital erotic intimacy manifests not an anxiety about the dangers of unfettered feeling but an endorsement of it. Uncovering the more prurient aspects of nation-building, Erotic Citizens establishes the narrative of sexual ruin as a genre whose sustained rejection of marriage acted as a critique of that which traditionally defines a democracy: the social contract and the sovereign individual. Through an examination of philosophical tracts, political cartoons, frontispiece illustrations, portraiture, and the novel from the antebellum period, this study reconsiders how the terms of embodiment and selfhood function to define national belonging. From an enslaved woman’s story of survival in North Carolina to a philosophical treatise penned by an English earl, the readings employ the trope of sexual ruin to tell their tales. Such narratives advanced the political possibilities of the sympathetic body, looking beyond the marriage contract as the model for democratic citizenship. Against the cult of the individual that once seemed to define the era, Erotic Citizens argues that the most radical aspect of the Revolution was not the invention of a self-governing body but the recognition of a self whose body is ungovernable. |
| the coquette by hannah webster foster: The Coquette Hannah Foster, 2015-07-08 The Coquette - The History of Eliza Wharton - A Novel: Founded on Fact by a Lady of Massachusetts by Hannah Webster Foster - The story is about Eliza Wharton, the daughter of a clergyman. At the beginning of the novel she has just been released from an unwanted marriage by the death of her betrothed, the Rev. Haly, also a clergyman, whom Eliza nursed during his final days in her own home. After this experience, she decides she wants friendship and independence. After a short period of time living with friends, she is courted by two men. One, Boyer, is a respected but rather boring clergyman, whom all of her friends and her mother recommend she accept in marriage. The other, Sanford, is an aristocratic libertine, who has no intention to marry but determines not to let another man have Eliza. Because of her indecision and her apparent preference for the libertine Sanford, Boyer eventually gives up on her, deciding that she will not make a suitable wife. Sanford also disappears from her life and marries another woman, Nancy, for her fortune. Eliza eventually decides that she really loved Boyer and wants him back. Unfortunately for Eliza, Boyer has already decided to marry Maria Selby, a relation of Boyer's friend. Sanford later reappears married, but is able to seduce the depressed Eliza. They have a hidden affair for some time until, overcome by guilt and unwilling to face her family and friends, Eliza arranges to escape from her home. Like the real-life Elizabeth Whitman, she dies due to childbirth complications and is buried by strangers. Mrs. Wharton (Eliza's mother) and all of Eliza's friends are deeply saddened by her death. Sanford, too, is devastated by her death. In a letter to his friend, Charles Deighton, he expresses his regret at his wretched behavior. |
| the coquette by hannah webster foster: Female Quixotism Tabitha Tenney, 1825 |
| the coquette by hannah webster foster: Truth's Ragged Edge Philip F. Gura, 2013-04-09 From the acclaimed cultural historian Philip F. Gura comes Truth's Ragged Edge, a comprehensive and original history of the American novel's first century. Grounded in Gura's extensive consideration of the diverse range of important early novels, not just those that remain widely read today, this book recovers many long-neglected but influential writers—such as the escaped slave Harriet Jacobs, the free black Philadelphian Frank J. Webb, and the irrepressible John Neal—to paint a complete and authoritative portrait of the era. Gura also gives us the key to understanding what sets the early novel apart, arguing that it is distinguished by its roots in the fundamental religiosity of American life. Our nation's pioneering novelists, it turns out, wrote less in the service of art than of morality. This history begins with a series of firsts: the very first American novel, William Hill Brown's The Power of Sympathy, published in 1789; the first bestsellers, Susanna Rowson's Charlotte Temple and Hannah Webster Foster's The Coquette, novels that were, like Brown's, cautionary tales of seduction and betrayal; and the first native genre, religious tracts, which were parables intended to instruct the Christian reader. Gura shows that the novel did not leave behind its proselytizing purpose, even as it evolved. We see Catharine Maria Sedgwick in the 1820s conceiving of A New-England Tale as a critique of Puritanism's harsh strictures, as well as novelists pushing secular causes: George Lippard's The Quaker City, from 1844, was a dark warning about growing social inequality. In the next decade certain writers—Hawthorne and Melville most famously—began to depict interiority and doubt, and in doing so nurtured a broader cultural shift, from social concern to individualism, from faith in a distant god to faith in the self. Rich in subplots and detail, Gura's narrative includes enlightening discussions of the technologies that modernized publishing and allowed for the printing of novels on a mass scale, and of the lively cultural journals and literary salons of early nineteenth-century New York and Boston. A book for the reader of history no less than the reader of fiction, Truth's Ragged Edge—the title drawn from a phrase in Melville, about the ambiguity of truth—is an indispensable guide to the fascinating, unexpected origins of the American novel. |
| the coquette by hannah webster foster: Doomed Romance Christine Leigh Heyrman, 2021-02-09 A NEW YORK TIMES NOTABLE BOOK OF THE YEAR • A thwarted love triangle of heartbreak rediscovered after almost two hundred years—two men and a woman of equal ambition—that exploded in scandal and investigation, set between America's Revolution and its Civil War, revealing an age in subtle and powerful transformation, caught between the fight for women's rights and the campaign waged by evangelical Protestants to dominate the nation's culture and politics. From the winner of the Bancroft Prize and the Francis Parkman Prize in History. At its center—and the center of a love triangle—Martha Parker, a gifted young New England woman, smart, pretty, ambitious, determined to make the most of her opportunities, aspiring to become an educator and a foreign missionary. Late in 1825, Martha accepted a proposal from a schoolmaster, Thomas Tenney, only to reject him several weeks later for a rival suitor, a clergyman headed for the mission field, Elnathan Gridley. Tenney's male friends, deeply resentful of the new prominence of women in academies, benevolent and reform associations, and the mission field, decided to retaliate on Tenney's behalf by sending an anonymous letter to the head of the foreign missions board impugning Martha's character. Tenney further threatened Martha with revealing even more about their relationship, thereby ruining her future prospects as a missionary. The head of the board began an inquiry into the truth of the claims about Martha, and in so doing, collected letters, diaries, depositions, and firsthand witness accounts of Martha's character. The ruin of Martha Parker's hopes provoked a resistance within evangelical ranks over womanhood, manhood, and, surprisingly, homosexuality, ultimately threatening to destroy the foreign missions enterprise. |
| the coquette by hannah webster foster: Interior States Christopher Castiglia, 2008-11-11 In Interior States Christopher Castiglia focuses on U.S. citizens’ democratic impulse: their ability to work with others to imagine genuinely democratic publics while taking divergent views into account. Castiglia contends that citizens of the early United States were encouraged to locate this social impulse not in associations with others but in the turbulent and conflicted interiors of their own bodies. He describes how the human interior—with its battles between appetite and restraint, desire and deferral—became a displacement of the divided sociality of nineteenth-century America’s public sphere and contributed to the vanishing of that sphere in the twentieth century and the twenty-first. Drawing insightful connections between political structures, social relations, and cultural forms, he explains that as the interior came to reflect the ideological conflicts of the social world, citizens were encouraged to (mis)understand vigilant self-scrutiny and self-management as effective democratic action. In the late eighteenth century and early nineteenth, as discourses of interiority gained prominence, so did powerful counter-narratives. Castiglia reveals the flamboyant pages of antebellum popular fiction to be an archive of unruly democratic aspirations. Through close readings of works by Maria Monk and George Lippard, Walt Whitman and Timothy Shay Arthur, Hannah Webster Foster and Hannah Crafts, and Nathaniel Hawthorne and Herman Melville, Castiglia highlights a refusal to be reformed or self-contained. In antebellum authors’ representations of nervousness, desire, appetite, fantasy, and imagination, he finds democratic strivings that refused to disappear. Taking inspiration from those writers and turning to the present, Castiglia advocates a humanism-without-humans that, denied the adjudicative power of interiority, promises to release democracy from its inner life and to return it to the public sphere where U.S. citizens may yet create unprecedented possibilities for social action. |
| the coquette by hannah webster foster: Storming Heaven: A Novel Denise Giardina, 2010-07-05 This is the story of the miners and the union they wanted, of the people who loved them and the people who wanted to kill their dreams. Annadel, West Virginia, was a small town rich in coal, farms, and close-knit families, all destroyed when the coal company came in. It stole everything it hadn't bothered to buy—land deeds, private homes, and ultimately, the souls of its men and women. Four people tell this powerful, deeply moving tale: Activist Mayor C. J. Marcum. Fierce, loveless union man Rondal Lloyd. Gutsy nurse Carrie Bishop, who loved Rondal. And lonely, Sicilian immigrant Rosa Angelelli, who lost four sons to the deadly mines. They all bear witness to nearly forgotten events of history, culminating in the final, tragic Battle of Blair Mountain—when the United States Army greeted ten thousand unemployed pro-union miners with airplanes, bombs, and poison gas. It was the first crucial battle of a war that has yet to be won. |
| the coquette by hannah webster foster: Two Lives Level 3 Helen Naylor, 2001-03-22 In the small Welsh village of Tredonald, Megan and Huw fall in love. But is their love strong enough to last? Death, their families and the passing years are all against them.--Taken from rear cover. |
| the coquette by hannah webster foster: Generation X Douglas Coupland, 1991 Three twenty-something young adults, working at low-paying, no-future jobs, tell one another modern tales of love and death. |
| the coquette by hannah webster foster: A Companion to American Literature Susan Belasco, Theresa Strouth Gaul, Linck Johnson, Michael Soto, 2020-04-02 A comprehensive, chronological overview of American literature in three scholarly and authoritative volumes A Companion to American Literature traces the history and development of American literature from its early origins in Native American oral tradition to 21st century digital literature. This comprehensive three-volume set brings together contributions from a diverse international team of accomplished young scholars and established figures in the field. Contributors explore a broad range of topics in historical, cultural, political, geographic, and technological contexts, engaging the work of both well-known and non-canonical writers of every period. Volume One is an inclusive and geographically expansive examination of early American literature, applying a range of cultural and historical approaches and theoretical models to a dramatically expanded canon of texts. Volume Two covers American literature between 1820 and 1914, focusing on the development of print culture and the literary marketplace, the emergence of various literary movements, and the impact of social and historical events on writers and writings of the period. Spanning the 20th and early 21st centuries, Volume Three studies traditional areas of American literature as well as the literature from previously marginalized groups and contemporary writers often overlooked by scholars. This inclusive and comprehensive study of American literature: Examines the influences of race, ethnicity, gender, class, and disability on American literature Discusses the role of technology in book production and circulation, the rise of literacy, and changing reading practices and literary forms Explores a wide range of writings in multiple genres, including novels, short stories, dramas, and a variety of poetic forms, as well as autobiographies, essays, lectures, diaries, journals, letters, sermons, histories, and graphic narratives. Provides a thematic index that groups chapters by contexts and illustrates their links across different traditional chronological boundaries A Companion to American Literature is a valuable resource for students coming to the subject for the first time or preparing for field examinations, instructors in American literature courses, and scholars with more specialized interests in specific authors, genres, movements, or periods. |
| the coquette by hannah webster foster: Peter Oliver’s “Origin and Progress of the American Rebellion” Peter Oliver, 1967 One difficulty in writing a balanced history of the American Revolution arises in part from its success as a creator of our nation and our nationalistic sentiment. Unlike the Civil War, unlike the French Revolution, the American Revolution produced no lingering social trauma in the United Statesit is a historic event widely applauded by Americans today as both necessary and desirable. But one consequence of this happy unanimity is that the chief losers of the War of Independencethe American Loyalistshave fared badly at the hands of historians. This explains, in part, why the account of the Revolution recorded by self-professed Loyalist and Chief Justice of the Superior Court of Massachusetts, Peter Oliver, has heretofore been so routinely overlooked. Oliver's manuscript, entitled The Origins & Progress of the American Rebellion, written in 1781, challenges the motives of the founding fathers, and depicts the revolution as passion, plotting, and violence. His descriptions of the leaders of the patriot party, of their program and motives, are unforgiving, bitter, and inevitably partisan. But it records the impressions of one who had experienced these events, knew most of the combatants intimately, and saw the collapse of the society he had lived in. His history is a very important contemporary account of the origins of the revolution in Massachusetts, and is now presented here in it entirety for the first time. |
| the coquette by hannah webster foster: Liminality, Hybridity, and American Women's Literature Kristin J. Jacobson, Kristin Allukian, Rickie-Ann Legleitner, Leslie Allison, 2018-05-04 This book highlights the multiplicity of American women’s writing related to liminality and hybridity from its beginnings to the contemporary moment. Often informed by notions of crossing, intersectionality, transition, and transformation, these concepts as they appear in American women’s writing contest as well as perpetuate exclusionary practices involving class, ethnicity, gender, race, religion, and sex, among other variables. The collection’s introduction, three unit introductions, fourteen individual essays, and afterward facilitate a process of encounters, engagements, and conversations within, between, among, and across the rich polyphony that constitutes the creative acts of American women writers. The contributors offer fresh perspectives on canonical writers as well as introduce readers to new authors. As a whole, the collection demonstrates American women’s writing is “threshold writing,” or writing that occupies a liminal, hybrid space that both delimits borders and offers enticing openings. |
| the coquette by hannah webster foster: Writing Friendship Paloma Gay y Blasco, Liria Hernández, 2019-11-23 This book tells the remarkable story of the friendship between Liria Hernández, a Roma woman from Madrid, and Paloma Gay y Blasco, a non-Roma anthropologist. In this unique reciprocal experiment, the former informant returns the gaze to write about the anthropologist, her life and her environment. Through finely crafted and deeply moving text, Hernández and Gay y Blasco suggest new ways of doing and writing anthropology. The dialogue between Hernández and Gay y Blasco provides a courageous account of the entanglements and rewards of anthropological research. Drawing on letters, conversations, and fieldnotes gathered over twenty-five years, each of the authors talks about herself, the other, and the impact of anthropology on their two lives. They examine their intertwined trajectories as Spanish women and reflect on the challenges of devising their own reciprocal genre. Blending ethnography, life story and memoir, they undermine the dichotomy between author and subject around which scholarship still revolves. |
| the coquette by hannah webster foster: Charlotte Temple Mrs. Rowson, 1825 |
| the coquette by hannah webster foster: The Coquette Hannah Webster Foster, 2013 Published anonymously in 1797, Hannah Webster Foster's The Coquette grabbed American interest with its ripped-from-the-headlines story of sex and scandal. A steady best seller for decades, the seduction novel was passed down through generations; indeed, its heroine became better known than the book's author. A year later, Foster's lesser-known follow-up, The Boarding School, provided an equally compelling portrait of women at the turn of the nineteenth century in the same epistolary form. Both novels can now be read in conversation with each other in this new Norton Critical Edition based on the respective first edition texts; the author's original spelling, punctuation, and usage are retained while obvious printer's errors are corrected. The texts are joined with a detailed introduction to Foster's legacy and Elizabeth Whitman's life along with explanatory annotations and a note on the text. Sources and Contexts unearths a wealth of original material about the environment the works were produced in and the real-life people who inspired them. The three sections, On Coquetry, The Life and Death of Elizabeth Whitman, and The Nineteenth-Century Legacy, include new and corrected transcriptions of Whitman's letters to Ruth and Joel Barlow, an inventory of items found at Whitman's room at her death, popular representations of Elizabeth Whitman, and unauthorized sequels to The Coquette. Seven illustrations, including three of Eliza Wharton, are included to enrich the reading experience. Criticism brings together nine diverse contemporary interpretations. Contributors include Carroll Smith-Rosenberg, Claire C. Pettengill, Julia A. Stern, Gillian Brown, Jeffrey H. Richards, and Gwendolyn Audrey Foster, among others. Chronologies of the lives of Hannah Webster Foster and Elizabeth Whitman are included along with a Selected Bibliography. |
| the coquette by hannah webster foster: Kelroy Rebecca Rush, 2016-05-02 Kelroy, a nearly-forgotten 1812 novel by Rebecca Rush, combines the refinement of the novel of manners with the Gothic novel’s hidden evil to tell the story of the star-crossed lovers Emily Hammond and the romantic Kelroy, whose romance is doomed by the machinations of Emily’s mother. Set in the elite world of Philadelphia’s Atlantic Rim society, Kelroy transcends the genre of sentimental romance to expose the financial pressures that motivate Mrs. Hammond’s gambles. As she sacrifices her daughter to maintain the appearance of urbane wealth, Mrs. Hammond emerges as one of the most compellingly detestable figures in early American literature. Appendices include materials on gender, economics, and marriage; games and dancing; and gambling and the lottery in early urban America. A group of illustrations of early-nineteenth-century Philadelphia is also included. |
| the coquette by hannah webster foster: Jazz Toni Morrison, 2007-07-24 From the acclaimed Nobel Prize winner, a passionate, profound story of love and obsession that brings us back and forth in time, as a narrative is assembled from the emotions, hopes, fears, and deep realities of Black urban life. With a foreword by the author. “As rich in themes and poetic images as her Pulitzer Prize–winning Beloved.... Morrison conjures up the hand of slavery on Harlem’s jazz generation. The more you listen, the more you crave to hear.” —Glamour In the winter of 1926, when everybody everywhere sees nothing but good things ahead, Joe Trace, middle-aged door-to-door salesman of Cleopatra beauty products, shoots his teenage lover to death. At the funeral, Joe’s wife, Violet, attacks the girl’s corpse. This novel “transforms a familiar refrain of jilted love into a bold, sustaining time of self-knowledge and discovery. Its rhythms are infectious” (People). The author conjures up worlds with complete authority and makes no secret of her angst at the injustices dealt to Black women.” —The New York Times Book Review |
| the coquette by hannah webster foster: The Coquette (EasyRead Super Large 18pt Edition) Hannah Webster Foster, 1986 |
| the coquette by hannah webster foster: Cue for Treason Geoffrey Trease, 2009-04-02 Fleeing from the evil Sir Philip Morton, Peter Brownrigg finds himself on the wrong side of the law. On the run to London he meets Kit and the two decide to stick together. But a chance discovery endangers their lives and soon Peter is deep in murderous plots, secrets and even treason. Set in the turbulent days of Elizabeth I, this classic story of danger and intrigue conjures up a world of mystery, twists and turns and thrilling action. |
| the coquette by hannah webster foster: Winter's Bone Daniel Woodrell, 2007-07-11 Daniel Woodrell's modern classic is an unforgettable tale of desperation and courage that inspired the award-winning film starring Jennifer Lawrence. Ree Dolly's father has skipped bail on charges that he ran a crystal meth lab, and the Dollys will lose their house if he doesn't show up for his next court date. With two young brothers depending on her, 16-year-old Ree knows she has to bring her father back, dead or alive. Living in the harsh poverty of the Ozarks, Ree learns quickly that asking questions of the rough Dolly clan can be a fatal mistake. But, as an unsettling revelation lurks, Ree discovers unforeseen depths in herself and in a family network that protects its own at any cost. The lineage from Faulkner to Woodrell runs as deep and true as an Ozark stream in this book...his most profound and haunting yet. -- Los Angeles Times Book Review |
| the coquette by hannah webster foster: A New England Tale (Romance Classic) Catharine Maria Sedgwick, 2021-05-07 Jane Elton is left orphaned by both of her parents who die due to unpredictable ailments.After this traumatic experience, Jane is taken in by herselfish and overbearing aunt Mrs. Wilson's. Faced with a repressive Calvinism practiced by her aunt, and the conservative and rural mentality of her new New England home, Jane longs to break free. She grows up to be a beautiful young woman who catches the eye of many gentlemen lurking around Mrs. Wilson's residence. Still struggling to identify with who she really, while constantly conflicting with her aunt, Jane chooses one of her wooers and marries him out of desperation, although her heart is with another man. Her struggles continue in form of a romantic triangle threatening to end fatally, with many other obstacles standing in the way of her happiness. |
| the coquette by hannah webster foster: The Other Two Edith Wharton, 2014-03-01 The Other Two is a short story by Edith Wharton. Edith Wharton ( born Edith Newbold Jones; January 24, 1862 - August 11, 1937) was a Pulitzer Prize-winning American novelist, short story writer, and designer. She was nominated for the Nobel Prize in Literature in 1927, 1928 and 1930. Wharton combined her insider's view of America's privileged classes with a brilliant, natural wit to write humorous, incisive novels and short stories of social and psychological insight. She was well acquainted with many of her era's other literary and public figures, including Theodore Roosevelt. Wharton was born to George Frederic Jones and Lucretia Stevens Rhinelander in New York City. She had two brothers, Frederic Rhinelander and Henry Edward. The saying Keeping up with the Joneses is said to refer to her father's family. She was also related to the Rensselaer family, the most prestigious of the old patroon families. She had a lifelong friendship with her Rhinelander niece, landscape architect Beatrix Farrand of Reef Point in Bar Harbor, Maine. In 1885, at 23, she married Edward (Teddy) Robbins Wharton, who was 12 years older. From a well-established Philadelphia family, he was a sportsman and gentleman of the same social class and shared her love of travel. From the late 1880s until 1902, he suffered acute depression, and the couple ceased their extensive travel. At that time his depression manifested as a more serious disorder, after which they lived almost exclusively at The Mount, their estate designed by Edith Wharton. In 1908 her husband's mental state was determined to be incurable. She divorced him in 1913. Around the same time, Edith was overcome with the harsh criticisms leveled by the naturalist writers. Later in 1908 she began an affair with Morton Fullerton, a journalist for The Times, in whom she found an intellectual partner. In addition to novels, Wharton wrote at least 85 short stories. She was also a garden designer, interior designer, and taste-maker of her time. She wrote several design books, including her first published work, The Decoration of Houses of 1897, co-authored by Ogden Codman. Another is the generously illustrated Italian Villas and Their Gardens of 1904. |
| the coquette by hannah webster foster: Passing Nella Larsen, 2022 Harlem Renaissance author Nella Larsen (1891 –1964) published just two novels and three short stories in her lifetime, but achieved lasting literary acclaim. Her classic novel Passing first appeared in 1926. |
| the coquette by hannah webster foster: Credulity Emily Ogden, 2018-03-30 From the 1830s to the Civil War, Americans could be found putting each other into trances for fun and profit in parlors, on stage, and in medical consulting rooms. They were performing mesmerism. Surprisingly central to literature and culture of the period, mesmerism embraced a variety of phenomena, including mind control, spirit travel, and clairvoyance. Although it had been debunked by Benjamin Franklin in late eighteenth-century France, the practice nonetheless enjoyed a decades-long resurgence in the United States. Emily Ogden here offers the first comprehensive account of those boom years. Credulity tells the fascinating story of mesmerism’s spread from the plantations of the French Antilles to the textile factory cities of 1830s New England. As it proliferated along the Eastern seaboard, this occult movement attracted attention from Ralph Waldo Emerson’s circle and ignited the nineteenth-century equivalent of flame wars in the major newspapers. But mesmerism was not simply the last gasp of magic in modern times. Far from being magicians themselves, mesmerists claimed to provide the first rational means of manipulating the credulous human tendencies that had underwritten past superstitions. Now, rather than propping up the powers of oracles and false gods, these tendencies served modern ends such as labor supervision, education, and mediated communication. Neither an atavistic throwback nor a radical alternative, mesmerism was part and parcel of the modern. Credulity offers us a new way of understanding the place of enchantment in secularizing America. |
| the coquette by hannah webster foster: Secret History; or, The Horrors of St. Domingo and Laura Leonora Sansay, 2007-06-11 Based on Leonora Sansay’s eyewitness accounts of the final days of French rule in Saint Domingue (Haiti), Secret History is a vivid account of race warfare and domestic violence. Sansay’s writing provocatively draws comparisons between Saint Domingue during the Haitian Revolution and the postrevolutionary United States, while fluidly combining qualities of the eighteenth-century epistolary novel, colonial travel writing, and political analysis. Laura, Sansay’s second novel, features as its protagonist a beautiful impoverished orphan who throws herself headlong into a secret marriage with a young medical student. When her husband dies in a duel in an effort to protect his wife’s reputation, Laura finds herself once more alone in the world. The republication of these works will contribute to a significant revision of thinking about early American literary history. This Broadview edition offers a rich selection of contextual materials, including selections from periodical literature about Haiti, engravings, letters written by Sansay to her friend Aaron Burr, historical material related to the Burr trial for treason, and excerpts from literature referenced in the novels. |
COQUETTE Definition & Meaning - Merriam-Webster
The meaning of COQUETTE is a woman who endeavors without sincere affection to gain the attention and admiration of men. How to use coquette in a sentence.
COQUETTE | English meaning - Cambridge Dictionary
COQUETTE definition: 1. a woman who likes to attract attention by behaving as if she is sexually interested in people…. Learn more.
Coquette - Definition, Meaning & Synonyms - Vocabulary.com
A coquette is a flirt, a girl or woman who knows how to flatter and manipulate men with her charms in order to get what she wants. Coquette sounds French, and it is, borrowed into …
COQUETTE Definition & Meaning - Dictionary.com
See examples of COQUETTE used in a sentence.
coquette, n. & adj. meanings, etymology and more | Oxford …
Coquette, a prattling or proud gossip; a frisking or fliperous minx; a cocket. A constant frequenter of all Masquerades and publick Meetings, a perfect Coquet, very affected, and something old. …
coquette noun - Definition, pictures, pronunciation and usage …
Definition of coquette noun from the Oxford Advanced Learner's Dictionary. a person, usually a woman, who behaves in a way that is intended to be sexually attractive but is not very serious …
coquette - Wiktionary, the free dictionary
Feb 13, 2025 · (aesthetic) Of or relating to a feminine style of clothing involving ribbons, frills, and bows. Frills, lace, bows, hearts, and ribbon (in excess!) are all part of the coquette look. […]” …
COQUETTE definition and meaning | Collins English Dictionary
2 meanings: 1. a woman who flirts 2. any hummingbird of the genus Lophornis, esp the crested Brazilian species L. magnifica.... Click for more definitions.
Coquette - definition of coquette by The Free Dictionary
coquette - talk or behave amorously, without serious intentions; "The guys always try to chat up the new secretaries"; "My husband never flirts with other women"
Coquette Definition & Meaning - YourDictionary
Coquette definition: A woman who regularly makes romantic or sexual overtures; a flirt.
COQUETTE Definition & Meaning - Merriam-Webster
The meaning of COQUETTE is a woman who endeavors without sincere affection to gain the attention and admiration of men. How to use coquette in a sentence.
COQUETTE | English meaning - Cambridge Dictionary
COQUETTE definition: 1. a woman who likes to attract attention by behaving as if she is sexually interested in people…. Learn more.
Coquette - Definition, Meaning & Synonyms - Vocabulary.com
A coquette is a flirt, a girl or woman who knows how to flatter and manipulate men with her charms in order to get what she wants. Coquette sounds French, and it is, borrowed into …
COQUETTE Definition & Meaning - Dictionary.com
See examples of COQUETTE used in a sentence.
coquette, n. & adj. meanings, etymology and more | Oxford …
Coquette, a prattling or proud gossip; a frisking or fliperous minx; a cocket. A constant frequenter of all Masquerades and publick Meetings, a perfect Coquet, very affected, and something old. …
coquette noun - Definition, pictures, pronunciation and usage …
Definition of coquette noun from the Oxford Advanced Learner's Dictionary. a person, usually a woman, who behaves in a way that is intended to be sexually attractive but is not very serious …
coquette - Wiktionary, the free dictionary
Feb 13, 2025 · (aesthetic) Of or relating to a feminine style of clothing involving ribbons, frills, and bows. Frills, lace, bows, hearts, and ribbon (in excess!) are all part of the coquette look. […]” …
COQUETTE definition and meaning | Collins English Dictionary
2 meanings: 1. a woman who flirts 2. any hummingbird of the genus Lophornis, esp the crested Brazilian species L. magnifica.... Click for more definitions.
Coquette - definition of coquette by The Free Dictionary
coquette - talk or behave amorously, without serious intentions; "The guys always try to chat up the new secretaries"; "My husband never flirts with other women"
Coquette Definition & Meaning - YourDictionary
Coquette definition: A woman who regularly makes romantic or sexual overtures; a flirt.
