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| the collected works of phillis wheatley: The Collected Works of Phillis Wheatley Phillis Wheatley, 1988 Contains the complete works of the first African-American to publish a book of poetry. |
| the collected works of phillis wheatley: The Collected Works of Phillis Wheatley Phillis Wheatley, |
| the collected works of phillis wheatley: The Collected Works of Phillis Wheatley Phillis Wheatley, John C. Shields, 1989 |
| the collected works of phillis wheatley: The Collected Works of Phillis Wheatley Phillis Wheatley, 1989 |
| the collected works of phillis wheatley: Complete Writings Phillis Wheatley, 2001-02-01 The extraordinary writings of Phillis Wheatley, a formerly enslaved woman turned published poet In 1761, a young girl arrived in Boston on a ship of enslaved people, was sold to the Wheatley family, and given the name Phillis Wheatley. After studying English and classical literature, geography, the Bible, and Latin, Phillis published her first poem in 1767 at the age of 14, winning much public attention and considerable fame. When Boston publishers who doubted its authenticity rejected an initial collection of her poetry, Wheatley sailed to London in 1773 and found a publisher there for Poems on Various Subjects, Religious and Moral. This volume collects both Wheatley's letters and her poetry: hymns, elegies, translations, philosophical poems, tales, and epyllions--including a poignant plea to the Earl of Dartmouth urging freedom for America and comparing the country's condition to her own. With her contemplative elegies and her use of the poetic imagination to escape an unsatisfactory world, Wheatley anticipated the Romantic Movement of the following century. The appendices to this edition include poems of Wheatley's contemporary African-American poets: Lucy Terry, Jupiter Harmon, and Francis Williams. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
| the collected works of phillis wheatley: The Poems of Phillis Wheatley Phillis Wheatley, 2012-03-15 At the age of 19, Phillis Wheatley was the first black American poet to publish a book. Her elegies and odes offer fascinating glimpses of the beginnings of African-American literary traditions. Includes a selection from the Common Core State Standards Initiative. |
| the collected works of phillis wheatley: Phillis Wheatley and the Romantics John C. Shields, 2010-08-19 This book very conclusively debunks the over two-hundred-year-old conventional wisdom that Wheatley owes her poetic sensibilities to Alexander Pope. ... It will help rejuvenate the study of Wheatley and will be an exciting contribution to scholarly discourse on Wheatley's poetry.--Cedrick May, author of Evangelism and Resistance in the Black Atlantic, 1760-1835. Phillis Wheatley was the first African American to publish a book. Born in Gambia in 1753, she came to America aboard a slave ship, the Phillis. From an early age, Wheatley exhibited a profound gift for verse, publishing her first. |
| the collected works of phillis wheatley: Phillis Wheatley and the Romantics John C. Shields, 2010-07-27 Phillis Wheatley was the first African American to publish a book. Born in Gambia in 1753, she came to America aboard a slave ship, the Phillis. From an early age, Wheatley exhibited a profound gift for verse, publishing her first poem in 1767. Her tribute to a famed pastor, “On the Death of the Rev. Mr. George Whitefield,” followed in 1770, catapulting her into the international spotlight, and publication of her 1773 Poems on Various Subjects Religious and Moral in London created her an international star. Despite the attention she received at the time, history has not been kind to Wheatley. Her work has long been neglected or denigrated by literary critics and historians. John C. Shields, a scholar of early American literature, has tried to help change this perception, and Wheatley has begun to take her place among the elite of American writers. In Phillis Wheatley and the Romantic Age, Shields contends that Wheatley was not only a brilliant writer but one whose work made a significant impression on renowned Europeans of the Romantic age, such as Samuel Taylor Coleridge, who borrowed liberally from her works, particularly in his famous distinction between fancy and imagination. Shields shows how certain Wheatley texts, particularly her “Long Poem,” consisting of “On Recollection,” “Thoughts on the Works of Providence,” and “On Imagination,” helped shape the face of Romanticism in the late eighteenth and nineteenth centuries. Phillis Wheatley and the Romantic Age helps demolish the long-held notion that literary culture flowed in only one direction: from Europe to the Americas. Thanks to Wheatley’s influence, Shields argues, the New World was influencing European literary masters far sooner than has been generally understood. |
| the collected works of phillis wheatley: Phillis Wheatley Vincent Carretta, 2011 Reveals the fascinating life of Phillis Wheatley, the first English-speaking person of African descent to publish a book, and only the second woman to do so in America, and also to do so while she was a slave and a teenager. |
| the collected works of phillis wheatley: New Essays on Phillis Wheatley John C. Shields, Eric D. Lamore, 2011-05-30 The first African American to publish a book on any subject, poet Phillis Wheatley (1753?-1784) has long been denigrated by literary critics who refused to believe that a black woman could produce such dense, intellectual work. In recent decades, however, Wheatley's work has come under new scrutiny as the literature of the eighteenth century and the impact of African American literature have been reconceived. Fourteen prominent Wheatley scholars consider her work from a variety of angles, affirming her rise into the first rank of American writers. --from publisher description. |
| the collected works of phillis wheatley: The Collected Works of Jupiter Hammon Cedrick May, 2024-11-08 This text will become the definitive collection of Hammon's work--not only because of the archival finds that Cedrick May features but also because of his careful and attentive reconstruction of Hammon's historical, political, social, and religious contexts.--Katy Chiles, author of Transformable Race: Surprising Metamorphoses in the Literature of Early America This volume, which reflects those discoveries about the Hammon's life and work that have taken place since Ransom's earlier collection, will enable scholars, instructors, students, and other interested readers ready to access the most up-to-date assessment and presentation of this pioneering African American author's body of work.--Ajuan Mance, editor of Before Harlem: An Anthology of African American Literature from the Long Nineteenth Century Editor Cedrick May's The Collected Works of Jupiter Hammon offers a complete look at the literary achievements of one of the founders of African American literature: Jupiter Hammon (1711-1806?), the first Black writer to be published in what became the United States of America. With this collection--the most comprehensive volume on Hammon's works to date--May carefully reconstructs the historical, political, social, and religious contexts that shaped Hammon's essays and poems throughout the late eighteenth century. This fresh presentation and insightful reevaluation sets down a new rubric for how Hammon, an enslaved person from New York, can be studied and appreciated among literary scholars and readers alike. |
| the collected works of phillis wheatley: Poems on Various Subjects, Religious and Moral Phillis Wheatley, 1887 |
| the collected works of phillis wheatley: The Collected Works of Jupiter Hammon Cedrick May, 2017 |
| the collected works of phillis wheatley: The Trials of Phillis Wheatley Henry Louis Gates, Jr., 2010-10 In 1773, the slave Phillis Wheatley literally wrote her way to freedom. The first person of African descent to publish a book of poems in English, she was emancipated by her owners in recognition of her literary achievement. For a time, Wheatley was the most famous black woman in the West. But Thomas Jefferson, unlike his contemporaries Ben Franklin and George Washington, refused to acknowledge her gifts as a writer a repudiation that eventually inspired generations of black writers to build an extraordinary body of literature in their efforts to prove him wrong. In The Trials of Phillis Wheatley, Henry Louis Gates Jr. explores the pivotal roles that Wheatley and Jefferson played in shaping the black literary tradition. Writing with all the lyricism and critical skill that place him at the forefront of American letters, Gates brings to life the characters, debates, and controversy that surrounded Wheatley in her day and ours. |
| the collected works of phillis wheatley: The Collected Writings of Samson Occom, Mohegan Samson Occom, 2006-11-09 This volume brings together for the first time the known writings of the pioneering Native American religious and political leader, intellectual, and author, Samson Occom (Mohegan; 1723-1792). The largest surviving archive of American Indian writing before Charles Eastman (Santee Sioux; 1858-1939), Occom's writings offer unparalleled views into a Native American intellectual and cultural universe in the era of colonialization and the early United States. His letters, sermons, journals, prose, petitions, and hymns--many of them never before published--document the emergence of pantribal political consciousness among the Native peoples of New England as well as Native efforts to adapt Christianity as a tool of decolonialization. Presenting previously unpublished and newly recovered writings, this collection more than doubles available Native American writing from before 1800. |
| the collected works of phillis wheatley: Being Brought from Africa to America - The Best of Phillis Wheatley Phillis Wheatley, 2020-07-31 Phillis Wheatley (c. 1753–1784) was an American freed slave and poet who wrote the first book of poetry by an African-American. Sold into a slavery in West Africa at the age of around seven, she was taken to North America where she served the Wheatley family of Boston. Phillis was tutored in reading and writing by Mary, the Wheatleys' 18-year-old daughter, and was reading Latin and Greek classics from the age of twelve. Encouraged by the progressive Wheatleys who recognised her incredible literary talent, she wrote To the University of Cambridge” when she was 14 and by 20 had found patronage in the form of Selina Hastings, Countess of Huntingdon. Her works garnered acclaim in both England and the colonies and she became the first African American to make a living as a poet. This volume contains a collection of Wheatley's best poetry, including the titular poem “Being Brought from Africa to America”. Contents include: “Phillis Wheatley”, “Phillis Wheatley by Benjamin Brawley”, “To Maecenas”, “On Virtue”, “To the University of Cambridge”, “To the King’s Most Excellent Majesty”, “On Being Brought from Africa to America”, “On the Death of the Rev. Dr. Sewell”, “On the Death of the Rev. Mr. George Whitefield”, etc. Ragged Hand is proudly publishing this brand new collection of classic poetry with a specially-commissioned biography of the author. |
| the collected works of phillis wheatley: The Vintage Book of African American Poetry Michael S. Harper, Anthony Walton, 2012-02-01 In The Vintage Book of African American Poetry, editors Michael S. Harper and Anthony Walton present the definitive collection of black verse in the United States--200 years of vision, struggle, power, beauty, and triumph from 52 outstanding poets. From the neoclassical stylings of slave-born Phillis Wheatley to the wistful lyricism of Paul Lawrence Dunbar . . . the rigorous wisdom of Gwendolyn Brooks...the chiseled modernism of Robert Hayden...the extraordinary prosody of Sterling A. Brown...the breathtaking, expansive narratives of Rita Dove...the plaintive rhapsodies of an imprisoned Elderidge Knight . . . The postmodern artistry of Yusef Komunyaka. Here, too, is a landmark exploration of lesser-known artists whose efforts birthed the Harlem Renaissance and the Black Arts movements--and changed forever our national literature and the course of America itself. Meticulously researched, thoughtfully structured, The Vintage Book of African-American Poetry is a collection of inestimable value to students, educators, and all those interested in the ever-evolving tradition that is American poetry. |
| the collected works of phillis wheatley: The Age of Phillis Honorée Fanonne Jeffers, 2020-02-20 “An arresting and meticulously researched collection of poems” about the life of Phillis Wheatley, the first black woman to publish a book in America (Ms. Magazine). In 1773, a young African American woman named Phillis Wheatley published a book of poetry, Poems on various Subjects, Religious and Moral (1773). When Wheatley’s book appeared, her words would challenge Western prejudices about African and female intellectual capabilities. Her words would astound many and irritate others, but one thing was clear: This young woman was extraordinary. Based on fifteen years of archival research, The Age of Phillis, by award-winning writer Honorée Fanonne Jeffers, imagines the life and times of Wheatley: her childhood with her parents in the Gambia, West Africa, her life with her white American owners, her friendship with Obour Tanner, her marriage to the enigmatic John Peters, and her untimely death at the age of about thirty-three. Woven throughout are poems about Wheatley's “age”—the era that encompassed political, philosophical, and religious upheaval, as well as the transatlantic slave trade. For the first time in verse, Wheatley’s relationship to black people and their individual “mercies” is foregrounded, and here we see her as not simply a racial or literary symbol, but a human being who lived and loved while making her indelible mark on history. |
| the collected works of phillis wheatley: The Heart of American Poetry Edward Hirsch, 2022-04-19 An acclaimed poet and our greatest champion for poetry offers an inspiring and insightful new reading of the American tradition We live in unsettled times. What is America and who are we as a people? How do we understand the dreams and betrayals that have shaped the American experience? For poet and critic Edward Hirsch, poetry opens up new ways of answering these questions, of reconnecting with one another and with what’s best in us. In this landmark new book from Library of America, Hirsch offers deeply personal readings of forty essential American poems we thought we knew—from Anne Bradstreet’s “The Author to Her Book” and Phillis Wheatley’s “To S.M. a Young African Painter, on seeing his Works” to Garrett Hongo’s “Ancestral Graves, Kahuku” and Joy Harjo’s “Rabbit Is Up to Tricks”—exploring how these poems have sustained his own life and how they might uplift our diverse but divided nation. “This is a personal book about American poetry,” writes Hirsch, “but I hope it is more than a personal selection. I have chosen forty poems from our extensive archive and songbook that have been meaningful to me, part of my affective life, my critical consideration, but I have also tried to be cognizant of the changing playbook in American poetry, which is not fixed but fluctuating, ever in flow, to pay attention to the wider consideration, the appreciable reach of our literature. This is a book of encounters and realizations.” |
| the collected works of phillis wheatley: The Sound the Stars Make Rushing Through the Sky Jane Johnston Schoolcraft, 2007 Introducing a dramatic new chapter to American Indian literary history, this book brings to the public for the first time the complete writings of the first known American Indian literary writer, Jane Johnston Schoolcraft (her English name) or Bamewawagezhikaquay (her Ojibwe name), Woman of the Sound the Stars Make Rushing Through the Sky (1800-1842). Beginning as early as 1815, Schoolcraft wrote poems and traditional stories while also translating songs and other Ojibwe texts into English. Her stories were published in adapted, unattributed versions by her husband, Henry Rowe Schoolcraft, a founding figure in American anthropology and folklore, and they became a key source for Longfellow's sensationally popular The Song of Hiawatha. As this volume shows, what little has been known about Schoolcraft's writing and life only scratches the surface of her legacy. Most of the works have been edited from manuscripts and appear in print here for the first time. The Sound the Stars Make Rushing Through the Sky presents a collection of all Schoolcraft's extant writings along with a cultural and biographical history. Robert Dale Parker's deeply researched account places her writings in relation to American Indian and American literary history and the history of anthropology, offering the story of Schoolcraft, her world, and her fascinating family as reinterpreted through her newly uncovered writing. This book makes available a startling new episode in the history of American culture and literature. |
| the collected works of phillis wheatley: Slave Portraiture in the Atlantic World Agnes Lugo-Ortiz, Angela Rosenthal, 2013-09-30 Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery. |
| the collected works of phillis wheatley: A Companion to American Literature Susan Belasco, Theresa Strouth Gaul, Linck Johnson, Michael Soto, 2020-04-02 A comprehensive, chronological overview of American literature in three scholarly and authoritative volumes A Companion to American Literature traces the history and development of American literature from its early origins in Native American oral tradition to 21st century digital literature. This comprehensive three-volume set brings together contributions from a diverse international team of accomplished young scholars and established figures in the field. Contributors explore a broad range of topics in historical, cultural, political, geographic, and technological contexts, engaging the work of both well-known and non-canonical writers of every period. Volume One is an inclusive and geographically expansive examination of early American literature, applying a range of cultural and historical approaches and theoretical models to a dramatically expanded canon of texts. Volume Two covers American literature between 1820 and 1914, focusing on the development of print culture and the literary marketplace, the emergence of various literary movements, and the impact of social and historical events on writers and writings of the period. Spanning the 20th and early 21st centuries, Volume Three studies traditional areas of American literature as well as the literature from previously marginalized groups and contemporary writers often overlooked by scholars. This inclusive and comprehensive study of American literature: Examines the influences of race, ethnicity, gender, class, and disability on American literature Discusses the role of technology in book production and circulation, the rise of literacy, and changing reading practices and literary forms Explores a wide range of writings in multiple genres, including novels, short stories, dramas, and a variety of poetic forms, as well as autobiographies, essays, lectures, diaries, journals, letters, sermons, histories, and graphic narratives. Provides a thematic index that groups chapters by contexts and illustrates their links across different traditional chronological boundaries A Companion to American Literature is a valuable resource for students coming to the subject for the first time or preparing for field examinations, instructors in American literature courses, and scholars with more specialized interests in specific authors, genres, movements, or periods. |
| the collected works of phillis wheatley: The Works of James M. Whitfield James Monroe Whitfield, 2011 In this comprehensive volume of the collected writings of James Monroe Whitfield (1822-71), Robert S. Levine and Ivy G. Wilson restore this African American poet, abolitionist, and intellectual to his rightful place in the arts and politics of the ninetee |
| the collected works of phillis wheatley: African American Poetry: 250 Years of Struggle & Song (LOA #333) Kevin Young, 2020-10-20 A literary landmark: the biggest, most ambitious anthology of Black poetry ever published, gathering 250 poets from the colonial period to the present Across a turbulent history, from such vital centers as Harlem, Chicago, Washington, D.C., Los Angeles, and the Bay Area, Black poets created a rich and multifaceted tradition that has been both a reckoning with American realities and an imaginative response to them. Capturing the power and beauty of this diverse tradition in a single indispensable volume, African American Poetry reveals as never before its centrality and its challenge to American poetry and culture. One of the great American art forms, African American poetry encompasses many kinds of verse: formal, experimental, vernacular, lyric, and protest. The anthology opens with moving testaments to the power of poetry as a means of self-assertion, as enslaved people like Phillis Wheatley and George Moses Horton and activist Frances Ellen Watkins Harper voice their passionate resistance to slavery. Young’s fresh, revelatory presentation of the Harlem Renaissance reexamines the achievements of Langston Hughes and Countee Cullen alongside works by lesser-known poets such as Gwendolyn B. Bennett and Mae V. Cowdery. The later flowering of the still influential Black Arts Movement is represented here with breadth and originality, including many long out-of-print or hard-to-find poems. Here are all the significant movements and currents: the nineteenth-century Francophone poets known as Les Cenelles, the Chicago Renaissance that flourished around Gwendolyn Brooks, the early 1960s Umbra group, and the more recent work of writers affiliated with Cave Canem and the Dark Room Collective. Here too are poems of singular, hard-to-classify figures: the enslaved potter David Drake, the allusive modernist Melvin B. Tolson, the Cleveland-based experimentalist Russell Atkins. This Library of America volume also features biographies of each poet and notes that illuminate cultural references and allusions to historical events. |
| the collected works of phillis wheatley: The Writings of Phillis Wheatley Phillis Wheatley, 2019 This edition includes all of the known surviving writings of the poet Phillis Wheatley (1753-1784), several of which have been discovered since the last attempt at a complete edition was published in 2001. Of the fifty-seven poems, as well as their authoritative variants, forty-six were published during her lifetime. Versions of nine of them were published before September 1773. Wheatley published thirty-eight works in Poems on Various Subjects, Religious and Moral (London, 1773). Only seven of her poems were published between 1773 and her death in 1784. Eleven poems survive only in manuscript versions. This edition also includes all of Wheatley's extant prose writings: twenty-three letters and four subscription proposals. It includes as well the three known surviving letters written to Wheatley. Wheatley's writings are accompanied by an Introduction to her life and times, as well as extensive textual and explanatory notes. |
| the collected works of phillis wheatley: Poems and Letters Phillis Wheatley, 1993 |
| the collected works of phillis wheatley: Black Nature Camille T. Dungy, 2009 Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry--anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild. Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and African American poetics. This collection features major writers such as Phillis Wheatley, Rita Dove, Yusef Komunyakaa, Gwendolyn Brooks, Sterling Brown, Robert Hayden, Wanda Coleman, Natasha Trethewey, and Melvin B. Tolson as well as newer talents such as Douglas Kearney, Major Jackson, and Janice Harrington. Included are poets writing out of slavery, Reconstruction, the Harlem Renaissance, the Black Arts Movement, and late twentieth- and early twenty-first-century African American poetic movements. Black Nature brings to the fore a neglected and vital means of considering poetry by African Americans and nature-related poetry as a whole. A Friends Fund Publication. |
| the collected works of phillis wheatley: The American Aeneas John C. Shields, 2004-11 Choice Magazine Outstanding Academic Book?? John Shields's book is a provocative challenge to the venerable Adamic myth so exhaustively deployed in examinations of early American literature and in American studies. Moreover, The American Aeneas builds wonderfully on Shields's considerable work on Phillis Wheatley. ?--American Literature?? The American Aeneas should be of interest to classicists and American studies scholars alike. ?--The New England Quarterly?? John Shields exposes a significant cultural blindness within American consciousness. Noting the biblical character Adam as an archetype who has long dominated ideas of what it means to be American, Shields argues that an equally important component of our nation's cultural identity--a secular one deriving from the classical tradition--has been seriously neglected.??Shields shows how Adam and Aeneas--Vergil's hero of the Aeneid-- in crossing over to American from Europe, dynamically intermingled in the thought of the earliest American writers. Shields argues that uncovering and acknowledging the classical roots of our culture can allay the American fear of pastlessness that the long-standing emphasis on the Adamic myth has generated. John C. Shields is the editor of The Collected Works of Phillis Wheatley and the author of The American Aeneas: Classical Origins of the American Self, which won a Choice Outstanding Academic Book award and an honorable mention in the Harry Levin Prize competition, sponsored by the American Comparative Literature Association. |
| the collected works of phillis wheatley: Coal Audre Lorde, 1996 One of the earliest collections of poems by the Caribbean-American writer, poet, and activist includes The Woman Thing, Summer Oracle, and Spring People. |
| the collected works of phillis wheatley: African American Political Thought Melvin L. Rogers, Jack Turner, 2021-05-07 African American Political Thought offers an unprecedented philosophical history of thinkers from the African American community and African diaspora who have addressed the central issues of political life: democracy, race, violence, liberation, solidarity, and mass political action. Melvin L. Rogers and Jack Turner have brought together leading scholars to reflect on individual intellectuals from the past four centuries, developing their list with an expansive approach to political expression. The collected essays consider such figures as Martin Delany, Ida B. Wells, W. E. B. Du Bois, James Baldwin, Toni Morrison, and Audre Lorde, whose works are addressed by scholars such as Farah Jasmin Griffin, Robert Gooding-Williams, Michael Dawson, Nick Bromell, Neil Roberts, and Lawrie Balfour. While African American political thought is inextricable from the historical movement of American political thought, this volume stresses the individuality of Black thinkers, the transnational and diasporic consciousness, and how individual speakers and writers draw on various traditions simultaneously to broaden our conception of African American political ideas. This landmark volume gives us the opportunity to tap into the myriad and nuanced political theories central to Black life. In doing so, African American Political Thought: A Collected History transforms how we understand the past and future of political thinking in the West. |
| the collected works of phillis wheatley: Thomas and Beulah Rita Dove, 1986 Collects poems that tell a fictionalized version of the lives of the authors's maternal grandparents. |
| the collected works of phillis wheatley: Good Woman Lucille Clifton, 2014-04-17 Finalist for the 1988 Pulitzer Prize for Poetry A landmark collection by National Book Award-winning poet Lucille Clifton, Good Woman: Poems and a Memoir 1969-1980 includes the four poetry collections that launched Clifton’s career—Good Times, Good News About the Earth, An Ordinary Woman, and Two-Headed Woman—as well as her haunting prose memoir, Generations. In honor of the 30th anniversary of Lucille Clifton's Pulitzer Prize-nominated poetry collection and memoir, Good Woman is now available for the first time as a deluxe eBook edition. Enhanced with previously unpublished photographs from the Lucille Clifton Estate and a special foreword by Aracelis Girmay, this eBook is a must-have for longtime Clifton fans and newcomers alike. |
| the collected works of phillis wheatley: Final Harvest Emily Dickinson, 1964-01-30 Though generally overlooked during her lifetime, Emily Dickinson's poetry has achieved acclaim due to her experiments in prosody, her tragic vision and the range of her emotional and intellectual explorations. |
| the collected works of phillis wheatley: Genius in Bondage Vincent Carretta, Philip Gould, 2021-05-11 Until fairly recently, critical studies and anthologies of African American literature generally began with the 1830s and 1840s. Yet there was an active and lively transatlantic black literary tradition as early as the 1760s. Genius in Bondage situates this literature in its own historical terms, rather than treating it as a sort of prologue to later African American writings. The contributors address the shifting meanings of race and gender during this period, explore how black identity was cultivated within a capitalist economy, discuss the impact of Christian religion and the Enlightenment on definitions of freedom and liberty, and identify ways in which black literature both engaged with and rebelled against Anglo-American culture. |
| the collected works of phillis wheatley: A History of African American Poetry Lauri Ramey, 2019-03-21 Offers a critical history of African American poetry from the transatlantic slave trade to present day hip-hop. |
| the collected works of phillis wheatley: Phillis Wheatley Vincent Carretta, 2001 |
| the collected works of phillis wheatley: Critical Essays on Phillis Wheatley William Henry Robinson, 1982 |
| the collected works of phillis wheatley: The Portable Nineteenth-Century African American Women Writers Hollis Robbins, Henry Louis Gates, Jr., 2017-07-25 A landmark collection documenting the social, political, and artistic lives of African American women throughout the tumultuous nineteenth century. Named one of NPR's Best Books of 2017. The Portable Nineteenth-Century African American Women Writers is the most comprehensive anthology of its kind: an extraordinary range of voices offering the expressions of African American women in print before, during, and after the Civil War. Edited by Hollis Robbins and Henry Louis Gates, Jr., this collection comprises work from forty-nine writers arranged into sections of memoir, poetry, and essays on feminism, education, and the legacy of African American women writers. Many of these pieces engage with social movements like abolition, women’s suffrage, temperance, and civil rights, but the thematic center is the intellect and personal ambition of African American women. The diverse selection includes well-known writers like Sojourner Truth, Hannah Crafts, and Harriet Jacobs, as well as lesser-known writers like Ella Sheppard, who offers a firsthand account of life in the world-famous Fisk Jubilee Singers. Taken together, these incredible works insist that the writing of African American women writers be read, remembered, and addressed. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
| the collected works of phillis wheatley: Spiritual Interrogations Katherine Clay Bassard, 1999-01-18 The late eighteenth century witnessed an influx of black women to the slave-trading ports of the American Northeast. The formation of an early African American community, bound together by shared experiences and spiritual values, owed much to these women's voices. The significance of their writings would be profound for all African Americans' sense of their own identity as a people. Katherine Clay Bassard's book is the first detailed account of pre-Emancipation writings from the period of 1760 to 1863, in light of a developing African American religious culture and emerging free black communities. Her study--which examines the relationship among race, culture, and community--focuses on four women: the poet Phillis Wheatley and poet and essayist Ann Plato, both Congregationalists; and the itinerant preacher Jarena Lee, and Shaker eldress Rebecca Cox Jackson, who, with Lee, had connections with African Methodism. Together, these women drew on what Bassard calls a spirituals matrix, which transformed existing literary genres to accommodate the spiritual music and sacred rituals tied to the African diaspora. Bassard's important illumination of these writers resurrects their path-breaking work. They were cocreators, with all black women who followed, of African American intellectual life. |
| the collected works of phillis wheatley: Women Who Wrote Louisa May Alcott, Jane Austen, Charlotte Bronte, Emily Bronte, Gertrude Stein, Phillis Wheatley, 2020-06-09 Meet the women who wrote. They wrote against all odds. Some wrote defiantly; some wrote desperately. Some wrote while trapped within the confines of status and wealth. Some wrote hand-to-mouth in abject poverty. Some wrote trapped in a room of their father’s house, and some went in search of a room of their own. They had lovers and families. They were sometimes lonely. Many wrote anonymously or under a pseudonym for a world not yet ready for their genius and talent. We know many of their names—Austen and Alcott, Brontë and Browning, Wheatley and Woolf—though some may be less familiar. They are here, waiting to introduce themselves. They marched through the world one by one or in small sisterhoods, speaking to each other and to us over distances of place and time. Pushing back against the boundaries meant to keep us in our place, they carved enough space for themselves to write. They made space for us to follow. Here they are gathered together, an army of women who wrote and an arsenal of words to inspire us. They walk with us as we forge our own paths forward. These women wrote to change the world. The perfect keepsake gift for the reader in your life Anthology of stories and poems Book length: approximately 90,000 words |
COLLECTED Synonyms: 218 Similar and Opposite Words - Merriam-Webster
Synonyms for COLLECTED: composed, calm, serene, possessed, peaceful, recollected, at peace, together; Antonyms of COLLECTED: disturbed, upset, agitated, perturbed, bothered, …
COLLECTED definition and meaning | Collins English Dictionary
If you say that someone is collected, you mean that they are very calm and self-controlled, especially when they are in a difficult or serious situation. Police say she was cool and …
COLLECTED Definition & Meaning - Dictionary.com
Despite all the turmoil around him, Bob remained calm and collected. brought or placed together; forming an aggregation from various sources: the money collected to build an orphanage; the …
COLLECTED | English meaning - Cambridge Dictionary
COLLECTED definition: 1. brought together in one book or series of books: 2. showing control over your feelings: 3…. Learn more.
Collected - definition of collected by The Free Dictionary
Define collected. collected synonyms, collected pronunciation, collected translation, English dictionary definition of collected. adj. 1. Brought or placed together from various sources: the …
What does collected mean? - Definitions.net
Collected refers to things or items that have been gathered together; assembled from various sources, or from different parts or places. It can also refer to a person who is calm, composed …
517 Synonyms & Antonyms for COLLECTED - Thesaurus.com
Find 517 different ways to say COLLECTED, along with antonyms, related words, and example sentences at Thesaurus.com.
collected - Wiktionary, the free dictionary
Jan 2, 2025 · collected (comparative more collected, superlative most collected) (not comparable) Gathered together. Cool‐headed, emotionally stable, in focus. He stayed collected throughout …
COLLECTED Definition & Meaning - Merriam-Webster
The meaning of COLLECTED is gathered together. How to use collected in a sentence. Synonym Discussion of Collected.
collected adjective - Definition, pictures, pronunciation and usage ...
collected works, papers, poems, etc. all the books, etc. written by one author, published in one book or in a set. Definition of collected adjective in Oxford Advanced Learner's Dictionary. …
COLLECTED Synonyms: 218 Similar and Opposite Words - Merriam-Webster
Synonyms for COLLECTED: composed, calm, serene, possessed, peaceful, recollected, at peace, together; Antonyms of COLLECTED: disturbed, upset, agitated, perturbed, bothered, …
COLLECTED definition and meaning | Collins English Dictionary
If you say that someone is collected, you mean that they are very calm and self-controlled, especially when they are in a difficult or serious situation. Police say she was cool and …
COLLECTED Definition & Meaning - Dictionary.com
Despite all the turmoil around him, Bob remained calm and collected. brought or placed together; forming an aggregation from various sources: the money collected to build an orphanage; the …
COLLECTED | English meaning - Cambridge Dictionary
COLLECTED definition: 1. brought together in one book or series of books: 2. showing control over your feelings: 3…. Learn more.
Collected - definition of collected by The Free Dictionary
Define collected. collected synonyms, collected pronunciation, collected translation, English dictionary definition of collected. adj. 1. Brought or placed together from various sources: the …
What does collected mean? - Definitions.net
Collected refers to things or items that have been gathered together; assembled from various sources, or from different parts or places. It can also refer to a person who is calm, composed …
517 Synonyms & Antonyms for COLLECTED - Thesaurus.com
Find 517 different ways to say COLLECTED, along with antonyms, related words, and example sentences at Thesaurus.com.
collected - Wiktionary, the free dictionary
Jan 2, 2025 · collected (comparative more collected, superlative most collected) (not comparable) Gathered together. Cool‐headed, emotionally stable, in focus. He stayed collected throughout …
COLLECTED Definition & Meaning - Merriam-Webster
The meaning of COLLECTED is gathered together. How to use collected in a sentence. Synonym Discussion of Collected.
collected adjective - Definition, pictures, pronunciation and usage ...
collected works, papers, poems, etc. all the books, etc. written by one author, published in one book or in a set. Definition of collected adjective in Oxford Advanced Learner's Dictionary. …
