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| the first of baritone bass solos 1: The First Book of Tenor Solos John Keene, 1993-12 More great teaching material, at the same level as Volume 1. The contents, completely new and unduplicated from Volume 1, once again include American and English art songs, folk songs, sacred songs, and an introduction to singing in German, French, Italian, and Spanish. Over 30 songs in each book. Joan Boytim, who has emerged as the nationally recognized expert in the field of teaching pre-collegiate voice, has done exhaustive research in preparing these volumes. |
| the first of baritone bass solos 1: The First Book of Broadway Solos Joan Frey Boytim, 1997 (Vocal Collection). This is the perfect first collection for many voice students, whether they are teens or college singers or adults. Joan Boytim has selected songs appropriate for each voice type, and has chosen keys that suit the vocal needs of novice singers studying in traditional, generally classical lyric singing. The editions of the songs in these collections are short and straight-forward. Teachers have found these books invaluable. To make the collections even more useful, each volume is offered in a book/companion CD edition with piano accompaniments recorded by pianist Laura Ward. Contents: Comedy Tonight (from A FUNNY THING HAPPENED ON THE WAY TO THE FORUM) * Edelweiss (from THE SOUND OF MUSIC) * Get Me To The Church On Time (from MY FAIR LADY) * The Girl That I Marry (from the Stage Production ANNIE GET YOUR GUN) * Gonna Be Another Hot Day (from 110 IN THE SHADE) * How To Handle A Woman (from CAMELOT) * I Talk To The Trees (from PAINT YOUR WAGON) * I've Grown Accustomed To Her Face (from MY FAIR LADY) * If Ever I Would Leave You (from CAMELOT) * The Impossible Dream (The Quest) (from MAN OF LA MANCHA) * Just In Time (from BELLS ARE RINGING) * Leaning On A Lamp Post (from ME AND MY GIRL) * My Cup Runneth Over (from I DO! I DO!) * My Defenses Are Down (from the Stage Production ANNIE GET YOUR GUN) * Oklahoma (from OKLAHOMA!) * Some Enchanted Evening (from SOUTH PACIFIC) * Soon It's Gonna Rain (from THE FANTASTICKS) * The Surrey With The Fringe On Top (from OKLAHOMA!) * There Is Nothin' Like A Dame (from SOUTH PACIFIC) * They Call The Wind Maria (from PAINT YOUR WAGON) * This Nearly Was Mine (from SOUTH PACIFIC) * Try To Remember (from THE FANTASTICKS) * Wunderbar (from KISS ME, KATE) |
| the first of baritone bass solos 1: Arias for Soprano Hal Leonard Corp., 1991-05-01 (Vocal Collection). Contents: Handel: V'adoro pupille (Giulio Cesare) Mozart: Porgi, amor (Le Nozze di Figaro) * Dove sono (Le Nozze Figaro) * Deh vieni, non tardar (Le Nozze di Figaro) * Bester Jungling (Der Schauspieldirektor) * Batti, batti, bel Masetto (Don Giovanni) * Vedrai carino (Don Giovanni) * Ach, ich fuhl's (Die Zauberflote) Beethoven: O war' ich schon mit dir vereint (Fidelio) C.M. von Weber: Kommt ein schlanker Bursch gegangen (Der Freischutz) Verdi: Caro nome (Rigoletto) * Saper vorreste (Un Ballo in Maschera) * Sul fil d'un soffio etesio (Falstaff) Gounod: The Jewel Song (Faust) * Ah! Je veux vivre (Romeo et Juliette) Bizet: Je dis que rien ne m 'epouvante (Carmen) Offenbach: Elle a fui, la tourterelle! (Les Contes d'Hoffmann) Massenet: Adieu, notre petite table (Manon) Leoncavallo: Ballatella (I Pagliacci) Puccini: Mi chiamano Mimi (La Boheme) * Donde lieta (La Boheme) * Quando men vo (La Boheme) * Un bel di (Madama Butterfly) * O mio babbino caro (Gianni Schicchi) * Signore, ascolta (Turandot) * Tu che di gel sei cinta (Turandot) Menotti: The Black Swan (The Medium) * Monica's Waltz (The Medium) Moore: Willow Song (The Ballad of Baby Doe) * The Silver Aria (The Ballad of Baby Doe) Mechem: Fair Robin, I love (Tartuffe). |
| the first of baritone bass solos 1: Sonatina Album Louis Kí_hler, Allan Small, 2005-05-03 Originally compiled and edited by Louis Kí_hler, this edition contains some of the most popular keyboard sonatinas, rondos and other works (including symphonic transcriptions) of Beethoven, Clementi, Haydn, Kuhlau and Mozart, among others. In clarifying this edition, editor Allan Small has removed impractical fingerings and unnecessary accidentals found in other editions. |
| the first of baritone bass solos 1: Pathways of Song, Volume One Frank La Forge, Will Earhart, 1994-11 The Pathways of Song series offers concert songs in easy vocal ranges for the voice student, by composers such as Schubert, Brahms, Handel, Bach, Mozart, Beethoven, and Haydn. The series includes representative repertoire, with English translations and piano accompaniment. This title is available in MakeMusic Cloud. |
| the first of baritone bass solos 1: 26 Italian Songs and Arias John Glenn Paton, 2005-05-03 This authoritative, new edition of the world's most loved songs and arias draws on original manuscripts, historical first editions and recent research by prominent musicologists to meet a high standard of accuracy and authenticity. Includes fascinating background information about the arias and their composers as well as a singable rhymed translation, a readable prose translation and a literal translation of each single Italian word. |
| the first of baritone bass solos 1: Baritone Songs , 1930 |
| the first of baritone bass solos 1: Dirt Simple Upright Bass Nate Sabat, 2021-04-29 Although designed for newcomers to the upright bass and bluegrass music in general, this unique approach to creating basslines has something for everyone! The first half focuses on bass-playing essentials, giving the reader a solid technical footing with the instrument. Then, using his own baritone voice and the classic bluegrass song, “Going Down the Road Feeling Bad,” author Nate Sabat reveals his creative process in crafting effective basslines from the song’s melody and chord progression. The second half focuses on bass playing within the specific context of complementing bluegrass vocals. Well beyond what you might expect from an introductory method, Nate tastefully guides the reader by presenting multiple composed bassline options for each of five well-known bluegrass songs: Rabbit in the Log, Don’t this Road Look Rough and Rocky?, Long Journey Home, I Am a Pilgrim, and Angel Band. Nate’s warm, pitch-perfect vocals can be heard on virtually every track, giving this method an undeniable musicality. A lightly accompanied vocal track with no bass is also provided, so you can be the sole upright or electric bassist in the band. You’ll not only want to back Nate up—but sing harmony with him too! The impulse to sing can’t help but influence your bass playing in a natural and positive way. Nate provides notated versions of the eight major scales most commonly used in bluegrass. Once you get them under your fingers, you’ll soon be able to play along with the book’s 50 companion online recordings. With its simple harmonic palette and repetitive nature, bluegrass music offers bassists the perfect opportunity to become musically literate. If you’ve hesitated to learn to read music, this is the time and place to eliminate that drawback. Working through these 46 pages will provide the tools and confidence needed to create your own engaging and musical basslines and hopefully, you’ll be inspired to continue your bluegrass bass journey for years to come. Includes access to online audio. |
| the first of baritone bass solos 1: New Method for the Double Bass: English and German Franz Simandl, Frederick Zimmermann, 2018-11-13 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| the first of baritone bass solos 1: Guitar Fretboard Workbook (Music Instruction) , 2003-08-01 (Musicians Institute Press). Navigate the guitar neck better than ever before with this easy-to-use book! Designed from Musicians Institute core curriculum programs, it covers essential concepts for players of every level, acoustic or electric. A hands-on guide to theory, it will help you learn to build any scale or chord on your own and unleash creativity. No music reading is required. |
| the first of baritone bass solos 1: The 16-bar Theatre Audition Michael Dansicker, 2003 (Vocal Collection). Contents: All I Care About * All I Need Is The Girl * All Of You * Alone At The Drive-In Movie * Anywhere I Wander * Being Alive * Blow High, Blow Low * Bring Me My Bride * Buddy's Blues (The God-Why-Don't-You-Love-Me Blues) * C'est Moi * Can't Help Falling In Love * Celebration * Colorado, My Home * Come Back To Me * Dear Old Syracuse * Do I Love You Because You're Beautiful? * Don't Get Around Much Anymore * Empty Chairs At Empty Tables * A Fellow Needs A Girl * Get Me To The Church On Time * Haben Sie Gehort Das Deutsche Band? (Have You Ever Heard The German Band?) * Heaven's Light * I Can See It * I Could Write A Book * I Don't Remember You * I Have Dreamed * I Know About Love * I Met A Girl * I Want To Be With You * I Wish I Were In Love Again * I Won't Send Roses * I'll Build A Stairway To Paradise * I'll Never Say No * I've Just Seen Her (As Nobody Else Has Seen Her) * If Ever I Would Leave You * If I Can't Love Her * If I Loved You * The Impossible Dream (The Quest) * It Only Happens When I Dance With You * It Only Takes A Moment * Jackie (La Chanson De Jacky) * Jailhouse Rock * Joey, Joey, Joey * Kansas City * The Kite (Charlie Brown's Kite) * Let Me Sing And I'm Happy * Lizzie's Comin' Home * Lonely Room * A Lot Of Livin' To Do * Love, I Hear * Loving You * Luck Be A Lady * Make Someone Happy * Man Of La Mancha (I, Don Quixote) * Me * My Defenses Are Down * My Name * My Romance * Nothing Can Stop Me Now! * Old Devil Moon * On A Clear Day (You Can See Forever) * On Broadway * On The Street Where You Live * Once In A Lifetime * Once In Love With Amy * Once Upon A Time * Out Of This World * Out There * People Will Say We're In Love * Put On A Happy Face * The Sadder But Wiser Girl * Santa Fe (from Walt Disney's NEWSIES) * A Secretary Is Not A Toy * She (He) Touched Me * The Shortest Day Of The Year * Some Enchanted Evening * Somebody Loves Me * Someone Like You * Something Was Missing * Something, Somewhere * Stayin' Alive * Steppin' Out With My Baby * Ten Minutes Ago * That's For Me * There's No Reason In The World * They Call The Wind Maria * 'Til Him * (Walking) Among My Yesterdays * Were Thine That Special Face * What Kind Of Fool Am I? * When She Loved Me * Where Is The Life That Late I Led? * Where Or When * Who Can I Turn To (When Nobody Needs Me) * Who Do You Love I Hope * Why Should I Wake Up? * With So Little To Be Sure Of * YesterdayYou're Never Fully Dressed Without A Smile * Young And Foolish |
| the first of baritone bass solos 1: Trumpet Stars - Set 1 Hale A. Vandercook, 1990-02 The popular Trumpet Stars by H.A. VanderCook are now combined in two collections that are also included on many state contest lists. Presented in two sets of six titles each (Set 2 - HL04470001), the pieces range in difficulty from grade 1 to grade 2. Each collection also includes a demonstration CD with a full performance recording and accompaniment only recording for each song. (Trumpet: Bob Clark; Piano: Mari Falcone) Contents: Lyra * Vega * Cygnus * Antares * Altair * Arcturus |
| the first of baritone bass solos 1: Easy Songs for the Beginning Baritone/bass Joan Frey Boytim, 2000 (Vocal Collection). This series was designed to supplement traditional vocal instruction and works perfectly as preparatory literature for The First Book of Solos and The First Book of Solos Part II . Each piece is in English and has a limited vocal range as well as a piano accompaniment that is playable by a student pianist. The pieces include art songs, folksongs, humorous songs, and suitable vintage popular songs and are all appropriate for contest solos. The book includes a code to acess professionally-recorded piano accompaniments online via download or streaming. Baritone/Bass Contents: Aura Lee (Poulton) * Beautiful Dreamer (Foster) * The Erie Canal (Folksong) * Foolish Questions (Folksong) * Funiculi, Funicula (Denza) * Go Down, Moses * I Wish I Was Single Again (Beckel) * If You Were the Only Girl in the World (Ayer) * The Jolly Miller (arr. Manney) * Joshua Fit the Battle of Jericho * The Lark in the Morn (arr. Sharp) * The Lost Chord (Sullivan) * The Minstrel Boy (arr. Weckerlin) * Mrs. Murphy's Chowder (arr. Culli) * Out of My Soul's Great Sadness (Franz) * Request (Franz) * Simple Gifts (Shaker song) * Smick, Smack, Smuck (Sousa) * Sometimes I Feel Like a Motherless Child (arr. Burleigh) * The Story of a Tack (Parks) * Swing Low, Sweet Chariot * Where Did You Get That Hat? (Sullivan) * While Strolling Through the Park One Day * You'll Miss Lots of Fun When You're Married (Sousa). |
| the first of baritone bass solos 1: Foundations for Superior Performance Richard S. Williams, Jeffrey T. King, 1998 Foundations for Superior Performance is designed to help structure the daily rehearsal and advance the performance level of the ensemble. The primary goal is to offer a framework of exercises and routine drills that will facilitate the mastery of essential playing fundamentals. Different skill levels have been integrated into this book to meet the needs of the inexperienced player, and, at the same time, challenge the most advanced. |
| the first of baritone bass solos 1: Rhythm Vocabulary Charts Ed Sueta, 1985 |
| the first of baritone bass solos 1: Standard of Excellence Bruce Pearson, 1996-08-01 |
| the first of baritone bass solos 1: Cantolopera: Arias for Mezzo-Soprano - Volume 2 Hal Leonard Corp, Hal Leonard Corp. Staff, 2002-08 (Vocal). Cantolopera is an exceptional new series of book/CD packs from Ricordi that offers a fresh approach to great opera repertoire. The books include versions for voice and piano of the world's most famous arias. The CDs feature two versions of each aria: one with a 130-piece orchestra providing accompaniments to allow the professional, student or opera fan to practice, and another sung by an established artist for reference. Each volume contains the lyrics of the arias, plus a short plot summary and background information on the orchestra and the performers. |
| the first of baritone bass solos 1: Jazz Conception Jim Snidero, 1999 |
| the first of baritone bass solos 1: Beautiful Singing Stanford Felix, 2020-11-20 An extensive guide to classical vocal technique, which provides original insights into the great teaching masters of bel canto(beautiful singing), presented in a scholarly yet readable and accessible way. A fresh approach to this time-honored technique, Beautiful Singing addresses the physical, mental, and aesthetic elements of the art of singing in a style designed for vocal teachers and students of all levels. |
| the first of baritone bass solos 1: Solo Guitar Playing Frederick M. Noad, 1976 This second volume of the popular classical guitar method features instruction, graded exercises, practice studies, and a survey of the guitar repertoire. Volume Two develops technique, sightreading, and includes an advanced repertoire of thirty works. |
| the first of baritone bass solos 1: Julio S Sagreras Guitar Lessons Julio S. SAGRERAS, 2016-01-15 The guitar lessons of Julio Sagreras are among the most universally used collections of guitar music and represent a milestone in didactic guitar literature. This book, which includes the first three volumes of the original six-volume series, is an ideal introduction to classical guitar playing as well as to LatinAmerican guitar music. Text written in English and Spanish with French and German translations in an appendix at the back of the book |
| the first of baritone bass solos 1: Solos for the Tenor Saxophone Player with Piano Accompaniment Larry Teal, 1965 |
| the first of baritone bass solos 1: Catalogue of Vocal Solos and Duets Arranged in Biblical Order James Laster, Diana Reed Strommen, 2003 The second edition of A Catalogue of Vocal Solos and Duets Arranged in Biblical Order serves as a companion volume to A Catalogue of Choral Music Arranged in Biblical Order (Second edition, 1996, and supplement, 2001, both published by Scarecrow Press). It is a necessary tool for the church musician to coordinate music with the scripture readings and/or the sermon topic and a valuable aid to the vocal soloist seeking a work using a particular biblical text. The work serves as a working document for the church musician, soloist, or voice teacher. Titles are arranged in the same order as found in the Bible. Each entry contains title, composer, voice range/type, and publisher information. Two indexes are also included: a title index and a composer index. |
| the first of baritone bass solos 1: Songs for Young Singers Arden J. Hopkin, 2001-12-20 Each year as high school solo and ensemble festivals approach, choir directors and voice teachers search for the right songs for their students to sing. There is so much music available for young developing voices, but how can an overworked teacher keep track of it all? Songs for Young Singers, a careful review of more than 2,000 songs printed in over 70 anthologies, has been written to address the needs of choir directors and voice teachers of junior high and high school age students. Section I lists songs by title as well as the anthologies in which they are found . Teachers wishing to explore the works of a particular composer will turn to section II, where songs are listed by composer. In section III, IV, and V, the songs are categorized by Beginning, Intermediate, and Advanced levels for Quick reference. Section VI lists the anthologies reviewed with a detailed description of the vocal demand of each song in the anthology. The songs have been evaluated on seven criteria: melodic contour (including range), phrase length, language, rhythm, accompaniment, harmonic language, and dynamics, and are listed by title, composer, and level of difficulty. |
| the first of baritone bass solos 1: The star of Bethlehem Carrie Belle Adams, 1917 |
| the first of baritone bass solos 1: Resurrection Light Emma Louise Ashford, 1912 |
| the first of baritone bass solos 1: The Dominant , 1922 |
| the first of baritone bass solos 1: British Solo Song Michael Pilkington, 2003 |
| the first of baritone bass solos 1: Bandmaster , 1927 |
| the first of baritone bass solos 1: Prof. H. Kling's Modern Orchestration and Instrumentation Henri Kling, Gustav Saenger, 1905 |
| the first of baritone bass solos 1: A History of Western Choral Music, Volume 2 Chester L. Alwes, 2016-08-03 A History of Western Choral Music explores the various genres, key composers, and influential works essential to the development of the western choral tradition. Author Chester L. Alwes divides this exploration into two volumes which move from Medieval music and the Renaissance era up to the 21st century. Volume II begins at the transition from the Classical era to the Romantic, with an examination of the major genres common to both periods. Exploring the oratorio, part song, and dramatic music, it also offers a thorough discussion of the choral symphony from Beethoven to Mahler, through to the present day. It then delves into the choral music of the twentieth century through discussions of the major compositional approaches and philosophies that proliferated over the course of the century, from impressionism to serialism, neo-classicism to modernism, minimalism, and the avant-garde. It also considers the emerging tendency towards nationalistic composition amongst composers such as Bartók and Stravinsky, and discusses in great detail the contemporary music of the United States, and Great Britain. Framing discussion within the political, religious, cultural, philosophical, aesthetic, and technological contexts of each era, A History of Western Choral Music offers readers specialized insight into major composers and works while providing a cohesive understanding of choral music's place in Western history. |
| the first of baritone bass solos 1: Musical Standard , 1914 |
| the first of baritone bass solos 1: Musical Observer , 1928 |
| the first of baritone bass solos 1: Our Paper , 1915 |
| the first of baritone bass solos 1: The Musical Times and Singing-class Circular , 1903 |
| the first of baritone bass solos 1: Six marches John Philip Sousa, 2010-01-01 The marches of John Philip Sousa (1854-1932) remain staples of the band repertoire, but our knowledge of Sousa¿s music rests largely on modern editions designed for school (rather than professional) bands, or on reprintings of the original editions, which because of their small size and rushed publication contain countless inconsistencies and omissions. This volume contains full band scores for six Sousa marches, each prepared from the first printing of the band parts and informed by Sousa¿s holograph and the original performance materials. The six marches¿The Washington Post (1889), The Liberty Bell (1893), El Capitan (1896), The Stars and Stripes Forever (1896), Sabre and Spurs (1918), and George Washington Bicentennial (1930)¿span Sousa¿s career, from his tenure as leader of the United States Marine Band (1880-92) to his years conducting his own, commercial ensemble (1892-1932). Also included in the volume is an essay reexamining Sousa¿s biography, source materials, performance practice, and place in American culture. |
| the first of baritone bass solos 1: The Etude , 1902 A monthly journal for the musician, the music student, and all music lovers. |
| the first of baritone bass solos 1: Musical Times and Singing Class Circular , 1903 |
| the first of baritone bass solos 1: Songs for Beginning Bass Voice Alan J. Ord, 2001-11-08 The beginning bass singer, with his range and tessitura at the bottom end of the scale of voices, has unique difficulties finding suitable vocal music, which is often very frustrating for him and his teacher. As the young or beginning bass works and waits patiently for his voice to develop, appropriate vocal literature needs to be found which is within his present range and tessitura. To address this problem, this new book lists selected songs carefully chosen from the repertoire, with annotations. Some songs, given as an illustration or example of what is appropriate, are presented in their entirety. Each of these has its own background material complete with interesting biographical information and tips on interpretation. If the song is originally in a foreign language a suitable English version is given as well. In addition, the selected entries provide full access to suitable material; annotations include composer, title, range, tessitura, tempo, meter, difficulty, source, publisher, and pertinent comments. Also includes indexes by composer, title, and publisher. |
| the first of baritone bass solos 1: Musical Messenger , 1923 |
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The First Book of Baritone/bass Solos: L'amour de moi : 15th century. Blow, blow, thou winter wind ,1994
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Bariton/Bass Solos: Complete, Parts 1-3 Joan Frey Boytim,2013-04 Vocal Collection We proudly present these convenient new value packages Each package includes over 90 songs all at the …
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The First Book of Baritone/Bass Solos (G. Schirmer) Sacred/Ortatorio The Sanctuary Soloist The Holy Word (Boosey and Hawkes) ... , Mezzo-soprano/Alto, Tenor, Baritone/Bass, and Duets …
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This volume will help you master 25 must-know bass classics, including: Another One Bites the Dust * Around the World * Blurred Lines * The Boys Are Back in Town * Freewill * Hey Joe * …
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series was designed to supplement traditional vocal instruction and works perfectly as preparatory literature for The First Book of Solos and The First Book of Solos Part II Each piece is in …
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Even more great solos for high school and college singers at the same level as The First Book of Solos and The First Book of Solos Part II , with a variety of over 30 classical songs per …
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transcribed examples from the masters of jazz bass playing The Second Book of Baritone/bass Solos Joan Frey Boytim,2004 Vocal Collection More great classical material for progressing …
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categorize four groups of bass solos by Bach for collegiate baritone students: beginning level for freshmen, intermediate level for sophomores, advanced level for juniors and seniors, and pre- …
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