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the future of the music business: The Future of the Music Business Steve Gordon, 2005 Aimed at songwriters, recording artists, and music entrepreneurs, this text explains the basics of digital music law. Entertainment attorney Gordon offers practical tips for online endeavors such as selling song downloads or creating an Internet radio station. Other topics include (for example) web site building, promoting through peer-to-peer networks, etc. |
the future of the music business: All You Need to Know about the Music Business Donald S. Passman, 2006 A guide to the music business and its legal issues provides real-world coverage of a wide range of topics, including teams of advisors, record deals, songwriting and music publishing, touring, and merchandising. |
the future of the music business: The Future of Music David Kusek, Gerd Leonhard, 2005 From the Music Research Institute at Berklee College of Music comes a manifesto for the ongoing music revolution. Today the record companies may be hurting, but the music making business is booming, using non-traditional digital methods and distribution models. This book explains why we got where we are and where we are heading. Kusek and Leonhard foresee the disappearance of CDs and record stores as we know them in the next decade. For the iPod, downloading market, this book will explain new ways of discovering music, new ways of acquiring it and how technology trends will make music flow like water, benefiting the people who love music and make music. |
the future of the music business: The Future of the Music Business Steve Gordon, 2015-07-01 (Music Pro Guide Books & DVDs). New technologies have revolutionized the music business. While these technologies have wrecked havoc on traditional business models, they've also provided new opportunities for music business entrepreneurs, as well as new challenges for musicians, recording artists, songwriters, record labels and music publishers. The Future of the Music Business provides a road map for success by explaining legal fundamentals including copyright law's application to the music business, basic forms of agreement such as recording, songwriting and management co ntracts, PLUS the rules pertaining to digital streaming, downloading and Internet radio. This book also shows exactly how much money is generated by each of these models, and details how the money flows to the principal stakeholders: artists, record labels, songwriters and music publishers. Part I is a comprehensive analysis of the laws and business practices applying to today's music business Part II is a guide for producers on how to clear music for almost any kind of project including movies, TV, ad campaigns, stand-alone digital projects AND how much it will cost Part III presents new discussions on the hottest industry controversies including net neutrality; and the financial battles between the new digital music services & copyright owners and artists Part IV discusses how to best use the new technologies to succeed The book contains URLs linking to 2 on-line videos: Fundamentals of Music Business and Law, and Anatomy of a Copyright Infringement Case. Attorneys can use a password to gain 2 CLE credits. |
the future of the music business: The Music of the Future Robert Barry, 2017-03-21 The Music of the Future is not a book of predictions or speculations about how to save the music business or the bleeding edge of technologies. Rather, it's a history of failures, mapping 200 years of attempts by composers, performers and critics to imagine a future for music. Encompassing utopian dream cities, temporal dislocations and projects for the emancipation of all sounds, The Music of the Future is in the end a call to arms for everyone engaged in music: to fail again, fail better. |
the future of the music business: Awakening Mark Mulligan, 2015-04-16 Awakening is the definitive account of the music industry in the digital era. It tells the inside story of how the music business grappled with the emergence of an entirely new digital economy with exclusive interviews with the people who shaped today’s industry. Mulligan’s gripping narrative switches between the seismic market trends to the highly personal accounts of artists and digital pioneers. It recounts the events that both spelt the end of the old industry and that are the foundation for the radical new successor that is about to emerge. Awakening is written by the leading music industry analyst Mark Mulligan and includes interviews with 60 of the music industry’s most important figures, including million selling artists and more than 20 CEOs. Alongside this unprecedented executive access, Awakening uses exclusive data presented across 60 charts and figures to chart the music industry’s digital journey and to lay out a vision of the future for the industry and artists alike. For anyone interested in the music industry and the lessons it provides for all businesses in the digital era, this is the only book you will ever need. |
the future of the music business: The Present and Future of Music Law Ann Harrison, Tony Rigg, 2021-07-29 The music business is a multifaceted, transnational industry that operates within complex and rapidly changing political, economic, cultural and technological contexts. The mode and manner of how music is created, obtained, consumed and exploited is evolving rapidly. It is based on relationships that can be both complimentary and at times confrontational, and around roles that interact, overlap and sometimes merge, reflecting the competing and coinciding interests of creative artists and music industry professionals. It falls to music law and legal practice to provide the underpinning framework to enable these complex relationships to flourish, to provide a means to resolve disputes, and to facilitate commerce in a challenging and dynamic business environment. The Present and Future of Music Law presents thirteen case studies written by experts in their fields, examining a range of key topics at the points where music law and the post-digital music industry intersect, offering a timely exploration of the current landscape and insights into the future shape of the interface between music business and music law. |
the future of the music business: Beyond 2.0 Stephen David Collins, Sherman Young, 2014 The actual future of music is a complex and contested one. This book aims to unpack that complexity, map the changes and explain the causes and motivations surrounding an industry undergoing change. |
the future of the music business: Navigating the Music Industry Frank Jermance, 2003 For anyone planning a career in the music business, Navigating the Music Industry is an excellent introduction to all the issues facing artists today. It combines the myriad talents of teachers, lawyers and musicians to provide a comprehensive overview of the industry. The first half of the book, Controversial Issues, concentrates on the music side of this world - everything from censorship to regional music scenes to the future of country music to the debate between indie and major labels. The second half, Business Models, looks at the business side, and contains many tips about the practical side of the music industry - using internet content, budgets and breakevens, tax issues, when to incorporate and why, and much more. Simply put, Navigating the Music Industry is the most complete book on the subject to date. Previously announced as What's Going On?: Current Issues in the Music Business. |
the future of the music business: Introduction to the Music Industry Catherine Fitterman Radbill, 2016-09-01 Introduction to the Music Industry: An Entrepreneurial Approach, Second Edition is an introductory textbook that offers a fresh perspective in one of the fastest-changing businesses in the world today. It engages students with creative problem-solving activities, collaborative projects and case studies as they explore the inner workings of the music business, while encouraging them to think like entrepreneurs on a path toward their own successful careers in the industry. This new edition includes a revised chapter organization, with chapters streamlined to focus on topics most important to music business students, while also maintaining its user-friendly chapter approach. Supported by an updated companion website, this book equips music business students and performance majors with the knowledge and tools to adopt and integrate entrepreneurial thinking successfully into practice and shape the future of the industry. |
the future of the music business: The Present and Future of Music Law Ann Harrison, Tony Rigg, 2021 The music business is a multifaceted, transnational industry that operates within complex and rapidly changing political, economic, cultural and technological contexts. The mode and manner of how music is created, obtained, consumed and exploited is evolving rapidly. It is based on relationships that can be both complimentary and at times confrontational, and around roles that interact, overlap and sometimes merge, reflecting the competing and coinciding interests of creative artists and music industry professionals. It falls to music law and legal practice to provide the underpinning framework to enable these complex relationships to flourish, to provide a means to resolve disputes, and to facilitate commerce in a challenging and dynamic business environment. The Present and Future of Music Law presents thirteen case studies written by experts in their fields, examining a range of key topics at the points where music law and the post-digital music industry intersect, offering a timely exploration of the current landscape and insights into the future shape of the interface between music business and music law-- |
the future of the music business: The Music Industry Patrik Wikström, 2013-04-25 The music industry is going through a period of immense change brought about in part by the digital revolution. What is the role of music in the age of computers and the internet? How has the music industry been transformed by the economic and technological upheavals of recent years, and how is it likely to change in the future? This is the first major study of the music industry in the new millennium. Wikström provides an international overview of the music industry and its future prospects in the world of global entertainment. They illuminate the workings of the music industry, and capture the dynamics at work in the production of musical culture between the transnational media conglomerates, the independent music companies and the public. The Music Industry will become a standard work on the music industry at the beginning of the 21st century. It will be of great interest to students and scholars of media and communication studies, cultural studies, popular music, sociology and economics. It will also be of great value to professionals in the music industry, policy makers, and to anyone interested in the future of music. |
the future of the music business: Forbidden Music Michael Haas, 2013-04-15 DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div |
the future of the music business: The Future of the Music Business Steve Gordon, 2015 FUTURE OF THE MUSIC BUSINESS FOURTH EDITION |
the future of the music business: Parity, platforms, and protection : the future of the music industry in the digital radio revolution : hearing , |
the future of the music business: Understanding the Music Industries Chris Anderton, Andrew Dubber, Martin James, 2012-12-14 Everyone knows music is big business, but do you really understand how ideas and inspiration become songs, products, downloads, concerts and careers? This textbook guides students to a full understanding of the processes that drive the music industries. More than just an expose or ′how to′ guide, this book gives students the tools to make sense of technological change, socio-cultural processes, and the constantly shifting music business environment, putting them in the front line of innovation and entrepreneurship in the future. Packed with case studies, this book: • Takes the reader on a journey from Glastonbury and the X-Factor to house concerts and crowd-funded releases; • Demystifies management, publishing and recording contracts, and the world of copyright, intellectual property and music piracy; • Explains how digital technologies have changed almost all aspects of music making, performing, promotion and consumption; • Explores all levels of the music industries, from micro-independent businesses to corporate conglomerates; • Enables students to meet the challenge of the transforming music industries. This is the must-have primer for understanding and getting ahead in the music industries. It is essential reading for students of popular music in media studies, sociology and musicology. |
the future of the music business: Innovation in Music Russ Hepworth-Sawyer, Justin Paterson, Rob Toulson, 2021-01-21 Innovation in Music: Future Opportunities brings together cutting-edge research on new innovations in the field of music production, technology, performance and business. Including contributions from a host of well-respected researchers and practitioners, this volume provides crucial coverage on a range of topics from cybersecurity, to accessible music technology, performance techniques and the role of talent shows within music business. Innovation in Music: Future Opportunities is the perfect companion for professionals and researchers alike with an interest in the music industry. |
the future of the music business: The Artist's Guide to Success in the Music Business Loren Weisman, 2014 The music industry and you - Your band: working with other musicians - Defining and refining your sound - Managing, performing, and booking gigs - Solo or band touring - The music business plan - In the recording studio - Fundraising and investors - Your band is the brand - Music marketing and promotions - Your career in the music business of today. |
the future of the music business: The Music Export Business Stephen Chen, Shane Homan, Tracy Redhead, Richard Vella, 2021-04-11 The Music Export Business examines the workings of the fast-changing world of music industry exports. The music industry is in a state of flux, resulting from changes in technology, markets, government policies and most recently the COVID-19 pandemic. In analysing the ability of organisations to access international markets from inception, this book assesses global trends in music industry business models, including streaming and national export policies. The book deploys author interviews with industry insiders including musicians, managers, record labels and government stakeholders, using case studies to highlight cultural and economic value creation in a global value chain Providing research-based insights into export readiness in the global music industry, this book reassesses the born global phenomenon, providing a unique and valuable resource for scholars and reflective practitioners interested in the evolving relationship between music industries, national economies, government policies and cultural identity. . |
the future of the music business: A Music Business Primer Diane Sward Rapaport, 2003 Featuring articles written by music industry professionals, this comprehensive primer guides readers through every aspect of the music business.Covers all aspects of the music industry ranging from songwriting, recording, and performing, to copyright law, record labels, marketing and promotion, and more.For musicians and future music professionals who want a comprehensive overview of the music industry. |
the future of the music business: All You Need to Know About the Music Business, Seventh Edition Donald S Passman, 2009 No one understands the music industry--from the technology, to the legalities, to the new industry practices--better than veteran music lawyer Donald Passman. In this completely revised and updated seventh edition of All You Need To Know About the Music Business, which the Los Angeles Times called “the industry bible” and which has sold hundreds of thousands of copies, Passman offers executives and artists, experts and novices alike the essential information they need not only to survive in these volatile and exciting times, but also to thrive. Drawing on his unique, up-to-the-minute experience as one of the most trusted advisors in the business, Passman offers advice concerning: - The Copyright Royalty Board’s latest decisions regarding online transmissions. - The developing new customs concerning new technologies such as streaming on demand, ringtones, and digital downloads. Passman also gives guidance on other fundamental issues such as how to: - Select and hire a winning team of advisors--personal and business managers, agents, and attorneys--and structure their commissions, percentages, and fees in a way that will protect you and maximize these relationships. - Master the big picture and the finer points of record deals. - Navigate the ins and outs of songwriting, music publishing, and copyright law. - Maximize concert touring and merchandising deals. Almost everyone in the music business, from musicians and songwriters to entertainment lawyers and record company executives, are scrambling to sort out what is going to happen next, and Passman is right in the thick of these changes. Here is a book for anyone interested in a music career: a comprehensive and crucial guide to making it in one of the world’s most dynamic industries. |
the future of the music business: Music Law JULIE L.. HUPPE ROSS (MICHAEL J.), Michael J. Huppe, 2020-12-10 About the Book: This textbook is designed to inspire debate and discussion about the past, present, and future of the music industry--blending insights from legal, business, and policy perspectives. Students are introduced to the history of music as property in commerce; key technological and business milestones affecting all aspects of the creative process; legal protections for those who create music, those who own it, and those who want to use it; the competing (and recurring) policy debates from the past century that have influenced the way creative participants interact with one another; and the challenges and opportunities presented by the digital age. About the Authors: Julie Ross has been a full-time faculty member at Georgetown Law since 1998, where she has taught courses focusing on legal practice and music law. Her scholarship focuses on music copyright and writing pedagogy. She is a graduate of Hamilton College and Harvard Law School and clerked for the Honorable H. Lee Sarokin in New Jersey. Before moving to academia, she practiced as a litigator in Los Angeles. Michael Huppe is President & CEO of SoundExchange, an organization at the center of many legal, policy and technology issues confronting the modern music industry. With over 20 years in the industry, he has fought on behalf of artists, songwriters, labels, publishers, and studio producers. A graduate of Harvard Law School, he was originally a commercial litigator and now focuses on the business issues affecting creators, especially those relating to music and technology. |
the future of the music business: The Music Business (explained in Plain English) David Naggar, Jeffrey D. Brandstetter, 1995 |
the future of the music business: The Future of Live Music Ewa Mazierska, Les Gillon, Tony Rigg, 2020-05-14 What 'live music' means for one generation or culture does not necessarily mean 'live' for another. This book examines how changes in economy, culture and technology pertaining to post-digital times affect production, performance and reception of live music. Considering established examples of live music, such as music festivals, alongside practices influenced by developments in technology, including live streaming and holograms, the book examines whether new forms stand the test of 'live authenticity' for their audiences. It also speculates how live music might develop in the future, its relationship to recorded music and mediated performance and how business is conducted in the popular music industry. |
the future of the music business: Business Basics for Musicians Bobby Borg, 2020-01-07 Today, when artists are empowered to take greater control of their careers and earnings, the need for musicians to understand the business of music has never been greater. In a digital age overflowing with confusing and ever-changing information, musicians need trusted business advice from a veteran artist who can break down the basics in language they understand. Written by a professional musician for other musicians, Business Basics for Musicians is the laypersons guide to the music industry. In this must-have manual, music industry veteran Bobby Borg presents vital info in a conversational tone and an easy-to-scan format regarding five vital areas that musicians need to succeed: Career Execution, Business Relationships, Pro Teams, Deals and Dollars, and Future Predictions. Everything from copyrights to record deals, to managers, to merchandising, to doing it yourself is covered. With pro interviews, anecdotes, and review quizzes, Business Basics for Musicians is the complete handbook from start to success. Updates for this edition: Changes in copyright laws Summary of the Music Modernization Act Updates on record, merch, publishing, and live performance deals New trends in sponsorships and partnerships with product brands New interviews with industry professionals, including managers, producers, and agents New stories paralleling current events and industry happenings Updated business resources, industry contacts, and URLs |
the future of the music business: Music Business Handbook and Career Guide David Baskerville, 2006 The new eighth edition of the Music Business Handbook And Career Guide maintains the tradition of this classic text as the most comprehensive, up-to-date guide to the $100 billion music industry. More than 100,000 students and professionals have turned to earlier editions of the Baskerville Handbook to understand the art, profession, and business of music. Thoroughly revised, the eighth edition includes complete coverage of all aspects of the music industry, including songwriting, publishing, copyright, licensing, artist management, promotion, retailing, media, and much more. There is a complete section on careers in music, including specific advice on getting started in the music business. Generously illustrated with tables and photographs, the Guide also contains a complete appendix with sample copyright forms, writing and publishing agreements, directories of professional organizations, and a comprehensive glossary and index. The eighth edition has been completely updated, with particular emphasis on online music and its impact on the rest of the industry. |
the future of the music business: Cool Jobs in the Music Business! Jeffrey Rabhan, 2013 Accompanying DVD includes a video interview with the author and audio interviews with ten individuals working in the music trade. |
the future of the music business: Your Band Is a Virus - Expanded Edition James Moore, 2012-11-29 Independent musicians in 2012 find themselves more confused than ever before and finding good information can be a challenge. This guide gives information on advocating and presenting the right product to the world, timing a release properly, promoting music blogs and publications with a personal touch, outsourcing and freelancing, and thinking outside of the box. |
the future of the music business: Music Management, Marketing and PR Chris Anderton, James Hannam, Johnny Hopkins, 2022-02-24 This book is your guide to the study and practice of music management and the fast-moving music business of the 21st century. Covering a range of careers, organisations, and practices, this expert introduction will help aspiring artists, managers, and executives to understand and succeed in this exciting sector. Featuring exclusive interviews with industry experts and discussions of well-known artists, it covers key areas such as artist development, the live music sector, fan engagement, and copyright. Other topics include: Managing contracts and assembling teams. Using data audits of platforms to adapt campaigns. Shaping opinions about music, musicians, events. How the music industry can be more diverse, inclusive, and equitable for the benefit of all. Working with venues, promoters, booking agents, and tour managers. Branding, sponsorship, and endorsement. Funding, crowdsourcing and royalty collection. Ongoing digital developments such as streaming income and algorithmic recommendation. Balancing the creative and the commercial, it is essential reading for students of music management, music business, and music promotion – and anybody looking to build their career in the music industries. Dr Chris Anderton, Johnny Hopkins, and James Hannam all teach on the BA Music Business at the Faculty of Business, Law and Digital Technologies at Solent University, Southampton, UK. |
the future of the music business: The Music Business and Recording Industry Geoffrey P. Hull, Thomas William Hutchison, Richard Strasser, 2011 A brief but comprehensive examination of how records are made, marketed, and sold. This new edition takes into account the massive changes in the recording industry occurring today due to the revolution of music on the web. |
the future of the music business: Band - Smart Martin Atkins, 2014-06 In this prequel to the bestselling Tour:Smart, label owner, speaker, entrepreneur, drummer, and producer Martin Atkins has collected advice and contributions from more than 200 industry professionals covering everything a person needs to know about being in a band and succeeding on their own terms. Topics range from starting and naming a new band, recording, packaging, social media, local scenes, event management, and more. The book’s illustrations and highly readable, down-to-earth style make it essential for any artist in any genre. |
the future of the music business: The Plain and Simple Guide to Music Publishing Randall D. Wixen, 2009 (Book). Publishing is one of the most complex and lucrative parts of the music business. Industry expert Randall Wixen covers everything from mechanical, performing and synch rights to sub-publishing, foreign rights, copyright basics, types of publishing deals, advice on representation and more. Get a view from the top, in plain English. This updated and revised edition has been prepared in light of the ever-changing landscape of music publishing, taking into account factors like illegal downloading and recent announcements from the Copyright Royalty Board. With an added DIY chapter, the author demonstrates why the playing field has changed for the traditional copyright adminstrators, and how musicians just starting out can protect their own work until they hit the big time. |
the future of the music business: Artist Management for the Music Business Paul Allen, 2012-11-12 Allen prepares you for the realities of successfully directing the careers of talented performers in the high-risk, high-reward music business. You will learn to prepare yourself for a career in artist management - and then learn the tools to coach, lead, organize time, manage finances, market an artist, and carve out a successful career path for both yourself and your clients. The book features profiles of artist managers, an exclusive and detailed template for an artist career plan, and samples of major contract sections for artist management and record deals. Updated information including a directory of artist management companies is available at the book's companion website. A peer reviewer for Artist Management for the Music Business proclaimed .this is going to be an excellent text. It contains many unique insights and lots of valuable information. This is essential reading for managers, students, and artists in the music business. |
the future of the music business: Music Marketing for the DIY Musician Bobby Borg, 2020-01-07 Do it yourself and succeed! More and more artists are taking advantage of new technologies to try and build successful careers. But in this expanding competitive marketplace, serious do-it-yourself musicians need structured advice more than ever. In Music Marketing for the DIY Musician, veteran musician and industry insider Bobby Borg presents a strategic, step-by-step guide to producing a fully customized, low-budget plan of attack for marketing one’s music. Presented in a conversational tone, this indispensable guide reveals the complete marketing process using the same fundamental concepts embraced by top innovative companies, while always encouraging musicians to find their creative niche and uphold their artistic vision. The objective is to help artists take greater control of their own destinies while saving money and time in attracting the full attention of top music industry professionals. It’s ultimately about making music that matters, and music that gets heard! Updates include: New interviews highlighting current marketing strategies for the new music market Info on how to leverage digital marketing and streaming playlists Updated stories and examples of current music marketing principles Future forecasts and trends into music marketing New and revised services, tools, references, and contacts that can help musicians further their careers New marketing plan samples for bands/solo artists and freelance musicians and songwriters |
the future of the music business: Introduction to Music Publishing for Musicians Bobby Borg, Michael Eames, 2021-06-03 At a time when artists are independently releasing their own music and acting as their own self-publishers, there has never been a greater need for a simple and easy-to-read introduction to the business and creative aspects of music publishing for musicians. Written by two musicians and industry pros with decades of experience, Introduction to Music Publishing For Musicians is organized into seven clearly written sections that will help musicians save time and avoid getting screwed. Topics include the basics of copyrights, types of publishing income, publishing companies and types of deals, creative matters of music publishing, and things you need to know about music publishing’s future.The book features: Short digestible chapters written in a conversational tone to keep artists focused Section-by-section FAQs that expand on key issues that musicians encounter today Boxed text stories featuring current events to emphasize key concepts Interviews with top beat makers, collaborators, and more to provide secrets of success A glossary to help you keep track of important publishing terms Publishing resources offering to help you place and promote your music Chapter quizzes and activity assignments to help measure your knowledge Bobby Borg and Michael Eames have created a compact, simple and easy-to-read overview of today’s music publishing industry that caters to both students and musicians (songwriters, producers, beat makers, and more) who want quick, up-to-date, credible, and relatable information so that they can get back to doing what they like best: creating music! |
the future of the music business: Business Innovation and Disruption in the Music Industry Patrik Wikström, Robert DeFillippi, 2016-01-29 Patrik Wikström and Robert DeFillippi bring together innovative, multidisclipinary perspectives on business innovation and disruption in the music industry. Authors from fields such as cultural studies, economics, management, media studies, musicology and human geography in North America, Europe and Asia focus on the “second wave” of digital disruption and the transformation of the music industry. The chapters are structured into three parts: the first part contextualizes changes in the music industry that have been driven by digital technologies since the end of the 1990s. The second part unpacks the impact of these disruptive technologies on business models in specific industry sectors and geographies, and the third and final part examines questions related to the emergence of subscription music services. Concluding chapters link back to the role of hackers as a subversive and innovative force in the music economy and examine how hacker creativity can be facilitated and encouraged to generate the next big music industry innovation. This multifaceted look at the music business will serve as a resource for both undergraduate and graduate students, as well as established scholars and industry professionals. |
the future of the music business: Appetite for Self-Destruction Steve Knopper, 2009-01-06 For the first time, Appetite for Self-Destruction recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world -- and the advent of file sharing brought it to its knees. In a comprehensive, fast-paced account full of larger-than-life personalities, Rolling Stone contributing editor Steve Knopper shows that, after the incredible wealth and excess of the '80s and '90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advances in technology. Big Music has been asleep at the wheel ever since Napster revolutionized the way music was distributed in the 1990s. Now, because powerful people like Doug Morris and Tommy Mottola failed to recognize the incredible potential of file-sharing technology, the labels are in danger of becoming completely obsolete. Knopper, who has been writing about the industry for more than ten years, has unparalleled access to those intimately involved in the music world's highs and lows. Based on interviews with more than two hundred music industry sources -- from Warner Music chairman Edgar Bronfman Jr. to renegade Napster creator Shawn Fanning -- Knopper is the first to offer such a detailed and sweeping contemporary history of the industry's wild ride through the past three decades. From the birth of the compact disc, through the explosion of CD sales in the '80s and '90s, the emergence of Napster, and the secret talks that led to iTunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the boardrooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen. With unforgettable portraits of the music world's mighty and formerly mighty; detailed accounts of both brilliant and stupid ideas brought to fruition or left on the cutting-room floor; the dish on backroom schemes, negotiations, and brawls; and several previously unreported stories, Appetite for Self-Destruction is a riveting, informative, and highly entertaining read. It offers a broad perspective on the current state of Big Music, how it got into these dire straits, and where it's going from here -- and a cautionary tale for the digital age. |
the future of the music business: Music, Money and Success Jeffrey Brabec, Todd Brabec, 2011-07-18 The Insider's Guide to Making Money in the Music Industry. Millions dream of attaining glamour and wealth through music. This book reveals the secrets of the music business that have made fortunes for the superstars. A must-have for every songwriter, performer and musician. |
the future of the music business: Processing Creativity Jesse Cannon, 2017-03-28 For decades, Jesse Cannon has been pushing creative ideas in music. You may know him from writing one of the most popular books on the music business, Get More Fans, or from his recording credits on records with the most varied set of bands you've ever seen, including The Cure, The Misfits, Animal Collective, Brand New, The Dillinger Escape Plan, The Menzingers, Limp Bizkit, Basement, Leftover Crack, Saves The Day, Senses Fail, Weird Al Yankovich, Lifetime, Say Anything, NOFX, Flatsound, Man Overboard, Bad Books, Transit, Somos, Cavetown, and over a thousand others. You may also know his work as the host of the podcasts Atlantic Records Inside The Album, Noise Creators, and Off The Record, his popular YouTube channel Musformation, as a producer for popular podcasts at Rolling Stone & The Daily Beast or from his writing at outlets like Alternative Press, Tape Op, & Hypebot. In Processing Creativity: How To Write Songs People Love he chronicles the lessons learned working on all those records and writing about music's most progressive ideas, taking on the subject he knows the most about; helping musicians fulfill their creative vision. The book is the culmination of four years of poring over scientific studies, books, and thoughts from top creators as well as his own experience to write a book every musician should listen to about what goes into making great music versus what bands do when they make the innumerable bad songs we hear each day. Covering the pitfalls of creating music, the book thoroughly explores the hidden reasons we actually like music, how to get along with our collaborators, and patterns that help creativity flourish. While every musician says that being creative is the most important part of their life, they barely explore what's holding them back from making music they are happy with. When trying to navigate the ways our creative endeavors fail there's no YouTube tutorial, listicle, or college course that can help navigate the countless creative pitfalls that can ruin your music but after reading this book you will have the knowledge to guide you to make songs the world loves. The essential ideas on creating music are detailed in a simple, fun language that’s littered with quotes and insight from the most innovative creators of our time including: • How to make highly emotional music that compels listeners to listen again and again. • Effectively dealing with collaborative problems like “too many chefs in the kitchen,” giving helpful criticism or dealing with stubborn collaborators. • Finding inspiration when you have writer's block. • How to draft your songs while avoiding the common pitfalls of losing perspective and giving up. • Examining the unexpected reasons we enjoy music. • Calming your thoughts so they don’t sabotage your music and other helpful tools to help execute your music as best as possible. |
the future of the music business: Anatomy of a Song Marc Myers, 2016-11-01 “A winning look at the stories behind 45 pop, punk, folk, soul and country classics” in the words of Mick Jagger, Stevie Wonder, Cyndi Lauper and more (The Washington Post). Every great song has a fascinating backstory. And here, writer and music historian Marc Myers brings to life five decades of music through oral histories of forty-five era-defining hits woven from interviews with the artists who created them, including such legendary tunes as the Isley Brothers’ Shout, Led Zeppelin’s Whole Lotta Love, Janis Joplin’s Mercedes Benz, and R.E.M’s Losing My Religion. After receiving his discharge from the army in 1968, John Fogerty did a handstand—and reworked Beethoven’s Fifth Symphony to come up with Proud Mary. Joni Mitchell remembers living in a cave on Crete with the mean old daddy who inspired her 1971 hit Carey. Elvis Costello talks about writing (The Angels Wanna Wear My) Red Shoes in ten minutes on the train to Liverpool. And Mick Jagger, Jimmy Page, Rod Stewart, the Clash, Jimmy Cliff, Roger Waters, Stevie Wonder, Keith Richards, Cyndi Lauper, and many other leading artists reveal the emotions, inspirations, and techniques behind their influential works. Anatomy of a Song is a love letter to the songs that have defined generations of listeners and “a rich history of both the music industry and the baby boomer era” (Los Angeles Times Book Review). |
THIS IS MUSIC
findings of this report reinforce UK Music’s recent A Manifesto for Music and calls for the next government to develop a comprehensive, medium to long-term music strategy for growth. For …
2023 Music Impact Report - Music Business Worldwide
music is associated with higher streaming volumes, while also identifying distinctive consumer behaviors that make TikTok users uniquely valuable to the music industry.
International Journal of Music Business Research - WordPress.com
1 Apr 2020 · AIMS AND SCOPE: The International Journal of Music Business Research (IJMBR) as a double-blind reviewed academic journal provides a new platform to present articles of …
GLOBAL MUSIC REPORT - IFPI
reach global audiences. Breaking down barriers and borders of language, culture and genre around the world, music has made an incredible impact over the last year, bringing …
The Evolution of the Music Industry in the Digital Age: From …
In the current landscape, several trends are shaping the music industry, including the integration of artificial intelligence (AI) for music recommendation and composition, blockchain technology …
The Classical Music Industry and the Future that Digital …
music organisations have adopted innovative initiatives to grow their business model. As far back as 1989, this sector has attempted to engage in a process of mass consumerism with mixed …
THE FUTURE OF LIVE MUSIC REPORT. - CM.com
In conducting a survey with 1,000 live music fans, our goal is to provide evidence and insights to support what we have been seeing and hearing for ourselves having been in the eye of the …
The Impact of The Music Industry
For the first time, UK Music has commissioned in-depth polling of the UK public to better understand how the music industry is perceived across the UK, the impact music has on …
Music in business and management studies: a systematic
Through a rigorous protocol, this research discusses the efects of the digital revolution on the music industry, with particular reference to the persisting oligopoly of major labels and the new …
Economics of music streaming - committees.parliament.uk
The economics of music streaming 1. Music streaming is the process whereby music multimedia is accessed by consumers over the internet. Streaming has irrevocably changed modern music …
Research into the classical music ecosystem - BBC
We found that the BBC has a unique and integral role in the UK’s classical music ecosystem – a role which has been emphasised as the sector faced the challenges of the pandemic – and are …
The Future of Music - What is Music
The Future of Music Technology has already had a significant effect on the business of creating and distributing music. But the development of a complete theory of music will have an even …
The impact of the digital era on marketing in the music business …
1) How has the digital era influenced music business marketing? 2) What changes have arisen as a result of the digital era in music business marketing? 3) What is the current situation in the …
A new era of the music industry? Blockchain and value co-creation: …
Thanks to the adoption of blockchain, a new business ecosystem is taking shape in the music field, in which artists, music-loving users, music providers and stakeholders interact to pursue …
The digital transformation of the music industry. The second …
In this paper, the strongly technology-driven transformation of the music sector will first be reconstructed, divided into distinguishable developmental phases and con-densed into …
The Re-Intermediation of the Music Industries Value Chain: …
– Are there any key technological or other changes anticipated in the music industry, particularly anything that could impact competition in the future, either between music companies or …
BIG DATA AND ANALYTICS: by Daniella Capodilupo - FLVC
of how business is transacted within the music industry, and more specifically, how the future of marketing artists and their brands to consumers will be grounded in data and analytics. The …
The future of UK music festivals
29 May 2021 · In 2019, almost 1,000 music festivals took place across the UK contributing £1.76 billion in Gross Value Added (GVA) to the economy, and enriching the cultural and social lives …
Music, Digitalization, and Democracy - Taylor & Francis Online
The purpose of this special issue of Popular Music and Society is to bring together a series of articles that deal with issues related to music, digitalization, and democracy. Since the 1980s, …
BIMM 21/22
• Specific aspects of the event industry/Music Business that are of interest to you • Examples of school coursework or practical work you have completed that relate to this subject ... • Where …
Where can studying Music take you?
• Music can support numerous careers: professional musician; singer/song writer; musical production and direction; music business owner; lighting, sound and stage production and …
CAREERS INFORMATION PACK - UK Music
The music business needs a lot of different skills and a diverse range of people. Look at the list on the page opposite. You can be a recording artist. You can be ... future. All you need is the …
DEFINING THE - rncm.ac.uk
FUTURE OF MUSIC. 2. 3. The RNCM has remained at the forefront of music education . globally for over 50 years. We are proud to have achieved Gold . in all areas of the. Teaching …
Country Update - mikecurb.com
“We’re impacting the culture of Nashville, of country music — maybe pop music, the culture of the nation,” he says with youthful enthusiasm. “That’s what’s so exciting about what we do.” Corey …
MUSI C MAESTR O - Vistex
Vistex provides a high-volume, easily configured solution poised for traditional, current and future music business trends. Contracts, metadata and all royalty activity are captured in a single …
Economics of music streaming - committees.parliament.uk
acquisitions, and integration with all aspects of the digital music business. Meanwhile, performers, songwriters and composers receive only a small portion ... First Report of the Session …
The Future Of The Music Business Copy , www1.goramblers
The Future Of The Music Business WebThe nonprofit group Future of Music Coalition has launched Artist Revenue Streams, a multi-method research initiative to assess if and how …
The Role of Music in Society Past, Present and Future - CORE
The Role of Music in Society Past, Present and Future The role of music in the United States has changed throughout its history and continues to transform as new ideals and genres emerge. …
GTMS Rights & Royalties - Vistex
music companies are confronted with processing this unwieldy detail in an effective, efficient manner. Vistex provides a high-volume, easily configured solution poised for traditional, …
GTMS Rights & Royalties - Vistex
music companies are confronted with processing this unwieldy detail in an e˚ective, e˛cient manner. Vistex provides a high-volume, easily configured solution poised for traditional, …
THE IMPACT OF TECHNOLOGY ON THE MUSIC INDUSTRY - FLVC
where music fans have so many options to acquire music, the music industry must experiment with different strategies to release music in appropriate digital media that will appeal to today’s …
Audio Market Update —Fall 2023 - Houlihan Lokey
Recorded Music. Music Publishing. Live Music ’23E–’30E CAGR. Live Music. 5%. Music Publishing. 6%. Recorded Music. 9% “We believe the growth outlook remains strong and will …
Music Business Empowerment 2-Day Virtual Conference …
1 Aug 2020 · focuses on Black Music, the goal of this conference is to EMPOWER future music business professionals using today’s tools. Each year the conference has expanded to include …
DIGITAL CUST OME R RELATIO NSHIP MA NAGEM ENT IN MUSIC …
FUTURE Music business is changing. The first major shift took place when music performances became entertainment for the masses. Until then, music had only been entertainment of the …
McKinsey Technology Trends Outlook 2022 - McKinsey & Company
McKinsey & Company 5 Introduction (continued) Minimal relevance High relevance 1Relevance estimated qualitatively by industry experts based on trend’s potential to affect an industry; …
A new generation ready to transform the music industries. - Youth Music
04 A NOTE ON THE ‘MUSIC INDUSTRIES’ 05 MEET THE FUTURE 07 SECTION 1 - CLOSING THE LOOP 15 SECTION 2 - WHO MAKES IT? ... 49 SECTION 4 - CREATING THE …
Music Business Empowerment 2-Day Virtual Conference …
1 Aug 2020 · focuses on Black Music, the goal of this conference is to EMPOWER future music business professionals using today’s tools. Each year the conference has expanded to include …
The Future of Audio - Houlihan Lokey
Business Services Financial Services Healthcare Consumer, Food, and Retail Energy Industrials Real Estate, Lodging, and Leisure Financial Sponsors Coverage ... future distribution model, …
DOI: 10.7596/taksad.v9i4 - ResearchGate
future music teachers is based on scientific approaches to personal orientation, and methodological approaches related to modern requirements and pedagogical trends in general …
Brochure Counterpoint 2020
Music Source – Search your catalog online. Create playlists for pitching to ... Vistex provides a high-volume, easily configured solution poised for traditional, current and future music …
A property rights view on the impact of file sharing on music business ...
Future music business models will have to pay attention to the fact that some property rights can not be allocated anymore and accept a new situation in which consumers have the possibility …
Music Business (MA) - NYU Bulletins
Music Business Elective 3 Credits 13 3rd Semester/Term MPAMB-GE 2001 Music Business Graduate Prof Develpmnt Sequence 0 MPAMB-GE 2301 Music Business Graduate Internship …
Contents Music Metadata Style Guide - Music Business …
The Music Business Association originally created this guide to assist in harmonizing the consistency of standards across digital music retailers with respect to how music is listed, …
The Music Of The Future / Franz Hueffer Full PDF www.scribeseo
29 Jan 2024 · The Future of the Music Business provides a legal and business road map for success in today's music business by setting forth a comprehensive summary of the rules …
MUSIC BUSINESS (BM)
learn about the international music business, and have several study-abroad options. Admissions New York University's Office of Undergraduate Admissions supports the application process …
A property rights view on the impact of file sharing on music business ...
Future music business models will have to pay attention to the fact that some property rights can not be allocated anymore and accept a new situation in which consumers have the possibility …
DIGITAL CUST OME R RELATIO NSHIP MA NAGEM ENT IN MUSIC …
IN MUSIC INDU STR Y Sony Music Ð an Internet Company? Elina Piippa BachelorÕs Thesis January 2009 School of Business and Services Management View metadata, ... MUSIC …
PAST AND FUTURE OF MUSIC LISTENING - Elena Razlogova
valuable for the music industry. 1с is at this point that computers and disc jockeys combined the algor-itlШ1iс and informal aspects of the пшsiс business. 1п 1949, performance rights group …
Vistex helps UMG accelerate the processing of digital revenues ...
Today’s music companies are confronted with processing this unwieldy detail in an e˜ective, e˛cient manner. Vistex provides a high-volume, easily configured solution poised for …
The Music Industry in the Digital Transformation: Business Model ...
funding from both business angel and venture capital investors. It had grown to 60 emplo - yees and a turnover of €8 million per year. At the time of our study, MusicCo was the market leading …
PEDAGOGICAL CONDITIONS OF FORMATION OF THE READINESS OF FUTURE MUSIC ...
training of the future teacher of musical art. It is concretized the pedagogical conditions which ensure the readiness of future teachers for the development of communicative competence of …
An Analysis of Cryptocurrency, Bitcoin, and the Future
International Journal of Business Management and Commerce Vol. 1 No. 2; September 2016 1 An Analysis of Cryptocurrency, Bitcoin, and the Future Peter D. DeVries Professor of MIS …
’s music industry ’s - TEMPLARS Law
Savage and Mr. Eazi both signed to Universal Music Nigeria monetization strategy has become even more pressing for market players, and so has the need to counteract infringing practices …
Challenges for the future of live music A review of contemporary ...
This section will focus on how regulation and the spatial embedding of live music affects the future of this cultural form. Regulation. Live music is closely connected to the nightlife economy of …
Strategic Management Analysis of Universal Music Group Under …
music companies and built a huge empire. Universal Music Group has 48 subsidiaries in 46 countries, recording, publishing, and selling music worldwide. While COVID-19 hit many …
The future of music making and music education in a …
technologies may have for the future of music curriculum and praxis. We express a call for a fundamental rethinking of our basic assumptions about pedagogy and learners, as well as …
International Journal of Music Business Research
1 Apr 2019 · He also writes on the music business/industry on his blog https://musicbusinessresearch.wordpress.com and organizes the annual international …
Copyright 2016 Cowboy Ventures, Inc. All Rights Reserved
The New Music Business The economic model that has driven the music business for years is no longer relevant. Record labels used to invest heavily in artist development, marketing, and …
The Future-Ready Business Benchmark - Economist Impact
The Future-Ready Business Benchmark 7 1.2 Benchmark development process The Future-Ready Business Benchmark has been developed through a rigorous process of research, data …
Music Studio Market Assessement - GOV.UK
The studio market is principally invested in the music industry, but some studios have chosen to expand their business models into the audiovisual sector (e.g. films, TV, radio). Integration in …
A Survey of Music Recommendation Systems and Future Perspectives …
Enthusiasts 21 Music is a key part of life but is also balanced by other interests. Casuals 32 Music plays a welcome role, but other things are far more important. Indi erents 40 They would not …
GTMS Rights & Royalties
music companies are confronted with processing this unwieldy detail in an e˚ective, e˛cient manner. Vistex provides a high-volume, easily configured solution poised for traditional, …
INDEPENDENT MUSIC PUBLISHERS INTERNATIONAL FORUM - IMPF
poised for traditional, current and future music business trends. Contracts, metadata and all royalty activity are captured in a single system, which is used for registration, licensing, sales, …
Future-Fit Business Benchmark
Future-Fit Business Benchmark: Release 2.1 updates 3 1. Methodology Guide 3 1.1 An expansion of key system science concepts 3 1.2 A precise definition of a Future-Fit Society 4 …
101 Music Business Contracts - admissions.piedmont.edu
Music Business 101 Brian Wesley Peters 2005 This up-to-date manual fills the need for a basic, easy-to-understand way of getting your foot in the ... read this book and you're investing in …