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the art of writing about art: The Art of Writing about Art Suzanne Hudson, Nancy Noonan-Morrissey, 2001 THE ART OF WRITING ABOUT ART is designed for ease of use and can serve as a quick reference for students writing various types of essays, research papers, exhibition reviews, or even examinations. The premise of the book is that students in all disciplines, not just English, should be required to write well and that their instructors should hold these writing assignments to high standards. THE ART OF WRITING ABOUT ART not only emphasizes skills in college-level composition, but also in verbalizing the experience of art-the historical, social, economic, and political forces that shape art and artists; art theory; and the interplay between artist and viewer. |
the art of writing about art: The Art of Writing Peter Yang, 2019-12-01 Rediscover the lost art of excellent writing—a valuable skill through the ages, and even more so in the twenty-first century. Since the invention of writing, the written word has fueled humanity’s astonishing progress. Thus, the ability to write effectively and beautifully has long been revered and rewarded. And yet in the digital age, people have begun to believe that this talent is somehow obsolete: that writing is something unworthy of study beyond the basic mechanics of vocabulary and syntax and grammar, that mediocre prose is acceptable in a world crying out for clear and precise communication. Peter Yang believes otherwise. The Art of Writing is Yang’s highly practical treatise on the four key principles of dazzling, effective writing—economy, transparency, variety, and harmony. Far from your garden-variety style guide, this book offers principles that apply to everyone, whether you’re writing an inauguration speech, a novel, or a letter home to Mom. Great writing is a skill, and this book gives you the tools to make your words shimmer on the page (or the screen). Packed with real-world insights and advice, The Art of Writing is your ultimate guide to transforming your writing and unleashing your inner artist. |
the art of writing about art: Writing about Art Karen Gocsik, Elizabeth Adan, 2019-10 A complete guide for introductory students that demystifies writing about art. |
the art of writing about art: The Art of Writing About Art Suzanne Hudson, Nancy Noonan-Morrisey, 2014-01-01 THE ART OF WRITING ABOUT ART serves as a quick reference for writing various types of essays, research papers, exhibition reviews, and even examinations. The premise of the book is that students in all disciplines, not just English, should be required to write well and that their instructors should hold these writing assignments to high standards. THE ART OF WRITING ABOUT ART not only emphasizes skills in college-level composition, but also in verbalizing the experience of art -- the historical, social, economic, and political forces that shape art and artists; art theory; and the interplay between artist and viewer. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version. |
the art of writing about art: A Short Guide to Writing about Art Sylvan Barnet, 2005 This edition addresses such fundamental matters as: description versus analysis; critical approaches to art (e.g., formal analysis; cultural materialism; gender studies); getting ideas for an essay; developing paragraphs; organizing a comparison; using bibliographic tools, including the internet; writing a catalog entry; quoting sources; documenting sources, using either the Art Bulletin style or the Chicago Manual style; avoiding sexist and Eurocentric language; writing citations for illustrations; engaging in peer review; editing the final draft; writing essay examinations. |
the art of writing about art: Zen in the Art of Writing Ray Bradbury, 1992 Every morning I jump out of bed and step on a land mine. The land mine is me. After the explosion, I spend the rest of the day putting the pieces back together. Now, it's your turn. Jump! Zest. Gusto. Curiosity. These are the qualities every writer must have, as well as a spirit of adventure. In this exuberant book, the incomparable Ray Bradbury shares the wisdom, experience, and excitement of a lifetime of writing. Here are practical tips on the art of writing from a master of the craft-everything from finding original ideas to developing your own voice and style-as well as the inside story of Bradbury's own remarkable career as a prolific author of novels, stories, poems, films, and plays.Zen In The Art Of Writingis more than just a how-to manual for the would-be writer: it is a celebration of the act of writing itself that will delight, impassion, and inspire the writer in you. In it, Bradbury encourages us to follow the unique path of our instincts and enthusiasms to the place where our inner genius dwells, and he shows that success as a writer depends on how well you know one subject: your own life. |
the art of writing about art: A Short Guide to Writing about Art Sylvan Barnet, 2000 A Short Guide to Writing About Art, 6/E, the best-selling text of its kind, encourages students to form their own opinions about art, and then equips them with the tools they need to write effective essays. This handy guide addresses a wealth of fundamental matters, including description versus analysis; the value of peer review; documenting sources; and editing the final essay. |
the art of writing about art: Writing about Art Henry M. Sayre, 2009 For one/two-semester courses in Art History Survey and Art Appreciation, as well as a supplement in Studio Art and Writing Across the Curriculum courses. This straightforward guide prepares students to describe, interpret, and write about works of art in meaningful and lasting terms. Designed as a supplement to Art History survey and period texts, this efficient book features a step-by-step approach to writing--from choosing a work to write about, to essay organization, to research techniques, to footnote form, to preparing the final essay. For beginners as well as more advanced students. |
the art of writing about art: The Grove Book of Art Writing Martin Gayford, Karen Wright, 2000 A collection of thoughts and ideas about art spanning thousands of years, from Pliny the Elder to Picasso. |
the art of writing about art: Philosophy and the Art of Writing Richard Shusterman, 2022-05-10 Philosophy and literature enjoy a close, complex relationship. Elucidating the connections between these two fields, this book examines the ways philosophy deploys literary means to advance its practice, particularly as a way of life that extends beyond literary forms and words into physical deeds, nonlinguistic expression, and subjective moods and feelings. Exploring thinkers from Socrates and Confucius to Foucault and Simone de Beauvoir, Richard Shusterman probes the question of what roles literature could play in a vision of philosophy as something essentially lived rather than merely written. To develop this vision of philosophy that incorporates literature but seeks to go beyond the verbal to realize the embodied fullness of life and capture its inexpressible dimensions, Shusterman gives particular attention to authors who straddle the literature/philosophical divide: from Augustine and Montaigne through Wordsworth and Kierkegaard to T.S. Eliot, Georges Bataille, Maurice Blanchot, and Bertrand Russell. The book concludes with a chapter on the Chinese art of writing with its mixture of poetry, calligraphy, and painting. Philosophy and the Art of Writing should interest students and researchers in literary theory and philosophy. It also opens the practice of philosophy to people who are not professionals in the writing of philosophy or literary theory. |
the art of writing about art: The Writing of Art Olivier Berggruen, 2011 Olivier Berggruen’s essays on aesthetics dissect some of the twentieth century’s greatest art. |
the art of writing about art: How to Write About Contemporary Art Gilda Williams, 2014-10-14 An essential handbook for students and professionals on writing eloquently, accurately, and originally about contemporary art How to Write About Contemporary Art is the definitive guide to writing engagingly about the art of our time. Invaluable for students, arts professionals and other aspiring writers, the book first navigates readers through the key elements of style and content, from the aims and structure of a piece to its tone and language. Brimming with practical tips that range across the complete spectrum of art-writing, the second part of the book is organized around its specific forms, including academic essays; press releases and news articles; texts for auction and exhibition catalogues, gallery guides and wall labels; op-ed journalism and exhibition reviews; and writing for websites and blogs. In counseling the reader against common pitfalls—such as jargon and poor structure—Gilda Williams points instead to the power of close looking and research, showing how to deploy language effectively; how to develop new ideas; and how to construct compelling texts. More than 30 illustrations throughout support closely analysed case studies of the best writing, in Source Texts by 64 authors, including Claire Bishop, Thomas Crow, T.J. Demos, Okwui Enwezor, Dave Hickey, John Kelsey, Chris Kraus, Rosalind Krauss, Stuart Morgan, Hito Steyerl, and Adam Szymczyk. Supplemented by a general bibliography, advice on the use and misuse of grammar, and tips on how to construct your own contemporary art library, How to Write About Contemporary Art is the essential handbook for all those interested in communicating about the art of today. |
the art of writing about art: Writing for Publication Kenneth T. Henson, 2005 This concise, user-friendly book tells exactly what to do to dramatically improve any academic writer's chances for getting published. It includes proven principles, strategies, and tactics that can be applied to virtually any form of publishing -- from specialized or general magazines, to grant proposals, to nonfiction books of all types. One chapter highlights how to use journal and grant writing to get tenure-track positions and earn tenure. For any academic writer who would like to be more focused in his or her writing and more successful in getting published. |
the art of writing about art: On the Art of Reading Arthur Quiller-Couch, 1920 |
the art of writing about art: Art-write Vicki Krohn Amorose, 2013 Practical information for artists trying to sell their work. Formatted in a workbook style with fill exercises and examples. |
the art of writing about art: The Art of Creative Writing Lajos Egri, 2020-12-29 “One of the few truly helpful books on fiction writing.” —Chicago Tribune Go beyond Stephen King’s On Writing to master the fundamentals of great storytelling with this foundational guide that reveals the essential elements of what makes the best fiction. The Art of Creative Writing is a timeless testament to the power of dialogue and character development that is accessible for every level of writer from beginner to established author. As in the bestselling The Art of Dramatic Writing, still considered one of the most essential books on playwriting more than 75 years after publication, the author outlines in detail his highly acclaimed Egri Method of Creative Writing and shows how to apply it to all fiction formats—novels, short stories, and screenplays. Grounded in Egri’s assertion that “Every type of creative writing depends upon the credibility of a character,” here is concise, clear advice on the most important element of good writing: characterization. Step by step, Egri shows writers how to probe the secrets of human motivation to create flesh-and-blood characters who create suspense and conflict, and who grow emotionally under stress and strain. As practical as it is inspiring, The Art of Creative Writing remains a timeless, illuminating guide that teaches every writer, and aspiring writer, how to create works that are both compelling and enduring. |
the art of writing about art: Asemic Peter Schwenger, 2019-12-31 The first critical study of writing without language In recent years, asemic writing—writing without language—has exploded in popularity, with anthologies, a large-scale art exhibition, and flourishing interest on sites like tumblr, YouTube, Pinterest, and Instagram. Yet this burgeoning, fascinating field has never received a dedicated critical study. Asemic fills that gap, proposing new ways of rethinking the nature of writing. Pioneered in the work of creators such as Henri Michaux, Roland Barthes, and Cy Twombly, asemic writing consolidated as a movement in the 1990s. Author Peter Schwenger first covers these “asemic ancestors” before moving to current practitioners such as Michael Jacobson, Rosaire Appel, and Christopher Skinner, exploring how asemic writing has evolved and gained importance in the contemporary era. Asemic includes intriguing revelations about the relation of asemic writing to Chinese characters, the possibility of asemic writing in nature, and explanations of how we can read without language. Written in a lively style, this book will engage scholars of contemporary art and literary theory, as well as anyone interested in what writing was and what it is now in the process of becoming. |
the art of writing about art: Persecution and the Art of Writing Leo Strauss, 2013-05-10 The essays collected in Persecution and the Art of Writing all deal with one problem—the relation between philosophy and politics. Here, Strauss sets forth the thesis that many philosophers, especially political philosophers, have reacted to the threat of persecution by disguising their most controversial and heterodox ideas. |
the art of writing about art: The End of Diversity in Art Historical Writing James Elkins, 2020-12-07 The End of Diversity in Art Historical Writing is the most globally informed book on world art history, drawing on research in 76 countries. In addition some chapters have been crowd sourced: posted on the internet for comments, which have been incorporated into the text. It covers the principal accounts of Eurocentrism, center and margins, circulations and atlases of art, decolonial theory, incommensurate cultures, the origins and dissemination of the October model, problems of access to resources, models of multiple modernisms, and the emergence of English as the de facto lingua franca of art writing. |
the art of writing about art: Visual Literacy: Writing about Art Amy Tucker, 2002 Publisher Description |
the art of writing about art: Style Frank Laurence Lucas, 1962 |
the art of writing about art: Style Frank Laurence Lucas, 2012 Style is considered one of the greatest guides to writing well. Legendary among writers and critics, but lost for almost 40 years, Style is now back in a beautiful new edition, and remains as entertaining and informative as ever. |
the art of writing about art: The Art of Slow Writing Louise DeSalvo, 2014-10-07 In a series of conversational observations and meditations on the writing process, The Art of Slow Writing examines the benefits of writing slowly. DeSalvo advises her readers to explore their creative process on deeper levels by getting to know themselves and their stories more fully over a longer period of time. She writes in the same supportive manner that encourages her students, using the slow writing process to help them explore the complexities of craft. The Art of Slow Writing is the antidote to self-help books that preach the idea of fast-writing, finishing a novel a year, and quick revisions. DeSalvo makes a case that more mature writing often develops over a longer period of time and offers tips and techniques to train the creative process in this new experience. DeSalvo describes the work habits of successful writers (among them, Nobel Prize laureates) so that readers can use the information provided to develop their identity as writers and transform their writing lives. It includes anecdotes from classic American and international writers such as John Steinbeck, Henry Miller, Virginia Woolf and D. H. Lawrence as well as contemporary authors such as Michael Chabon, Junot Diaz, Jeffrey Eugenides, Ian McEwan, and Salman Rushdie. DeSalvo skillfully and gently guides writers to not only start their work, but immerse themselves fully in the process and create texts they will treasure. |
the art of writing about art: Art Writing in Crisis Brad Haylock, Megan Patty, 2021-12-28 Texts by established and emerging writers who address the social and political dimensions of art and art writing in the contemporary context. Fires burn around the world. Systemic discrimination persists, precarity is increasing, and the modern democratic project faces challenges from all sides. Art writing helps us to understand art, which in turn helps us to understand such crises. But art writing itself is in crisis. Newspapers and magazines offer fewer channels than ever for independent art criticism, persistent institutional biases exclude the positions of many, and a proliferation of platforms presents opportunities and challenges in equal measure. This volume presents writing by established and emerging writers who address the social and political dimensions of art and art writing in the contemporary context and the ways in which new art writing and publishing practices promote critical engagement among readerships as never before. |
the art of writing about art: Studio Stories Lauren Rader, 2016 When artist Lauren Rader begins inviting women into her studio for classes in creativity, she has no idea what she is about to unleash. Drawn by a common yearning to express themselves through art, the women soon find that the path to creativity leads deep within'to hidden thoughts, buried memories, and dramatic life changes. Here, Rader relates their intensely personal journeys, along with insights from a lifetime of teaching and artistry, and from her daily walks along the river with her sweet dog Wiley. |
the art of writing about art: The Art Forger B. A. Shapiro, 2013-05-21 Don't miss B. A. Shapiro's new novel, Metropolis, available now! “[A] highly entertaining literary thriller about fine art and foolish choices.” —Parade “[A] nimble mystery.” —The New York Times Book Review “Gripping.” —O, The Oprah Magazine Almost twenty-five years after the infamous art heist at the Isabella Stewart Gardner Museum—still the largest unsolved art theft in history—one of the stolen Degas paintings is delivered to the Boston studio of a young artist. Claire Roth has entered into a Faustian bargain with a powerful gallery owner by agreeing to forge the Degas in exchange for a one-woman show in his renowned gallery. But as she begins her work, she starts to suspect that this long-missing masterpiece—the very one that had been hanging at the Gardner for one hundred years—may itself be a forgery. The Art Forger is a thrilling novel about seeing—and not seeing—the secrets that lie beneath the canvas. |
the art of writing about art: The Art and Craft of Feature Writing William E. Blundell, 1988-11-29 Storytelling—how to catch and hold a reader’s interest through artful narration of factual material William E. Blundell, one of the best writers on one of America's best-written papers—The Wall Street Journal—has put his famous Journal Feature-Writing Seminars into this step-by-step guide for turning out great articles. Filled with expert instruction on a complex art, it provides beginners with a systematic approach to feature writing and deftly teaches old pros some new tricks about: · How and where to get ideas · What readers like and don’t like · Adding energy and interest to tired topics · Getting from first ideas to finish article · The rules of organization · How—and whom—to quote and paraphrase · Wordcraft, leads, and narrative flow · Self-editing and notes on style … plus many sample feature articles. |
the art of writing about art: The Psychology of an Art Writer Vernon Lee, 2018-05-22 An openly lesbian, feminist writer, Vernon Lee—a pseudonym of Violet Paget—is the most important female aesthetician to come out of nineteenth century England. Though she was widely known for her supernatural fictions, Lee hasn’t gained the recognition she so clearly deserves for her contributions in the fields of aesthetics, philosophy of empathy, and art criticism. An early follower of Walter Pater, her work is characterized by extreme attention to her own responses to artworks, and a level of psychological sensitivity rarely seen in any aesthetic writing. Today, she is largely overlooked in curriculums, her aesthetic works long out of print. David Zwirner Books is reintroducing Lee’s writing through the first-ever English publication of Psychology of an Art Writer (1903) along with selections from her groundbreaking Gallery Diaries (1901–1904), breathtaking accounts of Lee’s own experiences with the great paintings and sculptures she traveled to see. Ranging from deeply felt assessments of the way mood affects our ability to appreciate art, to detailed descriptions of some of the most powerful personal experiences with artworks, these writings provide profound insights into the fields of psychology and aesthetics. Her philosophical inquiries in The Psychology of an Art Writer leave no stone unturned, combining fine-grained ekphrases with high fancy and dense abstraction. The diaries, in turn, establish Lee as one of the most sensitive writers about art in any language. With a foreword by Berkeley classicist Dylan Kenny, which guides the reader through these writings and contextualizes these texts within Lee’s other work, this is the quintessential introduction to her astonishing and complex oeuvre. |
the art of writing about art: C. S. Lewis and the Art of Writing Corey Latta, 2016-11-02 C. S. Lewis and the Art of Writing is written for readers interested in C. S. Lewis, the writing life, and in becoming better writers. Lewis stands as one of the most prolific and influential writers in modern history. His life in letters offers writers invaluable encouragement and instruction in the writing craft. In Lewis, writers don't just learn how to write, they also learn something about how to live. This volume explores Lewis's life in, as well as his practice of, writing. From his avid reading life, to his adolescent dreams to be a great poet, through his creative failures, to his brilliant successes, to his constant encouragement of other writers, C. S. Lewis and the Art of Writing celebrates one of the twentieth-century's greatest authors. |
the art of writing about art: Why Write? Mark Edmundson, 2016-08-30 From one of America's great professors, author of Why Teach? and Why Read?--an inspiring exploration of the importance of writing well, for creators, educators, students, and anyone who writes. Why write when it sometimes feels that so few people really read--read as if their lives might be changed by what they're reading? Why write, when the world wants to be informed, not enlightened; to be entertained, not inspired? Writing is backbreaking, mindbreaking, lonely work. So why? Because writing, as celebrated professor Mark Edmundson explains, is one of the greatest human goods. Real writing can do what critic R. P. Blackmur said it could: add to the stock of available reality. Writing teaches us to think; it can bring our minds to birth. And once we're at home with words, there are few more pleasurable human activities than writing. Because this is something he believes everyone ought to know, Edmundson offers us Why Write?, essential reading--both practical and inspiring--for anyone who yearns to be a writer, anyone who simply needs to know how to get an idea across, and anyone in between--in short, everyone. |
the art of writing about art: Apex Hides the Hurt Colson Whitehead, 2007-01-09 This wickedly funny (The Boston Globe) New York Times Notable Book from the two-time Pulitzer Prize-winning author of The Underground Railroad and The Nickel Boys is a brisk, comic tour de force about identity, history, and the adhesive bandage industry. The town of Winthrop has decided it needs a new name. The resident software millionaire wants to call it New Prospera; the mayor wants to return to the original choice of the founding black settlers; and the town’s aristocracy sees no reason to change the name at all. What they need, they realize, is a nomenclature consultant. And, it turns out, the consultant needs them. But in a culture overwhelmed by marketing, the name is everything and our hero’s efforts may result in not just a new name for the town but a new and subtler truth about it as well. Look for Colson Whitehead’s new novel, Crook Manifesto, coming soon! |
the art of writing about art: Writing as a Visual Art Graziella Tonfoni, James Richardson, 2000 |
the art of writing about art: The Maya Art of Speaking Writing Tiffany D. Creegan Miller, 2022-05-24 Challenging the distinctions between “old” and “new” media and narratives about the deprecation of orality in favor of inscribed forms, The Maya Art of Speaking Writing draws from Maya concepts of tz’ib’ (recorded knowledge) and tzij, choloj, and ch’owen (orality) to look at expressive work across media and languages. Based on nearly a decade of fieldwork in the Guatemalan highlands, Tiffany D. Creegan Miller discusses images that are sonic, pictorial, gestural, and alphabetic. She reveals various forms of creativity and agency that are woven through a rich media landscape in Indigenous Guatemala, as well as Maya diasporas in Mexico and the United States. Miller discusses how technologies of inscription and their mediations are shaped by human editors, translators, communities, and audiences, as well as by voices from the natural world. These texts push back not just on linear and compartmentalized Western notions of media but also on the idea of the singular author, creator, scholar, or artist removed from their environment. The persistence of orality and the interweaving of media forms combine to offer a challenge to audiences to participate in decolonial actions through language preservation. The Maya Art of Speaking Writing calls for centering Indigenous epistemologies by doing research in and through Indigenous languages as we engage in debates surrounding Indigenous literatures, anthropology, decoloniality, media studies, orality, and the digital humanities. |
the art of writing about art: The Art of Death Edwidge Danticat, 2017-07-11 A moving reflection on a subject that touches us all, by the bestselling author of Claire of the Sea Light Edwidge Danticat’s The Art of Death: Writing the Final Story is at once a personal account of her mother dying from cancer and a deeply considered reckoning with the ways that other writers have approached death in their own work. “Writing has been the primary way I have tried to make sense of my losses,” Danticat notes in her introduction. “I have been writing about death for as long as I have been writing.” The book moves outward from the shock of her mother’s diagnosis and sifts through Danticat’s writing life and personal history, all the while shifting fluidly from examples that range from Gabriel García Márquez’s One Hundred Years of Solitude to Toni Morrison’s Sula. The narrative, which continually circles the many incarnations of death from individual to large-scale catastrophes, culminates in a beautiful, heartrending prayer in the voice of Danticat’s mother. A moving tribute and a work of astute criticism, The Art of Death is a book that will profoundly alter all who encounter it. |
the art of writing about art: The Chinese Art of Writing Jean François Billeter, 1990 |
the art of writing about art: Plato's Lemonade Stand Tom Morris, 2019-12-29 We've all heard the adage: When life hands you lemons, make lemonade. But no one ever says how. Finally, with the inspiration of Plato and the help other great philosophers, Tom Morris has figured it out and here gives us a recipe we all can use. Along the way, he shows us how to move with wisdom from difficulty to delight in everything we do. |
the art of writing about art: On Boredom Rye Dag Holmboe , Susan Morris , 2021-04-22 What do we mean when we say that we are bored? Or when we find a subject boring? Contributors to On Boredom: Essays in art and writing, which include artists, art historians, psychoanalysts and a novelist, examine boredom in its manifold and uncertain reality. Each part of the book takes up a crucial moment in the history of boredom and presents it in a new light, taking the reader from the trials of the consulting room to the experience of hysteria in the nineteenth century. The book pays particular attention to boredom’s relationship with the sudden and rapid advances in technology that have occurred in recent decades, specifically technologies of communication, surveillance and automation. On Boredom is idiosyncratic for its combination of image and text, and the artworks included in its pages – by Mathew Hale, Martin Creed and Susan Morris – help turn this volume into a material expression of boredom itself. With other contributions from Josh Cohen, Briony Fer, Anouchka Grose, Rye Dag Holmboe, Margaret Iversen, Tom McCarthy and Michael Newman, the book will appeal to readers in the fields of art history, literature, cultural studies and visual culture, from undergraduate students to professional artists working in new media. |
the art of writing about art: The Power of Pictures Beth Olshansky, 2008-04-18 In The Power of Pictures book and companion DVD, Beth Olshansky introduces teachers to her innovative art-based approach to literacy instruction. Widely practiced in classrooms across the country, the model has been proven by research to improve literacy achievement with a wide range of learners, especially those who struggle with verbal skills. At the heart of her approach is the Artists/Writers Workshop. Through study of quality picture books and hands-on art experiences, students learn to visualize, “paint pictures with words,” and ultimately create their own extraordinary artistic and literary work. The book and DVD explain how any teacher can successfully use this process to enable all students, particularly low performers, to make dramatic gains in both reading and writing. |
the art of writing about art: Writing Art History Margaret Iversen, Stephen Melville, 2010-12 Since art history is having a major identity crisis as it struggles to adapt to contemporary global and mass media culture, this book intervenes in the struggle by laying bare the troublesome assumptions and presumptions at the field's foundations in a series of essays. |
the art of writing about art: Middle Passage Charles Johnson, 2012-02-21 A twenty-fifth anniversary edition of Charles Johnson’s National Book Award-winning masterpiece—a novel in the tradition of Billy Budd and Moby-Dick…heroic in proportion…fiction that hooks the mind (The New York Times Book Review)—now with a new introduction from Stanley Crouch. Rutherford Calhoun, a newly freed slave and irrepressible rogue, is lost in the underworld of 1830s New Orleans. Desperate to escape the city’s unscrupulous bill collectors and the pawing hands of a schoolteacher hellbent on marrying him, he jumps aboard the Republic, a slave ship en route to collect members of a legendary African tribe, the Allmuseri. Thus begins a voyage of metaphysical horror and human atrocity, a journey which challenges our notions of freedom, fate and how we live together. Peopled with vivid and unforgettable characters, nimble in its interplay of comedy and serious ideas, this dazzling modern classic is a perfect blend of the picaresque tale, historical romance, sea yarn, slave narrative and philosophical allegory. Now with a new introduction from renowned writer and critic Stanley Crouch, this twenty-fifth anniversary edition of Middle Passage celebrates a cornerstone of the American canon and the masterwork of one of its most important writers. Long after we’d stopped believe in the great American novel, along comes a spellbinding adventure story that may be just that (Chicago Tribune). |
Line, Tone, Form, Colour, Pattern, Composition, Mood, Media.
Writing about your work and the work of other artists is an important part of your GCSE. Use this guide to help you get used to the terminology or ‘art words’. Don’t be afraid to use your own …
The Art of Writing - Davis Art
By breaking down writing into traits and using art to teach those traits, you can help students increase their understanding of the components of writing so they’ll be better equipped to …
Writing differently in Art and Design: Innovative approaches to …
This chapter will discuss the historical development of the role of writing in art and design education. It will then discuss some of the ways that writing is used for learning and for …
Writing about Art - Hunter College
•!A biographical essay explores the relevance of an artist’s life to her/his art (e.g., how Harry Callahan credits Ansel Adams with influencing his photographic career). •!An iconographic …
Written Annotation Guide: GCSE Art and Design 2016 - Pearson …
The GCSE in Art and design specification requires students to record observations, insights and independent judgments visually and through purposeful written annotation, using suitable …
Writing about Art: Addressing the Problem of Art Appreciation and ...
Results show that the juxtaposition of analytical elements from Ekphrasis, Formal and Iconographic Analysis leads to the development of a simple but effective theoretical framework …
The Art of Writing - Public Library
The Art of Writing Robert Louis Stevenson CHAPTER I − ON SOME TECHNICAL ELEMENTS OF STYLE IN LITERATURE (1) THERE is nothing more disenchanting to man than to be …
WHAT IS INTERESTING WRITING IN ART HISTORY?
writing present themselves as ‘interesting’ in the context of a disciplinary account of art historical writing. Especially in the art world, “interesting” is a famously useless word, since it is am.
Teaching the ART and Craft of Writing: Treating Words and …
Picturing Writing and Image-Making teach the ART and craft of writing within the framework of the artists/writers workshop, which is an expansion of the writing workshop. Artists/writers …
Writing About Art - University of Calgary
Writing About Art: Argument or Thesis Every paper needs a central organizing argument or thesis that advances a claim (or set of claims) that developed and supported in the paper .
Artist Writings: Critical Essays, Reception, and Conditions of ...
The program promises to “address art as writing, writing as art, and writing about art” in what it describes as “the new field of contemporary artwriting,” which is “an intrinsic element of …
WRITING ABOUT ART - Pearson
Art is culturally significant meaning, skillfully encoded in an affecting, sensuous medium. Art is the objectification of feeling. If someone calls it art, it’s art. Every so often a painter has to destroy …
A SHORT GUIDE TO WRITING ABOUT ART - JSTOR
A Short Guide to Writing About Art provides a model for the kind of book that should be written for every academic disci pline. Its imitators, however, might wish to consider some of the …
STUDENT’S BOOK The Art
effective writing at C2 level. It presents and analyses the most commonly used genres at CEFR Level C2 and most international exam boards. Its flexibility of approach makes it suitable for …
Writing as Art - JSTOR
model of writing-as-art to the classroom. The course begins with several days of what Ken Macrorie would call "free" or "shotgun" writing. The student is en-couraged to write out as …
ART$•WRITING$•DIAGRAMMATICS$ - CORE
Neil Chapman ‘Art • Writing • Diagrammatics’, Theatre, Dance and Performance Training, Volume 7, 2016 - Issue 2, pp. 247-252.
Writing About Art- Asking Questions - Hunter College
Asking questions about a work of art helps to identify information that could be useful in formulating your response and in preparing your analysis and evaluation. The list that follows …
RETHINKING THE SIGNIFICANCE OF CREATIVE WRITING: A …
To explore the relationship between creative writing and art, it is important to define these two concepts. The question “What is art?” can generate many controversial answers. Warburton …
Critical Thinking and Micro-Writing in Art Appreciation - JSTOR
Guide To Writing About Art (1989) and Sayre's Writing About Art (1989), texts offering traditional approaches to struc turing formal essays on art by: 1) gathering information or prewriting; (2) …
How to Do Things with Pictures - Harvard University
The basic trouble with writing about art, or even thinking about art for that matter, is that we have to employ words to describe, explain, evoke, or otherwise circumnavigate sensory experience: visual, auditory, tactile, gustatory and even, god forbid, olfactory.
Line, Tone, Form, Colour, Pattern, Composition, Mood, Media.
Writing about your work and the work of other artists is an important part of your GCSE. Use this guide to help you get used to the terminology or ‘art words’. Don’t be afraid to use your own thoughts and opinions. Get into the habit of annotating every piece of …
Writing differently in Art and Design: Innovative approaches to writing …
This chapter will discuss the historical development of the role of writing in art and design education. It will then discuss some of the ways that writing is used for learning and for assessment in these fields, and some of the innovative practices that are used in art and design education. Theory and writing in art and design education
Writing about Art - Hunter College
•!A biographical essay explores the relevance of an artist’s life to her/his art (e.g., how Harry Callahan credits Ansel Adams with influencing his photographic career). •!An iconographic (literally, “image writing”) essay investigates the symbols in a work of art.
The Art of Writing - Davis Art
By breaking down writing into traits and using art to teach those traits, you can help students increase their understanding of the components of writing so they’ll be better equipped to express their ideas through writing.
The Art of Writing - Public Library
The Art of Writing Robert Louis Stevenson CHAPTER I − ON SOME TECHNICAL ELEMENTS OF STYLE IN LITERATURE (1) THERE is nothing more disenchanting to man than to be shown the springs and mechanism of any art. All our arts and occupations lie wholly on the surface; it is on the surface that we perceive their beauty, fitness, and
WHAT IS INTERESTING WRITING IN ART HISTORY?
writing present themselves as ‘interesting’ in the context of a disciplinary account of art historical writing. Especially in the art world, “interesting” is a famously useless word, since it is am.
Writing about Art: Addressing the Problem of Art Appreciation …
Results show that the juxtaposition of analytical elements from Ekphrasis, Formal and Iconographic Analysis leads to the development of a simple but effective theoretical framework for writing about art which covers five key areas of description, …
Writing About Art - University of Calgary
Writing About Art: Argument or Thesis Every paper needs a central organizing argument or thesis that advances a claim (or set of claims) that developed and supported in the paper .
Artist Writings: Critical Essays, Reception, and Conditions of ...
The program promises to “address art as writing, writing as art, and writing about art” in what it describes as “the new field of contemporary artwriting,” which is “an intrinsic element of contemporary art production and its distribution.”
WRITING ABOUT ART - Pearson
Art is culturally significant meaning, skillfully encoded in an affecting, sensuous medium. Art is the objectification of feeling. If someone calls it art, it’s art. Every so often a painter has to destroy painting. Cézanne did it and then Picasso did it again with Cubism. Then Pollock did it—he busted our idea of a picture all to hell.
Teaching the ART and Craft of Writing: Treating Words and Pictures …
Picturing Writing and Image-Making teach the ART and craft of writing within the framework of the artists/writers workshop, which is an expansion of the writing workshop. Artists/writers workshop treats words and pictures as parallel, comple-mentary, and equal languages for learning.
Writing as Art - JSTOR
model of writing-as-art to the classroom. The course begins with several days of what Ken Macrorie would call "free" or "shotgun" writing. The student is en-couraged to write out as many ideas or experiences as he can. Low pressure, the emphasis on capturing life in words, especially through sensory details. The point to be made is that all ...
ART$•WRITING$•DIAGRAMMATICS$ - CORE
Neil Chapman ‘Art • Writing • Diagrammatics’, Theatre, Dance and Performance Training, Volume 7, 2016 - Issue 2, pp. 247-252.
Writing About Art- Asking Questions - Hunter College
Asking questions about a work of art helps to identify information that could be useful in formulating your response and in preparing your analysis and evaluation. The list that follows incorporates questions to ask when you look at a painting. • who is the artist? • what is the subject or title? • where and when was the work painted?
Critical Thinking and Micro-Writing in Art Appreciation - JSTOR
Guide To Writing About Art (1989) and Sayre's Writing About Art (1989), texts offering traditional approaches to struc turing formal essays on art by: 1) gathering information or prewriting; (2) outlining; (3) writing; and (4) rewriting. These ap proaches emphasize the writing product, the finished composition, rather than the writing process ...
RETHINKING THE SIGNIFICANCE OF CREATIVE WRITING: A NEGLECTED ART …
To explore the relationship between creative writing and art, it is important to define these two concepts. The question “What is art?” can generate many controversial answers. Warburton (2003) lists several major philosophical attempts to answer the …
The beginning of writing about painting in English - JSTOR
For writing about art, the key text was the history of Greek painting in Book 35, which Pliny compiled from many differ ent sources. His decision to order the material in terms of progressively more successful attempts to depict the physical world, and his use of …
The Art of Writing - JSTOR
THE ART OF WRITING* In one of his early books, 'The Sense of Beauty", George Santayana says this: ". . . in all expression we distinguish two terms: the first is the object actually presented, the word, the image, the expressive thing; the second is the object suggested, the further thought, emotion or image evoked?the thing expressed.
The Literature/Art/Writing Connection - JSTOR
In successive weeks we examine the art of succeed-ing periods and cultures, always focusing on rele-vant metaphors as grappling hooks for ideas and images: Greece (the circle), Rome (pomp and cir-cumstance), Romanesque art and architecture (the dome), Gothic art and architecture (space), the Renaissance (drama), the Baroque period (en-