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| teaching music through performance in choir: Teaching Music Through Performance in Choir Heather J. Buchanan, Matthew Mehaffey, 2005 |
| teaching music through performance in choir: Teaching Music Through Performance in Band Larry Blocher, 1997 Recordings of works composed for band and suitable for grades 2-5. |
| teaching music through performance in choir: Teaching Music Through Performance in Middle School Choir , 2011 |
| teaching music through performance in choir: Teaching Music with Technology Thomas E. Rudolph, 2004 This text covers topics from MIDI and electronic keyboards to the Internet and the copyright law to most recent developments in hardware, software, and pedagogy. The accompanying CD-ROM provides end-of-chapter questions, activities and projects, lesson plans, web activities, demo programs and much more. |
| teaching music through performance in choir: Handbook for the Beginning Music Teacher Colleen Marie Conway, Thomas M. Hodgman, 2006 This practical and essential resource guides preservice and beginning music teachers through the most difficult years of music teaching. Part One assists undergraduate music education students in navigating early observations; Part Two offers advice for music student teachers; and Part Three is an invaluable reference for the beginning music teacher. Nineteen real-life stories are interspersed throughout Handbook for the Beginning Music Teacher, and most include questions for discussion developed by the story authors. -- Publisher |
| teaching music through performance in choir: Just Good Teaching Laura Sindberg, 2012 Student learning in school music ensembles is often focused on technical skill development. Give your students broader experience involving multiple music learnings, technical proficiency, cognition, and personal meaning. The Comprehensive Musicianship through Performance (CMP) model will help you plan instruction for school ensembles that promotes a holistic form of music learning and will allow you to use your creativity, passion, and vision. With model teaching plans and questions for discussion, this book can give you richer, more meaningful challenges and help you provide your students with deeper musical experiences. Sindberg combines the theoretical foundations of CMP with practical applications in a book that's useful for practicing teacher-conductors, scholars, and teacher educators alike. |
| teaching music through performance in choir: Teaching Music Globally Patricia Shehan Campbell, Bonnie C. Wade, 2004 Pack includes 2 books and one CD. |
| teaching music through performance in choir: To Create Clint Randles, 2021-03 We all need creativity in our lives. It is key to our happiness. Music, according to author Clint Randles, is one of the best ways to feed our longing for self-growth through engagement in creative processes. And music brings us together for the purpose of making beauty with sound. It provides us with a pathway to the good life. In To Create, Randles answers the critical question: What can I do with my time that will give me the best chance at achieving daily happiness? This amazing book unpacks what it means to engage in creative processes. Since story is the best way of feeding our imagination, the book unfolds by way of life stories that express the author's unique perspective of the hero's journey. Along the way, Randles inspires us to think about creativity and music as a pursuit that is not only truly worthy, but accessible. He addresses rules for creative performance, what we can learn from exceptional musicians and teachers, the link between spirituality and creativity, understanding our own stories in light of the meta-story, and the art of trust and starting small. To Create is a book that is unlike anything written on the topic--entertaining, wise, inspiring, and layered. It is for anyone who is interested in pursuing creativity through music but can't quite figure out how or where to start. States Randles: It is my hope that you will be able to imagine the good life through music, that you will be inspired To Create! |
| teaching music through performance in choir: Shaping Sound Musicians Patricia Ann O'Toole, 2003 Publisher description: This text helps lead both students and teachers to a deeper understanding of the music they encounter. This teaching model, developed by the Wisconsin Comprehensive Musicianship Project (CMP), invites music educators, both vetran and novice, to create meaningful, comprehensive lesson plans with the help of five basic points: Analysis, Outcomes, Strategies, Assessment, and Music selection. These points lead to a greater understanding of the music performed while helping teachers provide accountability through creative assessment strategies, program concerts that teach musical and historical concepts, encourage cross-curricular application of music education, and meet National Standards. |
| teaching music through performance in choir: Teaching Music Through Performance in Orchestra Michael Allen, 2001 The book contains thorough analyses of 100 of the most significant works for strings and full orchestra, Grades 1-6. Researched and compiled by scholarly musicians and teachers around the country, the book gives important information on each musical selection, including composer and composition information, historical background, technical requirements, stylistic considerations, musical elements, suggestions for additional listening, and a guide to selected references--Publisher's website |
| teaching music through performance in choir: The Oxford Handbook of Choral Pedagogy Frank Abrahams, Paul D. Head, 2017 Where, in the digitizing world, is the field of choral pedagogy moving? Editors Frank Abrahams and Paul D. Head, both experienced choral conductors and teachers, offer here a comprehensive handbook of newly-commissioned chapters that provide key scholarly-critical perspectives on teaching and learning in the field of choral music, written by academic scholars and researchers in tandem with active choral conductors. |
| teaching music through performance in choir: The Transposed Musician Dylan Savage, 2021-03 The Transposed Musician is a practical guide to teaching these universal skills within the context of a traditional music lesson. The results not only empower students to better confront the challenges of the twenty-first century, they significantly improve musicianship--a double benefit. -- back |
| teaching music through performance in choir: Dictionary of Music Education Mark C. Ely, Amy E. Rashkin, 2005 This landmark book provides students, teachers, professionals, and practicioners with a quick, easy-to-us reference for music education terminology.--Publisher's description. |
| teaching music through performance in choir: The Show Choir Handbook Alan L. Alder, Thalia M. Mulvihill, 2016-07-08 With the popularity of television shows such as Glee, American Idol, and The Voice, show choirs have become a vibrant component of college and high school music programs. Music teachers must not only know how to teach choral singing for popular music, but also be versed in show design and production. In The Show Choir Handbook, Alan L. Alder and Thalia M. Mulvihill address both song technique and show presentation, giving show choir directors the full set of tools they need for successful performances. The Show Choir Handbook is a resource for current and future music educators who administer show choirs. With most literature on the topic either out of date or focused on the teaching techniques limited to vocal jazz (drawing on the choral genre’s origins as “swing choirs”), instructors are in dire need of a resource that addresses music produced by publishers and choral arrangers. |
| teaching music through performance in choir: The Artistry of Teaching and Making Music Richard Floyd, 2015 In the context of an ensemble rehearsal, where does real music making begin? -- How can we also infuse our rehearsals with artistry in order to create deep connections for our students, beyond the correct rhythms, in-tune notes, and proper technique? How can we teach students to ultimately think for themselves? With more than fifty years of experience, Richard Floyd is a highly distinguished teacher and conductor in Texas and across the United States. Over the years, he kept a journal to document rehearsal strategies that not only improve technique within the ensemble but also achieve artistic, musical results. This book is a look into the precious pages of Floyd's journal. Each chapter contains inspiration for the conductor and simple, unique exercises designed to achieve artistry in every rehearsal. The Artistry of Teaching and Making Music is a book to revisit each summer before the school year begins and as a reference before each rehearsal. It will be a priceless addition to your personal library. -- Book jacket. |
| teaching music through performance in choir: Progressive Sight Singing Carol J. Krueger, 2011 A comprehensive, student-centred, and flexible introduction to sight singing ... presents students with the underlying grammar and syntax of musical structure and prepares them to perceive that structure with both the ear and the eye. -- Back cover. |
| teaching music through performance in choir: The Choral Challenge Michael Kemp, 2009 |
| teaching music through performance in choir: Music Teaching Style Alan Gumm, 2003-06-01 (Meredith Music Resource). An exciting, balanced approach to student performance, music learning and personal change. Written in an informal, engaging style, the text is highlighted by anecdotes, quotations, challenges for self-reflection, and techniques used by the author and top professionals in the field. The result a fulfilling, productive and successful music teaching experience. |
| teaching music through performance in choir: Composers on Composing for Choir David N. Childs, René Clausen, Libby Larsen, Morten Lauridsen, Kirke Mechem, James Mulholland, Z. Randall Stroope, André Jerome Thomas, Gwyneth Walker, 2007 Each composer addresses the following topics: biography ; creative process ; the relationship between text and music; views from the composer to the conductor ; the relationship between the composer and the commissioning party ; views on the teaching of composition ; influencial individuals ; ten works all choral conductors at all levels should study ; the future of choral music ; comprehensive list of [his/her] works for choir. |
| teaching music through performance in choir: Choral Music: Methods and Materials Barbara A. Brinson, Steven M. Demorest, 2012-12-20 This essential text provides choral music educators with a well-organized, practical introduction to directing choirs and managing choral programs at the middle-school through high-school level. It offers step-by-step advice on designing and administering a choral program, from curricula to repertoire to performance, and helps instructors develop a personal philosophy of music education. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version. |
| teaching music through performance in choir: Compassionate Music Teaching Karin S. Hendricks, 2018-01-24 Compassionate Music Teaching provides a framework for music teaching in the 21st century by outlining qualities, skills, and approaches to meet the needs of a unique and increasingly diverse generation of students. The text focuses on how six qualities of compassion (trust, empathy, patience, inclusion, community, and authentic connection) have made an impact in human lives, and how these qualities might relate to the practices of caring and committed music teachers. This book bridges the worlds of research and practice, discussing cutting-edge topics while also offering practical strategies that can be used immediately in music studios and classrooms. Each chapter is addressed from multiple perspectives, including: research in music, education, psychology, sociology, and related fields; insights from various students and teachers across the United States; and an in-depth study of five music teachers who represent a broad range of genres, student ages, and pedagogical approaches. The book is dedicated to exploring those conditions that help students not only to learn, but also to grow, thrive, and freely express—and become compassionate musicians, teachers, performers, and people as well. |
| teaching music through performance in choir: Lessons from the World Patricia Shehan Campbell, 1991 |
| teaching music through performance in choir: Tools for Powerful Student Evaluation Susan R. Farrell, 1997 (Meredith Music Resource). A practical source of authentic assessment strategies for music educators. Includes over 70 pages of tasks and charts for assessing the learning process as well as the product. |
| teaching music through performance in choir: Music for Conducting Study James Mark Jordan, Giselle Wyers, 2009-02-28 |
| teaching music through performance in choir: The Oxford Handbook of Qualitative Research in American Music Education Colleen M. Conway, 2014 The Handbook of Qualitative Research in American Music Education is a resource for music education researchers, music education graduate students, and P-16 music teachers. Qualitative research has become an increasingly popular research approach in music education in the last 20 years and until now there has been no source that clarifies terms, challenges, and issues in qualitative research for music education. This Handbook provides that clarification and presents model qualitative studies within the various music education disciplines. The first section of the text defines qualitative research, provides a history of qualitative research in music education, clarifies epistemological foundations and theoretical frameworks and addresses quality in qualitative research. The approaches of case study, ethnography, phenomenology, narrative, and practitioner inquiry are addressed in the second section. Part III examines data collection and analysis with regard to observations, interviews, documents and multi-media data. Within the 11 chapters in the fourth part of the book authors provide syntheses of qualitative research within various areas of music education (i.e., early childhood, strings, and teacher education). The final part of the book examines technology, rigor, ethics, and the future of qualitative research. |
| teaching music through performance in choir: Directing the Choral Music Program Kenneth Harold Phillips, 2016 Now in its second edition, Directing the Choral Music Program is a comprehensive introduction to developing and managing choral music programs for elementary, high school, and adult levels. Broad in scope and practical in orientation, this text is structured around three basic units: theadministrative process, rehearsal and performance planning, and choral techniques. |
| teaching music through performance in choir: Wisdom, Wit, and Will Hilary Apfelstadt, 2009 Includes biographies of selected American women choral conductors. |
| teaching music through performance in choir: The Musician's Mind Lynn Helding, 2020-02-05 Where does learning begin and how is it sustained and stored in the brain? For musicians, these questions are at the very core of their creative lives. Cognitive and neuroscience have flung wide the doors of our understanding, but bridging the gap between research data and music-making requires a unique immersion in both worlds. Lynn Helding presents a symphony of discoveries that illuminate how musicians can optimize their mental wellbeing and cognitive abilities. She addresses common brain myths, motor learning research and the concept of deliberate practice, the values of instructional feedback, technology’s role in attention disorders, the challenges of parenting young musicians, performance anxiety and its solutions, and the emerging importance of music as a social justice issue. More than an exploration of the brain, The Musician’s Mind is an inspiring call for artists to promote the cultivation of emotion and empathy as cornerstones of a civilized society. No matter your instrument or level of musical ability, this book will reveal to you a new dynamic appreciation for the mind’s creative power. |
| teaching music through performance in choir: Pop-Culture Pedagogy in the Music Classroom Nicole Biamonte, 2010-10-28 Teachers the world over are discovering the importance and benefits of incorporating popular culture into the music classroom. The cultural prevalence and the students' familiarity with recorded music, videos, games, and other increasingly accessible multimedia materials help enliven course content and foster interactive learning and participation. Pop-Culture Pedagogy in the Music Classroom: Teaching Tools from American Idol to YouTube provides ideas and techniques for teaching music classes using elements of popular culture that resonate with students' everyday lives. From popular songs and genres to covers, mixes, and mashups; from video games such as Dance Dance Revolution and Guitar Hero to television shows like American Idol, this exciting collection offers pedagogical models for incorporating pop culture and its associated technologies into a wide variety of music courses. Biamonte has collected well-rounded essays that consider a variety of applications. After an introduction, the essays are organized in 3 sections. The first addresses general tools and technology that can be incorporated into almost any music class: sound-mixing techniques and the benefits of using iPods and YouTube. The middle section uses popular songs, video games, or other aspects of pop culture to demonstrate music-theory topics or to develop ear-training and rhythmic skills. The final section examines the musical, lyrical, or visual content in popular songs, genres, or videos as a point of departure for addressing broader issues and contexts. Each chapter contains notes and a bibliography, and two comprehensive appendixes list popular song examples for teaching harmony, melody, and rhythm. Two indexes cross-reference the material by title and by general subject. While written with college and secondary-school teachers in mind, the methods and materials presented here can be adapted to any educational level. |
| teaching music through performance in choir: Teaching Music to Students with Special Needs Alice Hammel, 2017 Introduction -- The Communication Domain -- The Cognitive Domain -- The Behavioral Domain -- The Emotional Domain -- The Sensory Domain -- The Physical Domain -- Unit Plans – Conclusions |
| teaching music through performance in choir: Honoring Trans and Gender-Expansive Students in Music Education Matthew L. Garrett, Joshua Palkki, 2021 Trans and gender expansive youth deserve safe and empowering spaces to engage in high quality school music experiences. Supportive music teachers ensure that all students have access to ethically and pedagogically sound music education. In this practical resource, authors Matthew Garrett and Joshua Palkki encourage music educators to honor gender diversity through ethically and pedagogically sound practices. Honoring Trans and Gender Expansive Students in Music Education is intended for music teachers and music teacher educators across choral, instrumental, and general music classroom environments. Grounded in theory and nascent research, they provide historical and social context, and practical direction for working with students who inhabit a variety of spaces among a gender identity and expression continuum. Trans and gender expansive students often place their trust in music teachers, with whom they have developed a deep bond over time. It is essential, then, for music teachers to understand how issues of gender play out in formal and informal school music environments. Stories of trans and gender expansive youth and their music teachers anchor practical suggestions for honoring students in school music classrooms and in more general school contexts. Part I of the book establishes the context needed to understand and work with TGE persons in school music settings by presenting essential vocabulary and foundational concepts related to trans and gender identity and expression. Part II focuses on praxis by connecting research and teaching pedagogy to practical applications of inclusive teaching practices to honor trans and gender expansive students in school music classrooms-- |
| teaching music through performance in choir: Edward's Rhythm Sticks Franklin Willis, 2020-08 Music is Everywhere! Edward's Rhythm Sticks is a story that shows how much music is a part of our lives. This story illustrates just how fun music can be and how even the simplest things can be made into instruments. This story is a great way for parents and teachers alike to teach rhythm, pattern and sequence. Most of all, parents and teachers can use this engaging interactive eBook to bridge learning, music, literacy and having fun together. |
| teaching music through performance in choir: The Robert Shaw Reader Robert Shaw, 2004 Robert Shaw is considered to be the most influential choral conductor in American history. This is the first collection of his letters and notes about music ever published--at another time, it is the book Shaw would have written himself. The letters are an invigorating mix of music history and analysis, philosophy, inspiration, and practical advice. Shaw examines technique, but only as a means to an end--he moves beyond that, delving into the essence of what music is and what it has to say to us. The heart of the book is composed of Shaw's previously unpublished notes on fifteen major choral works, ranging from Bach's B Minor Mass to Stravinsky's Symphony of Psalms. Often inspiring and sometime hilarious, these writings reveal the full breadth of Shaw's knowledge, intensity, and humor. |
| teaching music through performance in choir: Choral Artistry Micheál Houlahan, Philip Tacka, 2021-10 Choral Artistry provides a practical and organic approach to teaching middle school to college level choral singing and sight-reading according to the Kodály Concept of Music Education, grounded in current research from the fields of choral pedagogy, music theory, music perception and cognition. |
| teaching music through performance in choir: Teaching with Respect: Inclusive Pedagogy for Choral Directors Stephen Sieck, 2017 (Choral). This is a book for choral directors who find themselves in conversations they might not feel ready to have. Teaching with Respect prompts us to ask deeper questions about the language we use, about systems of power, about our heritage and inheritance. When we examine our teaching, we may find that, while we do not intentionally act with racism, sexism, or bigotry, we may be complicit in adopting systems and language that marginalize and discriminate. But since we want to be the kind of directors that foster artistic communities built on respect, we must be willing to ask such questions. And the burden cannot be on our singers who are being marginalized to teach us a more respectful path; it is on us to learn how it is that we are marginalizing. In this book we look closely at our teaching strategies. How does our repertoire and instruction intersect with our singers' identities, specifically their learning abilities, gender, sexuality, religion, ethnicity, and race? How do we engage with our audience? The book suggests an ethical approach to teaching choral music that is centered on respecting the singers in front of us. Readers will discover ways to maintain and elevate their artistic standards of excellence while also expanding their mindset. |
| teaching music through performance in choir: Scale Your Way to Music Assessment Paul Kimpton, Delwyn L. Harnisch, 2018 |
| teaching music through performance in choir: Choral Ensemble Intonation James Mark Jordan, Matthew Mehaffey, 2001 |
| teaching music through performance in choir: My Family Plays Music (15th Anniversary Edition) Judy Cox, 2018-11-20 A young girl tries out different genres and instruments in this exuberant celebration of music, winner of the Coretta Scott King New Talent Award--now available in a special anniversary edition. This is my family. We all love music, begins a young percussionist. When she plays with her father, a cellist, she taps the triangle. With her sister's marching band, she crashes cymbals together. At her aunt's jazz show, she taps a woodblock. Elbrite Brown's lively cut-paper illustrations, for which he was awarded the Coretta Scott King New Talent Award, depict this diverse, joyous family dancing, strumming, drumming and fiddling their way through a tour of major musical styles--everything from classical string quartets, to rock and roll, to the youngest niece banging on pots and pans. They love music--and most of all, they love to celebrate and play it together. Includes a glossary covering types of music and instruments mentioned. |
| teaching music through performance in choir: Conducting Women's Choirs Debra Lea Spurgeon, 2012 Conducting Women's Choirs: Strategies for Success is a pioneering yet practical book and DVD devoted to all aspects of the women's choir--a groundbreaking contribution and a true collaborative effort from top professionals in the field. For the first time in a book, choral leaders bring together historical, philosophical, psychological, sociological, pedagogical, and real-world considerations to the women's choir--information missing from most choral methods and conducting texts. Areas of focus include: working with beginning, high school, collegiate, and community women's choirs; improving the sound of women's choirs; suggested repertoire for women's choirs; composing for women's choirs; building community within the ensemble; warm-ups and rehearsal strategies; building excellence in women's choirs. Sections also focus on mentoring, auditions, seating arrangements, historical women's repertoire, healthy vocal development, gender issues, history, status of the women's choir, and much more. This book features research, practical insights, and round-table discussions. The included DVD demonstrates choral techniques and teaching ideas with two women's choirs: Aurora, from Luther College, conducted by Sandra Peter; and The University of Kentucky Women's Choir, conducted by Lori Hetzel [Publisher description] |
| teaching music through performance in choir: The ITheatrics Method Timothy Allen McDonald, Cynthia A. Ripley, Marty Johnson, 2017 The iTheatrics Method is the world's first musical theatre education textbook specifically devoted to building high-quality, sustainable musical theatre programs in schools and community settings.--Publisher's description. |
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pedagogy, the study of teaching methods, including the aims of education and the ways in which such goals may be achieved.
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