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still alive ruth kluger chapter summaries: Still Alive Ruth Kluger, 2003-04-01 A controversial bestseller likened to Primo Levi and Elie Wiesel, Still Alive is a harrowing and fiercely bittersweet Holocaust memoir of survival: a book of breathtaking honesty and extraordinary insight (Los Angeles Times). Swept up as a child in the events of Nazi-era Europe, Ruth Kluger saw her family's comfortable Vienna existence systematically undermined and destroyed. By age eleven, she had been deported, along with her mother, to Theresienstadt, the first in a series of concentration camps which would become the setting for her precarious childhood. Interwoven with blunt, unsparing observations of childhood and nuanced reflections of an adult who has spent a lifetime thinking about the Holocaust, Still Alive rejects all easy assumptions about history, both political and personal. Whether describing the abuse she met at her own mother's hand, the life-saving generosity of a woman SS aide in Auschwitz, the foibles and prejudices of Allied liberators, or the cold shoulder offered by her relatives when she and her mother arrived as refugees in New York, Kluger sees and names an unexpected reality which has little to do with conventional wisdom or morality tales. Among the reasons that Still Alive is such an important book is its insistence that the full texture of women's existence in the Holocaust be acknowledged, not merely as victims. . . . [Kluger] insists that we look at the Holocaust as honestly as we can, which to her means being unsentimental about the oppressed as well as about their oppressors. —Washington Post Book World |
still alive ruth kluger chapter summaries: German-Jewish Literature in the Wake of the Holocaust P. Bos, 2005-06-03 Combining cultural history and literary analysis, this study proposes a new and thought-provoking reading of the changing relationship between Germans and Jews following the Holocaust. Two Holocaust survivors whose work became uniquely successful in the Germany of the 1980s and 1990s, Grete Weil and Ruth Kluger, emerge as exemplary in their contributions to a postwar German discussion about the Nazi legacy that had largely excluded living Jews. While acknowledging that the German audience for the works of Holocaust survivors began to change in the 1980s, this study disputes the common tendency to interpret this as a sign of greater willingness to confront the Holocaust, arguing instead that it resulted from a continued German misreading of Jews' criticisms. By tracing the particular cultural-political impact that Weil's and Kluger's works had on their German audience, it investigates the paradox of Germany's confronting the Holocaust without necessarily confronting the Jews as Germans. Furthermore, for the authors this literature also had a psychological impact: their 'return' to the German language and to Germany is read not as an act of mourning or nostalgia, but rather as a public call to Germans for a dialogue about the Nazi past, as a way to move into the public realm the private emotional and psychological battles resulting from German Jews' exclusion from and persecution by their own national community. |
still alive ruth kluger chapter summaries: Different Horrors, Same Hell Myrna Goldenberg, Amy Shapiro, 2013-05-15 Different Horrors, Same Hell brings together a variety of essays demonstrating the breadth of contributions that feminist theory and gender analysis make to the study of the Holocaust. The collection provides new perspectives on central works of Holocaust scholarship and representation, from the books of Hannah Arendt and Ruth Kl�ger to films such as Claude Lanzmann's Shoah and Steven Spielberg's Schindler's List. Interviews with survivors and their descendants draw new attention to the significance of women's roles and family structures during and in the aftermath of the Holocaust, and interviews and archival research reveal the undercurrents of sexual violence within the Final Solution. As Doris Bergen shows in the book's first chapter, the focus on women's and gender issues in this collection complicates familiar and outworn categories, and humanizes the past in powerful ways. |
still alive ruth kluger chapter summaries: Defying Hitler Sebastian Haffner, 2019-07-29 Defying Hitler was written in 1939 and focuses on the year 1933, when, as Hitler assumed power, its author was a 25-year-old German law student, in training to join the German courts as a junior administrator. His book tries to answer two questions people have been asking since the end of World War II: “How were the Nazis possible?” and “Why did no one stop them?” Sebastian Haffner’s vivid first-person account, written in real time and only much later discovered by his son, makes the rise of the Nazis psychologically comprehensible. “An astonishing memoir... [a] masterpiece.” — Gabriel Schoenfeld, The New York Times Book Review “A short, stabbing, brilliant book... It is important, first, as evidence of what one intelligent German knew in the 1930s about the unspeakable nature of Nazism, at a time when the overwhelming majority of his countrymen claim to have know nothing at all. And, second, for its rare capacity to reawaken anger about those who made the Nazis possible.” — Max Hastings, The Sunday Telegraph “Defying Hitler communicates one of the most profound and absolute feelings of exile that any writer has gotten between covers.” — Charles Taylor, Salon “Sebastian Haffner was Germany’s political conscience, but it is only now that we can read how he experienced the Nazi terror himself — that is a memoir of frightening relevance today.” — Heinrich Jaenicke, Stern “The prophetic insights of a fairly young man... help us understand the plight, as Haffner refers to it, of the non-Nazi German.” — The Denver Post “Sebastian Haffner’s Defying Hitler is a most brilliant and imaginative book — one of the most important books we have ever published.” — Lord Weidenfeld |
still alive ruth kluger chapter summaries: Haunting Legacies Gabriele Schwab, 2010-10-19 From mass murder to genocide, slavery to colonial suppression, acts of atrocity have lives that extend far beyond the horrific moment. They engender trauma that echoes for generations, in the experiences of those on both sides of the act. Gabriele Schwab reads these legacies in a number of narratives, primarily through the writing of postwar Germans and the descendents of Holocaust survivors. She connects their work to earlier histories of slavery and colonialism and to more recent events, such as South African Apartheid, the practice of torture after 9/11, and the disappearances that occurred during South American dictatorships. Schwab's texts include memoirs, such as Ruth Kluger's Still Alive and Marguerite Duras's La Douleur; second-generation accounts by the children of Holocaust survivors, such as Georges Perec's W, Art Spiegelman's Maus, and Philippe Grimbert's Secret; and second-generation recollections by Germans, such as W. G. Sebald's Austerlitz, Sabine Reichel's What Did You Do in the War, Daddy?, and Ursula Duba's Tales from a Child of the Enemy. She also incorporates her own reminiscences of growing up in postwar Germany, mapping interlaced memories and histories as they interact in psychic life and cultural memory. Schwab concludes with a bracing look at issues of responsibility, reparation, and forgiveness across the victim/perpetrator divide. |
still alive ruth kluger chapter summaries: The Memory of Pain Camila Loew, 2011 In this book, Camila Loew analyzes four women’s testimonial literary writings on the Holocaust to examine and question some of the tenets of the fields of Holocaust studies, gender studies, and testimony. Through a close reading of the works of Charlotte Delbo, Margarete Buber-Neumann, Ruth Klüger, and Marguerite Duras, Loew foregrounds these authors’ search for a written form to engage with their experiences of the extreme. Although each chapter contains its individual focus and features, the book possesses a unity in intention, concerns, and consequences. In the theoretical introduction that unites the four chapters, Loew eschews essentialism and revises the emergence of the field of Women and Holocaust studies from the early 1980s on, and signals some of its shortcomings. In response, and in accordance with a recent turn in various disciplines of the Humanities, Loew highlights the ethical dimension of testimony and its responsible commitment to the other. In dealing with the texts as literary testimonies—a complex genre, between literature and history—, testimony is freed from the obligation to respond to the requirements of factual truth, and becomes a privileged form to voice the traumatic event, and to symbolically explore the role of excess. |
still alive ruth kluger chapter summaries: German Women's Life Writing and the Holocaust Elisabeth Krimmer, 2018-09-20 Examines women's life writing in order to shed light on female complicity in the Second World War and the Holocaust. |
still alive ruth kluger chapter summaries: A Psychological Interpretation of Ruth Yehezkel Kluger, 1999 The biblical Book of Ruth is a love story, apparently personal and simple of love between women and between man and woman told in poetic imagery and style. Barely hiding within this immediate beauty are the archetypal depths which reveal nothing less than the eternal mystery of a love which brings about redemption and individuation both personal and transcendent, human and divine. Dr. Kluger wrote the original interpretation as part of the requirements of the first graduating class of the Jung Institute in Zürich. He later updated his work, but the thesis remains the same: the return of the feminine principle in the Bible. To this end, he examines the fate and role of the feminine as she travels from ancient times through various goddesses to the person of Ruth, and her destiny as restoring the original totality of masculine and feminine in equal, interacting, balance. In counterpoint to the scholarly style of her father while in unison with his interpretations Nomi Kluger-Nash has written a woman's subjective reactions to the story of Ruth, Naomi and Orpah. To this associative style she brings further amplifications from Kabbalah into the meaning of these women who carry aspects, both light and dark, of the Shekhinah, the feminine presence of God. |
still alive ruth kluger chapter summaries: I Was a Doctor in Auschwitz Gisella Perl, 2019-02-28 Gisella Perl’s memoir is the extraordinarily candid account of women’s extreme efforts to survive Auschwitz. With writing as powerful as that of Charlotte Delbo and Ruth Kluger, her story individualizes and therefore humanizes a victim of mass dehumanization. Perl accomplished this by representing her life before imprisonment, in Auschwitz and other camps, and in the struggle to remake her life. It is also the first memoir by a woman Holocaust survivor and establishes the model for understanding the gendered Nazi policies and practices targeting Jewish women as racially poisonous. Perl’s memoir is also significant for its inclusion of the Nazis’ Roma victims as well as in-depth representations of Nazi women guards and other personnel. Unlike many important Holocaust memoirs, Perl’s writing is both graphic in its horrific detail and eloquent in its emotional responses. One of the memoir’s major historical contributions is Perl’s account of being forced to work alongside Dr. Josef Mengele in his infamous so-called clinic and using her position to save the lives of other women prisoners. These efforts including infanticide and abortion, topics that would remain silenced for decades and, unfortunately, continue to be marginalized from all too many Holocaust accounts. After decades out of print, this new edition will ensure the crucial place of Perl’s testimony on Holocaust memory and education. |
still alive ruth kluger chapter summaries: My Name Is Selma Selma van de Perre, 2021-05-11 An international bestseller, this powerful memoir by a ninety-eight-year-old Jewish Resistance fighter and Holocaust survivor “shows us how to find hope in hopelessness and light in the darkness” (Edith Eger, author of The Choice and The Gift). Selma van de Perre was seventeen when World War II began. Until then, being Jewish in the Netherlands had not been an issue. But by 1941 it had become a matter of life or death. On several occasions, Selma barely avoided being rounded up by the Nazis. While her father was summoned to a work camp and eventually hospitalized in a Dutch transition camp, her mother and sister went into hiding—until they were betrayed in June 1943 and sent to Auschwitz. In an act of defiance and with nowhere else to turn, Selma took on an assumed identity, dyed her hair blond, and joined the Resistance movement, using the pseudonym Margareta van der Kuit. For two years “Marga” risked it all. Using a fake ID, and passing as Aryan, she traveled around the country and even to Nazi headquarters in Paris, sharing information and delivering papers—doing, as she later explained, what “had to be done.” In July 1944 her luck ran out. She was transported to Ravensbrück women’s concentration camp as a political prisoner. Unlike her parents and sister who she later found out died in other camps—Selma survived by using her alias, pretending to be someone else. It was only after the war ended that she could reclaim her identity and dared to say once again: My name is Selma. “We were ordinary people plunged into extraordinary circumstances,” she writes in this “astonishing, inspirational, and important” memoir (Ariana Neumann, author of When Time Stopped). Full of hope and courage, this is Selma’s story in her own words. |
still alive ruth kluger chapter summaries: Landscapes of Memory Ruth Klüger, 2010-11-01 Ruth Kluger is one of the child-survivors of the Holocaust. In 1942, at the age of eleven, she was deported to the Nazi 'family camp' Theresienstadt with her mother. They would move to two other camps (including Auschwitz-Birkenau) before the war ended. LANDSCAPES OF MEMORY is the story of Ruth's life. Of a childhood spent in the Nazi camps and her refusal to forget the past as an adult in America. 'It is not in our power to forgive: memory does that for us,' says Kluger. Not erasing a single detail, not even the inconvenient ones, she writes frankly about the troubled relationship with her mother even through their years of internment, and of her determination not to forgive and absolve the past. It is this memory, pure and harsh, this anger, savage and profound, that makes Kluger's memoir so unforgettable. A gripping narrative and a superb meditation on the relationship between private memory and history, on forgiveness and redemption, LANDSCAPES OF MEMORY will become a classic of our times. |
still alive ruth kluger chapter summaries: Auschwitz and After Charlotte Delbo, 2014-09-30 Written by a member of the French resistance who became an important literary figure in postwar France, this moving memoir of life and death in Auschwitz and the postwar experiences of women survivors has become a key text for Holocaust studies classes. This second edition includes an updated and expanded introduction and new bibliography by Holocaust scholar Lawrence L. Langer. “Delbo’s exquisite and unflinching account of life and death under Nazi atrocity grows fiercer and richer with time. The superb new introduction by Lawrence L. Langer illuminates the subtlety and complexity of Delbo’s meditation on memory, time, culpability, and survival, in the context of what Langer calls the ‘afterdeath’ of the Holocaust. Delbo’s powerful trilogy belongs on every bookshelf.”—Sara R. Horowitz, York University Winner of the 1995 American Literary Translators Association Award |
still alive ruth kluger chapter summaries: Bent Martin Sherman, 1998 (Applause Books). Martin Sherman's worldwide hit play Bent took London by storm in 1979 when it was first performed by the Royal Court Theatre, with Ian McKellen as Max (a character written with the actor in mind). The play itself caused an uproar. It educated the world, Sherman explains. People knew about how the Third Reich treated Jews and, to some extent, gypsies and political prisoners. But very little had come out about their treatment of homosexuals. Gays were arrested and interned at work camps prior to the genocide of Jews, gypsies, and handicapped, and continued to be imprisoned even after the fall of the Third Reich and liberation of the camps. The play Bent highlights the reason why - a largely ignored German law, Paragraph 175, making homosexuality a criminal offense, which Hitler reactivated and strengthened during his rise to power. |
still alive ruth kluger chapter summaries: How I Learned to Cook Margo Perin, 2004 A collection of writings by women on the tangled bonds they share with their(often) less-than-perfect mothers. Every woman has something to say on the subject of her mother. In fact, many of us spend our lives trying to figure out just how we are like-or unlike-them. And yet, as intricate as the ties that bind mothers and daughters can be, most women never let go of the desire to really know their mothers. In How I Learned to Cook and Other Writings on Complex Mother-Daughter Relationships, women authors explore what is perhaps the most complicated of family relationships. In this elegant collection of writings, daughters describe their relationships with mothers whose own lives sometimes stood in the way of their ability to fill society's ideal of what a good mother should be. With critically acclaimed authors-including Jamaica Kincaid, Paula Fox, and Alice Walker-sharing the page with emerging writers, How I Learned to Cook proves that every daughter has much to discover and understand about her mother. |
still alive ruth kluger chapter summaries: Sprout Dale Peck, 2010-10-26 When Sprout and his father move from Long Island to Kansas after the death of his mother, he is sure he will find no friends, no love, no beauty. But friends find him, the strangeness of the landscape fascinates him, and when love shows up in an unexpected place, it proves impossible to hold. An incredible, literary story of a boy who knows he's gay, and the town that seems to have no place for him to hide. |
still alive ruth kluger chapter summaries: The Reader Bernhard Schlink, 2001-05-01 INTERNATIONAL BESTSELLER • Hailed for its coiled eroticism and the moral claims it makes upon the reader, this mesmerizing novel is a story of love and secrets, horror and compassion, unfolding against the haunted landscape of postwar Germany. A formally beautiful, disturbing and finally morally devastating novel. —Los Angeles Times When he falls ill on his way home from school, fifteen-year-old Michael Berg is rescued by Hanna, a woman twice his age. In time she becomes his lover—then she inexplicably disappears. When Michael next sees her, he is a young law student, and she is on trial for a hideous crime. As he watches her refuse to defend her innocence, Michael gradually realizes that Hanna may be guarding a secret she considers more shameful than murder. |
still alive ruth kluger chapter summaries: The Holocaust across Borders Hilene S. Flanzbaum, 2021-06-29 “Literature of the Holocaust” courses, whether taught in high schools or at universities, necessarily cover texts from a broad range of international contexts. Instructors are required, regardless of their own disciplinary training, to become comparatists and discuss all works with equal expertise. This books offers analyses of the ways in which representations of the Holocaust—whether in text, film, or material culture—are shaped by national context, providing a valuable pedagogical source in terms of both content and methodology. As memory yields to post-memory, nation of origin plays a larger role in each re-telling, and the chapters in this book explore this notion covering well-known texts like Night (Hungary), Survival in Auschwitz (Italy), MAUS (United States), This Way to the Gas (Poland), and The Reader (Germany), while also introducing lesser-known representations from countries like Argentina or Australia. |
still alive ruth kluger chapter summaries: My Most Excellent Year Steve Kluger, 2009-02-19 Best friends and unofficial brothers since they were six, ninth-graders T.C. and Augie have got the world figured out. But that all changes when both friends fall in love for the first time. Enter Al‚. She's pretty, sassy, and on her way to Harvard. T.C. falls hard, but Al‚ is playing hard to get. Meanwhile, Augie realizes that he's got a crush on a boy. It's not so clear to him, but to his family and friends, it's totally obvious! Told in alternating perspectives, this is the hilarious and touching story of their most excellent year, where these three friends discover love, themselves, and how a little magic and Mary Poppins can go a long way. |
still alive ruth kluger chapter summaries: The Ethics of Survival in Contemporary Literature and Culture Rudolf Freiburg, Gerd Bayer, 2021-12-14 The Ethics of Survival in Contemporary Literature and Culture delves into the complex problems involved in all attempts to survive. The essays analyze survival in contemporary prose narratives, short stories, poems, dramas, and theoretical texts, but also in films and other modes of cultural practices. Addressing diverse topics such as memory and forgetting in Holocaust narratives, stories of refugees and asylum seekers, and representations of war, the ethical implications involved in survival in texts and media are brought into a transnational critical discussion. The volume will be of potential interest to a wide range of critics working on ethical issues, the body, and the politics of art and literature. |
still alive ruth kluger chapter summaries: War and Genocide Doris L. Bergen, 2009-02-16 In examining one of the defining events of the twentieth century, Doris L. Bergen situates the Holocaust in its historical, political, social, cultural, and military contexts. Unlike many other treatments of the Holocaust, the revised, second edition of War and Genocide discusses not only the persecution of the Jews, but also other segments of society victimized by the Nazis: gypsies, homosexuals, Poles, Soviet POWs, the handicapped, and other groups deemed undesirable. In clear and eloquent prose, Bergen explores the two interconnected goals that drove the Nazi German program of conquest and genocide—purification of the so-called Aryan race and expansion of its living space—and discusses how these goals affected the course of World War II. Including first hand accounts from perpetrators, victims, and eyewitnesses, the book is immediate, human, and eminently readable. |
still alive ruth kluger chapter summaries: Still Alive Ruth Klüger, 2001 Now in paperback, the acclaimed Holocaust memoir declared a book of breathtaking honesty and extraordinary insight.--LA Times |
still alive ruth kluger chapter summaries: The German House Annette Hess, 2020-10-20 As seen in the New York Times Book Review. A December 2019 Indie Next Pick! Set against the Frankfurt Auschwitz Trials of 1963, Annette Hess's international bestseller is a harrowing yet ultimately uplifting coming-of-age story about a young female translator--caught between societal and familial expectations and her unique ability to speak truth to power--as she fights to expose the dark truths of her nation's past. If everything your family told you was a lie, how far would you go to uncover the truth? For twenty-four-year-old Eva Bruhns, World War II is a foggy childhood memory. At the war's end, Frankfurt was a smoldering ruin, severely damaged by the Allied bombings. But that was two decades ago. Now it is 1963, and the city's streets, once cratered are smooth and paved. Shiny new stores replace scorched rubble. Eager for her wealthy suitor, Jürgen Schoormann, to propose, Eva dreams of starting a new life away from her parents and sister. But Eva's plans are turned upside down when a fiery investigator, David Miller, hires her as a translator for a war crimes trial. As she becomes more deeply involved in the Frankfurt Trials, Eva begins to question her family's silence on the war and her future. Why do her parents refuse to talk about what happened? What are they hiding? Does she really love Jürgen and will she be happy as a housewife? Though it means going against the wishes of her family and her lover, Eva, propelled by her own conscience , joins a team of fiery prosecutors determined to bring the Nazis to justice--a decision that will help change the present and the past of her nation. |
still alive ruth kluger chapter summaries: Escaping Extermination Agi Jambor, 2020-09-15 Written shortly after the close of World War II, Escaping Extermination tells the poignant story of war, survival, and rebirth for a young, already acclaimed, Jewish Hungarian concert pianist, Agi Jambor. From the hell that was the siege of Budapest to a fresh start in America. Agi Jambor describes how she and her husband escaped the extermination of Hungary’s Jews through a combination of luck and wit. As a child prodigy studying with the great musicians of Budapest and Berlin before the war, Agi played piano duets with Albert Einstein and won a prize in the 1937 International Chopin Piano Competition. Trapped with her husband, prominent physicist Imre Patai, after the Nazis overran Holland, they returned to the illusory safety of Hungary just before the roundup of Jews to be sent to Auschwitz was about to begin. Agi participated in the Resistance, often dressed as a prostitute in seductive clothes and heavy makeup, calling herself Maryushka. Under constant threat by the Gestapo and Hungarian collaborators, the couple was forced out of their flat after Agi gave birth to a baby who survived only a few days. They avoided arrest by seeking refuge in dwellings of friendly Hungarians, while knowing betrayal could come at any moment. Facing starvation, they saw the war end while crouching in a cellar with freezing water up to their knees. After moving to America in 1947, Agi made a brilliant new career as a musician, feminist, political activist, professor, and role model for the younger generation. She played for President Harry Truman in the White House, performed with the Philadelphia Orchestra, and became a recording artist with Capitol Records. Unpublished until now but written in the immediacy of the horrors of World War II and the Holocaust, Escaping Extermination is a story of hope, resilience, and even humor in the fight against evil. |
still alive ruth kluger chapter summaries: The Author of Himself Marcel Reich-Ranicki, 2020-09-08 Marcel Reich-Ranicki is remarkable for both his unlikely life story and his brilliant career as the pope of German letters. His sublimely written autobiography is at once a fascinating adventure tale, an unusual account of German-Jewish relations, a personal rumination on who's who in German culture, and a love letter to literature. Reich-Ranicki's life took him from middle-class childhood to wartime misery to the heights of intellectual celebrity. Born into a Jewish family in Poland in 1920, he moved to Berlin as a boy. There he discovered his passion for literature and began a complex affair with German culture. In 1938, his family was deported back to Poland, where German occupation forced him into the Warsaw Ghetto. As a member of the Jewish resistance, a translator for the Jewish Council, and a man who personally experienced the ghetto's inhumane conditions, Reich-Ranicki gained both a bird's-eye and ground-level view of Nazi barbarism. Written with subtlety and intelligence, his account of this episode is among the most compelling and dramatic ever recorded. He escaped with his wife and spent two years hiding in the cellar of Polish peasants—an incident later immortalized by Günter Grass. After liberation, he joined and then fell out with the Communist Party and was temporarily imprisoned. He began writing and soon became Poland's foremost critical commentator on German literature. When Reich-Ranicki returned to Germany in 1958, his rise was meteoric. In short order, he claimed national celebrity and notoriety as the head of the literary section of the leading newspaper and host of his own television program. He frequently flabbergasted viewers with his bold pronouncements and flexed his power to make or break a writer's career. His list of friends and enemies rapidly expanded to include every influential player on the German literary scene, including Grass and Heinrich Böll. This, together with his keen critical instincts, makes his memoir an indispensable guide to contemporary German culture as well as an absorbing eyewitness history of some of the twentieth century's most important events. |
still alive ruth kluger chapter summaries: The Painted Bird Jerzy Kosinski, 2000 Winner of the National Book Award The Painted Bird is one of the most shocking indictments of Nazi madness and terrors of the Holocaust during World War II. It is a story about the proximity of terror and savagery to innocence and love. It is a vivid and graphic portrayal of the hellish Nazi occupation of Eastern Europe as seen through the eyes of a boy struggling for survival, an alien child lost in a world gone mad. |
still alive ruth kluger chapter summaries: The Holocaust as Active Memory Dr Claudia Lenz, Ms Marie Louise Seeberg, Professor Irene Levin, 2013-06-28 The ways in which memories of the Holocaust have been communicated, represented and used have changed dramatically over the years. From such memories being neglected and silenced in most of Europe until the 1970s, each country has subsequently gone through a process of cultural, political and pedagogical awareness-rising. This culminated in the ‘Stockholm conference on Holocaust commemoration’ in 2000, which resulted in the constitution of a task force dedicated to transmitting and teaching knowledge and awareness about the Holocaust on a global scale. The silence surrounding private memories of the Holocaust has also been challenged in many families. What are the catalysts that trigger a change from silence to discussion of the Holocaust? What happens when we talk its invisibility away? How are memories of the Holocaust reflected in different social environments? Who asks questions about memories of the Holocaust, and which answers do they find, at which point in time and from which past and present positions related to their societies and to the phenomenon in question? This book highlights the contexts in which such questions are asked. By introducing the concept of ‘active memory’, this book contributes to recent developments in memory studies, where memory is increasingly viewed not in isolation but as a dynamic and relational part of human lives. |
still alive ruth kluger chapter summaries: Holocaust education in a global context Fracapane, Karel, Haß, Matthias, Topography of Terror Foundation (Germany), 2014-01-24 International interest in Holocaust education has reached new heights in recent years. This historic event has long been central to cultures of remembrance in those countries where the genocide of the Jewish people occurred. But other parts of the world have now begun to recognize the history of the Holocaust as an effective means to teach about mass violence and to promote human rights and civic duty, testifying to the emergence of this pivotal historical event as a universal frame of reference. In this new, globalized context, how is the Holocaust represented and taught? How do teachers handle this excessively complex and emotionally loaded subject in fast-changing multicultural European societies still haunted by the crimes perpetrated by the Nazis and their collaborators? Why and how is it taught in other areas of the world that have only little if any connection with the history of the Jewish people? Holocaust Education in a Global Context will explore these questions.--page 10. |
still alive ruth kluger chapter summaries: Trauma and Literature J. Roger Kurtz, 2018-03-15 As a concept, 'trauma' has attracted a great deal of interest in literary studies. A key term in psychoanalytic approaches to literary study, trauma theory represents a critical approach that enables new modes of reading and of listening. It is a leading concept of our time, applicable to individuals, cultures, and nations. This book traces how trauma theory has come to constitute a discrete but influential approach within literary criticism in recent decades. It offers an overview of the genesis and growth of literary trauma theory, recording the evolution of the concept of trauma in relation to literary studies. In twenty-one essays, covering the origins, development, and applications of trauma in literary studies, Trauma and Literature addresses the relevance and impact this concept has in the field. |
still alive ruth kluger chapter summaries: Extremities Nancy K. Miller, Jason Daniel Tougaw, 2002 How do we come to terms with what can't be forgotten? How do we bear witness to extreme experiences that challenge the limits of language? This remarkable volume explores the emotional, political, and aesthetic dimensions of testimonies to trauma as they translate private anguish into public space. Nancy K. Miller and Jason Tougaw have assembled a collection of essays that trace the legacy of the Holocaust and subsequent events that have shaped twentieth-century history and still haunt contemporary culture. Extremities combines personal and scholarly approaches to a wide range of texts that bear witness to shocking and moving accounts of individual trauma: Toni Morrison's Beloved, Sylvia Plath's Daddy and Lady Lazarus, Kathryn Harrison's The Kiss, Tatana Kellner's Holocaust art, Ruth Klüger's powerful memoir Still Alive, and Binjamin Wilkomirski's controversial narrative of concentration camp suffering Fragments. The book grapples with the cultural and social effects of historical crises, including the Montreal Massacre, the Warsaw Ghetto Uprising, and the medical catastrophes of HIV/AIDS and breast cancer. Developing insights from autobiography, psychoanalysis, feminist theory and gender studies, the authors demonstrate that testimonies of troubling and taboo subjects do more than just add to the culture of confession--they transform identities and help reimagine the boundaries of community. Extremities offers an original and timely interpretive guide to the growing field of trauma studies. The volume includes essays by Ross Chambers, Sandra M. Gilbert, Susan Gubar, Marianne Hirsch, Wayne Koestenbaum, Eve Kosofsky Sedgwick, and others. |
still alive ruth kluger chapter summaries: The Nazi State and German Society Robert G. Moeller, 2018-12-27 The Nazi State and German Society invites students to view the history of the twentieth century’s most infamous totalitarian regime through the voices of people who experienced it. Robert Moeller’s comprehensive introduction presents an overview of the Nazi regime, from Weimar to the end of the war, explaining the factors that led millions of ordinary Germans to sacrifice individual rights in the interest of collective goals and national security. The effects of Nazi rule on Aryans, Jews, and other undesirables are explored, along with a discussion of why so few people organized against the regime. Over 50 documents from a broad range of perspectives — including speeches, memoirs, letters, diaries, and propaganda posters — bring this history to life and illustrate the effect of Nazi rule on German society. Document headnotes, a chronology, questions for consideration, and a selected bibliography provide pedagogical support. |
still alive ruth kluger chapter summaries: Rena's Promise Rena Kornreich Gelissen, Heather Dune Macadam, 2015-03-17 An expanded edition of the powerful memoir about two sisters' determination to survive during the Holocaust featuring new and never before revealed information about the first transport of women to Auschwitz In March 1942, Rena Kornreich and 997 other young women were rounded up and forced onto the first Jewish transport of women to Auschwitz. Soon after, Rena was reunited with her sister Danka at the camp, beginning a story of love and courage that would last three years and forty-one days. From smuggling bread for their friends to narrowly escaping the ever-present threats that loomed at every turn, the compelling events in Rena’s Promise remind us that humanity and hope can survive inordinate brutality. |
still alive ruth kluger chapter summaries: Why Study History? John Fea, 2024-03-26 What is the purpose of studying history? How do we reflect on contemporary life from a historical perspective, and can such reflection help us better understand ourselves, the world around us, and the God we worship and serve? Written by an accomplished historian, award-winning author, public evangelical spokesman, and respected teacher, this introductory textbook shows why Christians should study history, how faith is brought to bear on our understanding of the past, and how studying the past can help us more effectively love God and others. John Fea shows that deep historical thinking can relieve us of our narcissism; cultivate humility, hospitality, and love; and transform our lives more fully into the image of Jesus Christ. The first edition of this book has been used widely in Christian colleges across the country. The second edition provides an updated introduction to the study of history and the historian's vocation. The book has also been revised throughout and incorporates Fea's reflections on this topic from throughout the past 10 years. |
still alive ruth kluger chapter summaries: Disnarration and the Unmentioned in Fact and Fiction Marina Lambrou, 2016-01-14 In this book Marina Lambrou explores the dimension of narrative storytelling described as ‘the disnarrated’ – events that do not happen but which are referred to – across three genres of texts: personal narratives; news stories; and fiction (literary and film). The book begins by asking why such disnarrated narratives are nevertheless considered tellable. It moves on to examine the pervasiveness of this phenomenon in news reports about “near misses” and the shared personal narratives about dangerous experiences, where “truth” is expected to be central their telling. It further discusses how disnarration is generated in counterfactual “what if?” scenarios in fiction where characters follow alternative, forked paths with fascinating unexpected consequences. This engaging work offers original insights to anyone interested in storytelling and will appeal in particular to scholars of language and literature, stylistics, narratology, media, film and journalism. |
still alive ruth kluger chapter summaries: Lessons and Legacies VIII Peter Hayes, Holocaust Educational Foundation, 1991 In the courtroom and the classroom, in popular media, public policy, and scholarly pursuits, the Holocaust-its origins, its nature, and its implications-remains very much a matter of interest, debate, and controversy. Arriving at a time when a new generation must come to terms with the legacy of the Holocaust or forever lose the benefit of its historical, social, and moral lessons, this volume offers a richly varied, deeply informed perspective on the practice, interpretation, and direction of Holocaust research now and in the future. In their essays the authors-an international group including eminent senior scholars as well those who represent the future of the field-set the agenda for Holocaust studies in the coming years, even as they give readers the means for understanding today's news and views of the Holocaust, whether in court cases involving victims and perpetrators; international, national, and corporate developments; or fictional, documentary, and historical accounts. Several of the essays-such as one on nonarmed amidah or resistance and others on the role of gender in the behavior of perpetrators and victims-provide innovative and potentially significant interpretive frameworks for the field of Holocaust studies. Others; for instance, the rounding up of Jews in Italy, Nazi food policy in Eastern Europe, and Nazi anti-Jewish scholarship, emphasize the importance of new sources for reconstructing the historical record. Still others, including essays on the 1964 Frankfurt trial of Auschwitz guards and on the response of the Catholic Church to the question of German guilt, bring a new depth and sophistication to highly charged, sharply politicized topics. Together these essays will inform the future of the Holocaust in scholarly research and in popular understanding.--De l'éditeur. |
still alive ruth kluger chapter summaries: Principles and Practice of Geriatric Psychiatry Mohammed T. Abou-Saleh, Cornelius L. E. Katona, Anand Kumar, 2011-07-28 The renowned Principles and Practice of Geriatric Psychiatry, now in its third edition, addresses the social and biological concepts of geriatric mental health from an international perspective. Featuring contributions by distinguished authors from around the world, the book offers a distinctive angle on issues in this continually developing discipline. Principles and Practice of Geriatric Psychiatry provides a comprehensive review of: geriatric psychiatry spanning both psychiatric and non-psychiatric disorders scientific advances in service development specific clinical dilemmas New chapters on: genetics of aging somatoform disorders epidemiology of substance abuse somatoform disorders care of the dying patient Continuing the practice of earlier editions, the major sections of the book address aging, diagnosis and assessment and clinical conditions, incorporating an engaging discussion on substance abuse and schizophrenic disorders. Shorter sections include the presentation of mental illness in elderly people from different cultures—one of the most popular sections in previous editions. Learning and behavioural studies, as well as models of geriatric psychiatry practice, are covered extensively. This book provides a detailed overview of the entire range of mental illness in old age, presented within an accessible format. Principles and Practice of Geriatric Psychiatry is an essential read for psychiatrists, geriatricians, neurologists and psychologists. It is of particular use for instructors of general psychiatry programs and their residents. |
still alive ruth kluger chapter summaries: My Blue Piano Else Lasker-Schüler, Eavan Boland, 2014-06-12 Eight poems by Else Lasker-Schüler, translated by Eavan Boland, and a major essay by the translator on the life and times of the author. The poems are excerpted from Lasker-Schüler's 1943 collection, My Blue Piano (Mein Blaues Klavier), which she wrote while living in exile in Jerusalem after fleeing Nazi Germany. |
still alive ruth kluger chapter summaries: Traumatic Realism Michael Rothberg, 2000 Drawing on a wide range of texts, Michael Rothberg puts forth an overarching framework for understanding representations of the Holocaust. Through close readings of such writers and thinkers as Theodor Adorno, Maurice Blanchot, Ruth Klüger, Charlotte Delbo, Art Spiegelman, and Philip Roth and an examination of films by Steven Spielberg and Claude Lanzmann, Rothberg demonstrates how the Holocaust as a traumatic event makes three fundamental demands on representation: a demand for documentation, a demand for reflection on the limits of representation, and a demand for engagement with the public. |
still alive ruth kluger chapter summaries: Hermann Broch, Visionary in Exile Paul Michael Lützeler, 2003 Studies of one of the foremost 20c Austrian writers, as a critic and as a novelist and dramatist. The Austrian novelist Hermann Broch ranks with Kafka and Musil among the three greatest 20th-century Austrian novelists and belongs to the century's most gifted novelists in German from whatever country. He established his reputation with The Sleepwalkers, a trilogy of political and philosophical novels. His best-known work is The Death of Virgil, a long, challenging work in a lyrical, exuberant, and sometimes nearly incomprehensible style, akind of cerebral stream-of-consciousness of the dying Virgil. Broch also wrote extensively about modern art and architecture, Hofmannsthal, and mass psychology. He has a special connection to Yale, as he lived the last years of his life there after having escaped Austria in 1938. The participants in the Yale Symposium of April 2001 are among the world's most prominent Broch scholars. Fourteen of their presentations have been extensively revised for this volume, which focuses on Broch as critic and as novelist and dramatist. Topics include Broch's views on kitsch and art, and on drama; his cultural criticism; his cooperation with Borgese and Arendt; his theory of mass psychology; history in his works, Ernst Kretschmer's influence on him; Virgil and Celan's Atemwende; Jean Starr Untermeyer's translation of Virgil; guilt and the fall in Those without Gui Paul Michael Lützeler is Distinguished University Professor of German at Washington University St. Louis and editor of Broch's collected works. MATTHIAS KONZETT is associate professor of German at Yale; WILLY RIEMER is associate professor of German at the University of Delaware, and CHRISTA SAMMONS is curator of the German collections of the Beinecke Library at Yale. |
still alive ruth kluger chapter summaries: Aging and Old-Age Style in Günter Grass, Ruth Klüger, Christa Wolf, and Martin Walser Stuart Taberner, 2013 Explores the performance of aging in the late style of Günter Grass, Ruth Klüger, Christa Wolf, and Martin Walser. Demographers say that by the year 2060, every seventh person in Germany will be aged eighty or older, and every third person over sixty-five. The prediction for other Western countries is scarcely different. Indeed, the aging society is seen by some as a graver threat than even global warming, with potentially unmanageable tensions relating to intergenerational relationships, work and benefits, and flows of people. This book explores the representation and performance of aging in recent late-style German-language fiction. It situates the authors chosen as case studies -- Günter Grass, Ruth Klüger, Christa Wolf, and Martin Walser -- in their biographical and social contexts and explores the significance of their aesthetic figuring of aging for debates raging both in Germany and internationally. In particular, the book looks at gender, generations, and trauma and their impact on how writers narrativize aging. Finally, it examines the timeliness of these different representations and late-style performances of aging in the context of the shift of social, political, and economic power away from the declining societies of theWest to the ascendant societies of the East. Stuart Taberner is Professor of Contemporary German Literature, Culture, and Society at the University of Leeds. |
still alive ruth kluger chapter summaries: Writing the Holocaust Zoë Vania Waxman, 2008-06-26 Arguing against the prevailing view that Holocaust survivors (encouraged by a new and flourishing culture of 'witnessing') have come forward only recently to tell their stories,Writing the Holocaust examines the full history of Holocaust testimony, from the first chroniclers confined to Nazi-enforced ghettos to today's survivors writing as part of collective memory. Zoë Waxman shows how the conditions and motivations for bearing witness changed immeasurably. She reveals the multiplicity of Holocaust experiences, the historically contingent nature of victims' responses, and the extent to which their identities - secular or religious, male or female, East or West European - affected not only what they observed but also how they have written about their experiences. In particular, she demonstrates that what survivors remember is substantially determined by the context in which they are remembering. |
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