Advertisement
| so far from god ana castillo: So Far From God Ana Castillo, 2005-06-14 A delightful novel...impossible to resist. —Barbara Kingsolver, Los Angeles Times Book Review Sofia and her fated daughters, Fe, Esperanza, Caridad, and la Loca, endure hardship and enjoy love in the sleepy New Mexico hamlet of Tome, a town teeming with marvels where the comic and the horrific, the real and the supernatural, reside. |
| so far from god ana castillo: So Far from God: A Novel Ana Castillo, 2005-06-17 A delightful novel...impossible to resist. —Barbara Kingsolver, Los Angeles Times Book Review Sofia and her fated daughters, Fe, Esperanza, Caridad, and la Loca, endure hardship and enjoy love in the sleepy New Mexico hamlet of Tome, a town teeming with marvels where the comic and the horrific, the real and the supernatural, reside. |
| so far from god ana castillo: The Guardians Ana Castillo, 2008-09-09 From American Book Award-winning author Ana Castillo comes a suspenseful, moving novel about a sensuous, smart, and fiercely independent woman. Eking out a living as a teacher’s aide in a small New Mexican border town, Tía Regina is also raising her teenage nephew, Gabo, a hardworking boy who has entered the country illegally and aspires to the priesthood. When Gabo’s father, Rafa, disappears while crossing over from Mexico, Regina fears the worst. After several days of waiting and with an ominous phone call from a woman who may be connected to a smuggling ring, Regina and Gabo resolve to find Rafa. Help arrives in the form of Miguel, an amorous, recently divorced history teacher; Miguel’s gregarious abuelo Milton; a couple of Gabo’s gangbanger classmates; and a priest of wayward faith. Though their journey is rife with challenges and danger, it will serve as a remarkable testament to family bonds, cultural pride, and the human experience Praise for The Guardians NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE CHICAGO TRIBUNE “An always skilled storyteller, [Castillo] grounds her writing in . . . humor, love, suspense and heartache–that draw the reader in.” –Chicago Sunday Sun-Times “A rollicking read, with jokes and suspense and joy rides and hearts breaking . . . This smart, passionate novel deserves a wide audience.” –Los Angeles Times “What drives the novel is its chorus of characters, all, in their own way, witnesses and guardian angels. In the end, Castillo’s unmistakable voice–earthy, impassioned, weaving a ‘hybrid vocabulary for a hybrid people’–is the book’s greatest revelation.” –Time Out New York “A wonderful novel . . . Castillo’s most important accomplishment in The Guardians is to give a unique literary voice to questions about what makes up a ‘family.’ ” –El Paso Times “A moving book that is both intimate and epic in its narrative.” –Oscar Hijuelos, author of The Mambo Kings Play Songs of Love |
| so far from god ana castillo: Black Dove Ana Castillo, 2016-04-18 Finalist for the 2017 Lambda Literary Award for Bisexual Nonfiction A lyrical memoir-in-essays by an award-winning Chicana writer: the real power of Black Dove comes when it speaks to what mothers face raising black and brown children all across this nation. (Los Angeles Review of Books) Growing up as the intellectually spirited daughter of a Mexican Indian immigrant family during the 1970s, Castillo defied convention as a writer and a feminist. A generation later, her mother's crooning mariachi lyrics resonate once again. Castillo—now an established Chicana novelist, playwright, and scholar—witnesses her own son's spiraling adulthood and eventual incarceration. Standing in the stifling courtroom, Castillo describes a scene that could be any mother's worst nightmare. But in a country of glaring and stacked statistics, it is a nightmare especially reserved for mothers like her: the inner-city mothers, the single mothers, the mothers of brown sons. Black Dove: Mamá, Mi'jo, and Me looks at what it means to be a single, brown, feminist parent in a world of mass incarceration, racial profiling, and police brutality. Through startling humor and love, Castillo weaves intergenerational stories traveling from Mexico City to Chicago. And in doing so, she narrates some of America's most heated political debates and urgent social injustices through the oft-neglected lens of motherhood and family. |
| so far from god ana castillo: Sapogonia Ana Castillo, 1994-01-01 A New York Times Notable Book • A complex, engaging novel...Sapogonia will establish Castillo as one of our finest Chicana novelists. --Rudolfo Anaya The author of So Far From God, Ana Castillo confronts the complex issues of race and identity facing those of mixed heritage through the struggles of Máximo Madrigal, an expatriate of Sapogonia, the metaphorical homeleand of all mestizos. Subtly political, it demonstrates how warring blood within a single body resists any peaceful resolution. |
| so far from god ana castillo: My Book of the Dead Ana Castillo, 2021-09-01 For more than thirty years, Ana Castillo has been mesmerizing and inspiring readers from all over the world with her passionate and fiery poetry and prose. Now the original Xicanista is back to her first literary love, poetry, and to interrogating the social and political upheaval the world has seen over the last decade. Angry and sad, playful and wise, Castillo delves into the bitter side of our world—the environmental crisis, COVID-19, ongoing systemic racism and violence, children in detention camps, and the Trump presidency—and emerges stronger from exploring these troubling affairs of today. Drawings by Castillo created over the past five years are featured throughout the collection and further showcase her connection to her work as both a writer and a visual artist. My Book of the Dead is a remarkable collection that features a poet at the height of her craft. |
| so far from god ana castillo: Goddess of the Americas Ana Castillo, 1997-10-01 Goddess of the Americas is a brilliant essay collection and an impassioned, unorthodox celebration of the Virgin of Guadalupe: mother goddess, patron saint of Mexico, protector of the downtrodden, who made her first appearance on American soil in 1531. Through a variety of forms -- original essays, historical writings, short fiction, drama, and poetry -- the illustrious contributors to this literary anthology examine the impact this potent deity, the Lady of Guadalupe, has had on the people and culture of Mexico, and her influence beyond that country, in Latin America, North America, and Europe. An unprecedented contribution to the literature of the Americas, Goddess of the Americas is an invigorating investigation, an idiosyncratic adoration, and a profound recognition of our need for the sacred, unwavering love of the mother goddess. Francisco Alarcon * Luis Alfaro * Gloria Anzaldua * Ronnie Burk * Rosario Castellanos * Ana Castillo * Denise Chavez * Sandra Cisneros * Felipe Ehrenberg * Clarissa Pinkola Estes * Rosario Ferre * Francisco Goldman * Guillermo Gomez-Pena * F. Gonzalez-Crussi * Nancy Mairs * Ruben Martinez * Pat Mora * Cherrie Moraga * Octavio Paz * Elena Poniatowska * Margaret Randall * Jeanette Rodriguez * Luis Rodriguez * Richard Rodriguez * Miriam Sagan * Luisah Teish * Liliana Valenzuela |
| so far from god ana castillo: Loverboys Ana Castillo, 2008-07-17 “Seductive… full of infectious vigor… these stories demand, above all, to be listened to.” —New York Times Book Review From Ana Castillo, the widely praised author of So Far from God and The Guardians, comes this collection of stories on the experience of love in all its myriad configurations. Infectiously moody and murderously comic, Castillo chronicles the rapturous beginnings, melancholy middles, and bittersweet endings of modern romance between men and women, men and men, and women and women. |
| so far from god ana castillo: My Father Was a Toltec Ana Castillo, 2009-03-12 Mixing the lyrical with the colloquial, the tender with the tough, Ana Castillo has a deserved reputation as one of the country’s most powerful and entrancing novelists, but she began her literary career as a poet of uncompromising commitment and passion. My Father Was a Toltec is the sassy and street-wise collection of poems that established and secured Castillo's place in the popular canon. It is included here in its entirety along with the best of her early poems. Ana Castillo’s poetry speaks—in English and Spanish—to every reader who has felt the pangs of exile, the uninterrupted joy of love, and the deep despair of love lost. |
| so far from god ana castillo: I Ask the Impossible Ana Castillo, 2001-03-20 An Anchor Books Original Cherished for her passionate fiction and exuberant essays, the author hailed by Julia Alvarez as una storyteller de primera, and by Barbara Kingsolver in The Los Angeles Times as impossible to resist, returns to her first love—poetry—to reveal an unwavering commitment to social justice, and a fervent embrace of the sensual world. With the poems in I Ask the Impossible, Castillo celebrates the strength that is a woman buried deep in [her] heart. Whether memorializing real-life heroines who have risked their lives for humanity, spinning a lighthearted tale for her young son, or penning odes to mortals, gods, goddesses, Castillo's poems are eloquent and rich with insight. She shares over twelve years of poetic inspiration, from her days as a writer who once wrote poems in a basement with no heat, through the tenderness of motherhood and bitterness of loss, to the strength of love itself, which can make the impossible a simple act. Radiant with keen perception, wit, and urgency, sometimes erotic, often funny, this inspiring collection sounds the unmistakable voice of a woman on fire and more worthy than stone. |
| so far from god ana castillo: Watercolor Women Opaque Men Ana Castillo, 2017-02-15 2006 Independent Publisher Book Award for Story Teller of the Year In this updated edition of Ana Castillo’s celebrated novel in verse, featuring a new introduction by Poet Laureate of Texas Carmen Tafolla, we revisit the story’s spirited heroine, known only as “Ella” or “She,” as she takes us through her own epic journey of self-actualization as an artist and a woman. With a remarkable combination of tenderness, lyricism, wicked humor, and biting satire, Castillo dramatizes Ella’s struggle through poverty as a Chicano single mother at the threshold of the twenty-first century, fighting for upward mobility while trying to raise her son to be independent and self-sufficient. Urged on by the gods of the ancients, Ella’s life interweaves with those of others whose existences are often neglected, even denied, by society’s status quo. Castillo’s strong rhythmic voice and exploration of such issues as love, sexual orientation, and cultural identity will resonate with readers today as much as they did upon the book’s original publication more than ten years ago. This expanded edition also includes a short preface by the author, as well as a glossary, a reader’s guide, and a list of additional suggested readings. |
| so far from god ana castillo: Transnational Chicanx Perspectives on Ana Castillo Bernadine Hernández, Karen Roybal, 2021-06-15 For more than forty years, Chicana author Ana Castillo has produced novels, poems, and critical essays that forge connections between generations; challenge borders around race, gender, and sexuality; and critically engage transnational issues of space, identity, and belonging. Her contributions to Latinx cultural production and to Chicana feminist thought have transcended and contributed to feminist praxis, ethnic literature, and border studies throughout the Americas. Transnational Chicanx Perspectives on Ana Castillo is the first edited collection that focuses on Castillo’s oeuvre, which directly confronts what happens in response to cultural displacement, mixing, and border crossing. Divided into five sections, this collection thinks about Castillo’s poetics, language, and form, as well as thematic issues such as borders, immigration, gender, sexuality, and transnational feminism. From her first political poetry, Otro Canto, published in 1977, to her mainstream novels such as The Mixquiahuala Letters, So Far From God, and The Guardians, this collection aims to unravel how Castillo’s writing impacts people of color around the globe and works in solidarity with other third world feminisms. |
| so far from god ana castillo: Magical Realism in Toni Morrison's Beloved and Ana Castillo's So Far from God Jasmina Murad, 2009-05 Seminar paper from the year 2006 in the subject American Studies - Literature, grade: 1,7, Free University of Berlin (John-F.-Kennedy-Institute), course: The Subaltern Speaks: Minority Literature in the U.S., 17 entries in the bibliography, language: English, abstract: In this paper I focus on two considerable U.S. authors: Toni Morrison and Ana Castillo. The fact that these writers - who do not share the same ethnic background - both deploy the literary mode of magical realism in their works has engaged my interest to analyze and compare their novels Beloved and So Far from God. The purpose of this paper is not only to probe into the nature of magical realism in the two novels, but also to examine this narrative form as a socio-cultural practice which is connected to a special Weltanschauung. To enter this vast territory, it will be useful to situate the term magical realism in a theoretical and cultural framework which happens in the following chapter. Subsequently, I will expose how Morrison and Castillo employ magical realism in Beloved and So Far from God, and, in particular, I try to identify its function and the role it plays in terms of Morrison′s and Castillo′s cultural and historical background. In the conclusion I will expose the parallels which can be drawn between the novels, coming up with the thesis that for these parallels, there are two underlying main functions of magical realism. |
| so far from god ana castillo: Massacre of the Dreamers Ana Castillo, 1995 f the Dreamers points out the omissions and challenges the misconceptions of a society that recognizes race relations as primarily a black-and-white issue. Castillo's essays analyze the 500-year-old history of Mexican and Amerindian women in this country and document the ongoing political and emotional struggles of their descendants. |
| so far from god ana castillo: The Squatter and the Don MarÕa Amparo Ruiz de Burton, 1997-01-01 The Squatter and the Don, originally published in San Francisco in 1885, is the first fictional narrative written and published in English from the perspective of the conquered Mexican population that, despite being granted the full rights of citizenship under the Treaty of Guadalupe-Hidalgo in 1848, was, by 1860, a subordinated and marginalized national minority. |
| so far from god ana castillo: Peel My Love Like an Onion Ana Castillo, 2000-09-12 A novel on a plucky flamenco dancer in Chicago. It follows her from her rise to fame despite a crippled leg from polio, to her descent as the polio returns, her two lovers abandon her and she is reduced to working in a sweatshop. But Carmen will recoup. |
| so far from god ana castillo: Exploding the Western Sara L. Spurgeon, 2005 The frontier and Western expansionism are so quintessentially a part of American history that the literature of the West and Southwest is in some senses the least regional and the most national literature of all. The frontier--the place where cultures meet and rewrite themselves upon each other's texts--continues to energize writers whose fiction evokes, destroys, and rebuilds the myth in ways that attract popular audiences and critics alike. Sara L. Spurgeon focuses on three writers whose works not only exemplify the kind of engagement with the theme of the frontier that modern authors make, but also show the range of cultural voices that are present in Southwestern literature: Cormac McCarthy, Leslie Marmon Silko, and Ana Castillo. Her central purposes are to consider how the differing versions of the Western mythic tales are being recast in a globalized world and to examine the ways in which they challenge and accommodate increasingly fluid and even dangerous racial, cultural, and international borders. In Spurgeon's analysis, the spaces in which the works of these three writers collide offer some sharply differentiated visions but also create new and unsuspected forms, providing the most startling insights. Sometimes beautiful, sometimes tragic, the new myths are the expressions of the larger culture from which they spring, both a projection onto a troubled and troubling past and an insistent, prophetic vision of a shared future |
| so far from god ana castillo: Dead Women Talking Brian Norman, 2012-11-15 Brian Norman uncovers a curious phenomenon in American literature: dead women who nonetheless talk. These characters appear in works by such classic American writers as Poe, Dickinson, and Faulkner as well as in more recent works by Alice Walker, Toni Morrison, Tony Kushner, and others. These figures are also emerging in contemporary culture, from the film and best-selling novel The Lovely Bones to the hit television drama Desperate Housewives. Dead Women Talking demonstrates that the dead, especially women, have been speaking out in American literature since well before it was fashionable. Norman argues that they voice concerns that a community may wish to consign to the past, raising questions about gender, violence, sexuality, class, racial injustice, and national identity. When these women insert themselves into the story, they do not enter precisely as ghosts but rather as something potentially more disrupting: posthumous citizens. The community must ask itself whether it can or should recognize such a character as one of its own. The prospect of posthumous citizenship bears important implications for debates over the legal rights of the dead, social histories of burial customs and famous cadavers, and the political theory of citizenship and social death. -- Leonard Cassuto, author of Hard-Boiled Sentimentality: The Secret History of American Crime Stories |
| so far from god ana castillo: Though I Get Home YZ Chin, 2018-04-10 “A welcome read in American contemporary literature. Though I Get Home is an intimate and complex look into Malaysian culture and politics, and a reminder of the importance of art in the struggle for social justice.” —Ana Castillo, author of So Far from God and prize judge In these stories, characters navigate fate via deft sleights of hand: A grandfather gambles on the monsoon rains; a consort finds herself a new assignment; a religious man struggles to keep his demons at bay. Central to the book is Isabella Sin, a small-town girl—and frustrated writer—transformed into a prisoner of conscience in Malaysia’s most notorious detention camp. Winner of the Louise Meriwether First Book Prize, YZ Chin’s debut reexamines the relationship between the global and the intimate. Against a backdrop of globalization, individuals buck at what seems inevitable—seeking to stake out space for the inner motivations that shift, but still persist, in the face of changing and challenging circumstances. YZ Chin was born and raised in Taiping, Malaysia. She now lives in New York, working as a software engineer by day and a writer by night. |
| so far from god ana castillo: Woman Who Glows in the Dark Elena Avila, Joy Parker, Clarissa Pinkola Estes, 2000-05-22 “An autobiographical account of how a psychiatric nurse specialist became a folk medicine healer; this also explains the origins and practice of one of the oldest forms of medicine in the New World.″—Kirkus Praise for WOMAN WHO GLOWS IN THE DARK “This is a book that we’ve been awaiting for years—one that unites the best medicine from the ancient past with the deepest needs of the contemporary heart and soul.”—Clarissa Pinkola Estés, Ph.D., author of Women Who Run with the Wolves, The Gift of Story, and Faithful Gardener “Elena Avila’s book is a combination manual, memoir, and healing chant. I’m so glad these stories and secrets – which have been known orally by our culture for ages – are finally down on paper.” —Julia Alvarez, author of How the García Girls Lost Their Accents “Avila shatters myths about curanderismo and reminds us that it’s just as important today as it was centuries ago.”—The Austin Chronicle “In this age of impersonal and technologic health care, Elena Avila’s book gives the reader permission to rely on what has all too often been forgotten. Her message—that healing cannot occur without the heart, instincts, wisdom, and compassion of the healer—is given with grace and simplicity.”—Barbara Dossey, R.N., M.S., HNC, FAAN, Director, Holistic Nursing Associates “Truthful, often painful, always riveting, WOMAN WHO GLOWS IN THE DARK reveals how the practices of curanderismo can heal the soul sickness not addressed by Western medicine.”—Rudolfo Anaya, author of Bless Me, Ultima “Grounded in the earth, at home in both modern and indigenous medicine, Elena Avila is a true emissary of healing, casting a brilliant glow into the dark of all medicine that denies the soul. As a human, I cherish Elena’s light. As a psychiatrist, I welcome her insight.”—Judith Orloff, M.D., author of Second Sight and The Genius of Empathy “Avila is entertaining and often humorous...Without climbing on a soapbox, [her] narrative demonstrates what’s missing from most American medical practices, and how many patients could be helped so much more than they are now.”—Kirkus Reviews |
| so far from god ana castillo: Strange Affinities Grace Kyungwon Hong, Roderick A. Ferguson, 2011-08-24 Collection of essays that use queer studies and feminism as a lens for examining the relationships between racialized communities. |
| so far from god ana castillo: Otro Canto Ana Castillo, 1977 |
| so far from god ana castillo: New Visions of Community in Contemporary American Fiction Magali Cornier Michael, 2006-12 Presenting a reading of five late twentieth-century novels by American women, this work illuminates the ways in which their authors engage with ideas of communal activism, common commitment, and social transformation. It argues that much contemporary American fiction by women offers models of care. |
| so far from god ana castillo: Sabrina & Corina Kali Fajardo-Anstine, 2019-04-02 NATIONAL BOOK AWARD FINALIST • Latinas of Indigenous descent living in the American West take center stage in this haunting debut story collection—a powerful meditation on friendship, mothers and daughters, and the deep-rooted truths of our homelands. “Here are stories that blaze like wildfires, with characters who made me laugh and broke my heart.”—Sandra Cisneros WINNER OF THE AMERICAN BOOK AWARD • FINALIST FOR THE STORY PRIZE • FINALIST FOR THE PEN/ROBERT W. BINGHAM PRIZE FOR DEBUT SHORT STORY COLLECTION Kali Fajardo-Anstine’s magnetic story collection breathes life into her Latina characters of indigenous ancestry and the land they inhabit in the American West. Against the remarkable backdrop of Denver, Colorado—a place that is as fierce as it is exquisite—these women navigate the land the way they navigate their lives: with caution, grace, and quiet force. In “Sugar Babies,” ancestry and heritage are hidden inside the earth but tend to rise during land disputes. “Any Further West” follows a sex worker and her daughter as they leave their ancestral home in southern Colorado only to find a foreign and hostile land in California. In “Tomi,” a woman leaves prison and finds herself in a gentrified city that is a shadow of the one she remembers from her childhood. And in the title story, “Sabrina & Corina,” a Denver family falls into a cycle of violence against women, coming together only through ritual. Sabrina & Corina is a moving narrative of unrelenting feminine power and an exploration of the universal experiences of abandonment, heritage, and an eternal sense of home. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Public Library • Kirkus Reviews • Library Journal “Sabrina & Corina isn’t just good, it’s masterful storytelling. Fajardo-Anstine is a fearless writer: her women are strong and scarred witnesses of the violations of their homelands, their culture, their bodies; her plots turn and surprise, unerring and organic in their comprehensiveness; her characters break your heart, but you keep on going because you know you are in the hands of a master. Her stories move through the heart of darkness and illuminate it with the soul of truth.”—Julia Alvarez, author of How the García Girls Lost Their Accents “[A] powerhouse debut . . . stylistically superb, with crisp dialogue and unforgettable characters, Sabrina & Corina introduces an impressive new talent to American letters.”—Rigoberto González, NBC News |
| so far from god ana castillo: Trinity Sight Jennifer Givhan, 2019-10-01 Winner of the 2020 Southwest Book Award “Our people are survivors,” Calliope’s great-grandmother once told her of their Puebloan roots—could Bisabuela’s ancient myths be true? Anthropologist Calliope Santiago awakens to find herself in a strange and sinister wasteland, a shadow of the New Mexico she knew. Empty vehicles litter the road. Everyone has disappeared—or almost everyone. Calliope, heavy-bellied with the twins she carries inside her, must make her way across this dangerous landscape with a group of fellow survivors, confronting violent inhabitants, in search of answers. Long-dead volcanoes erupt, the ground rattles and splits, and monsters come to ominous life. The impossible suddenly real, Calliope will be forced to reconcile the geological record with the heritage she once denied if she wants to survive and deliver her unborn babies into this uncertain new world. Rooted in indigenous oral-history traditions and contemporary apocalypse fiction, Trinity Sight asks readers to consider science versus faith and personal identity versus ancestral connection. Lyrically written and utterly original, Trinity Sight brings readers to the precipice of the end-of-times and the hope for redemption. |
| so far from god ana castillo: Women are Not Roses Ana Castillo, 1984 |
| so far from god ana castillo: On Latinidad Marta Caminero-Santangelo, 2009 This is the first book to address head-on the question of how Latino/a literature wrestles with the pan-ethnic and trans-racial implications of the Latino label. Refusing to take latinidad (Latino-ness) for granted, Marta Caminero-Santangelo lays the groundwork for a sophisticated understanding of the various manifestations of Latino identity. She examines texts by prominent Chicano/a, Dominican American, Puerto Rican, and Cuban American writers--including Julia Alvarez, Cristina García, Achy Obejas, Piri Thomas, and Ana Castillo--and concludes that a pre-existing group does not exist. The author instead argues that much recent Latino/a literature presents a vision of tentative, forged solidarities in the service of particular and sometimes even local struggles. She shows that even magical realism can figure as a threat to collectivity, rather than as a signifier of it, because magical connections--to nature, between characters, and to Latin American origins--can undermine efforts at solidarity and empowerment. In the author's close reading of both fictional and cultural narratives, she suggests the possibility that Latino identity may be even more elastic than the authors under question recognize. |
| so far from god ana castillo: Counterstory Aja Martinez, 2020-06-19 Makes a case for counterstory as methodology in rhetoric and writing studies through the framework of critical race theory. |
| so far from god ana castillo: Face of an Angel Denise Chávez, 1994 Looking back on her career, Soveida comes to understand the meaning of service in her own life and the role of women in a machismo culture and in the interconnected lives of work and family. |
| so far from god ana castillo: Bodily Natures Stacy Alaimo, 2010-10-25 How do we understand the agency and significance of material forces and their interface with human bodies? What does it mean to be human in these times, with bodies that are inextricably interconnected with our physical world? Bodily Natures considers these questions by grappling with powerful and pervasive material forces and their increasingly harmful effects on the human body. Drawing on feminist theory, environmental studies, and the sciences, Stacy Alaimo focuses on trans-corporeality, or movement across bodies and nature, which has profoundly altered our sense of self. By looking at a broad range of creative and philosophical writings, Alaimo illuminates how science, politics, and culture collide, while considering the closeness of the human body to the environment. |
| so far from god ana castillo: A Study Guide for Ana Castillo's "So Far from God" Gale, Cengage Learning, 2016 |
| so far from god ana castillo: Give It To Me Ana Castillo, 2014-04-21 Recently divorced, Palma, a forty-three-year-old Latina, takes stock of her life when she reconnects with her gangster younger cousin recently released from prison. As she checks out her other options, her sexual obsession with her cous' ignites but their family secrets bring them together in unexpected ways. In this wildly entertaining and sexy novel, Ana Castillo creates a memorable character with a flare for fashion, a longing for family, and a penchant for adventure. Give It to Me is Sex in the City for a Chicana babe who's looking for love in all the wrong places. |
| so far from god ana castillo: How the Garcia Girls Lost Their Accents Julia Alvarez, 2010-01-12 From the international bestselling author of In the Time of the Butterflies and Afterlife, How the Garcia Girls Lost Their Accents is poignant...powerful... Beautifully captures the threshold experience of the new immigrant, where the past is not yet a memory. (The New York Times Book Review) Julia Alvarez’s new novel, The Cemetery of Untold Stories, is coming April 2, 2024. Pre-order now! Acclaimed writer Julia Alvarez’s beloved first novel gives voice to four sisters as they grow up in two cultures. The García sisters—Carla, Sandra, Yolanda, and Sofía—and their family must flee their home in the Dominican Republic after their father’s role in an attempt to overthrow brutal dictator Rafael Trujillo is discovered. They arrive in New York City in 1960 to a life far removed from their existence in the Caribbean. In the wondrous but not always welcoming U.S.A., their parents try to hold on to their old ways as the girls try find new lives: by straightening their hair and wearing American fashions, and by forgetting their Spanish. For them, it is at once liberating and excruciating to be caught between the old world and the new. Here they tell their stories about being at home—and not at home—in America. Alvarez helped blaze the trail for Latina authors to break into the literary mainstream, with novels like In the Time of the Butterflies and How the García Girls Lost Their Accents winning praise from critics and gracing best-seller lists across the Americas.—Francisco Cantú, The New York Times Book Review A clear-eyed look at the insecurity and yearning for a sense of belonging that are a part of the immigrant experience . . . Movingly told. —The Washington Post Book World |
| so far from god ana castillo: Delfina Cuero Delfina Cuero, Florence Connolly Shipek, 1991 My name is Delfina Cuero. I was born in xamaca’ [Jamacha] about sixty-five years ago [about 1900]. My father’s name was Vincente Cuero, it means Charlie. With simple elegance the story of a Kumeyaay woman from the San Diego region engulfs the reader, until we feel as though we are sitting at the feet of some great-aunt or grandmother as she tries to pass onto us something of worth from her life. As though her existence among us was not enough. Elders benefit us all. If we stop to listen we may be enriched beyond our wildest dreams. In this powerful and moving book, Florence Shipek makes available the memories and thoughts of a woman who remembered old ways and described the changing scene in terms which speak volumes in simple sentences. Though the autobiography is short, the information contained within can literally change one’s entire perspective as to who belongs on which side of which border. How so much could have gone on with so few Americans being interested or aware becomes an ever-growing question as the narrative comes to a close. Paul Apodaca in News from Native California, Fall, 1989 This book contains not only the autobiography that Apodaca reviewed, but also Shipek’s account of the rest of Delfina’s life, and her ethnographic notes. Shipek has organized data gathered in two ethnobotanical field trips into the format of an ethnobotany. This book has become a classic, a favorite of teachers and their students, as well as of the general public. |
| so far from god ana castillo: Psst-- I Have Something to Tell You, Mi Amor Ana Castillo, 2005 Comprised of both a one-act and a two-act play, this powerful dramatic pairing centers on Sister Dianna Ortiz, who was kidnapped, raped, and tortured by U.S.-sponsored Guatemalan security forces in 1989. |
| so far from god ana castillo: Literary Studies Habib, M.A.R., 2019-11-22 Literary Studies provides students with an accessible overview of everything they need to know to succeed in their English coursesÑliterary terms, historical periods, theoretical approaches, and more. The guide helps students gain the analytical skills that will benefit them in college and as educated citizens after graduation. |
| so far from god ana castillo: Tropic of Orange Karen Tei Yamashita, 1997 An apocalypse of race, class, and culture, fanned by the media and the harsh L.A. sun. |
| so far from god ana castillo: Pursuit of a Woman on the Hinge of History Hans Koning, 1997 A man searches two continents for a beautiful woman he caught a glimpse of in Spain. As Lucas, a New York journalist pursues the object of his obsession, he runs into one misadventure after another, all the way to Death Row. A black comedy. |
| so far from god ana castillo: Witches, Midwives, and Nurses Barbara Ehrenreich, Deirdre English, 1973 This book looks at the history of medical practice, argues that the suppression of female healers began with the European witch hunts, and describes the sexism of the current medical establishment. |
| so far from god ana castillo: Toni Morrison and Motherhood Andrea O'Reilly, 2012-02-01 Traces Morrison's theory of African American mothering as it is articulated in her novels, essays, speeches, and interviews. Mothering is a central issue for feminist theory, and motherhood is also a persistent presence in the work of Toni Morrison. Examining Morrison's novels, essays, speeches, and interviews, Andrea O'Reilly illustrates how Morrison builds upon black women's experiences of and perspectives on motherhood to develop a view of black motherhood that is, in terms of both maternal identity and role, radically different from motherhood as practiced and prescribed in the dominant culture. Motherhood, in Morrison's view, is fundamentally and profoundly an act of resistance, essential and integral to black women's fight against racism (and sexism) and their ability to achieve well-being for themselves and their culture. The power of motherhood and the empowerment of mothering are what make possible the better world we seek for ourselves and for our children. This, argues O'Reilly, is Morrison's maternal theory—a politics of the heart. As an advocate of 'a politics of the heart,' O'Reilly has an acute insight into discerning any threat to the preservation and continuation of traditional African American womanhood and values ... Above all, Toni Morrison and Motherhood, based on Andrea O'Reilly's methodical research on Morrison's works as well as feminist critical resources, proffers a useful basis for understanding Toni Morrison's works. It certainly contributes to exploring in detail Morrison's rich and complex works notable from the perspectives of nurturing and sustaining African American maternal tradition. — African American Review O'Reilly boldly reconfigures hegemonic western notions of motherhood while maintaining dialogues across cultural differences. — Journal of the Association for Research on Mothering Andrea O'Reilly examines Morrison's complex presentations of, and theories about, motherhood with admirable rigor and a refusal to simplify, and the result is one of the most penetrating and insightful studies of Morrison yet to appear, a book that will prove invaluable to any scholar, teacher, or reader of Morrison. — South Atlantic Review ...it serves as a sort of annotated bibliography of nearly all the major theoretical work on motherhood and on Morrison as an author ... anyone conducting serious study of either Toni Morrison or motherhood, not to mention the combination, should read [this book] ... O'Reilly's exhaustive research, her facility with theories of Anglo-American and Black feminism, and her penetrating analyses of Morrison's works result in a highly useful scholarly read. — Literary Mama By tracing both the metaphor and literal practice of mothering in Morrison's literary world, O'Reilly conveys Morrison's vision of motherhood as an act of resistance. — American Literature Motherhood is critically important as a recurring theme in Toni Morrison's oeuvre and within black feminist and feminist scholarship. An in-depth analysis of this central concern is necessary in order to explore the complex disjunction between Morrison's interviews, which praise black mothering, and the fiction, which presents mothers in various destructive and self-destructive modes. Kudos to Andrea O'Reilly for illuminating Morrison's 'maternal standpoint' and helping readers and critics understand this difficult terrain. Toni Morrison and Motherhood is also valuable as a resource that addresses and synthesizes a huge body of secondary literature. — Nancy Gerber, author of Portrait of the Mother-Artist: Class and Creativity in Contemporary American Fiction In addition to presenting a penetrating and original reading of Toni Morrison, O'Reilly integrates the evolving scholarship on motherhood in dominant and minority cultures in a review that is both a composite of commonalities and a clear representation of differences. — Elizabeth Bourque Johnson, University of Minnesota Andrea O'Reilly is Associate Professor in the School of Women's Studies at York University and President of the Association for Research on Mothering. She is the author and editor of several books on mothering, including (with Sharon Abbey) Mothers and Daughters: Connection, Empowerment, and Transformation and Mothers and Sons: Feminism, Masculinity, and the Struggle to Raise Our Sons. |
So Far from God - Wikipedia
So Far from God is a novel written by Ana Castillo, first published in 1993 by W. W. Norton & Company. It is set in a town in New Mexico called Tome and revolves around the lives of Sofia and her four daughters: Esperanza, Fe, Caridad, and La Loca.
So Far from God: A Novel: Castillo, Ana: 9780393326932: …
17 Jun 2005 · Exuberant and powerful, funny and profound, So Far from God is “a hymn to the endurance of women, both physical and spiritual” (Washington Post Book World).
So Far From God (Novel 1993) – Ana Castillo
16 Sep 2024 · So Far From God (Novel 1993) – Ana Castillo. Medieval Christian mythology transformed the story of Sofia, the Greek goddess of wisdom, into the inspirational story of a heroic mother and her martyred daughters.
So Far from God by Ana Castillo - Goodreads
1 Jan 2001 · Ana Castillo’s magical realism novel “So Far From God” is a charmingly odd and charismatic take on the lives of Chicana women. Although a little bit slow at first, this book is worth reading.
So Far from God: A Novel Kindle Edition - amazon.com
17 Jun 2005 · So Far from God: A Novel Kindle Edition. by Ana Castillo (Author) Format: Kindle Edition. 4.3 466 ratings. See all formats and editions. One of The Atlantic's Great American Novels.
So Far from God: A Novel - Ana Castillo - Google Books
17 Jun 2005 · Exuberant and powerful, funny and profound, So Far from God is “a hymn to the endurance of women, both physical and spiritual” (Washington Post Book World).
So Far From God - Ana Castillo - Google Books
14 Jun 2005 · Sofia and her fated daughters, Fe, Esperanza, Caridad, and la Loca, endure hardship and enjoy love in the sleepy New Mexico hamlet of Tome, a town...
So Far from God | Ana Castillo | W. W. Norton & Company
One of The Atlantic 's Great American Novels The beloved feminist classic of Chicano literature that 'could be the offspring of a union between One Hundred Years of Solitude and General Hospital : a sassy, magical, melodramatic love child who won’t sit down—and the reader can hope—will never shut up…As readable as a teen-aged sister’s ...
So Far From God: Castillo, Ana, Corzo, Frankie: 9781666642711: …
1 Aug 2023 · 4.3 466 ratings. See all formats and editions. In Tome, a small, seemingly sleepy New Mexico hamlet, Sofia and her four fated daughters reveal a world of marvels where the comic and horrific, past and present, real and fantastic coexist and collide.
So Far From God by Ana Castillo - Penguin Random House Canada
So Far From God by Ana Castillo | Penguin Random House Canada. Author Ana Castillo. Share Save. Add to Goodreads. In Tome, a small, seemingly sleepy New Mexico hamlet, Sofia and her four fated daughters reveal a world of marvels where the comic and horrific, past and present, real and fantastic coexist and collide.
So Far from God - Wikipedia
So Far from God is a novel written by Ana Castillo, first published in 1993 by W. W. …
So Far from God: A Novel: Castillo, Ana: 9780393326932: Amazon.com…
17 Jun 2005 · Exuberant and powerful, funny and profound, So Far from God is “a hymn …
So Far From God (Novel 1993) – Ana Castillo
16 Sep 2024 · So Far From God (Novel 1993) – Ana Castillo. Medieval Christian mythology …
So Far from God by Ana Castillo - Goodreads
1 Jan 2001 · Ana Castillo’s magical realism novel “So Far From God” is a charmingly …
So Far from God: A Novel Kindle Edition - amazon.com
17 Jun 2005 · So Far from God: A Novel Kindle Edition. by Ana Castillo (Author) Format: …
