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| american imperialism cartoons: Comic empires Richard Scully, Andrekos Varnava, 2019-11-04 Comic empires is an innovative collection of new scholarly research, exploring the relationship between imperialism and cartoons, caricature, and comic art. |
| american imperialism cartoons: The Forbidden Book Enrique de la Cruz, Abe Ignacio, Jorge Emmanuel, Helen Toribio, 2014 Art. Asian & Asian American Studies. Filipino American Studies. Co-authored by Abe Ignacio, Enrique de la Cruz, Jorge Emmanuel, and Helen Toribio. THE FORBIDDEN BOOK uses over 200 political cartoons from 1898 to 1906 to chronicle a little known war between the United States and the Philippines. The war saw the deployment of 126,000 U.S. troops, lasted more than 15 years and killed hundreds of thousands of Filipinos beginning in February 1899. The book's title comes from a 1900 Chicago Chronicle cartoon of the same name showing then-President William McKinley putting a lock on a book titled True History of the War in the Philippines. Today, very few Americans know about the brutal suppression of Philippine independence or the anti-war movement led at that time by the likes of writer Mark Twain, peace activist Jane Addams, journalist Joseph Pulitzer, steel magnate Andrew Carnegie, labor leader Samuel Gompers, and Moorfield Storey, first president of the NAACP. The book reveals how the public was misled in the days leading to the war, shows illustrations of U.S. soldiers using the infamous water cure torture (today referred to as waterboarding), and describes a highly publicized court martial of soldiers who had killed prisoners of war. The election of 1900 pitted a pro-war Republican president against an anti-war Democratic candidate. In 1902, the Republican president declared a premature mission accomplished as the war was beginning to expand to the southern Philippines. The book shows political cartoons glorifying manifest destiny, demonizing the leader of the Filipino resistance President Emilio Aguinaldo, and portraying Filipinos, Puerto Ricans, Cubans, Hawaiians, Chamorros, and other colonials as dark-skinned savages in need of civilization. These images were used to justify a war at a time when three African Americans on average were lynched every week across the south and when the Supreme Court approved the separate but equal doctrine. More than a century later, the U.S.- Philippine War remains hidden from the vast majority of Americans. The late historian Howard Zinn noted, THE FORBIDDEN BOOK brings that shameful episode in our history out in the open... The book deserves wide circulation. |
| american imperialism cartoons: A People's History of American Empire Howard Zinn, Mike Konopacki, Paul Buhle, 2008-04 Adapted from the critically acclaimed chronicle of U.S. history, a study of American expansionism around the world is told from a grassroots perspective and provides an analysis of important events from Wounded Knee to Iraq. |
| american imperialism cartoons: American Political Cartoons Sandy Northrop, 2017-07-05 From Benjamin Franklin's drawing of the first American political cartoon in 1754 to contemporary cartoonists' blistering attacks on George W. Bush and initial love-affair with Barack Obama, editorial cartoons have been a part of American journalism and politics. American Political Cartoons chronicles the nation's highs and lows in an extensive collection of cartoons that span the entire history of American political cartooning.Good cartoons hit you primitively and emotionally, said cartoonist Doug Marlette. A cartoon is a frontal attack, a slam dunk, a cluster bomb. Most cartoonists pride themselves on attacking honestly, if ruthlessly. American Political Cartoons recounts many direct hits, recalling the discomfort of the cartoons' targets and the delight of their readers.Through skillful combination of pictures and words, cartoonists galvanize public opinion for or against their subjects. In the process they have revealed truths about us and our democratic system that have been both embarrassing and ennobling. Stephen Hess and Sandy Northrop note that not all cartoonists have worn white hats. Many have perpetuated demeaning ethnic stereotypes, slandered honest politicians, and oversimplified complex issues. |
| american imperialism cartoons: Washington's Farewell Address George Washington, 1907 |
| american imperialism cartoons: WHITE MAN'S BURDEN Rudyard Kipling, 2020-11-05 This book re-presents the poetry of Rudyard Kipling in the form of bold slogans, the better for us to reappraise the meaning and import of his words and his art. Each line or phrase is thrust at the reader in a manner that may be inspirational or controversial... it is for the modern consumer of this recontextualization to decide. They are words to provoke: to action. To inspire. To recite. To revile. To reconcile or reconsider the legacy and benefits of colonialism. Compiled and presented by sloganist Dick Robinson, three poems are included, complete and uncut: 'White Man's Burden', 'Fuzzy-Wuzzy' and 'If'. |
| american imperialism cartoons: Thomas Nast Fiona Deans Halloran, 2013-01-01 Thomas Nast (1840-1902), the founding father of American political cartooning, is perhaps best known for his cartoons portraying political parties as the Democratic donkey and the Republican elephant. Nast's legacy also includes a trove of other political cartoons, his successful attack on the machine politics of Tammany Hall in 1871, and his wildly popular illustrations of Santa Claus for Harper's Weekly magazine. In this thoroughgoing and lively biography, Fiona Deans Halloran interprets his work, explores his motivations and ideals, and illuminates the lasting legacy of Nast's work on American political culture-- |
| american imperialism cartoons: The Art of Ill Will Donald Dewey, 2008-10 Featuring over 200 illustrations, this book tells the story of American political cartoons. From the colonial period to contemporary cartoonists like Pat Oliphant and Jimmy Margulies, this title highlights these artists' uncanny ability to encapsulate the essence of a situation and to steer the public mood with a single drawing. |
| american imperialism cartoons: Drawing on Anger Eric J. García, 2018-09-04 Over a decade's worth of satirical illustrations of Uncle Sam's hypocritical foreign and domestic policies through a Chicano lens. |
| american imperialism cartoons: Representing Congress Clifford K. Berryman, James Zimmerhoff, 2017-08-30 INTRODUCTIONRepresenting Congress presents a selection of politicalcartoons by Clifford K. Berryman to engage studentsin a discussion of what Congress is, how it works,and what it does. It features the masterful work of one ofAmerica's preeminent political cartoonists and showcases hisability to use portraits, representative symbols and figures,and iconic personifications to convey thought-provokinginsights into the institutions and issues of civic life. The Houseof Representatives and Senate take center stage as nationalelected officials work to realize the ideals of the Founders.This eBook is designed to teach students to analyze history as conveyed in visual media.The cartoons offer comments about various moments in history, and they challenge thereader to evaluate their perspective and objectivity. Viewed outside their original journalisticcontext, the cartoons engage and amuse as comic art, but they can also puzzlea reader with references to little-remembered events and people. This eBook providescontextual information on each cartoon to help dispel the historical mysteries.Berryman's cartoons were originally published as illustrations for the front page of theWashington Post and the Washington Evening Star at various dates spanning the years from 1896to 1949. Thirty-nine cartoons selected from the more than 2,400 original Berryman drawingspreserved at the Center for Legislative Archives convey thumbnail sketches of Congress inaction to reveal some of the enduring features of our national representative government.For more than 50 years, Berryman's cartoons engaged readers of Washington's newspapers,illustrating everyday political events as they related to larger issues of civic life.These cartoons promise to engage students in similar ways today. The cartoons intrigueand inform, puzzle and inspire. Like Congress itself, Berryman's cartoons seem familiarat first glance. Closer study reveals nuances and design features that invite in-depthanalysis and discussion. Using these cartoons, students engage in fun and substantivechallenges to unlock each cartoons' meaning and better understand Congress. As theydo so, students will develop the critical thinking skills so important to academic successand the future health and longevity of our democratic republic.2 | R E P R E S E N T I N G C O N G R E S SHOW THIS eBOOK IS ORGANIZEDThis eBook presents 39 cartoons by Clifford K. Berryman,organized in six chapters that illustrate how Congress works.Each page features one cartoon accompanied by links toadditional information and questions.TEACHING WITH THIS eBOOKRepresenting Congress is designed to teach students aboutCongress-its history, procedures, and constitutional roles-through the analysis of political cartoons.Students will study these cartoons in three steps:* Analyze each cartoon using the NARA Cartoon Analysis Worksheet* Analyze several cartoons to discuss how art illustrates civic life using Worksheet 2* Analyze each cartoon in its historic context using Worksheet 3 (optional)Directions:1. Divide the class into small groups, and assign each group to study one or more cartoonsin the chapter Congress and the Constitution.2. Instruct each group to complete Worksheet 1: Analyzing Cartoons. Direct each groupto share their analysis with the whole-class.3. Instruct each group to complete Worksheet 2: Discussing Cartoons. Students shouldapply the questions to all of the cartoons in the chapter. Direct each group to sharetheir analysis in a whole class discussion of the chapter.4. Repeat the above steps with each succeeding chapter.5. Direct each group to share what they have learned in the preceding activities in awhole-class discussion of Congress and the Constitution.6. Optional Activity: Assign each group to read the Historical Context Informationstatement for their cartoon. The students should then use the Historical Context |
| american imperialism cartoons: Latin America in Caricature John J. Johnson, 2013-12-06 “Not many readers will thank the author as he deserves, for he has told us more about ourselves than we perhaps wish to know,” predicted Latin America in Books of Latin America in Caricature—an exploration of more than one hundred years of hemispheric relations through political cartoons collected from leading U.S. periodicals from the 1860s through 1980. The cartoons are grouped according to recurring themes in diplomacy and complementing visual imagery. Each one is accompanied by a lengthy explanation of the incident portrayed, relating the drawing to public opinion of the day. Johnson’s thoughtful introduction and the comments that precede the individual chapters provide essential background for understanding U.S. attitudes and policies toward Latin America. |
| american imperialism cartoons: The American Yawp Joseph L. Locke, Ben Wright, 2019-01-22 I too am not a bit tamed—I too am untranslatable / I sound my barbaric yawp over the roofs of the world.—Walt Whitman, Song of Myself, Leaves of Grass The American Yawp is a free, online, collaboratively built American history textbook. Over 300 historians joined together to create the book they wanted for their own students—an accessible, synthetic narrative that reflects the best of recent historical scholarship and provides a jumping-off point for discussions in the U.S. history classroom and beyond. Long before Whitman and long after, Americans have sung something collectively amid the deafening roar of their many individual voices. The Yawp highlights the dynamism and conflict inherent in the history of the United States, while also looking for the common threads that help us make sense of the past. Without losing sight of politics and power, The American Yawp incorporates transnational perspectives, integrates diverse voices, recovers narratives of resistance, and explores the complex process of cultural creation. It looks for America in crowded slave cabins, bustling markets, congested tenements, and marbled halls. It navigates between maternity wards, prisons, streets, bars, and boardrooms. The fully peer-reviewed edition of The American Yawp will be available in two print volumes designed for the U.S. history survey. Volume I begins with the indigenous people who called the Americas home before chronicling the collision of Native Americans, Europeans, and Africans.The American Yawp traces the development of colonial society in the context of the larger Atlantic World and investigates the origins and ruptures of slavery, the American Revolution, and the new nation's development and rebirth through the Civil War and Reconstruction. Rather than asserting a fixed narrative of American progress, The American Yawp gives students a starting point for asking their own questions about how the past informs the problems and opportunities that we confront today. |
| american imperialism cartoons: Animating Culture Eric Loren Smoodin, 1993 Long considered children's entertainment by audiences and popular media, Hollywood animation has received little serious attention. Eric Smoodin's Animating Culture is the first and only book to thoroughly analyze the animated short film. Usually running about seven or eight minutes, cartoons were made by major Hollywood studios--such as MGM, Warner Bros., and Disney--and shown at movie theaters along with a newsreel and a feature-length film. Smoodin explores animated shorta and the system that mass-produced them. How were cartoons exhibited in theaters? How did they tell their stories? Who did they tell them to? What did they say about race, class, and gender? How were cartoons related to the feature films they accompanied on the evening's bill of fare? What were the social functions of cartoon stars like Donald Duck and Minnie Mouse? Smoodin argues that cartoons appealed to a wide audience--not just children--and did indeed contribute to public debate about political matters. He examines issues often ignored in discussions of animated film--issues such as social control in the U.S. army's Private Snafu cartoons, and sexuality and race in the sites of Betty Boop's body and the cartoon harem. Smoodin's analysis of the multiple discourses embedded in a variety of cartoons reveals the complex and sometimes contradictory ways that animation dealt with class relations, labor, imperialism, and censorship. His discussion of Disney and the Disney Studio's close ties with the U.S. government forces us to rethink the place of the cartoon in political and cultural life. Smoodin reveals the complex relationship between cartoons and the Hollywood studio system, and between cartoons and their audiences. |
| american imperialism cartoons: Horton Hears a Who! Dr. Seuss, 2013-09-24 Choose kindness with Horton the elephant and the Whos of Who-ville in Dr. Seuss's classic picture book about caring for others that makes it a perfect gift! A person's a person, no matter how small. Everyone's favorite elephant stars in this heartwarming and timeless story for readers of all ages. In the colorful Jungle of Nool, Horton discovers something that at first seems impossible: a tiny speck of dust contains an entire miniature world--Who-ville--complete with houses and grocery stores and even a mayor! But when no one will stand up for the Whos of Who-ville, Horton uses his elephant-sized heart to save the day. This tale of compassion and determination proves that any person, big or small, can choose to speak out for what is right. This story showcases the very best of Dr. Seuss, from the moving message to the charming rhymes and imaginative illustrations. No bookshelf is complete without Horton and the Whos! Do you see what I mean? . . . They've proved they ARE persons, no matter how small. And their whole world was saved by the Smallest of All! |
| american imperialism cartoons: Herblock's History Herbert Block, 2000 Herblock's History is an article written by Harry L. Katz that was originally published in the October 2000 issue of The Library of Congress Information Bulletin. The U.S. Library of Congress, based in Washington, D.C., presents the article online. Katz provides a biographical sketch of the American political cartoonist and journalist Herbert Block (1909-2001), who was known as Herblock. Block worked as a cartoonist for The Washington Post for more than 50 years, and his cartoons were syndicated throughout the United States. Katz highlights an exhibition of Block's cartoons, that was on display at the U.S. Library of Congress from October 2000. Images of selected cartoons by Block are available online. |
| american imperialism cartoons: President Wilson's Policy United States. President (1913-1921 : Wilson), 1920 Contains geographical, political, and economic assessments for the British delegates to the 1919-1920 Paris Peace Conference. |
| american imperialism cartoons: How to Read Donald Duck Ariel Dorfman, 2022-05-31 First published in 1971 in Chile, where the entire third printing was dumped into the ocean by the Chilean Navy and bonfires were held to destroy earlier editions, How to Read Donald Duck reveals the capitalist ideology at work in our most beloved cartoons. Focusing on the hapless mice and ducks of Disney--curiously parentless, marginalized, always short of cash--Ariel Dorfman and Armand Mattelart dissect the narratives of dependency and social aspiration that define the Disney corpus. Disney recognized the challenge, and when the book was translated and imported into the U.S. in 1975, managed to have all 4,000 copies impounded. Ultimately, 1,500 copies of the book were allowed into the country, the rest of the shipment was blocked, and until now no American publisher has dared re-release the book, which sold over a million copies worldwide and has been translated into seventeen languages. A devastating indictment of a media giant, a document of twentieth-century political upheaval, and a reminder of the dark undercurrent of pop culture, How to Read Donald Duck is once again available, together with a new introduction by Ariel Dorfman. |
| american imperialism cartoons: How to Read Donald Duck Ariel Dorfman, Armand Mattelart, 1991 The classic, critical and humorous study of cultural imperialism and children's literature; how the Disney fantasy world reproduces the American Dream fantasy world, and the disastrous effect of Disney comics and other mass cultural merchandise on the development of the so-called Third World. In 1973 this work was banned and burned in Chile, and later the English edition was banned for more than a year by the US government. In comic book format with cartoon examples, introduction by David KUNZLE on the Disney world, a bibliography of left writings on cultural imperialism and the comics, and an appendix by John Shelton LAWRENCE on the book's US censorship and the legal-political issues involved in the right to criticize Disney |
| american imperialism cartoons: Pulp Empire Paul S. Hirsch, 2024-06-05 Winner of the Popular Culture Association's Ray and Pat Browne Award for Best Book in Popular or American Culture In the 1940s and ’50s, comic books were some of the most popular—and most unfiltered—entertainment in the United States. Publishers sold hundreds of millions of copies a year of violent, racist, and luridly sexual comics to Americans of all ages until a 1954 Senate investigation led to a censorship code that nearly destroyed the industry. But this was far from the first time the US government actively involved itself with comics—it was simply the most dramatic manifestation of a long, strange relationship between high-level policy makers and a medium that even artists and writers often dismissed as a creative sewer. In Pulp Empire, Paul S. Hirsch uncovers the gripping untold story of how the US government both attacked and appropriated comic books to help wage World War II and the Cold War, promote official—and clandestine—foreign policy and deflect global critiques of American racism. As Hirsch details, during World War II—and the concurrent golden age of comic books—government agencies worked directly with comic book publishers to stoke hatred for the Axis powers while simultaneously attempting to dispel racial tensions at home. Later, as the Cold War defense industry ballooned—and as comic book sales reached historic heights—the government again turned to the medium, this time trying to win hearts and minds in the decolonizing world through cartoon propaganda. Hirsch’s groundbreaking research weaves together a wealth of previously classified material, including secret wartime records, official legislative documents, and caches of personal papers. His book explores the uneasy contradiction of how comics were both vital expressions of American freedom and unsettling glimpses into the national id—scourged and repressed on the one hand and deployed as official propaganda on the other. Pulp Empire is a riveting illumination of underexplored chapters in the histories of comic books, foreign policy, and race. |
| american imperialism cartoons: America ́s Black and White Book W.A. Rogers, 2018-05-15 Reproduction of the original: America ́s Black and White Book by W.A. Rogers |
| american imperialism cartoons: Wars of Empire in Cartoons Mark Bryant, 2008 'Wars of Empire in Cartoons' is divided into chapters covering the main conflicts of the second half of the 19th century year by year. Each chapter is prefaced with a concise introduction that provides a historical framework for the cartoons of that period. |
| american imperialism cartoons: Raemaekers' Cartoons Louis Raemaekers, 1917 |
| american imperialism cartoons: The Anti-Imperialist League; Apologia Pro Vita Sua Erving Winslow, Ya Pamphlet Collection DLC, 2023-07-18 This pamphlet contains the text of a speech given by Erving Winslow, attorney and member of the Anti-Imperialist League in 1899, arguing against American imperialism and advocating for Philippine independence. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| american imperialism cartoons: Bone Talk Candy Gourlay, 2019-11-05 A powerful, complex, and fascinating coming-of-age novel. -- Costa Book Award PanelA boy and a girl in the Philippine jungle must confront what coming of age will mean to their friendship made even more complicated when Americans invade their country. Samkad lives deep in the Philippine jungle, and has never encountered anyone from outside his own tribe before. He's about to become a man, and while he's desperate to grow up, he's worried that this will take him away from his best friend, Little Luki, who isn't ready for the traditions and ceremonies of being a girl in her tribe.But when a bad omen sends Samkad's life in another direction, he discovers the brother he never knew he had. A brother who tells him of a people called Americans. A people who are bringing war and destruction right to their home...A coming-of-age story set at the end of the 19th century in a remote village in the Philippines, this is a story about growing up, discovering yourself, and the impact of colonialism on native peoples and their lives. |
| american imperialism cartoons: Around the World with a King William N. Armstrong, 1904 |
| american imperialism cartoons: The Road to Home Rule Paul A. Townend, 2016-11-22 Shows that a rising antipathy in Ireland toward Victorian Britain's expanding global imperialism was a crucial factor in popular support for Irish Home Rule. |
| american imperialism cartoons: The Gilded Age Mark Twain, Charles Dudley Warner, 1904 |
| american imperialism cartoons: Reading Like a Historian Sam Wineburg, Daisy Martin, Chauncey Monte-Sano, 2015-04-26 This practical resource shows you how to apply Sam Wineburgs highly acclaimed approach to teaching, Reading Like a Historian, in your middle and high school classroom to increase academic literacy and spark students curiosity. Chapters cover key moments in American history, beginning with exploration and colonization and ending with the Cuban Missile Crisis. |
| american imperialism cartoons: Rethinking Columbus Bill Bigelow, Bob Peterson, 1998 Provides resources for teaching elementary and secondary school students about Christopher Columbus and the discovery of America. |
| american imperialism cartoons: Liberty's Exiles Maya Jasanoff, 2012-03-06 NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • This groundbreaking book offers the first global history of the loyalist exodus to Canada, the Caribbean, Sierra Leone, India, and beyond. At the end of the American Revolution, sixty thousand Americans loyal to the British cause fled the United States and became refugees throughout the British Empire. Liberty's Exiles tells their story. “A smart, deeply researched and elegantly written history.” —New York Times Book Review This surprising account of the founding of the United States and the shaping of the post-revolutionary world traces extraordinary journeys like the one of Elizabeth Johnston, a young mother from Georgia, who led her growing family to Britain, Jamaica, and Canada, questing for a home; black loyalists such as David George, who escaped from slavery in Virginia and went on to found Baptist congregations in Nova Scotia and Sierra Leone; and Mohawk Indian leader Joseph Brant, who tried to find autonomy for his people in Ontario. Ambitious, original, and personality-filled, this book is at once an intimate narrative history and a provocative analysis that changes how we see the revolution’s “losers” and their legacies. |
| american imperialism cartoons: The Blood of Government Paul A. Kramer, 2006-12-13 In 1899 the United States, having announced its arrival as a world power during the Spanish-Cuban-American War, inaugurated a brutal war of imperial conquest against the Philippine Republic. Over the next five decades, U.S. imperialists justified their colonial empire by crafting novel racial ideologies adapted to new realities of collaboration and anticolonial resistance. In this pathbreaking, transnational study, Paul A. Kramer reveals how racial politics served U.S. empire, and how empire-building in turn transformed ideas of race and nation in both the United States and the Philippines. Kramer argues that Philippine-American colonial history was characterized by struggles over sovereignty and recognition. In the wake of a racial-exterminist war, U.S. colonialists, in dialogue with Filipino elites, divided the Philippine population into civilized Christians and savage animists and Muslims. The former were subjected to a calibrated colonialism that gradually extended them self-government as they demonstrated their capacities. The latter were governed first by Americans, then by Christian Filipinos who had proven themselves worthy of shouldering the white man's burden. Ultimately, however, this racial vision of imperial nation-building collided with U.S. nativist efforts to insulate the United States from its colonies, even at the cost of Philippine independence. Kramer provides an innovative account of the global transformations of race and the centrality of empire to twentieth-century U.S. and Philippine histories. |
| american imperialism cartoons: Metroimperial Intimacies Victor Román Mendoza, 2015-12-17 In Metroimperial Intimacies Victor Román Mendoza combines historical, literary, and archival analysis with queer-of-color critique to show how U.S. imperial incursions into the Philippines enabled the growth of unprecedented social and sexual intimacies between native Philippine and U.S. subjects. The real and imagined intimacies—whether expressed through friendship, love, or eroticism—threatened U.S. gender and sexuality norms. To codify U.S. heteronormative behavior, the colonial government prohibited anything loosely defined as perverse, which along with popular representations of Filipinos, regulated colonial subjects and depicted them as sexually available, diseased, and degenerate. Mendoza analyzes laws, military records, the writing of Philippine students in the United States, and popular representations of Philippine colonial subjects to show how their lives, bodies, and desires became the very battleground for the consolidation of repressive legal, economic, and political institutions and practices of the U.S. colonial state. By highlighting the importance of racial and gendered violence in maintaining control at home and abroad, Mendoza demonstrates that studies of U.S. sexuality must take into account the reach and impact of U.S. imperialism. |
| american imperialism cartoons: Cartoons and Extremism Joël Kotek, 2009 Abstract: |
| american imperialism cartoons: Address of President Roosevelt at Chicago, Illinois, April 2 1903 Theodore Roosevelt, 1999-01-01 This Elibron Classics title is a reprint of the original edition published by the Government Printing Office in Washington, 1903. |
| american imperialism cartoons: James Stewart Donald Dewey, 2014-04-03 In this penetrating and riveting biography of one of Hollywood's most beloved screen icons, Donald Dewey probes beneath Jimmy Stewart, the conservative image and ideal, to reveal James Stewart, the actor and the man. Through hundreds of interviews and in-depth analysis of his seventy-five films, the author assesses how the Hollywood man-about-town of the 1930's and 40's - Stewart's lovers included Ginger Rogers, Olivia de Havilland and Marlene Dietrich - became the epitome of American family values who remained married for forty-five years; and how the studio-bred, effervescent star of It's a Wonderful Life developed into the brilliant actor whose performances in films such as Vertigo and Shenandoah exposed a vulnerability unseen in his personal relationships. With many insights into the turmoil of his private life, the artistry behind his cinematic craft and his heroic military record in the Second World War, Dewey gives us much more than a legend to love. |
| american imperialism cartoons: Hollywood Cartoons Michael Barrier, 2003-11-06 In Hollywood Cartoons, Michael Barrier takes us on a glorious guided tour of American animation in the 1930s, '40s, and '50s, to meet the legendary artists and entrepreneurs who created Bugs Bunny, Betty Boop, Mickey Mouse, Wile E. Coyote, Donald Duck, Tom and Jerry, and many other cartoon favorites. Beginning with black-and-white silent cartoons, Barrier offers an insightful account, taking us inside early New York studios and such Hollywood giants as Disney, Warner Bros., and MGM. Barrier excels at illuminating the creative side of animation--revealing how stories are put together, how animators develop a character, how technical innovations enhance the realism of cartoons. Here too are colorful portraits of the giants of the field, from Walt and Roy Disney and their animators, to Bill Hanna and Joe Barbera. Based on hundreds of interviews with veteran animators, Hollywood Cartoons gives us the definitive inside look at this colorful era and at the creative process behind these marvelous cartoons. |
| american imperialism cartoons: Populist Cartoons Worth Robert Miller, 2011 This extensive and rich treasure trove of cartoons from Populist newspapers of the 1890s tells the story of one of the most successful third-party movements in American history. The arguments made in these illustrations resonated with late nineteenth-century readers, as evidenced by the continued use of the term Populist. This selection of cartoons and Worth Robert Miller's commentary give the common man's perspective on the politics of corporate greed in terms still relevant today. |
| american imperialism cartoons: Trotsky Rick Geary, 2009-09-29 Trotsky was a hero to some, a ruthless demon to others. To Stalin, he was such a threat that he warranted murder by pickax. This polarizing figure set up a world conflict that lasted through the twentieth century, and in Trotsky: A Graphic Biography, the renowned comic artist Rick Geary uses his distinct style to depict the stark reality of the man and his times. Trotsky's life becomes a guide to the creation of the Soviet Union, the horrors of World War I, and the establishment of international communism as he, Lenin, and their fellow Bolsheviks rise from persecution and a life underground to the height of political power. Ranging from his boyhood in the Ukraine to his fallout with Stalin and his moonlight romance with Frida Kahlo, Trotsky is a stunning look at one of the twentieth century's most important thinkers and the far-reaching political trends that he launched. |
| american imperialism cartoons: Roosevelt and Churchill Franklin Delano Roosevelt, Harold D. Loewenheim, 1975 |
| american imperialism cartoons: Anti-imperialism in the United States E. Berkeley Tompkins, 1972 This book examines in a basically chronological context the interesting issues, events, ideas, and organizations that were a part of American anti-imperialism and stresses the thought of the leading anti-imperialists in relation to changing incidents and circumstances. |
American Imperialism Cartoons (PDF) - netsec.csuci.edu
American imperialism cartoons: satirical representations of US expansionism in the late 19th and early 20th centuries, often depicting the United States as a powerful, sometimes aggressive, …
American Imperialism Cartoons [PDF] - archive.ncarb.org
research exploring the relationship between imperialism and cartoons caricature and comic art Cartoons Of The Spanish-american War By Bart Charles Lewis Bartholomew,2023-07-18 This …
Ten Thousand Miles From Tip to Tip meaning the extension of …
President Theodore Roosevelt, was an advocate for a more aggressive US foreign policy and for American imperial expansion. This cartoon presents a Spanish view of the new American …
American Imperialism Cartoons Copy - archive.ncarb.org
American Imperialism Cartoons: Comic empires Richard Scully,Andrekos Varnava,2019-11-04 Comic empires is an innovative collection of new scholarly research exploring the relationship …
Imperialism Era - Deer Valley Unified School District
Information about the cartoons In each SET of cartoons: • #1 = Pro-Imperialism point of view—Judge and Puck Magazines • #2 = Anti-Imperialism point of view—Life and The World …
“The Spirit of Empire”: America Debates Imperialism
sources related to the debate on US imperialism after the Spanish-American War in 1898. Students will work with a variety of documents including political cartoons, newspaper and …
American Imperialism Cartoons (2024) - archive.ncarb.org
American Imperialism Cartoons: Comic empires Richard Scully,Andrekos Varnava,2019-11-04 Comic empires is an innovative collection of new scholarly research exploring the relationship …
IMPERIALISM CARTOONS - OER Project
In this activity, students analyze and then create cartoons about imperialism. This will help reinforce what they’ve already learned about imperialism and will give them more insight into …
Picturing History: Editorial Cartooning in America, 1754-2011
Uncle Sam is sitting in a chair dreaming of 5 different images depicting what imperialism would look like in different places. Below him are examples of the Jingo Newspapers that are …
Picturing History: Editorial Cartooning in America, 1754-2011
Summary: Students will be grouped and asked to review a set of editorial cartoons that include President Theodore Roosevelt and address in varying ways acts of American imperialism …
U.S. Foreign Policy through Political Cartoons, 1898 - 1940
Berryman’s cartoons reflected the economic, logistical, and military challenges of 1917, but also served to rally public opinion to support the war. Directions: 1) Match the political cartoon with …
Humanities Notes and Imperialism Cartoons - Rochester City …
Explain the reasons for American Imperialism. How did America's foreign policy change in the late 1800's?
The Blessings of Civilization: The Roots of American Imperialism
What motivated America’s imperialism at this time? Was it driven by economic considerations, or was it the working out of a perceived destiny, an authentication of national stature? How did …
American Imperialism Cartoons Worksheet - hti.osu.edu
American Imperialism Cartoons Worksheet 1) List all the characters you see in this cartoon. 2) What are the symbols used in this cartoon? What do they represent? 3) Describe the action …
The Press And The Spanish American War Political Cartoons of the …
in the sun of external empire, American imperialism, while internal, was continually expanding from the Atlantic seaboard to Pacific. Imperialists conveniently forgot that the Louisiana …
Anti-Imperialism in Cartoons: How Avatar: The Last Airbender Uses ...
How are American children taught about US imperialism in the classroom? How much of a child’s learning/moral growth takes place outside the classroom? Why do children’s TV shows, …
American Imperialism Cartoons [PDF] - archive.ncarb.org
American Imperialism Cartoons has opened up a world of possibilities. Downloading American Imperialism Cartoons provides numerous advantages over physical copies of books and …
Caricaturing Race and Nation in the Irish American Press, 1870
17 Mar 2017 · Second, if nativism was an American import, British imperialism was an insidious, violent, inhuman export perpetrated by John Bull around the globe. As such, it aligned East …
The American Editorial Cartoon--A Critical Historical Sketch
Some of the most prominent of the American cartoonists have been William Charles, Thomas Nast, Joseph Keppler, Bernhard Gillam, Art Young, J. N. Darling (also known as "Ding"), and …
Another Example of Stereotypes on the Early American Frontier: …
ON THE EARLY AMERICAN FRONTIER: THE IMPERIALIST HISTORIANS AND THE AMERICAN INDIAN by Richard L. Haan University of California at Santa Barbara ABSTRACT …
American Imperialism Cartoons (PDF) - netsec.csuci.edu
American imperialism cartoons: satirical representations of US expansionism in the late 19th and early 20th centuries, often depicting the United States as a powerful, sometimes aggressive, …
American Imperialism Cartoons [PDF] - archive.ncarb.org
research exploring the relationship between imperialism and cartoons caricature and comic art Cartoons Of The Spanish-american War By Bart Charles Lewis Bartholomew,2023-07-18 This …
Ten Thousand Miles From Tip to Tip meaning the extension of …
President Theodore Roosevelt, was an advocate for a more aggressive US foreign policy and for American imperial expansion. This cartoon presents a Spanish view of the new American …
American Imperialism Cartoons Copy - archive.ncarb.org
American Imperialism Cartoons: Comic empires Richard Scully,Andrekos Varnava,2019-11-04 Comic empires is an innovative collection of new scholarly research exploring the relationship between …
Imperialism Era - Deer Valley Unified School District
Information about the cartoons In each SET of cartoons: • #1 = Pro-Imperialism point of view—Judge and Puck Magazines • #2 = Anti-Imperialism point of view—Life and The World …
“The Spirit of Empire”: America Debates Imperialism
sources related to the debate on US imperialism after the Spanish-American War in 1898. Students will work with a variety of documents including political cartoons, newspaper and magazine...
American Imperialism Cartoons (2024) - archive.ncarb.org
American Imperialism Cartoons: Comic empires Richard Scully,Andrekos Varnava,2019-11-04 Comic empires is an innovative collection of new scholarly research exploring the relationship between …
IMPERIALISM CARTOONS - OER Project
In this activity, students analyze and then create cartoons about imperialism. This will help reinforce what they’ve already learned about imperialism and will give them more insight into both the …
Picturing History: Editorial Cartooning in America, 1754-2011
Uncle Sam is sitting in a chair dreaming of 5 different images depicting what imperialism would look like in different places. Below him are examples of the Jingo Newspapers that are persuading him …
Picturing History: Editorial Cartooning in America, 1754-2011
Summary: Students will be grouped and asked to review a set of editorial cartoons that include President Theodore Roosevelt and address in varying ways acts of American imperialism during …
U.S. Foreign Policy through Political Cartoons, 1898 - 1940
Berryman’s cartoons reflected the economic, logistical, and military challenges of 1917, but also served to rally public opinion to support the war. Directions: 1) Match the political cartoon with …
Humanities Notes and Imperialism Cartoons - Rochester City School District
Explain the reasons for American Imperialism. How did America's foreign policy change in the late 1800's?
The Blessings of Civilization: The Roots of American Imperialism
What motivated America’s imperialism at this time? Was it driven by economic considerations, or was it the working out of a perceived destiny, an authentication of national stature? How did …
American Imperialism Cartoons Worksheet - hti.osu.edu
American Imperialism Cartoons Worksheet 1) List all the characters you see in this cartoon. 2) What are the symbols used in this cartoon? What do they represent? 3) Describe the action taking …
The Press And The Spanish American War Political Cartoons of …
in the sun of external empire, American imperialism, while internal, was continually expanding from the Atlantic seaboard to Pacific. Imperialists conveniently forgot that the Louisiana purchase had …
Anti-Imperialism in Cartoons: How Avatar: The Last Airbender …
How are American children taught about US imperialism in the classroom? How much of a child’s learning/moral growth takes place outside the classroom? Why do children’s TV shows, …
American Imperialism Cartoons [PDF] - archive.ncarb.org
American Imperialism Cartoons has opened up a world of possibilities. Downloading American Imperialism Cartoons provides numerous advantages over physical copies of books and …
Caricaturing Race and Nation in the Irish American Press, 1870 …
17 Mar 2017 · Second, if nativism was an American import, British imperialism was an insidious, violent, inhuman export perpetrated by John Bull around the globe. As such, it aligned East Indian …
The American Editorial Cartoon--A Critical Historical Sketch
Some of the most prominent of the American cartoonists have been William Charles, Thomas Nast, Joseph Keppler, Bernhard Gillam, Art Young, J. N. Darling (also known as "Ding"), and Herbert …
Another Example of Stereotypes on the Early American Frontier: …
ON THE EARLY AMERICAN FRONTIER: THE IMPERIALIST HISTORIANS AND THE AMERICAN INDIAN by Richard L. Haan University of California at Santa Barbara ABSTRACT The Imperialist historians …
