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| aimee phan we should never meet 1: We Should Never Meet Aimee Phan, 2005-11-15 Compelling, moving, and beautifully written, the interlinked stories that make up We Should Never Meet alternate between Saigon before the city's fall in 1975 and present-day Little Saigon in Southern California---exploring the reverberations of the Vietnam War in a completely new light. Intersecting the lives of eight characters across three decades and two continents, these stories dramatize the events of Operation Babylift, the U.S.-led evacuation of thousands of Vietnamese orphans to America just weeks before the fall of Saigon. Unwitting reminders of the war, these children were considered bui doi, the dust of life, and faced an uncertain, dangerous existence if left behind in Vietnam. Four of the stories follow the saga of one orphan's journey from the points-of-view of a teenage mother, a duck farmer and a Catholic nun from the Mekong Delta, a social worker in Saigon, and a volunteer doctor from America. The other four take place twenty years later and chronicle the lives of four Vietnamese orphans now living in America: Kim, an embittered Amerasian searching for her unknown mother; Vinh, her gang member ex-boyfriend who preys on Vietnamese families; Mai, an ambitious orphan who faces her emancipation from the American foster-care system; and Huan, an Amerasian adopted by a white family, who returns to Vietnam with his adoptive mother. We Should Never Meet is one of those rare books that truly takes an original look at the human condition---and marks the exciting debut of a major new writer for our time. |
| aimee phan we should never meet 1: Reenactments Hai-Dang Phan, 2019-02-19 In Reenactments, poet Hai-Dang Phan explores the history, memory, and legacy of the Vietnam War from his vantage point as a second-generation Vietnamese American. Woven throughout the poems is a narrative of his family’s exodus from Vietnam that beautifully elucidates the American record of immigration, dislocation, inheritance, and ultimately hope. The poems are persuasively varied in their approach. The past and present, the remembered and imagined, all intersect at shifting angles, providing bold new perspectives. And, in a fresh move, Phan widens the lens, interspersing translations of several other contemporary Vietnamese poems to the mix. This subtle and moving debut is an important addition to the literature of immigration. |
| aimee phan we should never meet 1: Native Speaker Chang-rae Lee, 1996-03-01 ONE OF THE ATLANTIC’S GREAT AMERICAN NOVELS OF THE PAST 100 YEARS The debut novel from critically acclaimed and New York Times–bestselling author of On Such a Full Sea and My Year Abroad. In Native Speaker, author Chang-rae Lee introduces readers to Henry Park. Park has spent his entire life trying to become a true American—a native speaker. But even as the essence of his adopted country continues to elude him, his Korean heritage seems to drift further and further away. Park's harsh Korean upbringing has taught him to hide his emotions, to remember everything he learns, and most of all to feel an overwhelming sense of alienation. In other words, it has shaped him as a natural spy. But the very attributes that help him to excel in his profession put a strain on his marriage to his American wife and stand in the way of his coming to terms with his young son's death. When he is assigned to spy on a rising Korean-American politician, his very identity is tested, and he must figure out who he is amid not only the conflicts within himself but also within the ethnic and political tensions of the New York City streets. Native Speaker is a story of cultural alienation. It is about fathers and sons, about the desire to connect with the world rather than stand apart from it, about loyalty and betrayal, about the alien in all of us and who we finally are. |
| aimee phan we should never meet 1: Fox Girl Nora Okja Keller, 2003-03-25 Nora Okja Keller, the acclaimed author of Comfort Woman, tells the shocking story of a group of young people abandoned after the Korean War. At the center of the tale are two teenage girls—Hyun Jin and Sookie, a teenage prostitute kept by an American soldier—who form a makeshift family with Lobetto, a lost boy who scrapes together a living running errands and pimping for neighborhood girls. Both horrifying and moving, Fox Girl at once reveals another layer of war's human detritus and the fierce love between a mother and daughter. |
| aimee phan we should never meet 1: Let the Dead Bury Their Dead and Other Stories Randall Kenan, 1992 This remarkable collection of twelve short stories is about the diverse folk--black and white, young and old, rich and poor, rural and sophisticated--who live in the eastern North Carolina town of Tims Creek. Among the memorable characters are Clarence Pickett, who at age three began receiving messages from beyond the grave and whose gift seems tied to a hog's ability to talk; matronly Ida Perry, haunted by a boy her judge husband may have drowned years before; Dean Williams, hired to seduce the richest black man in Times Creek, yearning after innocence while he betrays love. |
| aimee phan we should never meet 1: The Gentle Order of Girls and Boys Dao Strom, 2019-11-12 The book is informed by the Vietnamese immigrations of the nineteen–seventies but is filled with social observation of contemporary middle–class culture and indie sensibility . . . Quietly beautiful, Strom's stories are hip without being ironic. —The New Yorker When The Gentle Order of Girls and Boys was first published in 2006, it was groundbreaking in its depiction of contemporary young Vietnamese women living in the United States, centering their ordinary lives as mothers, lovers, friends, and daughters against the backdrop of immigration and assimilation. Available now for the first time in paperback and featuring an introduction by Isabelle Thuy Pelaud and a new preface by the author, The Gentle Order of Girls and Boys is a beautifully written, psychologically astute foray into the rite of female passage. |
| aimee phan we should never meet 1: The Watcher of Waipuna and Other Stories Gary Pak, 1992 |
| aimee phan we should never meet 1: Everything Asian Sung J. Woo, 2009-04-14 You're twelve years old. A month has passed since your Korean Air flight landed at lovely Newark Airport. Your fifteen-year-old sister is miserable. Your mother isn't exactly happy, either. You're seeing your father for the first time in five years, and although he's nice enough, he might be, well--how can you put this delicately?--a loser. You can't speak English, but that doesn't stop you from working at East Meets West, your father's gift shop in a strip mall, where everything is new. Welcome to the wonderful world of David Kim. |
| aimee phan we should never meet 1: American Son: A Novel Brian Ascalon Roley, 2010-11-22 A powerful novel about ethnically fluid California, and the corrosive relationship between two Filipino brothers. Told with a hard-edged purity that brings to mind Cormac McCarthy and Denis Johnson, American Son is the story of two Filipino brothers adrift in contemporary California. The older brother, Tomas, fashions himself into a Mexican gangster and breeds pricey attack dogs, which he trains in German and sells to Hollywood celebrities. The narrator is younger brother Gabe, who tries to avoid the tar pit of Tomas's waywardness, yet moves ever closer to embracing it. Their mother, who moved to America to escape the caste system of Manila and is now divorced from their American father, struggles to keep her sons in line while working two dead-end jobs. When Gabe runs away, he brings shame and unforeseen consequences to the family. Full of the ache of being caught in a violent and alienating world, American Son is a debut novel that captures the underbelly of the modern immigrant experience. A Los Angeles Times Best Book, New York Times Notable Book, and a Kiriyama Pacific Rim Prize Finalist |
| aimee phan we should never meet 1: Birds of Paradise Lost Andrew Lam, 2012-03-01 From the award-winning author of Perfume Dreams, a collection of thirteen short stories following Vietnamese immigrants new to the United States. The thirteen stories in Birds of Paradise Lost shimmer with humor and pathos as they chronicle the anguish and joy and bravery of America’s newest Americans, the troubled lives of those who fled Vietnam and remade themselves in the San Francisco Bay Area. The past—memories of war and its aftermath, of murder, arrest, re-education camps and new economic zones, of escape and shipwreck and atrocity—is ever present in these wise and compassionate stories. It plays itself out in surprising ways in the lives of people who thought they had moved beyond the nightmares of war and exodus. It comes back on TV in the form of a confession from a cannibal; it enters the Vietnamese restaurant as a Vietnam Vet with a shameful secret; it articulates itself in the peculiar tics of a man with Tourette’s Syndrome who struggles to deal with a profound tragedy. Birds of Paradise Lost is an emotional tour de force, intricately rendering the false starts and revelations in the struggle for integration, and in so doing, the human heart. *Finalist for the California Book Award* “His stories are elegant and humane and funny and sad. Lam has instantly established himself as one of our finest fiction writers.” —Robert Olen Butler, Pulitzer Prize–winning author of Perfume Mountain “Read Andrew Lam, and bask in his love of language, and his compassion for people, both those here and those far away.” —Maxine Hong Kingston, award-winning author of The Woman Warrior |
| aimee phan we should never meet 1: Forbidden City Vanessa Hua, 2023-04-18 NATIONAL BESTSELLER • A teenage girl living in 1960s China becomes Mao Zedong’s protégée and lover—and a heroine of the Cultural Revolution—in this “masterful” (The Washington Post) novel. “A new classic about China’s Cultural Revolution . . . Think Succession, but add death and mayhem to the palace intrigue. . . . Ambitious and impressive.”—San Francisco Chronicle ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, PopSugar • Longlisted for the Joyce Carol Oates Prize On the eve of China’s Cultural Revolution and her sixteenth birthday, Mei dreams of becoming a model revolutionary. When the Communist Party recruits girls for a mysterious duty in the capital, she seizes the opportunity to escape her impoverished village. It is only when Mei arrives at the Chairman’s opulent residence—a forbidden city unto itself—that she learns that the girls’ job is to dance with the Party elites. Ambitious and whip-smart, Mei beelines toward the Chairman. Mei gradually separates herself from the other recruits to become the Chairman’s confidante—and paramour. While he fends off political rivals, Mei faces down schemers from the dance troupe who will stop at nothing to take her place and the Chairman’s imperious wife, who has secret plans of her own. When the Chairman finally gives Mei a political mission, she seizes it with fervor, but the brutality of this latest stage of the revolution makes her begin to doubt all the certainties she has held so dear. Forbidden City is an epic yet intimate portrayal of one of the world’s most powerful and least understood leaders during this extraordinarily turbulent period in modern Chinese history. Mei’s harrowing journey toward truth and disillusionment raises questions about power, manipulation, and belief, as seen through the eyes of a passionate teenage girl. |
| aimee phan we should never meet 1: Giving Form to an Asian and Latinx America Long Le-Khac, 2020-03-03 Crossing distinct literatures, histories, and politics, Giving Form to an Asian and Latinx America reveals the intertwined story of contemporary Asian Americans and Latinxs through a shared literary aesthetic. Their transfictional literature creates expansive imagined worlds in which distinct stories coexist, offering artistic shape to their linked political and economic struggles. Long Le-Khac explores the work of writers such as Sandra Cisneros, Karen Tei Yamashita, Junot Díaz, and Aimee Phan. He shows how their fictions capture the uneven economic opportunities of the post–civil rights era, the Cold War as it exploded across Asia and Latin America, and the Asian and Latin American labor flows powering global capitalism today. Read together, Asian American and Latinx literatures convey astonishing diversity and untapped possibilities for coalition within the United States' fastest-growing immigrant and minority communities; to understand the changing shape of these communities we must see how they have formed in relation to each other. As the U.S. population approaches a minority-majority threshold, we urgently need methods that can look across the divisions and unequal positions of the racial system. Giving Form to an Asian and Latinx America leads the way with a vision for the future built on panethnic and cross-racial solidarity. |
| aimee phan we should never meet 1: Open Season C. J. Box, 2016-05-31 Don't miss the JOE PICKETT series—now streaming on Paramount+ The first novel in the thrilling series featuring Wyoming game warden Joe Pickett from #1 New York Times bestselling author C. J. Box. Joe Pickett is the new game warden in Twelve Sleep, Wyoming, a town where nearly everyone hunts and the game warden—especially one like Joe who won't take bribes or look the other way—is far from popular. When he finds a local hunting outfitter dead, splayed out on the woodpile behind his state-owned home, he takes it personally. There had to be a reason that the outfitter, with whom he's had run-ins before, chose his backyard, his woodpile to die in. Even after the outfitter murders, as they have been dubbed by the local press after the discovery of the two more bodies, are solved, Joe continues to investigate, uneasy with the easy explanation offered by the local police. As Joe digs deeper into the murders, he soon discovers that the outfitter brought more than death to his backdoor: he brought Joe an endangered species, thought to be extinct, which is now living in his woodpile. But if word of the existence of this endangered species gets out, it will destroy any chance of InterWest, a multi-national natural gas company, building an oil pipeline that would bring the company billions of dollars across Wyoming, through the mountains and forests of Twelve Sleep. The closer Joe comes to the truth behind the outfitter murders, the endangered species and InterWest, the closer he comes to losing everything he holds dear. |
| aimee phan we should never meet 1: Last Tang Standing Lauren Ho, 2020-06-09 Crazy Rich Asians meets Bridget Jones's Diary in this funny and irresistible debut novel about the pursuit of happiness, surviving one's thirties intact, and opening oneself up to love. At thirty-three, Andrea Tang is living the dream: She has a successful career as a lawyer, a posh condo, and a clutch of fun-loving friends who are always in the know about Singapore's hottest clubs. All she has to do is make law partner, and her life will be perfect. And if she's about to become the lone unmarried member of her generation in the Tang clan--a disappointment her meddling Chinese-Malaysian family won't let her forget--well, she doesn't need a man to complete her. Yet when a chance encounter with charming, wealthy entrepreneur Eric Deng offers her a glimpse of an exciting, limitless future, Andrea decides to give Mr. Right-for-her-family a chance. Too bad Suresh Aditparan, her office rival and the last man her family would approve of, keeps throwing a wrench in her plans. Now Andrea can't help but wonder: In the endless tug-of-war between pleasing others and pleasing herself, is there room for everyone to win? |
| aimee phan we should never meet 1: Phantoms: A Novel Christian Kiefer, 2019-04-09 Kirkus Reviews • Best Historical Fiction of 2019 The Millions • Most Anticipated Books of 2019 Torn apart by war and bigotry, two families confront long-buried secrets in this haunting American novel of World War II and Vietnam. Ray Takahashi’s return from the battlefields of World War II should have been triumphant, but the fragrant, budding orchards of his rural Northern California home hide a secret that has destroyed everything he holds dear. With his hair now trimmed short and his newly broadened shoulders filling in his uniform, nineteen-year-old Ray approaches the small house in which he grew up, tucked behind rows of plum trees he planted with his father, only to find it occupied by a family he has does not know, a white family. Two decades later, John Frazier adjusts to his own homecoming. Detoxing from a dope addiction acquired in the barracks of Vietnam, yet still aching to write the next great American novel, he struggles to silence the phantoms that have trailed him from the muddy jungles. Frazier’s ambitions are put on hold when he finds himself an unwitting witness to a confrontation, decades in the making, between two steely matriarchs: his aunt, Evelyn Wilson, and her former neighbor, Kimiko Takahashi. From the halcyon days of pre–World War II Newcastle, when fruit trees glowed like jewels, through the dusty, cramped nights of Tule Lake, and the wayward years of the post-Vietnam era, Phantoms weaves the splintered stories of two families as they seek an impossible closure. A jarring examination of the personal cost of American exceptionalism and imperialism, and the ghosts that haunt us today, this saga affirms Christian Kiefer’s expanding place in contemporary literature. |
| aimee phan we should never meet 1: Rolling the R's R. Zamora Linmark, 1997 Thirty-seven stories and poems on Hawaii's Kalihi Valley. The subjects range from the clash of cultures between whites and natives, to the plight of a 10-year-old girl who becomes pregnant. |
| aimee phan we should never meet 1: Good Bones Maggie Smith, 2020-07-15 Featuring “Good Bones”—called “Official Poem of 2016” by the BBC/Public Radio International. Maggie Smith writes out of the experience of motherhood, inspired by watching her own children read the world like a book they've just opened, knowing nothing of the characters or plot. These are poems that stare down darkness while cultivating and sustaining possibility, poems that have a sense of moral gravitas, personal urgency, and the ability to address a larger world. Maggie Smith's previous books are The Well Speaks of Its Own Poison (Tupelo, 2015), Lamp of the Body (Red Hen, 2005), and three prize-winning chapbooks: Disasterology (Dream Horse, 2016), The List of Dangers (Kent State, 2010), and Nesting Dolls (Pudding House, 2005). Her poem “Good Bones” has gone viral—tweeted and translated across the world, featured on the TV drama Madam Secretary, and called the “Official Poem of 2016” by the BBC/Public Radio International, earning news coverage in the New York Times, Washington Post, Slate, the Guardian, and beyond. Maggie Smith was named the 2016 Ohio Poet of the Year. “Smith's voice is clear and unmistakable as she unravels the universe, pulls at a loose thread and lets the whole thing tumble around us, sometimes beautiful, sometimes achingly hard. Truthful, tender, and unafraid of the dark....”—Ada Limón “As if lost in the soft, bewitching world of fairy tale, Maggie Smith conceives and brings forth this metaphysical Baedeker, a guidebook for mother and child to lead each other into a hopeful present. Smith's poems affirm the virtues of humanity: compassion, empathy, and the ability to comfort one another when darkness falls. 'There is a light,' she tells us, 'and the light is good.'”—D. A. Powell “Good Bones is an extraordinary book. Maggie Smith demonstrates what happens when an abundance of heart and intelligence meets the hands of a master craftsperson, reminding us again that the world, for a true poet, is blessedly inexhaustible.”—Erin Belieu |
| aimee phan we should never meet 1: The Lifestyle Investor: The 10 Commandments of Cash Flow Investing for Passive Income and Financial Freedom Justin Donald, 2022-02-10 We all want to make more money, that too with minimum effort and without too much hassle. Ever wondered what life would be like if we had a simple, proven system to create cash flow and generate real wealth with little risk or complexity? This book helps you: • Manage your finances better, by directing you to a well-structured plan • Reduce investment-related risks • Create a sturdy cash flow • Streamline passive cash flow to multiply your wealth Get set to live life on your own terms, and fulfil all that you aimed to achieve. Warren Buffett of Lifestyle Investing. – Entrepreneur Magazine |
| aimee phan we should never meet 1: The Day the Crayons Quit Drew Daywalt, 2013-06-27 The hilarious, colorful #1 New York Times bestselling phenomenon that every kid wants! Gift a copy to someone you love today. Poor Duncan just wants to color. But when he opens his box of crayons, he finds only letters, all saying the same thing: His crayons have had enough! They quit! Blue crayon needs a break from coloring all those bodies of water. Black crayon wants to be used for more than just outlining. And Orange and Yellow are no longer speaking—each believes he is the true color of the sun. What can Duncan possibly do to appease all of the crayons and get them back to doing what they do best? With giggle-inducing text from Drew Daywalt and bold and bright illustrations from Oliver Jeffers, The Day the Crayons Quit is the perfect gift for new parents, baby showers, back-to-school, or any time of year! Perfect for fans of Don't Let the Pigeon Drive the Bus by Mo Willems and The True Story of the Three Little Pigs by Jon Sciezka and Lane Smith. Praise for The Day the Crayons Quit: Amazon’s 2013 Best Picture Book of the Year A Barnes & Noble Best Book of 2013 Goodreads’ 2013 Best Picture Book of the Year Winner of the E.B. White Read-Aloud Award * “Hilarious . . . Move over, Click, Clack, Moo; we’ve got a new contender for the most successful picture-book strike.” –BCCB, starred review “Jeffers . . . elevates crayon drawing to remarkable heights.” –Booklist “Fresh and funny.” –The Wall Street Journal This book will have children asking to have it read again and again.” –Library Media Connection * “This colorful title should make for an uproarious storytime.” –School Library Journal, starred review * “These memorable personalities will leave readers glancing apprehensively at their own crayon boxes.” –Publishers Weekly, starred review “Utterly original.” –San Francisco Chronicle |
| aimee phan we should never meet 1: In the Fog of the Seasons' End Alex La Guma, 2012-09-21 La Gumas powerful, firsthand account depicts the dedicated South African people who risked their lives in the underground movement against apartheid. The main characters, Beukes and Elias, are among others determined to undermine apartheids blatant oppression and demeaning tactics. The authors knack for rich descriptions and weaving the past with the present transports readers to the grind of working in an underground political organization and the challenges of confronting hardships, change, and injustice on a daily basis. |
| aimee phan we should never meet 1: Essays in Idleness 吉田兼好, 1998 The Buddhist priest Kenko clung to tradition, Buddhism, and the pleasures of solitude, and the themes he treats in his Essays, written sometime between 1330 and 1332, are all suffused with an unspoken acceptance of Buddhist beliefs. |
| aimee phan we should never meet 1: How Change Happens Duncan Green, 2016 DLP, Developmental Leadership Program; Australian Aid; Oxfam. |
| aimee phan we should never meet 1: Stealing Buddha's Dinner Bich Minh Nguyen, 2008-01-29 Winner of the PEN/Jerard Award Chicago Tribune Best Book of the Year Kiriyama Notable Book [A] perfectly pitched and prodigiously detailed memoir. - Boston Globe As a Vietnamese girl coming of age in Grand Rapids, Michigan, Nguyen is filled with a rapacious hunger for American identity, and in the pre-PC-era Midwest (where the Jennifers and Tiffanys reign supreme), the desire to belong transmutes into a passion for American food. More exotic- seeming than her Buddhist grandmother's traditional specialties, the campy, preservative-filled delicacies of mainstream America capture her imagination. In Stealing Buddha's Dinner, the glossy branded allure of Pringles, Kit Kats, and Toll House Cookies becomes an ingenious metaphor for Nguyen's struggle to become a real American, a distinction that brings with it the dream of the perfect school lunch, burgers and Jell- O for dinner, and a visit from the Kool-Aid man. Vivid and viscerally powerful, this remarkable memoir about growing up in the 1980s introduces an original new literary voice and an entirely new spin on the classic assimilation story. |
| aimee phan we should never meet 1: Wild Mustard Charles Waugh, Lien Nguyen, Van Giá, 2017-04-15 Wild Mustard, an anthology of prizewinning short fiction by contemporary Vietnamese writers, throws into relief the transformations of self and place that followed Vietnam’s turn toward a market economy. In just three decades, since the 1986 policy known as doi moi (renovation) ended collectivization and integrated Vietnam into world markets, the country has transformed from one of the poorest and most isolated on earth into a dynamic global economy. The nineteen stories in this volume capture the kaleidoscopic experiences of Vietnam's youth, navigating between home and newly expanded horizons, as they seek new opportunities through migration, education, and integration not only into their nation but into the world. In the tradition of the Under 40 collections popularized by magazines such as the New Yorker and Granta, but with greater stakes and greater differences between the previous generation of writers and this new one, Wild Mustard seeks to change how North American readers think of Vietnam. Escaping the common fixation on the Vietnam War and its aftermath, these stories reflect the movement and dynamism of the young Vietnamese who locate themselves amid the transnational encounters and proliferating identities of a global economy. |
| aimee phan we should never meet 1: I Love Yous Are for White People Lac Su, 2009-05-12 Heart-wrenching and ultimately uplifting, this stirring memoir chronicles one Asian-American immigrant's struggle to find himself--and to transcend the dangers of gang life in Los Angeles. |
| aimee phan we should never meet 1: I'm Not Saying, I'm Just Saying Matthew Salesses, 2013-02-01 I'm Not Saying, I'm Just Saying, a novel in flash fiction, is a raw, honest look at parenting, commitment, morality, and the spaces that grow between and within us when we don't know what to say. In these 115 titled chapters, a man, who learns he has a 5-year-old son, is caught between the life he knows and a life he may not yet be ready for. This is a book that tears down the boundaries in relationships, sentences, origin and identity, no matter how quickly its narrator tries to build them up. Matthew Salesses' I'm Not Saying, I'm Not Saying is an absolute stunner of a novel. Told in short, sharp vignettes with prose that is taut, yet overflowing with meaning, this is the story of a year in the life of a complex and haunted, cobbled together family. The beauty of Salesses' writing here lies in his fearlessness, the emotional blows to the heart and head and gut he's willing to deliver, as if to say: This, this is life And we are all, in one way or another, survivors. -Kathy Fish, author of Together We Can Bury It Matthew Salesses has written an extraordinary and startlingly original novel that explores connection and disconnection, the claims and limitations of the self, and the shifting terrain of truth. Poetic, unforgettable, shot through with fury and yearning, I'm Not Saying, I'm Just Saying captures in clear and chilling flashes our capacity for the cruelty and tenderness of love. -Catherine Chung, author of Forgotten Country In Matt Salesses's smart novel-in-shorts, a newly-minted father flees telling his own story by any means necessary-by sarcasm, by denial, by playful and precise wordplay-rarely allowing space for his emerging feelings to linger. But the truth of who we might be is not so easily escaped, and it is in the accumulation of many such moments that our narrator, like us, is revealed: both the people we have been, and the better people we might be lucky enough to one day hope to become. -Matt Bell, author of In the House upon the Dirt between the Lake and the Woods I'm Not Saying, I'm Just Saying renders the messiness of life, family, love in its myriad complex forms-romance lost and found, blood ties, squandered, unrequited-via 115 micro-stories that add up to a pointillist masterpiece. -Marie Myung-Ok Lee, author of Somebody's Daughter Through a series of provocative, beautiful, and at times, brutally raw shorts, Matthew Salesses creates a complex, vulnerable portrait of modern fatherhood and masculinity. Narrated by our seemingly reckless, yet hyper-observant narrator, these vignettes build with tension and trepidation, until we, like the members of this reluctant, fractured family, realize the weight, burden and comfort that only comes from finally belonging. -Aimee Phan, author of The Reeducation of Cherry Truong |
| aimee phan we should never meet 1: Return Engagements Viet Lê, 2021-04-12 In Return Engagements artist and critic Việt Lê examines contemporary art in Cambodia and Việt Nam to rethink the entwinement of militarization, trauma, diaspora, and modernity in Southeast Asian art. Highlighting artists tied to Phnom Penh and Sài Gòn and drawing on a range of visual art as well as documentary and experimental films, Lê points out that artists of Southeast Asian descent are often expected to address the twin traumas of armed conflict and modernization, and shows how desirable art on these themes is on international art markets. As the global art market fetishizes trauma and violence, artists strategically align their work with those tropes in ways that Lê suggests allow them to reinvent such aesthetics and discursive spaces. By returning to and refashioning these themes, artists such as Tiffany Chung, Rithy Panh, and Sopheap Pich challenge categorizations of “diasporic” and “local” by situating themselves as insiders and outsiders relative to Cambodia and Việt Nam. By doing so, they disrupt dominant understandings of place, time, and belonging in contemporary art. |
| aimee phan we should never meet 1: A Down Home Meal for These Difficult Times Meron Hadero, 2023-12-07 |
| aimee phan we should never meet 1: The Map of Lost Memories Kim Fay, 2012 Teaming up in 1925 Shanghai to find a priceless set of scrolls believed to contain the lost history of the Khmer empire, Irene Blum and temple-robber Simone Merlin commit a shockingly violent act before discovering unexpected commonalities in their respective pasts. A first novel by the award-winning author of Communion: A Culinary Journey Through Vietnam. 30,000 first printing. |
| aimee phan we should never meet 1: Dancing in Odessa Ilya Kaminsky, 2014-01-28 Winner of the prestigious Tupelo Press Dorset Prize, selected by poet and MacArthur genius grant recipient Eleanor Wilner who says, I'm so happy to have a manuscript that I believe in so powerfully, poetry with such a deep music. I love it. One might spend a lifetime reading books by emerging poets without finding the real thing, the writer who (to paraphrase Emily Dickinson) can take the top of your head off. Kaminsky is the real thing. Impossibly young, this Russian immigrant makes the English language sing with the sheer force of his music, a wondrous irony, as Ilya Kaminsky has been deaf since the age of four. In Odessa itself, A city famous for its drunk tailors, huge gravestones of rabbis, horse owners and horse thieves, and most of all, for its stuffed and baked fish, Kaminksy dances with the strangest — and the most recognizable — of our bedfellows in a distinctive and utterly brilliant language, a language so particular and deft that it transcends all of our expectations, and is by turns luminous and universal. |
| aimee phan we should never meet 1: At the Drive-in Volcano Aimee Nezhukumatathil, 2007 The astonishing second book by a lively and inventive American poet of Filipina-Indian descent. Naomi Shihab Nye says of this book, Aimee Nezhukumatathil's poems are . . . ripe, funny and fresh. They're the fullness of days, deliciously woven of heart and verve, rich with sources and elements-animals, insects, sugar, cardamom, legends, countries, relatives, soaps, fruits-taste and touch. I love the nubby layerings of lines, luscious textures and constructions. . . . She knows that many worlds may live in one house. . . . |
| aimee phan we should never meet 1: The Shyness and Social Anxiety Workbook Martin M. Antony, Richard P. Swinson, 2008-07-02 There's nothing wrong with being shy. But if social anxiety keeps you from forming relationships with others, advancing in your education or your career, or carrying on with everyday activities, you may need to confront your fears to live an enjoyable, satisfying life. This new edition of The Shyness and Social Anxiety Workbook offers a comprehensive program to help you do just that. As you complete the activities in this workbook, you'll learn to: •Find your strengths and weaknesses with a self-evaluation •Explore and examine your fears •Create a personalized plan for change •Put your plan into action through gentle and gradual exposure to social situations Information about therapy, medications, and other resources is also included. After completing this program, you'll be well-equipped to make connections with the people around you. Soon, you'll be on your way to enjoying all the benefits of being actively involved in the social world. This book has been awarded The Association for Behavioral and Cognitive Therapies Self-Help Seal of Merit — an award bestowed on outstanding self-help books that are consistent with cognitive behavioral therapy (CBT) principles and that incorporate scientifically tested strategies for overcoming mental health difficulties. Used alone or in conjunction with therapy, our books offer powerful tools readers can use to jump-start changes in their lives. |
| aimee phan we should never meet 1: Written in Starlight Isabel Ibañez, 2021-01-26 An adventerous South American Tomb Raider! This hotly anticipated companion to Woven in Moonlight follows an outcast Condesa, as she braves the jungle to forge an alliance with the lost city of gold. If the jungle wants you, it will have you... Catalina Quiroga is a Condesa without a country. She’s lost the Inkasisa throne, the loyalty of her people, and her best friend. Banished to the perilous Yanu Jungle, Catalina knows her chances of survival are slim, but that won’t stop her from trying to escape. Her duty is to rule. While running for her life, Catalina is rescued by Manuel, the son of her former general who has spent years searching for allies. With his help, Catalina could find the city of gold that’s home to the fierce Illari people and strike a deal with them for an army to retake her throne. But the elusive Illari are fighting a battle of their own—a mysterious blight is corrupting the jungle, laying waste to everything they hold dear. As a seer, Catalina should be able to help, but her ability to read the future in the stars is as feeble as her survival instincts. While searching for the Illari, Catalina must reckon with her duty and her heart to find her true calling, which is key to stopping the corruption before it destroys the jungle completely. |
| aimee phan we should never meet 1: A Bend in the Stars Rachel Barenbaum, 2019-05-14 All the Light We Cannot See meets The Nightingale in this literary WWI-era novel and epic love story of a brilliant young doctor who races against Einstein to solve one of the universe's great mysteries. In Russia, in the summer of 1914, as war with Germany looms and the Czar's army tightens its grip on the local Jewish community, Miri Abramov and her brilliant physicist brother, Vanya, are facing an impossible decision. Since their parents drowned fleeing to America, Miri and Vanya have been raised by their babushka, a famous matchmaker who has taught them to protect themselves at all costs: to fight, to kill if necessary, and always to have an escape plan. But now, with fierce, headstrong Miri on the verge of becoming one of Russia's only female surgeons, and Vanya hoping to solve the final puzzles of Einstein's elusive theory of relativity, can they bear to leave the homeland that has given them so much? Before they have time to make their choice, war is declared and Vanya goes missing, along with Miri's fiancé. Miri braves the firing squad to go looking for them both. As the eclipse that will change history darkens skies across Russia, not only the safety of Miri's own family but the future of science itself hangs in the balance. Grounded in real history -- and inspired by the solar eclipse of 1914 -- A Bend in the Stars offers a heart-stopping account of modern science's greatest race amidst the chaos of World War I, and a love story as epic as the railways crossing Russia. |
| aimee phan we should never meet 1: Sweethand N. G. Peltier, 2021-03-30 'A masterfully executed enemies-to-lovers wedding romp. I loved this book!' Talia Hibbert, New York Times bestselling author Love is a piece of cake, right? For the first time in forever, lifelong rivals Cherisse and Keiran are back in Trinidad at the same time. And while Keiran may have the most swoonworthy smile, he's also the most annoying man Cherisse has ever met. Unfortunately, avoiding him is impossible. With Keiran's close friend getting ready to marry Cherisse's sister, he's just been made the best man to her maid of honour . . . Keiran doesn't know what to make of Cherisse. She might now be a successful pastry chef but to him she's always been a stuck-up brat who seeks attention, even as he secretly harboured a crush on her. Now it seems he can't escape her. But despite their antagonism towards each other, things turn heated after one rainy night and the pair are forced to figure out if they can survive the countdown to wedding day, without this turning into a recipe for disaster . . . 'A zizzy and charming Trinidad-set contemporary romance that absolutely hits the spot' KJ Charles 'This Caribbean romance is sure to capture your heart' WOC Read |
| aimee phan we should never meet 1: Woman of Light Kali Fajardo-Anstine, 2022-06-07 NATIONAL BESTSELLER • A “dazzling, cinematic, intimate, lyrical” (Roxane Gay) epic of betrayal, love, and fate that spans five generations of an Indigenous Chicano family in the American West, from the author of the National Book Award finalist Sabrina & Corina “Sometimes you just step into a book and let it wash over you, like you’re swimming under a big, sparkling night sky.”—Celeste Ng, author of Little Fires Everywhere and Everything I Never Told You A PHENOMENAL BOOK CLUB PICK AND AN AUDACIOUS BOOK CLUB PICK • ONE OF THE BEST BOOKS OF THE YEAR: Book Riot There is one every generation, a seer who keeps the stories. Luz “Little Light” Lopez, a tea leaf reader and laundress, is left to fend for herself after her older brother, Diego, a snake charmer and factory worker, is run out of town by a violent white mob. As Luz navigates 1930s Denver, she begins to have visions that transport her to her Indigenous homeland in the nearby Lost Territory. Luz recollects her ancestors’ origins, how her family flourished, and how they were threatened. She bears witness to the sinister forces that have devastated her people and their homelands for generations. In the end, it is up to Luz to save her family stories from disappearing into oblivion. Written in Kali Fajardo-Anstine’s singular voice, the wildly entertaining and complex lives of the Lopez family fill the pages of this multigenerational western saga. Woman of Light is a transfixing novel about survival, family secrets, and love—filled with an unforgettable cast of characters, all of whom are just as special, memorable, and complicated as our beloved heroine, Luz. LONGLISTED FOR THE JOYCE CAROL OATES PRIZE • LONGLISTED FOR THE CAROL SHIELDS PRIZE FOR FICTION |
| aimee phan we should never meet 1: Lost in the City Edward P. Jones, 1992 Set in the nation's capital, a collection of stories about African Americans living in Washington, D.C., introduces characters who struggle daily with loss--of family, of friends, of memories, and of themselves. Repritn. 15,000 first printing. |
| aimee phan we should never meet 1: Lucky Fish Aimee Nezhukumatathil, 2014-01-28 Lucky Fish travels along a lush current — a confluence of leaping vocabulary and startling formal variety, with upwelling gratitude at its source: for love, motherhood, “new hope,” and the fluid and rich possibilities of words themselves. With an exuberant appetite for “my morning song, my scurry-step, my dew,” anchored in complicated human situations, this astounding young poet’s third collection of poems is her strongest yet. Nezhukumatathil's third book is fascinated with the small mechanisms of being, whether natural, personal, or imagined. Everything from eating eels in the Ozark mountains to the history of red dye finds a rich life in her poems. At times her lush settings and small stories are reminiscent of fairy tales, while at others Nezhukumatathil speaks with resonance and fierceness. Even as the poems jump from the Philippines to India to New York, they still take their time, stopping to notice that 'there is no mystery on water/ greater than the absence of rust,' and to draw small but wonderful parallels. —Publishers Weekly |
| aimee phan we should never meet 1: Shanghai.shanghai.shanghai Alex Kuo, 2015-11-01 shanghai.shanghai.shanghai is a novel about the culture writer and closet novelist Ge and his encounters with such people as a Bogota pickpocket, a defiant Uighur woman with borrowed baby, a German naval attaché, American evangelicals working the Beijing Olympics, and China?s first woman conductor of western classical music. Its main themes play with the thin fabric that separates state-censorship and self-censorship, and collaboration and corroboration in China?s war of infinite resistance.It avoids conventional narrative techniques; instead it focuses on episodic and interconnected moments revolving in a Shanghai between its foreign-occupied 1939, state-occupied 1989, and the self-occupied present in a Möbius loop, sometimes in the same sentence, and uses backstory sidebars and multiple English and Chinese typefaces to maintain a fluid and cohesive story. |
| aimee phan we should never meet 1: This Sharpening Ellen Watson, 2006 This Sharpening is Ellen Dore Watson's third collection of poetry, and in it she confirms her reputation as one of the most important and discerning, take-no-prisoners voice in American poetry. Watson navigates the fierce terrain of marriage, divorce, love and longing. In these pages the pain of loss contrasts with the pleasures of motherhood when a long marriage ends. Whether indulging fantasies of revenge, reveling in a child's kisses, or deconstructing a first date in 25 years, Watson is utterly compelling. Watch closely as she balances edgy tempos and sassy rhythms in poems as likely to address a rat on the path as to celebrate a peach or meditate on a truckload of guns. These poems map with unflinching attention the unraveling of a marriage and the persistence of longing, but also chronicle the quotidian joys of the mothering life and the scissor grip on reality it demands, the balance it can restore.--Publisher's website. |
We Should Never Meet - Macmillan Publishers
Compelling, moving, and beautifully written, the interlinked stories that make up We Should Never Meet alternate between Saigon before the city's fall in 1975 and present-day "Little Saigon" in …
Aimee Phan We Should Never Meet [PDF]
a white family who returns to Vietnam with his adoptive mother We Should Never Meet is one of those rare books that truly takes an original look at the human condition and marks the …
Aimee Phan We Should Never Meet Full PDF
a white family who returns to Vietnam with his adoptive mother We Should Never Meet is one of those rare books that truly takes an original look at the human condition and marks the …
Aimee Phan We Should Never Meet Copy - netsec.csuci.edu
Aimee Phan, "We Should Never Meet": delves into the intriguing and potentially unsettling premise of a relationship that should never exist. This exploration navigates the complex …
Aimee Phan We Should Never Meet (book)
Embark on a transformative journey with Written by is captivating work, Aimee Phan We Should Never Meet . This enlightening ebook, available for download in a convenient PDF format , …
Aimee Phan We Should Never Meet
We Should Never Meet is one of those rare books that truly takes an original look at the human condition---and marks the exciting debut of a major new writer for our time.
Aimee Phan We Should Never Meet Copy
Should Never Meet alternate between Saigon before the city's fall in 1975 and present-day Little Saigon in Southern California---exploring the reverberations of the Vietnam War in a …
Aimee Phan We Should Never Meet 1 (book) - netsec.csuci.edu
Aimee Phan We Should Never Meet 1 Aimee Phan "We Should Never Meet 1": This captivating title hints at a story filled with intrigue, mystery, and perhaps a touch of danger. It promises a …
Aimee Phan We Should Never Meet Copy - homedesignv.com
We Should Never Meet is one of those rare books that truly takes an original look at the human condition---and marks the exciting debut of a major new writer for our time. The Reeducation …
Aimee Phan We Should Never Meet
Should Never Meet alternate between Saigon before the city's fall in 1975 and present-day Little Saigon in Southern California---exploring the reverberations of the Vietnam War in a …
Aimee Phan We Should Never Meet (Download Only)
Should Never Meet alternate between Saigon before the city's fall in 1975 and present-day Little Saigon in Southern California---exploring the reverberations of the Vietnam War in a …
Aimee Phan We Should Never Meet (Download Only)
We Should Never Meet Aimee Phan,2004 Eight short stories chronicling the journeys of four orphans during Operation Babylift, which airlifted thousands of orphans from Vietnam to the …
Aimee Phan We Should Never Meet (Download Only)
a white family who returns to Vietnam with his adoptive mother We Should Never Meet is one of those rare books that truly takes an original look at the human condition and marks the …
Aimee Phan's We Should Never Meet - JSTOR
In "Emancipation," one of the short stories in We Should Never Meet, Phan introduces the Vietnamese character Mai, who came to Amer ica after the Vietnam War as a boat refugee.
Aimee Phan - archive.ncarb.org
adopted by a white family who returns to Vietnam with his adoptive mother We Should Never Meet is one of those rare books that truly takes an original look at the human condition and …
"Model Orphan" in Aimee Phan's We Should Never Meet
This essay examines Aimee Phan's fiction concerning Vietnamese orphans and adoptees coming of age in Southern California. Engaging the transnational dimensions of U.S. ideologies of …
Aimee Phan We Should Never Meet - old.fullybookedonline.com
Within the pages of "Aimee Phan We Should Never Meet," an enthralling opus penned by a highly acclaimed wordsmith, readers attempt an immersive expedition to unravel the intricate …
Aimee Phan We Should Never Meet (PDF) - ishipper.com.ph
The title itself—"Aimee Phan: We Should Never Meet"—is a profound statement. Is it a chilling invitation, a subtle warning, or a complex reflection on the nature of online interaction?
Un)Making Mothers, Orphans, and Transnational Adoptees: The …
set that populate Aimee Phan’s worlds of wartime Vietnam and postwar orphan life in the US in her short story collection, We Should Never Meet (2004). 1 When asked why she wrote this …
Gone Girl Broken Harbor and the Terror of Everyday Life The …
The Affects and Ethics of the Gift in Aimee Phan’s We Should Never Meet ANGELA HUME ...
We Should Never Meet - Macmillan Publishers
Compelling, moving, and beautifully written, the interlinked stories that make up We Should Never Meet alternate between Saigon before the city's fall in 1975 and present-day "Little Saigon" in Southern California---exploring the reverberations of the Vietnam War in a completely new light.
Aimee Phan We Should Never Meet [PDF]
a white family who returns to Vietnam with his adoptive mother We Should Never Meet is one of those rare books that truly takes an original look at the human condition and marks the exciting debut of a major new writer for our time
Aimee Phan We Should Never Meet Full PDF
a white family who returns to Vietnam with his adoptive mother We Should Never Meet is one of those rare books that truly takes an original look at the human condition and marks the exciting debut of a major new writer for our time
Aimee Phan We Should Never Meet Copy - netsec.csuci.edu
Aimee Phan, "We Should Never Meet": delves into the intriguing and potentially unsettling premise of a relationship that should never exist. This exploration navigates the complex emotions and rationalizations surrounding a forbidden connection, whether based on societal pressures, personal histories, or inherent incompatibilities.
Aimee Phan We Should Never Meet (book)
Embark on a transformative journey with Written by is captivating work, Aimee Phan We Should Never Meet . This enlightening ebook, available for download in a convenient PDF format , invites you to explore a world of boundless
Aimee Phan We Should Never Meet
We Should Never Meet is one of those rare books that truly takes an original look at the human condition---and marks the exciting debut of a major new writer for our time.
Aimee Phan We Should Never Meet Copy
Should Never Meet alternate between Saigon before the city's fall in 1975 and present-day Little Saigon in Southern California---exploring the reverberations of the Vietnam War in a completely new light.
Aimee Phan We Should Never Meet 1 (book) - netsec.csuci.edu
Aimee Phan We Should Never Meet 1 Aimee Phan "We Should Never Meet 1": This captivating title hints at a story filled with intrigue, mystery, and perhaps a touch of danger. It promises a narrative centered around Aimee Phan and the compelling reason why a meeting between her and the narrator should be avoided at all costs.
Aimee Phan We Should Never Meet Copy - homedesignv.com
We Should Never Meet is one of those rare books that truly takes an original look at the human condition---and marks the exciting debut of a major new writer for our time. The Reeducation of Cherry Truong Aimee Phan,2012-03-13 Cherry Truong's parents have exiled her wayward older brother from their
Aimee Phan We Should Never Meet
Should Never Meet alternate between Saigon before the city's fall in 1975 and present-day Little Saigon in Southern California---exploring the reverberations of the Vietnam War in a completely new light.
Aimee Phan We Should Never Meet (Download Only)
Should Never Meet alternate between Saigon before the city's fall in 1975 and present-day Little Saigon in Southern California---exploring the reverberations of the Vietnam War in a completely new light.
Aimee Phan We Should Never Meet (Download Only)
We Should Never Meet Aimee Phan,2004 Eight short stories chronicling the journeys of four orphans during Operation Babylift, which airlifted thousands of orphans from Vietnam to the United States shortly before the fall of Saigon.
Aimee Phan We Should Never Meet (Download Only)
a white family who returns to Vietnam with his adoptive mother We Should Never Meet is one of those rare books that truly takes an original look at the human condition and marks the exciting debut of a major new writer for our time
Aimee Phan's We Should Never Meet - JSTOR
In "Emancipation," one of the short stories in We Should Never Meet, Phan introduces the Vietnamese character Mai, who came to Amer ica after the Vietnam War as a boat refugee.
Aimee Phan - archive.ncarb.org
adopted by a white family who returns to Vietnam with his adoptive mother We Should Never Meet is one of those rare books that truly takes an original look at the human condition and marks the exciting debut of a major new writer for our time
"Model Orphan" in Aimee Phan's We Should Never Meet
This essay examines Aimee Phan's fiction concerning Vietnamese orphans and adoptees coming of age in Southern California. Engaging the transnational dimensions of U.S. ideologies of democracy, family, and race, this essay explores a "model orphan" construct that expands mainstream narratives of the Vietnamese American refugee and model minority.
Aimee Phan We Should Never Meet - old.fullybookedonline.com
Within the pages of "Aimee Phan We Should Never Meet," an enthralling opus penned by a highly acclaimed wordsmith, readers attempt an immersive expedition to unravel the intricate significance of language and its indelible imprint on our
Aimee Phan We Should Never Meet (PDF) - ishipper.com.ph
The title itself—"Aimee Phan: We Should Never Meet"—is a profound statement. Is it a chilling invitation, a subtle warning, or a complex reflection on the nature of online interaction?
Un)Making Mothers, Orphans, and Transnational Adoptees: The
set that populate Aimee Phan’s worlds of wartime Vietnam and postwar orphan life in the US in her short story collection, We Should Never Meet (2004). 1 When asked why she wrote this collection, Phan explicitly places
Gone Girl Broken Harbor and the Terror of Everyday Life The …
The Affects and Ethics of the Gift in Aimee Phan’s We Should Never Meet ANGELA HUME ...
