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| selfie the changing face of self portraits: Selfie: The Changing Face of Self Portraits Susie Brooks, 2017-09-05 'Selfies' are everywhere - from Kim Kardashian, queen of the selfie, to the Queen of England photobombing the Australian hockey team's selfie in 2014, you can't open a newspaper, or visit a news website, without seeing one. Recent technology, such as the selfie stick, and camera phones, have helped make the selfie a global trend, so you would be forgiven for thinking that this is a modern trend. But in fact, the first known selfies date from about 40,000 years ago and are hand stencils, discovered on a cave wall in Indonesia. Produced in conjunction with the Art Archive, Selfie charts the progress and the development of the self portrait, from Indonesian caves, through famous self-portrait artists such as Vincent van Gogh and Pablo Picasso and the invention of the camera, to iconic modern selfies such as the 2014 Oscar photograph. It looks at trends, techniques and the tales behind some famous self portraits - do you know why Van Gogh was driven to cut off a chunk of his ear? Or how Frida Kahlo and Diego Rivera's stormy marriage affected their painting? Which teenage member of the Russian royal family sent a selfie she had taken in a mirror to a friend in 1914? And how are Andy Warhol's photographic techniques still influencing selfie-takers today? Selfie has the answers to all these questions, and many more! Packed full of fascinating information and incredible images, this is a must-have book for selfie-lovers of all ages! |
| selfie the changing face of self portraits: Virtual and Augmented Reality in Education, Art, and Museums Guazzaroni, Giuliana, Pillai, Anitha S., 2019-11-22 Due to the growing prevalence of artificial intelligence technologies, schools, museums, and art galleries will need to change traditional ways of working and conventional thought processes to fully embrace their potential. Integrating virtual and augmented reality technologies and wearable devices into these fields can promote higher engagement in an increasingly digital world. Virtual and Augmented Reality in Education, Art, and Museums is an essential research book that explores the strategic role and use of virtual and augmented reality in shaping visitor experiences at art galleries and museums and their ability to enhance education. Highlighting a range of topics such as online learning, digital heritage, and gaming, this book is ideal for museum directors, tour developers, educational software designers, 3D artists, designers, curators, preservationists, conservationists, education coordinators, academicians, researchers, and students. |
| selfie the changing face of self portraits: Take Your Selfie Seriously Sorelle Amore, 2021-08-26 Do you want to improve your social-media profile? Learn how to express yourself through beautiful, artistic self-portraits with Take Your Selfie Seriously: The Advanced Selfie and Self-Portrait Handbook. Existing in today's world without photos of yourself is hardly possible, existing without great photos of yourself can be crippling. Take Your Selfie Seriously walks you through the fundamentals of taking the perfect selfie - the gear, pose, facial expression, outfit choice, story, composition, lighting and more. Posting your selfie is an opportunity for you to declare visually who you are and what you aspire to be. Take it seriously and you'll unleash a whole new world of opportunity and potential in the process. From Sorelle Amore, the well-known photographer, filmmaker, influencer and savvy business person whose #Blessed Instagram and Advanced Selfie University programmes have inspired her millions followers across the globe to up their selfie game and improve their online presence! |
| selfie the changing face of self portraits: The Routledge Companion to Photography and Visual Culture Moritz Neumüller, 2018-09-21 The Routledge Companion to Photography and Visual Culture is a seminal reference source for the ever-changing field of photography. Comprising an impressive range of essays and interviews by experts and scholars from across the globe, this book examines the medium’s history, its central issues and emerging trends, and its much-discussed future. The collected essays and interviews explore the current debates surrounding the photograph as object, art, document, propaganda, truth, selling tool, and universal language; the perception of photography archives as burdens, rather than treasures; the continual technological development reshaping the field; photography as a tool of representation and control, and more. One of the most comprehensive volumes of its kind, this companion is essential reading for photographers and historians alike. |
| selfie the changing face of self portraits: The Selfie Generation Alicia Eler, 2017-11-07 Whether it's Kim Kardashian uploading picture after picture to Instagram or your roommate posting a mid-vacation shot to Facebook, selfies receive mixed reactions. But are selfies more than, as many critics lament, a symptom of a self-absorbed generation? Millennial Alicia Eler's The Selfie Generation is the first book to delve fully into this ubiquitous and much-maligned part of social media, including why people take them in the first place and the ways they can change how we see ourselves. Eler argues that selfies are just one facet of how we can use digital media to create a personal brand in the modern age. More than just a picture, they are an important part of how we live today. Eler examines all aspects of selfies, online social networks, and the generation that has grown up with them. She looks at how the boundaries between people’s physical and digital lives have blurred with social media; she explores questions of privacy, consent, ownership, and authenticity; and she points out important issues of sexism and double standards wherein women are encouraged to take them but then become subject to criticism and judgment. Alicia discusses the selfie as a paradox—both an image with potential for self-empowerment, yet also a symbol of complacency within surveillance culture The Selfie Generation explores just how much social media has changed the ways that people connect, communicate, and present themselves to the world. |
| selfie the changing face of self portraits: Culture of the Selfie Ana Peraica, 2017-05-23 Culture of the Selfie is an in-depth art-historical overview of self-portraiture, using a set of theories from visual studies, narratology, media studies, psychotherapy, and political principles. Collecting information from various fields, juxtaposing them on the historical time-line of artworks, the book focuses on space in self-portraits, shared between the person self-portraying and the viewer. What is the missing information of the transparent relationship to the self and what kind of world appears behind each selfie? As the 'world behind one's back' is gradually taking larger place in the visual field, the book dwells on a capacity of selfies to master reality, the inter-mediate way and, in a measure, oneself. |
| selfie the changing face of self portraits: SELF-PORTRAIT NARAYAN CHANGDER, 2024-05-10 THE SELF-PORTRAIT MCQ (MULTIPLE CHOICE QUESTIONS) SERVES AS A VALUABLE RESOURCE FOR INDIVIDUALS AIMING TO DEEPEN THEIR UNDERSTANDING OF VARIOUS COMPETITIVE EXAMS, CLASS TESTS, QUIZ COMPETITIONS, AND SIMILAR ASSESSMENTS. WITH ITS EXTENSIVE COLLECTION OF MCQS, THIS BOOK EMPOWERS YOU TO ASSESS YOUR GRASP OF THE SUBJECT MATTER AND YOUR PROFICIENCY LEVEL. BY ENGAGING WITH THESE MULTIPLE-CHOICE QUESTIONS, YOU CAN IMPROVE YOUR KNOWLEDGE OF THE SUBJECT, IDENTIFY AREAS FOR IMPROVEMENT, AND LAY A SOLID FOUNDATION. DIVE INTO THE SELF-PORTRAIT MCQ TO EXPAND YOUR SELF-PORTRAIT KNOWLEDGE AND EXCEL IN QUIZ COMPETITIONS, ACADEMIC STUDIES, OR PROFESSIONAL ENDEAVORS. THE ANSWERS TO THE QUESTIONS ARE PROVIDED AT THE END OF EACH PAGE, MAKING IT EASY FOR PARTICIPANTS TO VERIFY THEIR ANSWERS AND PREPARE EFFECTIVELY. |
| selfie the changing face of self portraits: Renaissance Self-portraiture Joanna Woods-Marsden, 1998-01-01 An exploration of the genesis and early development of the genre of self-portraiture in Italy in the 15th and 16th centuries. The author examines a series of self-portraits in Renaissance Italy, arguing that they represented the aspirations of their creators to change their social standing. |
| selfie the changing face of self portraits: The Allure of the Selfie Brooke Wendt, 2014 |
| selfie the changing face of self portraits: Seeing Ourselves Through Technology Jill W. Rettberg, 2014-10-02 This book is open access under a CC BY license. Selfies, blogs and lifelogging devices help us understand ourselves, building on long histories of written, visual and quantitative modes of self-representations. This book uses examples to explore the balance between using technology to see ourselves and allowing our machines to tell us who we are. |
| selfie the changing face of self portraits: From Self-portrait to Selfie Muriel Tinel-Temple, Laura Busetta, Marlène Monteiro, 2019 In the age of the selfie, this book traces self-portraiture in film and video from the Western tradition in painting and literature into present-day digital media. The essays assess the significance of the self-portrait in the moving image and new media by exploring a varied and international body of works. |
| selfie the changing face of self portraits: About Face Andy Warhol, Nicholas Baume, Richard Meyer, Douglas Crimp, 1999 i>About Face, which accompanies an exhibition organizedby the Wadsworth Atheneum, presents the first overview of Warhol'sportraiture to embrace all periods and media. |
| selfie the changing face of self portraits: Selfies Katrin Tiidenberg, 2018-04-30 This book presents a rich and nuanced analysis of selfie culture. It shows how selfies gain their meanings, illustrates different selfie practices, explores how selfies make us feel and why they have the power to make us feel anything, and unpacks how selfie practices and selfie related norms have changed or might change in the future. |
| selfie the changing face of self portraits: Self-Portraits Ernst Rebel, 2017 Explores self-portraits, sharing examples of self-portraiture and offering interpretations and a brief biography of the artists. |
| selfie the changing face of self portraits: Short History of the Shadow Victor I. Stoichita, 1997-08 Looks at the depiction and meaning of shadows in the history of Western art |
| selfie the changing face of self portraits: From Selfie to Self-Expression SAATCHI GALLERY., 2017-03 |
| selfie the changing face of self portraits: Gillian Wearing and Claude Cahun Sarah Howgate, Dawn Ades, 2017-04-25 Published to accompany an exhibition held at the National Portrait Gallery, London, 9 March-29 May 2017 |
| selfie the changing face of self portraits: The First Book of Fashion Ulinka Rublack, Maria Hayward, Jenny Tiramani, 2021-02-11 This captivating book reproduces arguably the most extraordinary primary source documents in fashion history. Providing a revealing window onto the Renaissance, they chronicle how style-conscious accountant Matthäus Schwarz and his son Veit Konrad experienced life through clothes, and climbed the social ladder through fastidious management of self-image. These bourgeois dandies' agenda resonates as powerfully today as it did in the sixteenth century: one has to dress to impress, and dress to impress they did. The Schwarzes recorded their sartorial triumphs as well as failures in life in a series of portraits by illuminists over 60 years, which have been comprehensively reproduced in full color for the first time. These exquisite illustrations are accompanied by the Schwarzes' fashion-focussed yet at times deeply personal captions, which render the pair the world's first fashion bloggers and pioneers of everyday portraiture. The First Book of Fashion demonstrates how dress – seemingly both ephemeral and trivial – is a potent tool in the right hands. Beyond this, it colorfully recaptures the experience of Renaissance life and reveals the importance of clothing to the aesthetics and every day culture of the period. Historians Ulinka Rublack's and Maria Hayward's insightful commentaries create an unparalleled portrait of sixteenth-century dress that is both strikingly modern and thorough in its description of a true Renaissance fashionista's wardrobe. This first English translation also includes a bespoke pattern by TONY award-winning costume designer and dress historian Jenny Tiramani, from which readers can recreate one of Schwarz's most elaborate and politically significant outfits. |
| selfie the changing face of self portraits: Understanding Selfies Piotr Sorokowski, Katarzyna Pisanski, Agnieszka Sorokowska, Nicola Bruno, 2018-04-27 In the year 2013, ‘selfie’ was named word of the year by Oxford Dictionaries in recognition of dramatic changes in frequency, prominence, and register of the term. This drastic increase in selfie-taking was spurred by two factors. The first was the advent of smartphones equipped with front cameras and preview screens that made it easy to compose a photographic self-portrait by a process of deliberately exploring one’s image, choosing a pose, and finally taking the picture. The second key change contributing to the rise of the selfie age was the increasing availability of internet connections. It is estimated that about 50% of the world population has access to the internet today (2018; https://www.internetworldstats.com). At the end of the past century, this percentage was a mere 1%. The growth of the internet infrastructure simultaneously spurred the development of social network applications such as Facebook, Twitter, Snapchat, and Instagram, providing accessible media for sharing photographs including photographic self-portraits. However, despite their tremendous reach and popularity, selfies have so far received relatively little attention by the scientific community, especially within psychology. Thus, we proposed a Frontiers in Psychology Research Topic to expand empirical and theoretical work on the massively popular, yet scientifically unexplored, phenomenon of the selfie. The articles published in this eBook offer a multifaceted insight into current scholarly work on this topic. |
| selfie the changing face of self portraits: The Self Portrait Sean Kelly, Edward Lucie-Smith, 1987 Exhibition The Self-Portrait: a Modern View organised by Artsite Gallery, Bath International Festival, 1987. |
| selfie the changing face of self portraits: Imagine. Shoot. Create. Annegien Schilling, 2019-07-11 Annegien Schilling started her @fetching_tigerss Instagram account when she was 13 years old. Six years later, she has almost 1 million followers worldwide. Her distinctive, surreal images inspire curiosity about the creative process, and in this book, Annegien shares her signature editing style in great detail. She guides her readers through simple step-by-steps to beautiful, surreal imagery and teaches her successful method of conceiving an idea (Imagine), capturing it correctly (Shoot), and editing them efficiently (Create), all without expensive camera gear or complicated software. This book will inspire you to explore your imagination and create photos you never thought possible! |
| selfie the changing face of self portraits: Weathering Time NANCY. FLOYD, 2021-05-11 'It's not just the body that changes: Fashions and hairstyles evolve; pets come and go; typewriters, analog clocks, and telephones with cords disappear; and finally, film gives way to digital and the computer replaces the darkroom. While Weathering Time is a personal archive, and I am mining the archive to address issues of the female body, the family snapshot and loss, I am also interested in producing images that suggest some of the experiences of my generation. Indeed, the photographs underscore the cultural, technological, and physical changes that have occurred over the past thirty-five years--from my youth to the dawn of my old age.' Nancy Floyd |
| selfie the changing face of self portraits: Self-portraits Vivian Maier, Elizabeth Avedon, 2013-10-29 The lifetime work of recently discovered street photographer Vivian Maier has captivated the world and spawned comparisons to photography's masters including Diane Arbus, Helen Levitt, Lisette Model, Walker Evans and Weegee. Now, for the first time, Vivian Maier: Self-Portrait will present the fullest and most intimate portrait of the artist herself with approximately 60 never-before-seen black-and-white and colour self-portraits culled from the extensive Maloof archive, the preeminent collector of the work of Vivian Maier. |
| selfie the changing face of self portraits: Kim Kardashian West: Selfish Kim Kardashian West, 2016-10-11 The newly updated book dedicated to the selfie photography of Kim Kardashian, featuring sixty-four new pages of the latest snaps of Kim’s children, her immediate family, and some of the world’s most prominent figures. From her early beginnings as a wardrobe stylist, Kim Kardashian has catapulted herself into becoming one of the most recognizable celebrities in Hollywood. Hailed by many (including Givenchy designer Riccardo Tisci) as the modernday Marilyn Monroe, Kim has become a true American icon. With her curvaceous style, successful reality TV show Keeping Up with the Kardashians, DASH clothing store, makeup and perfume lines, and workout DVDs, she has acquired a massive fan following in the multi-millions. Through Instagram, Twitter, and Facebook, Kim connects with her legions of fans on a daily basis, sharing details of her life with her selfie photography. Widely regarded as a trailblazer of the selfie movement—a self-portrait for the digital age—Kim has mastered the art of taking flattering and highly personal photos of herself. This updated volume presents 64 new pages of some of Kim’s favorite selfies—from her favorite throwback images and current ultra-sexy glam shots to newly snapped selfies with Serena Williams, Hillary Clinton, and President Barack Obama—Selfish provides readers with a behind-the-scenes look into this larger-than-life star. This revised and expanded edition features previously unpublished images of her children and immediate family. |
| selfie the changing face of self portraits: Listening to Young Children Alison Clark, Peter Moss, 2011 The Mosaic approach views children as ‘experts in their own lives’, and offers a creative framework for listening to young children’s perspectives. At a time of shifting policy in early years, this second edition offers a timely reminder that listening to young children is still important for reviewing service provision.The Mosaic approach has been applied by practitioners throughout the world. This new edition reflects on the authors’ original ground-breaking work, with new introductions, updates and examples of how the Mosaic approach has been adapted, and offers case studies that will encourage practitioners to use the framework in their own setting.will be of interest to policy makers, practitioners in nurseries, children’s centres, pre-schools and schools and residential settings. It will also be welcomed by early childhood students and other researchers who are engaged in searching for new theoretical, practical and imaginative ways of listening to young children. |
| selfie the changing face of self portraits: Vasiṣṭha's Yoga Swami Venkatesananda, 2010-03-18 This is Swami Venkatesananda's longer Yoga Vasiṣṭha. His two volume book is here offered between two covers. Its purpose is to provide a means to eliminate psychological conditioning and to attain liberation. Containing the instructions of the sage Vasiṣṭha to Lord Rama, this scripture is full of intricately woven tales, the kind a great teacher might tell to hold the interest of a student. |
| selfie the changing face of self portraits: Exploring the Selfie Julia Eckel, Jens Ruchatz, Sabine Wirth, 2018-04-06 This volume explores the selfie not only as a specific photographic practice that is deeply rooted in digital culture, but also how it is understood in relation to other media of self-portrayal. Unlike the public debate about the dangers of 'selfie-narcissism', this anthology discusses what the practice of taking and sharing selfies can tell us about media culture today: can the selfie be critiqued as an image or rather as a social practice? What are the technological conditions of this form of vernacular photography? By gathering articles from the fields of media studies; art history; cultural studies; visual studies; philosophy; sociology and ethnography, this book provides a media archaeological perspective that highlights the relevance of the selfie as a stereotypical as well as creative practice of dealing with ourselves in relation to technology. |
| selfie the changing face of self portraits: Self-Representation in an Expanded Field Ace Lehner, 2021-05-31 Defined as a self-image made with a hand-held mobile device and shared via social media platforms, the selfie has facilitated self-imaging becoming a ubiquitous part of globally networked contemporary life. Beyond this selfies have facilitated a diversity of image making practices and enabled otherwise representationally marginalized constituencies to insert self-representations into visual culture. In the Western European and North American art-historical context, self-portraiture has been somewhat rigidly albeit obliquely defined, and selfies have facilitated a shift regarding who literally holds the power to self-image. Like self-portraits, not all selfies are inherently aesthetically or conceptually rigorous or avant-guard. But, –as this project aims to do address via a variety of interdisciplinary approaches– selfies have irreversibly impacted visual culture, contemporary art, and portraiture in particular. Selfies propose new modes of self-imaging, forward emerging aesthetics and challenge established methods, they prove that as scholars and image-makers it is necessary to adapt and innovate in order to contend with the most current form of self-representation to date. The essays gathered herein will reveal that in our current moment it is necessary and advantageous to consider the merits and interventions of selfies and self-portraiture in an expanded field of self-representations. We invite authors to take interdisciplinary global perspectives, to investigate various sub-genres, aesthetic practices, and lineages in which selfies intervene to enrich the discourse on self-representation in the expanded field today. |
| selfie the changing face of self portraits: PhotoTherapy Techniques Judy Weiser, 2018-11-09 PhotoTherapy techniques use personal snapshots and family photos to connect with feelings, thoughts, and memories during therapy and counselling sessions, in ways that words alone cannot do. PhotoTherapy Techniques: Exploring the Secrets of Personal Snapshots and Family Albums is the most comprehensive introduction to the field of PhotoTherapy available - and it is an excellent substitute for taking an introductory training workshop! This book, now in its second edition, explains and demonstrates each of the major techniques involved, and provides theoretical rationale from both psychology and art therapy contexts. It also includes many photo-illustrated client examples, case transcripts, and practical experiential starter exercises so that readers can immediately begin using these techniques in their own practice. PhotoTherapy Techniques has been reviewed in many professional mental health journals and numerous public-media articles, generated a lot of positive feedback from readers, and is used as a text for university courses as well as being selected as the text for Continuing Education licensing credit courses for numerous mental health professions (through distance education programs). |
| selfie the changing face of self portraits: Self-portraits Liz Rideal, 2005 Exploring what motivates artists to paint or photograph themselves, the author selects over 100 self-portraits from the National Portrait Gallery to examine the style, techniques and personalities of the sitters, including William Hogarth, Thomas Gainsborough, Angelica Kauffmann, and more. |
| selfie the changing face of self portraits: Self Portrait Lee Friedlander, John Szarkowski, 2005 The fourth edition of Nutrition: maintaining and improving health continues to offer wide-ranging coverage of all aspects of nutrition, including: * nutritional assessment * epidemiological and experimental methods used in nutrition research * social aspects of nutrition * the science of food as a source of energy and essential nutritients * variation in nutritional needs and priorities at different stages of the life-cycle * hospital malnutrition * the use of dietary supplementsand functional foods Completely updated, this accessible textbook offers a comprehensive guide to the roles of diet in causing, preventing and even treating chronic disease and maintaining good health. The importance of improving health is a guiding principle throughout the book and is underpinned by health promotion theory. This is essential reading for all nutrition and dietetics students, including those studying nutrition modules as part of food science, catering or health care courses |
| selfie the changing face of self portraits: Visions of the Self: Rembrandt and Now , 2020-09-15 A legendary painting by Rembrandt forms the centerpiece of this exploration of self-portraits by leading artists of the twentieth and twenty-first centuries. Published to commemorate an exhibition presented by Gagosian in partnership with English Heritage, this stunning volume centers on Rembrandt's masterpiece Self-Portrait with Two Circles (c. 1665), from the collection of Kenwood House in London. The painting is considered to be Rembrandt's greatest late self-portrait and is accompanied here by examples of the genre from leading artists of the past one hundred years. These include works by Francis Bacon, Jean-Michel Basquiat, Lucian Freud, and Pablo Picasso, as well as contemporary artists such as Georg Baselitz, Glenn Brown, Urs Fischer, Damien Hirst, Howard Hodgkin, Giuseppe Penone, Richard Prince, Cindy Sherman, and Rudolf Stingel, among others. Also featured is a new work by Jenny Saville, created in response to Rembrandt's masterpiece. Full-color plates of the works, generous details, and installation views of the exhibition accompany an expansive essay by art historian David Freedberg that provides a close look at the self-portraits created by Rembrandt throughout his life and considers the role of the Dutch master as the precursor of all modern painting. |
| selfie the changing face of self portraits: Popular Culture as Everyday Life Dennis D. Waskul, Phillip Vannini, 2015-11-19 In Popular Culture and Everyday Life Phillip Vannini and Dennis Waskul have brought together a variety of short essays that illustrate the many ways that popular culture intersects with mundane experiences of everyday life. Most essays are written in a reflexive ethnographic style, primarily through observation and personal narrative, to convey insights at an intimate level that will resonate with most readers. Some of the topics are so mundane they are legitimately universal (sleeping, getting dressed, going to the bathroom, etc.), others are common enough that most readers will directly identify in some way (watching television, using mobile phones, playing video games, etc.), while some topics will appeal more-or-less depending on a reader’s gender, interests, and recreational pastimes (putting on makeup, watching the Super Bowl, homemaking, etc.). This book will remind readers of their own similar experiences, provide opportunities to reflect upon them in new ways, as well as compare and contrast how experiences relayed in these pages relate to lived experiences. The essays will easily translate into rich and lively classroom discussions that shed new light on a familiar, taken-for-granted everyday life—both individually and collectively. At the beginning of the book, the authors have provided a grid that shows the topics and themes that each article touches on. This book is for popular culture classes, and will also be an asset in courses on the sociology of everyday life, ethnography, and social psychology. |
| selfie the changing face of self portraits: How to See the World Nicholas Mirzoeff, 2016-04-12 Every two minutes, Americans alone take more photographs than were printed in the entire nineteenth century; every minute, people from around the world upload over 300 hours of video to YouTube; and in 2014, we took over one trillion photographs. From the funny memes that we send to our friends to the disturbing photographs we see in the news, we are consuming and producing images in quantities and ways that could never have been anticipated. In the process, we are producing a new worldview powered by changing demographics -- one where the majority of people are young, urban, and globally connected. In How to See the World, visual culture expert Nicholas Mirzoeff offers a sweeping look at history's most famous images -- from Velezquez's Las Meninas to the iconic Blue Marble -- to contextualize and make sense of today's visual world. Drawing on art history, sociology, semiotics, and everyday experience, he teaches us how to close read everything from astronaut selfies to Impressionist self-portraits, from Hitchcock films to videos taken by drones. Mirzoeff takes us on a journey through visual revolutions in the arts and sciences, from new mapping techniques in the seventeenth century to new painting styles in the eighteenth and the creation of film, photography, and x-rays in the nineteenth century. In today's networked world, mobile technology and social media enable us to exercise visual activism -- the practice of producing and circulating images to drive political and social change. Whether we are looking at pictures showing the effects of climate change on natural and urban landscapes or an fMRI scan demonstrating neurological addiction, Mirzoeff helps us to find meaning in what we see. A powerful and accessible introduction to this new visual culture, How to See the World reveals how images shape our lives, how we can harness their power for good, and why they matter to us all. |
| selfie the changing face of self portraits: The Many Faces of Jonathan Yeo Martin Gayford, Damien Hirst, Giles Coren, Tim Marlow, Sarah Howgate, 2013 Jonathan Yeo is one of Britain's best-known portrait painters. Over more than a decade, he has gained an international reputation for painting some of the most famous faces of our age. Models and movie stars, artists and actors, politicians and princes all have been the subject of his iconic, and often ironic, portraits. Coinciding with a retrospective exhibition at London's National Portrait Gallery, 'The Many Faces of Jonathan Yeo' is the first major publication on the artist. Featuring his most popular paintings, drawings, collages and prints, the book also presents several new canvases made especially for the show. |
| selfie the changing face of self portraits: Portraits and Philosophy Hans Maes, 2019-11-20 Portraits are everywhere. One finds them not only in museums and galleries, but also in newspapers and magazines, in the homes of people and in the boardrooms of companies, on stamps and coins, on millions of cell phones and computers. Despite its huge popularity, however, portraiture hasn’t received much philosophical attention. While there are countless art historical studies of portraiture, contemporary philosophy has largely remained silent on the subject. This book aims to address that lacuna. It brings together philosophers (and philosophically minded historians) with different areas of expertise to discuss this enduring and continuously fascinating genre. The chapters in this collection are ranged under five broad themes. Part I examines the general nature of portraiture and what makes it distinctive as a genre. Part II looks at some of the subgenres of portraiture, such as double portraiture, and at some special cases, such as sport card portraits and portraits of people not present. How emotions are expressed and evoked by portraits is the central focus of Part III, while Part IV explores the relation between portraiture, fiction, and depiction more generally. Finally, in Part V, some of the ethical issues surrounding portraiture are addressed. The book closes with an epilogue about portraits of philosophers. Portraits and Philosophy tangles with deep questions about the nature and effects of portraiture in ways that will substantially advance the scholarly discussion of the genre. It will be of interest to scholars and students working in philosophy of art, history of art, and the visual arts. |
| selfie the changing face of self portraits: Seeing Ourselves Frances Borzello, 2016-05-17 The first chronicle of the whole story of female self portraiture through the centuries—a key work in the study of women’s art For centuries, women’s self-portraiture was a highly overlooked genre. Beginning with the self-portraits of nuns in medieval illuminated manuscripts, Seeing Ourselves finally gives this richly diverse range of artists and portraits, spanning centuries, the critical analysis they deserve. In sixteenth-century Italy, Sofonisba Anguissola paints one of the longest series of self-portraits, from adolescence to old age. In seventeenth-century Holland, Judith Leyster shows herself at the easel as a relaxed, self-assured professional. In the eighteenth century, from Elisabeth Vigée-Lebrun to Angelica Kauffman, artists express both passion for their craft and the idea of femininity; and the nineteenth century sees the art schools open their doors to women and a new and resonant self-confidence for a host of talented female artists, such as Berthe Morisot. The modern period demolishes taboos: Alice Neel painting herself nude at eighty years old, Frida Kahlo rendering physical pain on the canvas, Cindy Sherman exploring identity, and Marlene Dumas dispensing with all boundaries. Frances Borzello’s spirited text, now fully revised, and the intensity of the accompanying self-portraits are set off to full advantage in this new edition, now in reading-book format. |
| selfie the changing face of self portraits: Beyond the Face Lauren Lessing, Nina Roth-Wells, Terri Sabatos, Jennifer Van Horn, Ross Barrett, Allison M. Stagg, Kate Clarke Lemay, 2018 Explores new approaches to portraying identity and the human face and figure, through works from the Smithsonian National Portrait Gallery's collections and other institutions. |
| selfie the changing face of self portraits: Women, Art, and Society Whitney Chadwick, 2002 This expanded edition is brought up to date in the light of the most recent developments in contemporary art. A new chapter considers globalization in the visual arts and the complex issues it raises, focusing on the many major international exhibitions since 1990 that have become an important arena for women artists from around the world.--BOOK JACKET. |
| selfie the changing face of self portraits: The Photography Book Editors of Phaidon Press, 1997-02-10 An introduction to 500 photographers from the mid-19th century to today. |
Selfie The Changing Face Of Self Portraits - netsec.csuci.edu
selfie the changing face of self portraits: Seeing Ourselves Frances Borzello, 2016-05-17 The first chronicle of the whole story of female self portraiture through the centuries—a key work in the …
Selfie The Changing Face Of Self Portraits - secrettheatre ...
Advanced Selfie University programmes have inspired her millions followers across the globe to up their selfie game and improve their online presence! selfie the changing face of self …
The Selfie: More and Less than a Self-Portrait
More than a self-portrait The selfie is more than an image, and more than an image of the self. Apart from the image, other essential attributes of the selfie include metadata, consisting of …
Art at Arm’s Length: A History of the Selfie - University of South ...
Selfies have changed aspects of social interaction, body language, self-awareness, privacy, and humor, altering temporality, irony, and public behavior. It’s become a new visual genre—a type …
CULTURE OF THE SELFIE - Network Cultures
something artistic self-portraits and media-based selfies have in common; most of them are in an iconographical sense completely meaningless, with hardly any narrative attached to it. …
From Self-Portrait to Selfie: Contemporary Art and Self …
Abstract: Defined as a self-image made with a hand-held mobile device and shared via social media platforms, the selfie has facilitated self-imaging becoming a ubiquitous part of globally …
‘Being on Trend’: Selfie as a Social Phenomenon - Infonomics …
Firstly, the visual format of the selfie explicates the main trend in the Western values (living a full life, experience strong emotions). Secondly, it allows for the active circulation of selfies on the …
Review of Ana Peraica (2017). Culture of the Selfie: Self ...
Ana Peraica’s open access book, Culture of the Selfie: Self-Representation in Contemporary Visual Culture (2017), presents author’s broad research about the phenomenon of the selfie …
From Self-Portraits to Selfies - John Suler
Self-portraits are a highly effective method of revealing oneself in cyberspace while attempting to control that projected self-awareness. The massive numbers of self-portraits that began to …
Self-Portrait, Selfie, Self: Notes on Identity and Documentation in …
Creating a self-portrait then is a matter of bringing oneself forth over time—constructing oneself, rather than simply depicting oneself. This account provides grounds to consider whether...
The Allure of the Selfie T - Network Cultures
Take a Selfie’. In one of these tutorials, make-up artist Michelle Phan demonstrates how to ‘capture the best version of yourself’ and explains how to light your selfie, hold your …
The Selfie, Temporality, and Contemporary Photography
This book is a theoretical examination of the relationship between the face, identity, photography, and temporality, focusing on the temporal episteme of selfie practice. Claire Raymond …
The Selfie Assemblage - ijoc.org
At the moment of capture, a selfie connects disparate modes of existence into one simple act. It features the corporeal self, understood in relation to the surrounding physical space, filtered …
KS2 PORTRAITURE - wallacecollection.org
SELF Readily available access to technology means that we now create more self-portraits than during any other period in history. Evidence of the explosion of self-portraiture in our lives can …
Selfie The Changing Face Of Self Portraits (2024)
Within the pages of "Selfie The Changing Face Of Self Portraits," an enthralling opus penned by a very acclaimed wordsmith, readers attempt an immersive expedition to unravel the intricate …
“Do I Look Like My Selfie?”: Filters and the Digital-Forensic Gaze
The ability to manipulate one’s appearance with selfie filters is intuitively appealing and lends itself to identity work, play, and self-exploration. In the vast majority of the literature on selfies, …
The selfie as a global discourse - JSTOR
In this article, we will present a multi-modal critical discourse analysis of how people communicate through selfies distributed on Instagram.
Elisabeth Vigee Lebrunf Women Artists of the Eighteenth Century …
will consider a number of self-portraits of the artists at work, analyzing their presentation of self to the viewer and showing that they viewed themselves as true artists rather than second-class …
ISSN: 2278-4012, Volume: 9, Issue:4, October, 2020
Selfies are self-portraits, commonly taken with a camera or mobile phone held at arm's length, which is said have implications for one's self-esteem and body image satisfaction. Hence,...
The Selfie Moment: The Rhetorical Implications of Digital Self ...
digital self-portrait, also known as the selfie, to mine the rhetorical implications of this phenomenon for culture As Hall (2014: loc 132) suggests, self-portraits “have often been in the …
The Selfie Moment: The Rhetorical Implications of Digital Self ...
of narrative The selfie is often an image without context Though some types of selfies do show some background, many selfie s feature just the face of the picture taker In fact, “Selfie City ,” a …
We Had Faces: Morisot, Self-Portraiture, and the Female Face in ...
pictorial and identity issues present in Morisots three self-portraits from 1885, by examining the artists engagement in a history of artmaking and in picturing subjectivity. Analysis of specific …
The Selfie Assemblage - ijoc.org
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The selfie as a global discourse
the semiotic practice of shooting digital self-portraits (selfies), adding captions and then sharing these texts on the social network site Instagram. Combining theories from social semiotics, ...
This Is Who I Am: The Selfie as a Personal and Social Identity Marker
and social media facilitate (or inhibit) these processes are also examined. Among young people, selfie-taking is often regarded as normative behavior (Pew Research Center, 2014; …
The Selfie Moment: The Rhetorical Implications of Digital Self ...
of narrative The selfie is often an image without context Though some types of selfies do show some background, many selfie s feature just the face of the picture taker In fact, “Selfie City ,” a …
teme The Selfie: The Phenomenon of False Self vs. True Self ...
4 Mar 2020 · Changing the urban landscape, is selfie showing our True Self or a pose for the public ... consequently, the face-to-face communication. Instead of living the moment, people …
Selfie-Portraits: Agnès Varda, JR, and the Politics of Sharing
Selfie-Portraits: Agnès Varda, JR, and the Politics of Sharing ... for how it disrupts the form of the self-reflective essay or personal film.4 Firstly, and most obviously, the film is a dialogue rather …
Creating self-portraits is a snap with this easy technique
face off to one side of the page. 2. With a permanent marker, trace the contours and features of the face. Don't try to draw every hair and eyelash — try to keep it simple, using as few lines as …
The selfie as a global discourse - JSTOR
the semiotic practice of shooting digital self-portraits (selfies), adding captions and then sharing these texts on the social network site Instagram. Combining theories from social semiotics, ...
The Allure of the Selfie T - Network Cultures
#I, #me, #myself, #self, #selfie, #selfies, and #selfportrait account for over 439 million user images and videos as of June 2014. According to journalist Eliza-beth Day, the first #selfie image …
The Transition in Frida Kahlo s Self-Portrait: Before ... - ResearchGate
self-portraits: to have a free model to delve into the minor depictions of human body, to capture the essence of one’s own self in order to better capture the essence of someone else; to show ...
Selfie-Portraits: Agnès Varda, JR, and the Politics of Sharing
Selfie-Portraits: Agnès Varda, JR, and the Politics of Sharing Tomas Elliott DOI: 10.15664/fcj.v18i1.2256 N 2053 ² 8812 1 8 Jun 202 1 ) m
Art Making: Create Your Own Self-Portraits - National Museum of …
o Using a pencil, sketch a self-portrait on the cover of your self-portrait book or a blank sheet of paper. Things to consider: • Will this self-portrait be a bust portrait of your head, neck, and …
4. Who Am I? Creating Portraits for Self-Reflection - Iowa State …
• Use self-portraits to identify similarities and differences within a group of peers. Overview. ... Divide the participants into two groups and have them form two circles where they each face a …
The Cinematic Selfie: Questioning the Self through Generative Art
emergence of face-based cultural practices can be attributed both to technological innovations (digital photography and filters, software for automatic face recognition), and to the …
Roy Lichtenstein: Pop Art 5 Comic Book Style Self-Portraits …
4. Review features of the face and talk about where they are located in relation to each other, i.e. eyes in relation to nose, etc. Have students draw a basic face on sketch paper to practice. 5. …
Selfie addiction: the prodigious self-portraits - ResearchGate
Selfie taking habits and reasons for taking selfies: Among the study population the average number of selfies taken by them was 25 per day, with the average number of
Review of Ana Peraica (2017). Culture of the Selfie: Self ...
portrait –‘Self-portrait as a Drawn Man’ by Hippolyte Bayard (1887) – which represents a dead-looking person, who represents himself as alive. Peraica discusses self-portraits of Oscar …
& Identity Self-Portraits, Self-Expression, Making Art of Ourselves
Self-Portraits, Self-Expression, & Identity Jesse Rocha Art History 1 Hello, and welcome to “Making Art of Ourselves: Self-Portraits, Self-Expression, & Identity,” a lesson developed for …
Understanding Self-Documentation
Self-Portraits would not have been possible: thank you. Teresa Hinton, of the IRB: thank you for your help, again and again. I can’t forget my friends here—particularly other PhD students. …
Universal Principles of Depicting Oneself across the Centuries: …
Self-Portraits to Selfie-Photographs. Front. Psychol. 8:245. doi: 10.3389/fpsyg.2017.00245 Universal Principles of Depicting Oneself across the Centuries: From Renaissance Self …
Written, Visual and Quantitative Self-Representations - Springer
are descendants of visual artists’ self-portraits, and the quantitative modes of lifelogs, personal maps, productivity records and activity trackers are descendants of genres such as accounting, …
4th GRADE - Georgia Public Broadcasting
“Selfie” Self Portraits . ENDURING UNDERSTANDING: Self-portraits can be found in a variety of resources, such as the work of famous artists and contemporary culture. ... Basic …
SELFIE: THE PHENOMENON OF FALSE SELF VS. TRUE SELF …
This study concentrates on the elements of self-awareness of selfie author, True and False Self representation, self-esteem, body image, need and lack of gratification, attachment style, and …
Selfies beyond self-representation: the (theoretical) f(r)ictions of a ...
into the selfie and draw conclusions based on content. As Paul Frosh details,14 this approach, although insightful, it does not go far enough in understanding the wider socio-technological …
Selfie The Changing Face Of Self Portraits Copy
Fuel your quest for knowledge with Learn from is thought-provoking masterpiece, Explore Selfie The Changing Face Of Self Portraits . This educational ebook, conveniently sized in PDF ( …
Online Selfie Behavior and Self-Representation Among Emirati …
the self, allowing in the process amateurs to learn photography with instant results. The genre of self-portraits reached a turning point with the mass adoption of digital cameras and social …
This Is Who I Am: The Selfie as a Personal and Social Identity Marker
and social media facilitate (or inhibit) these processes are also examined. Among young people, selfie-taking is often regarded as normative behavior (Pew Research Center, 2014; …
U Self(ie)-portraits - BASICS 8 - sky.editions-bordas.fr
Self(ie)-portraits Crosswords Book p. 112 1. Complete the grid below. Horizontal 3. Someone who paints pictures 4. Someone who creates sculpture 7. Using only black, white and grey or only …
Selfie: The Phenomenon of False Self vs. True Self Representation …
This study concentrates on the elements of self-awareness of selfie author, True and False Self representation, self-esteem, body image, need and lack of gratification, attachment style, and …
Notes to self: the visual culture of selfies in the age of social …
stating that “Self-portraits shot with cell phones, or ‘selfies’ – cheap-looking, evoking the MySpace era – became a sign of bad taste.” She goes on, “The subject of the MySpace …
FENOMENA SELFIE KALANGAN REMAJA PEREMPUAN DI …
A selfie is a form of self art photography that is usually done alone or with others by using the existing cameras in cell phones and other gadgets. The photos are then uploaded to ...
TH VISUAL ARTS GRADE ACTION PLAN: SELF-PORTRAITS - Arts …
Self-portraits: Students start drawing with chalk and colored pencil Teacher models use of chalk and colored pencil media. Students complete 2 to3 self-portraits using the master …
Narcissus -- The Evolution of Self-portraits in Image Times
Self-portraits derive from portraiture. Initially, artists painted self-portraits to prove their identities; then, they used these paintings to show their unique personalities and life experiences. The …
1. Draw your face using only letters. lines. - faea.org
portrait. First, I put glue on the paper in the shape of my face. Then I put sand all over the paper, and put the remaining sand in the trash. 14. For my self portrait that I created I made my face …
The selfie phenomenon consumer identities in the social media …
Findings–Although the selfie is a relatively new phenomenon, both marketing practice and ... Iqani, M., and Schroeder, J. (2016), “#selfie: digital self-portraits as commodity form and
The varieties of self-portrait experiences - John Suler
Self-portraits also differ in how much photographers reveal of the environment where the shot was taken. The location and objects in it almost always reflect important aspects of their identity, …
SPECTACLES OF SELF(IE) EMPOWERMENT? NETWORKED …
The selfie functions as an expressive celebration of the self by seeking to capture embodied experience. Many claim that the increased agency afforded to networked individuals constitutes a
A window to the ideal self: A study of UK Twitter and Chinese Sina ...
A window tothe ideal self: A study of UK Twitter and Chinese Sina Weibo selfie-takers and the implications for marketers Jenny Weichen Maa,⁎, Yusheng Yangb,JonathanA.J.Wilsonc a …
The self in selfies—Conceptualizing the selfie‐coordination of ...
coordinating with the self in formats that are recognizable for others. After presenting my data and methods, I employ the framework of sociology of engagements in my analysis to examine four …
The longitudinal and reciprocal relationships between selfie …
dissatisfaction. Results indicated that selfie-editing, but not selfie-posting, predicted increases in adolescents’ self-objectification and appearance concerns (both body and face) over time. …
Selfie-editing, facial dissatisfaction, and cosmetic surgery ...
selfie-posting per se, the procedure before selfie-posting (i.e., selfie-editing) might be particularly relevant to cosmetic sur-gery. Specifically, selfie-editing allows users to improve their …
Creating Self-Portraits - Life-Role
become more flexible/adaptable. The self-portrait is a living document that keeps pace with the client's changing perceptions of self and as such it provides a blueprint for exploration and/or …
Selfie and Self-Esteem - ResearchGate
Selfie also called selfitis that increase self-esteem and self-confidence (Mohan, Sund, & Dubey, 2017). Selfies, mid-level detectors were then used to design user personality (Guntutu,
Exploring Identity through Self-Portraiture - University of New …
best known for her self-portraits, she even had a mirror fixed above her bed so she could paint herself while she was bedridden; she once said of her painting “I paint self-portraits because I …
From Self-Portrait to Selfie: Contemporary Art and Self …
defines self-portrait as “a portrait of an artist produced or created by that artist” 3. What a self-portrait is and what its aims are remain up to the maker. The distinction about who is …
SELF-PORTRAIT LESSON PLAN - Thrive Collective
SELF-PORTRAIT LESSON PLAN L e sso n P l a n P re p a re d b y P e a ch T a o , I G : @p e a ch e e b l u e G O AL S T h ri ve Co l l e ct i ve p ro vi d e s p ro j e ct -b a se d l e a rn i n g t h …
Me, My Selfie, and I - Maastricht University
objectification, self-esteem, and various selfie behaviors among young women (N 179). We hypoth-esized that a worsened body image (i.e., higher body dissatisfaction or lower body …
RESEARCHARTICLE SelfieandtheCity:AWorld-Wide,Large,and ...
selfie-takingstyles:a“standard”(photographofselfie-taker)anda“mirror”(photographof mirror reflection ofselfie-taker)style. Weshowthatthefirst stylerevealsaleftcheekbias, ... Painted self …
