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| propaganda in the revolutionary war: Slavery, Propaganda, and the American Revolution Patricia Bradley, 1999 A study of how Black people were excluded from the Revolutionary patriots' goals for American liberation |
| propaganda in the revolutionary war: Reporting the Revolutionary War Todd Andrlik, 2012 Presents a collection of primary source newspaper articles and correspondence reporting the events of the Revolution, containing both American and British eyewitness accounts and commentary and analysis from thirty-seven historians. |
| propaganda in the revolutionary war: Propaganda and the American Revolution, 1763-1783 Philip Davidson, 1941 In the American Revolution as in all revolutions, propaganda was extensively and effectively used. Had the Revolution been the work of a majority, united on methods and objectives, in sure control of the movement throughout, there would have been little necessity for propaganda. That it was not is obvious. The difficulties the leaders faced at every stage of the conflict, the coercion and violence by which thousands were forced into acquiescence or exile, the indifference and malingering of thousands of others, and the constant dissensions which disrupted the leadership itself are sure evidences that the Revolution was at best but the work of an aggressive minority. Propaganda was thus indispensable to those who first promoted resistance to specific British acts and ultimately urged revolution. - Introduction. |
| propaganda in the revolutionary war: The Common Cause Robert G. Parkinson, 2016-05-18 When the Revolutionary War began, the odds of a united, continental effort to resist the British seemed nearly impossible. Few on either side of the Atlantic expected thirteen colonies to stick together in a war against their cultural cousins. In this pathbreaking book, Robert Parkinson argues that to unify the patriot side, political and communications leaders linked British tyranny to colonial prejudices, stereotypes, and fears about insurrectionary slaves and violent Indians. Manipulating newspaper networks, Washington, Jefferson, Adams, Franklin, and their fellow agitators broadcast stories of British agents inciting African Americans and Indians to take up arms against the American rebellion. Using rhetoric like domestic insurrectionists and merciless savages, the founding fathers rallied the people around a common enemy and made racial prejudice a cornerstone of the new Republic. In a fresh reading of the founding moment, Parkinson demonstrates the dual projection of the common cause. Patriots through both an ideological appeal to popular rights and a wartime movement against a host of British-recruited slaves and Indians forged a racialized, exclusionary model of American citizenship. |
| propaganda in the revolutionary war: Voices of the American Revolution Peoples Bicentennial Commission, 1975 |
| propaganda in the revolutionary war: The Boston Massacre Serena R. Zabin, 2020 Prologue: March, 1770 -- Families of Empire -- Inseparable Interests, 1766-1767 -- Seasons of Discontent, 1766-1767 -- Under One Roof -- Love Your Neighbor, 1768-1770 -- Absent Without Leave 1768-1770 -- A Deadly Riot -- Gathering Up, 1770-1772 -- Epilogue: Civil War, 1772-1775. |
| propaganda in the revolutionary war: Identifying Bias, Propaganda, and Misinformation Surrounding the Boston Tea Party Jeremy Morlock, 2018-07-15 The Boston Tea Party was an inflammatory episode that helped spark the American Revolutionary War. The events leading up to the incident, and those that followed, were colored by bias, propaganda, and the spread of misinformation. Readers will study the Boston Tea Party through the critical lens of this book. Readers will be asked to question how the opinions of the time prompted the Tea Party itself and how the incident was interpreted in later years. |
| propaganda in the revolutionary war: Journal of the American Revolution Todd Andrlik, Don N. Hagist, 2017-05-10 The fourth annual compilation of selected articles from the online Journal of the American Revolution. |
| propaganda in the revolutionary war: Broadsides and Bayonets Carl Berger, 1961 Carl Berger here relates the fascinating story of the propaganda and subversion activities of both factions during the American Revolutionary War. The writ-ings of the period, the archives and litera-ture, are filled with intriguing references to secret arts and machinations, some relating to incidents familiar to students of American history, others touching on events long since forgotten. This book for the first time brings these known and little-known events into perspective, ex-amining in a single, authoritative narra-tive their role and importance. In his Preface to Broadsides and Bay-onets, Berger explains the great effort which was made by the supporters of both causes toward effective and wide-spread psychological warfare. During its eight-year progression the war gave birth to many divisive operations, well planned in some instances and often involving minority groups on the scene as well as Englishmen and Americans. Drawn into the colonial struggle were French Canadians and German mercenaries, Indian tribes and Negro slaves, Irishmen, and other peoples. Propaganda activities were not confined to the actual wartime period by any means. The newspaper and pamphlet attacks on the British started well before 1776 and brought to a fighting edge the spirits of the American colonists. Each major protagonist planned intelligent and extensive campaigns to subvert and weaken the enemy camp. It was a provocative war in which the atrocity story, kidnappings, false rumors, and bribery stirred the people. It was a conflict which inevitably spread to Europe and there engaged the talents of Benjamin Franklin and John Adams, in America's first organized overseas propaganda campaign. Broadsides and Bayonets is the absorbing study of the techniques of Revolutionary propaganda. The author encompasses a great lot of original material on the hot and cold war of the period, much of which has not been previously available in a single volume. |
| propaganda in the revolutionary war: Common Sense Thomas Paine, 1918 |
| propaganda in the revolutionary war: Munitions of the Mind Philip M. Taylor, 2003-11-15 A classic work, Munitions of the mind traces how propaganda has formed part of the fabric of conflict since the dawn of warfare, and how in its broadest definition it has also been part of a process of persuasion at the heart of human communication. Stone monuments, coins, broadsheets, paintings and pamphlets, posters, radio, film, television, computers and satellite communications - throughout history, propaganda has had access to ever more complex and versatile media. This third edition has been revised and expanded to include a new preface, new chapters on the 1991 Gulf War, information age conflict in the post-Cold War era, and the world after the terrorist attacks of September 11. It also offers a new epilogue and a comprehensive bibliographical essay. The extraordinary range of this book, as well as the original and cohesive analysis it offers, make it an ideal text for all international courses covering media and communications studies, cultural history, military history and politics. It will also prove fascinating and accessible to the general reader. |
| propaganda in the revolutionary war: Propaganda in Revolutionary Ukraine Stephen Velychenko, 2019-11-04 Propaganda in Revolutionary Ukraine is a survey of domestic government and party printed propaganda in revolutionary Ukraine. It is the first account in English to study these materials using an illustrative sample of printed texts and to assess their impact based on secret police and agitator situation reports. The book surveys texts published by the Central Rada, the Ukrainian State, the Ukrainian National Republic, the Ukrainian Socialist Revolutionary Party, the Ukrainian Social Democratic and Labour Party, the Independentists, Ukrainian Communist Party (UCP), Ukraine’s Bolshevik Party (CPU), and anti-Bolshevik warlords. It includes 46 reproductions and describes the infrastructure that underlay the production and dissemination of printed text propaganda. The author argues that in the war of words neither Ukrainian failures nor Bolshevik success should be exaggerated. Each side managed to sway opinion in its favour in specific places at specific times. |
| propaganda in the revolutionary war: Letters of Eliza Wilkinson Eliza Yonge Wilkinson, 1839 |
| propaganda in the revolutionary war: _Me ?xico, la Patria! Monica A. Rankin, 2009 In ¡México, la patria! Monica A. Rankin examines the pervasive domestic and foreign propaganda strategies in Mexico during World War II and their impact on Mexican culture, charting the evolution of these campaigns through popular culture, advertisements, art, and government publications throughout the war and beyond. In particular, Rankin shows how World War II allowed the wartime government of Ávila Camacho to justify an aggressive industrialization program following the Mexican Revolution. Finally, tracing how the American government's wartime propaganda laid the basis for a long-term effor. |
| propaganda in the revolutionary war: American Exceptionalism and American Innocence Roberto Sirvent, Danny Haiphong, 2019-04-02 “Fake news existed long before Donald Trump…. What is ironic is that fake news has indeed been the only news disseminated by the rulers of U.S. empire.”—From American Exceptionalism and American Innocence According to Robert Sirvent and Danny Haiphong, Americans have been exposed to fake news throughout our history—news that slavery is a thing of the past, that we don’t live on stolen land, that wars are fought to spread freedom and democracy, that a rising tide lifts all boats, that prisons keep us safe, and that the police serve and protect. Thus, the only “news” ever reported by various channels of U.S. empire is the news of American exceptionalism and American innocence. And, as this book will hopefully show, it’s all fake. Did the U.S. really “save the world” in World War II? Should black athletes stop protesting and show more gratitude for what America has done for them? Are wars fought to spread freedom and democracy? Or is this all fake news? American Exceptionalism and American Innocence examines the stories we’re told that lead us to think that the U.S. is a force for good in the world, regardless of slavery, the genocide of indigenous people, and the more than a century’s worth of imperialist war that the U.S. has wrought on the planet. Sirvent and Haiphong detail just what Captain America’s shield tells us about the pretensions of U.S. foreign policy, how Angelina Jolie and Bill Gates engage in humanitarian imperialism, and why the Broadway musical Hamilton is a monument to white supremacy. |
| propaganda in the revolutionary war: Propaganda 1776 Russ Castronovo, 2014 Propaganda 1776 reframes the culture of the U.S. Revolution and early Republic, revealing it to be rooted in a vast network of propaganda. Truth, clarity, and honesty were declared virtues of the period - but rumors, falsehoods, forgeries, and unauthorized publication were no less the life's blood of liberty. Looking at famous patriots like George Washington, Benjamin Franklin, Thomas Paine; the playwright Mary Otis Warren; and the poet Philip Freneau, Castronovo provides various anecdotes that demonstrate the ways propaganda was - contrary to our instinctual understanding - fundamental to democracy rather than antithetical to it. By focusing on the persons and methods involved in Revolutionary communications, Propaganda 1776 both reconsiders the role that print culture plays in historical transformation and reexamines the widely relevant issue of how information circulates in a democracy. |
| propaganda in the revolutionary war: Protocols of Liberty William B. Warner, 2013-09-20 The fledgling United States fought a war to achieve independence from Britain, but as John Adams said, the real revolution occurred “in the minds and hearts of the people” before the armed conflict ever began. Putting the practices of communication at the center of this intellectual revolution, Protocols of Liberty shows how American patriots—the Whigs—used new forms of communication to challenge British authority before any shots were fired at Lexington and Concord. To understand the triumph of the Whigs over the Brit-friendly Tories, William B. Warner argues that it is essential to understand the communication systems that shaped pre-Revolution events in the background. He explains the shift in power by tracing the invention of a new political agency, the Committee of Correspondence; the development of a new genre for political expression, the popular declaration; and the emergence of networks for collective political action, with the Continental Congress at its center. From the establishment of town meetings to the creation of a new postal system and, finally, the Declaration of Independence, Protocols of Liberty reveals that communication innovations contributed decisively to nation-building and continued to be key tools in later American political movements, like abolition and women’s suffrage, to oppose local custom and state law. |
| propaganda in the revolutionary war: Chinese Revolutionary Cinema Jessica Ka Yee Chan, 2019-01-24 Engaging with fiction films devoted to heroic tales from the decade and a half between 1949 and 1966, this book reconceives state propaganda as aesthetic experiments that not only radically transformed acting, cinematography and screenwriting in socialist China, but also articulated a new socialist film theory and criticism. Rooted in the interwar avant-garde and commercial cinema, Chinese revolutionary cinema, as a state cinema for the newly established People's Republic, adapted Chinese literature for the screen, incorporated Hollywood narration, appropriated Soviet montage theory and orchestrated a new, glamorous, socialist star culture. In the wake of decolonisation, Chinese film journals were quick to project and disseminate the country's redefined self-image to Asia, Africa and Latin America as they helped to create an alternative vision of modernity and internationalism. Revealing the historical contingency of the term 'propaganda', Chan uncovers the visual, aural, kinaesthetic, sexual and ideological dynamics that gave rise to a new aesthetic of revolutionary heroism in world cinema. Based on extensive archival research, this book's focus on the distinctive rhetoric of post-war socialist China will be of value to East Asian Cinema scholars, Chinese Studies academics and those interested in the history of twentieth-century socialist culture. |
| propaganda in the revolutionary war: Portrait of Washington Rembrandt] 1778-1860 [Peale, 2023-07-18 A stunning portrayal in words and images of America's first president, as well as a fascinating look at the life and art of Rembrandt Peale. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| propaganda in the revolutionary war: After Yorktown Don Glickstein, 2016-09 After the Humiliating Defeat at Yorktown in 1781, George III Vowed to Keep Fighting the Rebels and Their Allies Around the World, Holding a New Nation in the Balance Although most people think the American Revolution ended with the British surrender at Yorktown, Virginia, on October 19, 1781, it did not. The war spread around the world, and exhausted men kept fighting--from the Arctic to Arkansas, from India and Ceylon to Schenectady and South America--while others labored to achieve a final diplomatic resolution. After Cornwallis's unexpected loss, George III vowed revenge, while Washington planned his next campaign. Spain, which France had lured into the war, insisted there would be no peace without seizing British-held Gibraltar. Yet the war had spun out of control long before Yorktown. Native Americans and Loyalists continued joint operations against land-hungry rebel settlers from New York to the Mississippi Valley. African American slaves sought freedom with the British. Soon, Britain seized the initiative again with a decisive naval victory in the Caribbean against the Comte de Grasse, the French hero of Yorktown. In After Yorktown: The Final Struggle for American Independence, Don Glickstein tells the engrossing story of this uncertain and violent time, from the remarkable American and French success in Virginia to the conclusion of the fighting--in India--and then to the last British soldiers leaving America more than two years after Yorktown. Readers will learn about the people--their humor, frustration, fatigue, incredulity, worries; their shock at the savage terrorism each side inflicted; and their surprise at unexpected grace and generosity. Based on an extraordinary range of primary sources, the story encompasses a fascinating cast of characters: a French captain who destroyed a British trading post, but left supplies for Indians to help them through a harsh winter, an American Loyalist releasing a captured Spanish woman in hopes that his act of kindness will result in a prisoner exchange, a Native American leader caught between two hells of a fickle ally and a greedy enemy, and the only general to surrender to both George Washington and Napoleon Bonaparte. Finally, the author asks the question we face today: How do you end a war that doesn't want to end? |
| propaganda in the revolutionary war: Propaganda as a Source of American History Frank Heywood Hodder, 1922 |
| propaganda in the revolutionary war: Groundless Gregory Evans Dowd, 2016-01-15 The fascinating—and troubling—story of powerful rumors that circulated and influential legends that arose in early America. Why did Elizabethan adventurers believe that the interior of America hid vast caches of gold? Who started the rumor that British officers purchased revolutionary white women’s scalps, packed them by the bale, and shipped them to their superiors? And why are people today still convinced that white settlers—hardly immune as a group to the disease—routinely distributed smallpox-tainted blankets to the natives? Rumor—spread by colonists and Native Americans alike—ran rampant in early America. In Groundless, historian Gregory Evans Dowd explores why half-truths, deliberate lies, and outrageous legends emerged in the first place, how they grew, and why they were given such credence throughout the New World. Arguing that rumors are part of the objective reality left to us by the past—a kind of fragmentary archival record—he examines how uncertain news became powerful enough to cascade through the centuries. Drawing on specific case studies and tracing recurring rumors over many generations, Dowd explains the seductive power of unreliable stories in the eastern North American frontiers from the sixteenth to the mid-nineteenth centuries. The rumors studied here—some alluring, some frightening—commanded attention and demanded action. They were all, by definition, groundless, but they were not all false, and they influenced the classic issues of historical inquiry: the formation of alliances, the making of revolutions, the expropriation of labor and resources, and the origins of war. |
| propaganda in the revolutionary war: Politics and the English Language George Orwell, 2021-01-01 George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Politics and the English Language, the second in the Orwell’s Essays series, Orwell takes aim at the language used in politics, which, he says, ‘is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind’. In an age where the language used in politics is constantly under the microscope, Orwell’s Politics and the English Language is just as relevant today, and gives the reader a vital understanding of the tactics at play. 'A writer who can – and must – be rediscovered with every age.' — Irish Times |
| propaganda in the revolutionary war: Necro Citizenship Russ Castronovo, 2001-09-27 In Necro Citizenship Russ Castronovo argues that the meaning of citizenship in the United States during the nineteenth century was bound to—and even dependent on—death. Deploying an impressive range of literary and cultural texts, Castronovo interrogates an American public sphere that fetishized death as a crucial point of political identification. This morbid politics idealized disembodiment over embodiment, spiritual conditions over material ones, amnesia over history, and passivity over engagement. Moving from medical engravings, séances, and clairvoyant communication to Supreme Court decisions, popular literature, and physiological tracts, Necro Citizenship explores how rituals of inclusion and belonging have generated alienation and dispossession. Castronovo contends that citizenship does violence to bodies, especially those of blacks, women, and workers. “Necro ideology,” he argues, supplied citizens with the means to think about slavery, economic powerlessness, or social injustice as eternal questions, beyond the scope of politics or critique. By obsessing on sleepwalkers, drowned women, and other corpses, necro ideology fostered a collective demand for an abstract even antidemocratic sense of freedom. Examining issues involving the occult, white sexuality, ghosts, and suicide in conjunction with readings of Harriet Jacobs, Ralph Waldo Emerson, Frederick Douglass, Nathaniel Hawthorne, and Frances Harper, Necro Citizenship successfully demonstrates why Patrick Henry's “give me liberty or give me death” has resonated so strongly in the American imagination. |
| propaganda in the revolutionary war: A Revolutionary People At War Charles Royster, 2011-02-01 In this highly acclaimed book, Charles Royster explores the mental processes and emotional crises that Americans faced in their first national war. He ranges imaginatively outside the traditional techniques of analytical historical exposition to build his portrait of how individuals and a populace at large faced the Revolution and its implications. The book was originally published by UNC Press in 1980. |
| propaganda in the revolutionary war: All Art Is Propaganda George Orwell, Keith Gessen, 2009-10-14 The essential collection of critical essays from a twentieth-century master and author of 1984. As a critic, George Orwell cast a wide net. Equally at home discussing Charles Dickens and Charlie Chaplin, he moved back and forth across the porous borders between essay and journalism, high art and low. A frequent commentator on literature, language, film, and drama throughout his career, Orwell turned increasingly to the critical essay in the 1940s, when his most important experiences were behind him and some of his most incisive writing lay ahead. All Art Is Propaganda follows Orwell as he demonstrates in piece after piece how intent analysis of a work or body of work gives rise to trenchant aesthetic and philosophical commentary. With masterpieces such as Politics and the English Language and Rudyard Kipling and gems such as Good Bad Books, here is an unrivaled education in, as George Packer puts it, how to be interesting, line after line. With an Introduction from Keith Gessen. |
| propaganda in the revolutionary war: Quotations from Chairman Mao Tse-Tung Mao Tse-Tung, Mao Zedong, 2013-04-16 Quotations from Chairman Mao Tse-Tung' is a volume of selected statements taken from the speeches and writings by Mao Mao Tse-Tung, published from 1964 to 1976. It was often printed in small editions that could be easily carried and that were bound in bright red covers, which led to its western moniker of the 'Little Red Book'. It is one of the most printed books in history, and will be of considerable value to those with an interest in Mao Tse-Tung and in the history of the Communist Party of China. The chapters of this book include: 'The Communist Party', 'Classes and Class Struggle', 'Socialism and Communism', 'The Correct Handling of Contradictions Among The People', 'War and Peace', 'Imperialism and All Reactionaries ad Paper Tigers', 'Dare to Struggle and Dare to Win', et cetera. We are republishing this antiquarian volume now complete with a new prefatory biography of Mao Tse-Tung. |
| propaganda in the revolutionary war: War, Demobilization and Memory Alan Forrest, Karen Hagemann, Michael Rowe, 2016-04-08 This volume examines the impact of the wars in the Atlantic world between 1770 and 1830, focusing both on the military, economic, political, social and cultural demobilization that occurred immediately at their end, and their long-term legacy and memory. |
| propaganda in the revolutionary war: The Traumatic Colonel Michael J. Drexler, Ed White, 2014-07-11 In American political fantasy, the Founding Fathers loom large, at once historical and mythical figures. In The Traumatic Colonel, Michael J. Drexler and Ed White examine the Founders as imaginative fictions, characters in the specifically literary sense, whose significance emerged from narrative elements clustered around them. From the revolutionary era through the 1790s, the Founders took shape as a significant cultural system for thinking about politics, race, and sexuality. Yet after 1800, amid the pressures of the Louisiana Purchase and the Haitian Revolution, this system could no longer accommodate the deep anxieties about the United States as a slave nation. Drexler and White assert that the most emblematic of the political tensions of the time is the figure of Aaron Burr, whose rise and fall were detailed in the literature of his time: his electoral tie with Thomas Jefferson in 1800, the accusations of seduction, the notorious duel with Alexander Hamilton, his machinations as the schemer of a breakaway empire, and his spectacular treason trial. The authors venture a psychoanalytically-informed exploration of post-revolutionary America to suggest that the figure of “Burr” was fundamentally a displaced fantasy for addressing the Haitian Revolution. Drexler and White expose how the historical and literary fictions of the nation’s founding served to repress the larger issue of the slave system and uncover the Burr myth as the crux of that repression. Exploring early American novels, such as the works of Charles Brockden Brown and Tabitha Gilman Tenney, as well as the pamphlets, polemics, tracts, and biographies of the early republican period, the authors speculate that this flourishing of political writing illuminates the notorious gap in U.S. literary history between 1800 and 1820. |
| propaganda in the revolutionary war: Black Reconstruction in America W. E. B. Du Bois, 2013-05-06 After four centuries of bondage, the nineteenth century marked the long-awaited release of millions of black slaves. Subsequently, these former slaves attempted to reconstruct the basis of American democracy. W. E. B. Du Bois, one of the greatest intellectual leaders in United States history, evaluates the twenty years of fateful history that followed the Civil War, with special reference to the efforts and experiences of African Americans. Du Bois’s words best indicate the broader parameters of his work: the attitude of any person toward this book will be distinctly influenced by his theories of the Negro race. If he believes that the Negro in America and in general is an average and ordinary human being, who under given environment develops like other human beings, then he will read this story and judge it by the facts adduced. The plight of the white working class throughout the world is directly traceable to American slavery, on which modern commerce and industry was founded, Du Bois argues. Moreover, the resulting color caste was adopted, forwarded, and approved by white labor, and resulted in the subordination of colored labor throughout the world. As a result, the majority of the world’s laborers became part of a system of industry that destroyed democracy and led to World War I and the Great Depression. This book tells that story. |
| propaganda in the revolutionary war: Misinformation Nation Jordan E. Taylor, 2022-10-11 Fundamentally reshapes our understanding of the causes of the American Revolution and the pivotal role foreign news and misinformation played in driving colonists to revolt. Runner-up of the Journal of The American Revolution Book of the Year Award by the Journal of The American Revolution Fake news is not new. Just like millions of Americans today, the revolutionaries of the eighteenth century worried that they were entering a post-truth era. Their fears, however, were not fixated on social media or clickbait, but rather on peoples' increasing reliance on reading news gathered from foreign newspapers. In Misinformation Nation, Jordan E. Taylor reveals how foreign news defined the boundaries of American politics and ultimately drove colonists to revolt against Britain and create a new nation. News was the lifeblood of early American politics, but newspaper printers had few reliable sources to report on events from abroad. Accounts of battles and beheadings, as well as declarations and constitutions, often arrived alongside contradictory intelligence. Though frequently false, the information that Americans encountered in newspapers, letters, and conversations framed their sense of reality, leading them to respond with protests, boycotts, violence, and the creation of new political institutions. Fearing that their enemies were spreading fake news, American colonists fought for control of the news media. As their basic perceptions of reality diverged, Loyalists separated from Patriots and, in the new nation created by the revolution, Republicans inhabited a political reality quite distinct from that of their Federalist rivals. The American Revolution was not only a political contest for liberty, equality, and independence (for white men, at least); it was also a contest to define certain accounts of reality to be truthful while defining others as false and dangerous. Misinformation Nation argues that we must also conceive of the American Revolution as a series of misperceptions, misunderstandings, and uninformed overreactions. In addition to making a striking and original argument about the founding of the United States, Misinformation Nation will be a valuable prehistory to our current political moment. |
| propaganda in the revolutionary war: The Disinformation Age W. Lance Bennett, Steven Livingston, 2020-10-15 This book shows how disinformation spread by partisan organizations and media platforms undermines institutional legitimacy on which authoritative information depends. |
| propaganda in the revolutionary war: Electioneering and Propaganda in Ireland, 1917-21 Elaine Callinan, 2020 This book provides an illuminating and unique analysis of the political rivalry between all the major parties during Ireland's revolutionary years. Politicians, propagandists, and their voluntary supporters instigated forceful election campaigns to promote ideologies that aimed to alter or imbed their principles into the minds of ordinary people. The goal was victory at the ballot box during the by-elections, general elections, and local government elections of this era. Callinan places her study within the wider contexts of the modernization of propaganda during the Great War and the expansion of consumerism to conduct an examination of election activity--from candidate selection and fundraising to door-to-door canvassing, and everything in between. Running alongside war and revolution were the political struggles, and they equalled any of the military upheavals that transformed politics in Ireland. |
| propaganda in the revolutionary war: Alexander Hamilton's Famous Report on Manufactures United States. Department of the Treasury, Alexander Hamilton, 1892 |
| propaganda in the revolutionary war: Scars of Independence Holger Hoock, 2017 Tory hunting -- Britain's dilemma -- Rubicon -- Plundering protectors -- Violated bodies -- Slaughterhouses -- Black holes -- Skiver them! -- Town-destroyer -- Americanizing the war -- Man for man -- Returning losers |
| propaganda in the revolutionary war: Iconography of Power Victoria E. Bonnell, 1998-02-05 Masters at visual propaganda, the Bolsheviks produced thousands of vivid and compelling posters after they seized power in October 1917. Intended for a semi-literate population that was accustomed to the rich visual legacy of the Russian autocracy and the Orthodox Church, political posters came to occupy a central place in the regime's effort to imprint itself on the hearts and minds of the people and to remold them into the new Soviet women and men. In this first sociological study of Soviet political posters, Victoria Bonnell analyzes the shifts that took place in the images, messages, styles, and functions of political art from 1917 to 1953. Everyone who lived in Russia after the October revolution had some familiarity with stock images of the male worker, the great communist leaders, the collective farm woman, the capitalist, and others. These were the new icons' standardized images that depicted Bolshevik heroes and their adversaries in accordance with a fixed pattern. Like other invented traditions of the modern age, iconographic images in propaganda art were relentlessly repeated, bringing together Bolshevik ideology and traditional mythologies of pre-Revolutionary Russia. Symbols and emblems featured in Soviet posters of the Civil War and the 1920s gave visual meaning to the Bolshevik worldview dominated by the concept of class. Beginning in the 1930s, visual propaganda became more prescriptive, providing models for the appearance, demeanor, and conduct of the new social types, both positive and negative. Political art also conveyed important messages about the sacred center of the regime which evolved during the 1930s from the celebration of the heroic proletariat to the deification of Stalin. Treating propaganda images as part of a particular visual language, Bonnell shows how people read them—relying on their habits of seeing and interpreting folk, religious, commercial, and political art (both before and after 1917) as well as the fine art traditions of Russia and the West. Drawing on monumental sculpture and holiday displays as well as posters, the study traces the way Soviet propaganda art shaped the mentality of the Russian people (the legacy is present even today) and was itself shaped by popular attitudes and assumptions. Iconography of Power includes posters dating from the final decades of the old regime to the death of Stalin, located by the author in Russian, American, and English libraries and archives. One hundred exceptionally striking posters are reproduced in the book, many of them never before published. Bonnell places these posters in a historical context and provides a provocative account of the evolution of the visual discourse on power in Soviet Russia. |
| propaganda in the revolutionary war: Pamphlets of the American Revolution, 1750-1776: 1750-1765 Bernard Bailyn, 1965 This is the first volume of a four-volume set that will reprint in their entirety the texts of 72 pamphlets relating to the Anglo-American controversy that were published in America in the years 1750-1776. They have been selected from the corpus of the pamphlet literature on the basis of their importance in the growth of American political and social ideas, their role in the debate with England over constitutional rights, and their literary merit. All of the best known pamphlets of the period, such as James Otis' Rights of the British Colonies (1764), John Dickinson's Farmers Letters (1768), and Thomas Paine's Common Sense (1776) are to be included. In addition there are lesser known ones particularly important in the development of American constitutional thought: Stephen Johnson's Some Important Observations (1766), John Joachim Zublys An Humble Enquiry (1769), Ebenezer Baldwins An Appendix Stating the Heavy Grievances (1774), and Four Letters on Interesting Subjects (1776). There are also pamphlets illustrative of the sheer vituperation of the Revolutionary polemics, and others selected for their more elevated literary merit. Both sides of the Anglo-American dispute and all genres of expression -- poetry, dramatic dialogues, sermons, treatises, documentary collections, political position papers -- that appeared in this form are included. Each pamphlet is introduced by an essay written by the editor containing a biographical sketch of the author of the document, an analysis of the circumstances that led to the writing of it, and an interpretation of its contents. The texts are edited for the convenience of the modern reader according to a scheme that preserves scrupulously the integrity of every word written but that frees the text from the encumbrances of 18th-century printing practices. All references to writings, people, and events that are not obvious to the informed modern reader are identified in the editorial apparatus and where necessary explained in detailed notes. This first volume of the set contains the texts of 14 pamphlets through the year 1765. It presents, in addition, a book-length General Introduction by Mr. Bailyn on the ideology of the American Revolution. In the seven chapters of this essay the ideological origins and development of the Revolutionary movement are analyzed in the light of the study of the pamphlet literature that went into the preparation of these volumes. Mr. Bailyn explains that close analysis of this literature allows one to penetrate deeply into the colonists understanding of the events of their time; to grasp more clearly than is otherwise possible the sources of their ideas and their motives in rebelling; and, above all, to see the subtle, fundamental transformation of 18th-century constitutional thought that took place during these years of controversy and that became basic doctrine in America thereafter. Mr. Bailyn stresses particularly the importance in the development of American thought of the writings of a group of early 18th-century English radicals and opposition politicians who transmitted to the colonists most directly the 17th-century tradition of anti-authoritarianism born in the upheaval of the English Civil War. In the context of this 17th- and early 18th-century tradition one sees the political importance in the Revolutionary movement of concepts the 20th century has generally dismissed as mere propaganda and rhetoric: 'slavery,' 'conspiracy,' 'corruption.' It was the meaning these concepts imparted to the events of the time, Mr. Bailyn suggests, as well as the famous Lockean notions of natural rights and social and governmental compacts, that accounts for the origins and the basic characteristics of the American Revolution.--Publisher's description. |
| propaganda in the revolutionary war: The Violent Image Neville Bolt, 2012 Fast-moving, self- propelled 'violent images' have radically changed the nature of insurgency in the modern world. The global media has revolutionised the way ideas, messages and images are disseminated, and the speed with which they travel. First satellite TV, then laptops and the Internet, and now mobile phones and social media have transformed the way we communicate, collapsing time and distance. Rebels who hope to overthrow states or to build transnational, ideological communities, have adopted these dynamic technologies. But they have also learned the key lesson: in a visual world, the power of the image has supplanted that of the written world. Neville Bolt investigates how today's revolutionaries have rejuvenated the nineteenth century 'propaganda of the deed' so that terrorism no longer simply goads states into overreacting, thereby losing legitimacy. The deed has become a tool to highlight the underlying grievances of communities. Pictures of 9/11, 7/1 and Abu Ghraib are today's weapon of choice. The Violent Image explores what happens in the 'moment of shock'; how emotive pictures attach to messages, causing populations to rise up in anger. From the Fenians to the Taliban to the Arab Spring we learn how insurgents have adapted the way they use violence to tell stories and effect social change. In the 'war of ideas', the new revolutionaries aim to set in motion surges of support that spread virally through global networks at such speed that states can no longer defend their own strategic narratives. Have we now reached the point where insurgents and populations are driving images and ideas so fast, that a new era of revolutionary politics is already upon us? |
| propaganda in the revolutionary war: Propaganda and Conflict Mark Connelly, Jo Fox, Ulf Schmidt, Stefan Goebel, 2020-11-26 Propaganda has always played a key role in shaping attitudes during periods of conflict and the academic study of propaganda, commencing in earnest in 1915, has never really left us. We continue to want to understand propaganda's inner-workings and, in doing so, to control and confine its influence. We remain anxious about pernicious information warfare campaigns, especially those that seemingly endanger liberal democracy or freedom of thought. What are the challenges, then, of studying propaganda studies in the twenty-first century? Much scholarship remains locked into the study of state-led campaigns, however an area of special concern in recent years has been the loss of official control over the basic instruments of mass communication. This has been seen in the rise of 'fake news' and the ability of non-state actors to influence political events. This volume presents the latest research in propaganda studies, featuring contributions from a range of leading scholars and covering the most cutting-edge scholarship in the study of propaganda from World War I to the present. |
| propaganda in the revolutionary war: The Ideological Origins of the American Revolution Bernard Bailyn, 1976 |
Propaganda - Wikipedia
Propaganda is communication that is primarily used to influence or persuade an audience to further an agenda, which may not be objective and may be selectively presenting facts to encourage a …
Propaganda | Definition, History, Techniques, Examples, & Facts ...
May 6, 2025 · Propaganda, dissemination of information—facts, arguments, rumors, half-truths, or lies—to influence public opinion. Deliberateness and a relatively heavy emphasis on manipulation …
PROPAGANDA | English meaning - Cambridge Dictionary
PROPAGANDA definition: 1. information, ideas, opinions, or images, often only giving one part of an argument, that are…. Learn more.
Effects of Propaganda and How It Is Used - Verywell Mind
Nov 29, 2023 · Propaganda is used to influence people's opinions or control their behavior through various tactics such as name-calling, bandwagoning, or inciting fear. Here we explore the goals …
Definition and Examples of Propaganda - ThoughtCo
Propaganda is used to shape what people think and make them do certain things. Propaganda is often confused with rhetoric, though they are different forms of persuasive communication. The …
PROPAGANDA Definition & Meaning | Dictionary.com
Propaganda definition: information, ideas, or rumors deliberately spread widely to help or harm a person, group, movement, institution, nation, etc.. See examples of PROPAGANDA used in a …
Understanding Propaganda: Definition, Techniques, and Examples
Aug 14, 2024 · Propaganda can be defined as the deliberate and systematic dissemination of information, ideas, or rumors to influence public opinion and shape beliefs. It is designed to …
Propaganda | Definition, Types & Examples - Lesson - Study.com
Nov 21, 2023 · Propaganda has come to mean a deliberate and systematic effort to disseminate or promote particular ideas in order to influence the beliefs, thoughts, or actions of others. …
What is Propaganda? – Organisation for Propaganda Studies
Propaganda – the coordinated attempt to influence large or small numbers of people to some idea and/or action – is among the most ancient genres of human activity, and has been integral to …
What is Propaganda? - Propaganda - duPont Library at University …
Aug 15, 2024 · Definition of Propaganda "Manipulation of information to influence public opinion. The term comes from Congregatio de Propaganda Fide (Congregation for the Propagation of the …
Propaganda - Wikipedia
Propaganda is communication that is primarily used to influence or persuade an audience to further an agenda, which …
Propaganda | Definition, History, Techniques, Examples, & Fact…
May 6, 2025 · Propaganda, dissemination of information—facts, arguments, rumors, half-truths, or lies—to influence public …
PROPAGANDA | English meaning - Cambridge Dictionary
PROPAGANDA definition: 1. information, ideas, opinions, or images, often only giving one part of an argument, that …
Effects of Propaganda and How It Is Used - Verywell Mind
Nov 29, 2023 · Propaganda is used to influence people's opinions or control their behavior through various tactics such …
Definition and Examples of Propaganda - ThoughtCo
Propaganda is used to shape what people think and make them do certain things. Propaganda is often confused with …
