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| paul beatty white boy shuffle: Slumberland Paul Beatty, 2021-07-13 The hip break-out novel from 2016 Man Booker Prize winning author, Paul Beatty, about a disaffected Los Angeles DJ who travels to post-Wall Berlin in search of his transatlantic doppelganger. Hailed by the New York Times and the Los Angeles Times as one of the best writers of his generation, Paul Beatty turns his creative eye to man's search for meaning and identity in an increasingly chaotic world. After creating the perfect beat, DJ Darky goes in search of Charles Stone, a little know avant-garde jazzman, to play over his sonic masterpiece. His quest brings him to a recently unified Berlin, where he stumbles through the city's dreamy streets ruminating about race, sex, love, Teutonic gods, the prevent defense, and Wynton Marsalis in search of his artistic-and spiritual-other. Ferocious, bombastic, and laugh-out-loud funny, Slumberland is vintage Paul Beatty and belongs on the shelf next to Jonathan Lethem, Colson Whitehead, and Junot Diaz. |
| paul beatty white boy shuffle: The Sellout Paul Beatty, 2015-03-03 Winner of the Man Booker Prize Winner of the National Book Critics Circle Award in Fiction Winner of the John Dos Passos Prize for Literature New York Times Bestseller Los Angeles Times Bestseller Named One of the 10 Best Books of the Year by The New York Times Book Review Named a Best Book of the Year by Newsweek, The Denver Post, BuzzFeed, Kirkus Reviews, and Publishers Weekly Named a Must-Read by Flavorwire and New York Magazine's Vulture Blog A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality—the black Chinese restaurant. Born in the agrarian ghetto of Dickens—on the southern outskirts of Los Angeles—the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake. Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral. Fueled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident—the last surviving Little Rascal, Hominy Jenkins—he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court. |
| paul beatty white boy shuffle: Tuff Paul Beatty, 2021-07-13 From Paul Beatty, the author of the Man Booker Prize winner The Sellout, comes Tuff, a novel as fast-paced and hard-edged as the Harlem streets it portrays. Age nineteen and weighing in at 320 pounds, Winston “Tuffy” Foshay is an East Harlem denizen who breaks jaws and shoots dogs and dreams of earning millions from his idea for Cap’n Crunch: The Movie, starring Danny DeVito. His best friend is a disabled Muslim who wants to rob banks, his guiding light is an ex-hippie Asian woman who worked for Malcolm X, and he married his wife, Yolanda, over the phone from jail. He’s funny and fierce, frustrated and feared. And when Tuff decides to run for City Council, this dazzling novel goes from astoundingly funny to acerbically sublime. By turns profound and irreverent, and populated with a hilarious supporting cast, Paul Beatty's Tuff is satire at its razor-sharp best. “An extravagant, satirical cri de couer...Beatty’s blunt, impious, streetwise eloquence has a kind of transfixing power.” —The New York Times Book Review “Masterfully conceived and highly entertaining...Richly textured and unforgettable.”—The Boston Globe |
| paul beatty white boy shuffle: Hokum Paul Beatty, 2008-12-10 Edited by the author of The Sellout, winner of the 2016 Man Booker Prize, Hokum is a liberating, eccentric, savagely comic anthology of the funniest writing by black Americans. This book is less a comprehensive collection than it is a mix-tape narrative dubbed by a trusted friend-a sampler of underground classics, rare grooves, and timeless summer jams, poetry and prose juxtaposed with the blues, hip-hop, political speeches, and the world's funniest radio sermon. The subtle musings of Toni Cade Bambara, Henry Dumas, and Harryette Mullen are bracketed by the profane and often loud ruminations of Langston Hughes, Darius James, Wanda Coleman, Tish Benson, Steve Cannon, and Hattie Gossett. Some of the funniest writers don't write, so included are selections from well-known yet unpublished wits Lightnin' Hopkins, Mike Tyson, and the Reverend Al Sharpton. Selections also come from public figures and authors whose humor, although incisive and profound, is often overlooked: Malcolm X, Suzan-Lori Parks, Zora Neale Hurston, Sojourner Truth, and W.E.B. Dubois. Groundbreaking, fierce, and hilarious, this is a necessary anthology for any fan or student of American writing, with a huge range and a smart, political grasp of the uses of humor. |
| paul beatty white boy shuffle: Joker, Joker, Deuce Paul Beatty, 1994-03-01 An electrifying collection of poems from the author of The Sellout, winner of the 2016 Man Booker Prize Originally published in 1994, Paul Beatty’s second volume of poetry won praise for the way it “pushes the boundaries of free verse while assessing the landscapes of African American autobiography” (Bomb Magazine). In these poems, which explore aspects of race, identity, and popular culture, Beatty was honing the comic, satirical voice and vivid imagination that came to full realization in his acclaimed fiction. Joker, Joker, Deuce “moves to fierce urban rhythms, both cool and hot,” writes Jessica Hagedorn. “A rush of intense visual images and electric word music.” |
| paul beatty white boy shuffle: Negrophobia Darius James, 2019-02-19 A provocative, raucous dark comedy about race and racism in America, now back in print after twenty-five years and with a new preface by the author. Darius James’s scabrous, unapologetically raunchy, truly hilarious, and deeply scary Negrophobia is a wild-eyed reckoning with the mutating insanity of American racism. A screenplay for the mind, a performance on the page, a work of poetry, a mad mix of genres and styles, a novel in the tradition of William S. Burroughs and Ishmael Reed that is like no other novel, Negrophobia begins with the blonde bombshell Bubbles Brazil succumbing to a voodoo spell and entering the inner darkness of her own shiny being. Here crackheads parade in the guise of Muppets, Muslims beat conga drums, Negroes have numbers for names, and H. Rap Remus demands the total and instantaneous extermination of the white race through spontaneous combustion. By the end of it all, after going on a weird trip for the ages, Bubbles herself is strangely transformed. |
| paul beatty white boy shuffle: The White Boy Shuffle Paul Beatty, 1996 A slapstick satire on race relations featuring Gunnar Kaufman, a black writer from Santa Monica who becomes famous by saying all the right things whites want to hear. The novel pokes fun at both blacks and whites. A first novel. |
| paul beatty white boy shuffle: Big Bank Take Little Bank Paul Beatty, 1991 |
| paul beatty white boy shuffle: Rashid Johnson Julie Rodrigues Widholm, 2012 This exhibition catalogue shows the artist working in a range of mediaincluding photography, painting, sculpture, and video. |
| paul beatty white boy shuffle: Apathy and Other Small Victories Paul Neilan, 2007-04-01 A scathingly funny debut novel about disillusionment, indifference, and one man's desperate fight to assign absolutely no meaning to modern life. The only thing Shane cares about is leaving. Usually on a Greyhound bus, right before his life falls apart again. Just like he planned. But this time it's complicated: there's a sadistic corporate climber who thinks she's his girlfriend, a rent-subsidized affair with his landlord's wife, and the bizarrely appealing deaf assistant to Shane's cosmically unstable dentist. When one of the women is murdered, and Shane is the only suspect who doesn't care enough to act like he didn't do it, the question becomes just how he'll clear the good name he never had and doesn't particularly want: his own. “The malaise of cubicle culture may be well-trodden comedic territory by now, but Neilan's debut skewers office life with a flourish for the grotesque.” —The Village Voice |
| paul beatty white boy shuffle: Crazy Funny Lisa A. Guerrero, 2019-09-30 This book examines the ways in which contemporary works of black satire make black racial madness legible in ways that allow us to see the connections between suffering from racism and suffering from mental illness. Showing how an understanding of racism as a root cause of mental and emotional instability complicates the ways in which we think about racialized identity formation and the limits of socially accepted definitions of (in)sanity, it concentrates on the unique ability of the genre of black satire to make knowable not only general qualities of mental illness that are so often feared or ignored, but also how structures of racism contribute a specific dimension to how we understand the different ways in which people of colour, especially black people, experience and integrate mental instability into their own understandings of subjecthood. Drawing on theories from ethnic studies, popular culture studies, cultural studies, psychoanalysis, and trauma theory to offer critical textual analyses of five different instances of new millennial black satire in television, film, and literature - the television show Chappelle's Show, the Spike Lee film Bamboozled, the novel The White Boy Shuffleby Paul Beatty, the novels Erasureand I Am Not Sidney Poitierby Percival Everett, and the television show Key & Peele- Crazy Funnypresents an account of the ways in which contemporary black satire rejects the boundaries between sanity and insanity as a way to animate the varied dimensions of being a racialized subject in a racist society. five different instances of new millennial black satire in television, film, and literature - the television show Chappelle's Show, the Spike Lee film Bamboozled, the novel The White Boy Shuffleby Paul Beatty, the novels Erasureand I Am Not Sidney Poitierby Percival Everett, and the television show Key & Peele- Crazy Funnypresents an account of the ways in which contemporary black satire rejects the boundaries between sanity and insanity as a way to animate the varied dimensions of being a racialized subject in a racist society. |
| paul beatty white boy shuffle: A Home on the Field Paul Cuadros, 2009-10-13 A Home on the Field is about faith, loyalty, and trust. It is a parable in the tradition of Stand and Deliver and Hoosiers—a story of one team and their accidental coach who became certain heroes to the whole community. For the past ten years, Siler City, North Carolina, has been at the front lines of immigration in the interior portion of the United States. Like a number of small Southern towns, workers come from traditional Latino enclaves across the United States, as well as from Latin American countries, to work in what is considered the home of industrial-scale poultry processing. At enormous risk, these people have come with the hope of a better life and a chance to realize their portion of the American Dream. But it isn't always easy. Assimilation into the South is fraught with struggles, and in no place is this more poignant than in the schools. When Paul Cuadros packed his bags and moved south to study the impact of the burgeoning Latino community, he encountered a culture clash between the long-time residents and the newcomers that eventually boiled over into an anti-immigrant rally featuring former Klansman David Duke. It became Paul's goal to show the growing numbers of Latino youth that their lives could be more than the cutting line at the poultry plants, that finishing high school and heading to college could be a reality. He needed to find something that the boys could commit to passionately, knowing that devotion to something bigger than them would be the key to helping the boys find where they fit in the world. The answer was soccer. But Siler City, like so many other small rural communities, was a football town, and long-time residents saw soccer as a foreign sport and yet another accommodation to the newcomers. After an uphill battle, the Jets soccer team at Jordan-Matthews High School was born. Suffering setbacks and heartbreak, the majority Latino team, in only three seasons and against all odds, emerged poised to win the state championship. |
| paul beatty white boy shuffle: Heron Fleet Paul Beatty, 2013-02-01 Not far in the future, Francesca is an apprentice in the idyllic, agrarian community of Heron Fleet. She loves her impetuous partner Anya and the community acts as mother and father to her, as its founders intended. But outside Heron Fleet, the world is violent. Only a remnant of city populations, organised into violent despotic scavenger gangs, cling on by combing through rubble in search of food. They are the survivors of an ecological disaster. The causes have been forgotten, but the climate suffers with harsh, cold winters and short, hot summers.Between these two worlds, Tobias trades food gathered from agrarian communities for raw materials from the cities. But most of all he seeks books that might help him understand what happened to the climate; he believes that if humans are to have a long-term future, the agrarian communities must expand. Francesca rescues Tobias when his boat is wrecked by a storm and his arrival coincides with a crisis in Francesca and Anya’s relationship. This pushes Heron Fleet into a turmoil, which threatens the community’s cohesion and brings the ethical basis on which the community was originally formed into doubt.Heron Fleet asks many questions. To what extent is necessity an excuse for the suppression of basic human rights? How easy would it be for our comfortable society to become poor, nasty and brutish? Is there a natural urge to be literate? What is the proper duty of the individual to the community? The book, which has been inspired by a number of authors, including Margaret Atwood, John Christopher and Russell Hoban, will appeal to fans of speculative literature. Author Paul weaves gripping dystopian fiction with an underlying theme of global warming, posing questions about human nature and needs – both for today’s society and for the future. |
| paul beatty white boy shuffle: What We Lose Zinzi Clemmons, 2017-07-11 A National Book Foundation 5 Under 35 Honoree NBCC John Leonard First Book Prize Finalist Aspen Words Literary Prize Finalist Named a Best Book of the Year by Vogue, NPR, Elle, Esquire, Buzzfeed, San Francisco Chronicle, Cosmopolitan, The Huffington Post, The A.V. Club, The Root, Harper’s Bazaar, Paste, Bustle, Kirkus Reviews, Electric Literature, LitHub, New York Post, Los Angeles Review of Books, and Bust “The debut novel of the year.” —Vogue “Like so many stories of the black diaspora, What We Lose is an examination of haunting.” —Doreen St. Félix, The New Yorker “Raw and ravishing, this novel pulses with vulnerability and shimmering anger.” —Nicole Dennis-Benn, O, the Oprah Magazine “Stunning. . . . Powerfully moving and beautifully wrought, What We Lose reflects on family, love, loss, race, womanhood, and the places we feel home.” —Buzzfeed “Remember this name: Zinzi Clemmons. Long may she thrill us with exquisite works like What We Lose. . . . The book is a remarkable journey.” —Essence From an author of rare, haunting power, a stunning novel about a young African-American woman coming of age—a deeply felt meditation on race, sex, family, and country Raised in Pennsylvania, Thandi views the world of her mother’s childhood in Johannesburg as both impossibly distant and ever present. She is an outsider wherever she goes, caught between being black and white, American and not. She tries to connect these dislocated pieces of her life, and as her mother succumbs to cancer, Thandi searches for an anchor—someone, or something, to love. In arresting and unsettling prose, we watch Thandi’s life unfold, from losing her mother and learning to live without the person who has most profoundly shaped her existence, to her own encounters with romance and unexpected motherhood. Through exquisite and emotional vignettes, Clemmons creates a stunning portrayal of what it means to choose to live, after loss. An elegiac distillation, at once intellectual and visceral, of a young woman’s understanding of absence and identity that spans continents and decades, What We Lose heralds the arrival of a virtuosic new voice in fiction. |
| paul beatty white boy shuffle: Post-Soul Satire Derek C. Maus, James J. Donahue, 2014-07-07 From 30 Americans to Angry White Boy, from Bamboozled to The Boondocks, from Chappelle's Show to The Colored Museum, this collection of twenty-one essays takes an interdisciplinary look at the flowering of satire and its influence in defining new roles in black identity. As a mode of expression for a generation of writers, comedians, cartoonists, musicians, filmmakers, and visual/conceptual artists, satire enables collective questioning of many of the fundamental presumptions about black identity in the wake of the civil rights movement. Whether taking place in popular and controversial television shows, in a provocative series of short internet films, in prize-winning novels and plays, in comic strips, or in conceptual hip-hop albums, this satirical impulse has found a receptive audience both within and outside the black community. Such works have been variously called “post-black,” “post-soul,” and examples of a “New Black Aesthetic.” Whatever the label, this collection bears witness to a noteworthy shift regarding the ways in which African American satirists feel constrained by conventional obligations when treating issues of racial identity, historical memory, and material representation of blackness. Among the artists examined in this collection are Paul Beatty, Dave Chappelle, Trey Ellis, Percival Everett, Donald Glover (a.k.a. Childish Gambino), Spike Lee, Aaron McGruder, Lynn Nottage, ZZ Packer, Suzan Lori-Parks, Mickalene Thomas, Touré, Kara Walker, and George C. Wolfe. The essays intentionally seek out interconnections among various forms of artistic expression. Contributors look at the ways in which contemporary African American satire engages in a broad ranging critique that exposes fraudulent, outdated, absurd, or otherwise damaging mindsets and behaviors both within and outside the African American community. |
| paul beatty white boy shuffle: Blonde Roots Bernardine Evaristo, 2009 In an alternate world in which Africans enslaved Europeans, Doris, an Englishwoman, is captured and taken to the New World, where the hardships she endures as a slave are offset by dreams of escape and home. |
| paul beatty white boy shuffle: Blinded by the Whites David H. Ikard, 2013-10-28 The election of Barack Obama gave political currency to the (white) idea that Americans now live in a post-racial society. But the persistence of racial profiling, economic inequality between blacks and whites, disproportionate numbers of black prisoners, and disparities in health and access to healthcare suggest there is more to the story. David H. Ikard addresses these issues in an effort to give voice to the challenges faced by most African Americans and to make legible the shifting discourse of white supremacist ideology—including post-racialism and colorblind politics—that frustrates black self-determination, agency, and empowerment in the 21st century. Ikard tackles these concerns from various perspectives, chief among them black feminism. He argues that all oppressions (of race, gender, class, sexual orientation) intersect and must be confronted to upset the status quo. |
| paul beatty white boy shuffle: Platitudes Trey Ellis, 2003-10-02 A playful, irreverent look at the African-American literary community. |
| paul beatty white boy shuffle: Chronicling Stankonia Regina Bradley, 2021-01-29 This vibrant book pulses with the beats of a new American South, probing the ways music, literature, and film have remixed southern identities for a post–civil rights generation. For scholar and critic Regina N. Bradley, Outkast's work is the touchstone, a blend of funk, gospel, and hip-hop developed in conjunction with the work of other culture creators—including T.I., Kiese Laymon, and Jesmyn Ward. This work, Bradley argues, helps define new cultural possibilities for black southerners who came of age in the 1980s and 1990s and have used hip-hop culture to buffer themselves from the historical narratives and expectations of the civil rights era. Andre 3000, Big Boi, and a wider community of creators emerge as founding theoreticians of the hip-hop South, framing a larger question of how the region fits into not only hip-hop culture but also contemporary American society as a whole. Chronicling Stankonia reflects the ways that culture, race, and southernness intersect in the late twentieth and early twenty-first centuries. Although part of southern hip-hop culture remains attached to the past, Bradley demonstrates how younger southerners use the music to embrace the possibility of multiple Souths, multiple narratives, and multiple points of entry to contemporary southern black identity. |
| paul beatty white boy shuffle: New People Danzy Senna, 2017 As the twentieth century draws to a close, Maria is at the start of a life she never thought possible. She and Khalil, her college sweetheart, are planning their wedding. They are the perfect couple, 'King and Queen of the Racially Nebulous Prom.' Their skin is the same shade of beige. They live together in a black bohemian enclave in Brooklyn, where Khalil is riding the wave of the first dot-com boom and Maria is plugging away at her dissertation on the Jonestown massacre ... Everything Maria knows she should want lies before her--yet she can't stop daydreaming about another man, a poet she barely knows--Back cover. |
| paul beatty white boy shuffle: Beyond The Chinese Connection Crystal S. Anderson, 2013-06 From Bruce Lee to Samurai Champloo, how Asian fictions fuse with African American creative sensibilities |
| paul beatty white boy shuffle: Slavery and the Post-Black Imagination Bertram D. Ashe, Ilka Saal, 2020-01-06 Honorable Mention for the 2022 Modern Language Association Prize for an Edited Collection Interrogates how artists have created new ways to imagine the past of American slavery From Kara Walker’s hellscape antebellum silhouettes to Paul Beatty’s bizarre twist on slavery in The Sellout and from Colson Whitehead’s literal Underground Railroad to Jordan Peele’s body-snatching Get Out, this volume offers commentary on contemporary artistic works that present, like musical deep cuts, some challenging “alternate takes” on American slavery. These artists deliberately confront and negotiate the psychic and representational legacies of slavery to imagine possibilities and change. The essays in this volume explore the conceptions of freedom and blackness that undergird these narratives, critically examining how artists growing up in the post–Civil Rights era have nuanced slavery in a way that is distinctly different from the first wave of neo-slave narratives that emerged from the Civil Rights and Black Power Movements. Slavery and the Post-Black Imagination positions post-blackness as a productive category of analysis that brings into sharp focus recent developments in black cultural productions across various media. These ten essays investigate how millennial black cultural productions trouble long-held notions of blackness by challenging limiting scripts. They interrogate political as well as formal interventions into established discourses to demonstrate how explorations of black identities frequently go hand in hand with the purposeful refiguring of slavery’s prevailing tropes, narratives, and images. A V Ethel Willis White Book |
| paul beatty white boy shuffle: Black Card Chris L. Terry, 2019-08-13 In this NPR Best Book of the Year, a mixed–race punk rock musician must face the real dangers of being Black in America in this “wise meditation on race, authenticity, and belonging” (Nylon). Chris L. Terry’s Black Card is an uncompromising examination of American identity. In an effort to be “Black enough,” a mixed–race punk rock musician indulges his own stereotypical views of African American life by doing what his white bandmates call “Black stuff.” After remaining silent during a racist incident, the unnamed narrator has his Black Card revoked by Lucius, his guide through Richmond, Virginia, where Confederate flags and memorials are a part of everyday life. Determined to win back his Black Card, the narrator sings rap songs at an all–white country music karaoke night, absorbs black pop culture, and attempts to date his Black coworker Mona, who is attacked one night. The narrator becomes the prime suspect, earning the attention of John Donahue, a local police officer with a grudge dating back to high school. Forced to face his past, his relationships with his black father and white mother, and the real consequences and dangers of being Black in America, the narrator must choose who he is before the world decides for him. |
| paul beatty white boy shuffle: Speculative Los Angeles Denise Hamilton, 2021-02-02 The debut title in a new city-based anthology series featuring all-new stories with speculative, sci-fi, and paranormal themes—each using distinct neighborhood settings as a launching pad. “A stimulating anthology of 14 futuristic L.A. fables . . . Some of the best of these tales seem illumined by the humanistic spirit of the late Ray Bradbury, poet laureate of Southern California fantasy literature.” —Wall Street Journal As an incubator of the future, Los Angeles has long mesmerized writers from Aldous Huxley to Octavia E. Butler. With its natural disasters, Hollywood artifice, staggering wealth and poverty, and urban sprawl, one can argue that Los Angeles is already so weird, surreal, irrational, and mythic that any fiction emerging from this place should be considered speculative. So, bestselling author Denise Hamilton commissioned fourteen stories (including one of her own) and did exactly that. In Speculative Los Angeles, some of the city’s most prophetic and diverse voices reimagine the metropolis in very different ways. In these pages, you’ll encounter twenty-first-century changelings, dirigibles plying the suburban skies, black holes and jacaranda men lurking in deep suburbia, beachfront property in Century City, walled-off canyons and coastlines reserved for the wealthy, psychic death cults, robot nursemaids, and an alternate LA where Spanish land grants never gave way to urbanization. As with our city-based Akashic Noir Series, each story in Speculative Los Angeles is set in a distinct neighborhood filled with local color, landmarks, and flavor. Since the best speculative fiction provides a wormhole into other worlds while also commenting on our own, that is exactly what you’ll find here. Featuring brand-new stories by: Charles Yu, Aimee Bender, Lisa Morton, Alex Espinoza, Ben H. Winters, Denise Hamilton, Lynell George, Stephen Blackmoore, Francesca Lia Block, Duane Swierczynski, Luis J. Rodriguez, A.G. Lombardo, Kathleen Kaufman, and S. Qiouyi Lu. |
| paul beatty white boy shuffle: Heavy Kiese Laymon, 2018-10-16 *Selected as One of the Best Books of the 21st Century by The New York Times* *Named a Best Book of the Year by The New York Times, Publishers Weekly, NPR, Broadly, BuzzFeed (Nonfiction), The Undefeated, Library Journal (Biography/Memoirs), The Washington Post (Nonfiction), Southern Living (Southern), Entertainment Weekly, and The New York Times Critics* In this powerful, provocative, and universally lauded memoir—winner of the Andrew Carnegie Medal and finalist for the Kirkus Prize—genre-bending essayist and novelist Kiese Laymon “provocatively meditates on his trauma growing up as a black man, and in turn crafts an essential polemic against American moral rot” (Entertainment Weekly). In Heavy, Laymon writes eloquently and honestly about growing up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. From his early experiences of sexual violence, to his suspension from college, to time in New York as a college professor, Laymon charts his complex relationship with his mother, grandmother, anorexia, obesity, sex, writing, and ultimately gambling. Heavy is a “gorgeous, gutting…generous” (The New York Times) memoir that combines personal stories with piercing intellect to reflect both on the strife of American society and on Laymon’s experiences with abuse. By attempting to name secrets and lies he and his mother spent a lifetime avoiding, he asks us to confront the terrifying possibility that few in this nation actually know how to responsibly love, and even fewer want to live under the weight of actually becoming free. “A book for people who appreciated Roxane Gay’s memoir Hunger” (Milwaukee Journal Sentinel), Heavy is defiant yet vulnerable, an insightful, often comical exploration of weight, identity, art, friendship, and family through years of haunting implosions and long reverberations. “You won’t be able to put [this memoir] down…It is packed with reminders of how black dreams get skewed and deferred, yet are also pregnant with the possibility that a kind of redemption may lie in intimate grappling with black realities” (The Atlantic). |
| paul beatty white boy shuffle: Brown Girls Daphne Palasi Andreades, 2022-01-04 NEW YORK TIMES EDITORS’ CHOICE • A “boisterous and infectious debut novel” (The Guardian) about a group of friends and their immigrant families from Queens, New York—a tenderly observed, fiercely poetic love letter to a modern generation of brown girls. “An acute study of those tender moments of becoming, this is an ode to girlhood, inheritance, and the good trouble the body yields.”—Raven Leilani, author of Luster FINALIST: The New American Voices Award, The Carol Shields Prize for Fiction, The VCU Cabell First Novelist Award, The New American Voices Award, The Center for Fiction First Novel Prize ONE OF THE BEST BOOKS OF THE YEAR: PopSugar, Kirkus Reviews If you really want to know, we are the color of 7-Eleven root beer. The color of sand at Rockaway Beach when it blisters the bottoms of our feet. Color of soil . . . Welcome to Queens, New York, where streets echo with languages from all over the globe, subways rumble above dollar stores, trees bloom and topple over sidewalks, and the funky scent of the Atlantic Ocean wafts in from Rockaway Beach. Within one of New York City’s most vibrant and eclectic boroughs, young women of color like Nadira, Gabby, Naz, Trish, Angelique, and countless others, attempt to reconcile their immigrant backgrounds with the American culture in which they come of age. Here, they become friends for life—or so they vow. Exuberant and wild, together they roam The City That Never Sleeps, sing Mariah Carey at the tops of their lungs, yearn for crushes who pay them no mind—and break the hearts of those who do—all while trying to heed their mothers’ commands to be obedient daughters. But as they age, their paths diverge and rifts form between them, as some choose to remain on familiar streets, while others find themselves ascending in the world, beckoned by existences foreign and seemingly at odds with their humble roots. A blazingly original debut novel told by a chorus of unforgettable voices, Brown Girls illustrates a collective portrait of childhood, adulthood, and beyond, and is a striking exploration of female friendship, a powerful depiction of women of color attempting to forge their place in the world today. For even as the conflicting desires of ambition and loyalty, freedom and commitment, adventure and stability risk dividing them, it is to one another—and to Queens—that the girls ultimately return. |
| paul beatty white boy shuffle: Soul Babies Mark Anthony Neal, 2013-02-01 In Soul Babies, Mark Anthony Neal explains the complexities and contradictions of black life and culture after the end of the Civil Rights era. He traces the emergence of what he calls a post-soul aesthetic, a transformation of values that marked a profound change in African American thought and experience. Lively and provocative, Soul Babies offers a valuable new way of thinking about black popular culture and the legacy of the sixties. |
| paul beatty white boy shuffle: What Was African American Literature? Kenneth W. Warren, 2011-05-03 African American literature is over. With this provocative claim Kenneth Warren sets out to identify a distinctly African American literature—and to change the terms with which we discuss it. Rather than contest other definitions, Warren makes a clear and compelling case for understanding African American literature as creative and critical work written by black Americans within and against the strictures of Jim Crow America. Within these parameters, his book outlines protocols of reading that best make sense of the literary works produced by African American writers and critics over the first two-thirds of the twentieth century. In Warren’s view, African American literature begged the question: what would happen to this literature if and when Jim Crow was finally overthrown? Thus, imagining a world without African American literature was essential to that literature. In support of this point, Warren focuses on three moments in the history of Phylon, an important journal of African American culture. In the dialogues Phylon documents, the question of whether race would disappear as an organizing literary category emerges as shared ground for critical and literary practice. Warren also points out that while scholarship by black Americans has always been the province of a petit bourgeois elite, the strictures of Jim Crow enlisted these writers in a politics that served the race as a whole. Finally, Warren’s work sheds light on the current moment in which advocates of African American solidarity insist on a past that is more productively put behind us. |
| paul beatty white boy shuffle: Tuff Paul Beatty, 2017-05 |
| paul beatty white boy shuffle: A Detective's Complaint Shimon Adaf, 2022-08-02 In Shimon Adaf's Lost Detective Trilogy, what begins as conventional mystery becomes by degrees a brilliant deconstruction not just of genre but of our own search for meaning. Both profound and compulsively readable, these books demand to be devoured. —Lavie Tidhar, author of By Force Alone In A Detective's Complaint, the sequel to One Mile and Two Days Before Sunset, Elish Ben Zaken has traded working as a private investigator for writing detective novels based on unsolved cases from the past. He appears to live an ordinary writer’s life: meeting with his agent, attending literary conferences. But all is not quite right with Elish, who cannot escape his past so easily, especially when his sister’s daughter, Tahel, a teenager and an aspiring sleuth herself, calls on him for help. Tahel has uncovered a mystery: a young woman boarded a bus in Beersheva on a Thursday evening and stepped off in Sderot, close to the Gaza border, on Sunday evening. A bus ride that should have lasted an hour instead took three days, and the young woman remembers none of it. To assist Tahel—and, he tells himself, to conduct research for his next novel—Elish moves back to Sderot, where he grew up. His sister, Yaffa, has moved her family from Tel Aviv to a new lakeside development there; the property came cheap, despite the attractive setting, and there are murmurs that the developer fled the country before it was completed. Some of the houses still stand empty, and Tahel keeps waking up at night to find her mother staring out at the lake, convinced she is being watched. Now, in the summer of 2014, Sderot lies near the center of the Gaza–Israel conflict, and sirens and missile strikes are part of the town’s daily reality—as are violent clashes between anti-war protestors and those who oppose them. In this pressurized environment, Elish must grapple with the deep wounds of history, both personal and political, and the human need for answers in a world that offers few. |
| paul beatty white boy shuffle: Nightmare Envy and Other Stories George Blaustein, 2018 What has it meant to be an Americanist? What did it mean to be an Americanist through fascism, war, and occupation? Nightmare Envy and Other Stories is a study of Americanist writing and institutions in the 20th century. Four chapters trace four routes through the mid-twentieth century. The first chapter is the hidden history of American Studies in the United States, Europe and Japan. The second is the strange career of national character in anthropology. The third is a contest between military occupation and cultural diplomacy in Europe. The fourth is the emergence and fate of the American Renaissance, as the scholar and literary critic F.O. Matthiessen carried a canon of radical literature across the Iron Curtain. Each chapter culminates in the postwar period, when the ruin of postwar Europe led writers and intellectuals on both sides of the Atlantic to understand America in new ways. Many of our modern myths of the United States and Europe were formed in this moment. Some saw the United States assume the mantle of cultural redeemer. Others saw a stereotypical America, rich in civilization but poor in culture, overtake a stereotypical Europe, rich in culture and equally rich in disaster. Drawing on American and European archives, the book weaves cultural, intellectual, and diplomatic history, with portraits of Matthiessen, Margaret Mead, Ruth Benedict, David Riesman, Alfred Kazin, and Ralph Ellison. It excavates the history of the Salzburg Seminar in American Civilization, where displaced persons, former Nazis, budding Communists, and glad-handing Americans met on the common ground of American culture. Others found keys to their own contexts in American books, reading Moby-Dick in the ruins. Nightmare Envy and Other Stories chronicles American encounters with European disaster, European encounters with American fiction, and the chasms over which culture had to reach. |
| paul beatty white boy shuffle: The Market Logics of Contemporary Fiction Paul Crosthwaite, 2019-07-18 Contemporary British and American fiction is defined by financial markets' power over the global publishing industry and the global economy. |
| paul beatty white boy shuffle: Writers & Company Eleanor Wachtel, 1993 |
| paul beatty white boy shuffle: Antkind Charlie Kaufman, 2021-07-06 The bold and boundlessly original debut novel from the Oscar®-winning screenwriter of Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind, and Synecdoche, New York. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • “A dyspeptic satire that owes much to Kurt Vonnegut and Thomas Pynchon . . . propelled by Kaufman’s deep imagination, considerable writing ability and bull’s-eye wit.—The Washington Post “An astonishing creation . . . riotously funny . . . an exceptionally good [book].”—The New York Times Book Review • “Kaufman is a master of language . . . a sight to behold.”—NPR NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND MEN’S HEALTH B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius. All that’s left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to re-create the lost masterwork while attempting to keep pace with an ever-fracturing culture of “likes” and arbitrary denunciations that are simultaneously his bête noire and his raison d’être. A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke. |
| paul beatty white boy shuffle: Angry Black White Boy, Or, The Miscegenation of Mason Detornay Adam Mansbach, 2005 From the critically acclaimed author of Shackling Water comes an incendiary and ruthlessly funny novel about violence, pop culture, and identity in 21st-century America. |
| paul beatty white boy shuffle: The Noble Hustle Colson Whitehead, 2015-03-03 From the two-time Pulitzer Prize-winning author of The Underground Railroad and The Nickel Boys • “Whitehead proves a brilliant sociologist of the poker world.” —The Boston Globe In 2011, Grantland magazine gave bestselling novelist Colson Whitehead $10,000 to play at the World Series of Poker in Las Vegas. It was the assignment of a lifetime, except for one hitch—he’d never played in a casino tournament before. With just six weeks to train, our humble narrator took the Greyhound to Atlantic City to learn the ways of high-stakes Texas Hold’em. Poker culture, he discovered, is marked by joy, heartbreak, and grizzled veterans playing against teenage hotshots weaned on Internet gambling. Not to mention the not-to-be overlooked issue of coordinating Port Authority bus schedules with your kid’s drop-off and pickup at school. Finally arriving in Vegas for the multimillion-dollar tournament, Whitehead brilliantly details his progress, both literal and existential, through the event’s antes and turns, through its gritty moments of calculation, hope, and spectacle. Entertaining, ironic, and strangely profound, this epic search for meaning at the World Series of Poker is a sure bet. Look for Colson Whitehead’s new novel, Crook Manifesto! |
| paul beatty white boy shuffle: Negro Sunshine Paul Beatty, 2025-10-15 Negro Sunshine has descriptive copy which is not yet available from the Publisher. |
| paul beatty white boy shuffle: The Hours / Mrs. Dalloway Michael Cunningham, Virginia Woolf, 2022-05-03 Michael Cunningham brings together his Pulitzer Prize–winning novel with the masterpiece that inspired it, Virginia Woolf’s Mrs. Dalloway. In The Hours, the acclaimed author Michael Cunningham draws inventively on the life and work of Virginia Woolf and the story of her novel, Mrs. Dalloway, to tell the story of a group of contemporary characters struggling with the conflicting claims of love and inheritance, hope and despair. In this edition, Cunningham brings his own Pulitzer Prize–winning novel together with Woolf’s masterpiece, which has long been hailed as a groundbreaking work of literary fiction and one of the finest novels written in English. The two novels, published side by side with a new introduction by Cunningham, display the extent of their affinity, and each illuminates new facets of the other in this joint volume. In his introduction, Cunningham re-creates the wonderment of his first encounter with Mrs. Dalloway at fifteen—as he writes, “I was lost. I was gone. I never recovered.” With this edition, Cunningham allows us to disappear into the world of Woolf and into his own brilliant mind. |
| paul beatty white boy shuffle: Room for Doubt Wendy Lesser, 2009-02-19 Room for Doubt is Wendy Lesser’s account of three separate but interlocking occasions for doubt: her stay in Berlin, a city she had never expected to visit; her unwritten book on the philosopher David Hume; and her long friendship with the writer Leonard Michaels, which constantly broke down and yet endured. Through this unusual journey, Lesser in the end shows us how, once examined, things are never quite what she thought they were. |
| paul beatty white boy shuffle: The Torqued Man Peter Mann, 2022-01-11 “A damn good read.”—Alan Furst A brilliant debut novel, at once teasing literary thriller and a darkly comic blend of history and invention, The Torqued Man is set in wartime Berlin and propelled by two very different but equally mesmerizing voices: a German spy handler and his Irish secret agent, neither of whom are quite what they seem. Berlin—September, 1945. Two manuscripts are found in rubble, each one narrating conflicting versions of the life of an Irish spy during the war. One of them is the journal of a German military intelligence officer and an anti-Nazi cowed into silence named Adrian de Groot, charting his relationship with his agent, friend, and sometimes lover, an Irishman named Frank Pike. In De Groot’s narrative, Pike is a charismatic IRA fighter sprung from prison in Spain to assist with the planned German invasion of Britain, but who never gets the chance to consummate his deal with the devil. Meanwhile, the other manuscript gives a very different account of the Irishman’s doings in the Reich. Assuming the alter ego of the Celtic hero Finn McCool, Pike appears here as the ultimate Allied saboteur. His mission: an assassination campaign of high-ranking Nazi doctors, culminating in the killing of Hitler’s personal physician. The two manuscripts spiral around each other, leaving only the reader to know the full truth of Pike and De Groot’s relationship, their ultimate loyalties, and their efforts to resist the fascist reality in which they are caught. |
Paul Beatty White Boy Shuffle - oldshop.whitney.org
The White Boy Shuffle Paul Beatty,2001-05-04 A slapstick satire on race relations featuring Gunnar Kaufman a black writer from Santa Monica who becomes famous by saying all the …
Punked for Life: Paul Beatty's The White Boy Shuffle and ... - JSTOR
Paul Beatty takes a decidedly different approach with his novel The White Boy Shuffle. Beatty's novel, written at the end of the twentieth century, rejects the trajectory of native sons and …
Paul Beatty's The White Boy Shuffle: Teaching True Diversity - CORE
Beatty, a poet and a satirist, will give our students a funny taste of what it's like growing up "diverse" under the edicts of political correctness and multiculturalism.
Resistance on the Imperial Terrain: Constructing a counter-Empire …
Paul Beatty‟s The White Boy Shuffle ostensibly proffers a new model for black leadership, a role filled by the protagonist, Gunnar Kaufman.
An Interview with Paul Beatty - pdfs.semanticscholar.org
French under the same title in 2009 and White Boy Shuffle, his first novel, published in the USA in 1996, translated into French and published under the title American Prophet in 2013. Both …
and Popular Culture in Paul Beatty's - JSTOR
In the prologue to Paul Beatty's 1996 novel The White Boy Shuf fle, the reluctant hero Gunnar Kaufmann declares: Tn the quest for equality, black folks have tried everything.
SUBVERSION OF HETERONORMATIVITY IN PAUL BEATTY’S
The White Boy Shuffle. Grounded in the framework of queer narratology, the study conducts a meticulous close reading, emphasizing character analysis and textual evidence to unveil …
IDENTITY SHIFT IN PAUL BEATTY'S THE WHITE BOY SHUFFLE
In The White Boy Shuffle, Paul Beatty waves stories of violation and adversity to examine the cruelty that racism and identity produces. The opposition between the narrow traditional path …
MISRECOGNITION AND STRUGGLE FOR IDENTITY OF BLACKS: A …
demonization and struggle for identity of characters in Paul Beatty’s novels, especially The White Boy Shuffle and The Sellout. Keywords: Identity, slavery, racism, demonization and white …
Paul Beatty White Boy Shuffle Copy - oldshop.whitney.org
The White Boy Shuffle Paul Beatty,2001-05-04 A slapstick satire on race relations featuring Gunnar Kaufman a black writer from Santa Monica who becomes famous by saying all the …
Flight to Germany: Paul Beatty, the Color Line, and the Berlin Wall
On one hand, Paul Beatty's fiction aligns with these interpretations. In The White Boy Shuffle, Gunnar Kaufman tells of an ancestor, Swen Kaufman, "the only person ever to run away into …
The CEA Forum - ed
contemporary works, Paul Beatty's The White Boy Shuffle. Here, I discuss how in Hurston's novel, for example, her protagonist Janie is shown developing both physically and emotionally from a …
PASSING, PASSAGES, AND PASSKEYS: POST-CIVIL RIGHTS …
7 Apr 2019 · generation: Percival Everett, Paul Beatty, Mat Johnson, Trey Ellis, and Adam Mansbach. Each author uses his satiric fiction to enact new, yet distinct, models that challenge …
“No one owns language” - SAGE Journals
Man Booker prize winner Paul Beatty talks to Jemimah Steinfeld about whether writers should avoid certain words and why he challenges his students to write freely and take risks
The Vengeance of Black Boys - JSTOR
Boy disrupts views of the representative delinquent black male who emerges in Native Son, Beatty's The White Boy Shuffle charts an alternative course in the more prominent portrayals of …
The Sellout by Paul Beatty: “Unmitigated Blackness” in Obama's …
Man and to Paul Beatty’s earlier novel The White Boy Shuffle. Further, The Sellout exposes the ongoing presence and function of racism in an America that has elected its
Strategic Alterations and Afro-Asian Connections in Paul Beatty
This essay argues that Paul Beatty’s Tuffdoes not simply employ or reverse stereotypes, but rather uses Afro-Asian connections to strategically alter stereotypes of urban black masculinity. …
Contemporary Black Campus Novels: Between Nostalgia and
nostalgia include Paul Beatty’s The White Boy Shuffle (1996), Zadie Smith’s On Beauty (2005), and Brandon Taylor’s Real Life (2020). Recurring themes of beauty, queer love, and ambition...
The Sellout by Paul Beatty (review) - JSTOR
Kaufman, the narrator and protagonist of Beatty’s earlier novel, The White Boy Shuffle (1996). Kaufmann, the descendant of a long line of race-traitors starting with the man who betrayed …
Paul Beatty White Boy Shuffle - oldshop.whitney.org
The White Boy Shuffle Paul Beatty,2001-05-04 A slapstick satire on race relations featuring Gunnar Kaufman a black writer from Santa Monica who becomes famous by saying all the …
Punked for Life: Paul Beatty's The White Boy Shuffle and
Paul Beatty takes a decidedly different approach with his novel The White Boy Shuffle. Beatty's novel, written at the end of the twentieth century, rejects the trajectory of native sons and …
Paul Beatty's The White Boy Shuffle: Teaching True Diversity
Beatty, a poet and a satirist, will give our students a funny taste of what it's like growing up "diverse" under the edicts of political correctness and multiculturalism.
Resistance on the Imperial Terrain: Constructing a counter-Empire …
Paul Beatty‟s The White Boy Shuffle ostensibly proffers a new model for black leadership, a role filled by the protagonist, Gunnar Kaufman.
An Interview with Paul Beatty - pdfs.semanticscholar.org
French under the same title in 2009 and White Boy Shuffle, his first novel, published in the USA in 1996, translated into French and published under the title American Prophet in 2013. Both …
and Popular Culture in Paul Beatty's - JSTOR
In the prologue to Paul Beatty's 1996 novel The White Boy Shuf fle, the reluctant hero Gunnar Kaufmann declares: Tn the quest for equality, black folks have tried everything.
SUBVERSION OF HETERONORMATIVITY IN PAUL BEATTY’S
The White Boy Shuffle. Grounded in the framework of queer narratology, the study conducts a meticulous close reading, emphasizing character analysis and textual evidence to unveil …
IDENTITY SHIFT IN PAUL BEATTY'S THE WHITE BOY SHUFFLE
In The White Boy Shuffle, Paul Beatty waves stories of violation and adversity to examine the cruelty that racism and identity produces. The opposition between the narrow traditional path …
MISRECOGNITION AND STRUGGLE FOR IDENTITY OF BLACKS: A STUDY OF PAUL ...
demonization and struggle for identity of characters in Paul Beatty’s novels, especially The White Boy Shuffle and The Sellout. Keywords: Identity, slavery, racism, demonization and white …
Paul Beatty White Boy Shuffle Copy - oldshop.whitney.org
The White Boy Shuffle Paul Beatty,2001-05-04 A slapstick satire on race relations featuring Gunnar Kaufman a black writer from Santa Monica who becomes famous by saying all the …
Flight to Germany: Paul Beatty, the Color Line, and the Berlin Wall …
On one hand, Paul Beatty's fiction aligns with these interpretations. In The White Boy Shuffle, Gunnar Kaufman tells of an ancestor, Swen Kaufman, "the only person ever to run away into …
The CEA Forum - ed
contemporary works, Paul Beatty's The White Boy Shuffle. Here, I discuss how in Hurston's novel, for example, her protagonist Janie is shown developing both physically and emotionally from a …
PASSING, PASSAGES, AND PASSKEYS: POST-CIVIL RIGHTS …
7 Apr 2019 · generation: Percival Everett, Paul Beatty, Mat Johnson, Trey Ellis, and Adam Mansbach. Each author uses his satiric fiction to enact new, yet distinct, models that challenge …
“No one owns language” - SAGE Journals
Man Booker prize winner Paul Beatty talks to Jemimah Steinfeld about whether writers should avoid certain words and why he challenges his students to write freely and take risks
The Vengeance of Black Boys - JSTOR
Boy disrupts views of the representative delinquent black male who emerges in Native Son, Beatty's The White Boy Shuffle charts an alternative course in the more prominent portrayals …
The Sellout by Paul Beatty: “Unmitigated Blackness” in Obama's …
Man and to Paul Beatty’s earlier novel The White Boy Shuffle. Further, The Sellout exposes the ongoing presence and function of racism in an America that has elected its
Strategic Alterations and Afro-Asian Connections in Paul Beatty
This essay argues that Paul Beatty’s Tuffdoes not simply employ or reverse stereotypes, but rather uses Afro-Asian connections to strategically alter stereotypes of urban black …
Contemporary Black Campus Novels: Between Nostalgia and
nostalgia include Paul Beatty’s The White Boy Shuffle (1996), Zadie Smith’s On Beauty (2005), and Brandon Taylor’s Real Life (2020). Recurring themes of beauty, queer love, and ambition...
The Sellout by Paul Beatty (review) - JSTOR
Kaufman, the narrator and protagonist of Beatty’s earlier novel, The White Boy Shuffle (1996). Kaufmann, the descendant of a long line of race-traitors starting with the man who betrayed …
