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| paule marshall praisesong for the widow 3: Praisesong for the Widow Paule Marshall, 1984-04-16 From the acclaimed author of Daughters and Brown Girl, Brownstones comes a “work of exceptional wisdom, maturity, and generosity, one in which the palpable humanity of its characters transcends any considerations of race or sex”(Washington Post Book World). Avey Johnson—a black, middle-aged, middle-class widow given to hats, gloves, and pearls—has long since put behind her the Harlem of her childhood. Then on a cruise to the Caribbean with two friends, inspired by a troubling dream, she senses her life beginning to unravel—and in a panic packs her bag in the middle of the night and abandons her friends at the next port of call. The unexpected and beautiful adventure that follows provides Avey with the links to the culture and history she has so long disavowed. “Astonishingly moving.”—Anne Tyler, The New York Times Book Review |
| paule marshall praisesong for the widow 3: Brown Girl, Brownstones Paule Marshall, 2012-03-06 Set in Brooklyn during the Depression and World War II, this 1953 coming-of-age novel centers on the daughter of Barbadian immigrants. Passionate, compelling. — Saturday Review. Remarkable for its courage. — The New Yorker. |
| paule marshall praisesong for the widow 3: Triangular Road Paule Marshall, 2010-02 InTriangular Road, famed novelist Paule Marshall tells the story of her years as a fledgling young writer in the 1960s. A memoir of self-discovery, it also offers an affectionate tribute to the inimitable Langston Hughes, who entered Marshall’s life during a crucial phase and introduced her to the world of European letters during a whirlwind tour of the continent funded by the State Department. In the course of her journeys to Europe, Barbados, and eventually Africa, Marshall comes to comprehend the historical enormity of the African diaspora, an understanding that fortifies her sense of purpose as a writer.In this unflinchingly honest memoir, Paule Marshall offers an indelible portrait of a young black woman coming of age as a novelist in a literary world dominated by white men. |
| paule marshall praisesong for the widow 3: The Fiction of Paule Marshall Dorothy Hamer Denniston, 1995 Introduction : anatomy of an aesthetic : the African cultural base -- 1. Challenging the American norm : the gendered sensibility in the Valley between -- 2. Beyond bildungsroman : constructions of gender and culture in Brown girl, brownstones -- 3. Cultural expansion and masculine subjectivity : Soul clap hands and sing -- 4. Maturation and multiplicity in consciousness : the short stories -- 5. Changing the present order : personal and political liberation in The chosen place, the timeless people -- 6. Recognition and recovery : diasporan connections in Praisesong for the widow -- 7. Transformation and re-creation of female identity in Daughters. |
| paule marshall praisesong for the widow 3: Toward Wholeness in Paule Marshall's Fiction Joyce Owens Pettis, 1995 An examination of Marshall's work and its place in the tradition of African-American women's fiction and of black American and Caribbean literature and culture. Explores the intersecting patterns of race, class, and gender oppressions that contribute to her characters' problems and their attempts to transcend this oppression. For readers in women's, Caribbean, and African-American literature. Annotation copyright by Book News, Inc., Portland, OR |
| paule marshall praisesong for the widow 3: Tragic Magic Wesley Brown, 1978 Tragic Magic is the story of Melvin Ellington, a.k.a. Mouth, a black, twenty-something, ex-college radical who has just been released from a five-year prison stretch after being a conscientious objector to the Vietnam War. Brown structures this first-person tale around Ellington's first day on the outside. Although hungry for freedom and desperate for female companionship, Ellington is haunted by a past that drives him to make sense of those choices leading up to this day. Through a filmic series of flashbacks the novel revisits Ellington's prison experiences, where he is forced to play the unwilling patsy to the predatorial Chilly and the callow pupil of the not-so-predatorial Hardknocks; then dips further back to Ellington's college days where again he takes second stage to the hypnotic militarism of the Black Pantheresque Theo, whose antiwar politics incite the impressionable narrator to oppose his parents and to choose imprisonment over conscription; and finally back to his earliest high school days where we meet in Otis the presumed archetype of Ellington's tragic magic relationships with magnetic but dangerous avatars of black masculinity in crisis. --biography.jrank.org. |
| paule marshall praisesong for the widow 3: Constructing Black Selves Lisa Diane McGill, 2005-11-01 In 1965, the Hart-Cellar Immigration Reform Act ushered in a huge wave of immigrants from across the Caribbean—Jamaicans, Cubans, Haitians, and Dominicans, among others. How have these immigrants and their children negotiated languages of race and ethnicity in American social and cultural politics? As black immigrants, to which America do they assimilate? Constructing Black Selves explores the cultural production of second-generation Caribbean immigrants in the United States after World War II as a prism for understanding the formation of Caribbean American identity. Lisa D. McGill pays particular attention to music, literature, and film, centering her study around the figures of singer-actor Harry Belafonte, writers Paule Marshall, Audre Lorde, and Piri Thomas, and meringue-hip-hop group Proyecto Uno. Illuminating the ways in which Caribbean identity has been transformed by mass migration to urban landscapes, as well as the dynamic and sometimes conflicted relationship between Caribbean American and African American cultural politics, Constructing Black Selves is an important contribution to studies of twentieth century U.S. immigration, African American and Afro-Caribbean history and literature, and theories of ethnicity and race. |
| paule marshall praisesong for the widow 3: The Chosen Place, The Timeless People Paule Marshall, 1984-09-12 The chosen place is Bourneville, a remote, devastated part of a Caribbean island; the timeless people are its inhabitants—black, poor, inextricably linked to their past enslavement. When the advance team for an ambitious American research project arrives, the tense, ambivalent relationships that evolve, between natives and foreigners, black and whites, haves and have-nots, keenly dramatize the vicissitudes of power. “An important and moving book . . . Marshall is as wise as she is bold, for in compromising neither her politics nor her understanding of people, she makes better sense of both.”—Village Voice |
| paule marshall praisesong for the widow 3: Women's Studies Quarterly (97:3-4) Tuzyline Jita Allan, 1997 Authoritative, creative, and groundbreaking original literary essays about an important emerging area of study. |
| paule marshall praisesong for the widow 3: Mother Imagery in the Novels of Afro-Caribbean Women Simone A. James Alexander, 2001 Focusing on specific texts by Jamaica Kincaid, Maryse Conde, and Paule Marshall, this study explores the intricate trichotomous relationship between the mother (biological or surrogate), the motherlands Africa and the Caribbean, and the mothercountry represented by England, France, and/or North America. The mother-daughter relationships in the works discussed address the complex, conflicting notions of motherhood that exist within this trichotomy. Although mothering is usually socialized as a welcoming, nurturing notion, Alexander argues that alongside this nurturing notion there exists much conflict. Specifically, she argues that the mother-daughter relationship, plagued with ambivalence, is often further conflicted by colonialism or colonial intervention from the other, the colonial mothercountry. Mother Imagery in the Novels of Afro-Caribbean Women offers an overview of Caribbean women's writings from the 1990s, focusing on the personal relationships these three authors have had with their mothers and/or motherlands to highlight links, despite social, cultural, geographical, and political differences, among Afro-Caribbean women and their writings. Alexander traces acts of resistance, which facilitate the (re)writing/righting of the literary canon and the conception of a newly created genre and a womanist tradition through fictional narratives with autobiographical components. --Book Jacket. |
| paule marshall praisesong for the widow 3: Otherworldly Mothering Marika Ceschia, 2024-08-09 Otherworldly Mothering argues that literary works by Toni Morrison, Gloria Naylor, Paule Marshall, Audre Lorde, and Toni Cade Bambara reimagine subjectivity in processual and relational terms through a rewriting of maternal praxis, a technique that unveils the historical continuities between antebellum and neoliberal America. By refiguring materials drawn from the tradition of slave narratives, Black women’s literature of the 1970s and 1980s often conjures maternal otherworlds where it is possible to engage alternative modes of being. In conversation with the work of Hortense Spillers, Sylvia Wynter, and Saidiya Hartman, Marika Ceschia analyzes how Black women writers find in the maternal a means of creatively reenvisioning the figure of the human. Morrison’s Song of Solomon, Naylor’s Linden Hills, Marshall’s Praisesong for the Widow, Lorde’s Zami, and Bambara’s The Salt Eaters each change the strictures that dictate how the human is performed. As these texts show, maternal praxis can have a transformative ontological effect: confronting the toll exerted by centuries of racial violence, these writers reclaim the maternal as a site of subject formation. Otherworldly Mothering reassesses canonical works of twentieth-century Black women’s literature alongside theoretical debates around the ontology of the human, antiblackness, and Black motherhood. Ceschia proposes a reappraisal of maternal praxis that challenges neoliberal discourse and questions recent critical turns toward Afropessimism and posthumanism. |
| paule marshall praisesong for the widow 3: Dancing at Lughnasa Brian Friel, 1993 THE STORY: This extraordinary play is the story of five unmarried sisters eking out their lives in a small village in Ireland in l936. We meet them at the time of the festival of Lughnasa, which celebrates the pagan god of the harvest with drunken |
| paule marshall praisesong for the widow 3: Writing from the Hearth Mildred Mortimer, 2007-11-01 If space is important in the realm of imagination and a key theme in feminist theory, cross-cultural studies of social maps reveal that men and women's spatial experiences differ; women rarely control physical or social space directly. Positing the thesis that women's writing of Francophone Africa and the Caribbean offers important perspectives on the relationship of gender to space,Writing from the Hearth proposes close readings of Francophone women writers of Africa (Aoua KZita, Mariama B%, Ken Bugul, Calixthe Beyala, and Aminata Sow Fall) and the Caribbean (Marie Chauvet, Simon Schwarz-Bart, Maryse CondZ, and Edwidge Danticat). As critical readings of postcolonial African and Caribbean literature show that tropes of confinement appear frequently in female-authored texts_where home is often depicted as a place of alienation_this critical study examines ambiguities associated with domestic space as enclosure as it explores the relationship between the female protagonist and the inner and outer spaces of her world: domestic, imaginative, and public space. Writing from the Hearth probes the hypothesis that the female protagonist can move toward empowerment by entering public space from which she has been excluded by indigenous patriarchs and European colonizers and by establishing a new relationship to domestic space or securing a liberating alternative space within it. Flexible and multipurpose, alternative space is a place of possibilities that can function as a refuge for meditation, recollection, or fantasy, an antechamber for action, and a site of resistance and performance. Here, by telling the tale, writing the creative work, a woman can affirm her sense of self. |
| paule marshall praisesong for the widow 3: Afro-Atlantic Flight Michelle D. Commander, 2017-03-02 In Afro-Atlantic Flight Michelle D. Commander traces how post-civil rights Black American artists, intellectuals, and travelers envision literal and figurative flight back to Africa as a means by which to heal the dispossession caused by the slave trade. Through ethnographic, historical, literary, and filmic analyses, Commander shows the ways that cultural producers such as Octavia Butler, Thomas Allen Harris, and Saidiya Hartman engage with speculative thought about slavery, the spiritual realm, and Africa, thereby structuring the imaginary that propels future return flights. She goes on to examine Black Americans’ cultural heritage tourism in and migration to Ghana; Bahia, Brazil; and various sites of slavery in the US South to interrogate the ways that a cadre of actors produces “Africa” and contests master narratives. Compellingly, these material flights do not always satisfy Black Americans’ individualistic desires for homecoming and liberation, leading Commander to focus on the revolutionary possibilities inherent in psychic speculative returns and to argue for the development of a Pan-Africanist stance that works to more effectively address the contemporary resonances of slavery that exist across the Afro-Atlantic. |
| paule marshall praisesong for the widow 3: Binding Cultures Gay Wilentz, 1992-05-22 Wilentz . . . makes convincing arguments for the connections between African and Afro-American women's culture. —Nellie McKay Wilentz's jargon-free, intelligent discussion . . . will appeal to students in African, African American, and women's literature courses, as well as general readers interested in the emerging field. —Choice Through these works, Wilentz demonstrates the powerful transformation possible through understanding—and embracing—the past, even if that past includes oppression and brutalization. —Belles Lettres Binding Cultures investigates the cultural bonds between African and African-American women writers such as Nigerian Flora Nwapa and Ghanaians Efua Sutherland and Ama Ata Aidoo, writers who focus on the role of women in passing on cultural values to future generations, and African-American writers Alice Walker, Toni Morrison, and Paule Marshall, who self-consciously evoke African culture to help create a more integrated African-American community. |
| paule marshall praisesong for the widow 3: Making Men Belinda Edmondson, 1999 Colonialism left an indelible mark on writers from the Caribbean. Many of the mid-century male writers, on the eve of independence, looked to England for their models. The current generation of authors, many of whom are women, have increasingly looked--and relocated--to the United States. Incorporating postcolonial theory, West Indian literature, feminist theory, and African American literary criticism, Making Men carves out a particular relationship between the Caribbean canon--as represented by C. L. R. James and V. S. Naipaul, among others--and contemporary Caribbean women writers such as Jean Rhys, and Jamaica Kincaid, Paule Marshall, and Michelle Cliff, who now live in the United States. Discussing the canonical Caribbean narrative as it reflects national identity under the domination of English cultural authority, Belinda Edmondson focuses particularly on the pervasive influence of Victorian sensibilities in the structuring of twentieth-century national identity. She shows that issues of race and English constructions of masculinity not only are central to West Indian identity but also connect Caribbean authorship to the English literary tradition. This perspective on the origins of West Indian literary nationalism then informs Edmondson's search for female subjectivity in current literature by West Indian women immigrants in America. Making Men compares the intellectual exile of men with the economic migration of women, linking the canonical male tradition to the writing of modern West Indian women and exploring how the latter write within and against the historical male paradigm in the continuing process of national definition. With theoretical claims that invite new discourse on English, Caribbean, and American ideas of exile, migration, race, gender identity, and literary authority, Making Men will be informative reading for those involved with postcolonial theory, African American and women's studies, and Caribbean literature. |
| paule marshall praisesong for the widow 3: Black Immigrant Literacies Patriann Smith, 2023 Learn how to center, affirm, and develop Black immigrant literacies in ways that allow all youth to engage with and honor their literacies. This book presents a framework to revolutionize teaching in ways that draw on students’ assets for redesigning, rethinking, and reimagining literacy and the English Language Arts curriculum. This novel framework has five mechanisms through which Black immigrant literacies and languaging can be better understood: the struggle for justice, the myth of the model minority, transraciolinguistics, the local-global, and holistic literacies. Presenting authentic narratives of Afro-Caribbean youth, the author describes how teachers and educators can: (1) teach the Black literate immigrant; (2) use literacy and English language arts curriculum as a vehicle for instructing Black immigrant youth; (3) foster relations among Black immigrants and their peers through literacy; and (4) connect parents, schools, and communities. The text includes lesson plans, instructional modules, and templates that range in their focus from K–12 to college. Book Features: Details how teachers, curriculum, and instruction can benefit from understanding the experiences of Black immigrant students, and how that experience differs from other Black American students.Highlights authentic narratives that center the holistic voices of Afro-Caribbean immigrant youth from Jamaica and the Bahamas. Demonstrates how students grapple with racialization, becoming immigrants, and the responses of others to their use of Englishes in the United States. Offers research-based methods for teaching all students to draw on their metalinguistic, metacultural, and metaracial understandings in literacy and ELA classrooms.Presents concrete strategies for supporting Black immigrant populations in establishing and sustaining a sense of community across linguistic, cultural, and racial contexts. |
| paule marshall praisesong for the widow 3: The Cambridge Companion to Caribbean Music Nanette de Jong, 2022-08-04 The diverse musics of the Caribbean form a vital part of the identity of individual island nations and their diasporic communities. At the same time, they witness to collective continuities and the interrelatedness that underlies the region's multi-layered complexity. This Companion introduces familiar and less familiar music practices from different nations, from reggae, calypso and salsa to tambú, méringue and soca. Its multidisciplinary, thematic approach reveals how the music was shaped by strategies of resistance and accommodation during the colonial past and how it has developed in the postcolonial present. The book encourages a comparative and syncretic approach to studying the Caribbean, one that acknowledges its patchwork of fragmented, dynamic, plural and fluid differences. It is an innovative resource for scholars and students of Caribbean musical culture, particularly those seeking a decolonising perspective on the subject. |
| paule marshall praisesong for the widow 3: A Human Necklace Moira Ferguson, 2013-12-02 From Brown Girl, Brownstones (1959) to The Fisher King (2000), Paule Marshall's novels, novellas, and short stories include a rich cast of unforgettable men, women, and children who forge spiritual as well as emotional and geographical paths toward their ancestors. In this, the first critical study to address all of Marshall's fiction, Moira Ferguson argues that Marshall's work collectively constitutes a multigenerational saga of the African diaspora across centuries and continents. In creating a space for her characters' interrupted lives and those of their elders and ancestors, Ferguson argues, Marshall trains a spotlight on slavery's wake and engages her fiction in the service of healing deep global wounds. |
| paule marshall praisesong for the widow 3: Writings on Black Women of the Diaspora Lean'tin Bracks, 2019-05-23 Toni Morrison, Alice Walker, Paule Marshall, and Mary Prince represent the best of African American women writers who draw on the tortuous legacy of their people as a source for their art, revealing and defining themselves as they create compelling narratives that illuminate their roots, their heritage, and their unique culture. The themes that suffuse their writing are family, community, strong women, cultural memory, oral history, and slavery. By analyzing the works of these four remarkable writers, the study shows how today's black woman can take control of her destiny by coming to grips with an obscured and distorted past. These original essays articulate the way in which historical awareness, sensitivity to language, and an understanding of stereotypes can empower enduring artistic visions in a world that is largely indifferent to marginal voices. |
| paule marshall praisesong for the widow 3: Caribbean Women Writers Mary Condé, Thorunn Lonsdale, 1999-02-12 Caribbean Women Writers is a collection of scholarly articles on the fiction of selected Caribbean women writers from Antigua, Barbados, Belize, Dominica, Grenada, Guyana, Jamaica and Trinidad. It includes not only close critical analysis of texts by Erna Brodber, Dionne Brand, Zee Edgell, Jamaica Kincaid, Paule Marshall, Pauline Melville, Jean Rhys and Olive Senior, but also personal statements from the writers Merle Collins, Beryl Gilroy, Vernella Fuller and Velma Pollard. |
| paule marshall praisesong for the widow 3: Captioning the Archives Erica Vital-Lazare, 2021-08-03 Lester Sloan began his photography career as cameraman for the CBS affiliate in Detroit, then worked as a staff photographer in Los Angeles for Newsweek magazine for twenty-five years. His daughter, noted essayist Aisha Sabatini Sloan, writes about race and current events, often coupled with analysis of art, film, and pop culture. In this father-daughter collaboration, Lester opened his archive of street photography, portraits, and news photos, and Aisha interviewed him, creating rich, probing, dialogue-based captions for more than one hundred photographs. Lester's images encompass celebrity portraits, key news events like Pope John Paul's visit to Mexico, Black cultural life in Europe, and, with astonishing emotion, the everyday lives of Black folk in Los Angeles and Detroit. About Of the Diaspora: McSweeney's Of the Diaspora is a series of previously published works in Black literature whose themes, settings, characterizations, and conflicts evoke an experience, language, imagery and power born of the Middle Passage and the particular aesthetic which connects African-derived peoples to a shared artistic and ancestral past. Wesley Brown's Tragic Magic, the first novel in the series, was originally published in 1978 and championed by Toni Morrison during her tenure as an editor at Random House. This Of the Diaspora edition features a new introduction written by Brown for the series. Tragic Magic will be followed by Paule Marshall's novel of a Harlem widow claiming new life. Praisesong for the Widow was originally published in 1983 and was a recipient of the Before Columbus Foundation American Book Award. The series is edited by writer Erica Vital-Lazare, a professor of creative writing and Marginalized Voices in literature at the College of Southern Nevada. Published in collectible hardcover editions with original cover art by Sunra Thompson, the first three works hail from Black American voices defined by what Amiri Baraka described as strong feeling getting into new blues, from the old ones. Of the Diaspora-North America will be followed by series from the diasporic communities of Europe, the Caribbean and Brazil. |
| paule marshall praisesong for the widow 3: A Feminist Ethic of Risk Sharon D. Welch, 1990 An updated edition of this influential feminist text. |
| paule marshall praisesong for the widow 3: Maternal Metaphors of Power in African American Women's Literature Geneva Cobb Moore, 2017-03-31 An in-depth examination of Black women's experiences as portrayed in literature throughout American history Geneva Cobb Moore deftly combines literature, history, criticism, and theory in Maternal Metaphors of Power in African American Women's Literature by offering insight into the historical black experience from slavery to freedom as depicted in the literature of nine female writers across several centuries. Moore traces black women writers' creation of feminine and maternal metaphors of power in literature from the colonial-era work of Phillis Wheatley to the postmodern efforts of Paule Marshall, Alice Walker, and Toni Morrison. Through their characters Moore shows how these writers re-created the identity of black women and challenge existing rules shaping their subordinate status and behavior. Drawing on feminist, psychoanalytic, and other social science theory, Moore examines the maternal iconography and counter-hegemonic narratives by which these writers responded to oppressive conventions of race, gender, and authority. Moore grounds her account in studies of Wheatley, Harriet Jacobs, Charlotte Forten Grimké, Jessie Fauset, Nella Larsen, and Zora Neale Hurston. All these authors, she contends, wrote against invisibility and powerlessness by developing and cultivating a personal voice and an individual story of vulnerability, nurturing capacity, and agency that confounded prevailing notions of race and gender and called into question moral reform. In these nine writers' construction of feminine images—real and symbolic—Moore finds a shared sense of the historically significant role of black women in the liberation struggle during slavery, the Jim Crow period, and beyond. A foreword is offer by Andrew Billingsley, a pioneering sociologist and a leading scholar in African American studies. |
| paule marshall praisesong for the widow 3: Remarkable, Unspeakable New York Shaun O'Connell, 1997-08-31 From Old New York to the Harlem Renaissance, the Algonquin Round Table to the New York Intellectuals, the beginning of the nineteenth century to the end of the twentieth, Remarkable, Unspeakable New York offers a sweeping new view of New York's place in the American literary imagination. James Baldwin, Saul Bellow, E. L. Doctorow, F. Scott Fitzgerald, Oscar Hijuelos, Langston Hughes, Washington Irving, Henry James, Toni Morrison, Dorothy Parker, Edith Wharton, Walt Whitman, and Tom Wolfe are among the many writers whose literary legacies are brought to life. |
| paule marshall praisesong for the widow 3: Women Writers of the New African Diaspora Pauline Ada Uwakweh, 2022-12-30 This book makes a significant addition to the field of literary criticism on African Diaspora literatures. In one volume, it brings together the novels of eight transnational African Diaspora women writers, Yaa Gyasi, Chika Unigwe, Chimamanda Adichie, Imbole Mbue, NoViolet Bulawayo, Aminatta Forna, Taiye Selasi, and Leila Aboulela, and positions them as chroniclers of African immigrant experiences. The book inspires critical readings of these writers’ works by revealing emerging trends in women’s literature as they are being determined and redefined by immigration. As transnational subjects, the writers engage various meanings of mobility and exhibit innovative aesthetic styles; they create awareness on gender identities and transformations, constructions of home and belonging, as well as the politics of citizenship in the hostland. The book also highlights the importance of reverse migrations and performance returns to the homeland as an expression of human desire for home and belonging, and taken as a whole, it enhances our understanding of how migration and transnational existence are (re)shaping immigrant subjects. This book will be of interest to scholars, students, and researchers of African Diaspora literatures and gender studies, who will find this book beneficial for investigating critical trends, approaches to transnational literature, and for comprehending the diasporic burdens that transnational immigrants bear. |
| paule marshall praisesong for the widow 3: Worrying the Line Cheryl A. Wall, 2005 In blues music, worrying the line is the technique of breaking up a phrase by changing pitch, adding a shout, or repeating words in order to emphasize, clarify, or subvert a moment in a song. Cheryl A. Wall applies this term to fiction and nonfiction wr |
| paule marshall praisesong for the widow 3: Home Matters R. Rubenstein, 2001-02-23 Despite its typically regressive associations with homesickness, the longing associated with nostalgia may also function progressively as a vehicle for imaginatively 'fixing' the past in two senses: securing and mending or repairing. Considering fiction by two British and six American women writers of different generations and ethnicities, this study explores tensions between home and exile, insider and outsider, longing and belonging, loss and recovery. Rubenstein argues that nostalgia functions narratively as a strategy for interrogating not only notions of home, homesickness, and homeland but also cultural historical dislocation, aging, and moral responsibility. These narratives re-frame a significant locus of concern in contemporary (female) experience: personal and/or cultural dis-placement and longing for home are ultimately transmuted - imaginatively, at least - by a restorative vision that enables healing and emotional repair. |
| paule marshall praisesong for the widow 3: In a Blaze of Glory Emilie Maureen Townes, 1995 Womanist spirituality, the author asserts, grows out of individual and communal reflection on African American faith and life. In this book, she explains that womanist spirituality is not grounded in the notion that spirituality is a force, a practice separate from who we are moment by moment. It is the deep kneading of humanity and divinity in one breath, one hope, one vision. |
| paule marshall praisesong for the widow 3: Cultural Entanglements Shane Graham, 2020-05-12 In addition to being a poet, fiction writer, playwright, and essayist, Langston Hughes was also a globe-trotting cosmopolitan, travel writer, translator, avid international networker, and—perhaps above all—pan-Africanist. In Cultural Entanglements, Shane Graham examines Hughes’s associations with a number of black writers from the Caribbean and Africa, exploring the implications of recognizing these multiple facets of the African American literary icon and of taking a truly transnational approach to his life, work, and influence. Graham isolates and maps Hughes’s cluster of black Atlantic relations and interprets their significance. Moving chronologically through Hughes’s career from the 1920s to the 1960s, he spotlights Jamaican poet and novelist Claude McKay, Haitian novelist and poet Jacques Roumain, French Negritude author Aimé Césaire of Martinique, South African writers Es’kia Mphahlele and Peter Abrahams, and Caribbean American novelist Paule Marshall. Taken collectively, these writers’ intellectual relationships with Hughes and with one another reveal a complex conversation—and sometimes a heated debate—happening globally throughout the twentieth century over what Africa signified and what it meant to be black in the modern world. Graham makes a truly original contribution not only to the study of Langston Hughes and African and Caribbean literatures but also to contemporary debates about cosmopolitanism, the black Atlantic, and transnational cultures. |
| paule marshall praisesong for the widow 3: The Grasp That Reaches Beyond the Grave Venetria K. Patton, 2014-07-02 Explores Black women writers' treatment of the ancestor figure. |
| paule marshall praisesong for the widow 3: Prospero's Daughter Elizabeth Nunez, 2016-10-25 Set on a Caribbean island in the grip of colonialism, this novel is “masterful . . . simply wonderful . . . [an] exquisite retelling of The Tempest” (Kirkus Reviews, starred review). When Peter Gardner’s ruthless medical genius leads him to experiment on his unwitting patients—often at the expense of their lives—he flees England, seeking an environ where his experiments might continue without scrutiny. He arrives with his three-year-old-daughter, Virginia, in Chacachacare, an isolated island off the coast of Trinidad, in the early 1960s. Gardner considers the locals to be nothing more than savages. He assumes ownership of the home of a servant boy named Carlos, seeing in him a suitable subject for his amoral medical work. Nonetheless, he educates the boy alongside Virginia. As Virginia and Carlos come of age together, they form a covert relationship that violates the outdated mores of colonial rule. When Gardner unveils the pair’s relationship and accuses Carlos of a monstrous act, the investigation into the truth is left up to a curt, stonehearted British inspector, whose inquiries bring to light a horrendous secret. At turns epic and intimate, Prospero's Daughter, from American Book Award winner Elizabeth Nunez, uses Shakespeare’s play as a template to address questions of race, class, and power, in the story of an unlikely bond between a boy and a girl of disparate backgrounds on a verdant Caribbean island during the height of tensions between the native population and British colonists. “Gripping and richly imagined . . . a master at pacing and plotting . . . an entirely new story that is inspired by Shakespeare, but not beholden to him.” —The New York Times Book Review “Absorbing . . . [Nunez] writes novels that resound with thunder and fury.” —Essence “A story about the transformative power of love . . . Readers are sure to enjoy the journey.” —Black Issues Book Review (Novel of the Year) |
| paule marshall praisesong for the widow 3: Igbo in the Atlantic World Toyin Falola, Raphael Chijioke Njoku, 2016-09-26 The Igbo are one of the most populous ethnic groups in Nigeria and are perhaps best known and celebrated in the work of Chinua Achebe. In this landmark collection on Igbo society and arts, Toyin Falola and Raphael Chijioke Njoku have compiled a detailed and innovative examination of the Igbo experience in Africa and in the diaspora. Focusing on institutions and cultural practices, the volume covers the enslavement, middle passage, and American experience of the Igbo as well as their return to Africa and aspects of Igbo language, society, and cultural arts. By employing a variety of disciplinary perspectives, this volume presents a comprehensive view of how the Igbo were integrated into the Atlantic world through the slave trade and slavery, the transformations of Igbo identities and culture, and the strategies for resistance employed by the Igbo in the New World. Moving beyond descriptions of generic African experiences, this collection includes 21 essays by prominent scholars throughout the world. |
| paule marshall praisesong for the widow 3: Black American Women's Writings Eva Lennox Birch, 2016-07-01 This work discusses a range of novels, short stories and essays by black American women writers from the Harlem Renaissance to the present time. It begins with a survey of 19th-century black women's slave narratives, early sentimental novels and autobiographies and then focuses on six writers: Zora Neale Hurston, Paule Marshall, Audre Lorde, Toni Morrison, Alice Walker and Maya Angelou. The text shows how these writers have developed the preoccupations, themes and narrative strategies of their literary ancestors. |
| paule marshall praisesong for the widow 3: Masters of the Dew Jacques Roumain, 1978 This outstanding Haitian novel tells of Manuel's struggle to keep his little community from starvation during drought. |
| paule marshall praisesong for the widow 3: Literary Half-Lives R. Rubenstein, 2014-05-14 While Doris Lessing was composing The Golden Notebook , she was intimately involved with Clancy Sigal and their relationship influenced the literary methods of both writers. Focusing on literary transformations, Rubenstein offers compelling insights into the ethical implications of disguised autobiography and roman à clef . |
| paule marshall praisesong for the widow 3: An Invincible Summer Tommie Lee Jackson, 2001 The female authors surveyed in this study - Mariama Ba, Simone Schwartz-Bart, Buchi Emecheta, Beryl Gilroy, Zora Neale Hurston, Paule Marshall, Toni Morrison and Alice Walker - are all linked both by their collective use of the trope of abandonment in their literature, symbolic of the Diasporic condition of black people, and by their existentialist depiction of characters who, in contrast with the bad faith of others before the void, are endowed with that special grace' in the face of futile suffering.' |
| paule marshall praisesong for the widow 3: The Specter and the Speculative Mae G. Henderson, Jeanne Scheper, Gene Melton, 2024-05-31 The Specter and the Speculative: Afterlives and Archives in the African Diaspora engages in a critical conversation about how historical subjects and historical texts within the African Diaspora are re-fashioned, re-animated, and re-articulated, as well as parodied, nostalgized, and defamiliarized, to establish an “afterlife” for African Atlantic identities and narratives. These essays focus on transnational, transdisciplinary, and transhistorical sites of memory and haunting—textual, visual, and embodied performances—in order to examine how these “living” archives circulate and imagine anew the meanings of prior narratives liberated from their original context. Individual essays examine how historical and literary performances—in addition to film, drama, music, dance, and material culture—thus revitalized, transcend and speak across temporal and spatial boundaries not only to reinstate traditional meanings, but also to motivate fresh commentary and critique. Emergent and established scholars representing diverse disciplines and fields of interest specifically engage under explored themes related to afterlives, archives, and haunting. |
| paule marshall praisesong for the widow 3: African Literatures in the Eighties , 2023-12-21 |
| paule marshall praisesong for the widow 3: African Culture and Melville's Art Sterling Stuckey, 2008-11-19 Presenting a groundbreaking reappraisal of these two powerful pieces of fiction, Sterling Stuckey reveals how African customs and rituals heavily influenced one of America's greatest novelists. |
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