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| modern architecture a critical history: Modern Architecture Kenneth Frampton, 2007 This acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980. For this fourth edition Kenneth Frampton has added a major new chapter that explores the effects of globalization on architecture in recent years, the rise annd rise of the celebrity architect, and the way in which practices worldwide have addressed such issues as sustainability and habitat. The bibliography has also been updated and expanded, making this volume more complete and indispensable than ever. |
| modern architecture a critical history: Modern Architecture Kenneth Frampton, 2020-09-01 An extensively revised and updated edition of a bestselling classic on modern architecture and its origins by Kenneth Frampton. Kenneth Frampton’s highly acclaimed survey of modern architecture and its origins has been a classic since it first appeared in 1980. Starting with the cultural developments since 1750 that drove the modern movement, moving through the creation of modern architecture, and exploring the effects of globalization and the phenomenon of international celebrity architects, this book is the definitive history of modern architecture. For this extensively revised and updated fifth edition of Modern Architecture, Frampton added new chapters exploring the ongoing modernist tradition in architecture while also examining the varied responses to the urgent need to build more sustainably and create structures that will withstand changing climates. This new edition features completely redesigned interiors and an updated and expanded bibliography, making this volume more indispensable than ever. |
| modern architecture a critical history: Modern Architecture Kenneth Frampton, 2020-12-17 This highly acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980, and has helped to shape architectural practice and discourse worldwide. For this extensively revised and updated fifth edition, Kenneth Frampton has added a new section that explores in detail the modernist tradition in architecture across the globe in the late twentieth and early twenty-first centuries. He examines the varied ways in which architects are not only responding to the geographical, climatic, material and cultural contexts of their buildings, but also pursuing distinct lines of approach that emphasize topography, morphology, sustainability, materiality habitat and civic form. It remains an essential book for all students of architecture and architectural history. |
| modern architecture a critical history: A Critical History of Contemporary Architecture Dr Elie G Haddad, Asst Prof David Rifkind, Ms Sarah Deyong, 2014-03-28 This book provides a comprehensive, critical overview of the developments in architecture from 1960 to 2010. The first section provides a presentation of major movements in architecture after 1960, and the second, a geographic survey that covers a wide range of territories around the world. This book not only reflects the different perspectives of its various authors, but also charts a middle course between the 'aesthetic' histories that examine architecture solely in terms of its formal aspects, and the more 'ideological' histories that subject it to a critique that often skirts the discussion of its formal aspects. |
| modern architecture a critical history: Modern Architecture and the Critical Present Kenneth Frampton, 1982 |
| modern architecture a critical history: Genealogy of Modern Architecture Kenneth Frampton, 2015-04-10 A Genealogy of Modern Architecture is a reference work on modern architecture by Kenneth Frampton, one of today's leading architectural theorists. Conceived as a genealogy of twentieth century architecture from 1924 to 2000, it compiles some sixteen comparative analyses of canonical modern buildings ranging from exhibition pavilions and private houses to office buildings and various kinds of public institutions. The buildings are compared in terms of their hierarchical spatial order, circulation structure and referential details. The analyses are organized so as to show what is similar and different between two paired types, thus revealing how modern tradition has been diversely inflected. Richly illustrated, A Genealogy of Modern Architecture is a new standard work in architectural education. |
| modern architecture a critical history: Modern Architecture Alan Colquhoun, 2002-04-25 This new account of international modernism explores the complex motivations behind this revolutionary movement and assesses its triumphs and failures. The work of the main architects of the movement such as Frank Lloyd Wright, Adolf Loos, Le Corbusier, and Mies van der Rohe is re-examined shedding new light on their roles as acknowledged masters. Alan Colquhoun explores the evolution of the movement fron Art Nouveau in the 1890s to the megastructures of the 1960s, revealing the often contradictory demands of form, function, social engagement, modernity and tradition. |
| modern architecture a critical history: Reading Kenneth Frampton Gevork Hartoonian, 2023-11-07 This book focuses on the first edition of Kenneth Frampton's Modern Architecture: A Critical History, published in 1980. It searches for clues and positions that will provide the reader with an unprecedented insight into the significance of Frampton's historiography of modern architecture. It explores selected themes in line with Frampton's many-faceted contribution, certain aspects of which can be noted between the lines of his ongoing criticism of the present-day architecture, which inevitably lead us to a critical understanding of the past, the modernity of architecture's contemporaneity. The compiled chapters attempt to open a window onto the constellation of themes that allowed Frampton to hold on to his anteroom view of history even amidst the flow of time and flood of temporalities spanning 1980-2020. The book elucidates how Frampton's critical presentation of the history of modern movement architecture and the book's classificatory mode (periodization?) contribute to our understanding of the contemporaneity of architecture today. |
| modern architecture a critical history: Power, Identity, and the Rise of Modern Architecture Koompong Noobanjong, 2003 This dissertation examines the evolution of Western and Modern architecture in Siam and Thailand. It illustrates how various architectural ideas have contributed to the physical design and spatial configuration of places associated with negotiation and allocation of political power, which are throne halls, parliaments, and government and civic structures since the 1850s. |
| modern architecture a critical history: The Historiography of Modern Architecture Panayotis Tournikiotis, 2001-02-27 The history of modern architecture as constructed by historians and key texts. Writing, according to Panayotis Tournikiotis, has always exerted a powerful influence on architecture. Indeed, the study of modern architecture cannot be separated from a fascination with the texts that have tried to explain the idea of a new architecture in a new society. During the last forty years, the question of the relationship of architecture to its history—of buildings to books—has been one of the most important themes in debates about the course of modern architecture. Tournikiotis argues that the history of modern architecture tends to be written from the present, projecting back onto the past our current concerns, so that the beginning of the story really functions as a representation of its end. In this book the buildings are the quotations, while the texts are the structure. Tournikiotis focuses on a group of books by major historians of the twentieth century: Nikolaus Pevsner, Emil Kaufmann, Sigfried Giedion, Bruno Zevi, Leonardo Benevolo, Henry-Russell Hitchcock, Reyner Banham, Peter Collins, and Manfredo Tafuri. In examining these writers' thoughts, he draws on concepts from critical theory, relating architecture to broader historical models. |
| modern architecture a critical history: Modern Architecture Otto Wagner, 1988 In 1896, Otto Wagner's Modern Architecture shocked the European architectural community with its impassioned plea for an end to eclecticism and for a modern style suited to contemporary needs and ideals, utilizing the nascent constructional technologies and materials. Through the combined forces of his polemical, pedagogical, and professional efforts, this determined, newly appointed professor at the Vienna Academy of Fine Arts emerged in the late 1890s - along with such contemporaries as Charles Rennie Mackintosh in Glasgow and Louis Sullivan in Chicago - as one of the leaders of the revolution soon to be identified as the Modern Movement. Wagner's historic manifesto is now presented in a new English translation - the first in almost ninety years - based on the expanded 1902 text and noting emendations made to the 1896, 1898, and 1914 editions. In his introduction, Dr. Harry Mallgrave examines Wagner's tract against the backdrop of nineteenth-century theory, critically exploring the affinities of Wagner's revolutionary élan with the German eclectic debate of the 1840s, the materialistic tendencies of the 1870s and 1880s, and the emerging cultural ideology of modernity. Modern Architecture is one of those rare works in the literature of architecture that not only proclaimed the dawning of a new era, but also perspicaciously and cogently shaped the issues and the course of its development; it defined less the personal aspirations of one individual and more the collective hopes and dreams of a generation facing the sanguine promise of a new century |
| modern architecture a critical history: The Routledge Companion to Critical Approaches to Contemporary Architecture Swati Chattopadhyay, Jeremy White, 2019-08-01 The Routledge Companion to Critical Approaches to Contemporary Architecture convenes a wide array of critical voices from architecture, art history, urbanism, geography, anthropology, media and performance studies, computer science, bio-engineering, environmental studies, and sociology that help us understand the meaning and significance of global architecture of the twenty-first century. New chapters by 36 contributors illustrated with over 140 black-and-white images are assembled in six parts concerning both real and virtual spaces: design, materiality, alterity, technologies, cityscapes, and practice. |
| modern architecture a critical history: Modern Architecture Since 1900 William J. R. Curtis, 1987 A penetrating analysis of the modern architectural tradition and its origins. Since its first publication in 1982, Modern Architecture Since 1900 has become established as a contemporary classic. Worldwide in scope, it combines a clear historical outline with masterly analysis and interpretation. Technical, economic, social and intellectual developments are brought together in a comprehensive narrative which provides a setting for the detailed examination of buildings. Throughout the book the author's focus is on the individual architect, and on the qualities that give outstanding buildings their lasting value.For the third edition, the text has been radically revised and expanded, incorporating much new material and a fresh appreciation of regional identity and variety. Seven chapters are entirely new, including expanded coverage of recent world architecture.Described by James Ackerman of Harvard University as immeasurably the finest work covering this field in existence, this book presents a penetrating analysis of the modern tradition and its origins, tracing the creative interaction between old and new that has generated such an astonishing richness of architectural forms across the world and throughout the century. |
| modern architecture a critical history: Resisting Postmodern Architecture Stylianos Giamarelos, 2022-01-10 Since its first appearance in 1981, critical regionalism has enjoyed a celebrated worldwide reception. The 1990s increased its pertinence as an architectural theory that defends the cultural identity of a place resisting the homogenising onslaught of globalisation. Today, its main principles (such as acknowledging the climate, history, materials, culture and topography of a specific place) are integrated in architects’ education across the globe. But at the same time, the richer cross-cultural history of critical regionalism has been reduced to schematic juxtapositions of ‘the global’ with ‘the local’. Retrieving both the globalising branches and the overlooked cross-cultural roots of critical regionalism, Resisting Postmodern Architecture resituates critical regionalism within the wider framework of debates around postmodern architecture, the diverse contexts from which it emerged, and the cultural media complex that conditioned its reception. In so doing, it explores the intersection of three areas of growing historical and theoretical interest: postmodernism, critical regionalism and globalisation. Based on more than 50 interviews and previously unpublished archival material from six countries, the book transgresses existing barriers to integrate sources in other languages into anglophone architectural scholarship. In so doing, it shows how the ‘periphery’ was not just a passive recipient, but also an active generator of architectural theory and practice. Stylianos Giamarelos challenges long-held ‘central’ notions of supposedly ‘international’ discourses of the recent past, and outlines critical regionalism as an unfinished project apposite for the 21st century on the fronts of architectural theory, history and historiography. |
| modern architecture a critical history: Race and Modern Architecture Irene Cheng, Charles L Davis, Mabel O Wilson, 2020-05-26 Although race—a concept of human difference that establishes hierarchies of power and domination—has played a critical role in the development of modern architectural discourse and practice since the Enlightenment, its influence on the discipline remains largely underexplored. This volume offers a welcome and long-awaited intervention for the field by shining a spotlight on constructions of race and their impact on architecture and theory in Europe and North America and across various global contexts since the eighteenth century. Challenging us to write race back into architectural history, contributors confront how racial thinking has intimately shaped some of the key concepts of modern architecture and culture over time, including freedom, revolution, character, national and indigenous style, progress, hybridity, climate, representation, and radicalism. By analyzing how architecture has intersected with histories of slavery, colonialism, and inequality—from eighteenth-century neoclassical governmental buildings to present-day housing projects for immigrants—Race and Modern Architecture challenges, complicates, and revises the standard association of modern architecture with a universal project of emancipation and progress. |
| modern architecture a critical history: Studies in Tectonic Culture Kenneth Frampton, 2001-08-24 Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. Kenneth Frampton's long-awaited follow-up to his classic A Critical History of Modern Architecture is certain to influence any future debate on the evolution of modern architecture. Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton—the focus on architecture as a constructional craft—constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton argues, modern architecture is invariably as much about structure and construction as it is about space and abstract form. Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. He clarifies the various turns that structural engineering and tectonic imagination have taken in the work of such architects as Perret, Wright, Kahn, Scarpa, and Mies, and shows how both constructional form and material character were integral to an evolving architectural expression of their work. Frampton also demonstrates that the way in which these elements are articulated from one work to the next provides a basis upon which to evaluate the works as a whole. This is especially evident in his consideration of the work of Perret, Mies, and Kahn and the continuities in their thought and attitudes that linked them to the past. Frampton considers the conscious cultivation of the tectonic tradition in architecture as an essential element in the future development of architectural form, casting a critical new light on the entire issue of modernity and on the place of much work that has passed as avant-garde. A copublication of the Graham Foundation for Advanced Studies and The MIT Press. |
| modern architecture a critical history: A New History of Modern Architecture Colin Davies, 2018-02-06 Combining a fascinating, thought-provoking and – above all – readable text with over 800 photographs, plans, and sections, this exciting new reading of modern architecture is a must for students and architecture enthusiasts alike. Organized largely as a chronology, chapters necessarily overlap to allow for the discrete examination of key themes including typologies, movements, and biographical studies, as well as the impact of evolving technology and country-specific influences. |
| modern architecture a critical history: The Future of Architecture Since 1889 Jean-Louis Cohen, 2016-10-03 The highly acclaimed history of the architecture of the twentieth century and beyond - now in paperback Jean-Louis Cohen, one of the world's leading architectural historians, serves up a compelling account of the developments that have shaped the world in which we live today. This highly accessible book begins with the Paris Universal Exposition of 1889, tracing architecture's evolution to the early twenty-first century's globalized architectural culture. Illustrated with hundreds of drawings and photographs as well as portraits, publications, diagrams, film stills, and more, this survey places radical developments in architecture in a larger context, among those of art, technology, urbanism, and critical theory. |
| modern architecture a critical history: Canadian Modern Architecture Elsa Lam, Graham Livesey, 2019-11-19 Royal Architectural Institute of Canada (RAIC) President's Medal Award (multi-media representation of architecture). Canada's most distinguished architectural critics and scholars offer fresh insights into the country's unique modern and contemporary architecture. Beginning with the nation's centennial and Expo 67 in Montreal, this fifty-year retrospective covers the defining of national institutions and movements: • How Canadian architects interpreted major external trends • Regional and indigenous architectural tendencies • The influence of architects in Canada's three largest cities: Toronto, Montreal, and Vancouver Co-published with Canadian Architect, this comprehensive reference book is extensively illustrated and includes fifteen specially commissioned essays. |
| modern architecture a critical history: Modern Architecture and the Mediterranean Jean-Francois Lejeune, Michelangelo Sabatino, 2009-12-04 Considering the influence of the forms and tectonics of the Mediterranean vernacular on modern architectural practice and discourse from the 1920s to the 1960s. |
| modern architecture a critical history: Modern Architecture and Climate Daniel A. Barber, 2020-07-07 How climate influenced the design strategies of modernist architects Modern Architecture and Climate explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to light a vibrant and dynamic architectural discussion involving design, materials, and shading systems as means of interior climate control. He looks at projects by well-known architects such as Richard Neutra, Le Corbusier, Lúcio Costa, Mies van der Rohe, and Skidmore, Owings, and Merrill, and the work of climate-focused architects such as MMM Roberto, Olgyay and Olgyay, and Cliff May. Drawing on the editorial projects of James Marston Fitch, Elizabeth Gordon, and others, he demonstrates how images and diagrams produced by architects helped conceptualize climate knowledge, alongside the work of meteorologists, physicists, engineers, and social scientists. Barber describes how this novel type of environmental media catalyzed new ways of thinking about climate and architectural design. Extensively illustrated with archival material, Modern Architecture and Climate provides global perspectives on modern architecture and its evolving relationship with a changing climate, showcasing designs from Latin America, Europe, the United States, the Middle East, and Africa. This timely and important book reconciles the cultural dynamism of architecture with the material realities of ever-increasing carbon emissions from the mechanical cooling systems of buildings and offers a historical foundation for today’s zero-carbon design. |
| modern architecture a critical history: Modern Architecture Neil Levine, 2009 In this work, esteemed architectural historian Neil Levine investigates the complex history of representation from the 18th to the 20th century. Using the lens of a continuous theoretical argument, Levine provides a detailed survey and critical analysis of major works by a host of modern architects. |
| modern architecture a critical history: The Details of Modern Architecture Edward R. Ford, 1990 Covering the period 1890 - 1932 this book focuses on various recognised masters explaining the detailing and construction techniques used in their buildings. |
| modern architecture a critical history: The Feeling of Things Adam Caruso, 2008 Adam Caruso is not only a member, together with Peter St John, of the London-based architecture office Caruso St John but also a prolific author who has focused his thoughts on the practice of architecture and who has taken a new look at some of the leading figures of the so-called “other tradition” in the Modern Movement. In “Sigurd Lewerentz and a material basis for form” (1997), “The Tyranny of the New” (1998), “The Feeling of Things” (1999), “The Emotional City” (2000), and “Towards an Ontology of Construction” (2002), we find a new perception of the radical approach adopted in modern and contemporary architecture. |
| modern architecture a critical history: Architecture and Modernity Hilde Heynen, 2000-02-28 Bridges the gap between the history and theory of twentieth-century architecture and cultural theories of modernity. In this exploration of the relationship between modernity, dwelling, and architecture, Hilde Heynen attempts to bridge the gap between the discourse of the modern movement and cultural theories of modernity. On one hand, she discusses architecture from the perspective of critical theory, and on the other, she modifies positions within critical theory by linking them with architecture. She assesses architecture as a cultural field that structures daily life and that embodies major contradictions inherent in modernity, arguing that architecture nonetheless has a certain capacity to adopt a critical stance vis-à-vis modernity. Besides presenting a theoretical discussion of the relation between architecture, modernity, and dwelling, the book provides architectural students with an introduction to the discourse of critical theory. The subchapters on Walter Benjamin, Ernst Bloch, Theodor Adorno, and the Venice School (Tafuri, Dal Co, Cacciari) can be studied independently for this purpose. |
| modern architecture a critical history: Strange Details Mike Cadwell, 2007 Looks at the work of four canonical architects who made strange with the most resistant aspect of architecture - construction. This title explores the strangeness in the material menagerie of Scarpa's Querini Stampalia, the wood light frame construction of Wright's Jacobs House, the welded steel frame of Mies' Farnsworth House, and more. |
| modern architecture a critical history: Architecture's Historical Turn Jorge Otero-Pailos, 2013-11-30 Architecture’s Historical Turn traces the hidden history of architectural phenomenology, a movement that reflected a key turning point in the early phases of postmodernism and a legitimating source for those architects who first dared to confront history as an intellectual problem and not merely as a stylistic question. Jorge Otero-Pailos shows how architectural phenomenology radically transformed how architects engaged, theorized, and produced history. In the first critical intellectual account of the movement, Otero-Pailos discusses the contributions of leading members, including Jean Labatut, Charles Moore, Christian Norberg-Schulz, and Kenneth Frampton. For architects maturing after World War II, Otero-Pailos contends, architectural history was a problem rather than a given. Paradoxically, their awareness of modernism’s historicity led some of them to search for an ahistorical experiential constant that might underpin all architectural expression. They drew from phenomenology, exploring the work of Bachelard, Merleau-Ponty, Heidegger, and Ricoeur, which they translated for architectural audiences. Initially, the concept that experience could be a timeless architectural language provided a unifying intellectual basis for the stylistic pluralism that characterized postmodernism. It helped give theory—especially the theory of architectural history—a new importance over practice. However, as Otero-Pailos makes clear, architectural phenomenologists could not accept the idea of theory as an end in itself. In the mid-1980s they were caught in the contradictory and untenable position of having to formulate their own demotion of theory. Otero-Pailos reveals how, ultimately, the rise of architectural phenomenology played a crucial double role in the rise of postmodernism, creating the antimodern specter of a historical consciousness and offering the modern notion of essential experience as the means to defeat it. |
| modern architecture a critical history: "Symbolic Essence" and Other Writings on Modern Architecture and American Culture William H. Jordy, University Professor of Art William H Jordy, Mardges Bacon, 2005-01-01 'The Symbolic Essence of Modern European Architecture of the Twenties and Its Continuing Influence'), this collection contains critical writings on works by Mies, Corbusier, Kahn, and Venturi, as well as one previously unpublished text. Jordy leads readers to discover important connections of architecture with art, literature, intellectual history, symbolic structures, social purpose and community. He significantly shaped the way we understand the character and meaning of modern architecture and American culture. |
| modern architecture a critical history: Lateness Peter Eisenman, Elisa Iturbe, 2020-07-07 A provocative case for historical ambiguity in architecture by one of the field's leading theorists Conceptions of modernity in architecture are often expressed in the idea of the zeitgeist, or spirit of the age, an attitude toward architectural form that is embedded in a belief in progressive time. Lateness explores how architecture can work against these linear currents in startling and compelling ways. In this incisive book, internationally renowned architect Peter Eisenman, with Elisa Iturbe, proposes a different perspective on form and time in architecture, one that circumvents the temporal constraints on style that require it to be of the times—lateness. He focuses on three twentieth-century architects who exhibited the qualities of lateness in their designs: Adolf Loos, Aldo Rossi, and John Hejduk. Drawing on the critical theory of Theodor Adorno and his study of Beethoven's final works, Eisenman shows how the architecture of these canonical figures was temporally out of sync with conventions and expectations, and how lateness can serve as a form of release from the restraints of the moment. Bringing together architecture, music, and philosophy, and drawing on illuminating examples from the Renaissance and Baroque periods, Lateness demonstrates how today's architecture can use the concept of lateness to break free of stylistic limitations, expand architecture's critical capacity, and provide a new mode of analysis. |
| modern architecture a critical history: Programs and Manifestoes on 20th-Century Architecture Ulrich Conrads, 1975-11-15 The present volume offers eloquent testimony that many of the master builders of this century have held passionate convictions regarding the philosophic and social basis of their art. Nearly every important development in the modern architectural movement began with the proclamation of these convictions in the form of a program or manifesto. The most influential of these are collected here in chronological order from 1903 to 1963. Taken together, they constitute a subjective history of modern architecture; compared with one another, their great diversity of style reveals in many cases the basic differences of attitude and temperament that produced a corresponding divergence in architectural style. In point of view, the book covers the aesthetic spectrum from right to left; from programs that rigidly generate designs down to the smallest detail to revolutionary manifestoes that call for anarchy in building form and town plan. The documents, placed in context by the editor, are also international in their range: among them are the seminal and prophetic statements of Henry van de Velde, Adolf Loos, and Bruno Taut from the early years of the century; Frank Lloyd Wright's 1910 annunciation of Organic Architecture; Gropius's original program for the Bauhaus, founded in Weimar in 1919; Towards a New Architecture, Guiding Principles by Le Corbusier; the formulation by Naum Gabo and Antoine Pevsner of the basic principles of Constructivism; and articles by R. Buckminster Fuller on universal architecture and the architect as world planner. Other pronouncements, some in flamboyant style, including those of Erich Mendelsohn, Hannes Meyer, Theo van Doesburg, Oskar Schlemmer, Ludwig Mies van der Rohe, El Lissitzky, and Louis I. Kahn. There are also a number of collective or group statements, issued in the name of movements such as CIAM, De Stijl, ABC, the Situationists, and GEAM. Since the dramatic effectiveness of the manifesto form is usually heightened by brevity and conciseness, it has been possible to reproduce most of the documents in their entirety; only a few have been excerpted. |
| modern architecture a critical history: Southeast Asia's Modern Architecture Jiat-Hwee Chang, Imran bin Tajudeen, 2019 What is the modern in Southeast Asia's architecture and how do we approach its study critically? This pathbreaking multidisciplinary volume is the first critical survey of Southeast Asia's modern architecture. It looks at the challenges of studying this complex history through the conceptual frameworks of translation, epistemology, and power. Challenging Eurocentric ideas and architectural nomenclature, the authors examine the development of modern architecture in Indonesia, Malaysia, Myanmar, the Philippines, Singapore, Thailand, and Vietnam, with a focus on selective translation and strategic appropriation of imported ideas and practices by local architects and builders. The book transforms our understandings of the region's modern architecture by moving beyond a consideration of architecture as an aesthetic artifact and instead examining its entanglement with different dynamics of power. |
| modern architecture a critical history: Ecological Architecture James Steele, 2005 Charts a rise in environmentally responsible architecture, tracing the ways in which architecture has been modified for environmental concerns throughout the past century, evaluating twenty case studies involving the works of specific architects or movements, and making predictions about future efforts in the area of global urbanization. |
| modern architecture a critical history: Labour, Work and Architecture Kenneth Frampton, 2002-06-24 This is an anthology of writings by the architectural critic Kenneth Frampton. It brings together 25 essays and writings from the 1970s to 2001, which focus on 20th-century architecture, dealing with themes and movements in architecture, built works and the architects responsible for these buildings. |
| modern architecture a critical history: Latin American Architecture Malcolm Quantrill, 2000 In doing so, the artists reveal the two major schools of development: minimalist and tectonic tradition.--BOOK JACKET. |
| modern architecture a critical history: Technology, Place, and Architecture Kenneth Frampton, Arthur Spector, Lynne Reed Rosman, 1998 In 1992, to celebrate the inauguration of the Supreme Court building, the [Yad Hanadiv] Foundation sponsored a symposium on the architecture of the public building. Prominent architects ... came to Jerusalem that year and for subsequent biennial meetings ... This book, ... documents these discussions.--p.7. |
| modern architecture a critical history: Brick James W. P. Campbell, 2016-07-19 “A brilliant collaboration . . . The hundreds of color photographs are stunning in their clarity and composition. Highly recommended.”—Library Journal This totally original architecture book—named 2004 Choice Outstanding Academic Title—follows the story of brick from 5000 BC to its use in building today, from the vast baths and basilicas of ancient Rome, through the wonders of Gothic brick in Germany and the majestic temples of Pagan, to its modern revival. Marvelously illustrated with spectacular, specially taken photographs, Brick is at once an historical account of how bricks have been employed by architects of every period, a technical survey of brickmaking and bricklaying, and an essay on architectural and cultural history. The authors have applied their expert visual and technical knowledge to more than one hundred themes, from bricks in ancient Egypt to their distinctive use by such modern masters as Louis Kahn, Alvar Aalto, and Renzo Piano. Great works of engineering—viaducts, tunnels, and bridges—are given prominence alongside great cathedrals, country houses, temples, and mosques, testifying to the incredible versatility and importance of bricks and brickwork. |
| modern architecture a critical history: Transformations in Modern Architecture Arthur Drexler, 1979 |
| modern architecture a critical history: Architectural Details Emily Cole, 2014-09-15 Do you know a Doric column when you see one? Of course. But what about an entablature, a hypostyle, a pylon, or a pagoda? Architecture Styles uses beautifully engraved plates from the great works of architectural history to illustrate a show-and-tell journey round the architecture of civilizations east and west, from Ancient Egypt to the Industrial Revolution. Most of the drawings and engravings have been taken from early sources, unparalleled for their elegance and delicacy of line, as well as for the amount of fine detail they offer. Extended captions and annotation supply you with a complete naming of parts which, as well as identifying and defining the correct terminology, will help you to understand how architects have planned and made the buildings of the past, from Amenhotep to Palladio, and Vitruvius to Wren. |
| modern architecture a critical history: Italian Architecture Andrew Hopkins, 2002 The years from 1520 to 1630 were crucial in the development of Western architecture, but to label as Mannerist the transition from Michelangelo's licentious New Sacristy in Florence to Borromini's innovative S. Carlo alle Quattro Fontane is coming to seem unduly simplistic. In this carefully researched and original study, Andrew Hopkins examines the century's changing functional demands, the political forces, the patronage system, and local traditions. Exploring a wide range of Italian buildings (including those outside the major urban centers), he introduces us to dozens of neglected architects whose works will come as a revelation. By 1630, architecture had taken on a new dynamism that would soon conquer Italy, Europe, and the New World: the baroque. 209 b/w illustrations. |
| modern architecture a critical history: Byoung Cho Soon Chun Cho, 2013-12-31 “Cho’s work . . . exudes a dramatic sense of timelessness—as though it were built centuries ago.” —Dwell Widely considered Korea’s most important architect, Byoung Cho has created iconic buildings, art and cultural centers, schools, health facilities, and residences in Korea, Malaysia, Japan, and the United States. He is the recipient of Korea’s major architectural awards and has been a visiting lecturer at Harvard and Columbia universities. Influenced by Korea’s rich aesthetic tradition, Cho uses understated forms to design buildings that offer powerful yet subtle experiences for their inhabitants. This exquisitely designed book—the first on Byoung Cho in English—features the architect’s most acclaimed projects, including Twin Tree Towers (2010), his iconic buildings located adjacent to the royal Gyeongbok Palace in Seoul, which embody Cho’s fascination with the relationship between ancient history and modernity. |
Modern Architecture: A Critical History - RIBA Books
27 Aug 2020 · This highly acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980, and has helped to shape architectural practice and discourse worldwide.
Modern Architecture: A Critical History (World of Art)
17 Sep 2007 · For the fourth edition Kenneth Frampton has added a major new chapter that explores the effects of globalization on architecture in recent years, the phenomenon of the celebrity architect, and the way in which practices …
Kenneth Frampton, Modern Architecture: A Critical History
6 The fifth edition of Modern Architecture: A Critical History offers a concise and consistent history of global modern architecture. This book is filled with Frampton’s profound knowledge and brilliant insights into the contemporary …
Modern Architecture: A Critical History: 0 (World of Art)
This highly acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980, and has helped to shape architectural practice and discourse worldwide.
Modern Architecture: A Critical History (Fifth) (World of Art)
8 Sep 2020 · Starting with the cultural developments since 1750 that drove the modern movement, moving through the creation of modern architecture, and exploring the effects of globalization and the...
Modern Architecture: A Critical History - RIBA Books
27 Aug 2020 · This highly acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980, and has helped to shape architectural practice and discourse worldwide.
Modern Architecture: A Critical History (World of Art)
17 Sep 2007 · For the fourth edition Kenneth Frampton has added a major new chapter that explores the effects of globalization on architecture in recent years, the phenomenon of the celebrity architect, and the way in which practices worldwide have addressed such issues as sustainability and habitat.
Kenneth Frampton, Modern Architecture: A Critical History
6 The fifth edition of Modern Architecture: A Critical History offers a concise and consistent history of global modern architecture. This book is filled with Frampton’s profound knowledge and brilliant insights into the contemporary world and its architecture.
Modern Architecture: A Critical History: 0 (World of Art)
This highly acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980, and has helped to shape architectural practice and discourse worldwide.
Modern Architecture: A Critical History (Fifth) (World of Art)
8 Sep 2020 · Starting with the cultural developments since 1750 that drove the modern movement, moving through the creation of modern architecture, and exploring the effects of globalization and the...
Review of 'Modern Architecture: A Critical History (Fifth Edition)'
12 Sep 2021 · This textbook, originally published in 1980, remains a very thoughtful and usable overview of the development of modern architecture from the mid-19th century to around 2010. Kenneth Frampton’s quintessential survey of modern …
Modern Architecture: A Critical History (World of Art)
30 Sep 2007 · Frampton highlights the shifting philosophy of the West during the mid-eighteenth century, the effects of major technological innovations, and the development of modern cities and how issues such as overcrowding and disease contributed to the development of …
Modern Architecture: A Critical History (World of Art S.)
What makes it special is its tissue as a number of overlapping essays setting modern architecture in its historical, political and ideological context from a critical distance. The packaging in relative short chapters helps the reader to follow a complex and lively narrative.
Modern Architecture: A Critical History (World of Art)
Starting with the cultural developments since 1750 that drove the modern movement, moving through the creation of modern architecture, and exploring the effects of globalization and the phenomenon of international celebrity architects, this book …
Modern Architecture: A Critical History - Amazon.ca
Starting with the cultural developments since 1750 that drove the modern movement, moving through the creation of modern architecture, and exploring the effects of globalization and the phenomenon of international celebrity architects, this book …
