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| my introduction to gothic literature: The Gothic: A Very Short Introduction Nick Groom, 2012-09-27 The Gothic is wildly diverse. It can refer to ecclesiastical architecture, supernatural fiction, cult horror films, and a distinctive style of rock music. It has influenced political theorists and social reformers, as well as Victorian home décor and contemporary fashion. Nick Groom shows how the Gothic has come to encompass so many meanings by telling the story of the Gothic from the ancient tribe who sacked Rome to the alternative subculture of the present day. This unique Very Short Introduction reveals that the Gothic has predominantly been a way of understanding and responding to the past. Time after time, the Gothic has been invoked in order to reveal what lies behind conventional history. It is a way of disclosing secrets, whether in the constitutional politics of seventeenth-century England or the racial politics of the United States. While contexts change, the Gothic perpetually regards the past with fascination, both yearning and horrified. It reminds us that neither societies nor individuals can escape the consequences of their actions. The anatomy of the Gothic is richly complex and perversely contradictory, and so the thirteen chapters here range deliberately widely. This is the first time that the entire story of the Gothic has been written as a continuous history: from the historians of late antiquity to the gardens of Georgian England, from the mediaeval cult of the macabre to German Expressionist cinema, from Elizabethan Revenge Tragedy to American consumer society, from folk ballads to vampires, from the past to the present. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. |
| my introduction to gothic literature: The Cambridge Companion to Gothic Fiction Jerrold E. Hogle, 2002-08-29 Gothic as a form of fiction-making has played a major role in Western culture since the late eighteenth century. In this volume, fourteen world-class experts on the Gothic provide thorough and revealing accounts of this haunting-to-horrifying type of fiction from the 1760s (the decade of The Castle of Otranto, the first so-called 'Gothic story') to the end of the twentieth century (an era haunted by filmed and computerized Gothic simulations). Along the way, these essays explore the connections of Gothic fictions to political and industrial revolutions, the realistic novel, the theatre, Romantic and post-Romantic poetry, nationalism and racism from Europe to America, colonized and post-colonial populations, the rise of film and other visual technologies, the struggles between 'high' and 'popular' culture, changing psychological attitudes towards human identity, gender and sexuality, and the obscure lines between life and death, sanity and madness. The volume also includes a chronology and guides to further reading. |
| my introduction to gothic literature: Gothic and Gender Donna Heiland, 2008-04-15 Gothic novels tell terrifying stories of patriarchal societies that thrive on the oppression or even outright sacrifice of women and others. Donna Heiland’s Gothic and Gender offers a historically informed theoretical introduction to key gothic narratives from a feminist perspective. The book concentrates primarily on fiction from the 1760s through the 1840s, exploring the work of Horace Walpole, Clara Reeve, Sophia Lee, Matthew Lewis, Charlotte Dacre, Charles Maturin, Ann Radcliffe, William Godwin, Mary Wollstonecraft, Mary Shelley, John Polidori, James Malcolm Rymer, Emily Brontë, Charlotte Brontë, Charlotte Smith, and Charles Brockden Brown. The final chapter looks at contemporary fiction and its relation to the gothic, including an exploration of Margaret Atwood’s The Blind Assassin and Ann-Marie Macdonald’s Fall on Your Knees A Coda provides an overview of scholarship on the gothic, showing how gothic gradually became a major focus for literary critics, and paying particular attention to the feminist reinvigoration of gothic studies that began in the 1970s and continues today. Taken as a whole the book offers a stimulating survey of the representation of gender in the gothic, suitable for both students and readers of gothic literature. |
| my introduction to gothic literature: The Handbook to Gothic Literature Marie Mulvey-Roberts, 1998-03 Some topics and literary figures discussed are: American Gothic, Ambrose Bierce, Charles Dickens, Gothic architecture, Nathaniel Hawthorne, Contemporary Gothic, Occultism, Robert Louis Stevenson, Witches and witchcraft, Spiritualism, Oscar Wilde, Gothic film, Ghost stories, and Edgar Allan Poe. |
| my introduction to gothic literature: GOTHIC LITERATURE NARAYAN CHANGDER, 2024-01-21 THE GOTHIC LITERATURE MCQ (MULTIPLE CHOICE QUESTIONS) SERVES AS A VALUABLE RESOURCE FOR INDIVIDUALS AIMING TO DEEPEN THEIR UNDERSTANDING OF VARIOUS COMPETITIVE EXAMS, CLASS TESTS, QUIZ COMPETITIONS, AND SIMILAR ASSESSMENTS. WITH ITS EXTENSIVE COLLECTION OF MCQS, THIS BOOK EMPOWERS YOU TO ASSESS YOUR GRASP OF THE SUBJECT MATTER AND YOUR PROFICIENCY LEVEL. BY ENGAGING WITH THESE MULTIPLE-CHOICE QUESTIONS, YOU CAN IMPROVE YOUR KNOWLEDGE OF THE SUBJECT, IDENTIFY AREAS FOR IMPROVEMENT, AND LAY A SOLID FOUNDATION. DIVE INTO THE GOTHIC LITERATURE MCQ TO EXPAND YOUR GOTHIC LITERATURE KNOWLEDGE AND EXCEL IN QUIZ COMPETITIONS, ACADEMIC STUDIES, OR PROFESSIONAL ENDEAVORS. THE ANSWERS TO THE QUESTIONS ARE PROVIDED AT THE END OF EACH PAGE, MAKING IT EASY FOR PARTICIPANTS TO VERIFY THEIR ANSWERS AND PREPARE EFFECTIVELY. |
| my introduction to gothic literature: Gothic Literature Andrew Smith, 2013-03-10 New edition of bestselling introductory text outlining the history and ways of reading Gothic literatureThis revised edition includes:* A new chapter on Contemporary Gothic which explores the Gothic of the early twenty first century and looks at new critical developments* An updated Bibliography of critical sources and a revised Chronology The book opens with a Chronology and an Introduction to the principal texts and key critical terms, followed by five chapters: The Gothic Heyday 1760-1820; Gothic 1820-1865; Gothic Proximities 1865-1900; Twentieth Century; and Contemporary Gothic. The discussion examines how the Gothic has developed in different national contexts and in different forms, including novels, novellas, poems, films, radio and television. Each chapter concludes with a close reading of a specific text - Frankenstein, Jane Eyre, Dracula, The Silence of the Lambs and The Historian - to illustrate ways in which contextual discussion informs critical analysis. The book ends with a Conclusion outlining possible future developments within scholarship on the Gothic. |
| my introduction to gothic literature: New Essays on Poe's Major Tales Kenneth Silverman, 1993 A variety of critical approaches illuminate different facets of Poe's complex imagination by concentrating on such famous tales as The Cask of Amontillado, The Fall of the House of Usher, The Black Cat and The Murders in the Rue Morgue. |
| my introduction to gothic literature: Love Letters to Poe Jeremy Megargee, J. L. Royce, Eleanor Sciolistein, 2021-09-09 Raise a glass in a toast to Edgar Allan Poe with this jam-packed gothic anthology, including 12 themed issues containing 48 short stories and 7 poems from 55 masterful weavers of gothic fiction. Take a tour through Poe's Baltimore home, experience The Tell-Tale Heart through the old man's eyes, go corporate at Raven Corp., witness The Fall of the House of Usher from the perspective of a hidden Usher sibling, and much more. Don't miss the award-nominated stories The Heart of Alderman Kane by Eleanor Sciolistein and Midnight Rider by Melanie Cossey, both nominees for Poe Baltimore's Saturday 'Visiter' Awards.Curl up with Love Letters to Poe and enjoy these haunting tales! |
| my introduction to gothic literature: Emergence of Irish Gothic Fiction Jarlath Killeen, 2013-12-11 Provides a new account of the emergence of Irish gothic fiction in mid-eighteenth century This book provides a robustly theorised and thoroughly historicised account of the 'beginnings' of Irish gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. The main argument the book makes is that the Irish gothic should be read in the context of the split in Irish Anglican public opinion that opened in the 1750s, and seen as a fictional instrument of liberal Anglican opinion in a changing political landscape. By providing a fully historicized account of the beginnings of the genre in Ireland, the book also addresses the theoretical controversies that have bedevilled discussion of the Irish gothic in the 1980s, 1990s and 2000s. The book gives ample space to the critical debate, and rigorously defends a reading of the Irish gothic as an Anglican, Patriot tradition. This reading demonstrates the connections between little-known Irish gothic fictions of the mid-eighteenth century (The Adventures of Miss Sophia Berkley and Longsword), and the Irish gothic tradition more generally, and also the gothic as a genre of global significance. |
| my introduction to gothic literature: The Oxford Book of Gothic Tales Chris Baldick, 2009 Bringing together the work of such writers as Edgar Allan Poe, Nathaniel Hawthorne, Arthur Conan Doyle, Eudora Welty, Thomas Hardy, William Faulkner, Isak Dinesen, and Joyce Carol Oates, The Oxford Book of Gothic Tales presents 37 sinister and unsettling tales for all lovers of ghost stories, fantasy, and horror. |
| my introduction to gothic literature: Gothic Fred Botting, 2005-08-10 Botting expertly introduces the transformations of the gothic through history, discussing key figures such as ghosts, monsters and vampires, as well as tracing its origins, characteristics, cultural significance and critical interpretations. |
| my introduction to gothic literature: Demons of the Body and Mind Ruth Bienstock Anolik, 2014-01-10 The Gothic mode, typically preoccupied by questions of difference and otherness, consistently imagines the Other as a source of grotesque horror. The sixteen critical essays in this collection examine the ways in which those suffering from mental and physical ailments are refigured as Other, and how they are imagined to be monstrous. Together, the essays highlight the Gothic inclination to represent all ailments as visibly monstrous, even those, such as mental illness, which were invisible. Paradoxically, the Other also becomes a pitiful figure, often evoking empathy. This exploration of illness and disability represents a strong addition to Gothic studies. |
| my introduction to gothic literature: Ethelinde, Or the Recluse of the Lake Charlotte Smith, 2001-09 This Elibron Classics title is a reprint of the original edition published by T. Cadell, 1790, London |
| my introduction to gothic literature: The Mysterious Mother. A Tragedy Horace Walpole, 1791 |
| my introduction to gothic literature: Industrial Gothic Bridget M. Marshall, 2021-06-15 Transatlantic approach: This project explores British and American texts in conversation together. Use of archival materials, which is relatively unusual within Gothic studies, and even in literary studies more generally. A focus on poetry, drama, and periodical writing, genres that are often ignored in the study of the Gothic. A focus on women’s work (both on the labor of women and on texts by women). A focus on local Gothic (especially in Lowell and Manchester), with a connection to larger international trends of the genre. |
| my introduction to gothic literature: Christina Rossetti's Gothic Serena Trowbridge, 2013-10-03 The poetry of Christina Rossetti is often described as ‘gothic' and yet this term has rarely been examined in the specific case of Rossetti's work. Based on new readings of the full range of her writings, from ‘Goblin Market' to the devotional poems and prose works, this book explores Rossetti's use of Gothic forms and images to consider her as a Gothic writer. Christina Rossetti's Gothic analyses the poet's use of the grotesque and the spectral and the Christian roots and Pre-Raphaelite influences of Rossetti's deployment of Gothic tropes. |
| my introduction to gothic literature: Little Sister Death William Gay, 2016-02-04 David Binder is a young, successful writer living in Chicago and suffering from writer's block. He stares at the blank page, and the blank page stares back harder. So when his agent suggests maybe a lighter sophomore novel, maybe something genre that they can sell real quick and buy him some more time to pen his magnum opus, he's quick to recall an old ghost story he once heard. With his pregnant wife and his young daughter in toe, he sets out for Tennessee with high hopes of indulging the local lore surrounding Virginia Beale, Faery Queen of the Haunted Dell and whiling away the summer from life in the city. But as his investigation goes further and further, and the creaking of the floor boards grows louder and louder, David Binder realizes he's not only endangered himself, but also his wife and daughter. |
| my introduction to gothic literature: Young Adult Gothic Fiction Michelle J. Smith, Kristine Moruzi, 2021-06-15 Focus on young adult literature - This focus on young adult literature means that this book expands scholarship specifically in this area. Focus on the Gothic for young people – Gothic texts are very popular in children’s and young adult literature, but there hasn’t been a lot of scholarship on the Gothic for adolescents. This book expands our knowledge of how the Gothic intersects with young adult literature. Includes coverage of YA fiction from the UK, US, Canada, Australia and New Zealand, a range of genres that intersect with the Gothic (including historical fiction and fairy tale), as well as forms such as the short story and graphic novel. |
| my introduction to gothic literature: By the Waters of Babylon Stephen Vincent Benet, 2015-08-24 The north and the west and the south are good hunting ground, but it is forbidden to go east. It is forbidden to go to any of the Dead Places except to search for metal and then he who touches the metal must be a priest or the son of a priest. Afterwards, both the man and the metal must be purified. These are the rules and the laws; they are well made. It is forbidden to cross the great river and look upon the place that was the Place of the Gods-this is most strictly forbidden. We do not even say its name though we know its name. It is there that spirits live, and demons-it is there that there are the ashes of the Great Burning. These things are forbidden- they have been forbidden since the beginning of time. |
| my introduction to gothic literature: History of the Gothic: Gothic Literature 1825-1914 Jarlath Killeen, 2009-07-01 Examines how themes and trends associated with the early Gothic novels were diffused in many genres in the Victorian period, including the ghost story, the detective story and the adventure story. |
| my introduction to gothic literature: The Gothic Wanderer Tyler R. Tichelaar, 2012-01-01 The Gothic Wanderer Rises Eternal in Popular Literature From the horrors of sixteenth century Italian castles to twenty-first century plagues, from the French Revolution to the liberation of Libya, Tyler R. Tichelaar takes readers on far more than a journey through literary history. The Gothic Wanderer is an exploration of man's deepest fears, his eff orts to rise above them for the last two centuries, and how he may be on the brink finally of succeeding. Tichelaar examines the figure of the Gothic wanderer in such well-known Gothic novels as The Mysteries of Udolpho, Frankenstein, and Dracula, as well as lesser known works like Fanny Burney's The Wanderer, Mary Shelley's The Last Man, and Edward Bulwer-Lytton's Zanoni. He also finds surprising Gothic elements in classics like Dickens' A Tale of Two Cities and Edgar Rice Burroughs' Tarzan of the Apes. From Matthew Lewis' The Monk to Stephenie Meyer's Twilight, Tichelaar explores a literary tradition whose characters refl ect our greatest fears and deepest hopes. Readers will find here the revelation that not only are we all Gothic wanderers--but we are so only by our own choosing. Acclaim for The Gothic Wanderer The Gothic Wanderer shows us the importance of its title figure in helping us to see our own imperfections and our own sometimes contradictory yearnings to be both unique and yet a part of a society. The reader is in for an insightful treat. --Diana DeLuca, Ph.D. and author of Extraordinary Things Make no mistake about it, The Gothic Wanderer is an important, well researched and comprehensive treatise on some of the world's finest literature. --Michael Willey, author of Ojisan Zanoni Foreword by Marie Mulvey-Roberts, Ph.D. Learn more at www.GothicWanderer.com From Modern History Press www.ModernHistoryPress.com Literary Criticism: Gothing & Romance Literary Criticism: European - General |
| my introduction to gothic literature: Gothic Music Isabella Van Elferen, 2012-07-15 Gothic Music: The Sounds of the Uncanny traces sonic Gothic from the echoing footsteps in Gothic novels to the dark soundscapes of Goth club nights. This broad perspective importantly widens the scope of Gothic music from Goth subculture to literature, film, television and video games. This book also provides the musical and theoretical definition of Gothic music that lacks in current scholarship. Whether voicing the spectral beings of early cinema, announcing virtual terrors in video games, or intensifying the nocturnal rituals of Goth, Gothic music represents the sounds of the uncanny. |
| my introduction to gothic literature: War Gothic in Literature and Culture Steffen Hantke, Agnieszka Soltysik Monnet, 2015-12-07 In the context of the current explosion of interest in Gothic literature and popular culture, this interdisciplinary collection of essays explores for the first time the rich and long-standing relationship between war and the Gothic. Critics have described the global Seven Year’s War as the crucible from which the Gothic genre emerged in the eighteenth century. Since then, the Gothic has been a privileged mode for representing violence and extreme emotions and situations. Covering the period from the American Civil War to the War on Terror, this collection examines how the Gothic has provided writers an indispensable toolbox for narrating, critiquing, and representing real and fictional wars. The book also sheds light on the overlap and complicity between Gothic aesthetics and certain aspects of military experience, including the bodily violation and mental dissolution of combat, the dehumanization of others, psychic numbing, masculinity in crisis, and the subjective experience of trauma and memory. Engaging with popular forms such as young adult literature, gaming, and comic books, as well as literature, film, and visual art, War Gothic provides an important and timely overview of war-themed Gothic art and narrative by respected experts in the field of Gothic Studies. This book makes important contributions to the fields of Gothic Literature, War Literature, Popular Culture, American Studies, and Film, Television & Media. |
| my introduction to gothic literature: Gothic Readings Rictor Norton, 2005-04-01 This is an anthology of Gothic Literature, set within the context of contemporary criticism and readers' responses. It includes selections from the major practitioners and many of their followers, as well as contemporary reviews, private letters and diaries, chapbooks, and contemporary anecdotes about dramatic performances and the design of theatre sets. The selections provide representative samples of the major genres - historical gothic, the Radcliffe school of terror, the Lewis school of horror, tragic melodrama, comic parody, supernatural poetry and ballads, book reviews and literary criticism and anti-Gothic polemic. |
| my introduction to gothic literature: Posthuman Gothic Anya Heise-von der Lippe, 2017-11-01 Posthuman Gothic is an edited collection of thirteen chapters, and offers a structured, dialogical contribution to the discussion of the posthuman Gothic. Contributors explore the various ways in which posthuman thought intersects with Gothic textuality and mediality. The texts and media under discussion – from I am Legend to In the Flesh, and from Star Trek to The Truman Show, transgress the boundaries of genre, moving beyond the traditional scope of the Gothic. These texts, the contributors argue, destabilise ideas of the human in a number of ways. By confronting humanity and its Others, they introduce new perspectives on what we traditionally perceive as human. Drawing on key texts of both Gothic and posthumanist theory, the contributors explore such varied themes as posthuman vampire and zombie narratives, genetically modified posthumans, the posthuman in video games, film and TV, the posthuman as a return to nature, the posthuman’s relation to classic monster narratives, and posthuman biohorror and theories of prometheanism and accelerationism. In its entirety, the volume offers a first attempt at addressing the various intersections of the posthuman and the Gothic in contemporary literature and media. |
| my introduction to gothic literature: Anno Dracula Kim Newman, 2017-10-25 “Exactly what I wanted as a die-hard fan of the novels.” – Comics Alliance For a dark decade, Dracula has ruled the British Empire, unchecked. Now, on the verge of his Tin Jubilee, forces are gathering to challenge his insidious reign. In London, vampire journalist Kate Reed has been summoned to a meeting with the Council of the Seven Days, a secret cabal dedicated to destroying Dracula. Meanwhile, the sinister Lord of Strange Deaths is planning to use the Jubilee celebrations for his own nefarious act of sedition. This album collects together issues #1-5 of Anno Dracula: Seven Days of Mayhem. This all-new adventure written by Kim Newman and drawn by Paul McCaffrey, sees master storyteller Kim Newman’s vast cast of characters explore the terrifying reality of a world ruled by the deadliest vampire of all times. “Compulsory reading… glorious!” – Neil Gaiman |
| my introduction to gothic literature: Encyclopedia of Gothic Literature Mary Ellen Snodgrass, 2014-05-14 Presents an alphabetical reference guide detailing the lives and works of authors associated with Gothic literature. |
| my introduction to gothic literature: Reading John Keats Susan J. Wolfson, 2015-05-21 This book explores John Keats's major works in the context of his reading and the world in which he shaped his career. |
| my introduction to gothic literature: The Palgrave Handbook of the Southern Gothic Susan Castillo Street, Charles L. Crow, 2016-07-26 This book examines ‘Southern Gothic’ - a term that describes some of the finest works of the American Imagination. But what do ‘Southern’ and ‘Gothic’ mean, and how are they related? Traditionally seen as drawing on the tragedy of slavery and loss, ‘Southern Gothic’ is now a richer, more complex subject. Thirty-five distinguished scholars explore the Southern Gothic, under the categories of Poe and his Legacy; Space and Place; Race; Gender and Sexuality; and Monsters and Voodoo. The essays examine slavery and the laws that supported it, and stories of slaves who rebelled and those who escaped. Also present are the often-neglected issues of the Native American presence in the South, socioeconomic class, the distinctions among the several regions of the South, same-sex relationships, and norms of gendered behaviour. This handbook covers not only iconic figures of Southern literature but also other less well-known writers, and examines gothic imagery in film and in contemporary television programmes such as True Blood and True Detective. |
| my introduction to gothic literature: Art of Darkness , |
| my introduction to gothic literature: Videogames and the Gothic Ewan Kirkland, 2021-10-01 This book explores the many ways Gothic literature and media have informed videogame design. Through a series of detailed case studies, Videogames and the Gothic illustrates the extent to which particular tropes of Gothic culture –neo-medieval aesthetics, secret-filled labyrinthine spaces, the sense of a dark past impacting upon the present – have been appropriated by and transformed within digital games. Moving beyond the study of the generic influences of horror on digital gaming, Ewan Kirkland focuses in on the Gothic, a less visceral mode tending towards the unsettling, the uncertain and the uncanny. He explores the extent to which imagery, storylines and narrative preoccupations taken from Gothic fiction facilitate the affordances and limitations of the videogame medium. A core contention of this book is that videogames have developed as an inherently Gothic form of popular entertainment. Arguing for close proximity between Gothic culture and the videogame medium itself, this book will be a key contribution to both Gothic and digital game scholarship; as such, it will have resonance with scholars and students in both areas, as well as those interested in Gothic novels, media and popular culture, digital games and interactive fiction. |
| my introduction to gothic literature: The Dedalus Book of Polish Fantasy Wiesiek Powaga, 1996 Poland's strong Catholic faith engendered in its literature a lively awareness of the Devil and a love of the supernatural. The Devil is a popular figure in Polish fantastic fiction, and we see him in many different roles and guises: from the personification of pure malice to a pitiful, unfortunate individual and even a patriotic hero. The Dedalus Book of Polish Fantasy offers the best of this tradition from the Romantics to the new generation of authors writing in post-communist Poland. |
| my introduction to gothic literature: Romantic Medicine and the Gothic Imagination Laura R. Kremmel, 2022-04-01 This book debates a crossover between the Gothic and the medical imagination in the Romantic period. It explores the gore and uncertainty typical of medical experimentation, and expands the possibilities of medical theories in a speculative space by a focus on Gothic novels, short stories, poetry, drama and chapbooks. By comparing the Gothic’s collection of unsavoury tropes to morbid anatomy’s collection of diseased organs, the author argues that the Gothic’s prioritisation of fear and gore gives it access to nonnormative bodies, reallocating medical and narrative agency to bodies considered otherwise powerless. Each chapter pairs a trope with a critical medical debate, granting silenced bodies power over their own narratives: the reanimated corpse confronts fears about vitalism; the skeleton exposes fears about pain; the unreliable corpse feeds on fears of dissection; the devil redirects fears about disability; the dangerous narrative manipulates fears of contagion and vaccination. |
| my introduction to gothic literature: Gothic Short Stories David Blair, 2002 This collection contains works by such writers as Poe, Hawthorne, Gaskell, Dickens and M.R. James. It brings together stories from the earliest decades of Gothic writing with later 19th and early 20th century tales. |
| my introduction to gothic literature: Fireside Gothic Andrew Taylor, 2016-11-03 From the No.1 bestselling author of The American Boy and The Ashes of London comes a collection of three gothic novellas – Broken Voices, The Leper House and The Scratch – perfect for fans of The Loney by Andrew Michael Hurley. |
| my introduction to gothic literature: The Gothic World Glennis Byron, Dale Townshend, 2013-10-08 The Gothic World offers an overview of this popular field whilst also extending critical debate in exciting new directions such as film, politics, fashion, architecture, fine art and cyberculture. Structured around the principles of time, space and practice, and including a detailed general introduction, the five sections look at: Gothic Histories Gothic Spaces Gothic Readers and Writers Gothic Spectacle Contemporary Impulses. The Gothic World seeks to account for the Gothic as a multi-faceted, multi-dimensional force, as a style, an aesthetic experience and a mode of cultural expression that traverses genres, forms, media, disciplines and national boundaries and creates, indeed, its own ‘World’. |
| my introduction to gothic literature: Female Gothic Histories Diana Wallace, 2013-03-30 Female Gothic Histories traces the development of women's Gothic historical fiction from Sophia Lee's The Recess in the late eighteenth century through the work of Elizabeth Gaskell, Vernon Lee, Daphne du Maurier and Victoria Holt to the bestselling novels of Sarah Waters in the twenty-first century. Often left out of traditional historical narratives, women writers have turned to Gothic historical fiction as a mode of writing which can both reinsert them into history and symbolise their exclusion. This study breaks new ground in bringing together thinking about the Gothic and the historical novel, and in combining psychoanalytic theory with historical contextualisation. |
| my introduction to gothic literature: Gothic incest Jenny DiPlacidi, 2018-02-24 This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The first full-length study of incest in the Gothic genre, this book argues that Gothic writers resisted the power structures of their society through incestuous desires. It provides interdisciplinary readings of incest within father-daughter, sibling, mother-son, cousin and uncle-niece relationships in texts by authors including Emily Brontë, Eliza Parsons, Ann Radcliffe and Eleanor Sleath. The analyses, underpinned by historical, literary and cultural contexts, reveal that the incest thematic allowed writers to explore a range of related sexual, social and legal concerns. Through representations of incest, Gothic writers modelled alternative agencies, sexualities and family structures that remain relevant today. |
| my introduction to gothic literature: 60 Gothic Classics Charles Dickens, Oscar Wilde, Robert Louis Stevenson, Edgar Allan Poe, William Hope Hodgson, Joseph Sheridan Le Fanu, Anna Katharine Green, George MacDonald, Bram Stoker, Charlotte Brontë, Emily Brontë, William Godwin, Henry James, Victor Hugo, Théophile Gautier, Arthur Conan Doyle, Jane Austen, John Meade Falkner, George Eliot, Robert Hugh Benson, Horace Walpole, Frederick Marryat, Thomas Love Peacock, Washington Irving, Nathaniel Hawthorne, Gaston Leroux, Grant Allen, Arthur Machen, Wilkie Collins, Thomas Peckett Prest, James Malcolm Rymer, Charles Brockden Brown, James Hogg, Charlotte Perkins Gilman, Richard Marsh, Charles Robert Maturin, John William Polidori, H. G. Wells, W. W. Jacobs, H. P. Lovecraft, William Thomas Beckford, Nikolai Gogol, Mary Shelley, Ann Radcliffe, Matthew Gregory Lewis, Fitz-James O'Brien, Eliza Parsons, 2023-12-30 60 Gothic Classics' anthology is a meticulously curated collection that spans the breadth and depth of the Gothic literature landscape, embodying the genre's rich traditions and its evolution over time. From the hauntingly beautiful to the macabre, this compilation showcases an array of literary styles, ranging from the romantic to the horrific, and framed within the historical and cultural contexts that gave rise to them. Notable for including seminal pieces from legendary authors, this anthology reflects the thematic diversity of human emotion, psychological depth, and the supernatural that Gothic literature is renowned for, offering readers a comprehensive journey through its most compelling narratives. The contributing authors, including literary giants such as Charles Dickens, Edgar Allan Poe, and Mary Shelley, among others, represent a cross-section of the era's greatest minds whose works collectively define the Gothic genre. Their backgrounds, from the haunted moors of England to the foreboding landscapes of the continental imagination, provide a rich tapestry of cultural and historical perspectives. The anthology aligns with critical movements that have shaped literature itself, with each author's unique contribution reflecting their personal engagement with the societal, philosophical, and aesthetic themes of their time. Through their collective works, the anthology offers a panoramic view of the Gothic traditions evolution, echoing the universal and timeless explorations of fear, love, death, and redemption. '60 Gothic Classics' is an essential volume for readers seeking to immerse themselves in the world of Gothic literature. It offers an unparalleled opportunity to explore the multifaceted expressions of this genre, from its darkest recesses to its most enlightening revelations. This collection not only serves as an academic resource but also as a gateway to the diverse and profound narratives that have shaped our understanding of the macabre, the mysterious, and the transcendent in literature. It is a testament to the enduring allure of the Gothic imagination and a compelling invitation to delve into the worlds crafted by some of literatures most influential voices. |
| my introduction to gothic literature: More Stories by Poe Samuel Willensky, Edgar Allan Poe, 1997 A comic book adaptation of four of Poe's chilling works. |
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