Advertisement
| my own private idaho script: My Own Private Idaho , 1987 |
| my own private idaho script: My OWN Private Idaho , 2005 |
| my own private idaho script: 108 Portraits Gus Van Sant, 1992 |
| my own private idaho script: He's Still Here Martin Howden, 2011-01-10 Joaquin Phoenix is one of the most fascinating and controversial actors working in film, and ever since his Oscar-nominated performance as Johnny Cash in Walk the Line, is one of the most sought-after actors in Hollywood. Yet in October 2008, during a press interview to promote the critically acclaimed Two Lovers, Phoenix made a shock announcement that he was to retire from acting and reinvent himself as a bona-fide hip-hop musician. The subsequent 'documentary', I'm Still Here: The Lost Year of Joaquin Phoenix, made by his brother in law Casey. In this in-depth biography, Martin Howden traces the rise of this unique actor, from his early career as a child-star, through to his Oscar nominated performance in Walk the Line, and subsequent reinvention. Drawing upon numerous interviews and press reports, this biography documents Phoenix's life following the release of I'm Still Here: The Lost Year of Joaquin Phoenix and examines whether his new career is indeed a genuine reinvention or simply a hoax. |
| my own private idaho script: John Simon on Film John Ivan Simon, 2005 (Applause Books). I find John's critical writing immensely entertaining even when I'm not in agreement... He has the gift, such a rare one, of being able to analyze the work in question, to be able to say why it is that it's so powerful, so touching; or, on the other hand, so trite, so meretricious, or so banal... I find his reviews full of insights and perceptions that make reading a collection of this sort as exciting as reading a gripping novel. John's wit is dazzling and is never displayed for its own sake, but to drive home an aspect of the review... It was exciting for me to read through this collection and see such warm praise for so many films that I feel have been unjustly ignored. Bruce Beresford |
| my own private idaho script: Gus Van Sant Katya Tylevich, 2021-10-21 From Drugstore Cowboy to Elephant, Milk and Good Will Hunting, Gus Van Sant's films have captured the imagination of more than one generation. Alongside his filmaking, however, Van Sant is also an artist, photographer and writer. Based on a series of completely new and exclusive interviews, this book provides a personal insight into how Van Sant successfully approaches these different and very varied artforms, providing an inspirational look into the working life of one of America's most pivotal cultural and creative practitioners. |
| my own private idaho script: Naked Lens Jack Sargeant, 2001 A vital collection of essays and interviews exploring the film aspect of Beat culture. Naked Lens also contains the last interview with writer Allen Ginsberg recorded shortly before his death in 1997. |
| my own private idaho script: Larry Cohen Tony Williams, 2016-04-18 Now in a revised edition, this book is the only published study devoted to Larry Cohen and his significance as a great American filmmaker. The first edition is long out of print and often sought after. This edition covers all the director's films, television work and screenplays, and contains an updated interview with the director as well as interviews with his colleagues Janelle Webb Cohen, Michael Moriarty and James Dixon. The filmography and bibliography are also updated. |
| my own private idaho script: Conversations with Gus Van Sant Mario Falsetto, 2015-03-12 One of the most talented and imaginative artists of independent cinema, Gus Van Sant established himself with a number of important movies of the late 1980s and early 1990s. Beginning with Mala Noche, the 1986 gay classic of personal film expression, followed by two key works of the American indie movement, Drugstore Cowboy and My Own Private Idaho, Van Sant films often feature characters on the borders of mainstream society. Subsequent films included hits, misses, and a notorious remake of Psycho. Regardless of the critical or commercial response to his work, Van Sant has maintained a vision that is unique among contemporary filmmakers. Conversations with Gus Van Sant is the first critical study to include both extensive original interviews with the director as well as discussions of his entirebody of work. The exchanges between film scholar Mario Falsetto and the indie filmmaker cover fifteen films directed by Van Sant over a period of thirty years. Throughout these discussions, Van Sant talks candidly about each film’s production history, visual style, editing patterns, and creative soundwork. The director also expounds on his work with actors, the relationship of independent filmmakers to the wider film industry, and many other subjects related to his filmmaking process. The conversations examine the rich thematic explorations of Van Sant’s films, which often revolve around the search for love and community on the margins of society and feature a fascination with death. From experimental films such as Gerry, Last Days, Elephant,and Paranoid Park—where Van Sant rebooted his understanding of cinema and his relationship to the Hollywood film industry—to Milk and Promised Land, this book explores the rich network of meanings in the director’s work. By melding the author’s critical perspective with the filmmaker’s own ideas, Conversations with Gus Van Sant creates a wider perspective on one of the most iconoclastic and imaginative directors of the last thirty years. |
| my own private idaho script: Keanu Reeves’ Excellent Adventure - An Unauthorized Biography Marc Shapiro, 2020-08-31 Talented actor. Charismatic celebrity. Woman magnet. Author. A free thinker and an independent soul. That’s the shorthand when it comes to the worldwide perception of Keanu Reeves. But there’s more to the real Keanu than pop culture talking points and, in Keanu Reeves’ Excellent Adventure: An Unauthorized Biography by New York Times bestselling author Marc Shapiro, the star of Speed, John Wick, Point Break and countless big and small films proves to be a lot more contrary and anti-establishment than most Hollywood cookie cutter celebrities. Equal parts biography and character study, Keanu Reeves’ Excellent Adventure: An Unauthorized Biography is an ink blot/rat in a maze journey as the actor deals with his life and times in straightforward, often philosophical and spiritual manner. He can be shy, self -effacing, an introvert and somebody who has been a pain in the side of the Hollywood establishment. He’s also found time to be an all around good guy as he deals with life’s ups and downs. But at the end of the day, Keanu Reeves is nothing less than human. He’s dealt with the deaths of those he’s loved the most. He makes no bones about the fact that he comes from a dysfunctional upbringing. He’s walked away from big-budget studio films in favor of doing Hamlet for peanuts. And, early on, he didn’t think twice about starring in the overtly gay-themed way out of the mainstream theater production Wolfboy. He’s readily admits to having done drugs and has had his run ins with the law. And along the way his risen to that rarified air of international star. |
| my own private idaho script: Freaked Todd Strasser, 1993-09 Is being a hot Hollywood mega-star all it's cracked up to be? Not if you're box-office star Rick Coogin, who jets off to do a fertilizer promotion and ends up a distorted, mutated freak in a land full of them!--Cover |
| my own private idaho script: Shakespeare on screen : The Henriad Nathalie Vienne-Guerrin (éd.), Sarah Hatchuel (éd.), Filming plays from a tetralogy of history plays implies specific problems and strategies. The papers in this volume show that the plays are parts of a series, and can hardly be staged or filmed without referring to one another. What does the big screen bring to the representation of history, battles and national issues? When do ideological interpretations stop being triggered by the text itself? By deciphering the different ways in which meaning is created and ideology is conveyed, whether it be through specific aesthetics, performances, intertextuality or cultural codes, the papers in this volume all take part in the on-going exploration of what Shakespeare's contrasting afterlives keep saying, not only about the dramatic texts but also about ourselves. |
| my own private idaho script: The Reel Shakespeare Lisa S. Starks, Courtney Lehmann, 2002 This collection models an approach to Shakespeare and cinema that is concerned with the other side of Shakespeare's Hollywood celebrity, taking the reader on a practical and theoretical tour through important, non-mainstream films and the oppositional messages they convey. The collection includes essays on early silent adaptations of 'Hamlet', Greenway's 'Prospero's Books', Godard's 'King Lear', Hall's 'A Midsummer Night's Dream', Taymor's 'Titus', Polanski's 'Macbeth', Welles 'Chimes at Midnight', and Van Sant's 'My Own Private Idaho'. |
| my own private idaho script: The Oliver Stone Experience (Text-Only Edition) Matt Zoller Seitz, 2017-10-31 Stone himself serves as guide to this no-holds-barred retrospective—an extremely candid and comprehensive monograph of the renowned and controversial writer, director, and cinematic historian in interview form. Over the course of five years, Academy Award-winning filmmaker Oliver Stone (Midnight Express, Scarface, Platoon, JFK, Natural Born Killers, Snowden) and New York Times bestselling author Matt Zoller Seitz (The Wes Anderson Collection) discussed, debated, and deconstructed the arc of Stone's outspoken, controversial life and career with extraordinary candor. This book collects those conversations for the first time, including anecdotes about Stone's childhood, Vietnam, his struggles with post-traumatic stress disorder, and his continual struggle to reinvent himself as an artist. Critical commentary from Seitz on each of Stone's films is joined by original essays from filmmaker Ramin Bahrani; writer, editor, and educator Kiese Laymon; writer and actor Jim Beaver; and film critics Walter Chaw, Michael Guarnieri, Kim Morgan, and Alissa Wilkinson. At once a complex analysis of a master director’s vision and a painfully honest critical biography in widescreen technicolor, The Oliver Stone Experience is as daring, intense, and provocative as Stone’s films—it's an Oliver Stone movie about Oliver Stone, in the form of a book. Both this book and Stone’s highly anticipated film, Snowden, will be released in September 2016 to coincide with Stone’s seventieth birthday (September 15, 1946). Also available from Matt Zoller Seitz: Mad Men Carousel, The Wes Anderson Collection: Bad Dads, The Wes Anderson Collection: The Grand Budapest Hotel, and The Wes Anderson Collection. |
| my own private idaho script: Keanu Reeves Brian J. Robb, 2020-11-09 Keanu Reeves' combination of authority, forthrightness, and sexy good looks has made him one of the most popular and bankable modern stars. In this revised and updated biography, Brian J. Robb explores Reeves on- and offscreen, including his rock 'n roll career with the band Dog Star, and the twin tragedies that took the lives of his unborn daughter and his former partner Jennifer Syme. This new edition contains 130 photographs and a 48-page coverage of The Matrix and its sequel including location reports, plot previews, and a glimpse of the trilogy's breathtaking climax. |
| my own private idaho script: Alternative Scriptwriting Ken Dancyger, Jeff Rush, 2013-10-28 Learn the rules of scriptwriting, and then how to successfully break them.Unlike other screenwriting books, this unique guide pushes you to challenge yourself and break free of tired, formulaic writing--bending or breaking the rules of storytelling as we know them. Like the best-selling previous editions, seasoned authors Dancyger and Rush explore alternative approaches to the traditional three-act story structure, going beyond teaching you how to tell a story by teaching you how to write against conventional formulas to produce original, exciting material. The pages are filled with an international range of contemporary and classic cinema examples to inspire and instruct. New to this edition. New chapter on the newly popular genres of feature documentary, long-form television serials, non-linear stories, satire, fable, and docudrama. New chapter on multiple-threaded long form, serial television scripts. New chapter on genre and a new chapter on how genre’s very form is flexible to a narrative. New chapter on character development. New case studies, including an in-depth case study of the dark side of the fable, focusing on The Wizard of Oz and Pan’s Labyrinth. |
| my own private idaho script: Shakespeare, The Movie II Richard Burt, Lynda E. Boose, 2004-02-24 Combining three key essays from the earlier collection with exciting new work from leading contributors, this text offers sixteen fascinating essays. It is quite simply a must-read for any student of Shakespeare, film or cultural studies. |
| my own private idaho script: Mathematics in Popular Culture Jessica K. Sklar, Elizabeth S. Sklar, 2014-01-10 Mathematics has maintained a surprising presence in popular media for over a century. In recent years, the movies Good Will Hunting, A Beautiful Mind, and Stand and Deliver, the stage plays Breaking the Code and Proof, the novella Flatland and the hugely successful television crime series NUMB3RS all weave mathematics prominently into their storylines. Less obvious but pivotal references to the subject appear in the blockbuster TV show Lost, the cult movie The Princess Bride, and even Tolstoy's War and Peace. In this collection of new essays, contributors consider the role of math in everything from films, baseball, crossword puzzles, fantasy role-playing games, and television shows to science fiction tales, award-winning plays and classic works of literature. Revealing the broad range of intersections between mathematics and mainstream culture, this collection demonstrates that even mass entertainment can have a hidden depth. |
| my own private idaho script: Mother Jones Magazine , 1991-09 Mother Jones is an award-winning national magazine widely respected for its groundbreaking investigative reporting and coverage of sustainability and environmental issues. |
| my own private idaho script: Last Night at the Viper Room Gavin Edwards, 2013-10-22 A biography elucidating the Academy Award–nominee’s meteoric rise, his tragic end, and his legacy. At the dawn of the 1990s, a new crew of leading men—Johnny Depp, Nicolas Cage, Keanu Reeves, and Brad Pitt—was rocketing toward stardom. River Phoenix, however, stood in front of the pack. But behind Phoenix’s talent and beautiful public face was a young man who had been raised in a cult by nonconformist parents, who was burdened with supporting his family from a young age, and who eventually succumbed to addiction, dying of an overdose in front of the Viper Room, West Hollywood’s storied club, at twenty-three. Last Night at the Viper Room is part biography, part cultural history of the 1990s, and part celebration of a Hollywood icon gone too soon. Full of interviews from his fellow actors, directors, friends, and family, this book shows the role River Phoenix played in creating the place of the actor in our modern culture and the impact his work still makes today. |
| my own private idaho script: Voice and Vision Mick Hurbis-Cherrier, 2012-11-12 Voice & Vision is a comprehensive manual for the independent filmmakers and film students who want a solid grounding in the tools, techniques, and processes of narrative film in order to achieve their artistic vision. This book includes essential and detailed information on relevant film and digital video tools, a thorough overview of the filmmaking stages, and the aesthetic considerations for telling a visual story. The ultimate goal of this book is to help you develop your creative voice while acquiring the solid practical skills and confidence to use it. Unlike many books that privilege raw technical information or the line-producing aspects of production, Voice & Vision places creativity, visual expression, and cinematic ideas front and center. After all, every practical decision a filmmaker makes, like choosing a location, an actor, a film stock, a focal length, a lighting set-up, an edit point, or a sound effect is also an expressive one and should serve the filmmaker's vision. Every decision, from the largest conceptual choices to the smallest practical solutions, has a profound impact on what appears on the screen and how it moves an audience. In Practice sidebars throughout connect conceptual, aesthetic and technical issues to their application in the real world. Some provide a brief analysis of a scene or technique from easily rentable films which illustrate how a specific technology or process is used to support a conceptual, narrative, or aesthetic choice. Others recount common production challenges encountered on real student and professional shoots which will inspire you to be innovative and resourceful when you are solving your own filmmaking challenges. |
| my own private idaho script: Voice & Vision Mick Hurbis-Cherrier, 2018-07-03 Develop your creative voice while acquiring the practical skills and confidence to use it with this new and fully updated edition of Mick Hurbis-Cherrier’s filmmaking bible, Voice & Vision. Written for independent filmmakers and film students who want a solid grounding in the tools, techniques, and processes of narrative film, this comprehensive manual covers all of the essentials while keeping artistic vision front and center. Hurbis-Cherrier walks the reader through every step of the process—from the transformation of an idea into a cinematic story, to the intricacies of promotion and distribution—and every detail in between. Features of this book include: Comprehensive technical information on video production and postproduction tools, allowing filmmakers to express themselves with any camera, in any format, and on any budget An emphasis on the collaborative filmmaking process, including the responsibilities and creative contributions of every principal member of the crew and cast A focus on learning to work successfully with available resources (time, equipment, budget, personnel, etc.) in order to turn limitations into opportunities Updated digital filmmaking workflow breakdowns for Rec. 709 HD, Log Format, and D-Cinema productions Substantial coverage of the sound tools and techniques used in film production and the creative impact of postproduction sound design An extensive discussion of digital cinematography fundamentals, including essential lighting and exposure control tools, common gamma profiles, the use of LUTs, and the role of color grading Abundant examples referencing contemporary and classic films from around the world Indispensible information on production safety, team etiquette, and set procedures. The third edition also features a robust companion website that includes eight award-winning example short films; interactive and high-resolution figures; downloadable raw footage; production forms and logs for preproduction, production, and postproduction; video examples that illustrate key concepts found within the book, and more. Whether you are using it in the classroom or are looking for a comprehensive reference to learn everything you need to know about the filmmaking process, Voice & Vision delivers all of the details in an accessible and reader-friendly format. |
| my own private idaho script: Almost Shakespeare James R. Keller, Leslie Stratyner, 2014-11-04 In the past two decades, Othello has tried out for the basketball team, Macbeth has taken over a fast food joint and King Lear has moved to an Iowa farm--Shakespeare is everywhere in popular culture. This collection of essays addresses the use of Shakespearean narratives, themes, imagery and characterizations in non-Shakespearian cinema. The essays explore how Shakespeare and his work are manipulated within the popular media and explore topics such as racism, jealousy, misogyny and nationality. The submissions concentrate on film and television programs that are adaptations of Shakespearean plays, including My Own Private Idaho, CSI-Miami, A Thousand Acres, Prospero's Books, O, 10 Things I Hate About You, Withnail and I, Get Over It, and The West Wing. Each chapter includes notes and a list of works cited. A full bibliography completes the work; it is divided into bibliographies and filmographies, general studies and essays, derivatives based on a single play, derivatives based on several, and derivatives based on Shakespeare as a character. Instructors considering this book for use in a course may request an examination copy here. |
| my own private idaho script: River Phoenix Brian J. Robb, 1995 River Phoenix: A Short Life is the first biography of this talented but tragic young star. It explores the contradictions of a life that encompassed the hippy philosophy of his unconventional parents, the abnormal pressures of child stardom on TV, leading inevitably to the big time as a brat pack hopeful in Hollywood. However, there was real talent in this young actor which was recognised by up-coming directors and established names. His performance in Sidney Lumet's Running on Empty and his role as a male prostitute in My Own Private Idaho established his credentials as a serious actor with the potential for greatness. |
| my own private idaho script: Mama's Boy Dustin Lance Black, 2020-03-17 This heartfelt, deeply personal memoir explores how a celebrated filmmaker and activist and his conservative Mormon mother built bridges across today’s great divides—and how our stories hold the power to heal. • Adapted as an HBO documentary now streaming on HBO Max. “A beautifully written, utterly compelling account of growing up poor and gay with a thrice married, physically disabled, deeply religious Mormon mother, and the imprint this irrepressible woman made on the character of Dustin Lance Black.” —Jon Krakauer, bestselling author of Missoula and Under the Banner of Heaven Dustin Lance Black wrote the Oscar-winning screenplay for Milk and helped overturn California’s anti–gay marriage Proposition 8, but as an LGBTQ activist he has unlikely origins—a conservative Mormon household outside San Antonio, Texas. There he was raised by a single mother who, as a survivor of childhood polio, endured brutal surgeries as well as braces and crutches for life. Despite the abuse and violence of two questionably devised Mormon marriages, she imbued Lance with her inner strength and irrepressible optimism. When Lance came out to his mother at age twenty-one, she initially derided his sexuality as a sinful choice. It may seem like theirs was a house destined to be divided—and at times it was. But in the end, they did not let their differences define them or the relationship that had inspired two remarkable lives. This heartfelt, deeply personal memoir explores how a mother and son built bridges across great cultural divides—and how our stories hold the power to heal. |
| my own private idaho script: New Queer Cinema B. Ruby Rich, 2013-03-26 B. Ruby Rich designated a brand new genre, the New Queer Cinema (NQC), in her groundbreaking article in the Village Voice in 1992. This movement in film and video was intensely political and aesthetically innovative, made possible by the debut of the camcorder, and driven initially by outrage over the unchecked spread of AIDS. The genre has grown to include an entire generation of queer artists, filmmakers, and activists. As a critic, curator, journalist, and scholar, Rich has been inextricably linked to the New Queer Cinema from its inception. This volume presents her new thoughts on the topic, as well as bringing together the best of her writing on the NQC. She follows this cinematic movement from its origins in the mid-1980s all the way to the present in essays and articles directed at a range of audiences, from readers of academic journals to popular glossies and weekly newspapers. She presents her insights into such NQC pioneers as Derek Jarman and Isaac Julien and investigates such celebrated films as Go Fish, Brokeback Mountain, Itty Bitty Titty Committee, and Milk. In addition to exploring less-known films and international cinemas (including Latin American and French films and videos), she documents the more recent incarnations of the NQC on screen, on the web, and in art galleries. |
| my own private idaho script: Just Dope Allison Margolin, 2022-08-30 For readers of Dopesick and In the Realm of Hungry Ghosts, a celebrated cannabis attorney's personal look at the War on Drugs and what comes next for the drug legalization movement Getting high is something most of us do, and in many cases do safely--yet drugs remain a singular public enemy. In a ranging blend of memoir, pop culture, policy critique, and social analysis, LA-based criminal defense attorney Allison Margolin explores why--and what we can do about it. Informed by Margolin’s experiences as a drug user, advocate, and the daughter of California’s most renowned (and infamous) cannabis attorney, Just Dope offers a look at where our current drug policy fails. It exposes the true history of drug prohibition in the United States, sharing why it started, how it evolved, and where it stands now. And it looks unflinchingly at the false dichotomy between “good” drugs and “bad” drugs and Margolin’s experience with programs like D.A.R.E that misguidedly ask you to “Just Say No.” For readers of All Day is a Long Time and In the Realm of Hungry Ghosts, Just Dope is an experiential tour-de-force of personal essay and whip-smart policy critique—and a vital call to knowledge and action. |
| my own private idaho script: Voice and Vision: A Creative Approach to Narrative Film and DV Production Mick Hurbis-Cherrier, 2007-03-13 Voice & Vision is a comprehensive manual for the independent filmmakers and film students who want a solid grounding in the tools, techniques, and processes of narrative film in order to achieve their artistic vision. This book includes essential and detailed information on relevant film and digital video tools, a thorough overview of the filmmaking stages, and the aesthetic considerations for telling a visual story. The ultimate goal of this book is to help you develop your creative voice while acquiring the solid practical skills and confidence to use it. Unlike many books that privilege raw technical information or the line-producing aspects of production, Voice & Vision places creativity, visual expression, and cinematic ideas front and center. After all, every practical decision a filmmaker makes, like choosing a location, an actor, a film stock, a focal length, a lighting set-up, an edit point, or a sound effect is also an expressive one and should serve the filmmaker's vision. Every decision, from the largest conceptual choices to the smallest practical solutions, has a profound impact on what appears on the screen and how it moves an audience. In Practice sidebars throughout Voice & Vision connect conceptual, aesthetic and technical issues to their application in the real world. Some provide a brief analysis of a scene or technique from easily rentable films which illustrate how a specific technology or process is used to support a conceptual, narrative, or aesthetic choice. Others recount common production challenges encountered on real student and professional shoots which will inspire you to be innovative and resourceful when you are solving your own filmmaking challenges. |
| my own private idaho script: Gay Directors, Gay Films? Emanuel Levy, 2015-08-25 Through intimate encounters with the life and work of five contemporary gay male directors, this book develops a framework for interpreting what it means to make a gay film or adopt a gay point of view. For most of the twentieth century, gay characters and gay themes were both underrepresented and misrepresented in mainstream cinema. Since the 1970s, however, a new generation of openly gay directors has turned the closet inside out, bringing a poignant immediacy to modern cinema and popular culture. Combining his experienced critique with in-depth interviews, Emanuel Levy draws a clear timeline of gay filmmaking over the past four decades and its particular influences and innovations. While recognizing the queering of American culture that resulted from these films, Levy also takes stock of the ensuing conservative backlash and its impact on cinematic art, a trend that continues alongside a growing acceptance of homosexuality. He compares the similarities and differences between the North American attitudes of Todd Haynes, Gus Van Sant, and John Waters and the European perspectives of Pedro Almodóvar and Terence Davies, developing a truly expansive approach to gay filmmaking and auteur cinema. |
| my own private idaho script: Idol Worship Michael Ferguson, Michael S. Ferguson, 2003 Illustrated with over 120 beautiful photos, this is the year's best guide to the leading men whose looks have made them the objects of intense fantasy and desire. Included is a text that will flesh out the pin-ups, featuring career highlights, brief bios and queer takes on more than 90 pretty boy actors from the silent era to today, plus a definitive list of more than 750 actors along with a representative film title of where to catch them at their hottest. |
| my own private idaho script: Direct Your Own Damn Movie! Lloyd Kaufman, Sara Antill, Kurly Tlapoyawa, 2013-04-26 The Independent Directing Bible that will fit in your back pocket! (If you have an extremely large pocket ...) Have you always wanted to direct a movie, but don't know how to start? Want to know how to get your first directing job? What do directors even do, anyway? Legendary director Lloyd Kaufman, creator of The Toxic Avenger, reveals 40 years worth of maverick cinematic know-how! Direct Your Own Damn Movie! will be your step-by-step roadmap on the journey through: * Scriptwriting * Pre-production * Casting * Managing your set * Post-production * Distribution Master the art of directing the easy way! There is no better way to become a director than by following the instruction and wisdom of an actual successful film director, not someone who just talks about it. Featuring expert advice from: Eli Roth (Grindhouse, Hostel) Jenna Fischer (LolliLove) Stan Lee (co-writer Spider-Man, Fantastic Four) Ron Jeremy (credits cannot be printed here) Stuart Gordon (Re-Animator) James Gunn (Dawn of the Dead, Slither) ... and many more! WARNING! Do not read this book if you suffer from motion sickness, or are about to operate heavy machinery. This book is not for the faint of heart, the good of taste, or those who might be pregnant. * There's more to directing than a cool-looking chair. Renegade director Lloyd Kaufman reveals all! * Includes interviews with a host of luminaries on mistakes and disasters from their early film careers * Learn the ten directing commandments of Lloyd Kaufman, plus the all-important 11th: forget the first 10 and direct your own damn movie! |
| my own private idaho script: Casting Might-Have-Beens Eila Mell, 2005-01-20 Some acting careers are made by one great role and some fall into obscurity when one is declined. Would Al Pacino be the star he is today if Robert Redford had accepted the role of Michael Corleone in The Godfather? Imagine Tom Hanks rejecting Uma Thurman, saying that she acted like someone in a high school play when she auditioned to play opposite him in The Bonfire of the Vanities. Picture Danny Thomas as The Godfather, or Marilyn Monroe as Cleopatra. This reference work lists hundreds of such stories: actors who didn't get cast or who turned down certain parts. Each entry, organized alphabetically by film title, gives the character and actor cast, a list of other actors considered for that role, and the details of the casting decision. Information is drawn from extensive research and interviews. From About Last Night (which John Belushi turned down at his brother's urging) to Zulu (in which Michael Caine was not cast because he didn't look Cockney enough), this book lets you imagine how different your favorite films could have been. |
| my own private idaho script: Screenwriter's Compass Guy Gallo, 2012 Many screenwriting books emphasize structure and plot to the detriment of character and, perhaps partly because of this, a frequent flaw of the modern screenplay is the over-reliance on plot as the GPS of the composition journey. In Screenwriter's Compass, Guy Gallo shows aspiring and professional screenwriters how to move away from the turn-by-turn directions of the outline and navigate more intuitively. Screenwriters will see that narrative grows out of behavior and will stop pushing and pummeling their characters to fit the outline. With Gallo's guidance, screenwriters will learn how to root their funniest prose and catchiest dialogue in character and voice to make their worlds real. |
| my own private idaho script: New Wave Shakespeare on Screen Thomas Cartelli, Katherine Rowe, 2007 The past several years have witnessed a group of experiments in 'staging' Shakespeare on film. This book introduces and applies the analytic techniques and language that are required to make sense of this wave. It maps a vocabulary for interpreting Shakespeare film; addresses script-to-screen questions about authority and performativity; and more. |
| my own private idaho script: Gallatin Canyon Thomas McGuane, 2007-12-18 From the acclaimed author of Ninety-two in the Shade and Cloudbursts—the stories of Gallatin Canyon are rich in the wit, compassion, and matchless language for which Thomas McGuane is celebrated. Set mostly in famed Big Sky Country, McGuane brings us an astonishing (The New York Times Book Review) collection in which place exerts the power of destiny. A boy makes a surprising discovery skating at night on Lake Michigan; an Irish clan in Massachusetts gather around their dying matriarch; a battered survivor of the glory days of Key West washes up on other shores. Several of the stories unfold in Big Sky country: a father tries to buy his adult son’s way out of virginity; a convict turns cowhand on a ranch; a couple makes a fateful drive through a perilous gorge. McGuane's people are seekers, beguiled by the land's beauty and myth, compelled by the fantasy of what a locale can offer, forced to reconcile dream and truth. |
| my own private idaho script: Film Production Greg Merritt, 1998 The fastest-growing segment of the film business is the production and distribution of small, independently-financed films. This book provides the reader with real-world facts and advice on producing independent movies. |
| my own private idaho script: Film Adaptation and Its Discontents Thomas M. Leitch, 2007-06-15 Publisher description |
| my own private idaho script: Clerks Kevin Smith, 2000 The award-winning debut feature of self-taught US auteur Kevin Smith, Clerks is set in and around that well-known hub of the social universe, a convenience store in suburban New Jersey. It revolves around a day in the amiably bickering friendship of Dante and Randal, hapless clerks who serve time behind the counter. The monotony of work compels these reluctant wage-slaves to resort to simple diversions: shooting the breeze, antagonising their customers and indulging time-honoured masculine obsessions (sex, movie trivia, ice hockey). Clerks showcases Kevin Smith's keen ear for dialogue and his ability to capture ordinary life in the raw, leavening the edge with buoyant down 'n' dirty humour. |
| my own private idaho script: Going to Pieces Adam Rockoff, 2016-03-04 John Carpenter's Halloween, released on October 25, 1978, marked the beginning of the horror film's most colorful, controversial, and successful offshoot--the slasher film. Loved by fans and reviled by critics for its iconic psychopaths, gory special effects, brainless teenagers in peril, and more than a bit of soft-core sex, the slasher film secured its legacy as a cultural phenomenon and continues to be popular today. This work traces the evolution of the slasher film from 1978 when it was a fledgling genre, through the early 1980s when it was one of the most profitable and prolific genres in Hollywood, on to its decline in popularity around 1986. An introduction provides a brief history of the Grand Guignol, the pre-cinema forerunner of the slasher film, films such as Psycho and The Texas Chainsaw Massacre, and cinematic trends that gave rise to the slasher film. Also explained are the slasher film's characteristics, conventions, and cinematic devices, such as the final girl, the omnipotent killer, the relationship between sex and death, the significant date or setting, and the point-of-view of the killer. The chapters that follow are devoted to the years 1978 through 1986 and analyze significant films from each year. The Toolbox Murders, When a Stranger Calls, the Friday the 13th movies, My Bloody Valentine, The Slumber Party Massacre, Psycho II, and April Fool's Day are among those analyzed. The late 90s resurrection of slasher films, as seen in Scream and I Know What You Did Last Summer, is also explored, as well as the future direction of slasher films. |
| my own private idaho script: The Queer Encyclopedia of Film and Television Claude Summers, 2012-04-24 From Hollywood films to TV soap operas, from Vegas extravaganzas to Broadway theater to haute couture, this comprehensive encyclopedia contains over 200 entries and 200 photos that document the irrepressible impact of queer creative artists on popular culture. How did Liberace’s costumes almost kill him? Which lesbian comedian spent her high school years as “the best white cheerleader in Detroit?” For these answers and more, fans can dip into The Queer Encyclopedia of Film, Theater, and Popular Culture. Drawn from the fascinating online encyclopedia of queer arts and culture, www.glbtq.com — which the Advocate dubbed “the Encyclopedia Brittaniqueer” — this may be the only reference book in which RuPaul and Jean Cocteau jostle for space. From the porn industry to the Sisters of Perpetual Indulgence, from bodybuilding to Dorothy Arzner, it’s a queer, queer world, and The Queer Encyclopedia is the indispensable guide: readable, authoritative, and concise. And perfect to read by candelabra. (The answers to the two questions above: from the dry cleaning fumes, Lily Tomlin.) |
My Account
Sign in to your Microsoft account to manage your settings and access personalized services.
My Account
Can’t access your account? Sign-in options. Terms of use Privacy & cookies... Privacy & cookies...
My Account
Can’t access your account?
My Account
Sign in to manage your Microsoft account and access all your Microsoft apps and services.
My Account
Manage your Microsoft account, including sign-ins, security settings, and personal information.
My Account
Sign in to access and manage your Microsoft account settings and preferences.
My Account
{ "Provide feedback": "Provide feedback", "_t": "Wed Oct 23 2019 16:55:14 GMT-0700 (Pacific Daylight Time)", "Help": "Help", "Terms of Service": "Terms of Service ...
My Account
Sign in to your Microsoft account to manage your settings and access personalized services.
My Account
Can’t access your account? Sign-in options. Terms of use Privacy & cookies... Privacy & cookies...
My Account
Can’t access your account?
My Account
Sign in to manage your Microsoft account and access all your Microsoft apps and services.
My Account
Manage your Microsoft account, including sign-ins, security settings, and personal information.
