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| nawal el saadawi woman at point zero: Woman at Point Zero Nawal El Saadawi, 2024-06-27 Internationally acclaimed Egyptian feminist writer Nawal El Saadawi's landmark novel Woman at Point Zero, published here with a new foreword. Firdaus is on death row. Her crime, the murder of a man. Born into poverty in a rural Egyptian village, her childhood dreams and ambitions had been met with neglect and abuse by the world and the men who rule it. Driven to sex work to support herself, she is faced with the moral outrage of society and the bitter knowledge that for a woman, true freedom comes only when all hope is abandoned. In Woman at Point Zero, Firdaus tells her unforgettable story. Woman at Point Zero is also available in audiobook format from audiobook retailers. |
| nawal el saadawi woman at point zero: Woman at Point Zero Nawal El Saadawi, 2007-06 All the men I did get to know, every single man of them, has filled me with but one desire: to lift my hand and bring it smashing down on his face. But because I am a woman I have never had the courage to lift my hand. And because I am a prostitute, I hid my fear under layers of make-up. --ExcerptThis is a new edition of the best-selling novel with a specially commissioned new Foreword by Miriam Cooke. |
| nawal el saadawi woman at point zero: Woman at Point Zero Nawāl Saʻdāwī, 1983 So begins Firdaus' story, leading to her grimy Cairo prison cell, where she welcomes her death sentence as a relief from her pain and suffering. Born to a peasant family in the Egyptian countryside, Firdaus suffers a childhood of cruelty and neglect. Her passion for education is ignored by her family, and on leaving school she is forced to marry a much older man. Following her escapes from violent relationships, she finally meets Sharifa who tells her that 'A man does not know a woman's value ... the higher you price yourself the more he will realise what you are really worth' and leads her into a life of prostitution. Desperate and alone, she takes drastic action. -- Publisher description. |
| nawal el saadawi woman at point zero: Sensuous Knowledge Minna Salami, 2020-03-25 In Sensuous Knowledge, Minna Salami draws on Africa-centric, feminist-first and artistic traditions to help us rediscover inclusive and invigorating ways of experiencing the world afresh. Combining the playfulness of a storyteller with the insight of a social critic, the book pries apart the systems of power and privilege that have dominated ways of thinking for centuries – and which have led to so much division, prejudice and damage. And it puts forward a new, sensuous, approach to knowledge: one grounded in a host of global perspectives – from Black Feminism to personal narrative, pop culture to high art, Western philosophy to African mythology – together comprising a vision of hope for a fragmented world riven by crisis. Through the prism of this new knowledge, Salami offers fresh insights into the key cultural issues that affect women’s lives. How are we to view Sisterhood, Motherhood or even Womanhood itself? What is Power and why do we conceive of Beauty? How does one achieve Liberation? She asks women to break free of the prison made by ingrained male-centric biases, and build a house themselves – a home that can nurture us all. Sensuous Knowledge confirms Minna Salami as one the most important spokespeople of today, and the arrival of a blistering new literary voice. |
| nawal el saadawi woman at point zero: A Daughter of Isis Nawāl Saʻdāwī, 1999 Nawal El Saadawi has been pilloried, censored, imprisoned and exiled for her refusal to accept the oppressions imposed on women by gender and class. In her life and in her writings, this struggle against sexual discrimination has always been linked to a struggle against all forms of oppression: religious, racial, colonial and neo-colonial. In 1969, she published her first work of non-fiction, Women and Sex ; in 1972, her writings and her struggles led to her dismissal from her job. From then on there was no respite; imprisonment under Sadat in 1981 was the culmination of the long war she had fought for Egyptian women's social and intellectual freedom. A Daughter of Isis is the autobiography of this extraordinary woman. |
| nawal el saadawi woman at point zero: God Dies by the Nile Nawāl Saʻdāwī, 1985 Nawal el Saadawi's classic tale attempts to square Islam with a society in which women are respected as equals is as relevant today as ever. 'People have become corrupt everywhere. You can search in vain for Islam, or a devout Muslim. They no longer exist.' Kafr El Teen is a beautiful, sleepy village on the banks of the Nile. Yet at its heart it is tyrannical and corrupt. The Mayor, Sheikh Hamzawi of the mosque, and the Chief of the Village Guard are obsessed by wealth and use and abuse the women of the village, taking them as slaves, marrying them and beating them. Resistance, it seems, is futile. Zakeya, an ordinary villager, works in the fields by the Nile and watches the world, squatting in the dusty entrance to her house, quietly accepting her fate. It is only when her nieces fall prey to the Mayor that Zakeya becomes enraged by the injustice of her society and possessed by demons. Where is the loving and peaceful God in whom Zakeya believes? |
| nawal el saadawi woman at point zero: The Innocence of the Devil Nawal El Saadawi, 1998-11-04 Nawal El Saadawi's books are known for their powerful denunciation of patriarchy in its many forms: social, political, and religious. Set in an insane asylum, The Innocence of the Devil is a complex and chilling novel that recasts the relationships of God and Satan, of good and evil. Intertwining the lives of two young women as they discover their sexual and emotional powers, Saadawi weaves a dreamlike narrative that reveals how the patriarchal structures of Christianity and Islam are strikingly similar: physical violation of women is not simply a social or political phenomenon, it is a religious one as well. While more measured in tone than Salman Rushdie's Satanic Verses, Saadawi's novel is similar in its linguistic, literary, and philosophical richness. Evoking a world of pain and survival that may be unfamiliar to many readers, it speaks in a universal voice that reaches across cultures and is the author's most potent weapon. |
| nawal el saadawi woman at point zero: Zeina Nawal El Saadawi, 2020-03-04 New edition of classic novel about motherhood and resilience, set against the backdrop of revolution in Egypt, by the leading Arab feminist writer |
| nawal el saadawi woman at point zero: Off Limits Nawal El Saadawi, 2020-07-15 Nawal El Saadawi is a significant and broadly influential feminist writer, activist, physician, and psychiatrist. Born in 1931 in Egypt, her writings focus on women in Islam. Well beyond the Arab world, from Woman at Point Zero to The Fall of the Imam and her prison memoirs, El Saadawi’s fiction and nonfiction works have earned her a reputation as an author who has provided a powerful voice in feminist debates centering on the Middle East. Off Limits presents a selection of El Saadawi’s most recent recollections and reflections in which she considers the role of women in Egyptian and wider Islamic society, the inextricability of imperialism from patriarchy, and the meeting points of East and West. These thoughtful and wide-reaching pieces leave no stone unturned and no view unchallenged, and the essays collected here offer further insight into this profound author’s ideas about women, society, religion, and national identity. |
| nawal el saadawi woman at point zero: God Dies by the Nile and Other Novels Nawal El Saadawi, 2024-06-27 Three classic novels by renowned feminist writer and activist Nawal El Saadawi. A peasant family is torn apart by a village mayor and his lackeys in God Dies by the Nile, Saadawi's dark parable of poverty, female exploitation, injustice and religious hypocrisy in rural Egypt. In Searching the disappearance of her lover causes Fouda to question everything. Circling Song is a hypnotic meditation on gender, class and state violence told through the story of two mysterious twins. |
| nawal el saadawi woman at point zero: Two Women In One Nawal El Saadawi, 2020-01-20 Bahiah Shaheen, an eighteen-year-old medical student and the daughter of a prominent Egyptian public official, finds the male students in her class coarse and alien. Her father, too, seems to belong to a race apart. Frustrated by her hard-working, well-behaved, middle-class public persona, her meeting with a stranger at a gallery one day sparks her journey of self-discovery and of the realisation that fulfilment in life is indeed possible. |
| nawal el saadawi woman at point zero: The Nawal El Saadawi Reader Nawāl Saʻdāwī, 1997-09 This collection portrays the intellectual and political development of an extraordinary thinker who explores a host of topics including women's oppression under recent interpretations of Islam and the subversive potential of creativity. |
| nawal el saadawi woman at point zero: Walking Through Fire Nawāl Saʻdāwī, 2002-04 Famous for her novels, short stories and writings on women, Saadawi is known as the first Arab woman to write about sex and its relation to economics and politics. Imprisoned under Sadat for her opinions, she has continued to fight against all forms of discrimination based on class, gender, nation, race or religion. In In a Daughter of Isis, she painted a portrait of the childhood that moulded her into a novelist and fighter for freedom and the rights of women. This autobiography takes up the story of her extraordinary life. |
| nawal el saadawi woman at point zero: Love in the Kingdom of Oil Nawal El Saadawi, 2013-07-01 A woman disappears without trace. Nobody, including the police commissioner investigating the case, can understand how a woman could simply walk away, leaving husband and home behind. After all, in the Kingdom of Oil where His Majesty reigns supreme, no woman has ever dared disobey the command of men. When the woman finally reappears, there is a blurring between the men in her life, as she leaves one to join another, then returns to her first husband who has since taken a new wife. She is trapped in a man-made web, unable to escape from a male figure who continually fills urns that she must carry. |
| nawal el saadawi woman at point zero: Heart of Darkness Joseph Conrad, Ross C. Murfin, 1996 Now in its second edition, this popular case-study of Conrad's classic short novel reprints an authoritative text together with five essays (four of which are newly-commissioned or revised) written from a range of contemporary critical perspectives. |
| nawal el saadawi woman at point zero: Memoirs of a Woman Doctor Nawal El Saadawi, 1989-01-01 Rebelling against the contraints of family and society, a young Egyptian woman decides to study medicine, becoming the only woman in a class of men. Her encounters with the other students- as well as the male and female corpses in the autopsy room... |
| nawal el saadawi woman at point zero: The Hidden Face of Eve Nawāl El Saadāwī, 1987 |
| nawal el saadawi woman at point zero: The Novel Nawal El Saadawi, 2009 “The novel caused tremendous outrage.” So begins Nawal El Saadawi’s tenth novel. And indeed, when the famous Egyptian psychiatrist and writer released The Novel in 2005, it was banned all over the Arab world. But the novel inside The Novel is by a young woman—a woman who is only 23 years old, who has “no family, no university degree, no national identity card,” whose name does not appear on this “lists of prominent women writers.” A woman, that is, whose biography is as unlike Saadawi’s own as possible, as if she has stripped herself of all the effects of her own worldly existence to explore something earlier, more elemental, than the political work for which she is so well known. In following the life of this young, unnamed, woman writer as it intersects with those of a famous writer named Rostum, his wife Carmen, and a poet called Miriam, El Saadawi gives us a deeply felt exploration of the nature of identity, of fame, of writing, and of freedom. |
| nawal el saadawi woman at point zero: Memoirs from the Women's Prison Nawāl Saʻdāwī, 1994-11-18 If Kafka had been a feminist, his prisoner might have had Nawal el Sa'adawi's feistiness, maybe, like her, he would have hoed a prison garden, led veiled and unveiled cellmates in rebellious calisthenics, strategized with a murderess to foil state illogic. This book gives me hope, even makes me laugh.—Cynthia Enloe, author of The Morning After |
| nawal el saadawi woman at point zero: A Daughter of Isis Nawal El Saadawi, 2013-04-04 'Against the white sand, the contours of my father's body were well defined, emphasized its existence in a world where everything was liquid, where the blue of the sea melted into the blue of the sky with nothing between. This independent existence was to become the outer world, the world of my father, of land, country, religion, language, moral codes. It was to become the world around me. A world made of male bodies in which my female body lived.' Nawal El Saadawi has been pilloried, censored, imprisoned and exiled for her refusal to accept the oppressions imposed on women by gender and class. For her, writing and action have been inseperable and this is reflected in some of the most evocative and disturbing novels ever written about Arab women. Born in a small Egyptian village in 1931, she eluded the grasp of suitors before whom her family displayed her when she was still ten years old and went on to qualify as a medical doctor. In 1969, she published her first work of non-fiction, Women and Sex; in 1972, she was dismissed from her profession because of her political activism. From then on there was no respite: imprisonment under Sadat in 1981 was the culmination of the long struggle she had waged for Egyptian women's social and intellectual freedom; in 1992, her name appeared on a death list issued by a fundamentalist group after which she went into exile for five years. Since then, she has devoted her time to writing novels and essays and to her activities as a worldwide speaker on women’s issues. A Daughter of Isis is the autobiography of this extraordinary woman. In it she paints a sensuously textured portrait of the childhood that produced the freedom fighter. We see how she moulded her own creative power into a weapon - how, from an early age, the use of words became an act of rebellion against injustice. |
| nawal el saadawi woman at point zero: The Essential Nawal El Saadawi Nawal El Saadawi, 2013-07-04 The writings of Nawal El Saadawi are essential to anyone wishing to understand the contemporary Arab world. Her dissident voice has stayed as consistent in its critique of neo.imperialist international politics as it has in its denunciation of women's oppression, both in her native Egypt and in the wider world. Saadawi is a figure of international significance, and her work has a central place in Arabic history and culture of the last half century. Featuring work never before translated into English, The Essential Nawal El Saadawi gathers together a wide range of Saadawi's writing. From novellas and short stories to essays on politics, culture, religion and sex; from extensive interviews to her work as a dramatist; from poetry to autobiography, this book is essential for anyone wishing to gain a sense of the breadth of Saadawi's work. |
| nawal el saadawi woman at point zero: Arab and Arab American Feminisms Rabab Abdulhadi, Evelyn Alsultany, Nadine Naber, 2011-04-05 In this collection, Arab and Arab American feminists enlist their intimate experiences to challenge simplistic and long-held assumptions about gender, sexuality, and commitments to feminism and justice-centered struggles among Arab communities. Contributors hail from multiple geographical sites, spiritualities, occupations, sexualities, class backgrounds, and generations. Poets, creative writers, artists, scholars, and activists employ a mix of genres to express feminist issues and highlight how Arab and Arab American feminist perspectives simultaneously inhabit multiple, overlapping, and intersecting spaces: within families and communities; in anticolonial and antiracist struggles; in debates over spirituality and the divine; within radical, feminist, and queer spaces; in academia and on the street; and among each other. Contributors explore themes as diverse as the intersections between gender, sexuality, Orientalism, racism, Islamophobia, and Zionism, and the restoration of Arab Jews to Arab American histories. This book asks how members of diasporic communities navigate their sense of belonging when the country in which they live wages wars in the lands of their ancestors. Arab and Arab American Feminisms opens up new possibilities for placing grounded Arab and Arab American feminist perspectives at the center of gender studies, Middle East studies, American studies, and ethnic studies. |
| nawal el saadawi woman at point zero: Diary of a Child Called Souad Nawal El Saadawi, 2016-05-18 Diary of a Child Called Souad is Nawal El Saadawi's first autobiography, written at the age of ten in the form of fiction as she explores her early awakening to the world around her. Now known for her bold spirit and probing mind, El Saadawi in this novel uncovers through a child's eyes the hypocritical values and traditions carried on by family, education, religion, and society. With amazing courage she weaves a tale of the fear, guilt, and repressive compliance forced upon her as a woman and upon her generation as the price to be paid for leading a civilized existence. Struggling to come to terms with taboos concerning her maturing body, the young Nawal's writing reveals the makings of a revolutionary spirit and relentlessly analytical mind. A must read for devotees of El Saadawi's writing to witness an early record of the maturing of her thoughts and the shaping of her ideas. |
| nawal el saadawi woman at point zero: Ripples in the Pool Rebeka Njau, 2023-10-01 Ripples in the Pool is a symbolic and powerful novel that delves into the tragedy and spiritual disconnection in rural Africa. Central characters, like Selina, a former prostitute, and Gikere, a hospital assistant, return to their village with ambitions of wealth and power, neglecting the spiritual significance of the village pool. The pool, guarded by a mysterious old man, symbolizes the land's integrity and spiritual essence. As these characters pursue material gains, they disregard this spiritual core, leading to their downfall. Selina's journey, marked by a conflict between her rural roots and urban disillusionment, ends in personal and communal tragedy. The novel critiques modernity's moral decay and the loss of spiritual connection, questioning whether the pool's sanctity ultimately prevails over such corruption. The characters, who span a whole tapestry of rural Africa, are portrayed with a depth and richness that illuminates with shocking clarity aspects of rural society heretofore largely unexplored by African writers. |
| nawal el saadawi woman at point zero: Woman Against Her Sex Georges Tarabishi, طرابيشي، جورج, Jūrj Ṭarābīshī, 1988 A critique of the work of Egyptian feminist, Nawal el-Saadawi. This work argues that the feminists of her novels, far from being shining examples of liberated womanhood, have unconsciously absorbed a male ideology that actually works against the interests of women. |
| nawal el saadawi woman at point zero: Revolutionary Feminisms Brenna Bhandar, Rafeef Ziadah, 2020-08-18 A unique book, tracing forty years of anti-racist feminist thought In a moment of rising authoritarianism, climate crisis, and ever more exploitative forms of neoliberal capitalism, there is a compelling and urgent need for radical paradigms of thought and action. Through interviews with key revolutionary scholars, Bhandar and Ziadah present a thorough discussion of how anti-racist, anti-capitalist feminisms are crucial to building effective political coalitions. Collectively, these interviews with leading scholars including Angela Y. Davis, Silvia Federici, and many others, trace the ways in which black, indigenous, post-colonial and Marxian feminisms have created new ways of seeing, new theoretical frameworks for analysing political problems, and new ways of relating to one another. Focusing on migration, neo-imperial militarism, the state, the prison industrial complex, social reproduction and many other pressing themes, the range of feminisms traversed in this volume show how freedom requires revolutionary transformation in the organisation of the economy, social relations, political structures, and our psychic and symbolic worlds. The interviews include Avtar Brah, Gail Lewis and Vron Ware on Diaspora, Migration and Empire. Himani Bannerji, Gary Kinsman, Leanne Betasamosake Simpson, and Silvia Federici on Colonialism, Capitalism, and Resistance. Ruth Wilson Gilmore, Avery F. Gordon and Angela Y. Davis on Abolition Feminism. |
| nawal el saadawi woman at point zero: The Cry of Tamar Pamela Cooper-White, 2013-06-24 In this comprehensive, practical, and gripping assessment of various forms of violence against women, Pamela Cooper-White challenges the Christian churches to examine their own responses to the cry of Tamar in our time. She describes specific forms of such violence and outlines appropriate pastoral responses. The second edition of this groundbreaking work is thoroughly updated and examines not only where the church has made progress since 1995 but also where women remain at unchanged or even greater risk of violence. |
| nawal el saadawi woman at point zero: Sabriya Ulfat Idilbi, 1999-01-01 Sabriya portrays life in Damascus in the 1920's. Central to the story is Sabriya's journey to self-knowledge, intertwined with the rise and eclipse of national and feminist awareness during her painful life. The national revolt is crushed by superior foreign power and Sabriya's personal emancipation is stifled by the traditional values of a patriarchal society. Written from the point of view of a young girl passionately committed to the nationalist cause but unable, because of her sex, to take an active part, it seethes with the frustrated energy of the reluctant bystander and vividly expresses the terror of civilians living in a city rocked nightly by explosions. |
| nawal el saadawi woman at point zero: The Secret Sharer and Other Stories (Norton Critical Editions) Joseph Conrad, 2015-08-03 This Norton Critical Edition includes four stories—two set on stormy seas, two on calm seas, all four based on the same incident—that speak to each other in interesting ways. The stories in this Norton Critical Edition maintain the connection and sequencing that Joseph Conrad saw among them. In his “Author’s Note” to ‘Twixt Land and Sea, Conrad writes of his two “Calm-pieces” (“The Secret Sharer” and The Shadow-Line) and his two “Storm-pieces” (The Nigger of the “Narcissus” and “Typhoon”). This edition is based on the first English book edition for the stories and the first American edition for the “Author’s Note” for The Shadow-Line, “Typhoon,” and “The Secret Sharer.” The stories are accompanied by explanatory annotations, a note on the texts (including a list of textual emendations), and a preface. “Backgrounds and Contexts” brings together relevant correspondence and contemporary reviews from both British and American sources. Also included are documents related to Conrad’s sources for the stories, among them Charles Arthur Sankey’s “Ordeal of the Cutty Sark: A True Story of Mutiny, Murder on the High Seas.” To help readers navigate, the editor includes a glossary of nautical terms as well as diagrams of the kinds of ships that appear in the stories. “Criticism” includes fifteen essays representing both new and established voices. The essays are arranged by story, with the focus on Conrad’s major themes—colonialism, narrative, gender, and race. Albert J. Guerard, Lillian Nayder, Mark D. Larabee, Fredric Jameson, F. R. Leavis, and John G. Peters are among the contributors. A chronology of Conrad’s life and work and a selected bibliography are also included. |
| nawal el saadawi woman at point zero: Small narratives Anna Ferrari, 2021-12-29 Small stories of ordinary people, to whom extraordinary events can happen (Free will, Macbeth: story of a madman), people who get lost in memories to find meaning in the present (The girl on the bus) or who still find nature in memories of human existence (Memories). A teacher (11th commandment: do not judge) and a mother (A mother) tell of daily life, with its pains and satisfactions, misunderstanding, but also the miracle of finding acceptance in the hearts of others. In What must happen ... it happens we find ourselves having to deal with the impossibility of predicting destiny and in Black & White life is observed from the point of view of our animals. The eight short stories in this collection are in the name of George Eliot's thought contained in the epigraph: just as there are great personalities in the world, there are also ordinary people deserving as much attention. People like you, like me, like everyone. The opening story, Black and White, portrays the lives of two playmates who seem mismatched, a dog, White, and a cat, Black. In reality they are two wonderful beings who love, suffer, are grateful, spiteful, live unaware of the enormous gift they give to their human ”parents” simply by existing. The little girl on the bus has a slow start, then suddenly turns and goes back through the years, to when the protagonist was a child, to an episode that deeply marked her emotionally, whose memory is not so much visual as internal and affective. The very nature of this memory brings the narrative to very intimate levels, in which still unresolved traits of her personality are revealed. Free will is a gothic tale: a cursed mirror, the devil, wickedness as an end in itself, unbelieving victims. Everything happens without a reason, as if to say that evil exists and can dispose of human beings at will. Macbeth. Story of a madman is built in the footsteps of Shakespearean tragedy, it is set in the world of theater, the names of the main characters are the original ones, the manias, obsessions and distorted passion are the same as the mad regicide. After all, the fantastic has an important part in Macbeth: the three witches enunciate prophecies that will make the brave soldier mad. Even in the story, the fantastic folds to itself the destinies of the protagonists who play their lives on the most futile of human feelings: ambition as an end in itself. Memories is a delicate journey in the narrator's mind, in a moment of solitude, in which she gets lost in thoughts that are unrelated to each other, which nevertheless have a common theme: the nature of memories and how much of ourselves is a matter to remember. A bit of melancholy, but also of sustained hope and vivacity of thought underlie the inner confession, in which it is not difficult to identify. 11th commandment: do not judge tells the world of school with disillusionment: misunderstanding, jealousy of one's role, indulgence towards parents and students, today the ”clients”, break the balance of a good teacher who is also a nun. Such are the sadness, the disappointment that the protagonist suffers that these feelings empathically penetrate the reader, and their power is equal to the abandonment of hope in a better world. Not all stories, like life, can have a happy ending. A mother introduces a note of joy. A common school interview becomes an opportunity for mutual growth between the mother and the teacher. Two women with a strong and combative character, surprised by the unusually confidential tone that the conversation assumes, together try to find a way to convey safety and serenity to the people they love and who are experiencing a moment of confusion. The mother understands how to measure herself against her own limits, and consequently the teacher becomes fully aware of the dozens of individuals in a class, of which she often knows very little, but which each have their own moods. The teache Translator: Francesca Orelli PUBLISHER: TEKTIME |
| nawal el saadawi woman at point zero: A Walk in the Night Alex La Guma, 1968 Of French and Malagasy stock, involved in South African politics from an early age, Alex La Guma was arrested for treason with 155 others in 1956 and finally acquitted in 1960. During the State of Emergency following the Sharpeville massacre he was detained for five months. Continuing to write, he endured house arrest and solitary confinement. La Guma left South Africa as a refugee in 1966 and lived in exile in London and Havana. He died in 1986. A Walk in the Night and Other Stories reveals La Guma as one of the most important African writers of his time. These works reveal the plight of non-whites in apartheid South Africa, laying bare the lives of the poor and the outcasts who filled the ghettoes and shantytowns. |
| nawal el saadawi woman at point zero: Standing Female Nude Carol Ann Duffy, 2016-10-20 Carol Ann Duffy's outstanding first collection, Standing Female Nude, introduced readers to all they would come to love about her poetry. From lovers to wives to war photographers, the poems it contains range from the delicately poignant to the fiercely political, exploring memory, gender, childhood and place. Within it are also some of her best-known poems, including 'Education for Leisure', as well as, of course, the poem from which the collection takes its title. First published in 1985 to widespread critical acclaim, Standing Female Nude is a work of startling originality and the starting point of the Poet Laureate's dazzling poetic career. |
| nawal el saadawi woman at point zero: Dialectical Rhetoric Bruce McComiskey, 2015-06-26 In Dialectical Rhetoric, Bruce McComiskey argues that the historical conflict between rhetoric and dialectic can be overcome in ways useful to both composition theory and the composition classroom. Historically, dialectic has taken two forms in relation to rhetoric. First, it has been the logical development of linear propositions leading to necessary conclusions, a one-dimensional form that was the counterpart of rhetorics in which philosophical, metaphysical, and scientific truths were conveyed with as little cognitive interference from language as possible. Second, dialectic has been the topical development of opposed arguments on controversial issues and the judgment of their relative strengths and weaknesses, usually in political and legal contexts, a two-dimensional form that was the counterpart of rhetorics in which verbal battles over competing probabilities in public institutions revealed distinct winners and losers. The discipline of writing studies is on the brink of developing a new relationship between dialectic and rhetoric, one in which dialectics and rhetorics mediate and negotiate different arguments and orientations that are engaged in any rhetorical situation. This new relationship consists of a three-dimensional hybrid art called “dialectical rhetoric,” whose method is based on five topoi: deconstruction, dialogue, identification, critique, and juxtaposition. Three-dimensional dialectical rhetorics function effectively in a wide variety of discursive contexts, including digital environments, since they can invoke contrasts in stagnant contexts and promote associations in chaotic contexts. Dialectical Rhetoric focuses more attention on three-dimensional rhetorics from the rhetoric and composition community. |
| nawal el saadawi woman at point zero: The Woman of Rome Alberto Moravia, 1966 |
| nawal el saadawi woman at point zero: Death of an Ex-minister Nawāl Saʻdāwī, 1987 |
| nawal el saadawi woman at point zero: No Place to Call Home JJ Bola, 2018-06-05 A tale of love, loss, identity, and belonging, No Place to Call Home tells the story of a family who fled to the United Kingdom from their native Congo to escape the political violence under the dictator, Le Maréchal. The young son Jean starts at a new school and struggles to fit in. An unlikely friendship gets him into a string of sticky situations, eventually leading to a suspension. At home, his parents pressure him to focus on school and get his act together, to behave more like his star-student little sister. As the family tries to integrate in and navigate modern British society while holding on to their roots and culture, they meet Tonton, a womanizer who loves alcohol and parties. Much to Jean's father's dismay, after losing his job, Tonton moves in with them. He introduces the family—via his church where colorful characters congregate—to a familiar community of fellow country-people, making them feel slightly less alone. The family begins to settle, but their current situation unravels and a threat to their future appears, while the fear of uncertainty remains. |
| nawal el saadawi woman at point zero: African Women Writers and the Politics of Gender Sadia Zulfiqar, 2016-09-23 This work examines the work of a group of African women writers who have emerged over the last forty years. While figures such as Chinua Achebe, Ben Okri and Wole Soyinka are likely to be the chief focus of discussions of African writing, female authors have been at the forefront of fictional interrogations of identity formation and history. In the work of authors such as Mariama Bâ (Senegal), Buchi Emecheta (Nigeria), Chimamanda Ngozi Adichie (Nigeria), Tsitsi Dangarembga (Zimbabwe), and Leila Aboulela (Sudan), there is a clear attempt to subvert the tradition of male writing where the female characters are often relegated to the margins of the culture, and confined to the domestic, private sphere. This body of work has already generated a significant number of critical responses, including readings that draw on gender politics and colonialism, but it is still very much a minor literature, and most mainstream western feminism has not sufficiently processed it. The purpose of this book is three-fold. First, it draws together some of the most important and influential African women writers of the post-war period and looks at their work, separately and together, in terms of a series of themes and issues, including marriage, family, polygamy, religion, childhood, and education. Second, it demonstrates how African literature produced by women writers is explicitly and polemically engaged with urgent political issues that have both local and global resonance: the veil, Islamophobia and a distinctively African brand of feminist critique. Third, it revisits Fredric Jameson’s claim that all third-world texts are “national allegories” and considers these novels by African women in relation to Jameson’s claim, arguing that their work has complicated Jameson’s assumptions. |
| nawal el saadawi woman at point zero: Mogadishu Then and Now Rasna Warah, 2012 Mogadishu was once one of the prettiest and most cosmopolitan cities in Africa. The city has a long history that dates back to the 10th century when Arab and Persian traders began settling there. For centuries, Mogadishu was a traditional centre for Islam and an important hub for trade with communities along the Indian Ocean coastline. However, since the beginning of the civil war in the early 1990s, Somalia's capital city has gained the reputation of being the most dangerous and violent city in the world. Mogadishu Then and Now is an attempt to redeem the city's damaged reputation and restore its lost glory in the public imagination and in the Somali people's collective memory. The book showcases Mogadishu in all its splendour prior to the civil war and contrasts this with the devastation and destruction that has characterised the city for more than two decades. It should be of particular interest to historians, urban planners, architects and and anthropologists. |
| nawal el saadawi woman at point zero: The Taming of Women Civakāmi, 2012 As Anandhayi gives birth to her fifth child downstairs, with only her ancient mother-in-law for help, upstairs her husband Periyannan sleeps with a woman he has summoned to spend the night with him. Women of many generations live in that house at the end of the road, with the tyrannical and charismatic Periyannan always trying to bring them under his control. Voracious in his appetites, for both power and sex, Periyannan is a domineering antagonist to the tender but tenacious Anandhayi. In her most celebrated novel, Sivakami vividly evokes a world where women and men are in constant conflict, scrambling for the little power to which they can hold on. It is her superb satiric eye capturing in comic vignettes of exquisite detail the life of women in a village transforming into a small town that brings relief to this bleak, blistering vision of humanity, leaving the reader simultaneously amused and devastated. |
| nawal el saadawi woman at point zero: She Has No Place in Paradise Nawāl Saʻdāwī, 1987 |
Woman at Point Zero - Wikipedia
Woman at Point Zero (Arabic: امرأة عند نقطة الصفر, Emra'a enda noktat el sifr) is a novel by Nawal El Saadawi written in 1975 and published in …
Woman at Point Zero: Full Book Summary - SparkNotes
In Woman at Point Zero, Nawal El Saadawi describes her experiences as a psychiatrist in Egypt, studying the psychological effects of prison on …
Woman at Point Zero by Nawal El Saadawi | Goodrea…
1 Jan 2001 · Her most famous novel, Woman at Point Zero was published in Beirut in 1973. It was followed in 1976 by God Dies by the Nile and in 1977 …
Woman at Point Zero by Nawal El Saadawi | Waterst…
27 Jun 2024 · Synopsis. Internationally acclaimed Egyptian feminist writer Nawal El Saadawi’s landmark novel Woman at Point Zero, published …
Woman at Point Zero - Nawal El Saadawi - Google Books
27 Jun 2024 · Nawal El Saadawi was born in a village outside Cairo, Egypt, in 1931. A trained medical doctor, she wrote landmark works on the …
Woman at Point Zero - Wikipedia
Woman at Point Zero (Arabic: امرأة عند نقطة الصفر, Emra'a enda noktat el sifr) is a novel by Nawal El Saadawi written in 1975 and published in Arabic in 1977. The novel is based on Saadawi's meeting with a female prisoner in Qanatir Prison and is the first-person account of Firdaus, a murderess who has agreed to tell her life story before her execution.
Woman at Point Zero: Full Book Summary - SparkNotes
In Woman at Point Zero, Nawal El Saadawi describes her experiences as a psychiatrist in Egypt, studying the psychological effects of prison on female prisoners. She states in her introduction that when she was conducting these studies, she had no idea that one day she would be imprisoned by the government. On one visit to Qanatir prison, Nawal ...
Woman at Point Zero by Nawal El Saadawi | Goodreads
1 Jan 2001 · Her most famous novel, Woman at Point Zero was published in Beirut in 1973. It was followed in 1976 by God Dies by the Nile and in 1977 by The Hidden Face of Eve: Women in the Arab World. In 1981 Nawal El Saadawi publicly criticized the one-party rule of President Anwar Sadat, and was subsequently arrested and imprisoned.
Woman at Point Zero by Nawal El Saadawi | Waterstones
27 Jun 2024 · Synopsis. Internationally acclaimed Egyptian feminist writer Nawal El Saadawi’s landmark novel Woman at Point Zero, published here with a new foreword. Firdaus is on death row. Her crime, the murder of a man. Born into poverty in a rural Egyptian village, her childhood dreams and ambitions had been met with neglect and abuse by the world and ...
Woman at Point Zero - Nawal El Saadawi - Google Books
27 Jun 2024 · Nawal El Saadawi was born in a village outside Cairo, Egypt, in 1931. A trained medical doctor, she wrote landmark works on the oppression of Arab women including Woman at Point Zero (1973), God Dies by the Nile (1976) and The Hidden Face of Eve (1977). After being imprisoned by Anwar Sadat's government for criticising the regime, she founded the Arab …
Woman at Point Zero Study Guide | Literature Guide - LitCharts
Like much of Saadawi’s work, Woman at Point Zero has become a bedrock piece for Egyptian feminism. Her nonfiction, The Hidden Face of Eve, catalogues her own experiences of gendered abuse and atrocities against woman that she saw as a rural doctor.The book also includes a more elaborate address of religion and sexism, arguing that such oppression cannot truly be …
Woman at Point Zero: Amazon.co.uk: Nawal El Saadawi: …
Nawal El Saadawi was born in a village outside Cairo, Egypt, in 1931. A trained medical doctor, she wrote landmark works on the oppression of Arab women including Woman at Point Zero (1973), God Dies by the Nile (1976) and The Hidden Face of Eve (1977). After being imprisoned by Anwar Sadat’s government for criticising the regime, she founded the Arab Women’s …
Woman at Point Zero by Nawal El Saadawi Plot Summary - LitCharts
Woman at Point Zero Summary. Egyptian psychiatrist Nawal El Saadawi visits a woman named Firdaus in Qanatir Prison, where she is about to be executed for murder. Firdaus narrates her life story. Firdaus spends her early childhood in a rural village. Her father is terribly abusive and deceitful, though every week at the mosque he pretends to be ...
Woman at Point Zero: : Nawal El Saadawi: Bloomsbury Academic
Internationally acclaimed Egyptian feminist writer Nawal El Saadawi's landmark novel Woman at Point Zero, published here with a new foreword. Firdaus is on death row. Her crime, the murder of a man. Born into poverty in a rural Egyptian village, her childhood dreams and ambitions had been met with neglect and abuse by the world and the men who rule it.
Woman at Point Zero - Nawal El Saadawi - Google Books
Her most renowned novel, Woman at Point Zero, was published in Beirut in 1973. It was followed in 1976 by God Dies by the Nile and in 1977 by her study of Arab women, The Hidden Face of Eve. In 1981 Nawal El Saadawi publicly criticized the one-party rule of President Anwar Sadat, and was subsequently arrested and imprisoned.
