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my dungeon shook james baldwin: The Fire Next Time James Baldwin, 2017 First published in 1963, James Baldwin's A Fire Next Time stabbed at the heart of America's so-called ldquo;Negro problemrdquo;. As remarkable for its masterful prose as it is for its uncompromising account of black experience in the United States, it is considered to this day one of the most articulate and influential expressions of 1960s race relations. The book consists of two essays, ldquo;My Dungeon Shook mdash; Letter to my Nephew on the One Hundredth Anniversary of Emancipation,rdquo; and ldquo;Down At The Cross mdash; Letter from a Region of My Mind.rdquo; It weaves thematic threads of love, faith, and family into a candid assault on the hypocrisy of the so-say ldquo;land of the freerdquo;, insisting on the inequality implicit to American society. ldquo;You were born where you were born and faced the future that you facedrdquo;, Baldwin writes to his nephew, ldquo;because you were black and for no other reason.rdquo; His profound sense of injustice is matched by a robust belief in ldquo;monumental dignityrdquo;, in patience, empathy, and the possibility of transforming America into ldquo;what America must become.rdquo; |
my dungeon shook james baldwin: The Fire Next Time James Baldwin, 1992-12 At once a powerful evocation of his childhood in Harlem and a disturbing examination of the consequences of racial injustice, The Fire Next Time, which galvanized the nation in the early days of the Civil Rights movement, stands as one of the essential works of our literature. (Vintage)February Copyright © Libri GmbH. All rights reserved. |
my dungeon shook james baldwin: The Silent Shore Charles L. Chavis Jr., 2022-01-11 The definitive account of the lynching of twenty-three-year-old Matthew Williams in Maryland, the subsequent investigation, and the legacy of modern-day lynchings. On December 4, 1931, a mob of white men in Salisbury, Maryland, lynched and set ablaze a twenty-three-year-old Black man named Matthew Williams. His gruesome murder was part of a wave of silent white terrorism in the wake of the stock market crash of 1929, which exposed Black laborers to white rage in response to economic anxieties. For nearly a century, the lynching of Matthew Williams has lived in the shadows of the more well-known incidents of racial terror in the deep South, haunting both the Eastern Shore and the state of Maryland as a whole. In The Silent Shore, author Charles L. Chavis Jr. draws on his discovery of previously unreleased investigative documents to meticulously reconstruct the full story of one of the last lynchings in Maryland. Bringing the painful truth of anti-Black violence to light, Chavis breaks the silence that surrounded Williams's death. Though Maryland lacked the notoriety for racial violence of Alabama or Mississippi, he writes, it nonetheless was the site of at least 40 spectacle lynchings after the abolition of slavery in 1864. Families of lynching victims rarely obtained any form of actual justice, but Williams's death would have a curious afterlife: Maryland's politically ambitious governor Albert C. Ritchie would, in an attempt to position himself as a viable challenger to FDR, become one of the first governors in the United States to investigate the lynching death of a Black person. Ritchie tasked Patsy Johnson, a member of the Pinkerton detective agency and a former prizefighter, with going undercover in Salisbury and infiltrating the mob that murdered Williams. Johnson would eventually befriend a young local who admitted to participating in the lynching and who also named several local law enforcement officers as ringleaders. Despite this, a grand jury, after hearing 124 witness statements, declined to indict the perpetrators. But this denial of justice galvanized Governor Ritchie's Interracial Commission, which would become one of the pioneering forces in the early civil rights movement in Maryland. Complicating historical narratives associated with the history of lynching in the city of Salisbury, The Silent Shore explores the immediate and lingering effect of Williams's death on the politics of racism in the United States, the Black community in Salisbury, the broader Eastern Shore, the state of Maryland, and the legacy of modern-day lynchings. |
my dungeon shook james baldwin: Vintage Baldwin James Baldwin, 2004-01-06 The best of the best from a powerful voice in the American literary landscape who fearlessly tackled race, sex, politics, and art in his internationally acclaimed novels, short stories, plays, and essays. “[Baldwin] uses words as the sea uses waves, to flow and beat, advance and retreat, rise and take a bow in disappearing...the thought becomes poetry and the poetry illuminates thought.” —Langston Hughes James Baldwin was and remains a powerfully prophetic voice in the American literary landscape. His literary achievement is a lasting legacy about what it means to be American. Vintage Baldwin includes the short story “Sonny’s Blues”; the galvanizing civil rights examination “My Dungeon Shook: Letter to My Nephew on the One Hundredth Anniversary of the Emancipation”; the essays “Fifth Avenue, Uptown: A Letter from Harlem,” “The Discovery of What It Means to Be an American,” and “Nobody Knows My Name: A Letter from the South”; and excerpts from the novel Another Country and the play The Amen Corner. “If Van Gogh was our 19th-century artist-saint, James Baldwin is our 20th-century one.” —Michael Ondaatje |
my dungeon shook james baldwin: If Beale Street Could Talk (Movie Tie-In) James Baldwin, 2018-10-30 A stunning love story about a young Black woman whose life is torn apart when her lover is wrongly accused of a crime—a moving, painful story, so vividly human and so obviously based on reality that it strikes us as timeless (The New York Times Book Review). One of the best books Baldwin has ever written—perhaps the best of all. —The Philadelphia Inquirer Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin’s story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions—affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche. |
my dungeon shook james baldwin: The Radical Reader Timothy Patrick McCarthy, John Campbell McMillian, 2011-05-10 Radicalism is as American as apple pie. One can scarcely imagine what American society would look like without the abolitionists, feminists, socialists, union organizers, civil-rights workers, gay and lesbian activists, and environmentalists who have fought stubbornly to breathe life into the promises of freedom and equality that lie at the heart of American democracy. The first anthology of its kind, The Radical Reader brings together more than 200 primary documents in a comprehensive collection of the writings of America's native radical tradition. Spanning the time from the colonial period to the twenty-first century, the documents have been drawn from a wealth of sources—speeches, manifestos, newspaper editorials, literature, pamphlets, and private letters. From Thomas Paine's “Common Sense” to Kate Millett's “Sexual Politics,” these are the documents that sparked, guided, and distilled the most influential movements in American history. Brief introductory essays by the editors provide a rich biographical and historical context for each selection included. |
my dungeon shook james baldwin: The Fire Is Upon Us Nicholas Buccola, 2020-09 Paperback reprint. Originally published: 2019. |
my dungeon shook james baldwin: I've Been Meaning to Tell You David Chariandy, 2019-03-14 'There is, as you pick it up, nothing to prepare you for its power' OBSERVER 'Quite simply, one of the most beautiful books I have ever read' AMINATTA FORNA How do we navigate our complex histories for our children? What is our duty to share and what must we leave for them to discover? Writing to his daughter, David Chariandy asks difficult, unsettling, perhaps impossible questions – questions made all the more poignant by our current political landscape. With tender, spare and luminous prose, Chariandy looks both into his heart and mind and out to the world and humanity. In the tradition of Ta-Nehisi Coates and Chimamanda Ngozi Adichie, this is a book about race; this is a book about family. |
my dungeon shook james baldwin: The Fire This Time Jesmyn Ward, 2016 Ward takes James Baldwin's 1963 examination of race in America, The Fire Next Time, as a jumping off point for this ... collection of essays and poems about race from ... voices of her generation and our time-- |
my dungeon shook james baldwin: Joothan Omprakash Valmiki, Arun Prabha Mukherjee, 2008-07-02 Omprakash Valmiki describes his life as an untouchable, or Dalit, in the newly independent India of the 1950s. Joothan refers to scraps of food left on a plate, destined for the garbage or animals. India's untouchables have been forced to accept and eat joothan for centuries, and the word encapsulates the pain, humiliation, and poverty of a community forced to live at the bottom of India's social pyramid. Although untouchability was abolished in 1949, Dalits continued to face discrimination, economic deprivation, violence, and ridicule. Valmiki shares his heroic struggle to survive a preordained life of perpetual physical and mental persecution and his transformation into a speaking subject under the influence of the great Dalit political leader, B. R. Ambedkar. A document of the long-silenced and long-denied sufferings of the Dalits, Joothan is a major contribution to the archives of Dalit history and a manifesto for the revolutionary transformation of society and human consciousness. |
my dungeon shook james baldwin: The Emancipation Proclamation Abraham Lincoln, 2020-03-16 This is one of President Lincoln's most famous pieces of writing in which he announced during the second year of the civil war, that slaves fighting for America should become free men. It was a brave move because he was not sure how it would affect the outcome of the war but he stuck to his principles announcing that he had never felt more right in his life. It is possibly among the most important documents ever written. |
my dungeon shook james baldwin: Going to Meet the Man James Baldwin, 2013-09-17 A major collection of short stories by one of America’s most important writers—informed by the knowledge the wounds racism leaves in both its victims and its perpetrators. • “If Van Gogh was our 19th-century artist-saint, James Baldwin is our 20th-century one.” —Michael Ondaatje, Booker Prize-winner of The English Patient In this modern classic, there's no way not to suffer. But you try all kinds of ways to keep from drowning in it. The men and women in these eight short fictions grasp this truth on an elemental level, and their stories detail the ingenious and often desperate ways in which they try to keep their head above water. It may be the heroin that a down-and-out jazz pianist uses to face the terror of pouring his life into an inanimate instrument. It may be the brittle piety of a father who can never forgive his son for his illegitimacy. Or it may be the screen of bigotry that a redneck deputy has raised to blunt the awful childhood memory of the day his parents took him to watch a black man being murdered by a gleeful mob. By turns haunting, heartbreaking, and horrifying, Going to Meet the Man is a major work by one of our most important writers. |
my dungeon shook james baldwin: The Ghetto Bryan Cheyette, 2020-08-27 For three hundred years the ghetto defined Jewish culture in the late medieval and early modern period in Western Europe. In the nineteenth-century it was a free-floating concept which travelled to Eastern Europe and the United States. Eastern European “ghettos”, which enabled genocide, were crudely rehabilitated by the Nazis during World War Two as if they were part of a benign medieval tradition. In the United States, the word ghetto was routinely applied to endemic black ghettoization which has lasted from 1920 until the present. Outside of America “the ghetto” has been universalized as the incarnation of class difference, or colonialism, or apartheid, and has been applied to segregated cities and countries throughout the world. In this Very Short Introduction Bryan Cheyette unpicks the extraordinarily complex layers of contrasting meanings that have accrued over five hundred years to ghettos, considering their different settings across the globe. He considers core questions of why and when urban, racial, and colonial ghettos have appeared, and who they contain. Exploring their various identities, he shows how different ghettos interrelate, or are contrasted, across time and space, or even in the same place. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. |
my dungeon shook james baldwin: The Cross of Redemption James Baldwin, 2011-09-06 From one of the most brilliant and provocative literary figures of the past century—a collection of essays, articles, reviews, and interviews that have never before been gathered in a single volume. “An absorbing portrait of Baldwin’s time—and of him.” —New York Review of Books James Baldwin was an American literary master, renowned for his fierce engagement with issues haunting our common history. In The Cross of Redemption we have Baldwin discoursing on, among other subjects, the possibility of an African-American president and what it might mean; the hypocrisy of American religious fundamentalism; the black church in America; the trials and tribulations of black nationalism; anti-Semitism; the blues and boxing; Russian literary masters; and the role of the writer in our society. Prophetic and bracing, The Cross of Redemption is a welcome and important addition to the works of a cosmopolitan and canonical American writer who still has much to teach us about race, democracy, and personal and national identity. As Michael Ondaatje has remarked, “If van Gogh was our nineteenth-century artist-saint, Baldwin [was] our twentieth-century one.” |
my dungeon shook james baldwin: James Baldwin Therman B. O'Daniel, 1981 |
my dungeon shook james baldwin: The Beautiful Struggle Ta-Nehisi Coates, 2009-01-06 An exceptional father-son story from the National Book Award–winning author of Between the World and Me about the reality that tests us, the myths that sustain us, and the love that saves us. Paul Coates was an enigmatic god to his sons: a Vietnam vet who rolled with the Black Panthers, an old-school disciplinarian and new-age believer in free love, an autodidact who launched a publishing company in his basement dedicated to telling the true history of African civilization. Most of all, he was a wily tactician whose mission was to carry his sons across the shoals of inner-city adolescence—and through the collapsing civilization of Baltimore in the Age of Crack—and into the safe arms of Howard University, where he worked so his children could attend for free. Among his brood of seven, his main challenges were Ta-Nehisi, spacey and sensitive and almost comically miscalibrated for his environment, and Big Bill, charismatic and all-too-ready for the challenges of the streets. The Beautiful Struggle follows their divergent paths through this turbulent period, and their father’s steadfast efforts—assisted by mothers, teachers, and a body of myths, histories, and rituals conjured from the past to meet the needs of a troubled present—to keep them whole in a world that seemed bent on their destruction. With a remarkable ability to reimagine both the lost world of his father’s generation and the terrors and wonders of his own youth, Coates offers readers a small and beautiful epic about boys trying to become men in black America and beyond. Praise for The Beautiful Struggle “I grew up in a Maryland that lay years, miles and worlds away from the one whose summers and sorrows Ta-Nehisi Coates evokes in this memoir with such tenderness and science; and the greatest proof of the power of this work is the way that, reading it, I felt that time, distance and barriers of race and class meant nothing. That in telling his story he was telling my own story, for me.”—Michael Chabon, bestselling author of The Yiddish Policemen’s Union and The Amazing Adventures of Kavalier & Clay “Ta-Nehisi Coates is the young James Joyce of the hip hop generation.”—Walter Mosley |
my dungeon shook james baldwin: Trained Capacities Brian Jackson, Gregory Clark, 2014-01-07 A collection examining Dewey's influence on effective communication in a healthy democratic practice The essays in this collection, written by sixteen scholars in rhetoric and communications studies, demonstrate American philosopher John Dewey's wide-ranging influence on rhetoric in an intellectual tradition that addresses the national culture's fundamental conflicts between self and society, freedom and responsibility, and individual advancement and the common good. Editors Brian Jackson and Gregory Clark propose that this influence is at work both in theoretical foundations, such as science, pragmatism, and religion, and in Dewey's debates with other public intellectuals, such as Jane Addams, Walter Lippmann, James Baldwin, and W. E. B. Du Bois. Jackson and Clark seek to establish Dewey as an essential source for those engaged in teaching others how to compose timely, appropriate, useful, and eloquent responses to the diverse and often-contentious rhetorical situations that develop in a democratic culture. They contend that there is more at stake than instruction in traditional modes of public discourse because democratic culture encompasses a variety of situations, private or public, civic or professional, where people must cooperate in the work of advancing a common project. What prepares people to intervene constructively in such situations is instruction in those rhetorical practices of democratic interaction that is implicit throughout Dewey's work. Dewey's writing provides a rich framework on which a distinctly American tradition of a democratic rhetorical practice can be built—a tradition that combines the most useful concepts of classical rhetoric with those of modern progressive civic engagement. Jackson and Clark believe Dewey's practice takes rhetoric beyond the traditional emphasis on political democracy to provide connections to rich veins of American thought such as individualism, liberalism, progressive education, collectivism, pragmatism, and postindustrial science and communication. They frame Dewey's voluminous work as constituting a modern expression of continuing education for the trained capacities required to participate in democratic culture. For Dewey human potential is best realized in the free flow of artful communication among the individuals who together constitute society. The book concludes with an afterword by Gerard A. Hauser, College Professor of Distinction in the Department of Communication at the University of Colorado Boulder. |
my dungeon shook james baldwin: The Cambridge Companion to James Baldwin Michele Elam, 2015-04-09 This Companion offers fresh insight into the art and politics of James Baldwin, one of the most important writers and provocative cultural critics of the twentieth century. Black, gay, and gifted, he was hailed as a 'spokesman for the race', although he personally, and controversially, eschewed titles and classifications of all kinds. Individual essays examine his classic novels and nonfiction as well as his work across lesser-examined domains: poetry, music, theatre, sermon, photo-text, children's literature, public media, comedy, and artistic collaboration. In doing so, The Cambridge Companion to James Baldwin captures the power and influence of his work during the civil rights era as well as his relevance in the 'post-race' transnational twenty-first century, when his prescient questioning of the boundaries of race, sex, love, leadership, and country assume new urgency. |
my dungeon shook james baldwin: Fifth Avenue, Uptown James Baldwin, 2000-01-01 James Baldwin [RL 9 IL 7-12] A unique viewpoint on ghetto life. Themes: injustice; society as a mirror. 36 pages. Tale Blazers. |
my dungeon shook james baldwin: Tell Me How Long the Train's Been Gone James Baldwin, 2013-09-17 A major work of American literature from a major American writer that powerfully portrays the anguish of being Black in a society that at times seems poised on the brink of total racial war. Baldwin is one of the few genuinely indispensable American writers. —Saturday Review At the height of his theatrical career, the actor Leo Proudhammer is nearly felled by a heart attack. As he hovers between life and death, Baldwin shows the choices that have made him enviably famous and terrifyingly vulnerable. For between Leo's childhood on the streets of Harlem and his arrival into the intoxicating world of the theater lies a wilderness of desire and loss, shame and rage. An adored older brother vanishes into prison. There are love affairs with a white woman and a younger black man, each of whom will make irresistible claims on Leo's loyalty. Tell Me How Long the Train's Been Gone is overpowering in its vitality and extravagant in the intensity of its feeling. |
my dungeon shook james baldwin: Boyz n the Void G'Ra Asim, 2021-05-11 Writing to his brother, G’Ra Asim reflects on building his own identity while navigating Blackness, masculinity, and young adulthood—all through wry social commentary and music/pop culture critique How does one approach Blackness, masculinity, otherness, and the perils of young adulthood? For G’Ra Asim, punk music offers an outlet to express himself freely. As his younger brother, Gyasi, grapples with finding his footing in the world, G’Ra gifts him with a survival guide for tackling the sometimes treacherous cultural terrain particular to being young, Black, brainy, and weird in the form of a mixtape. Boyz n the Void: a mixtape to my brother blends music and cultural criticism and personal essay to explore race, gender, class, and sexuality as they pertain to punk rock and straight edge culture. Using totemic punk rock songs on a mixtape to anchor each chapter, the book documents an intergenerational conversation between a Millennial in his 30s and his zoomer teenage brother. Author, punk musician, and straight edge kid, G’Ra Asim weaves together memoir and cultural commentary, diving into the depths of everything from theory to comic strips, to poetry to pizza commercials to mapping the predicament of the Black creative intellectual. With each chapter dedicated to a particular song and placed within the context of a fraternal bond, Asim presents his brother with a roadmap to self-actualization in the form of a Doc Martened foot to the behind and a sweaty, circle-pit-side-armed hug. Listen to the author’s playlist while you read! Access the playlist here: https://sptfy.com/a18b |
my dungeon shook james baldwin: Modern American Memoirs Annie Dillard, 2009-10-13 [In] this anthology of well-chosen excerpts by a satisfyingly diverse group of writers....the truth of their lives shines from every beautifully, often courageously composed page.— Booklist “Packed with superb writing.” — New York Newsday Modern American Memoirs is a sampling from 35 quintessential 20th century memoirs, including contributions from Margaret Mead, Malcolm X, Maxine Hong Kingston, Loren Eisely, and Zora Neale Hurston. Supremely written and excellent examples of the art of biography, these excerpts present a beautifully wide range of American life. |
my dungeon shook james baldwin: Lying Lauren Slater, 2012-11-14 The beauty of Lauren Slater's prose is shocking, said Newsday about Welcome to My Country, and now, in this powerful and provocative new book, Slater brilliantly explores a mind, a body, and a life under siege. Diag-nosed as a child with a strange illness, brought up in a family given to fantasy and ambition, Lauren Slater developed seizures, auras, neurological disturbances--and an ability to lie. In Lying: A Metaphorical Memoir, Slater blends a coming-of-age story with an electrifying exploration of the nature of truth, and of whether it is ever possible to tell--or to know--the facts about a self, a human being, a life. Lying chronicles the doctors, the tests, the seizures, the family embarrassments, even as it explores a sensitive child's illness as both metaphor and a means of attention-getting--a human being's susceptibility to malady, and to storytelling as an act of healing and as part of the quest for love. This mesmerizing memoir openly questions the reliability of memoir itself, the trickiness of the mind in perceiving reality, the slippery nature of illness and diagnosis--the shifting perceptions and images of who we are and what, for God's sake, is the matter with us. In Lying, Lauren Slater forces us to redraw the boundary between what we know as fact and what we believe we create as fiction. Here a young woman discovers not only what plagues her but also what heals her--the birth of sensuality, her creativity as an artist--in a book that reaffirms how a fine writer can reveal what is common to us all in the course of telling her own unique story. About Welcome to My Country, the San Francisco Chronicle said, Every page brims with beautifully rendered images of thoughts, feelings, emotional states. The same can be said about Lying: A Metaphorical Memoir. |
my dungeon shook james baldwin: James Baldwin: The Last Interview James Baldwin, 2014-12-02 Never before available, the unexpurgated last interview with James Baldwin “I was not born to be what someone said I was. I was not born to be defined by someone else, but by myself, and myself only.” When, in the fall of 1987, the poet Quincy Troupe traveled to the south of France to interview James Baldwin, Baldwin’s brother David told him to ask Baldwin about everything—Baldwin was critically ill and David knew that this might be the writer’s last chance to speak at length about his life and work. The result is one of the most eloquent and revelatory interviews of Baldwin’s career, a conversation that ranges widely over such topics as his childhood in Harlem, his close friendship with Miles Davis, his relationship with writers like Toni Morrison and Richard Wright, his years in France, and his ever-incisive thoughts on the history of race relations and the African-American experience. Also collected here are significant interviews from other moments in Baldwin’s life, including an in-depth interview conducted by Studs Terkel shortly after the publication of Nobody Knows My Name. These interviews showcase, above all, Baldwin’s fearlessness and integrity as a writer, thinker, and individual, as well as the profound struggles he faced along the way. |
my dungeon shook james baldwin: Go Tell It on the Mountain James Baldwin, 2013-09-12 One of the most brilliant and provocative American writers of the twentieth century chronicles a fourteen-year-old boy's spiritual, sexual, and moral struggle of self-invention in this “truly extraordinary” novel (Chicago Sun-Times). Baldwin's classic novel opened new possibilities in the American language and in the way Americans understand themselves. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin tells the story of the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Originally published in 1953, Baldwin said of his first novel, Mountain is the book I had to write if I was ever going to write anything else. |
my dungeon shook james baldwin: Come Out the Wilderness James Baldwin, 2016-05-15 In “Come Out the Wilderness,” an essential and tremendous classic of American literature, Baldwin unmasks the heartbreak of one African American woman’s spiritual, sexual, moral, and ultimately futile struggle for control of her future and her happiness in mid-century New York. James Baldwin’s commanding prose remains as pressing in its compassionate portrayal of marginalized figures today as it was during the peak of the Civil Rights Movement. An ebook short. |
my dungeon shook james baldwin: The Ferrante Letters Sarah Chihaya, Merve Emre, Katherine Hill, Juno Jill Richards, 2020-01-07 Like few other works of contemporary literature, Elena Ferrante’s Neapolitan novels found an audience of passionate and engaged readers around the world. Inspired by Ferrante’s intense depiction of female friendship and women’s intellectual lives, four critics embarked upon a project that was both work and play: to create a series of epistolary readings of the Neapolitan Quartet that also develops new ways of reading and thinking together. In a series of intertwined, original, and daring readings of Ferrante’s work and her fictional world, Sarah Chihaya, Merve Emre, Katherine Hill, and Juno Jill Richards strike a tone at once critical and personal, achieving a way of talking about literature that falls between the seminar and the book club. Their letters make visible the slow, fractured, and creative accretion of ideas that underwrites all literary criticism and also illuminate the authors’ lives outside the academy. The Ferrante Letters offers an improvisational, collaborative, and cumulative model for reading and writing with others, proposing a new method the authors call collective criticism. A book for fans of Ferrante and for literary scholars seeking fresh modes of intellectual exchange, The Ferrante Letters offers incisive criticism, insouciant riffs, and the pleasure of giving oneself over to an extended conversation about fiction with friends. |
my dungeon shook james baldwin: No Name in the Street James Baldwin, 2013-09-17 From one of the most important American writers of the twentieth century—an extraordinary history of the turbulent sixties and early seventies that powerfully speaks to contemporary conversations around racism. “It contains truth that cannot be denied.” —The Atlantic Monthly In this stunningly personal document, James Baldwin remembers in vivid details the Harlem childhood that shaped his early conciousness and the later events that scored his heart with pain—the murders of Martin Luther King and Malcolm X, his sojourns in Europe and in Hollywood, and his retum to the American South to confront a violent America face-to-face. |
my dungeon shook james baldwin: Just Above My Head James Baldwin, 1994-10-27 This is the ficional story of the great gospel singer Arthur Montana. Arthur was found dead in the basement of a London pub at the age of thirty-nine, yet he lives on in this memoir. Written by Hall, his brother and manager, it is in part a subtle and moving study of the treacherous ebb and flow of memory. Set against a vividly drawn background of the civil rights movement of the sixties, Just Above My Head explores how Arthur discovers his love for Jimmy - 'with his smile like a lantern and a voice like Saturday nights' - and portrays how profoundly racial politics can shape the private business of love. |
my dungeon shook james baldwin: Giovanni's Room James Baldwin, 2016 The groundbreaking novel by one of the most important twentieth-century American writers--now in an Everyman's Library Contemporary Classics hardcover edition. Giovanni's Room is set in the Paris of the 1950s, where a young American expatriate finds himself caught between his repressed desires and conventional morality. David has just proposed marriage to his American girlfriend, but while she is away on a trip he becomes involved in a doomed affair with a bartender named Giovanni. With sharp, probing insight, James Baldwin's classic narrative delves into the mystery of love and tells an impassioned, deeply moving story that reveals the unspoken complexities of the human heart. Introduction by Colm Toibin-- |
my dungeon shook james baldwin: James Baldwin: Collected Essays (LOA #98) James Baldwin, 1998-02 Chronology. Notes. |
my dungeon shook james baldwin: Old Greek Stories James Baldwin, 1895 |
my dungeon shook james baldwin: Women Lovers, Or The Third Woman Natalie Clifford Barney, 2016-06-15 This long-lost novel recounts a passionate triangle of love and loss among three of the most daring women of belle époque Paris. In this barely disguised roman à clef, the legendary American heiress, writer, and arts patron Natalie Clifford Barney, the dashing Italian baroness Mimi Franchetti, and the beautiful French courtesan Liane de Pougy share erotic liaisons that break all taboos and end in devastation as one unexpectedly becomes the “third woman.” Never before published in English, and only recently published in French, this modernist, experimental work has been brought to light by Chelsea Ray’s research and translation. |
my dungeon shook james baldwin: African Intellectual Heritage Abu Shardow Abarry, 1996 Organized by major themes—such as creation stories, and resistance to oppression—this collection gather works of imagination, politics and history, religion, and culture from many societies and across recorded time. Asante and Abarry marshal together ancient, anonymous writers whose texts were originally written on stone and papyri and the well-known public figures of more recent times whose spoken and written words have shaped the intellectual history of the diaspora. Within this remarkably wide-ranging volume are such sources as prayers and praise songs from ancient Kemet and Ethiopia along with African American spirituals; political commentary from C.L.R. James, Malcolm X, Mary McLeod Bethune, and Joseph Nyerere; stirring calls for social justice from David Walker, Abdias Nacimento, Franzo Fanon, and Martin Luther King, Jr. Featuring newly translated texts and ocuments published for the first time, the volume also includes an African chronology, a glossary, and an extensive bibliography. With this landmark book, Asante and Abarry offer a major contribution to the ongoing debates on defining the African canon. Author note:Molefi Kete Asanteis Professor and Chair of African American Studies at Temple University and author of several books, includingThe Afrocentric Idea(Temple) andThe Historical and Cultural Atlas of African Americans.Abu S. Abarryis Assistant Chair of African American Studies at Temple University. |
my dungeon shook james baldwin: Almos' a Man Richard Nathaniel Wright, 2000 Richard Wright [RL 6 IL 10-12] A poor black boy acquires a very disturbing symbol of manhood--a gun. Theme: maturing. 38 pages. Tale Blazers. |
my dungeon shook james baldwin: Feral Ornamentals Charlie Green, 2021-03-26 In Feral Ornamentals, Charlie Green takes the particles and atoms that are our lives, reads them inside out and gives us beauty that says we are here and that every breath is art, whether we are grieving, loving, at war, or simply watching the snow fall and boiling eggs. You can't live in the past, but still you can die there-read this gift in the present so that we do not die in the past. -Mukoma Wa Ngugi Who knows what? What do they know? And do they know what they do not know? Charlie Green's Feral Ornamentals incites my epistemological curiosity. This new book offers dynamite lines, such as 'We had mixed feelings about discovering / new sins' and 'Regret the error, then forget it.' I love the company these poems keep: fragment, epigraph, epiphany. -Jillian Weise |
my dungeon shook james baldwin: James Baldwin in Context D. Quentin Miller, 2019-08-01 James Baldwin in Context provides a wide-ranging collection of approaches to the work of an essential black American author who is just as relevant now as he was during his turbulent heyday in the mid-twentieth century. The perspectives range from those who knew Baldwin personally, to scholars who have dedicated decades to studying him, to a new generation of scholars for whom Baldwin is nearly a historical figure. This collection complements the ever-growing body of scholarship on Baldwin by combining traditional inroads into his work, such as music and expatriation, with new approaches, such as intersectionality and the Black Lives Matter movement. |
my dungeon shook james baldwin: The Breaks Julietta Singh, 2021-09-07 A profound meditation on race, inheritance, and queer mothering at the end of the world. In a letter to her six-year-old daughter, Julietta Singh ventures toward a tender vision of the future, lifting up children’s radical embrace of possibility as a model for how we might live. If we wish to survive looming political and ecological disasters, Singh urges, we must break from the conventions we have inherited and orient ourselves toward revolutionary paths that might yet set us free. The Breaks is amazing—I read the whole thing through in one sitting. It’s got the heft and staying power of Baldwin’s 'A Letter to My Nephew.' —Lauren Berlant, author of Cruel Optimism “If a book can be a hole cut in the side of an existence in order to escape it, or to find a way through what is otherwise impassable, then this is that kind of book … How will we live in the new space that we keep making, through refusal but also adjustment, the necessary accommodations to the ‘nowhere and nothing’ that this space also is? The Breaks leads us through such moments, questions, and scenes, with tenderness. And deep care.” —Bhanu Kapil, author of How to Wash a Heart “This is a lens-shifting book, an immeasurable gift. With poignant, aching, beautiful, and deeply loving prose, Singh brings Brown girls into the sun, and makes you want to change the ways of the world for our young people and for us all.” —Imani Perry, author of Breathe: A Letter to My Sons “Julietta Singh is exactly the kind of company I want for the ride, to bear witness to the pains and pleasures of our being here, in these bodies, in these times.” —Maggie Nelson, author of The Argonauts, on No Archive Will Restore You |
my dungeon shook james baldwin: James Baldwin and the American Schoolhouse Carl A. Grant, 2021-04-28 This book – written for teacher educators, teachers and admirers of James Baldwin –employs his essays and speeches to discuss how the effects of race and racism enter the souls of African American students and become attached and difficult to dislodge. Yet, his essays also provide educators and students with purpose, meaning and suggestions for how to stand up against racism, develop an authentic self and fight oppression. Whereas this book takes advantage of the full body of Baldwin’s work – fiction, nonfiction, interviews, lectures, speeches and letters – its foundation is three speeches James Baldwin gave in the 1960s on the education of African American children and African American and European American race relations in the United States. The purpose of education, defying myths, freedom, willful ignorance and developing identity are discussed through a Baldwinian lens. African American and European American teachers are encouraged to Go for Broke as this book explores the important role Baldwin’s work can play in schools and universities. |
my dungeon shook james baldwin: They Can't Kill Us All Wesley Lowery, 2016-11-15 A deeply reported book that brings alive the quest for justice in the deaths of Michael Brown, Tamir Rice, and Freddie Gray, offering both unparalleled insight into the reality of police violence in America and an intimate, moving portrait of those working to end it. Conducting hundreds of interviews during the course of over one year reporting on the ground, Washington Post writer Wesley Lowery traveled from Ferguson, Missouri, to Cleveland, Ohio; Charleston, South Carolina; and Baltimore, Maryland; and then back to Ferguson to uncover life inside the most heavily policed, if otherwise neglected, corners of America today. In an effort to grasp the magnitude of the repose to Michael Brown's death and understand the scale of the problem police violence represents, Lowery speaks to Brown's family and the families of other victims other victims' families as well as local activists. By posing the question, What does the loss of any one life mean to the rest of the nation? Lowery examines the cumulative effect of decades of racially biased policing in segregated neighborhoods with failing schools, crumbling infrastructure and too few jobs. Studded with moments of joy, and tragedy, They Can't Kill Us All offers a historically informed look at the standoff between the police and those they are sworn to protect, showing that civil unrest is just one tool of resistance in the broader struggle for justice. As Lowery brings vividly to life, the protests against police killings are also about the black community's long history on the receiving end of perceived and actual acts of injustice and discrimination. They Can't Kill Us All grapples with a persistent if also largely unexamined aspect of the otherwise transformative presidency of Barack Obama: the failure to deliver tangible security and opportunity to those Americans most in need of both. |
My Dungeon Shook / A Letter to My Nephew - Make' doadj.n.
*James Baldwin's thoughts on his nephew's future—in a country with a terrible history of racism— first appeared in The Progressive magazine in 1962. are destroying hundreds of thousands of …
My Dungeon Shook - Page Farm
James Baldwin’s “My Dungeon Shook”—an open letter to his nephew—displayed the eloquence and brutal honesty that made him one of the most acclaimed writers of the twentieth century. …
My Dungeon Shook - Weebly
My Dungeon Shook – A Letter to Baldwin’s Nephew on the 100th Anniversary of the Emancipation Proclamation By James Bladwin Jan 1, 1962 Dear James: 1 I have begun this letter five times and …
THE FIRE NEXT TIME - Archive.org
Baldwin's style is no less remarkable than his theme. It is deliberate and dramatic. It is a highly disturbing and painful comment on a nation that a man of Baldwin's sensibility and talent should …
My Dungeon Shook - pagefarm.net--www.pagefarm.net
James Baldwin’s “My Dungeon Shook”—an open letter to his nephew—displayed the eloquence and brutal honesty that made him one of the most acclaimed writers of the twentieth century. …
My Dungeon Shook James Baldwin - oldshop.whitney.org
Vintage Baldwin James Baldwin,2004-01-06 In his internationally acclaimed novels short stories plays and essays James Baldwin was and remains a powerfully prophetic voice in the American …
“God gave Noah the rainbow sign, No more water, the fire next time
“You come from a long line of great poets, some of the greatest poets since Homer. One of them said, The very time I thought I was lost, My dungeon shook and my chains fell off.” (Loc 90) “You …
My Dungeon Shook
My Dungeon Shook James Baldwin background In 1963, as the nation’s perspective on the race problem grew more pessimistic, James Baldwin published his essay collection The Fire Next …
My Dungeon Shook James Baldwin (PDF) - oldshop.whitney.org
My Dungeon Shook James Baldwin The Fire Next Time James Baldwin,2017 First published in 1963 James Baldwin s A Fire Next Time stabbed at the heart of America s so called ldquo Negro …
James Baldwin My Dungeon Shook - content.schooldude.com
James Baldwin My Dungeon Shook Wenbin Ji. James Baldwin My Dungeon Shook: The Fire Next Time James Baldwin,2017 First published in 1963 James Baldwin s A Fire Next Time stabbed at …
James Baldwin My Dungeon Shook
2 James Baldwin My Dungeon Shook Published at newredlist-es-data1.iucnredlist.org lived in the shadows of the more well-known incidents of racial terror in the deep South, haunting both the …
1. What is the significance of the title? To what is it alluding?
"My Dungeon Shook" Discussion Questions 1. What is the significance of the title? To what is it alluding? 2. How does Baldwin establish his credibility and appeal to pathos from the very …
My Dungeon Shook James Baldwin - oldshop.whitney.org
Vintage Baldwin James Baldwin,2004-01-06 In his internationally acclaimed novels short stories plays and essays James Baldwin was and remains a powerfully prophetic voice in the American …
The Loss of Identity - A Close Reading of James Baldwin’s The Fire …
signed the Civil Rights act to end segregation in America. The first essay, “My Dungeon Shook” is the shortest of the two yet is packed with many radical and at the time, very controversial ideals. …
Intersectionality of Race, Religion and Identity in James Baldwin’s …
The essays, ‘My Dungeon Shook’ and ‘Down at the Cross,’ provide its readers a deeper understanding of the intersectionality of race, religion, and identity.
My Dungeon Shook James Baldwin (book) - oldshop.whitney.org
within the musical pages of My Dungeon Shook James Baldwin, a charming perform of fictional elegance that pulses with raw emotions, lies an unforgettable journey waiting to be embarked …
Rhetorical Analysis of “My Dungeon Shook” 11/29/2021 Comp 101 …
Rhetorical Analysis of “My Dungeon Shook” In the letter “My Dungeon Shook” the author James Baldwin writes directly to his nephew James but also writes to the black and white communities. …
A Letter to My Nephew - Mrs. Connolly's Class
A Letter to My Nephew by James Baldwin January 1, 1962 James Baldwin's thoughts on his nephew's future—in a country with a terrible history of racism— first appeared in The …
James Baldwin My Dungeon Shook
My Dungeon Shook - James Baldwin among the Philosophers Published as a 20,000 word essay that took up most of The New Yorker’s Nov 17, 1962 issue, the essay was later published with …
My Dungeon Shook: Letter to My Nephew
My Dungeon Shook James Baldwin background In 1963, as the nation’s …
My Dungeon Shook / A Letter to My Nephew - Make' doadj.n.
*James Baldwin's thoughts on his nephew's future—in a country with a …
My Dungeon Shook - Page Farm
James Baldwin’s “My Dungeon Shook”—an open letter to his …
My Dungeon Shook - Weebly
My Dungeon Shook – A Letter to Baldwin’s Nephew on the 100th Anniversary of …
THE FIRE NEXT TIME - Archive.org
Baldwin's style is no less remarkable than his theme. It is deliberate and dramatic. …