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| a world history of women photographers: A History of Women Photographers Naomi Rosenblum, 2010 The definitive text on women in photography, now in an affordable paperback edition. |
| a world history of women photographers: A World History of Women Photographers Luce Lebart, Marie Robert, 2022-10-25 A magnificently illustrated history showcasing the work of three hundred women photographers from all over the world, from the invention of the medium through to the present. Since the invention of the camera, women photographers have been key innovators in the medium and members of all major photography movements. These are artists who never stopped documenting, questioning, and transforming the world, breaking down social boundaries, challenging gender roles, and expressing their imagination and sexuality. To capture the diversity of this global body of work, authors Luce Lebart and Marie Robert have invited 160 international women writers to contribute to this bold and beautifully illustrated manifesto. Spanning from 1850 to the present day, and including images by Helen Levitt, Carrie Mae Weems, Hannah Höch, Sarah Moon, Eve Arnold, and Shirin Neshat, among many others, A World History of Women Photographers is an invaluable work of reference. |
| a world history of women photographers: A History of Women Photographers Naomi Rosenblum, 2010 The definitive text on women in photography, now in an affordable paperback edition. |
| a world history of women photographers: Women Photographers Boris Friedewald, 2014 This introduction to the greatest women photographers from the 19th century to today features the most important works of 60 artists, along with in-depth biographical and critical assessments. |
| a world history of women photographers: Women Photographers Naomi Rosenblum, 1995-04 |
| a world history of women photographers: Viewfinders Jeanne Moutoussamy-Ashe, 1993 Although photography is well along in its second century, until now virtually nothing has been written about the work of black women photographers. In this historical survey Jeanne Moutoussamy-Ashe presents an impressive selection of photographs, commenting on the careers of the professional and fine arts photographers, from the pioneers to the women of today. The book is divided into six parts, each Overview describing the triumphs and struggles of various photographers of different eras. The careful attention to detail is illustrated in the photographs of early twentieth-century photographer Elnora Teal and in the work of Eslanda (Mrs. Paul) Robeson from her travels throughout the world. It also offers glimpses of black Hollywood in the 1940s and 1950s and of New York's Harlem during the same period. The photographs of contemporary photographers, among them Coreen Simpson, with her flamboyant style, and Fern Logan, with her strong eye, demonstrate the talent and style black women continue to show in the field of photography. This collection of photographs - meaningful, striking, handsome - will give pleasure to photo buffs, historians, and to anyone fascinated by this neglected but vital part of history. |
| a world history of women photographers: Women Street Photographers Gulnara Samoilova, 2021-03-02 With a rising number of women throughout the world picking up their cameras and capturing their surroundings, this book explores the work of 100 women and the experiences behind their greatest images. Traditionally a male-dominated field, street photography is increasingly becoming the domain of women. This fantastic collection of images reflects that shift, showcasing 100 contemporary women street photographers working around the world today, accompanied by personal statements about their work. Variously joyful, unsettling and unexpected, the photographs capture a wide range of extraordinary moments. The volume is curated by Gulnara Samoilova, founder of the Women Street Photographers project: a website, social media platform and annual exhibition. Photographer Melissa Breyer's introductory essay explores how the genre has intersected with gender throughout history, looking at how cultural changes in gender roles have overlapped with technological developments in the camera to allow key historical figures to emerge. Her text is complemented by a foreword by renowned photojournalist Ami Vitale, whose career as a war photographer and, later, global travels with National Geographic have allowed a unique insight into the realities of working as a woman photographer in different countries. In turns intimate and candid, the photographs featured in this book offer a kaleidoscopic glimpse of what happens when women across the world are behind the camera. |
| a world history of women photographers: Women Photographers at National Geographic Cathy Newman, National Society, 2002 Showcasing some of the most powerful, startling, intimate, and dramatic photojournalism and photographic art ever published by the National Geographic Society, now in a quality trade paper edition, this retrospective honors the women behind the lens. 146 full-color photos. |
| a world history of women photographers: Women Photographers and Feminist Aesthetics Claire Raymond, 2017-04-21 Women Photographers and Feminist Aesthetics makes the case for a feminist aesthetics in photography by analysing key works of twenty-two women photographers, including cis- and trans-woman photographers. Claire Raymond provides close readings of key photographs spanning the history of photography, from nineteenth-century Europe to twenty-first century Africa and Asia. She offers original interpretations of well-known photographers such as Diane Arbus, Sally Mann, and Carrie Mae Weems, analysing their work in relation to gender, class, and race. The book also pays close attention to the way in which indigenous North Americans have been represented through photography and the ways in which contemporary Native American women photographers respond to this history. Developing the argument that through aesthetic force emerges the truly political, the book moves beyond polarization of the aesthetic and the cultural. Instead, photographic works are read for their subversive political and cultural force, as it emerges through the aesthetics of the image. This book is ideal for students of Photography, Art History, Art and Visual Culture, and Gender. |
| a world history of women photographers: Seeing America Melissa A. McEuen, 2014-10-17 Seeing America explores the camera work of five women who directed their visions toward influencing social policy and cultural theory. Taken together, they visually articulated the essential ideas occupying the American consciousness in the years between the world wars. Melissa McEuen examines the work of Doris Ulmann, who made portraits of celebrated artists in urban areas and lesser-known craftspeople in rural places; Dorothea Lange, who magnified human dignity in the midst of poverty and unemployment; Marion Post Wolcott, a steadfast believer in collective strength as the antidote to social ills and the best defense against future challenges; Margaret Bourke-White, who applied avant-garde advertising techniques in her exploration of the human condition; and Berenice Abbott, a devoted observer of the continuous motion and chaotic energy that characterized the modern cityscape. Combining feminist biography with analysis of visual texts, McEuen considers the various prisms though which each woman saw and revealed America. Their documentary photographs were the result of personal visions that had been formed by experiences and emotions as well as by careful calculations and technological processes. These photographers captured the astounding variety of occupations, values, and leisure activities that shaped the nation, and their photographs illuminate the intricate workings of American culture in the 1920s and 1930s. |
| a world history of women photographers: Women Photographers Clara Bouveresse, 2020 Women have been pioneering photographers since the earliest days of the art form. This expertly curated set of three volumes in the renowned Photofile series brings together 190 women photographers from all over the world, working in all styles and genres. From the imaginative experiments of the 19th century to the thriving art movements of the 20th century and on to the digital world of the 21st century, this rich and diverse overview will inspire readers to explore the work of some of the greatest photographers of all time. |
| a world history of women photographers: Trading Gazes Susan Bernardin, 2003 The story of westering Americans in the late nineteenth and early twentieth centuries has been told most notably through photographs of American Indians. Unlike this vast archive, produced primarily by male photographers, which depicted American Indians as either vanishing or domesticated, the lesser-known images by the women featured in Trading Gazes provide new ways of seeing the intersecting histories of colonial expansion and indigenous resistance. Four unconventional women-Jane Gay, who documented land allotment to the Nez Perces; Kate Cory, an artist who lived for years in a Hopi community; Grace Nicholson, who purchased cultural items from the Karuk and other northern California tribes; and Mary Schaffer, who traveled among the Stoney and Métis of Alberta, Canada-used cameras to document their cross-cultural encounters. Trading Gazes reconstructs the rich biographical and historical contexts explaining these women's presence in different Native communities of the North American West. Their photographs not only record the unprecedented opportunities available for Euro-American women eager to shed gender restrictions, but also reveal how women's newfound mobility depended on the increasing restrictions placed on Native Americans in this era. By tracing the complex, often unexpected relationships forged between these women, their cameras, and the Native subjects of their photographs, Trading Gazes offers a new focus for recovering women's histories in the West while bringing attention to the complicated legacies of these images for Native and non-Native viewers. |
| a world history of women photographers: Ambassadors of Progress Verna Posever Curtis, 2001 Highlights the contributions of women to photographic history. |
| a world history of women photographers: Behind the Camera Maria Elizabeth Ausherman, Amy Sancetta, Fontaine Dunn, 2021 Gertrude Kasebier (1852-1934) -- Frances Benjamin Johnston (1864-1952) -- Alice Austen (1866-1952) -- Zaida Ben-Yusuf (1869-1933) -- Anne Brigman (1869-1950) -- Jessie Tarbox Beals (1870-1942) -- Bayard Wootten (1875-1959) -- Doris Ulmann (1882-1934) -- Imogen Cunningham (1883-1976) -- Elise Forrest Harleston (1891-1970) -- Laura Gilpin (1891-1979) -- Dorothea Lange (1895-1965) -- Berenice Abbott (1898-1991) -- Margaret Bourke-White (1904-1971) -- Helen Levitt (1913-2009) -- Carrie Mae Weems (b. 1952). |
| a world history of women photographers: Women War Photographers Anne-Marie Beckmann, Felicity Korn, 2019-09-03 Discover eight remarkable women war photographers who have documented harrowing and unforgettable crises and combat around the world for the past eighty years. Women have been on the front lines of war for more than a century. With access to places men cannot go, the women who photograph war lend a unique perspective to the consequences of conflict. From intimate glimpses of daily life to the atrocities of war, this exhibition catalog reveals the range and depth of eight women photographers' contributions to wartime photojournalism. Each photographer is introduced by a brief, informative essay followed by reproductions of a selection of their works. Included here are images by Lee Miller, who documented the liberation of Dachau and Buchenwald. The first woman journalist to parachute into Vietnam, Catherine Leroy was on the ground during the Tet Offensive. Susan Meiselas raised international awareness around the Somoza regime's catastrophic effects in Nicaragua. German reporter Anja Niedringhaus worked on assignment in nearly every major conflict of the 1990s, from the Balkans to Libya, Iraq to Afghanistan. The work of Carolyn Cole, Françoise Demulder, Christine Spengler, and Gerda Taro round out this collective profile of courage under pressure and of humanity in the face of war. |
| a world history of women photographers: Women of Vision , 2013 For 125 years, National Geographic has documented the world and all that is in it with stunning photography that captures the soul of a story beyond the words on a page. Some of the most powerful narratives of the past decade have been produced by a forward-thinking generation of women photojournalists as different as the places and the subjects they have covered--Page [2] of cover. |
| a world history of women photographers: The New Woman Behind the Camera Andrea Nelson, 2020-10-16 An in-depth look at the many ways women around the world helped shape modern photography from the 1920s to the 1950s as they captured images of a radically changing world During the 1920s the New Woman was easy to recognize but hard to define. Hair bobbed and fashionably dressed, this iconic figure of modernity was everywhere, splashed across magazine pages or projected on the silver screen. A global phenomenon, she embodied an ideal of female empowerment based on real women making revolutionary changes in life and art--including photography. This groundbreaking, richly illustrated book looks at those new women who embraced the camera as a mode of expression and made a profound impact on the medium from the 1920s to the 1950s. Thematic chapters explore how women emerged as a driving force in modern photography, bringing their own perspective to artistic experimentation, studio portraiture, fashion and advertising work, scenes of urban life, ethnography and photojournalism. Featuring work by 120 photographers, this volume expands the history of photography by critically examining an international array of canonical and less well-known women photographers, from Berenice Abbott, Dorothea Lange and Lola Álvarez Bravo to Germaine Krull, Tsuneko Sasamoto and Homai Vyarawalla. Against the odds, these women produced invaluable visual testimony that reflects both their personal experiences and the extraordinary social and political transformations of the era. |
| a world history of women photographers: Surrealist Photography Christian Bouqueret, 2008-04-29 The classic Photofile series brings together the best work of the world's greatest photographers in an attractive format and at a reasonable price. Handsome and collectible, the books each contain reproductions in color and/or duotone, plus a critical introduction and a bibliography. Paris in the early 1920s saw the growth of a new art form called surrealism. Both a formal movement and a spiritual orientation, surrealism embraced ethics and politics as well as the arts. Surrealists sought to create a medium that liberated the subconscious mind, and many artists and photographers captured this revolution through photographic images. This new survey includes works by Max Ernst, Dora Maar, Lee Miller, René Magritte, Meret Oppenheim, and more. |
| a world history of women photographers: Women Photographers: Pioneers Clara Bouveresse, 2020 Women began working as photographers in the second half of the 19th century, a time when the rules of the medium had not yet been codified and experimentation was the order of the day. Some opened their own studios, patenting their own equipment and carving out a place for themselves in this new artistic field, while others were obliged to work anonymously or under pseudonyms. As the 20th century dawned, women embraced genres ranging from pictorialist soft focus to documentary realism and surrealist photomanipulation, fearlessly exploring the boundaries of photographic possibility. |
| a world history of women photographers: She who Tells a Story Kristen Gresh, Museum of Fine Arts, Boston, 2013 She Who Tells a Story introduces the pioneering work of twelve leading women photographers from Iran and the Arab world: Jananne Al-Ani, Boushra Almutawakel, Gohar Dashti, Rana El Nemr, Lalla Essaydi, Shadi Ghadirian, Tanya Habjouqa, Rula Halawani, Nermine Hammam, Rania Matar, Shirin Neshat and Newsha Tavakolian. As the Middle East has undergone unparalleled change over the past twenty years, and national and personal identities have been dismantled and rebuilt, these artists have tackled the very notion of representation with passion and power. Their provocative images, which range in style from photojournalism to staged and manipulated visions, explore themes of gender stereotypes, war and peace and personal life, all the while confronting nostalgic Western notions about women of the Orient and exploring the complex political and social landscapes of their home regions. Enhanced with biographical and interpretive essays, and including more than 100 reproductions of photographs and film and video stills, this book challenges us to set aside preconceptions about this part of the world and share in the vision of a group of vibrant artists as they claim the right to tell their own stories in images of great sophistication, expressiveness and beauty. |
| a world history of women photographers: Women Seeing Women Elisabeth Bronfen, 2007 This anthology is dedicated to pictures of women taken by women. It begins withhotographs by the two great female photographers of the 19th century, Clementna Lady Hawarden and Julia Margaret Cameron, and covers a period of over 100 yars to the present day.;Some 160 images by 90 photographers present us with th entire spectrum of female self-definition both behind and in front of the camra. As such, the four major themes of social reality, the family, the female bdy and virtual reality come to the fore with their multifarious pictures fromhe worlds of art, literature, fashion, dance and show business. There are selfprotraits as well as female photographers' portraits of female photographers,aughters, mothers and, of course, several important female figures including Vrginia Woolf, Greta Garbo, Martha Graham, Simone de Beauvoir, Maria Callas, Maonna, Hillary Clinton, and even Her Majesty the Queen. |
| a world history of women photographers: Female Photographers Org Emma Lewis, 2020-08-10 The first publication from a new female collective engaging topics of gender portrayal, body image and the media Founded in 2018 by Kirsten Becken and Veronika Faustmann, and now comprised of 20 female photographers, the non-hierarchical collective Female Photographers Org has set itself the task of creating a pictorial dialogue about bodies and their perception within the media. The Body Issueis the first joint publication of the group. It includes photography by guests Brandy Eve Allen, Brittney Casey Adams, Mary Chen, Tamara Dean, Peyton Fulford, Yushi Li Dita Pepe, Lotte van Raalte, Laurie Simmons and Chanell Stone, as well as work by members of the collective: Bex Day, Haley Morris-Cafiero, Katharina Bosse, Maggie Steber, Meklit Fekadu, Jennifer Greenburg, Jocelyn Lee, Lilly Urbat, Kirsten Becken, Claudia Holzinger, Jessica Barthel, Caro Siegl, Oriana Layendecker, Nora Lowinsky, Hanna Mattes, Veronika Faustmann, Katya Abedian, Paula Winkler, Marzena Skubatz and Qiana Mestrich. |
| a world history of women photographers: Women in the Dark Katherine Manthorne, 2020-09-28 Recover the stories of long-overlooked American women who, at a time when women rarely worked outside the home, became commercial photographers and shaped the new, challenging medium. Covering two generations of photographers ranging from New York City to California's mining districts, this study goes beyond a broad survey and explores individual careers through primary sources and new materials. Profiles of the photographers animate their careers by exploring how they began, the details of running their own studios, and their visual output. The featured photos vary in form--daguerreotype, tintype, carte de visite, and more--and subject, including Civil War portraits, postmortem photography, and landscape photography. This welcome resource fills in gaps in photographic, American, and women's history and convincingly lays out the parallels between the growth of photography as an available medium and the late-19th-century women's movement. |
| a world history of women photographers: Women Photographers: Revolutionaries Clara Bouveresse, 2020 As global tensions rose and the Second World War began, many women photographers found themselves under threat or forced into exile. Others worked as war reporters or documented the aftermath of the conflict, but a great number found new creative energy and an increased engagement with political themes. Photography became a universal language to communicate around the world, and it was used to demonstrate empathy with those outside the establishment and to provide glimpses into the daily lives of women everywhere. |
| a world history of women photographers: Focus Sylvia Wolf, 1994 Looks at the lives, careers, and art of five women whose work spans the history of photography. |
| a world history of women photographers: Photography – A Feminist History Emma Lewis, 2021-11-11 *** 'An epic and fascinating book.' The Bookseller 'Emma Lewis' sprawling new book shines a light on overlooked feminist histories' - AnOther Magazine How did the abolitionist movement interact with women's entry into the field of photography? What does the medium have to do with menstrual taboos? Is there even such a thing as a 'feminist image'? Whether working in the studio or on the front line, women have contributed to every aspect of photography's short history. For some, gender is front and centre; for others, it's merely incidental. All have been affected by the power structures beyond their camera lenses. Far too many have been, and continue to be, overlooked. Mapping photographic developments against shifting gender rights and roles, Photography - A Feminist History shines a light on how photography has borne witness to women's movements and made the causes for which they fight visible, and how, in turn, different approaches to feminism have given us ways of understanding photographs. Authoritative and international in scope, Photography - A Feminist History features over 140 photographers, with ten thematic essays, and extended profiles on 75 key practitioners, many informed by conversations with the author. |
| a world history of women photographers: Feast Your Eyes Myla Goldberg, 2020-02-18 ONE OF NPR’S BEST BOOKS OF 2019 2020 Andrew Carnegie Medals for Excellence Finalist 2019 National Book Critics Circle Award Finalist 2020 Chautauqua Prize Finalist “A daringly inventive parable of female creativity and motherhood” (O, The Oprah Magazine) from Myla Goldberg, the award-winning, New York Times bestselling author of Bee Season, about a female photographer grappling with ambition and motherhood—a balancing act familiar to women of every generation. Feast Your Eyes, framed as the catalogue notes from a photography show at the Museum of Modern Art, tells the life story of Lillian Preston: “America’s Worst Mother, America’s Bravest Mother, America’s Worst Photographer, or America’s Greatest Photographer, depending on who was talking.” After discovering photography as a teenager through her high school’s photo club, Lillian rejects her parents’ expectations of college and marriage and moves to New York City in 1955. When a small gallery exhibits partially nude photographs of Lillian and her daughter Samantha, Lillian is arrested, thrust into the national spotlight, and targeted with an obscenity charge. Mother and daughter’s sudden notoriety changes the course of both of their lives, and especially Lillian’s career as she continues a life-long quest for artistic legitimacy and recognition. “A searching consideration of the way that the identities and perceptions of a female artist shift over time” (The New Yorker), Feast Your Eyes shares Samantha’s memories, interviews with Lillian’s friends and lovers, and excerpts from Lillian’s journals and letters—a collage of stories and impressions, together amounting to an astounding portrait of a mother and an artist dedicated, above all, to a vision of beauty, truth, and authenticity. Myla Goldberg has gifted us with “a mother-daughter story, an art-monster story, and an exciting structural gambit” (Lit Hub)—and, in the end, “a universal and profound story of love and loss” (New York Newsday). |
| a world history of women photographers: Firecrackers Max Houghton, Fiona Rogers, 2023-07-06 A vivid showcase of work by more than thirty of the world's leading contemporary female documentary photographers. The photographic industry - its exhibitions, galleries, publications and auctions - employs thousands of women, but champions mostly men. To begin to redress the balance, here is a timely presentation of the work of over 30 female photographers working today. This book is predominantly a celebration of some of the most inquisitive, intelligent and daring photography being created now. The stories the photographers tell are the most pressing social, political and personal issues seen through the female lens. Firecracker, established in 2011 by Fiona Rogers, is a platform dedicated to supporting female photographers worldwide by showcasing their work. Building upon Firecracker's foundations, this book brings together photography that encompasses an eclectic variety of styles, techniques and locations, from Alma Haser's futuristic series of portraits that use origami to create 3D sculptures within the frame, to Laura El-Tantawy's filmic and intensely personal series on political protest in Cairo. There is a recurring theme throughout the book that serves to unite these extraordinary women and their work: the exploration of marginalized individuals and under-discussed subjects, seen by fresh eyes. Fiona Rogers and Max Houghton offer insightful and expert authorship and curation. In their respective, well-established roles in the industry they understand, influence and advocate for contemporary documentary photography today. |
| a world history of women photographers: Tender Violence Laura Wexler, 2000 Examines the work of such female photojournalists as Alice Austen, Jessie Tarbox Beals, and Frances Benjamin Johnston, arguing that they produced images that helped to reinforce the imperialistic ideals that were forming at the beginning of the 20th century. |
| a world history of women photographers: Eyemazing Eyemazing Susan, Karl E Johnson, 2013-11-05 Challenging photography from the magazine that has become a source of inspiration and information for photographers, curators, and collectors Eyemazing magazine has been at the vanguard of art photography journals for the past decade. Under the singular vision of its founder, Susan Zadeh, the award-winning magazine has championed the most collectible and daringly original art photography today. This book brings together work by 130 photographers that has appeared in Eyemazing over the last ten years, including images by Michael Ackerman, Bettina Rheims, Sally Mann, and Roger Ballen, and by emerging talents whose first international exposure has been in the magazine. The photographs are organized into two sections, “Dreams and Memories of a Past Life” and “Our Body, Our Cage. Our Body, Our Home,” and are accompanied by supporting essays and profiles of the artists. Sensual and beautiful yet often shocking, dark, and surreal, the photographs in this new publication define the possibilities of contemporary art photography. |
| a world history of women photographers: Women Susan Wood, 2018-01-04 Women: Portraits 1960-2000 is a compilation of portraits taken by American photographer Susan Wood of some of the most prominent and influential women of the 20th century. Her notable subjects include Diane von Furstenberg, Martha Stewart, Nora Ephron, Alice Waters, Jayne Mansfield, and Gloria Vanderbilt among many others. Susan Wood's work represents a number of milestones in American photography over a period of more than 40 years. She was involved with the original Mad Men of Madison Avenue and during that time won a Clios, the most sought-after award in advertising. Mademoiselle chose her as one of their top Ten Women of the Year and her work appeared in many other periodicals including Vogue, Life, Look, Harper's Bazaar, and New York magazine. Susan Wood was a founding member of the Women's Forum and was involved in the fight for women's rights and equality in the 1960s and 1970s. She was also friends with many of the vanguard of the feminist movement including Betty Friedan and Gloria Steinem. Although her most famous magazine cover is an epochal photograph of John Lennon and Yoko Ono for Look, Susan is also noted for her movie stills. Under contract to Paramount Pictures, United Artists and 20th Century Fox, Ms. Wood was on set during the filming of movies that defined the 1960s such as Easy Rider and Hatari. She has been represented by Getty Images since 2004. -- |
| a world history of women photographers: House of Leaves Mark Z. Danielewski, 2000-03-07 THE MIND-BENDING CULT CLASSIC ABOUT A HOUSE THAT’S LARGER ON THE INSIDE THAN ON THE OUTSIDE • A masterpiece of horror and an astonishingly immersive, maze-like reading experience that redefines the boundaries of a novel. ''Simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious. —Michiko Kakutani, The New York Times Thrillingly alive, sublimely creepy, distressingly scary, breathtakingly intelligent—it renders most other fiction meaningless. —Bret Easton Ellis, bestselling author of American Psycho “This demonically brilliant book is impossible to ignore.” —Jonathan Lethem, award-winning author of Motherless Brooklyn One of The Atlantic’s Great American Novels of the Past 100 Years Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth—musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies—the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices, the story remains unchanged. Similarly, the cultural fascination with House of Leaves remains as fervent and as imaginative as ever. The novel has gone on to inspire doctorate-level courses and masters theses, cultural phenomena like the online urban legend of “the backrooms,” and incredible works of art in entirely unrealted mediums from music to video games. Neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of the impossibility of their new home, until the day their two little children wandered off and their voices eerily began to return another story—of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams. |
| a world history of women photographers: #girlgaze Amanda de Cadenet, 2017-10-03 #girlgaze is on a mission to close the gender gap by creating visibility and tangible jobs for girls behind the lens and this timely book, from photographer and media entrepreneur Amanda de Cadenet's visionary focus, features a beautiful and powerful collection of images capturing how young women perceive the world. This inspiring must-have for feminists and creatives alike showcases the work of a diverse collective of female-identifying photographers mixing candid and formal photos of females living their lives: moments of significance caught in a fraction of a second at home, on the streets, remote countrysides, and in war-torn countries. Spirited, elegant, and inspiring, #girlgaze promotes and highlights the work of Gen Z female photographers from all walks of life and is a stunningly beautiful representation of the female gaze. |
| a world history of women photographers: A World History of Photography Naomi Rosenblum, 2007 This book investigates all aspects of photography--aesthetic, documentary, commercial, and technical--while placing photos in their historical context. Included among the more than 800 photographs by men and women are both little-known and celebrated masterpieces, arranged in stimulating juxtapositions that illuminate their visual power. Authoritative and unbiased, Rosenblum's chronicle of photography both chronologically and thematically traces the evolution of this still-young art form. Exploring the diverse roles that photography has played in the communication of ideas, Rosenblum devotes special attention to topics such as portraiture, documentation, advertising, and photojournalism, and to the camera as a means of personal artistic expression. -- Product description. |
| a world history of women photographers: A Chronology of Photography Paul Lowe, 2019-01-08 A rich and fresh perspective on the history of photography, tracing the complex links between technological innovation, social change, and artistic intervention. As a medium of documentation, social commentary, commercial marketing, artistic exploration, and self-expression over the last two centuries, photography has in many ways defined the way we view ourselves and the world around us. A Chronology of Photography traces the development of the medium from early experiments with optics by artists and scientists, through the birth of photography in 1839, with the innovations of Louis Daguerre and Henry Fox Talbot, right up to the present-day explosion of digital media, with Instagram and the selfie dominating visual discourse. Providing a unique timeline framework and in-depth commentary, this volume takes a purely chronological approach to present a fresh social, political, and cultural perspective on the subject. Tracing the complex links between technological innovation, social change, and artistic intervention, A Chronology of Photography is an invaluable and comprehensive overview of photography’s history including deeper explorations of key themes and moments. |
| a world history of women photographers: Documentary Photography Reconsidered Michelle Bogre, 2020-08-13 Documentary photography is undergoing an unprecedented transformation as it adapts to the impact of digital technology, social media and new distribution methods. In this book, photographer and educator Michelle Bogre contextualizes these changes by offering a historical, theoretical and practical perspective on documentary photography from its inception to the present day. Documentary Photography Reconsidered is structured around key concepts, such as the photograph as witness, as evidence, as memory, as narrative and as a vehicle for activism and social change. Chapters include in-depth interviews with some of the world's leading contemporary practitioners, demonstrating the wide variety of different working styles, techniques and topics available to new photographers entering the field. Every key concept is illustrated with work from a range of innovative, influential and often under-represented photographers, giving a flavor of the depth and range of projects from the history of this global art form. There are also creative projects designed to spark ideas and build skills, to help you conceive, develop and produce your own meaningful documentary projects. The book is supported by a companion website, which includes in-depth video interviews with featured practitioners. |
| a world history of women photographers: Women and Photography in Africa Darren Newbury, Lorena Rizzo, Kylie Thomas, 2020-10-26 This collection explores women’s multifaceted historical and contemporary involvement in photography in Africa. The book offers new ways of thinking about the history of photography, exploring through case studies the complex and historically specific articulations of gender and photography on the continent, and attending to the challenge and potential of contemporary feminist and postcolonial engagements with the medium. The volume is organised in thematic sections that present the lives and work of historically significant yet overlooked women photographers, as well as the work of acclaimed contemporary African women photographers such as Héla Ammar, Fatoumata Diabaté, Lebohang Kganye and Zanele Muholi. The book offers critical reflections on the politics of gendered knowledge production and the production of racialised and gendered identities and alternative and subaltern subjectivities. Several chapters illuminate how contemporary African women photographers, collectors and curators are engaging with colonial photographic archives to contest stereotypical forms of representation and produce powerful counter-histories. Raising critical questions about race, gender and the history of photography, the collection provides a model for interdisciplinary feminist approaches for scholars and students of art history, visual studies and African history. |
| a world history of women photographers: The Silent Patient Alex Michaelides, 2019-02-05 **THE INSTANT #1 NEW YORK TIMES BESTSELLER** An unforgettable—and Hollywood-bound—new thriller... A mix of Hitchcockian suspense, Agatha Christie plotting, and Greek tragedy. —Entertainment Weekly The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive. Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word. Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London. Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him.... |
| a world history of women photographers: Eight Girls Taking Pictures Whitney Otto, 2012 From the bestselling author of How to Make an American Quilt comes a powerful tale inspired by the lives of famous 20th-century female photographers tracing the progression of feminism and photography in various world regions. |
| a world history of women photographers: Anne Brigman Kathleen Pyne, 2020-06-23 The life and work of an essential photographer whose feminism and pictorialist images distanced her from the mainstream In the first book devoted to Anne Brigman (1869–1950), Kathleen Pyne traces the groundbreaking photographer’s life from Hawai‘i to the Sierra and elsewhere in California, revealing how her photographs emerged from her experience of local place and cultural politics. Brigman’s work caught the eye of the well-known photographer Alfred Stieglitz, who welcomed her as one of the original members of his Photo-Secession group. He promoted her work as exemplary of his modernism and praised her Sierra landscapes with female nudes—work that at the time separated Brigman from the spiritualized upper-class femininity of other women photographers. Stieglitz later drew on Brigman’s images of the expressive female body in shaping the public persona of Georgia O’Keeffe into his ideal woman artist. This nuanced account reasserts Brigman’s place among photography’s most important early advocates and provides new insight into the gender and racialist dynamics of the early twentieth-century art world, especially on the West Coast of the United States. |
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