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| islamic art and architecture 650 1250: Islamic Art and Architecture 650-1250 Richard Ettinghausen, Oleg Grabar, Professor Emeritus of Islamic Art and Architecture Oleg Grabar, Marilyn Jenkins, 2003-07-11 This richly illustrated book provides an unsurpassed overview of Islamic art and architecture from the seventh to the thirteenth centuries, a time of the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabar’s original text, this book has been completely rewritten and updated to take into account recent information and methodological advances. The volume focuses special attention on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the seminal early Islamic period and examines the wealth of different ways of creating a beautiful environment. The book approaches the arts with new classifications of architecture and architectural decoration, the art of the object, and the art of the book. With many new illustrations, often in color, this volume broadens the picture of Islamic artistic production and discusses objects in a wide range of media, including textiles, ceramics, metal, and wood. The book incorporates extensive accounts of the cultural contexts of the arts and defines the originality of each period. A final chapter explores the impact of Islamic art on the creativity of non-Muslims within the Islamic realm and in areas surrounding the Muslim world. |
| islamic art and architecture 650 1250: The Art and Architecture of Islam 1250-1800 Sheila S. Blair, Jonathan M. Bloom, 1996-09-25 They discuss, for example, how the universal caliphs of the first six centuries gave way to regional rulers and how, in this new world order, Iranian forms, techniques, and motifs played a dominant role in the artistic life of most of the Muslim world; the one exception was the Maghrib, an area protected from the full brunt of the Mongol invasions, where traditional models continued to inspire artists and patrons. By the sixteenth century, say the authors, the eastern Mediterranean under the Ottomans and the area of northern India under the Mughals had become more powerful, and the Iranian models of early Ottoman and Mughal art gradually gave way to distinct regional and imperial styles. |
| islamic art and architecture 650 1250: The Art and Architecture of Islam Richard Ettinghausen, Oleg Grabar, 1987 |
| islamic art and architecture 650 1250: Islamic Art and Architecture 650-1250 Richard Ettinghausen, 1987 |
| islamic art and architecture 650 1250: A Companion to Islamic Art and Architecture Finbarr Barry Flood, Gulru Necipoglu, 2017-06-16 The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas) |
| islamic art and architecture 650 1250: Islamic Art and Visual Culture D. Fairchild Ruggles, 2011-04-25 Islamic Art and Visual Culture is a collection of primary sources in translation accompanied by clear and concise introductory essays that provide unique insights into the aesthetic and cultural history of one of the world's major religions. Collects essential translations from sources as diverse as the Qur'an, court chronicles, technical treatises on calligraphy and painting, imperial memoirs, and foreign travel accounts Includes clear and concise introductory essays Situates each text and explains the circumstances in which it was written--the date, place, author, and political conditions Provides a vivid window into Islamic visual culture and society An indispensable tool for teachers and students of art and visual culture |
| islamic art and architecture 650 1250: Islam Art And Architecture Of Islam 650-1250 Richard Ettinghausen, Oleg Grabar, Marilyn Jenkins-Madina, 2002 This Richly Illustrated Book Provides An Unsurpassed Overview Of Islamic Art And Architecture From The Seventh To The 13Th Centuries, A Time Of The Formation Of New Artistic Culture And Its First, Medieval, Flowering In The Vast Area From The Atlantic To India. This Book Has Been Completely Rewritten And Updated. |
| islamic art and architecture 650 1250: Architecture of the Islamic World George Michell, 1995 Offers a survey of Islamic architecture through essays that discuss how different structures reflect the culture, and profiles with maps, photographs, details, and descriptions of noteworthy buildings. |
| islamic art and architecture 650 1250: Beauty and Islam Valerie Gonzalez, 2001-08-24 'Beauty and Islam' explores aspects of aesthetics in classical Islamic thought in the light of contemporary theories, offering new perspectives on Islamic art and architecture with examples ranging from the Qur'an and the Alhambra to the works of present day artists and philosophers. Tracing the roots of Islamic aesthetics back to the works of the great philosophers of the Middle Ages such as Avicenna and Averroes, Valerie Gonzalez finds that aesthetic theory in Islam must be seen within the much wider context of parallel thinking on theology, ethics, physics and metaphysics. |
| islamic art and architecture 650 1250: Architecture of the Islamic West Jonathan M. Bloom, 2020-06-30 An authoritative survey situating some of the Western world’s most renowned buildings within a millennium of Islamic history Some of the most outstanding examples of world architecture, such as the Mosque of Córdoba, the ceiling of the Cappella Palatina in Palermo, the Giralda tower in Seville, and the Alhambra Palace in Granada, belong to the Western Islamic tradition. This architectural style flourished for over a thousand years along the southern and western shores of the Mediterranean—between Tunisia and Spain—from the 8th century through the 19th, blending new ideas with local building practices from across the region. Jonathan M. Bloom’s Architecture of the Islamic West introduces readers to the full scope of this vibrant tradition, presenting both famous and little-known buildings in six countries in North Africa and southern Europe. It is richly illustrated with photographs, specially commissioned architectural plans, and historical documents. The result is a personally guided tour of Islamic architecture led by one of the finest scholars in the field and a powerful testament to Muslim cultural achievement. |
| islamic art and architecture 650 1250: Islamic Art and Architecture (Second) (World of Art) Robert Hillenbrand, 2024-11-12 A bold, readable, and beautifully illustrated introduction to Islamic art and architecture, this renowned book is now available in an updated and revised edition featuring color illustrations throughout. Including over a thousand years of history and stretching from the Atlantic to the borders of India and China, Islamic Art and Architecture is an unparalleled narrative of the arts of Islamic civilization. From the death of the Prophet Muhammad to 1900, Islamic art expert Robert Hillenbrand traces the evolution of an extraordinary range of art forms, including architecture, calligraphy, book illumination, painting, ceramics, glassware, textiles, and metalwork. This new edition includes a chapter examining art produced from 1700 to 1900, an understudied period in the area, exploring how these centuries saw incredible creativity across the Islamic world. Featuring full-color illustrations of masterpieces of Islamic art and architecture, from seventh-century Arabia via Moorish Spain to modern Iran, this book shows the far-reaching stylistic developments that have shaped Islamic art. Including maps, an updated glossary, and suggested further reading, this authoritative and accessible volume sheds light on the recurrent preoccupations and themes that have shaped the arts of Islam since the seventh century. |
| islamic art and architecture 650 1250: Islamic Art Luca Mozzati, 2010 This Stunning book includes more than four hundred reproductions of treasures of Islamic art that span the world. With its large format, exquisite photographs and extensive research, this is a thorough introduction toan exceptional artistic tradition. -- |
| islamic art and architecture 650 1250: Islamic Geometric Patterns Jay Bonner, 2017-08-17 The main focus of this unique book is an in-depth examination of the polygonal technique; the primary method used by master artists of the past in creating Islamic geometric patterns. The author details the design methodology responsible for this all-but-lost art form and presents evidence for its use from the historical record, both of which are vital contributions to the understanding of this ornamental tradition. Additionally, the author examines the historical development of Islamic geometric patterns, the significance of geometric design within the broader context of Islamic ornament as a whole, the formative role that geometry plays throughout the Islamic ornamental arts (including calligraphy, the floral idiom, dome decoration, geometric patterns, and more), and the underexamined question of pattern classification. Featuring over 600 beautiful color images, Islamic Geometric Patterns: Their Historical Development and Traditional Methods of Con struction is a valuable addition to the literature of Islamic art, architecture and geometric patterns. This book is ideal for students and scholars of geometry, the history of mathematics, and the history of Islamic art, architecture, and culture. In addition, artists, designers, craftspeople, and architects will all find this book an exceptionally informative and useful asset in their fields. Jay Bonner is an architectural ornamentalist and unaffiliated scholar of Islamic geometric design. He received his MDes from the Royal College of Art in London (1983). He has contributed ornamental designs for many international architectural projects, including the expansion of both the al-Masjid al-Haram (Grand Mosque) in Mecca, and the al-Masjid an Nawabi (Prophet’s Mosque) in Medina, as well the Tomb of Sheikh Hujwiri in Lahore, and the Ismaili Centre in London – to name but a few. He is committed to the revitalization of Islamic geometric design through the teaching of traditional methodological practices. To this end, in addition to publishing, Jay Bonner has lectured and taught design seminars at many universities and conferences in North America, Europe, North Africa and Asia. |
| islamic art and architecture 650 1250: Islamic Art and Architecture Henri Stierlin, Anne Stierlin, 2002 More than five hundred full-color illustrations and reproductions capture a panoramic array of Islamic art and architecture in a study that examines the sources, forms, themes, and symbolism of Islamic artistry, as exemplified in mosques, palaces, landscape architecture, caligraphy, miniature painting, tapestries and textiles, and other artforms. |
| islamic art and architecture 650 1250: Structural Wood Design Abi Aghayere, Jason Vigil, 2017-04-28 This text provides a concise and practical guide to timber design, using both the Allowable Stress Design and the Load and Resistance Factor Design methods. It suits students in civil, structural, and construction engineering programs as well as engineering technology and architecture programs, and also serves as a valuable resource for the practicing engineer. The examples based on real-world design problems reflect a holistic view of the design process that better equip the reader for timber design in practice. This new edition now includes the LRFD method with some design examples using LRFD for joists, girders and axially load members. is based on the 2015 NDS and 2015 IBC model code. includes a more in-depth discussion of framing and framing systems commonly used in practice, such as, metal plate connected trusses, rafter and collar tie framing, and pre-engineered framing. includes sample drawings, drawing notes and specifications that might typically be used in practice. includes updated floor joist span charts that are more practical and are easy to use. includes a chapter on practical considerations covering topics like flitch beams, wood poles used for footings, reinforcement of existing structures, and historical data on wood properties. includes a section on long span and high rise wood structures includes an enhanced student design project |
| islamic art and architecture 650 1250: Raqqa Revisited Metropolitan Museum of Art (New York, N.Y.), Marilyn Jenkins, 2006 What follows in these pages is the chronicle of ceramic objects unearthed in Raqqa in the first quarter of the twentieth century. Marilyn Jenkins-Madina, Curator Emerita of Islamic Art at the Metropolitan Museum, describes the dramatic journey of these ceramics from their discovery in the medieval city to the emporiums of Paris and New York, the drawing rooms of the great collectors, and the galleries of the Metropolitan Museum. Using art-historical detective work, archival documents, and scientific data, the author convincingly establishes provenance and dating, placing these objects - some of the most exquisite ever produced by Islamic potters - in a secure historical context for the first time.--BOOK JACKET. |
| islamic art and architecture 650 1250: Islam: Early architecture from Baghdad to Cordoba Henri Stierlin, 1996 This volume is an impressive survey of more than 600 years of Islamic architecture, from the seventh to the thirteenth centuries, in a region stretching from the Near and Middle East to Sicily, the Maghreb and Andalusia. It presents masterpieces of Islamic architecture from the peerless Dome of the Rock in Jerusalem to the mysterious Umayyad palaces in the deserts of Syria and Palestine, from the sumptuous residences of the caliphs in Samarra and Saragossa to the Great Mosques of Damascus, Kairouan and Cordoba. |
| islamic art and architecture 650 1250: the art and architecture of islamic cairo richard yeomans, 2006 Cairo is full of masterpieces of medieval art and architecture reflecting the status of Egypt as the centre of several significant Muslim empires. This book redresses the cultural balance and examines the art and architectural treasures of Cairo from the Arab to the Ottoman conquests (642-1517). It is fully illustrated with over 200 photographs. |
| islamic art and architecture 650 1250: Mosques Leyla Uluhanli, 2017-10-31 FOREWORD INDIES Book of the Year Awards — 2017 GOLD Winner for Architecture One of the most important and authoritative books to celebrate mosque architecture and Islamic design, featuring many exquisite newly commissioned photographs. This visually striking volume illustrates over sixty of the most venerated mosques from historic monuments such as the Great Mosque of Córdoba and Istanbul’s Süleymaniye Mosque to today’s most dynamic new designs exemplified by the Sancaklar Mosque. Essays by prominent architecture and design authorities include Professor Sussan Babaie, Andrew W. Mellon Reader in the Arts of Iran and Islam, The Courtauld Institute of Art, London; Distinguished Professor Walter B. Denny, Department of the History of Art and Architecture, University of Massachusetts at Amherst; Heather Ecker, Visiting Professor, Art and Archaeology, Columbia University; Professor Mohammed Hamdouni Alami, Archaeological Research Facility at University of California, Berkeley; Professor Renata Holod, Professor of Islamic Art, University of Pennsylvania, and Curator in the Near East Section, Penn Museum; Philip Jodidio, author and independent scholar in art and architecture, Geneva; George Michell, author and independent architectural historian, London; Fatima Quraishi, PhD candidate, The Institute of Fine Arts, New York University; Matthew Saba, Visual Resources Librarian for Islamic Architecture, Aga Khan Documentation Center, Massachusetts Institute of Technology Libraries; and Angela Wheeler, PhD student in Architectural History, Harvard University. Mosques from Europe, the Indian subcontinent, North America, North Africa and the sub-Sahara, the Middle East, and Russia and the Caucasus are showcased. This book covers their earliest origins in Mecca and Medina to contemporary masterpieces, illuminating their stylistic transformations and providing examples from Islam’s great dynasties—the Umayyads, the Abbasids, the Mamluks, the Ottomans, the Safavids, and the Mughals. Original and archival photographs offer exterior and interior views along with images of adjacent gardens and fountains that grace these sanctuaries. Stunning mosque calligraphy and tilework, as well as furnishings and illumination, enhance this volume. |
| islamic art and architecture 650 1250: Stealing from the Saracens Diana Darke, 2020 Europeans are in denial. Against a backdrop of Islamophobia, they are increasingly distancing themselves from their cultural debt to the Muslim world. But while the legacy of Islam and the Middle East is in danger of being airbrushed out of Western history, its traces can still be detected in some of Europe's most recognisable monuments, from Notre-Dame to St Paul's Cathedral. In this comprehensively illustrated book, Diana Darke sets out to redress the balance, revealing the Arab and Islamic roots of Europe's architectural heritage. She tracks the transmission of key innovations from the great capitals of Islam's early empires, Damascus and Baghdad, via Muslim Spain and Sicily into Europe. Medieval crusaders, pilgrims and merchants from Europe later encountered Arab Muslim culture in journeys to the Holy Land. In more recent centuries, that same route through modern-day Turkey connected Ottoman culture with the West, leading Sir Christopher Wren himself to believe that Gothic architecture should more rightly be called 'the Saracen style', because of its Islamic origins. Recovering this overlooked story within the West's long history of borrowing from the Islamic world, Darke sheds new light on Europe's buildings and offers rich insights into the possibilities of cultural exchange. |
| islamic art and architecture 650 1250: Islamic Art and Geometric Design Metropolitan Museum of Art (New York, N.Y.), Metropolitan Museum of Art (New York, N.Y.). Education Department, 2004 Examine the principles of geometric design that are the basis for the beautiful and intricate patterns in the art of the Islamic world. Includes a brief overview of Islamic art, an introduction to related works in the Museum, and a series of pattern-making activities (including reproducible grids) for use in the classroom. Teachers can readily adapt these materials to create exciting lessons in art, culture, math, and geometry--Metropolitan Museum of Art website. |
| islamic art and architecture 650 1250: The Arts of Fire Catherine Hess, Linda Komaroff, George Saliba, 2004 Students and scholars of the Italian Renaissance easily fall under the spell of its achievements: its self-confident humanism, its groundbreaking scientific innovations, its ravishing artistic production. Yet many of the developments in Italian ceramics and glass were made possible by Italy's proximity to the Islamic world. The Arts of Fire underscores how central the Islamic influence was on this luxury art of the Italian Renaissance. Published to coincide with an exhibition at the Getty Museum on view from May 4 to August 5, 2004, The Arts of Fire demonstrates how many of the techniques of glass and ceramic production and ornamentation were first developed in the Islamic East between the eighth and twelfth centuries. These techniques - enamel and gilding on glass and tin-glaze and lustre on ceramics - produced brilliant and colourful decoration that was a source of awe and admiration, transforming these crafts, for the first time, into works of art and true luxury commodities. Essays by Catherine Hess, George Saliba, and Linda Komaroff demonstrate early modern Europe's debts to the Islamic world and help us better understand the interrelationships of cultures over time. |
| islamic art and architecture 650 1250: Arts of the City Victorious Jonathan M. Bloom, 2007 Fatimid art and architecture has always been somewhat anomalous in the history of islamic art because of the direction it grew (west to east), subject matter (figural at a time when geometry and the arabesque were developing elsewhere), and unusually rich and precise documentation in royal and popular accounts. Whereas earlier studies treated the two and a half centuries of Fatimid art and architecture as a single category, this book is the first to show how they grew and evolved over time.--BOOK JACKET. |
| islamic art and architecture 650 1250: Gourna Hassan Fathy, 1989 |
| islamic art and architecture 650 1250: The Persian Album, 1400-1600 David J. Roxburgh, 2005-01-01 This groundbreaking book examines portable art collections assembled in the courts of Greater Iran in the fifteenth and sixteenth centuries. Made for members of the royal families or ruling elites, albums were created to preserve and display art, yet they were conceptualized in different ways. David Roxburgh, a leading expert on Persian albums and the art of the book, discusses this diversity and demonstrates convincingly that to look at the practice of album making is to open a vista to a culture of thought about the Persian art tradition. The book considers the album’s formal and physical properties, assembly, and content, as well as the viewer’s experience. Focusing on seven albums created during the Timurid and Safavid dynasties, Roxburgh reconstructs the history and development of this codex form and uses the works of art to explore notions of how art and aesthetics were conceived in Persian court culture. Generously illustrated with over 175 images, many rare and previously unpublished, the book offers a range of new insights into Persian visual culture as well as Islamic art history. |
| islamic art and architecture 650 1250: The Art and Architecture of Islam, 650-1250 Richard Ettinghausen, Oleg Grabar, 1994 Surveys the significant artistic and architectural works of Islamic countries from the seventh through the thirteenth centuries |
| islamic art and architecture 650 1250: Art of the Twentieth Century Jason Gaiger, Paul Wood, 2004-03-11 This reader, a companion to The Open University's four-volume Art of the Twentieth Century series, offers a variety of writings by art historians and art theorists. The writings were originally published as freestanding essays or chapters in books, and they reflect the diversity of art historical interpretations and theoretical approaches to twentieth-century art. Accessible to the general reader, this book may be read independently or to supplement the materials explored in the four course texts. The volume includes a general introduction as well as a brief introduction to each piece, outlining its origin and relevance. |
| islamic art and architecture 650 1250: Islamic Art and Spirituality Seyyed Hossein Nasr, 1987-02-12 This is the first book in the English language to deal with the spiritual significance of Islamic art including not only the plastic arts, but also literature and music. Rather than only dealing with the history of the various arts of Islam or their description, the author relates the form, content, symbolic language, meaning, and presence of these arts to the very sources of the Islamic revelation. Relying upon his extensive knowledge of the Islamic religion in both its exoteric and esoteric dimensions as well as the various Islamic sciences, the author relates Islamic art to the inner dimensions of the Islamic revelation and the spirituality which has issued from it. He brings out the spiritual significance of the Islamic arts ranging from architecture to music as seen, heard, and experienced by one living within the universe of the Islamic tradition. In this work the reader is made to understand the meaning of Islamic art for those living within the civilization which created it. |
| islamic art and architecture 650 1250: How to Read Islamic Calligraphy Maryam D. Ekhtiar, 2018-09-03 For centuries, Islamic calligraphy has mesmerized viewers with its beauty, sophistication, and seemingly endless variety of styles. How to Read Islamic Calligraphy offers new perspectives on this distinctive art form, using examples from The Met's superlative collections to explore the enduring preeminence of the written word as a means of creative expression throughout the Islamic world. Combining engaging, accessible texts with stunning new photography, How to Read Islamic Calligraphy introduces readers to the major Islamic script types and explains the various contexts, whether secular or sacred, in which each one came to be used. Beauty and brilliance emerge in equal measure from works of every medium, from lavishly illuminated Qur'an manuscripts, to glassware etched with poetic verses, to ceramic tiles brushed with benedictions. The sheer breadth of objects illustrated in these pages exemplifies the ubiquity of calligraphy, and provides a compelling introduction to this unique art form--Publisher's description |
| islamic art and architecture 650 1250: Greek Architecture Arnold W. Lawrence, 1962 |
| islamic art and architecture 650 1250: Muhammad Prophet for our time Karen Armstrong, 2013-06-01 Karen Armstrong adalah penulis yang telah menghasilkan karya-karya gemilang tentang berbagai tradisi agama. Dalam setiap tulisannya, dia menampakkan kepiawaiannya menampilkan kajian yang rumit menjadi bahasan yang memikat dan mudah dimengerti. Penulis yang bermukim di Inggris itu kini menampilkan biografi Nabi Muhammad, yang tentunya membawakan tafsiran yang baru dan mengejutkan yang selalu menjadi kekhasannya. Biografi Nabi Muhammad ini ditulis Karen pertama kali sebagai respons terhadap fatwa Ayatullah Khomeini terhadap Salman Rushdie. Hingga saat itu, kebanyakan literatur Barat menggambarkan Muhammad entah sebagai orang suci yang sempurna atau sebagai penipu ulung. Armstrong berdiri di tengahnya: Muhammad ditampilkannya sebagai seorang luar biasa berbakat, pemberani, dan kompleks. Diperlihatkannya pula betapa karakter dan ide-ide Nabi demikian kuat untuk mengubah sejarah secara drastis dan menarik jutaan pengikut. Dengan mahir Karen menjalinkan di dalam narasinya jejak-jejak awal sejarah panjang permusuhan Barat terhadap Islam. Ditulis dengan riset yang kuat dan berdasarkan sumber-sumber yang berimbang, penggambaran Karen tentang Nabi dengan latar kehadirannya tentu dapat pula mencerahkan pembaca dengan pemahaman baru tentang kejadian-kejadian modern di kancah politik internasional. [Mizan, Agama, nabi, Islam, Karen Amstrong, Indonesia] |
| islamic art and architecture 650 1250: Encyclopedia of Sciences and Religions Anne Runehov, Lluis Oviedo, 2013-05-18 To all who love the God with a 1000 names and respect science” In the last quarter century, the academic field of Science and Theology (Religion) has attracted scholars from a wide variety of disciplines. The question is, which disciplines are attracted and what do these disciplines have to contribute to the debate? In order to answer this question, the encyclopedia maps the (self)-identified disciplines and religious traditions that participate or might come to participate in the Science and Religion debate. This is done by letting each representative of a discipline and tradition answer specific chosen questions. They also need to identify the discipline in relation to the Science and Religion debate. Understandably representatives of several disciplines and traditions answered in the negative to this question. Nevertheless, they can still be important for the debate; indeed, scholars and scientists who work in the field of Science and Theology (Religion) may need knowledge beyond their own specific discipline. Therefore the encyclopedia also includes what are called general entries. Such entries may explain specific theories, methods, and topics. The general aim is to provide a starting point for new lines of inquiry. It is an invitation for fresh perspectives on the possibilities for engagement between and across sciences (again which includes the social and human sciences) and religions and theology. This encyclopedia is a comprehensive reference work for scholars interested in the topic of ‘Science and Religion.’ It covers the widest spectrum possible of academic disciplines and religious traditions worldwide, with the intent of laying bare similarities and differences that naturally emerge within and across disciplines and religions today. The A–Z format throughout affords easy and user-friendly access to relevant information. Additionally, a systematic question-answer format across all Sciences and Religions entries affords efficient identification of specific points of agreement, conflict, and disinterest across and between sciences and religions. The extensive cross-referencing between key words, phrases, and technical language used in the entries facilitates easy searches. We trust that all of the entries have something of value for any interested reader. Anne L.C. Runehov and Lluis Oviedo |
| islamic art and architecture 650 1250: Ritual, Politics, and the City in Fatimid Cairo Paula Sanders, 1994-01-01 This book provides an understanding of the complexities of political legitimacy in Islamic dynasties by examining Fatimid political culture in Egypt reconstructed from court rituals. The author approaches ritual as a dynamic process through which claims to political and religious authority in Islamic societies was articulated, and in which complex negotiations of power have taken place. |
| islamic art and architecture 650 1250: Islamic Monuments in Cairo : The Practical Guide Caroline Williams, 2002 Walks the visitor around two hundred of the city's most interesting Islamic monuments |
| islamic art and architecture 650 1250: Islamic Art and Architecture Issam El-Said, Tarek El-Bouri, 1993 Issam El-Said pinpoints the rules of composition that form the basis of the geometric concepts of Islamic art. He then shows how intricate patterns are based on these basic principles. Fully illustrated in three colors to show the development of the patterns, this book offers an insight into how craftsmen and designers in the Muslim world achieved monumental feats of artistic expression using the simplest of tools. Chapter I presents graphical analyses of numerous complex patterns, to reveal the numerical rationale behind them. In Chapter II, the author analyses the system of measure used in ancient Egypt, before the use of numbers for calculating measurements. He shows how measuring cords and a geometric method based on a grid-pattern originating from the circle were employed by master craftsmen in the design of Islamic art and architecture. The book offers an insight into how craftsmen and designers in the Muslim world have achieved monumental feats of artistic expression with harmony and precision, using the simplest of tools such as a ruler, a string and templates, together with a system of measure that is both simple and sophisticated. |
| islamic art and architecture 650 1250: Music, Sound, and Architecture in Islam Michael Frishkopf, Federico Spinetti, 2018-03-13 Tracing the connections between music making and built space in both historical and contemporary times, Music, Sound, and Architecture in Islam brings together domains of intellectual reflection that have rarely been in dialogue to promote a greater understanding of the centrality of sound production in constructed environments in Muslim religious and cultural expression. Representing the fields of ethnomusicology, anthropology, art history, architecture, history of architecture, religious studies, and Islamic studies, the volume’s contributors consider sonic performances ranging from poetry recitation to art, folk, popular, and ritual musics—as well as religious expressions that are not usually labeled as “music” from an Islamic perspective—in relation to monumental, vernacular, ephemeral, and landscape architectures; interior design; decoration and furniture; urban planning; and geography. Underscoring the intimate relationship between traditional Muslim sonic performances, such as the recitation of the Qur’an or devotional songs, and conventional Muslim architectural spaces, from mosques and Sufi shrines to historic aristocratic villas, gardens, and gymnasiums, the book reveals Islam as an ideal site for investigating the relationship between sound and architecture, which in turn proves to be an innovative and significant angle from which to explore Muslim cultures. |
| islamic art and architecture 650 1250: The Emergence of the Classical Style in Greek Sculpture Richard Neer, 2010-10-22 In this wide-ranging study, Richard Neer offers a new way to understand the epoch-making sculpture of classical Greece. Working at the intersection of art history, archaeology, literature, and aesthetics, he reveals a people fascinated with the power of sculpture to provoke wonder in beholders. Wonder, not accuracy, realism, naturalism or truth, was the supreme objective of Greek sculptors. Neer traces this way of thinking about art from the poems of Homer to the philosophy of Plato. Then, through meticulous accounts of major sculpture from around the Greek world, he shows how the demand for wonder-inducing statues gave rise to some of the greatest masterpieces of Greek art. Rewriting the history of Greek sculpture in Greek terms and restoring wonder to a sometimes dusty subject, The Emergence of the Classical Style in Greek Sculpture is an indispensable guide for anyone interested in the art of sculpture or the history of the ancient world. |
| islamic art and architecture 650 1250: Following Muhammad Carl W. Ernst, 2005-10-12 Avoiding the traps of sensational political exposes and specialized scholarly Orientalism, Carl Ernst introduces readers to the profound spiritual resources of Islam while clarifying diversity and debate within the tradition. Framing his argument in terms of religious studies, Ernst describes how Protestant definitions of religion and anti-Muslim prejudice have affected views of Islam in Europe and America. He also covers the contemporary importance of Islam in both its traditional settings and its new locations and provides a context for understanding extremist movements like fundamentalism. He concludes with an overview of critical debates on important contemporary issues such as gender and veiling, state politics, and science and religion. |
| islamic art and architecture 650 1250: The Formation of Islamic Art Oleg Grabar, 1987-01-01 This classic work on the nature of early Islamic art has now been brought up to date in order to take into consideration material that has recently come to light. In a new chapter, Oleg Grabar develops alternate models for the formation of Islamic art, tightens its chronology, and discusses its implications for the contemporary art of the Muslim world. Reviews of the first edition: Grabar examines the possible ramifications of sociological, economic, historical, psychological, ecological, and archaeological influences upon the art of Islam. . . [He] explains that Islamic art is woven from the threads of an Eastern, Oriental tradition and the hardy, surviving strands of Classical style, and [he] illustrates this web by means of a variety of convincing and well-chosen examples.--Art Bulletin A book of absorbing interest and immense erudition. . . All Islamic archaeologists and scholars will thank Professor Grabar for a profound and original study of an immense and complex field, which may provoke controversy but must impress by its mastery and charm by its modesty.--Times Literary Supplement Oleg Grabar, in this book of exceptional subtlety and taste, surveys and extends his own important contributions to the study of early Islamic art history and works out an original and imaginative approach to the elusive and complex problems of understanding Islamic art.--American Historical Review |
| islamic art and architecture 650 1250: The Topkapi Scroll Gülru Necipoğlu, 1996-03-01 Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representation. She also compares the Islamic understanding of geometry with that found in medieval Western art, making this book particularly valuable for all historians and critics of architecture. The scroll, with its 114 individual geometric patterns for wall surfaces and vaulting, is reproduced entirely in color in this elegant, large-format volume. An extensive catalogue includes illustrations showing the underlying geometries (in the form of incised “dead” drawings) from which the individual patterns are generated. An essay by Mohammad al-Asad discusses the geometry of the muqarnas and demonstrates by means of CAD drawings how one of the scroll’s patterns could be used co design a three-dimensional vault. |
Islam - Wikipedia
The Five Pillars, considered obligatory acts of worship, are the Islamic oath and creed , daily prayers , almsgiving , fasting in the month of Ramadan, and a pilgrimage to Mecca.
Islam | Religion, Beliefs, Practices, & Facts | Britannica
4 days ago · This article deals with the fundamental beliefs and practices of Islam and with the connection of religion and society in the Islamic world. The history of the various peoples who …
Five Pillars, Nation of Islam & Definition - HISTORY
Jan 5, 2018 · In 622, Muhammad traveled from Mecca to Medina with his supporters. This journey became known as the Hijra (also spelled Hegira or Hijrah), and marks the beginning of the …
What is Islam? - IslamiCity
More commonly, the term Muslim refers to one who believes in the Shahadah (the declaration of faith containing the basic creed of Islam) and embraces a lifestyle in accord with Islamic …
Islam - World History Encyclopedia
Nov 25, 2019 · Islam is an Abrahamic-monotheistic religion based upon the teachings of Prophet Muhammad ibn Abdullah (l. 570-632 CE, after whose name Muslims traditionally add “peace …
English Fatwa | Articles | Quran Recitation - Islam web
Islamweb - the largest Islamic and cultural content on the Internet for the users contain fatwa, quran, articles , fiqh , lectures , prayer times , about islam etc
Islam: History, Beliefs, And Modern Significance - WorldAtlas
Jun 3, 2019 · Muslims believe that their sacred text, the Quran, is the absolute word of God as it was revealed to the prophet Muhammad. In the Arabic language Muslim means, “one who …
The Islamic Bulletin - A One Stop For All Your Islamic Needs!
Our mission is to provide free and accurate Islamic education and resources to every household! We offer many free resources such as Introduction to Islam, free eBooks, Muslim Funeral …
Your Essential Guide to Learning About Islam - Learn Religions
Jun 25, 2019 · Muslims are found all over the world, of every nation, color, and race. The most populous Muslim country today is Indonesia, a non-Arab country. Who Is Allah? Allah is the …
What do Muslims believe and do? Understanding the 5 pillars of …
Aug 30, 2021 · There are five pillars – or basic tenets – of Islamic faith. Each of these pillars is an important part of being Muslim.
Islam - Wikipedia
The Five Pillars, considered obligatory acts of worship, are the Islamic oath and creed , daily prayers , almsgiving , fasting in the month of Ramadan, and a pilgrimage to Mecca.
Islam | Religion, Beliefs, Practices, & Facts | Britannica
4 days ago · This article deals with the fundamental beliefs and practices of Islam and with the connection of religion and society in the Islamic world. The history of the various peoples who …
Five Pillars, Nation of Islam & Definition - HISTORY
Jan 5, 2018 · In 622, Muhammad traveled from Mecca to Medina with his supporters. This journey became known as the Hijra (also spelled Hegira or Hijrah), and marks the beginning of the …
What is Islam? - IslamiCity
More commonly, the term Muslim refers to one who believes in the Shahadah (the declaration of faith containing the basic creed of Islam) and embraces a lifestyle in accord with Islamic …
Islam - World History Encyclopedia
Nov 25, 2019 · Islam is an Abrahamic-monotheistic religion based upon the teachings of Prophet Muhammad ibn Abdullah (l. 570-632 CE, after whose name Muslims traditionally add “peace …
English Fatwa | Articles | Quran Recitation - Islam web
Islamweb - the largest Islamic and cultural content on the Internet for the users contain fatwa, quran, articles , fiqh , lectures , prayer times , about islam etc
Islam: History, Beliefs, And Modern Significance - WorldAtlas
Jun 3, 2019 · Muslims believe that their sacred text, the Quran, is the absolute word of God as it was revealed to the prophet Muhammad. In the Arabic language Muslim means, “one who …
The Islamic Bulletin - A One Stop For All Your Islamic Needs!
Our mission is to provide free and accurate Islamic education and resources to every household! We offer many free resources such as Introduction to Islam, free eBooks, Muslim Funeral …
Your Essential Guide to Learning About Islam - Learn Religions
Jun 25, 2019 · Muslims are found all over the world, of every nation, color, and race. The most populous Muslim country today is Indonesia, a non-Arab country. Who Is Allah? Allah is the …
What do Muslims believe and do? Understanding the 5 pillars of …
Aug 30, 2021 · There are five pillars – or basic tenets – of Islamic faith. Each of these pillars is an important part of being Muslim.
