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jane eyre wide sargasso sea: Wide Sargasso Sea Jean Rhys, 1992 A considerable tour de force by any standard. ?New York Times Book Review |
jane eyre wide sargasso sea: The Cambridge Introduction to Jean Rhys Elaine Savory, 2009-04-02 Since her death in 1979, Jean Rhys's reputation as an important modernist author has grown. Her finely crafted prose fiction lends itself to multiple interpretations from radically different critical perspectives; formalism, feminism, and postcolonial studies among them. This Introduction offers a reliable and stimulating account of her life, work, contexts and critical reception. Her masterpiece, Wide Sargasso Sea, is analyzed together with her other novels, including Quartet and After Leaving Mr Mackenzie, and her short stories. Through close readings of the works, Elaine Savory reveals their common themes and connects these to different critical approaches. The book maps Rhys's fictional use of the actual geography of Paris, London and the Caribbean, showing how key understanding her relationships with the metropolitan and colonial spheres is to reading her texts. In this invaluable introduction for students, Savory explains the significance of Rhys as a writer both in her lifetime and today. |
jane eyre wide sargasso sea: The Sense and Sensibility of Madness Doreen Bauschke, Anna Klambauer, 2018-11-05 This volume explores the intriguing ontological ambiguities of madness in literature and the arts. Despite its association with a diseased/abnormal mind, there can be much sense and sensibility in madness. Daring to break free from the dictates of normalcy, madwomen and madmen disrupt the status quo. Yet, as they venture into unchartered or prohibited terrain, they may also unleash the liberatory and transformative potential of unrestrained madness. Contributors are Doreen Bauschke, Teresa Bell, Isil Ezgi Celik, Terri Jane Dow, Peter Gunn, Anna Klambauer, Rachel A. Sims and Ruxanda Topor. |
jane eyre wide sargasso sea: All Hallows at Eyre Hall Luccia Gray, 2014-05-02 Experience the mystery and magic of a Victorian Gothic Romance, set in Eyre Hall, and rediscover the charm of Jane Eyre in this stunning sequel. Twenty-two years after her marriage to Edward Rochester, Jane is coping with the imminent death of her bedridden husband, while Richard Mason, Rochester's first wife's brother, has returned from Jamaica, revealing unspeakable secrets once again, and drawing Jane into a complex conspiracy. Everything Jane holds dear is threatened. Who was the man she thought she loved? What is she prepared to do to safeguard her family and preserve her own stability? |
jane eyre wide sargasso sea: The Imperial Archive Thomas Richards, 1993-11-17 Argues that by meeting the vast administrative challenge of the British Empire - thorough maps and surveys, censuses and statistics - Victorian administrators developed a new symbiosis of knowledge and power. The book draws on works by Rudyard Kipling, H.G. Wells and Bram Stoker. |
jane eyre wide sargasso sea: Good Morning, Midnight Jean Rhys, 1986 A woman encounters a life filled with desires and emotions when she returns to Paris after suffering from a bout of depression and alcoholism in London. |
jane eyre wide sargasso sea: "Wide Sargasso Sea" by Jean Rhys as a Postcolonial Response to "Jane Eyre" by Charlotte Bronte Malgorzata Swietlik, 2011 Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 2,00, University of Koblenz-Landau (Anglistik), course: Colonial and Postcolonial Literatures, language: English, abstract: Wide Sargasso Sea is one of the best-known literary postcolonial replies to the writing of Charlotte Bronte and a brilliant deconstruction of what is known as the author's worlding in Jane Eyre. The novel written by Jean Rhys tells the story of Jane Eyre's protagonist, Edward Rochester. The plot takes place in West Indies where Rochester met his first wife, Bertha Antoinette Mason. Wide Sargasso Sea influences the common reading and understanding of the matrix novel, as it rewrites crucial parts of Jane Eyre. The heroine in Jean Rhys's Wide Sargasso Sea, Antoinette Cosway, is created out of demonic and bestialic Bertha Mason from Jane Eyre. Rhys's great achievement in her re-writing of the Bronte's text is her creation of a double to the madwoman from Jane Eyre. The heroine of Wide Sargasso Sea, the beautiful Antoinette Cosway, heiress of the post-emancipation fortune is created out of the demonc and bestialic Bertha Mason. The author transforms the first Mrs Rochester into an individual figure whose madness is caused by imperialistic and patriarchal oppression The vision of Bertha/Antoinette as an insane offspring from a family plagued by madness is no longer plausible to the reader. In this essay I would like to focus the factors which led to the madness of the protagonist. Although Bertha Mason and Jane Eyre seem to be enemies and contradictory characters in the Victorian novel, many critics find several similarities between the two heroines, their life and finally between Jane Eyre and Wide Sargasso Sea. Seeing Jane Eyre and Antoinette Cosway as sisters and doubles is very popular with some critics who dealt with the works of Charlotte Bronte and Jean Rhys. Nevertheless, I would like to focus in this essay on Gayatri Chakravort |
jane eyre wide sargasso sea: The Madwoman in the Attic Sandra M. Gilbert, Susan Gubar, 2020-03-17 Called a feminist classic by Judith Shulevitz in the New York Times Book Review, this pathbreaking book of literary criticism is now reissued with a new introduction by Lisa Appignanesi that speaks to how The Madwoman in the Attic set the groundwork for subsequent generations of scholars writing about women writers, and why the book still feels fresh some four decades later. Gilbert and Gubar have written a pivotal book, one of those after which we will never think the same again.--Carolyn G. Heilbrun, Washington Post Book World |
jane eyre wide sargasso sea: The Ruin of a Rake Cat Sebastian, 2017-07-04 A 2017 RT Reviewer's Choice Nominee for Best Digital Historical! One of Goodreads' Best Romances of July A RT Book Review Top Pick! “Sebastian proves she is a new force to be reckoned with in historical romances.”—Booklist Rogue. Libertine. Rake. Lord Courtenay has been called many things and has never much cared. But after the publication of a salacious novel supposedly based on his exploits, he finds himself shunned from society. Unable to see his nephew, he is willing to do anything to improve his reputation, even if that means spending time with the most proper man in London. Julian Medlock has spent years becoming the epitome of correct behavior. As far as he cares, if Courtenay finds himself in hot water, it’s his own fault for behaving so badly—and being so blasted irresistible. But when Julian’s sister asks him to rehabilitate Courtenay’s image, Julian is forced to spend time with the man he loathes—and lusts after—most. As Courtenay begins to yearn for a love he fears he doesn’t deserve, Julian starts to understand how desire can drive a man to abandon all sense of propriety. But he has secrets he’s determined to keep, because if the truth came out, it would ruin everyone he loves. Together, they must decide what they’re willing to risk for love. |
jane eyre wide sargasso sea: Dinosaurs on Other Planets Danielle McLaughlin, 2016 In a raw seacoast cabin, a young woman watches her boyfriend go out with his brother, late one night, on a mysterious job she realizes she isn t supposed to know about. A man gets a call at work from his sister-in-law, saying that his wife and his daughter never made it to nursery school that day. A mother learns that her teenage daughter has told a teacher about problems in her parents marriage that were meant to be private problems the mother herself tries to ignore. McLaughlin conveys these characters so vividly that readers will feel they are experiencing real life. Often the stories turn on a single, fantastic moment of clarity after which nothing can be the same.-- |
jane eyre wide sargasso sea: Wide Sargasso Sea at 50 Elaine Savory, Erica L. Johnson, 2020-11-03 This book revisits Jean Rhys’s ground-breaking 1966 novel to explore its cultural and artistic influence in the areas of not only literature and literary criticism, but fashion design, visual art, and the theatre as well. Building on symposia that were held in London and New York in 2016 in honour of the novel’s half-century, this collection demonstrates just how timely Rhys’s insights into colonial history, sexual relations, and aesthetics continue to be. The chapters include an extensive interview with novelist Caryl Phillips, who in 2018 published a novel about Rhys’s life, an account of how Wide Sargasso Sea can be read through the lens of the #MeToo Movement, a clothing line inspired by the novel, and new critical directions. As both a celebration and scholarly evaluation, the collection shows how enduring Rhys’s novel is in its continuing literary influence and social commentary. |
jane eyre wide sargasso sea: The Postcolonial Rewriting of Colonial Stories Christina Münzner, 2010 |
jane eyre wide sargasso sea: Penguin Student Edition Wide Sargasso Sea Jean Rhys, 2001-05-01 Jean Rhys's late, literary masterpiece Wide Sargasso Sea was inspired by Charlotte Brontë's Jane Eyre, and is set in the lush, beguiling landscape of Jamaica in the 1830s. Born into an oppressive, colonialist society, Creole heiress Antoinette Cosway meets a young Englishman who is drawn to her innocent sensuality and beauty. After their marriage the rumours begin, poisoning her husband against her. Caught between his demands and her own precarious sense of belonging, Antoinette is driven towards madness. |
jane eyre wide sargasso sea: Rochester and Bertha in "Jane Eyre" and "Wide Sargasso Sea": An Impossible Match Laura Deneke, 2007-11 Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 1.0, The University of North Carolina at Chapel Hill, course: The Victorian Afterlife, 12 entries in the bibliography, language: English, abstract: Bertha Mason in Charlotte Bront 's Jane Eyre is a character without history or personality. She is depicted as a mere beast, bent on destroying her husband. The reader knows -and dreads- her from both Jane's and Rochester's perspective. Rochester claims that Bertha's lunacy was the sole trigger for the disaster that followed, but the narration reveals hints that suggest other factors may have contributed to the destruction of their marriage. Jean Rhys proposed a past for Bertha and her husband. Her novel Wide Sargasso Sea creates a life for Bertha, on the background of which her madness is neither surprising nor inevitable. Whereas there is no doubt that she does become insane at the end of Rhys's novel, the reason for this is not her evil nature but a destructive relationship along with her transportation away from everything she ever knew into the cold of England. Wide Sargasso Sea is more than a prequel to a famous Victorian novel. It speaks out not only for Bertha but for all the other West Indian women who found themselves in similar situations. |
jane eyre wide sargasso sea: Jean Rhys's Historical Imagination Veronica Marie Gregg, 2017-11-01 As the foremost white West Indian writer of this century and author of the widely acclaimed novel Wide Sargasso Sea, Jean Rhys (1890-1979) has attracted much critical attention, most often from the perspective of gender analysis. Veronica Gregg extends our critical appreciation of Rhys by analyzing the complex relationship between Rhys's identity and the structures of her fiction, and she reveals the ways in which this relationship is connected to the history of British colonization of the West Indies. Gregg focuses on Rhys as a writer--a Creole woman analyzing the question of identity through literary investigations of race, gender, and colonialism. Arguing that history itself can be a site where different narratives collide and compete, she explores Rhys's rewriting of the historical discourses of the West Indies and of European canonical texts, such as Rhys's treatment of Jane Eyre in Wide Sargasso Sea. Gregg's analysis also reveals the precision with which Rhys crafted her work and her preoccupation with writing as performance. |
jane eyre wide sargasso sea: After Leaving Mr. Mackenzie Jean Rhys, 1997 Julia Martin is in Paris and at the end of her rope. Once beautiful, she was taken care of by men. Now after being dropped by her latest lover, she visits London to see her ailing mother and meets up with her distrustful sister, Norah. This is a haunting picture of two desperate women in a desperate predicament. |
jane eyre wide sargasso sea: Re Jane Patricia Park, 2016-04-19 Jane Re--a half-Korean, half-American orphan--takes a position as an au pair for two Brooklyn academics and their daughter, but a brief sojourn in Seoul, where she reconnects with family, causes her to wonder if the man she loves is really the man for her as she tries to find balance between two cultures. |
jane eyre wide sargasso sea: Becoming Jane Eyre Sheila Kohler, 2011-08-18 The year is 1846. In a cold parsonage on the gloomy Yorkshire moors, a family seems cursed with disaster. A mother and two children dead. A father sick, without fortune, and hardened by the loss of his two most beloved family members. A son destroyed by alcohol and opiates. And three strong, intelligent young women, reduced to poverty and spinsterhood, with nothing to save them from their fate. Nothing, that is, except their remarkable literary talent. So unfolds the story of the Brontë sisters. At its centre are Charlotte and the writing of Jane Eyre. Delicately unraveling the connections between one of fiction's most indelible heroines and the remarkable woman who created her, Sheila Kohler's Becoming Jane Eyre will appeal to fans of historical fiction and, of course, the millions of readers who adore Jane Eyre. |
jane eyre wide sargasso sea: Voyage in the Dark Jean Rhys, 2020 Prescient and technically astonishing. --Geoff Dyer, GQ |
jane eyre wide sargasso sea: The Heart to Artemis Bryher, 2017-04-07 Bryher (1894-1985)—adventurer, novelist, publisher—flees Victorian Britain for the raucous streets of Cairo and sultry Parisian cafes. Amidst the intellectual circles of the twenties and thirties, she develops relationships with Marianne Moore, Freud, Paul Robeson, her longtime partner H.D., Stein, and others. This compelling memoir, first published in 1962, reveals Bryher’s exotic childhood, her impact on modernism, and her sense of social justice by helping over 100 people escape from the Nazis. “A work so rich in interest, so direct, revealing, and, above all, thought-provoking that this reader found it the most consistently exciting book of its kind to appear in many years.”—The New York Times |
jane eyre wide sargasso sea: A Breath of Fresh Eyre Margarete Rubik, Elke Mettinger-Schartmann, 2007 Contributions review a diverse range of works, from postcolonial revision to postmodern fantasy, from imaginary after-lives to science fiction, from plays and Hollywood movies to opera, from lithographs and illustrated editions to comics and graphic novels. |
jane eyre wide sargasso sea: Adaptation and Appropriation Julie Sanders, 2015-11-19 From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. In this new edition Adaptation and Appropriation explores: multiple definitions and practices of adaptation and appropriation the cultural and aesthetic politics behind the impulse to adapt the global and local dimensions of adaptation the impact of new digital technologies on ideas of making, originality and customization diverse ways in which contemporary literature, theatre, television and film adapt, revise and reimagine other works of art the impact on adaptation and appropriation of theoretical movements, including structuralism, post-structuralism, postcolonialism, postmodernism, feminism and gender studies the appropriation across time and across cultures of specific canonical texts, by Shakespeare, Dickens, and others, but also of literary archetypes such as myth or fairy tale. Ranging across genres and harnessing concepts from fields as diverse as musicology and the natural sciences, this volume brings clarity to the complex debates around adaptation and appropriation, offering a much-needed resource for those studying literature, film, media or culture. |
jane eyre wide sargasso sea: Jean Rhys Thomas F Staley, 1979-11-15 |
jane eyre wide sargasso sea: An Enhanced Reading of Jean Rhys' "Wide Sargasso Sea". Considering Source Texts Other than "Jane Eyre" Sophia Sharpe, 2016-04-12 Essay from the year 2012 in the subject English Language and Literature Studies - Comparative Literature, grade: Distinction, The Open University, course: M.A. English, language: English, abstract: This essay interrogates the way in which Jean Rhys utilises a backdrop of potent gothic mechanisms and echoes the stricken anarchy of post emancipation colonial rule in 'Wide Sargasso Sea' to enhance the audience’s reading and to enable her protagonist to hold a slanted mirror to the world of 'Jane Eyre'. Rhys utilises a backdrop of potent gothic mechanisms and echoes the stricken anarchy of post emancipation colonial rule in her writing to enhance the audience’s reading and to enable her protagonist to hold a slanted mirror to the world of 'Jane Eyre'. At first, it seems incongruous that the vibrant, post colonialist backdrop of 'Wide Sargasso Sea', soaked by the ‘brazen sun’ (1) should be so richly entangled with the shadowy landscapes of the European gothic. 'Jane Eyre' is punctuated by claustrophobic English imagery to add an atmospheric sense of terror, particularly noticeable in Brontë’s description of the violent Thornfield countryside, where the landscape seems animated by some nameless, feral horror; the beck is ‘a torrent, turbid and curbless: it tore asunder the wood, and sent a raving sound through the air, often thickened with wild rain or whirling sleet; and for the forest on its banks, that showed only ranks of skeleton.’ (p.64) |
jane eyre wide sargasso sea: Difficult Women David Plante, 2017-09-26 David Plante's dazzling portraits of three influential women in the literary world, now back in print for the first time in decades. Difficult Women presents portraits of three extraordinary, complicated, and, yes, difficult women, while also raising intriguing and, in their own way, difficult questions about the character and motivations of the keenly and often cruelly observant portraitist himself. The book begins with David Plante’s portrait of Jean Rhys in her old age, when the publication of The Wide Sargasso Sea, after years of silence that had made Rhys’s great novels of the 1920s and ’30s as good as unknown, had at last gained genuine recognition for her. Rhys, however, can hardly be said to be enjoying her new fame. A terminal alcoholic, she curses and staggers and rants like King Lear on the heath in the hotel room that she has made her home, while Plante looks impassively on. Sonia Orwell is his second subject, a suave exploiter and hapless victim of her beauty and social prowess, while the unflappable, brilliant, and impossibly opinionated Germaine Greer sails through the final pages, ever ready to set the world, and any erring companion, right. |
jane eyre wide sargasso sea: Sea, Swallow Me and Other Stories Craig Laurance Gidney, 2008 Ancient folklore and modern myth come together in these stories by author Craig Laurance Gidney. Here are found the struggles of a medieval Japanese monk, seduced by a mischievous fairy, and a young slave who finds mystery deep within the briar patch of an antebellum plantation. Gidney offers readers a gay teen obsessed with his patron saint, Lena Horne, and, in the title story, an ailing tourist seeking escape at a distant shore but never reckons on encountering an African sea god. Rich, poetic, dark and disturbing, these are tales not soon forgotten. A finalist for the Lambda Literary Award. |
jane eyre wide sargasso sea: Jane Slayre Charlotte Bronte, Sherri Browning Erwin, 2010-04-29 'Reader, I buried him.' So begins Sherri Browning Erwin's affectionate, funny and brilliantly clever monster mash-up of everyone's favourite literary classic. Mrs Reed and her children are vampires, Lowood is run by a voodoo headmaster who is turning his pupils into the walking dead, Mr Rochester's first wife is a werewolf, and Jane must learn to embrace her destiny as a slayer of evil before she can win her heart's desire. What's not to love? Jane Slayreis the one classic which can give Pride and Prejudice and Zombiesa run for its money, and Sherri Browning Erwin's masterful take on a timeless tale will delight monster fans and lovers of Charlotte Bronte alike. |
jane eyre wide sargasso sea: Prospero's Daughter Elizabeth Nunez, 2016-10-25 Set on a Caribbean island in the grip of colonialism, this novel is “masterful . . . simply wonderful . . . [an] exquisite retelling of The Tempest” (Kirkus Reviews, starred review). When Peter Gardner’s ruthless medical genius leads him to experiment on his unwitting patients—often at the expense of their lives—he flees England, seeking an environ where his experiments might continue without scrutiny. He arrives with his three-year-old-daughter, Virginia, in Chacachacare, an isolated island off the coast of Trinidad, in the early 1960s. Gardner considers the locals to be nothing more than savages. He assumes ownership of the home of a servant boy named Carlos, seeing in him a suitable subject for his amoral medical work. Nonetheless, he educates the boy alongside Virginia. As Virginia and Carlos come of age together, they form a covert relationship that violates the outdated mores of colonial rule. When Gardner unveils the pair’s relationship and accuses Carlos of a monstrous act, the investigation into the truth is left up to a curt, stonehearted British inspector, whose inquiries bring to light a horrendous secret. At turns epic and intimate, Prospero's Daughter, from American Book Award winner Elizabeth Nunez, uses Shakespeare’s play as a template to address questions of race, class, and power, in the story of an unlikely bond between a boy and a girl of disparate backgrounds on a verdant Caribbean island during the height of tensions between the native population and British colonists. “Gripping and richly imagined . . . a master at pacing and plotting . . . an entirely new story that is inspired by Shakespeare, but not beholden to him.” —The New York Times Book Review “Absorbing . . . [Nunez] writes novels that resound with thunder and fury.” —Essence “A story about the transformative power of love . . . Readers are sure to enjoy the journey.” —Black Issues Book Review (Novel of the Year) |
jane eyre wide sargasso sea: Stet Diana Athill, 2014-10-15 A New York Times Notable Book: This memoir of a career in book publishing “should please anyone who cares about twentieth-century literature” (The Washington Post Book World). For nearly five decades, Diana Athill edited (nursed, coerced, coaxed) some of the most celebrated writers in the English language, among them V. S. Naipaul, Philip Roth, John Updike, Jean Rhys, Mordecai Richler, Molly Keane, and Norman Mailer. A founding editor of the prestigious publishing house André Deutsch Ltd., Athill takes us on a guided tour through the corridors of literary London, offering a keenly observed, devilishly funny, and always compassionate insider’s portrait of the glories and pitfalls of making books—spiced with candid insights about the type of people who make brilliant writers and ingenious publishers, and the idiosyncrasies of both. It is both “wryly humorous” (The New York Times Book Review) and “full of history, wisdom, and dirt” (The Boston Globe). “This is not literary life as we know it today—huge advances, showbiz and vast conglomerates—but the world of small literary houses . . . An enveloping blast of nostalgia: read and marvel at what we (all of us) are missing.” —Marie Claire “A beautifully written, hard-headed, and generally insightful look back at the heyday of post-war London publishing by a woman who was at its center for nearly half a century.” —The Washington Times “Witty and astute . . . The literarily curious will find [her] portraits of leading contemporary authors irresistible.” —Publishers Weekly |
jane eyre wide sargasso sea: Nonbinary Micah Rajunov, A. Scott Duane, 2019-04-09 What happens when your gender doesn’t fit neatly into the categories of male or female? Even mundane interactions like filling out a form or using a public bathroom can be a struggle when these designations prove inadequate. In this groundbreaking book, thirty authors highlight how our experiences are shaped by a deeply entrenched gender binary. The powerful first-person narratives of this collection show us a world where gender exists along a spectrum, a web, a multidimensional space. Nuanced storytellers break away from mainstream portrayals of gender diversity, cutting across lines of age, race, ethnicity, ability, class, religion, family, and relationships. From Suzi, who wonders whether she’ll ever “feel” like a woman after living fifty years as a man, to Aubri, who grew up in a cash-strapped fundamentalist household, to Sand, who must reconcile the dual roles of trans advocate and therapist, the writers’ conceptions of gender are inextricably intertwined with broader systemic issues. Labeled gender outlaws, gender rebels, genderqueer, or simply human, the voices in Nonbinary illustrate what life could be if we allowed the rigid categories of “man” and “woman” to loosen and bend. They speak to everyone who has questioned gender or has paused to wonder, What does it mean to be a man or a woman—and why do we care so much? |
jane eyre wide sargasso sea: Jean Rhys Carole Angier, 2011-02 'An acute literary intelligence ... the reader comes to trust instinctively Angier's assessments.' New York Times Jean Rhys (1890-1979) had a long life of great difficulty. So inept was she in its management that her authority as the writer of five beautifully shaped and controlled novels appears mysterious: how could someone so bad at living be so good at writing about it? Carole Angier answers this question. Jean Rhys never denied that she used her own experience in her writings, but no one hitherto has understood so well the nature of, and reasons for, this use. On her way to understanding, Carole Angier discovered more about the life than seemed possible. Jean Rhys's childhood, her momentous first love affair, her three marriages, the disasters which befell her husbands, her drinking and its consequences: all are shown with unsparing clarity. Equally clearly, and more importantly, we see the dynamics of her personality as it underwent, and sometimes provoked, these experiences. Sometimes what is revealed is shocking; but Carole Angier's sympathy and compassion dispel dismay, and her brilliant demonstrations of how art was made of events and emotions restores admiration on foundations which are stronger than ever. Jean Rhys did not want anyone to write about her, but this first full biography put beyond question her standing as a great writer of our time, written with an intensity and clarity which mirrors her own. It is a work of exceptional intimacy, sensitivity and power. 'Remarkable, the definitive biography. It is deeply researched, subtle, sympathetic.' Claire Tomalin Independent on Sunday 'Mesmerising.' Washington Post |
jane eyre wide sargasso sea: Jack Maggs Peter Carey, 2007-12-18 The Booker Prize-winning author of Oscar and Lucinda returns to the nineteenth century in an utterly captivating mystery. The year is 1837 and a stranger is prowling London. He is Jack Maggs, an illegal returnee from the prison island of Australia. He has the demeanor of a savage and the skills of a hardened criminal, and he is risking his life on seeking vengeance and reconciliation. Installing himself within the household of the genteel grocer Percy Buckle, Maggs soon attracts the attention of a cross section of London society. Saucy Mercy Larkin wants him for a mate. The writer Tobias Oates wants to possess his soul through hypnosis. But Maggs is obsessed with a plan of his own. And as all the various schemes converge, Maggs rises into the center, a dark looming figure, at once frightening, mysterious, and compelling. Not since Caleb Carr's The Alienist have the shadowy city streets of the nineteenth century lit up with such mystery and romance. |
jane eyre wide sargasso sea: Reclaiming Difference Carine M. Mardorossian, 2005 In Reclaiming Difference, Carine Mardorossian examines the novels of four women writers--Jean Rhys (Dominica/UK), Maryse Condé (Guadeloupe/USA), Edwidge Danticat (Haiti/USA), and Julia Alvarez (Dominican Republic/USA)--showing how their writing has radically reformulated the meanings of the national, geographical, sexual, and racial concepts through which postcolonial studies has long been configuring difference. Coming from the anglophone, francophone, and hispanophone Caribbean, these writers all stage and identify with transcultural experiences that undermine the usual classification of literary texts in terms of national and regional literatures, and by doing so they challenge the idea that racial and cultural identities function as stable points of reference in our unstable world. Focusing on the transformations that have taken place in postcolonial studies since the field began to focus on theory, Mardorossian highlights not only how these writers make use of the styles of creolization and hybridity that have dominated Caribbean and postcolonial studies in recent years but also how they distinguish themselves from the movement's leading figures by offering new articulations of the ties that link race and nation to gender and class. She illuminates how these writers extend the notion of hybridity away from racial and cultural differences in isolation from each other to a set of crisscrossing categories that challenge our simpler, normative figurations. For scholars in postcolonial studies, Caribbean studies, literary feminist studies, and studies in comparative literature, Reclaiming Difference represents a new phase in postcolonial studies that calls for a fundamental rethinking of the field's terminology and assumptions. |
jane eyre wide sargasso sea: Mr. Rochester Sarah Shoemaker, 2018-03-20 A CRACKING-GOOD READ!--People, Best New Books A deft and irresistible retelling of Charlotte Brontë's beloved classic Jane Eyre--from the point of view of the dashing, mysterious Mr. Rochester himself. For 170 years, Edward Fairfax Rochester has stood as one of literature's most complex and captivating romantic heroes. Sometimes cruel, sometimes tender, Jane Eyre's mercurial master at Thornfield Hall has mesmerized, beguiled, and, yes, baffled fans of Charlotte Brontë's masterpiece for generations. But his own story has never been told. We first meet this brilliant, tormented hero as a motherless boy roaming Thornfield's lonely corridors. On the morning of Edward's eighth birthday, his father issues a decree: He is to be sent away to get an education, exiled from all he ever loved. Young Edward's journey will take him across working-class England and the decadence of continental Europe before he lands on the warm, languid shores of faraway Jamaica, where his inheritance lies. That island, however, holds secrets of its own, and Edward soon grows entangled in morally dubious business dealings and a passionate, whirlwind love affair with the town's ravishing heiress, Bertha Antoinetta Mason. Eventually, in the wake of a devastating betrayal, Edward must return to England with his increasingly unstable wife to take over as master of Thornfield. And it is there, on a twilight ride, that he meets the stubborn, plain young governess who will steal his heart and teach him how to love again. MR. ROCHESTER is a sweeping coming-of-age story and a stirring tale of adventure, romance, and deceit. Faithful in every particular to Brontë's original yet full of unexpected twists and riveting behind-the-scenes drama, this novel will completely, deliciously, and forever change how we read and remember Jane Eyre. *Includes reading group guide* |
jane eyre wide sargasso sea: ISIS Masood Raja, 2019-02-13 Relying on a thorough understanding of the role of ideology, discourse, and framing, this volume discusses ISIS as an Islamist ideological organization, and examines its philosophical scaffolding within the material conditions produced by neoliberal capital. As Raja asserts, it is this nexus of specifically retrieved Islamic history and the current global economic system that creates the kind of social identity ideally suited for ISIS. The combination of the historical narratives and the contemporary means of communication enables ISIS to frame and spread its message, recruit its adherents, and replicate itself. While many scholarly and journalistic works on ISIS provide a wealth of information, not many elaborate on the terms that are often invoked in these writings. For example, scholars often use the term Salafi-Jihadi but they do not provide a comprehensive explanation of such concept within the same text. This book not only provides an explanation of the instructive terms used to explain the ISIS phenomenon, but also asserts that only one school of thought in Islam [The Sunni Wahabis] is likely to be the ideal target for ISIS recruitment. This claim, of course, does not rely on an essentialized pathology of Wahabi Sunnis, but provides an explanation of the Wahabi Islam as a proverbial slippery slope, as an absolutely necessary first step for an individual's transformation into an ISIS fighter. Written in a clear and direct style, this volume provides scholars and lay readers alike with a deeper understanding of ISIS and its strategies of recruitment and self sustenance. |
jane eyre wide sargasso sea: The Absent-Minded Imperialists Bernard Porter, 2004-11-25 The British empire was a huge enterprise. To foreigners it more or less defined Britain in the nineteenth and early twentieth centuries. Its repercussions in the wider world are still with us today. It also had a great impact on Britain herself: for example, on her economy, security, population, and eating habits. One might expect this to have been reflected in her society and culture. Indeed, this has now become the conventional wisdom: that Britain was steeped in imperialism domestically, which affected (or infected) almost everything Britons thought, felt, and did. This is the first book to examine this assumption critically against the broader background of contemporary British society. Bernard Porter, a leading imperial historian, argues that the empire had a far lower profile in Britain than it did abroad. Many Britons could hardly have been aware of it for most of the nineteenth century and only a small number was in any way committed to it. Between these extremes opinions differed widely over what was even meant by the empire. This depended largely on class, and even when people were aware of the empire, it had no appreciable impact on their thinking about anything else. Indeed, the influence far more often went the other way, with perceptions of the empire being affected (or distorted) by more powerful domestic discourses. Although Britain was an imperial nation in this period, she was never a genuine imperial society. As well as showing how this was possible, Porter also discusses the implications of this attitude for Britain and her empire, and for the relationship between culture and imperialism more generally, bringing his study up to date by including the case of the present-day USA. |
jane eyre wide sargasso sea: Rush Oh! Shirley Barrett, 2016-03-22 An impassioned, charming, and hilarious debut novel about a young woman's coming-of-age, during one of the harshest whaling seasons in the history of New South Wales. 1908: It's the year that proves to be life-changing for our teenage narrator, Mary Davidson, tasked with providing support to her father's boisterous whaling crews while caring for five brothers and sisters in the wake of their mother's death. But when the handsome John Beck -- a former Methodist preacher turned novice whaler with a mysterious past -- arrives at the Davidson's door pleading to join her father's crews, suddenly Mary's world is upended. As her family struggles to survive the scarcity of whales and the vagaries of weather, and as she navigates sibling rivalries and an all-consuming first love for the newcomer John, nineteen-year-old Mary will soon discover a darker side to these men who hunt the seas, and the truth of her place among them. Swinging from Mary's own hopes and disappointments to the challenges that have beset her family's whaling operation, Rush Oh! is an enchanting blend of fact and fiction that's as much the story of its gutsy narrator's coming-of-age as it is the celebration of an extraordinary episode in history. |
jane eyre wide sargasso sea: Smile Please Jean Rhys, 2016-11-03 |
jane eyre wide sargasso sea: Jane Steele Lyndsay Faye, 2016-03-22 The reimagining of Jane Eyre as a gutsy, heroic serial killer that The New York Times Book Review calls “wonderfully entertaining” and USA Today describes as “sheer mayhem meets Victorian propriety”—nominated for the 2017 Edgar Award for Best Novel. “Reader, I murdered him.” A sensitive orphan, Jane Steele suffers first at the hands of her spiteful aunt and predatory cousin, then at a grim school where she fights for her very life until escaping to London, leaving the corpses of her tormentors behind her. After years of hiding from the law while penning macabre “last confessions” of the recently hanged, Jane thrills at discovering an advertisement. Her aunt has died and her childhood home has a new master: Mr. Charles Thornfield, who seeks a governess. Burning to know whether she is in fact the rightful heir, Jane takes the position incognito and learns that Highgate House is full of marvelously strange new residents—the fascinating but caustic Mr. Thornfield, an army doctor returned from the Sikh Wars, and the gracious Sikh butler Mr. Sardar Singh, whose history with Mr. Thornfield appears far deeper and darker than they pretend. As Jane catches ominous glimpses of the pair’s violent history and falls in love with the gruffly tragic Mr. Thornfield, she faces a terrible dilemma: Can she possess him—body, soul, and secrets—without revealing her own murderous past? “A thrill ride of a novel. A must read for lovers of Jane Eyre, dark humor, and mystery.”—PopSugar.com |
jane eyre wide sargasso sea: Overcoat And Other Tales Of Good And Evil Николай Васильевич Гоголь, 1965 Six short stories probe the mind of man to reveal his hidden motives. |
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