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| james m cain mildred pierce: Mildred Pierce James M. Cain, 1989-05-14 In Mildred Pierce, noir master James M. Cain creates a novel of acute social observation and devasting emotional violence, with a heroine whose ambitions and sufferings are never less than recognizable. Mildred Pierce had gorgeous legs, a way with a skillet, and a bone-deep core of toughness. She used those attributes to survive a divorce and poverty and to claw her way out of the lower middle class. But Mildred also had two weaknesses: a yen for shiftless men, and an unreasoning devotion to a monstrous daughter. |
| james m cain mildred pierce: Mildred Pierce James Mallahan Cain, 1941 Mildred Pierce is the story of a determined and ambitious woman who, after her feckless husband abandons her, by hard work and sacrifice builds a successful business to ensure the future of her pampered and selfish daughter. But she isn't prepared for the intrigues and devastating betrayals of those closest to her. This is James M. Cain's most substantial novel and a classic of the Depression years. |
| james m cain mildred pierce: Mildred Pierce James M. Cain, 1976 Mildred Pierce had gorgeous legs, a way with a skillet, and a bone-deep core of toughness. She used those attributes to survive a divorce in 1940s America and to claw her way out of poverty. |
| james m cain mildred pierce: The Cocktail Waitress James M. Cain, 2012-09-18 Following her husband's death in a suspicious car accident, beautiful young widow Joan Medford is forced to take a job serving drinks in a cocktail lounge to make ends meet and to have a chance of regaining custody of her young son. At the job she encounters two men who take an interest in her, a handsome young schemer who makes her blood race and a wealthy but unwell older man who rewards her for her attentions with a $50,000 tip and an unconventional offer of marriage... The last, lost crime novel by one of the greatest noir novelists of all time, author of Mildred Pierce, Double Indemnity, and The Postman Always Rings Twice. Now published for the very first time - including an afterword by editor Charles Ardai! |
| james m cain mildred pierce: Mildred Pierce James M. Cain, 1947 Mildred Pierce had gorgeous legs, a way with a skillet, and a bone-deep core of toughness. She used those attributes to survive a divorce and poverty and to claw her way out of the lower middle class. But Mildred also had two weaknesses: a yen for shiftless men, and an unreasoning devotion to a monstrous daughter. Out of these elements, Cain creates a novel of acute social observation and devastating emotional violence, with a heroine whose ambitions and sufferings are never less than recognizable. |
| james m cain mildred pierce: The Postman Always Rings Twice James M. Cain, 2010-11-03 The bestselling sensation—and one of the most outstanding crime novels of the 20th century—that was banned in Boston for its explosive mixture of violence and eroticism, and acknowledged by Albert Camus as the model for The Stranger. The basis for the acclaimed 1946 film. An amoral young tramp. A beautiful, sullen woman with an inconvenient husband. A problem that has only one grisly solution—a solution that only creates other problems that no one can ever solve. First published in 1934, The Postman Always Rings Twice is a classic of the roman noir. It established James M. Cain as a major novelist with an unsparing vision of America's bleak underside and was acknowledged by Albert Camus as the model for The Stranger. |
| james m cain mildred pierce: Dead Man James M. Cain, 2021-10-26 In this powerful tale of guilt, a short story from James M. Cain’s The Postman Always Rings Twice, Double Indemnity, Mildred Pierce, and Selected Stories, a desperate man is driven to the edge of madness after he accidentally kills a railroad detective. As the murderer works to get his alibi straight, he soon discovers that the prick of his own conscience is just as oppressive as the long arm of the law. A Vintage Short. |
| james m cain mildred pierce: Mildred Pierce James Mallahan Cain, 2002 Mildred Pierce is the story of a determined and ambitious woman who, after her feckless husband abandons her, by hard work and sacrifice builds a successful business to ensure the future of her pampered and selfish daughter. But she isn't prepared for the intrigues and devastating betrayals of those closest to her. This is James M. Cain's most substantial novel and a classic of the Depression years. |
| james m cain mildred pierce: The Moth James M. Cain, 2013-01-15 A sweeping tale of love, loss, and the pursuit of beauty during the Great Depression From birth, Jack Dillon is a golden child. Blessed with blond locks, glittering eyes, and a perfect voice, he is the most popular child singer in Baltimore. But when puberty robs him of his voice and the stock market wipes out his family fortune, Jack is forced to rebuild. Over the next fifteen years, Jack will see it all. From Maryland to California and back again, he will become a football star, a soldier, and a tramp. Through it all, he never loses his eye for beauty, or his hunger for a woman he has known since childhood. To find happiness in the face of the Depression, Jack will have to remember that no matter how the world has changed him, part of his soul remains as pure as the first note he sang. |
| james m cain mildred pierce: Double Indemnity James M. Cain, 2010-09-09 A true crime masterpiece, and highly acclaimed 1940s movie 'DOUBLE INDEMNITY is among the finest of all American novels, regardless of genre or style' LA TIMES 'Cain is the master' Tom Wolfe DOUBLE INDEMNITY is the classic tale of an evil woman motivated by greed who corrupts a weak man motivated by lust. Walter Huff is an insurance investigator like any other until the day he meets the beautiful and dangerous Phyllis Nirdlinger and falls under her spell. Together they plot to kill her husband and split the insurance. It'll be the perfect murder . . . |
| james m cain mildred pierce: Double Indemnity James M. Cain, 2011-01-05 ONE OF TIME MAGAZINE'S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • James M. Cain, virtuoso of the roman noir, gives us a tautly narrated and excruciatingly suspenseful story in Double Indemnity, an X-ray view of guilt, of duplicity, and of the kind of obsessive, loveless love that devastates everything it touches. Walter Huff was an insurance salesman with an unfailing instinct for clients who might be in trouble, and his instinct led him to Phyllis Nirdlinger. Phyllis wanted to buy an accident policy on her husband. Then she wanted her husband to have an accident. Walter wanted Phyllis. To get her, he would arrange the perfect murder and betray everything he had ever lived for. |
| james m cain mildred pierce: The Postman Always Rings Twice, Double Indemnity, Mildred Pierce, and Selected Stories James M. Cain, 2003-07-22 These three classics from the master of the noir novel, along with five otherwise unavailable short stories, are electric with the taut narrative voice, the suspense, and the explosive violence and eroticism that were James M. Cain’s indelible hallmarks. The Postman Always Rings Twice, Cain’s first novel–the subject of an obscenity trial in Boston, the inspiration for Camus’s The Stranger–is the fever-pitched tale of a drifter who stumbles into a job, into an erotic obsession, and into a murder. Double Indemnity–which followed Postman so quickly, Cain’s readers hardly had a chance to catch their breath–is a tersely narrated story of blind passion, duplicity, and, of course, murder. Mildred Pierce, a work of acute psychological observation and devastating emotional violence, is the tale of a woman with a taste for shiftless men and an unreasoned devotion to her monstrous daughter. All three novels were immortalized in classic Hollywood films. Also included here are five masterful stories–“Pastorale,” “The Baby in the Icebox,” “Dead Man,” “Brush Fire,” “The Girl in the Storm”–that have been out of print for decades. |
| james m cain mildred pierce: Love's Lovely Counterfeit James M. Cain, 1942 |
| james m cain mildred pierce: The Five Great Novels of James M. Cain James Mallahan Cain, 1985 |
| james m cain mildred pierce: Picture Lillian Ross, 2019-04-30 A classic look at Hollywood and the American film industry by The New Yorker's Lillian Ross, and named one of the Top 100 Works of U.S. Journalism of the Twentieth Century. Lillian Ross worked at The New Yorker for more than half a century, and might be described not only as an outstanding practitioner of modern long-form journalism but also as one of its inventors. Picture, originally published in 1952, is her most celebrated piece of reportage, a closely observed and completely absorbing story of how studio politics and misguided commercialism turn a promising movie into an all-around disaster. The charismatic and hard-bitten director and actor John Huston is at the center of the book, determined to make Stephen Crane’s The Red Badge of Courage—one of the great and defining works of American literature, the first modern war novel, a book whose vivid imagistic style invites the description of cinematic—into a movie that is worthy of it. At first all goes well, as Huston shoots and puts together a two-hour film that is, he feels, the best he’s ever made. Then the studio bosses step in and the audience previews begin, conferences are held, and the movie is taken out of Huston’s hands, cut down by a third, and finally released—with results that please no one and certainly not the public: It was an expensive flop. In Picture, which Charlie Chaplin aptly described as “brilliant and sagacious,” Ross is a gadfly on the wall taking note of the operations of a system designed to crank out mediocrity. |
| james m cain mildred pierce: Mistress of the Ritz Melanie Benjamin, 2019-05-21 A captivating novel based on the story of the extraordinary real-life American woman who secretly worked for the French Resistance during World War II—while playing hostess to the invading Germans at the iconic Hôtel Ritz in Paris—from the New York Times bestselling author of The Aviator's Wife and The Swans of Fifth Avenue. “A compelling portrait of a marriage and a nation at war from within.”—Kate Quinn, author of The Alice Network Nothing bad can happen at the Ritz; inside its gilded walls every woman looks beautiful, every man appears witty. Favored guests like Ernest Hemingway, F. Scott Fitzgerald, Coco Chanel, and the Duke and Duchess of Windsor walk through its famous doors to be welcomed and pampered by Blanche Auzello and her husband, Claude, the hotel’s director. The Auzellos are the mistress and master of the Ritz, allowing the glamour and glitz to take their minds off their troubled marriage, and off the secrets that they keep from their guests—and each other. Until June 1940, when the German army sweeps into Paris, setting up headquarters at the Ritz. Suddenly, with the likes of Hermann Goëring moving into suites once occupied by royalty, Blanche and Claude must navigate a terrifying new reality. One that entails even more secrets and lies. One that may destroy the tempestuous marriage between this beautiful, reckless American and her very proper Frenchman. For in order to survive—and strike a blow against their Nazi “guests”—Blanche and Claude must spin a web of deceit that ensnares everything and everyone they cherish. But one secret is shared between Blanche and Claude alone—the secret that, in the end, threatens to imperil both of their lives, and to bring down the legendary Ritz itself. Based on true events, Mistress of the Ritz is a taut tale of suspense wrapped up in a love story for the ages, the inspiring story of a woman and a man who discover the best in each other amid the turbulence of war. Praise for Mistress of the Ritz “No one writes of the complexities of women’s lives and loves like Melanie Benjamin. In Mistress of the Ritz, Benjamin brings wartime Paris brilliantly to life. . . . Intense, illuminating, and ultimately inspiring!”—Elizabeth Letts, New York Times bestselling author of Finding Dorothy |
| james m cain mildred pierce: The Baby in the Icebox James M. Cain, 2013-08-13 A collection of stories, both early and late, that show how Mystery Writers of America Grand Master James M. Cain made his name There is a hungry tiger loose in the house, and that is not good news for anyone. A jealous husband let the animal out of his cage hoping he would eat his wife alive, but tigers aren’t used to taking orders. This jungle cat will get his meal, and he doesn’t care where it comes from. “The Baby in the Icebox” begins with a murdered wildcat and ends with a dead human—and what comes in between is some of the most striking prose James M. Cain ever put to paper. It is one of the first stories this master of crime fiction ever wrote, and it shows all the hallmarks of the novels that would later make him famous—namely Double Indemnity and The Postman Always Rings Twice. The tales in this collection are short, but Cain never needed more than a few pages to thrill. |
| james m cain mildred pierce: How To Be Gay David M. Halperin, 2012-08-21 No one raises an eyebrow if you suggest that a guy who arranges his furniture just so, rolls his eyes in exaggerated disbelief, likes techno music or show tunes, and knows all of Bette Davis's best lines by heart might, just possibly, be gay. But if you assert that male homosexuality is a cultural practice, expressive of a unique subjectivity and a distinctive relation to mainstream society, people will immediately protest. Such an idea, they will say, is just a stereotype-ridiculously simplistic, politically irresponsible, and morally suspect. The world acknowledges gay male culture as a fact but denies it as a truth. David Halperin, a pioneer of LGBTQ studies, dares to suggest that gayness is a specific way of being that gay men must learn from one another in order to become who they are. Inspired by the notorious undergraduate course of the same title that Halperin taught at the University of Michigan, provoking cries of outrage from both the right-wing media and the gay press, How To Be Gay traces gay men's cultural difference to the social meaning of style. Far from being deterred by stereotypes, Halperin concludes that the genius of gay culture resides in some of its most despised features: its aestheticism, snobbery, melodrama, adoration of glamour, caricatures of women, and obsession with mothers. The insights, impertinence, and unfazed critical intelligence displayed by gay culture, Halperin argues, have much to offer the heterosexual mainstream. |
| james m cain mildred pierce: Laura Vera Caspary, 2014-07-24 The greatest noir romance of all time, Laura won lasting renown as an Academy Award-nominated 1944 film: “an intriguing melodrama. . . . A top-drawer mystery.” (The New York Times) A brutal murder. A tough detective. And a woman who kept men spellbound—even after her death. Laura Hunt was the ideal modern woman: beautiful, elegant, highly ambitious, and utterly mysterious. No man could resist her charms—not even the hardboiled NYPD detective sent to investigate her murder. As this cop probes the mystery of Laura’s death, he finds himself drawn to the mere idea of her. As the circumstances surrounding her death become more intriguing, he comes to a startling realization—he’s in love with a dead woman. But is she even dead? Vera Caspary’s equally haunting novel is remarkable for its stylish, hardboiled writing, its electrifying plot twists, and its darkly complex characters—including a woman who stands as the ultimate femme fatale. Femmes Fatales restores to print the best of women’s writing in the classic pulp genres of the mid-20th century. From mystery to hard-boiled noir to taboo lesbian romance, these rediscovered queens of pulp offer subversive perspectives on a turbulent era. |
| james m cain mildred pierce: Galatea James M. Cain, 2024-05-21 A down-on-his-luck boxing trainer finds a woman worth fighting for in this “assured” novel by an MWA Grand Master Award winner (Kirkus Reviews). It took some doing, but Duke Webster is out of prison. Val Valenty arranged the parole, and now the onetime prizefighter and boxing coach is his puppet, breaking his back on Valenty’s farm in exchange for a pittance. But Valenty is about to find out that boxing men never take orders without a scrap. The trouble begins when Webster meets Valenty’s wife. A barrel-shaped woman whose extreme weight makes her old before her time, Holly stays fat on Valenty’s cooking—meat, potatoes, and endless gravy. Webster puts her on a diet, slimming her down the way he would train an over-the-hill pro in search of a comeback. But as her waistline shrinks and her beauty emerges, Valenty gets jealous—putting them on course for a bloody confrontation where only the hungry will survive. This gritty, surprising tale comes from the acclaimed author of Double Indemnity and Mildred Pierce—a writer with “an empathy for losers and society’s lost souls” (Quad-City Times). Praise for James M. Cain’s fiction “Cain is one novelist who has something to teach just about any writer, and delight just about any reader.” —Anne Rice, #1 New York Times–bestselling author of Interview with a Vampire “Entertaining and cleverly plotted.” —The New York Times |
| james m cain mildred pierce: Career in C Major James M. Cain, 2013-08-13 DIVDIVFrom a famous tough-guy writer, a collection of shockingly funny stories/divDIV Ever since she got married, Doris has regretted giving up her singing career. After years of domestic drudgery, she decides to take one last crack at becoming an opera singer, even if it means sacrificing everything for the sake of her dream. Her contractor husband is fully supportive, having no idea that the family’s true musical genius isn’t Doris—it’s him./divDIV In this and other stories in Career in C Major, James M. Cain shows off a light comedic touch that will surprise readers who are familiar only with his crime novels The Postman Always Rings Twice and Double Indemnity. But Cain had been publishing funny stories, articles, and satire since his early days as a reporter for H. L. Mencken’s Baltimore Sun, and was just as comfortable writing about singers as he was about killers. This collection of Cain’s lighter work shows that if an author is tough it doesn’t mean he can’t crack a smile./divDIV/div/div |
| james m cain mildred pierce: The Call Me Ishmael Phone Book Logan Smalley, Stephanie Kent, 2020-10-13 For fans of My Ideal Bookshelf and Bibliophile, The Call Me Ishmael Phone Book is the perfect gift for book lovers everywhere: a quirky and entertaining interactive guide to reading, featuring voicemails, literary Easter eggs, checklists, and more, from the creators of the popular multimedia project. The Call Me Ishmael Phone Book is an interactive illustrated homage to the beautiful ways in which books bring meaning to our lives and how our lives bring meaning to books. Carefully crafted in the style of a retro telephone directory, this guide offers you a variety of unique ways to connect with readers, writers, bookshops, and life-changing stories. In it, you’ll discover... -Heartfelt, anonymous voicemail messages and transcripts from real-life readers sharing unforgettable stories about their most beloved books. You’ll hear how a mother and daughter formed a bond over their love for Erin Morgenstern’s The Night Circus, or how a reader finally felt represented after reading Gene Luen Yang’s American Born Chinese, or how two friends performed Mary Oliver’s Thirst to a grove of trees, or how Anne Frank inspired a young writer to continue journaling. -Hidden references inside fictional literary adverts like Ahab’s Whale Tours and Miss Ophelia’s Psychic Readings, and real-life literary landmarks like Maya Angelou City Park and the Edgar Allan Poe House & Museum. -Lists of bookstores across the USA, state by state, plus interviews with the book lovers who run them. -Various invitations to become a part of this book by calling and leaving a bookish voicemail of your own. -And more! Quirky, nostalgic, and full of heart, The Call Me Ishmael Phone Book is a love letter to the stories that change us, connect us, and make us human. |
| james m cain mildred pierce: A Good Family A.H. Kim, 2020-07-14 “A story of money, family, who you can trust, and the extremes to which one will go for blood. I couldn’t put it down.” —Lisa Ling, host of CNN’s This Is Life Keep your family close and your enemies closer. Beth is the darling of God Halsa, a pharmaceutical giant, and she’s got the outrageous salary and lifestyle to prove it. Until she lands in white-collar women’s prison, thanks to a high-profile whistleblower suit. Sam, Beth’s husband, used to be the town’s most eligible bachelor, and he’s never had to do anything for himself. Until his wife goes to jail, and he’s left to raise two daughters on his own. Lise, the au pair, is the whistleblower. But is she? Everyone knows she’s not clever enough to have done it alone. Hannah, Sam’s sister, is devoted to her family. There’s nothing she wouldn’t do for them. Eva, Beth’s sister, is the smart one. (Read: not the pretty one.) Her life seems perfect on the surface, but sibling rivalry runs deep. Martin, Beth’s brother, is the firstborn, the former golden boy turned inside-the Beltway businessman. But what is he hiding? Someone knows something. Someone betrayed Beth. This is the story of the Min-Lindstroms. This is the story of the all-American family as it implodes under the weight of secrets, lies and the unchecked desire for wealth and power. A.H. Kim is an immigrant, graduate of Harvard College and Berkeley Law, lawyer, and mother of two sons. She lives in San Francisco with her husband. A Good Family is her first novel. Don't miss A.H. Kim's next exciting family drama, Relative Strangers! |
| james m cain mildred pierce: The Lost Art of Reading David L. Ulin, 2010-06-01 Reading is a revolutionary act, an act of engagement in a culture that wants us to disengage. In The Lost Art of Reading, David L. Ulin asks a number of timely questions - why is literature important? What does it offer, especially now? Blending commentary with memoir, Ulin addresses the importance of the simple act of reading in an increasingly digital culture. Reading a book, flipping through hard pages, or shuffling them on screen - it doesn't matter. The key is the act of reading, and it's seriousness and depth. Ulin emphasizes the importance of reflection and pause allowed by stopping to read a book, and the accompanying focus required to let the mind run free in a world that is not one's own. Are we willing to risk our collective interest in contemplation, nuanced thinking, and empathy? Far from preaching to the choir, The Lost Art of Reading is a call to arms, or rather, to pages. |
| james m cain mildred pierce: The Many Cinemas of Michael Curtiz R. Barton Palmer, Murray Pomerance, 2018-07-02 Hollywood—Casablanca , Yankee Doodle Dandy , The Sea Hawk , White Christmas, and Mildred Pierce, to name only a few. The most prolific and consistently successful Hollywood generalist with an all-embracing interest in different forms of narrative and spectacle, Curtiz made around a hundred films in an astonishing range of genres: action, biopics, melodramas/film noir, musicals, and westerns. But his important contributions to the history of American film have been overlooked because his broadly varied oeuvre does not present the unified vision of filmmaking that canonical criticism demands for the category of “auteur.” Exploring his films and artistic practice from a variety of angles, including politics, gender, and genre, The Many Cinemas of Michael Curtiz sheds new light on this underappreciated cinematic genius. Leading film studies scholars offer fresh appraisals of many of Curtiz’s most popular films, while also paying attention to neglected releases of substantial historical interest, such as Noah’s Ark , Night and Day, Virginia City, Black Fury, Mystery of the Wax Museum, and Female. Because Curtiz worked for so long and in so many genres, this analysis of his work becomes more than an author study of a notable director. Instead, The Many Cinemas of Michael Curtiz effectively adds a major chapter to the history of Hollywood’s studio era, including its internationalism and the significant contributions of European émigrés. |
| james m cain mildred pierce: All I Did Was Shoot My Man Walter Mosley, 2012-01-24 In this gritty, fast-paced crime novel, a resilient ex-con seeks redemption and uncovers a web of high-stakes secrets as Detective Leonid McGill tries to prove her innocence. Zella Grisham never denied shooting her boyfriend. That’s not why she did eight years of hard time on a sixteen-year sentence. It’s that the shooting inadvertently led to charges of grand theft. Talk about bad luck. Leonid McGill has reasons to believe she’s innocent. But reopening the case is only serving to unsettle McGill’s private life even further—and expose a family secret that’s like a kick to the gut. As the case unfolds, as the truth of what happened eight years ago becomes more damning and more complex than anyone dreamed, McGill and Zella realize that everyone is guilty of something, and that sometimes the sins of the past can be too damaging to ever forget. Or ever forgive. |
| james m cain mildred pierce: James M. Cain Paul Skenazy, 1989 |
| james m cain mildred pierce: The Moth James Mallahan Cain, 1948 In this novel, music is important in the life of the main character--James M. Cain, Wikipedia. |
| james m cain mildred pierce: White Girls Hilton Als, 2013-11-30 White Girls, Hilton Als’s first book since The Women fourteen years ago, finds one of The New Yorker's boldest cultural critics deftly weaving together his brilliant analyses of literature, art, and music with fearless insights on race, gender, and history. The result is an extraordinary, complex portrait of “white girls,” as Als dubs them—an expansive but precise category that encompasses figures as diverse as Truman Capote and Louise Brooks, Malcolm X and Flannery O’Connor. In pieces that hairpin between critique and meditation, fiction and nonfiction, high culture and low, the theoretical and the deeply personal, Als presents a stunning portrait of a writer by way of his subjects, and an invaluable guide to the culture of our time. |
| james m cain mildred pierce: Strange Fugitive Morley Callaghan, 1928 |
| james m cain mildred pierce: Metals Properties Samuel L Hoyt, 2021-09-09 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| james m cain mildred pierce: Mildred Pierce James M. Cain, 1988-07-01 Mildred Pierce had gorgeous legs, a way with a skillet, and a bone-deep core of toughness. She used those attributes to survive a divorce in 1940s America and to claw her way out of poverty. |
| james m cain mildred pierce: Mildred Pierce Ranald MacDougall, 1980 Mildred Pierce had gorgeous legs, a way with a skillet, and a bone-deep core of toughness. She used those attributes to survive a divorce and poverty and to claw her way out of the lower middle class. But Mildred also had two weaknesses: a yen for shiftless men, and an unreasoning devotion to a monstrous daughter. |
| james m cain mildred pierce: The Moment of Psycho David Thomson, 2009-11-24 It was made like a television movie, and completed in less than three months. It killed off its star in forty minutes. There was no happy ending. And it offered the most violent scene to date in American film, punctuated by shrieking strings that seared the national consciousness. Nothing like Psycho had existed before; the movie industry -- even America itself -- would never be the same. In The Moment of Psycho, film critic David Thomson situates Psycho in Alfred Hitchcock's career, recreating the mood and time when the seminal film erupted onto film screens worldwide. Thomson shows that Psycho was not just a sensation in film: it altered the very nature of our desires. Sex, violence, and horror took on new life. Psycho, all of a sudden, represented all America wanted from a film -- and, as Thomson brilliantly demonstrates, still does. |
| james m cain mildred pierce: Charity Girl Michael Lowenthal, 2007 During World War I, after an impulsive night with an infected soldier, Frieda Mintz, a seventeen-year-old Jewish girl, is sent to a makeshift detention center for medical treatment with other charity girls in similar circumstances. |
| james m cain mildred pierce: The Boys in the Back Room Edmund Wilson, 1941 |
| james m cain mildred pierce: Mildred Pierce James M. Cain, 1992 |
| james m cain mildred pierce: A Woman's View Jeanine Basinger, 2013-09-04 Now, Voyager, Stella Dallas, Leaver Her to Heaven, Imitation of Life, Mildred Pierce, Gilda…these are only a few of the hundreds of “women’s films” that poured out of Hollywood during the thirties, forties, and fifties. The films were widely disparate in subject, sentiment, and technique, they nonetheless shared one dual purpose: to provide the audience (of women, primarily) with temporary liberation into a screen dream—of romance, sexuality, luxury, suffering, or even wickedness—and then send it home reminded of, reassured by, and resigned to the fact that no matter what else she might do, a woman’s most important job was…to be a woman. Now, with boundless knowledge and infectious enthusiasm, Jeanine Basinger illuminates the various surprising and subversive ways in which women’s films delivered their message. Basinger examines dozens of films, exploring the seemingly intractable contradictions at the convoluted heart of the woman’s genre—among them, the dilemma of the strong and glamorous woman who cedes her power when she feels it threatening her personal happiness, and the self-abnegating woman whose selflessness is not always as “noble” as it appears. Basinger looks at the stars who played these women and helps us understand the qualities—the right off-screen personae, the right on-screen attitudes, the right faces—that made them personify the woman’s film and equipped them to make believable drama or comedy out of the crackpot plots, the conflicting ideas, and the exaggerations of real behavior that characterize these movies. In each of the films the author discusses—whether melodrama, screwball comedy, musical, film noir, western, or biopic—a woman occupies the center of her particular universe. Her story—in its endless variations of rags to riches, boy meets girl, battle of the sexes, mother love, doomed romance—inevitably sends a highly potent mixed message: Yes, you women belong in your “proper place” (that is, content with the Big Three of the women’s film world—men, marriage, and motherhood), but meanwhile, and paradoxically, see what fun, glamour, and power you can enjoy along the way. A Woman’s View deepens our understanding of the times and circumstances and attitudes out of which these movies were created. |
| james m cain mildred pierce: The Day He Left Frederick Weisel, 2022-03-01 After he was gone, the only things left behind were secrets Annie has fallen out of the habit of listening to her husband. She and Paul have been married for a long time; it's easy to nod as he drones on, responding to his voice while completely ignoring every word he says. That becomes a problem, of course, when Paul disappears and the police have questions. Was Paul having issues at work? Is there any reason to think he might harm himself? Annie doesn't know. But someone does. An unsettling photo found amongst Paul's things turns the investigation toward his job as a middle school teacher and a troubled girl who is hiding secrets of her own. But what exactly happened to Paul on the day he left for work and never made it to the classroom? Is his disappearance related to a local heroin trafficking operation? As Eddie Mahler and the members of the Santa Rosa Violent Crime Investigations Team rush to find the teacher, they discover the members of his family have hidden lives of their own, and that Paul may not have been running away but toward something that could ruin his career and marriage—and even cost his life. |
| james m cain mildred pierce: Three by Cain James M. Cain, 2011-04-27 All three books are written with an enduring view of the dark corners of the American psyche. Cain hammered high art out of the crude matter of betrayal, bloodshed, and perversity. |
James' or James's | Page 2 - Creative Writing Forums
Oct 3, 2020 · James' or James's. Discussion in 'Word Mechanics' started by Lacy, Oct 3, 2020. Tags: apostrophe; ...
Sherlock Holmes pastiches recommendations? - Writing Forums
Jul 1, 2023 · In 1893, Sherlock Holmes and Henry James come to America together to solve the mystery of the 1885 death of Clover Adams, wife of the esteemed historian Henry Adams -- …
My character doesn't talk... - Writing Forums
Jun 15, 2011 · My main character is a man named James. He suffers from depression. He doesn't talk for the first three chapters of the book, because he has no one to talk to, and is detached …
When do you end a sentence, and how do you lengthen one …
Dec 13, 2009 · The King James was only a translation, thus a change to the wording of the Bible, in order to make it more comprehensible to the common man. The New English - and a slew …
Pen Names - Multiple pen names? | Creative Writing Forums
Feb 3, 2023 · Jayne Ann Krentz (romantic suspense)/ Jayne Castle (paranormal romance)/Amanda Quick(historical romance)/Stephanie James(erotic romance) and others; I …
How do you feel about the use of the word 'overall' in this …
Jun 6, 2013 · It was luck that had (blablabla), and overall, it was luck that had brought him James." I think your best bet is going to be to use whichever best fits the tone and voice of the …
James Burke End of Scarcity | Creative Writing Forums - Writing …
Mar 21, 2012 · James Burke End of Scarcity. Discussion in 'The Lounge' started by matwoolf, Jan 5, 2018. Will someone ...
Should these be separate paragraphs? - Writing Forums
Jun 29, 2020 · a) “We should go for a walk,” James said, “the woods are beautiful at this time of year.” Alice dropped the spoon she was drying and bent down to pick it up. “It would do you …
First person talking to reader? - Creative Writing Forums
Jan 24, 2019 · Discussion in 'Word Mechanics' started by James E, Jan 24, 2019. Hi guys and girls, I'm new here, so hello. I have an introduction I would like to be in the first person but with …
Differences between supernatural and non-supernatural horror
Apr 30, 2017 · It's horrible but never really scary or even creepy. I love creepy. I must say, though, that a whole lot of modern supernatural horror, both in movies and literature, is not creepy. But …
James' or James's | Page 2 - Creative Writing Forums
Oct 3, 2020 · James' or James's. Discussion in 'Word Mechanics' started by Lacy, Oct 3, 2020. Tags: apostrophe; ...
Sherlock Holmes pastiches recommendations? - Writing Foru…
Jul 1, 2023 · In 1893, Sherlock Holmes and Henry James come to America together to solve the mystery of the 1885 death of Clover Adams, wife of the esteemed historian Henry Adams -- member of the Adams family that …
My character doesn't talk... - Writing Forums
Jun 15, 2011 · My main character is a man named James. He suffers from depression. He doesn't talk for the first three chapters of the book, because he has no one to talk to, and is detached from his emotions. You could say …
When do you end a sentence, and how do you lengthen one properly.
Dec 13, 2009 · The King James was only a translation, thus a change to the wording of the Bible, in order to make it more comprehensible to the common man. The New English - and a slew of others - does the same thing, …
Pen Names - Multiple pen names? | Creative Writing Forums - Writing ...
Feb 3, 2023 · Jayne Ann Krentz (romantic suspense)/ Jayne Castle (paranormal romance)/Amanda Quick(historical romance)/Stephanie James(erotic romance) and others; I was listening to an interview …
