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| jazz styles mark gridley 11th edition: Jazz Styles Mark C. Gridley, 1997 |
| jazz styles mark gridley 11th edition: Jazz Styles Mark C. Gridley, 1991 |
| jazz styles mark gridley 11th edition: Why Jazz Happened Marc Myers, 2019-02-26 Why Jazz Happened is the first comprehensive social history of jazz. It provides an intimate and compelling look at the many forces that shaped this most American of art forms and the many influences that gave rise to jazz’s post-war styles. Rich with the voices of musicians, producers, promoters, and others on the scene during the decades following World War II, this book views jazz’s evolution through the prism of technological advances, social transformations, changes in the law, economic trends, and much more. In an absorbing narrative enlivened by the commentary of key personalities, Marc Myers describes the myriad of events and trends that affected the music's evolution, among them, the American Federation of Musicians strike in the early 1940s, changes in radio and concert-promotion, the introduction of the long-playing record, the suburbanization of Los Angeles, the Civil Rights movement, the “British invasion” and the rise of electronic instruments. This groundbreaking book deepens our appreciation of this music by identifying many of the developments outside of jazz itself that contributed most to its texture, complexity, and growth. |
| jazz styles mark gridley 11th edition: The Studio Recordings of the Miles Davis Quintet, 1965-68 Keith Waters, 2011-03-11 The Second Quintet -- the Miles Davis Quintet of the mid-1960s -- was one of the most innovative and influential groups in the history of the genre. Each of the musicians who performed with Davis--saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams--went on to a successful career as a top player. The studio recordings released by this group made profound contributions to improvisational strategies, jazz composition, and mediation between mainstream and avant-garde jazz, yet most critical attention has focused instead on live performances or the socio-cultural context of the work. Keith Waters' The Studio Recordings of the Miles Davis Quintet, 1965-68 concentrates instead on the music itself, as written, performed, and recorded. Treating six different studio recordings in depth--ESP, Miles Smiles, Sorcerer, Nefertiti, Miles in the Sky, and Filles de Kilimanjaro--Waters has tracked down a host of references to and explications of Davis' work. His analysis takes into account contemporary reviews of the recordings, interviews with the five musicians, and relevant larger-scale cultural studies of the era, as well as two previously unexplored sources: the studio outtakes and Wayne Shorter's Library of Congress composition deposits. Only recently made available, the outtakes throw the master takes into relief, revealing how the musicians and producer organized and edited the material to craft a unified artistic statement for each of these albums. The author's research into the Shorter archives proves to be of even broader significance and interest, as Waters is able now to demonstrate the composer's original conception of a given piece. Waters also points out errors in the notated versions of the canonical songs as they often appear in the main sources available to musicians and scholars. An indispensible resource, The Miles Davis Quintet Studio Recordings: 1965-1968 is suited for the jazz scholar as well as for jazz musicians and aficionados of all levels. |
| jazz styles mark gridley 11th edition: Jazzology Robert Rawlins, Nor Eddine Bahha, 2005-07-01 (Jazz Instruction). A one-of-a-kind book encompassing a wide scope of jazz topics, for beginners and pros of any instrument. A three-pronged approach was envisioned with the creation of this comprehensive resource: as an encyclopedia for ready reference, as a thorough methodology for the student, and as a workbook for the classroom, complete with ample exercises and conceptual discussion. Includes the basics of intervals, jazz harmony, scales and modes, ii-V-I cadences. For harmony, it covers: harmonic analysis, piano voicings and voice leading; modulations and modal interchange, and reharmonization. For performance, it takes players through: jazz piano comping, jazz tune forms, arranging techniques, improvisation, traditional jazz fundamentals, practice techniques, and much more! |
| jazz styles mark gridley 11th edition: Jazz Scott DeVeaux, Gary Giddins, 2011-05-31 The #1 text in the market--now in an Essentials Edition. |
| jazz styles mark gridley 11th edition: Listen to This Victor Svorinich, 2015-02-05 Listen to This stands out as the first book exclusively dedicated to Davis's watershed 1969 album, Bitches Brew. Victor Svorinich traces its incarnations and inspirations for ten-plus years before its release. The album arrived as the jazz scene waned beneath the rise of rock-and-roll and as Davis (1926–1991) faced large changes in social conditions affecting the African American consciousness. This new climate served as a catalyst for an experiment that many considered a major departure. Davis's new music projected rock-and-roll sensibilities, the experimental essence of 1960s' counterculture, yet also harsh dissonances of African American reality. Many listeners embraced it, while others misunderstood and rejected the concoction. Listen to This is not just the story of Bitches Brew. It reveals much of the legend of Miles Davis—his attitude and will, his grace under pressure, his bands, his relationship to the masses, his business and personal etiquette, and his response to extraordinary social conditions seemingly aligned to bring him down. Svorinich revisits the mystery and skepticism surrounding the album and places it into both a historical and musical context using new interviews, original analysis, recently found recordings, unearthed session data sheets, memoranda, letters, musical transcriptions, scores, and a wealth of other material. Additionally, Listen to This encompasses a thorough examination of producer Teo Macero's archives and Bitches Brew's original session reels in order to provide the only complete day-to-day account of the sessions. |
| jazz styles mark gridley 11th edition: The Cambridge Companion to Jewish Music Joshua S. Walden, 2015-11-19 A global history of Jewish music from the biblical era to the present day, with chapters by leading international scholars. |
| jazz styles mark gridley 11th edition: Discover Jazz, Updated Edition John E Hasse, Tad Lathrop, 2016-06-02 This is the eBook of the printed book and may not include any media, website access codes, or print supplements that may come packaged with the bound book. An inclusive, contextual, and student-friendly way to discover the whole world of jazz REVEL™ for Discover Jazz presents an inclusive overview of the history of jazz, with balanced coverage of the contributions of men and women from around the world. Emphasizing the importance of context, authors John Edward Hasse and Tad Lathrop present the story of jazz not as a simple narrative, but as a series of encounters among musicians, historical events, musical influences, and social forces. Student-friendly and engaging, REVEL for Discover Jazz gives readers the tools they need to actively listen to — and to build their own relationships with — this great American art form. REVEL is Pearson’s newest way of delivering our respected content. Fully digital and highly engaging, REVEL replaces the textbook and gives students everything they need for the course. Informed by extensive research on how people read, think, and learn, REVEL is an interactive learning environment that enables students to read, practice, and study in one continuous experience — for less than the cost of a traditional textbook. NOTE: REVEL is a fully digital delivery of Pearson content. This ISBN is for the standalone REVEL access card. In addition to this access card, you will need a course invite link, provided by your instructor, to register for and use REVEL. |
| jazz styles mark gridley 11th edition: Taking It to the Bridge Nicholas Cook, Richard Pettengill, 2013-05-16 Musicologists and performance studies scholars reach across their disciplines to examine the role of performance in musical culture |
| jazz styles mark gridley 11th edition: The Cambridge Companion to Duke Ellington Edward Green, 2015-01-08 Duke Ellington is widely held to be the greatest jazz composer and one of the most significant cultural icons of the twentieth century. This comprehensive and accessible Companion is the first collection of essays to survey, in depth, Ellington's career, music, and place in popular culture. An international cast of authors includes renowned scholars, critics, composers, and jazz musicians. Organized in three parts, the Companion first sets Ellington's life and work in context, providing new information about his formative years, method of composing, interactions with other musicians, and activities abroad; its second part gives a complete artistic biography of Ellington; and the final section is a series of specific musical studies, including chapters on Ellington and song-writing, the jazz piano, descriptive music, and the blues. Featuring a chronology of the composer's life and major recordings, this book is essential reading for anyone with an interest in Ellington's enduring artistic legacy. |
| jazz styles mark gridley 11th edition: Playing Changes Nate Chinen, 2019-07-23 One of the Best Books of the Year: NPR, GQ, Billboard, JazzTimes In jazz parlance, “playing changes” refers to an improviser’s resourceful path through a chord progression. In this definitive guide to the jazz of our time, leading critic Nate Chinen boldly expands on that idea, taking us through the key changes, concepts, events, and people that have shaped jazz since the turn of the century—from Wayne Shorter and Henry Threadgill to Kamasi Washington and Esperanza Spalding; from the phrase “America’s classical music” to an explosion of new ideas and approaches; from claims of jazz’s demise to the living, breathing scene that exerts influence on mass culture, hip-hop, and R&B. Grounded in authority and brimming with style, packed with essential album lists and listening recommendations, Playing Changes takes the measure of this exhilarating moment—and the shimmering possibilities to come. |
| jazz styles mark gridley 11th edition: Making the Scene Alex Stewart, 2007-08-02 Challenges conventional jazz historiography by demonstrating the role of big bands in the development of jazz. This book describes how jazz musicians found big bands valuable. It explores the rehearsal band scene in New York and rise of orchestras. It combines historical research, ethnography, and participant observation with musical analysis. |
| jazz styles mark gridley 11th edition: History of Jazz Tom Collier, 2012 |
| jazz styles mark gridley 11th edition: Duke Ellington as Pianist Matthew J. Cooper, 2013 This volume represents the first book-length study devoted exclusively to Duke Ellington as pianist. As such, it should be regarded as a substantial contribution to the Ellington scholarship for the very reason that the piano was central to the Duke’s achievements as a musician. He composed at the keyboard; he improvised at the keyboard; he led his musicians from the keyboard; and he—as the leading member of the rhythm section—delivered the fundamental energy of his creations on the keyboard. In his consideration of both representative and landmark recorded performances, Professor Cooper reports the views of a host of authorities and provides original commentary. He identifies three practices in Ellington’s piano work: an early foundational stride style, a style typical of his swing maturity, and an atypical, post-bop / modern style. What might be understood as rather fascinating is that Dr. Cooper argues that all three “existed side by side from the 1940s (or perhaps earlier) until the end of his career.” The author’s conclusions are supported by copious transcriptions. |
| jazz styles mark gridley 11th edition: Rock and Roll Joe Stuessy, Scott David Lipscomb, 2013 Rock and Roll - Changing Society, Evolving History - Rock and Roll: Its History and Stylistic Development, gives a thorough historical and musical analysis of rock artists, styles, and events in a clear and accessible language. This new edition includes callouts in the text that links students to the new MySearchLab with eText website. KEY TOPICS: Improve Active Listening - Updated Take Note section at the beginning of each chapter focuses on a series of key questions in the chapter. The questions are restated at the end of the chapter along with concise answers derived from the text. MARKET: For anyone interested in a comprehensive book about the history of rock and roll, including those in the music industry, such as disc jockeys, rock music writers, and promoters. |
| jazz styles mark gridley 11th edition: All Blues for Jazz Guitar Jim Ferguson, 1997 Blues-guitarskole. |
| jazz styles mark gridley 11th edition: Jazz Styles Mark C. Gridley, 1985 This historically organized introduction to most styles that have been documented on records tells what jazz is, how it originated, and how to appreciate improvisation. Focusing mainly on recorded jazz history since 1940 and keyed to titles found in the Smithsonian Collection of Classical Jazz, Gridley offers a chronological presentation of styles in terms of the characteristics of key musicians associated with them. New to this edition are: listening guides for classics by Count Basie, Duke Ellington, and Miles Davis; expanded coverage of 1920s giants Jelly Roll Morton, Louis Armstrong, and Earl Hines, and of drumming throughout jazz history; and comparisons between Dixieland, swing, bop, free jazz, and jazz/rock. Appendixes cover the elements of music, a guide to record buying, examples of ride rhythms and of twelve-bar blues comping; and drawings and photographs of instrument comparisons. ISBN 0-13-509134-9 (pbk.) $17.95. |
| jazz styles mark gridley 11th edition: The Jazz Tradition Martin Williams, 1993 A blend of musical history and criticism, this study of jazz includes chapters on King Oliver, Jelly Roll Morton, John Coltrane and Ornette Coleman. In addition to an expanded essay on Count Basie, this edition includes pieces on Eric Dolphy, Bill Evans and the World Saxophone Quartet. |
| jazz styles mark gridley 11th edition: Inside the Jazzomat Martin Pfleiderer, Jakob Abeßer Frieler, Jakob Abeßer, 2017-12 The Jazzomat Research Project takes up the challenge of jazz research in the age of digitalisation. It intends to open up a new field of analytical exploration by providing computational tools as well as a comprehensive corpus of improvisations with MeloSpyGUI and the Weimar Jazz Database. This volume presents the main concepts and approaches of the ongoing project including several case studies that demonstrate how these approaches can be included in jazz analysis in various ways. |
| jazz styles mark gridley 11th edition: Bebop Thomas Owens, 1996-05-23 When bebop was new, writes Thomas Owens, many jazz musicians and most of the jazz audience heard it as radical, chaotic, bewildering music. For a nation swinging to the smoothly orchestrated sounds of the big bands, this revolutionary movement of the 1940s must have seemed destined for a short life on the musical fringe. But today, Owens writes, bebop is nothing less than the lingua franca of jazz, serving as the principal musical language of thousands of jazz musicians. In Bebop, Owens conducts us on an insightful, loving tour through the music, players, and recordings that changed American culture. Combining vivid portraits of bebop's gigantic personalities with deft musical analysis, he ranges from the early classics of modern jazz (starting with the 1943 Onyx Club performances of Dizzy Gillespie, Max Roach, Oscar Pettiford, Don Byas, and George Wallington) through the central role of Charlie Parker, to an instrument-by-instrument look at the key players and their innovations. Illustrating his discussion with numerous musical excerpts, Owens skillfully demonstrates why bebop was so revolutionary, with fascinating glimpses of the tempestuous jazz world: Thelonious Monk, for example, did everything 'wrong' in the sense of traditional piano technique....Because his right elbow fanned outward away from his body, he often hit the keys at an angle rather than in parallel. Sometimes he hit a single key with more than one finger, and divided single-line melodies between two hands. In addition to his discussions of individual instruments and players, Owens examines ensembles, with their sometimes volatile collaborations: in the Jazz Messengers, Benny Golson told of how his own mellow saxophone playing would get lost under Art Blakey's furious drumming: He would do one of those famous four-bar drum rolls going into the next chorus, and I would completely disappear. He would holler over at me, 'Get up out of that hole!' In this marvelous account, Owens comes right to the present day, with accounts of new musicians ranging from the Marsalis brothers to lesser-known masters like pianist Michel Petrucciani. Bebop is a jazz-lover's dream--a serious yet highly personal look at America's most distinctive music. |
| jazz styles mark gridley 11th edition: New Orleans Jazz Styles , 2006-02 Beginner Piano/Keyboard Instruction |
| jazz styles mark gridley 11th edition: Emergency Care and Transportation of the Sick and Injured Bruce D. Browner, Lenworth M. Jacobs, American Academy of Orthopaedic Surgeons, 1999 |
| jazz styles mark gridley 11th edition: Latin Jazz Christopher Washburne, 2020-04-28 Jazz has always been a genre built on the blending of disparate musical cultures. Latin jazz illustrates this perhaps better than any other style in this rich tradition, yet its cultural heritage has been all but erased from narratives of jazz history. Told from the perspective of a long-time jazz insider, Latin Jazz: The Other Jazz corrects the record, providing a historical account that embraces the genre's international nature and explores the dynamic interplay of economics, race, ethnicity, and nationalism that shaped it. |
| jazz styles mark gridley 11th edition: Where the Dark and the Light Folks Meet Randall Sandke, 2023-06-14 Where the Dark and the Light Folks Meet tackles a controversial question: Is jazz the product of an insulated African-American environment, shut off from the rest of society by strictures of segregation and discrimination, or is it more properly understood as the juncture of a wide variety of influences under the broader umbrella of American culture? This book does not question that jazz was created and largely driven by African Americans, but rather posits that black culture has been more open to outside influences than most commentators are likely to admit. The majority of jazz writers, past and present, have embraced an exclusionary viewpoint. Where the Dark and the Light Folks Meet begins by looking at many of these writers, from the birth of jazz history up to the present day, to see how and why their views have strayed from the historical record. This book challenges many widely held beliefs regarding the history and nature of jazz in an attempt to free jazz of the socio-political baggage that has s |
| jazz styles mark gridley 11th edition: Swing to Bop Ira Gitler, 1985-11-07 This indispensable book brings us face to face with some of the most memorable figures in jazz history and charts the rise and development of bop in the late 1930s and '40s. Ira Gitler interviewed more than 50 leading jazz figures, over a 10-year period, to preserve for posterity their recollections of the transition in jazz from the big band era to the modern jazz period. The musicians interviewed, including both the acclaimed and the unrecorded, tell in their own words how this renegade music emerged, why it was a turning point in American jazz, and how it influenced their own lives and work. Placing jazz in historical context, Gitler demonstrates how the mood of the nation in its post-Depression years, racial attitudes of the time, and World War II combined to shape the jazz of today. |
| jazz styles mark gridley 11th edition: In the Course of Performance Bruno Nettl, Melinda Russell, 1998-12-15 In the Course of Performance is the first book in decades to illustrate and explain the practices and processes of musical improvisation. Improvisation, by its very nature, seems to resist interpretation or elucidation. This difficulty may account for the very few attempts scholars have made to provide a general guide to this elusive subject. With contributions by seventeen scholars and improvisers, In the Course of Performance offers a history of research on improvisation and an overview of the different approaches to the topic that can be used, ranging from cognitive study to detailed musical analysis. Such diverse genres as Italian lyrical singing, modal jazz, Indian classical music, Javanese gamelan, and African-American girls' singing games are examined. The most comprehensive guide to the understanding of musical improvisation available, In the Course of Performance will be indispensable to anyone attracted to this fascinating art. Contributors are Stephen Blum, Sau Y. Chan, Jody Cormack, Valerie Woodring Goertzen, Lawrence Gushee, Eve Harwood, Tullia Magrini, Peter Manuel, Ingrid Monson, Bruno Nettl, Jeff Pressing, Ali Jihad Racy, Ronald Riddle, Stephen Slawek, Chris Smith, R. Anderson Sutton, and T. Viswanathan. |
| jazz styles mark gridley 11th edition: Rudiments of Music Perry Goldstein, 2021-08-30 Covers the basics of Western classical tonal music theory, though it is applicable to a broad range of other music as well. The book covers basic notation of pitch and rhythm, major and minor keys, intervals, chords, harmony, and other concepts essential to a fundamental understanding of tonal music. |
| jazz styles mark gridley 11th edition: Hearing Harmony Christopher Doll, 2017-05-30 An original, listener-based approach to harmony for popular music from the rock era of the 1950s to the present |
| jazz styles mark gridley 11th edition: History and Tradition of Jazz Thomas E. Larson, Tom Larson, 2002 |
| jazz styles mark gridley 11th edition: The Life and Solo Piano Works of the Ukrainian Composer Myroslav Skoryk Victor Radoslav Markiw, 2010 |
| jazz styles mark gridley 11th edition: Funk Bass Chris Kringel, 2004 (Bass Method). The Hal Leonard Funk Bass Method is your complete guide to learning funk bass. It uses real funk songs to teach you the basics of grooving and soloing funk bass in the style of Flea, Victor Wooten, Marcus Miller, Rocco Prestia, and many others. Songs include: Brick House * Can't Stop * Fire * Higher Ground * I'll Take You There * Let's Groove * Pick up the Pieces * Stay * Sumthin', Sumthin' * What Is Hip * and more. |
| jazz styles mark gridley 11th edition: Nigerian Art Music Bode Omojola, 1995 ART MUSIC IN NIGERIA is the most comprehensive book on the works of modem Nigerian composers who have been influenced by European classical music. Relying on over 500 scores, archival materials and interviews with many Nigerian composers, the author traces the historical developments of this new idiom in Nigeria and provides a critical and detailed analysis of certain works. Written in a refreshing and lucid style and amply illustrated with music examples, the book represents a milestone in musicological research in Nigeria. Although written essentially for students and scholars of African music, this interesting book will also be enjoyed by the général reader. |
| jazz styles mark gridley 11th edition: Jazz Samuel B. Charters, Leonard Kunstadt, 1984-08-21 This unique history of jazz in New York examines its many scenes, stages, styles, and sponsors. With one of the most sophisticated black populations anywhere, a vibrant bohemian subculture, a class of entertainment entrepreneurs, and a 24-hour nightlife, New York has long been home for jazz and jazz musicians. Samuel Charters and Leonard Kunstadt have delved through archives of newspapers and stagebills to provide a wider view of New York's jazz scene than ordinarily reported. Record sales, attendance figures, media trends are included along with assessments of musical importance. Duke Ellington, Fletcher Henderson, Chick Webb, the Savoy Ballroom, the Apollo Theatre, the Cotton Club all get extended treatment, as do less heralded figures and nightspots. Every jazz musician of note eventually plays in New York and will be found in this book, which chronicles not only their lives but the growth of New York as the world's jazz capital. -- |
| jazz styles mark gridley 11th edition: Birds of Fire Kevin Fellezs, 2011-08-08 An analysis of the emergence, reception, and legacy of fusion, experimental music that emerged in the late 1960s and 1970s as musicians combined jazz, rock, and funk in new ways. |
| jazz styles mark gridley 11th edition: Living with Music Ralph Ellison, 2002-05-14 Before Ralph Ellison became one of America’s greatest writers, he was a musician and a student of jazz, writing widely on his favorite music for more than fifty years. Now, jazz authority Robert O’Meally has collected the very best of Ellison’s inspired, exuberant jazz writings in this unique anthology. |
| jazz styles mark gridley 11th edition: Thesaurus of Scales and Melodic Patterns Nicolas Slonimsky, 2021-05-17 Since its publication in 1947, great musicians and composers of all genres, from Arnold Schoenberg and Virgil Thomson to John Coltrane and Freddie Hubbard, have sworn by this legendary volume and its comprehensive vocabulary of melodic patterns for composition and improvisation. Think about this book as a melodic reference manual or plot wheel. Looking for new material to add to your playing instruction, improvisations, or composition? This book has more than you'll ever be able to use. Many serious musicians have a copy of this lying around somewhere. |
| jazz styles mark gridley 11th edition: Field Research in Africa An Ansoms, Aymar Nyenyezi Bisoka, Susan Thomson, 2021 An essential exploration of and guide to research ethics in the field. |
| jazz styles mark gridley 11th edition: Jazz Lewis Porter, 1997 For this unique vol., Dr. Porter has written essays to frame a generous selection of rare writings by various authors between 1919 and 1997 (and one from 1856.) |
| jazz styles mark gridley 11th edition: Jazz Among the Discourses Krin Gabbard, 1995 Employing modes of criticism and theory that have transformed study in the humanities, this title addresses questions seldom if ever raised in jazz writing: What are the implications of building jazz history around the medium of the phonograph record? Why did jazz writers first make the claim that jazz is an art? |
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