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| jean rhys wide sargasso sea: Wide Sargasso Sea Jean Rhys, 1992 A considerable tour de force by any standard. ?New York Times Book Review |
| jean rhys wide sargasso sea: The Cambridge Introduction to Jean Rhys Elaine Savory, 2009-04-02 Since her death in 1979, Jean Rhys's reputation as an important modernist author has grown. Her finely crafted prose fiction lends itself to multiple interpretations from radically different critical perspectives; formalism, feminism, and postcolonial studies among them. This Introduction offers a reliable and stimulating account of her life, work, contexts and critical reception. Her masterpiece, Wide Sargasso Sea, is analyzed together with her other novels, including Quartet and After Leaving Mr Mackenzie, and her short stories. Through close readings of the works, Elaine Savory reveals their common themes and connects these to different critical approaches. The book maps Rhys's fictional use of the actual geography of Paris, London and the Caribbean, showing how key understanding her relationships with the metropolitan and colonial spheres is to reading her texts. In this invaluable introduction for students, Savory explains the significance of Rhys as a writer both in her lifetime and today. |
| jean rhys wide sargasso sea: Penguin Student Edition Wide Sargasso Sea Jean Rhys, 2001-05-01 Jean Rhys's late, literary masterpiece Wide Sargasso Sea was inspired by Charlotte Brontë's Jane Eyre, and is set in the lush, beguiling landscape of Jamaica in the 1830s. Born into an oppressive, colonialist society, Creole heiress Antoinette Cosway meets a young Englishman who is drawn to her innocent sensuality and beauty. After their marriage the rumours begin, poisoning her husband against her. Caught between his demands and her own precarious sense of belonging, Antoinette is driven towards madness. |
| jean rhys wide sargasso sea: Dinosaurs on Other Planets Danielle McLaughlin, 2016 In a raw seacoast cabin, a young woman watches her boyfriend go out with his brother, late one night, on a mysterious job she realizes she isn t supposed to know about. A man gets a call at work from his sister-in-law, saying that his wife and his daughter never made it to nursery school that day. A mother learns that her teenage daughter has told a teacher about problems in her parents marriage that were meant to be private problems the mother herself tries to ignore. McLaughlin conveys these characters so vividly that readers will feel they are experiencing real life. Often the stories turn on a single, fantastic moment of clarity after which nothing can be the same.-- |
| jean rhys wide sargasso sea: Good Morning, Midnight Jean Rhys, 1986 A woman encounters a life filled with desires and emotions when she returns to Paris after suffering from a bout of depression and alcoholism in London. |
| jean rhys wide sargasso sea: "Wide Sargasso Sea" by Jean Rhys as a postcolonial response to "Jane Eyre" by Charlotte Bronte Malgorzata Swietlik, 2011-04-18 Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 2,00, University of Koblenz-Landau (Anglistik), course: Colonial and Postcolonial Literatures, language: English, abstract: Wide Sargasso Sea is one of the best-known literary postcolonial replies to the writing of Charlotte Bronte and a brilliant deconstruction of what is known as the author's worlding in Jane Eyre. The novel written by Jean Rhys tells the story of Jane Eyre's protagonist, Edward Rochester. The plot takes place in West Indies where Rochester met his first wife, Bertha Antoinette Mason. Wide Sargasso Sea influences the common reading and understanding of the matrix novel, as it rewrites crucial parts of Jane Eyre. The heroine in Jean Rhys's Wide Sargasso Sea, Antoinette Cosway, is created out of demonic and bestialic Bertha Mason from Jane Eyre. Rhys's great achievement in her re-writing of the Bronte's text is her creation of a double to the madwoman from Jane Eyre. The heroine of Wide Sargasso Sea, the beautiful Antoinette Cosway, heiress of the post-emancipation fortune is created out of the demonc and bestialic Bertha Mason. The author transforms the first Mrs Rochester into an individual figure whose madness is caused by imperialistic and patriarchal oppression The vision of Bertha/Antoinette as an insane offspring from a family plagued by madness is no longer plausible to the reader. In this essay I would like to focus the factors which led to the madness of the protagonist. Although Bertha Mason and Jane Eyre seem to be enemies and contradictory characters in the Victorian novel, many critics find several similarities between the two heroines, their life and finally between Jane Eyre and Wide Sargasso Sea. Seeing Jane Eyre and Antoinette Cosway as sisters and doubles is very popular with some critics who dealt with the works of Charlotte Bronte and Jean Rhys. Nevertheless, I would like to focus in this essay on Gayatri Chakravorty Spivak's criticism on viewing and interpreting the two heroines. Gayatri Chakravorty Spivak in her essay Three Women's Texts and a Critique of Imperialism values also Jean Rhys for telling the story of Bertha Mason through the Creole perspective, but she criticises the author for marginalising the native inhabitants of West Indies. |
| jean rhys wide sargasso sea: Jean Rhys's Historical Imagination Veronica Marie Gregg, 2017-11-01 As the foremost white West Indian writer of this century and author of the widely acclaimed novel Wide Sargasso Sea, Jean Rhys (1890-1979) has attracted much critical attention, most often from the perspective of gender analysis. Veronica Gregg extends our critical appreciation of Rhys by analyzing the complex relationship between Rhys's identity and the structures of her fiction, and she reveals the ways in which this relationship is connected to the history of British colonization of the West Indies. Gregg focuses on Rhys as a writer--a Creole woman analyzing the question of identity through literary investigations of race, gender, and colonialism. Arguing that history itself can be a site where different narratives collide and compete, she explores Rhys's rewriting of the historical discourses of the West Indies and of European canonical texts, such as Rhys's treatment of Jane Eyre in Wide Sargasso Sea. Gregg's analysis also reveals the precision with which Rhys crafted her work and her preoccupation with writing as performance. |
| jean rhys wide sargasso sea: Wide Sargasso Sea at 50 Elaine Savory, Erica L. Johnson, 2020-11-03 This book revisits Jean Rhys’s ground-breaking 1966 novel to explore its cultural and artistic influence in the areas of not only literature and literary criticism, but fashion design, visual art, and the theatre as well. Building on symposia that were held in London and New York in 2016 in honour of the novel’s half-century, this collection demonstrates just how timely Rhys’s insights into colonial history, sexual relations, and aesthetics continue to be. The chapters include an extensive interview with novelist Caryl Phillips, who in 2018 published a novel about Rhys’s life, an account of how Wide Sargasso Sea can be read through the lens of the #MeToo Movement, a clothing line inspired by the novel, and new critical directions. As both a celebration and scholarly evaluation, the collection shows how enduring Rhys’s novel is in its continuing literary influence and social commentary. |
| jean rhys wide sargasso sea: An Enhanced Reading of Jean Rhys' "Wide Sargasso Sea". Considering Source Texts Other than "Jane Eyre" Sophia Sharpe, 2016-04-12 Essay from the year 2012 in the subject English Language and Literature Studies - Comparative Literature, grade: Distinction, The Open University, course: M.A. English, language: English, abstract: This essay interrogates the way in which Jean Rhys utilises a backdrop of potent gothic mechanisms and echoes the stricken anarchy of post emancipation colonial rule in 'Wide Sargasso Sea' to enhance the audience’s reading and to enable her protagonist to hold a slanted mirror to the world of 'Jane Eyre'. Rhys utilises a backdrop of potent gothic mechanisms and echoes the stricken anarchy of post emancipation colonial rule in her writing to enhance the audience’s reading and to enable her protagonist to hold a slanted mirror to the world of 'Jane Eyre'. At first, it seems incongruous that the vibrant, post colonialist backdrop of 'Wide Sargasso Sea', soaked by the ‘brazen sun’ (1) should be so richly entangled with the shadowy landscapes of the European gothic. 'Jane Eyre' is punctuated by claustrophobic English imagery to add an atmospheric sense of terror, particularly noticeable in Brontë’s description of the violent Thornfield countryside, where the landscape seems animated by some nameless, feral horror; the beck is ‘a torrent, turbid and curbless: it tore asunder the wood, and sent a raving sound through the air, often thickened with wild rain or whirling sleet; and for the forest on its banks, that showed only ranks of skeleton.’ (p.64) |
| jean rhys wide sargasso sea: Voyage in the Dark Jean Rhys, 2020 Prescient and technically astonishing. --Geoff Dyer, GQ |
| jean rhys wide sargasso sea: Jean Rhys Helen Carr, 1995-11 Available for the first time in the United States a new series of innovative critical studies introducing writers and their contexts to a wide range of readers. Drawing upon the mast recent thinking in English studies, each book considers biographical material, examines recent criticism, includes a detailed bibliography, and offers a concise but challenging reappraisal of a writer's major work. Published in the U. K. by Northcote House in association with The British Council. |
| jean rhys wide sargasso sea: Jean Rhys and the Novel As Women's Text Nancy R. Harrison, 2009-07 ###German Social Democracy and the Rise of Nazism# explores the failure of Germany's largest political party to stave off the Nazi threat to the Weimar republic. In 1928 members of the Social Democratic Party (SPD) were elected to the chancellorship and thousands of state and municipal offices. But despite the party's apparent strengths, in 1933 Social Democracy succumbed to Nazi power without a fight. Previous scholarship has blamed this reversal of fortune on bureaucratic paralysis, but in this revisionist evaluation, Donna Harsch argues that the party's internal dynamics immobilized the SPD. |
| jean rhys wide sargasso sea: After Leaving Mr. Mackenzie Jean Rhys, 1997 Julia Martin is in Paris and at the end of her rope. Once beautiful, she was taken care of by men. Now after being dropped by her latest lover, she visits London to see her ailing mother and meets up with her distrustful sister, Norah. This is a haunting picture of two desperate women in a desperate predicament. |
| jean rhys wide sargasso sea: All Hallows at Eyre Hall Luccia Gray, 2014-05-02 Experience the mystery and magic of a Victorian Gothic Romance, set in Eyre Hall, and rediscover the charm of Jane Eyre in this stunning sequel. Twenty-two years after her marriage to Edward Rochester, Jane is coping with the imminent death of her bedridden husband, while Richard Mason, Rochester's first wife's brother, has returned from Jamaica, revealing unspeakable secrets once again, and drawing Jane into a complex conspiracy. Everything Jane holds dear is threatened. Who was the man she thought she loved? What is she prepared to do to safeguard her family and preserve her own stability? |
| jean rhys wide sargasso sea: The Ruin of a Rake Cat Sebastian, 2017-07-04 A 2017 RT Reviewer's Choice Nominee for Best Digital Historical! One of Goodreads' Best Romances of July A RT Book Review Top Pick! “Sebastian proves she is a new force to be reckoned with in historical romances.”—Booklist Rogue. Libertine. Rake. Lord Courtenay has been called many things and has never much cared. But after the publication of a salacious novel supposedly based on his exploits, he finds himself shunned from society. Unable to see his nephew, he is willing to do anything to improve his reputation, even if that means spending time with the most proper man in London. Julian Medlock has spent years becoming the epitome of correct behavior. As far as he cares, if Courtenay finds himself in hot water, it’s his own fault for behaving so badly—and being so blasted irresistible. But when Julian’s sister asks him to rehabilitate Courtenay’s image, Julian is forced to spend time with the man he loathes—and lusts after—most. As Courtenay begins to yearn for a love he fears he doesn’t deserve, Julian starts to understand how desire can drive a man to abandon all sense of propriety. But he has secrets he’s determined to keep, because if the truth came out, it would ruin everyone he loves. Together, they must decide what they’re willing to risk for love. |
| jean rhys wide sargasso sea: Quartet Jean Rhys, 2024-01-01 A young expat in Paris is caught between her lover and his wife in this autobiographical novel by the author of Wide Sargasso Sea. Set in the bohemian café society of 1920s Paris, Quartet tells the story of Marya Zelli, a young woman who finds herself alone and adrift when her art dealer husband is arrested. On his insistence, she goes to live with a friendly English couple. But when Marya becomes entangled in the intimate lives of her hosts, she has no way out. And the desperate situation turns explosive when her husband is released from prison. Jean Rhys’s debut novel, Quartet, won international acclaim when it was originally published in 1928. It is loosely based on her extramarital affair with Ford Madox Ford, which took place while her then-husband Jean Lenglet was in prison. |
| jean rhys wide sargasso sea: Critical Perspectives on Jean Rhys Pierrette M. Frickey, 1990 Rhys, acclaimed author of Wide Sargasso Sea, Quartet, and other novels treating the alienation of a woman from the Caribbean living in European settings, has been a focus of interest both as a feminist writer and in the context of Caribbean literature. |
| jean rhys wide sargasso sea: Smile Please Jean Rhys, 2016-11-03 |
| jean rhys wide sargasso sea: Reclaiming Difference Carine M. Mardorossian, 2005 In Reclaiming Difference, Carine Mardorossian examines the novels of four women writers--Jean Rhys (Dominica/UK), Maryse Condé (Guadeloupe/USA), Edwidge Danticat (Haiti/USA), and Julia Alvarez (Dominican Republic/USA)--showing how their writing has radically reformulated the meanings of the national, geographical, sexual, and racial concepts through which postcolonial studies has long been configuring difference. Coming from the anglophone, francophone, and hispanophone Caribbean, these writers all stage and identify with transcultural experiences that undermine the usual classification of literary texts in terms of national and regional literatures, and by doing so they challenge the idea that racial and cultural identities function as stable points of reference in our unstable world. Focusing on the transformations that have taken place in postcolonial studies since the field began to focus on theory, Mardorossian highlights not only how these writers make use of the styles of creolization and hybridity that have dominated Caribbean and postcolonial studies in recent years but also how they distinguish themselves from the movement's leading figures by offering new articulations of the ties that link race and nation to gender and class. She illuminates how these writers extend the notion of hybridity away from racial and cultural differences in isolation from each other to a set of crisscrossing categories that challenge our simpler, normative figurations. For scholars in postcolonial studies, Caribbean studies, literary feminist studies, and studies in comparative literature, Reclaiming Difference represents a new phase in postcolonial studies that calls for a fundamental rethinking of the field's terminology and assumptions. |
| jean rhys wide sargasso sea: A Companion to the British and Irish Novel 1945 - 2000 Brian W. Shaffer, 2007-01-16 A Companion to the British and Irish Novel 1945-2000 serves as an extended introduction and reference guide to the British and Irish novel between the close of World War II and the turn of the millennium. Covers a wide range of authors from Samuel Beckett to Salman Rushdie Provides readings of key novels, including Graham Greene’s ‘Heart of the Matter’, Jean Rhys’s ‘Wide Sargasso Sea’ and Kazuo Ishiguro’s ‘The Remains of the Day’ Considers particular subgenres, such as the feminist novel and the postcolonial novel Discusses overarching cultural, political and literary trends, such as screen adaptations and the literary prize phenomenon Gives readers a sense of the richness and diversity of the novel during this period and of the vitality with which it continues to be discussed |
| jean rhys wide sargasso sea: The Madwoman in the Attic Sandra M. Gilbert, Susan Gubar, 2020-03-17 Called a feminist classic by Judith Shulevitz in the New York Times Book Review, this pathbreaking book of literary criticism is now reissued with a new introduction by Lisa Appignanesi that speaks to how The Madwoman in the Attic set the groundwork for subsequent generations of scholars writing about women writers, and why the book still feels fresh some four decades later. Gilbert and Gubar have written a pivotal book, one of those after which we will never think the same again.--Carolyn G. Heilbrun, Washington Post Book World |
| jean rhys wide sargasso sea: The Absent-Minded Imperialists Bernard Porter, 2004-11-25 The British empire was a huge enterprise. To foreigners it more or less defined Britain in the nineteenth and early twentieth centuries. Its repercussions in the wider world are still with us today. It also had a great impact on Britain herself: for example, on her economy, security, population, and eating habits. One might expect this to have been reflected in her society and culture. Indeed, this has now become the conventional wisdom: that Britain was steeped in imperialism domestically, which affected (or infected) almost everything Britons thought, felt, and did. This is the first book to examine this assumption critically against the broader background of contemporary British society. Bernard Porter, a leading imperial historian, argues that the empire had a far lower profile in Britain than it did abroad. Many Britons could hardly have been aware of it for most of the nineteenth century and only a small number was in any way committed to it. Between these extremes opinions differed widely over what was even meant by the empire. This depended largely on class, and even when people were aware of the empire, it had no appreciable impact on their thinking about anything else. Indeed, the influence far more often went the other way, with perceptions of the empire being affected (or distorted) by more powerful domestic discourses. Although Britain was an imperial nation in this period, she was never a genuine imperial society. As well as showing how this was possible, Porter also discusses the implications of this attitude for Britain and her empire, and for the relationship between culture and imperialism more generally, bringing his study up to date by including the case of the present-day USA. |
| jean rhys wide sargasso sea: The Marriage of Opposites Alice Hoffman, 2015-08-04 “A luminous, Marquez-esque tale” (O, The Oprah Magazine) from the New York Times bestselling author of The Museum of Extraordinary Things: a forbidden love story set on a tropical island about the extraordinary woman who gave birth to painter Camille Pissarro—the Father of Impressionism. Growing up on idyllic St. Thomas in the early 1800s, Rachel dreams of life in faraway Paris. Rachel’s mother, a pillar of their small refugee community of Jews who escaped the Inquisition, has never forgiven her daughter for being a difficult girl who refuses to live by the rules. Growing up, Rachel’s salvation is their maid Adelle’s belief in her strengths, and her deep, life-long friendship with Jestine, Adelle’s daughter. But Rachel’s life is not her own. She is married off to a widower with three children to save her father’s business. When her older husband dies suddenly and his handsome, much younger nephew, Frédérick, arrives from France to settle the estate, Rachel seizes her own life story, beginning a defiant, passionate love affair that sparks a scandal that affects all of her family, including her favorite son, who will become one of the greatest artists of France. “A work of art” (Dallas Morning News), The Marriage of Opposites showcases the beloved, bestselling Alice Hoffman at the height of her considerable powers. “Her lush, seductive prose, and heart-pounding subject…make this latest skinny-dip in enchanted realism…the Platonic ideal of the beach read” (Slate.com). Once forgotten to history, the marriage of Rachel and Frédérick “will only renew your commitment to Hoffman’s astonishing storytelling” (USA TODAY). |
| jean rhys wide sargasso sea: Stet Diana Athill, 2014-10-15 A New York Times Notable Book: This memoir of a career in book publishing “should please anyone who cares about twentieth-century literature” (The Washington Post Book World). For nearly five decades, Diana Athill edited (nursed, coerced, coaxed) some of the most celebrated writers in the English language, among them V. S. Naipaul, Philip Roth, John Updike, Jean Rhys, Mordecai Richler, Molly Keane, and Norman Mailer. A founding editor of the prestigious publishing house André Deutsch Ltd., Athill takes us on a guided tour through the corridors of literary London, offering a keenly observed, devilishly funny, and always compassionate insider’s portrait of the glories and pitfalls of making books—spiced with candid insights about the type of people who make brilliant writers and ingenious publishers, and the idiosyncrasies of both. It is both “wryly humorous” (The New York Times Book Review) and “full of history, wisdom, and dirt” (The Boston Globe). “This is not literary life as we know it today—huge advances, showbiz and vast conglomerates—but the world of small literary houses . . . An enveloping blast of nostalgia: read and marvel at what we (all of us) are missing.” —Marie Claire “A beautifully written, hard-headed, and generally insightful look back at the heyday of post-war London publishing by a woman who was at its center for nearly half a century.” —The Washington Times “Witty and astute . . . The literarily curious will find [her] portraits of leading contemporary authors irresistible.” —Publishers Weekly |
| jean rhys wide sargasso sea: Jean Rhys Letters, 1931-1966 Jean Rhys, 1984 |
| jean rhys wide sargasso sea: Jean Rhys Elaine Savory, 1998 Jean Rhys has long been central to debates in feminist, modernist, Caribbean, British and postcolonial writing. Elaine Savory's study, first published in 1999, incorporates and modifies previous critical approaches and is a critical reading of Rhys's entire oeuvre, including the stories and autobiography, and is informed by Rhys's own manuscripts. Designed both for the serious scholar on Rhys and those unfamiliar with her writing, Savory's book insists on the importance of a Caribbean-centred approach to Rhys, and shows how this context profoundly affects her literary style. Informed by contemporary arguments on race, gender, class and nationality, Savory explores Rhys's stylistic innovations - her use of colours, her exploitation of the trope of performance, her experiments with creative non-fiction and her incorporation of the metaphysical into her texts. This study offers a comprehensive account of the life and work of this most complex and enigmatic of writers. |
| jean rhys wide sargasso sea: The Prisoner of Paradise Romesh Gunesekera, 2012-02-02 Lucy Gladwell arrives in Mauritius from England to live with her aunt and uncle at their grand plantation house. Under the surface of this beautiful island paradise, poised between India and Africa, there is unease, and Lucy cannot help but feel discomfited by the restrictions she sees around her, and by the strangely attractive Don Lambodar, a young translator from Ceylon. It is 1825: the age of slavery is coming to its messy end, and word is lapping against the shores of the island of a charismatic new Indian leader who will shine the light of liberty. For Lucy, for Don, for everyone on the island, a devastating storm is coming... |
| jean rhys wide sargasso sea: ISIS Masood Raja, 2019-02-13 Relying on a thorough understanding of the role of ideology, discourse, and framing, this volume discusses ISIS as an Islamist ideological organization, and examines its philosophical scaffolding within the material conditions produced by neoliberal capital. As Raja asserts, it is this nexus of specifically retrieved Islamic history and the current global economic system that creates the kind of social identity ideally suited for ISIS. The combination of the historical narratives and the contemporary means of communication enables ISIS to frame and spread its message, recruit its adherents, and replicate itself. While many scholarly and journalistic works on ISIS provide a wealth of information, not many elaborate on the terms that are often invoked in these writings. For example, scholars often use the term Salafi-Jihadi but they do not provide a comprehensive explanation of such concept within the same text. This book not only provides an explanation of the instructive terms used to explain the ISIS phenomenon, but also asserts that only one school of thought in Islam [The Sunni Wahabis] is likely to be the ideal target for ISIS recruitment. This claim, of course, does not rely on an essentialized pathology of Wahabi Sunnis, but provides an explanation of the Wahabi Islam as a proverbial slippery slope, as an absolutely necessary first step for an individual's transformation into an ISIS fighter. Written in a clear and direct style, this volume provides scholars and lay readers alike with a deeper understanding of ISIS and its strategies of recruitment and self sustenance. |
| jean rhys wide sargasso sea: On the Question of Identity in the Novel "Wide Sargasso Sea" of Jean Rhys Julia Straub, 2019-04-30 Seminar paper from the year 2017 in the subject English Language and Literature Studies - Comparative Literature, grade: 2,7, University of Constance, course: British and American Studies, language: English, abstract: This work focuses on the question of identity in the novel Wide Sargasso Sea. Antoinette, the female protagonist of Jean Rhys’ novel Wide Sargasso Sea, is struggling with those questions of her identity all her life. As a Creole girl, who lives in Jamaica during post-colonialism, she finds herself caught between two identities not knowing where she belongs. On the one hand, there is the black community which she knows and grows up with, on the other hand the white community which her mother tries to be a part of and forces Antoinette to fit into as well. This life between two contrasting cultures forces Antoinette into a situation of confusion and doubt which makes her question not only where she belongs but if she belongs at all. It drives her into a crisis which she is not able to escape. Jean Rhys published her novel in 1966. Wide Sargasso Sea tells the story of Antoinette Cosway who is also, known under the name of Bertha, a character of Charlotte Brontë's novel Jane Eyre. In Wide Sargasso Sea Rhys is giving Bertha/ Antoinette a story and a reason why she became mad in the first place. The story starts in her childhood and moves on to the marriage to Mr. Rochester. The last part is set when she is already imprisoned by her husband and is setting the house on fire which accords with the story told in Jane Eyre. For the background of the novel it is important to know that Rhys herself grew up in a situation like Antoinette’s. She as well had troubles with identifying herself when she grew up. So Rhys shares part of Antoinette’s history which is probably why she was that interested in telling her story which is completely uncared-for by Brontë. |
| jean rhys wide sargasso sea: A View of the Empire at Sunset Caryl Phillips, 2018-05-22 Award-winning author Caryl Phillips presents a biographical novel of the life of Jean Rhys, the author of Wide Sargasso Sea, which she wrote as a prequel to Charlotte Brontë’s Jane Eyre. Caryl Phillips’s A View of the Empire at Sunset is the sweeping story of the life of the woman who became known to the world as Jean Rhys. Born Ella Gwendolyn Rees Williams in Dominica at the height of the British Empire, Rhys lived in the Caribbean for only sixteen years before going to England. A View of the Empire at Sunset is a look into her tempestuous and unsatisfactory life in Edwardian England, 1920s Paris, and then again in London. Her dream had always been to one day return home to Dominica. In 1936, a forty-five-year-old Rhys was finally able to make the journey back to the Caribbean. Six weeks later, she boarded a ship for England, filled with hostility for her home, never to return. Phillips’s gripping new novel is equally a story about the beginning of the end of a system that had sustained Britain for two centuries but that wreaked havoc on the lives of all who lived in the shadow of the empire: both men and women, colonizer and colonized. A true literary feat, A View of the Empire at Sunset uncovers the mysteries of the past to illuminate the predicaments of the present, getting at the heart of alienation, exile, and family by offering a look into the life of one of the greatest storytellers of the twentieth century and retelling a profound story that is singularly its own. |
| jean rhys wide sargasso sea: Textual Politics from Slavery to Postcolonialism C. Plasa, 2000-04-19 This book explores questions of race and identification in writings from the Enlightenment to the present. Drawing on post-colonial theory, it provides close readings of texts by Olaudah Equiano, Jane Austen, Charlotte Brontë, Jean Rhys, Frantz Fanon, Toni Morrison and Tsitsi Dangarembga and highlights the elements of dialogue, exchange and contestation between them. It illustrates how inscriptions of racial crossing - whether between white and black or black and white - are always implicated in a certain textual and/or intertextual politics. |
| jean rhys wide sargasso sea: Overcoat And Other Tales Of Good And Evil Николай Васильевич Гоголь, 1965 Six short stories probe the mind of man to reveal his hidden motives. |
| jean rhys wide sargasso sea: Jean Rhys, the Complete Novels Jean Rhys, 1985 Tells the stories of a chorus girl, an unhappy love affair, a prostitute, a woman no longer able to love, and an English-West Indian marriage |
| jean rhys wide sargasso sea: Difficult Women David Plante, 2017-09-26 David Plante's dazzling portraits of three influential women in the literary world, now back in print for the first time in decades. Difficult Women presents portraits of three extraordinary, complicated, and, yes, difficult women, while also raising intriguing and, in their own way, difficult questions about the character and motivations of the keenly and often cruelly observant portraitist himself. The book begins with David Plante’s portrait of Jean Rhys in her old age, when the publication of The Wide Sargasso Sea, after years of silence that had made Rhys’s great novels of the 1920s and ’30s as good as unknown, had at last gained genuine recognition for her. Rhys, however, can hardly be said to be enjoying her new fame. A terminal alcoholic, she curses and staggers and rants like King Lear on the heath in the hotel room that she has made her home, while Plante looks impassively on. Sonia Orwell is his second subject, a suave exploiter and hapless victim of her beauty and social prowess, while the unflappable, brilliant, and impossibly opinionated Germaine Greer sails through the final pages, ever ready to set the world, and any erring companion, right. |
| jean rhys wide sargasso sea: Sea, Swallow Me and Other Stories Craig Laurance Gidney, 2008 Ancient folklore and modern myth come together in these stories by author Craig Laurance Gidney. Here are found the struggles of a medieval Japanese monk, seduced by a mischievous fairy, and a young slave who finds mystery deep within the briar patch of an antebellum plantation. Gidney offers readers a gay teen obsessed with his patron saint, Lena Horne, and, in the title story, an ailing tourist seeking escape at a distant shore but never reckons on encountering an African sea god. Rich, poetic, dark and disturbing, these are tales not soon forgotten. A finalist for the Lambda Literary Award. |
| jean rhys wide sargasso sea: Quartet Jean Rhys, 1973 |
| jean rhys wide sargasso sea: Jabberwocky and Other Nonsense Lewis Carroll, 2012-09-06 The first collected and annotated edition of Carroll's brilliant, witty poems, edited by Gillian Beer. 'Twas brillig, and the slithy toves / Did gyre and gimble in the wabe...' wrote Lewis Carroll in his wonderfully playful poem of nonsense verse, 'Jabberwocky'. This new edition collects together the marvellous range of Carroll's poetry, including nonsense verse, parodies, burlesques, and more. Alongside the title piece are such enduringly wonderful pieces as 'The Walrus and the Carpenter', 'The Mock Turtle's Song', 'Father William' and many more. This edition also includes notes, a chronology and an introduction by Gillian Beer that discusses Carroll's love of puzzles and wordplay and the relationship of his poetry with the Alice books 'Opening at random Gillian Beer's new edition of Lewis Carroll's poems, Jabberwocky and Other Nonsense, guarantees a pleasurable experience - not all of it nonsensical' - Times Literary Supplement Lewis Carroll was the pen-name of the Reverend Charles Lutwidge Dodgson. Born in 1832, he was educated at Rugby School and Christ Church, Oxford, where he was appointed lecturer in mathematics in 1855, and where he spent the rest of his life. In 1861 he took deacon's orders, but shyness and a stammer prevented him from seeking the priesthood. His most famous works, Alice's Adventures in Wonderland (1865) and Through the Looking-Glass (1872), were originally written for Alice Liddell, the daughter of the Dean of his college. Charles Dodgson died of bronchitis in 1898. Gillian Beer is King Edward VII Professor Emeritus of English at the University of Cambridge and past President of Clare Hall College. She is a Fellow of the British Academy and of the Royal Society of Literature. Among her works are Darwin's Plots (1983; third edition, 2009), George Eliot (1986), Arguing with the Past: Essays in Narrative from Woolf to Sidney (1989), Open Fields: Science in Cultural Encounter (1996) and Virginia Woolf: The Common Ground (1996). |
| jean rhys wide sargasso sea: Claire of the Sea Light Edwidge Danticat, 2013-08-27 From the national bestselling author of Brother, I’m Dying and The Dew Breaker: a “fiercely beautiful” novel (Los Angeles Times) that brings us deep into the intertwined lives of a small seaside town where a little girl, the daughter of a fisherman, has gone missing. Just as her father makes the wrenching decision to send her away for a chance at a better life, Claire Limyè Lanmè—Claire of the Sea Light—suddenly disappears. As the people of the Haitian seaside community of Ville Rose search for her, painful secrets, haunting memories, and startling truths are unearthed. In this stunning novel about intertwined lives, Edwidge Danticat crafts a tightly woven, breathtaking tapestry that explores the mysterious bonds we share—with the natural world and with one another. |
| jean rhys wide sargasso sea: The Blue Hour: A Life of Jean Rhys Lilian Pizzichini, 2011-02-07 A groundbreaking biography of a psychologically traumatized novelist who forever changed the way we look at women in fiction. Jean Rhys (1890–1979) is best known for her 1966 novel Wide Sargasso Sea. A prequel to Jane Eyre, Rhys’s revolutionary work reimagined the story of Bertha Rochester—the misunderstood “madwoman in the attic” who was driven to insanity by cruelties beyond her control. The Blue Hour performs a similar exhumation of Rhys’s life, which was haunted by demons from within and without. Its examination of Rhys’s pain and loss charts her desperate journey from the jungles of Dominica to a British boarding school, and then into an adult life scarred by three failed marriages, the deaths of her two children, and her long battle with alcoholism.A mesmerizing evocation of a fragile and brilliant mind, The Blue Hour explores the crucial element that ultimately spared Rhys from the fate of her most famous protagonist: a genius that rescued her, again and again, from the abyss. |
| jean rhys wide sargasso sea: Nonbinary Micah Rajunov, A. Scott Duane, 2019-04-09 What happens when your gender doesn’t fit neatly into the categories of male or female? Even mundane interactions like filling out a form or using a public bathroom can be a struggle when these designations prove inadequate. In this groundbreaking book, thirty authors highlight how our experiences are shaped by a deeply entrenched gender binary. The powerful first-person narratives of this collection show us a world where gender exists along a spectrum, a web, a multidimensional space. Nuanced storytellers break away from mainstream portrayals of gender diversity, cutting across lines of age, race, ethnicity, ability, class, religion, family, and relationships. From Suzi, who wonders whether she’ll ever “feel” like a woman after living fifty years as a man, to Aubri, who grew up in a cash-strapped fundamentalist household, to Sand, who must reconcile the dual roles of trans advocate and therapist, the writers’ conceptions of gender are inextricably intertwined with broader systemic issues. Labeled gender outlaws, gender rebels, genderqueer, or simply human, the voices in Nonbinary illustrate what life could be if we allowed the rigid categories of “man” and “woman” to loosen and bend. They speak to everyone who has questioned gender or has paused to wonder, What does it mean to be a man or a woman—and why do we care so much? |
Wide Sargasso Sea - Wikipedia
Wide Sargasso Sea is a 1966 novel by Dominican-British author Jean Rhys. The novel serves as a postcolonial and feminist prequel to Charlotte Brontë's novel Jane Eyre (1847), describing the background to Mr. Rochester's marriage from the point of view of his wife Antoinette Cosway, a …
Wide Sargasso Sea: Study Guide - SparkNotes
Wide Sargasso Sea by British author Jean Rhys, published in 1966, is a compelling and complex novel that is meant to serve as a prequel to Charlotte Brontë's Jane Eyre.
Wide Sargasso Sea Study Guide | Literature Guide - LitCharts
Wide Sargasso Sea is a rewriting of Charlotte Bronte’s classic nineteenth-century gothic bildungsroman Jane Eyre (1847). In Bronte’s novel, Bertha Mason is more monster than human, locked away for a decade in secret, in the attic of Thornfield Hall, where her demonic laughter and “savage” snarls disturb the residents of the mansion ...
Wide Sargasso Sea by Jean Rhys - Goodreads
The Wide Sargasso Sea is a novel by Jean Rhys, published in 1966 at age 76. Rewarded by the Royal Society Literature Award, this novel highlighted an author who remained in the shadows. His life undoubtedly inspired Jean Rhys to create the character of Antoinette.
Analysis of Jean Rhys’s Novel Wide Sargasso Sea
29 May 2019 · When Wide Sargasso Sea, her last novel, was published, Jean Rhys (24 August 1890 – 14 May 1979) was described in The New York Times as the greatest living novelist. Such praise is overstated, but Rhys’s fiction, long overlooked by academic critics, is undergoing a revival spurred by feminist studies.
Wide Sargasso Sea: Full Book Analysis | SparkNotes
As a reimagining of one of Jane Eyre’s most mysterious characters, Wide Sargasso Sea offers a more nuanced look at the sociopolitical forces that drive a woman like Antoinette to madness. Rhys calls attention to the harmful impacts of colonialism and patriarchal values by depicting Antoinette’s struggle to maintain agency in a world which ...
Wide Sargasso Sea | Caribbean, Postcolonial & Feminism
8 Nov 2024 · Wide Sargasso Sea, novel by Jean Rhys, published in 1966. A well-received work of fiction, it takes its theme and main character from the novel Jane Eyre by Charlotte Brontë. The book details the life of Antoinette Mason (known in Jane Eyre as Bertha), a West Indian who marries an unnamed man in.
Wide Sargasso Sea by Jean Rhys Plot Summary | LitCharts
Wide Sargasso Sea Summary. Antoinette Cosway, a creole, or Caribbean person of European descent, recounts her memories of growing up at her family’s estate, Coulibri, in Jamaica in the 1830‘s. Her family, consisting of her mother, Annette, and her mentally disabled younger brother, Pierre, are destitute and isolated after her father’s ...
Wide Sargasso Sea: Full Book Summary - SparkNotes
A short summary of Jean Rhys's Wide Sargasso Sea. This free synopsis covers all the crucial plot points of Wide Sargasso Sea.
Wide Sargasso Sea (Penguin Modern Classics) Paperback
WIDE SARGASSO SEA is the 'prequel' to "Jane Eyre". Through this short novel, Jean Rhys has given a voice to the mad woman in Rochester's attic; his first wife. The book has three parts and each part sees a different narrator.
Wide Sargasso Sea - Wikipedia
Wide Sargasso Sea is a 1966 novel by Dominican-British author Jean Rhys. The novel serves as a postcolonial and feminist prequel to Charlotte Brontë's novel Jane Eyre (1847), describing the background to Mr. Rochester's marriage from the point of view of his wife Antoinette Cosway, a …
Wide Sargasso Sea: Study Guide - SparkNotes
Wide Sargasso Sea by British author Jean Rhys, published in 1966, is a compelling and complex novel that is meant to serve as a prequel to Charlotte Brontë's Jane Eyre.
Wide Sargasso Sea Study Guide | Literature Guide - LitCharts
Wide Sargasso Sea is a rewriting of Charlotte Bronte’s classic nineteenth-century gothic bildungsroman Jane Eyre (1847). In Bronte’s novel, Bertha Mason is more monster than human, locked away for a decade in secret, in the attic of Thornfield Hall, where her demonic laughter and “savage” snarls disturb the residents of the mansion ...
Wide Sargasso Sea by Jean Rhys - Goodreads
The Wide Sargasso Sea is a novel by Jean Rhys, published in 1966 at age 76. Rewarded by the Royal Society Literature Award, this novel highlighted an author who remained in the shadows. His life undoubtedly inspired Jean Rhys to create the character of Antoinette.
Analysis of Jean Rhys’s Novel Wide Sargasso Sea
29 May 2019 · When Wide Sargasso Sea, her last novel, was published, Jean Rhys (24 August 1890 – 14 May 1979) was described in The New York Times as the greatest living novelist. Such praise is overstated, but Rhys’s fiction, long overlooked by academic critics, is undergoing a revival spurred by feminist studies.
Wide Sargasso Sea: Full Book Analysis | SparkNotes
As a reimagining of one of Jane Eyre’s most mysterious characters, Wide Sargasso Sea offers a more nuanced look at the sociopolitical forces that drive a woman like Antoinette to madness. Rhys calls attention to the harmful impacts of colonialism and patriarchal values by depicting Antoinette’s struggle to maintain agency in a world which ...
Wide Sargasso Sea | Caribbean, Postcolonial & Feminism
8 Nov 2024 · Wide Sargasso Sea, novel by Jean Rhys, published in 1966. A well-received work of fiction, it takes its theme and main character from the novel Jane Eyre by Charlotte Brontë. The book details the life of Antoinette Mason (known in Jane Eyre as Bertha), a West Indian who marries an unnamed man in.
Wide Sargasso Sea by Jean Rhys Plot Summary | LitCharts
Wide Sargasso Sea Summary. Antoinette Cosway, a creole, or Caribbean person of European descent, recounts her memories of growing up at her family’s estate, Coulibri, in Jamaica in the 1830‘s. Her family, consisting of her mother, Annette, and her mentally disabled younger brother, Pierre, are destitute and isolated after her father’s ...
Wide Sargasso Sea: Full Book Summary - SparkNotes
A short summary of Jean Rhys's Wide Sargasso Sea. This free synopsis covers all the crucial plot points of Wide Sargasso Sea.
Wide Sargasso Sea (Penguin Modern Classics) Paperback
WIDE SARGASSO SEA is the 'prequel' to "Jane Eyre". Through this short novel, Jean Rhys has given a voice to the mad woman in Rochester's attic; his first wife. The book has three parts and each part sees a different narrator.
