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| history of american bandstand: The History of American Bandstand Michael Shore, Dick Clark, 1985 Looks at four decades of the popular music show, shows how fashions, dances, and music have changed, and lists appearances by rock groups, singers, and performers |
| history of american bandstand: The History Of American Bandstand Michael Shore, 1985 |
| history of american bandstand: The History Of American Bandstand Michael Shore, 1985 |
| history of american bandstand: American Bandstand John A. Jackson, 1997 |
| history of american bandstand: The Nicest Kids in Town Matthew F. Delmont, 2012-02-22 American Bandstand, one of the most popular television shows ever, broadcast from Philadelphia in the late fifties, a time when that city had become a battleground for civil rights. Counter to host Dick Clark’s claims that he integrated American Bandstand, this book reveals how the first national television program directed at teens discriminated against black youth during its early years and how black teens and civil rights advocates protested this discrimination. Matthew F. Delmont brings together major themes in American history—civil rights, rock and roll, television, and the emergence of a youth culture—as he tells how white families around American Bandstand’s studio mobilized to maintain all-white neighborhoods and how local school officials reinforced segregation long after Brown vs. Board of Education. The Nicest Kids in Town powerfully illustrates how national issues and history have their roots in local situations, and how nostalgic representations of the past, like the musical film Hairspray, based on the American Bandstand era, can work as impediments to progress in the present. |
| history of american bandstand: Dick Clark's American Bandstand Dick Clark, Fred Bronson, 1997 Called America's oldest living teenager, Dick Clark, from 1956 until 1989, hosted American Bandstand the dance show that reflected America's youth culture for more than 30 years. This rich and vibrant retrospective of the very best of Bandstand is lavishly illustrated with stunning photos and jam-packed with fascinating sidebars, behind-the-scenes anecdotes, and interviews with guest stars from Chuck Berry to Madonna. 250 photos. Index. |
| history of american bandstand: Bandstand Richard Oberacker, Robert Taylor, 2018 It’s 1945. American soldiers return home to ticker tape parades and overjoyed families; Private First Class Donny Novitski, singer and songwriter, returns with the hope of rebuilding his life with just the shirt on his back and a dream in his heart. When NBC announces a national competition to find the nation’s next swing band sensation, Donny joins forces with a motley group of fellow veterans, and together they form a band unlike any the nation has ever seen. However, complicated relationships, the demands of the competition, and the challenging after-effects of war may break these musicians. But, when Donny meets a beautiful, young singer named Julia, he finds the perfect harmony in words and music that could take this band of brothers all the way to the live radio broadcast finale in New York City. Victory will require every ounce of talent, stamina, and raw nerve that these musicians possess. |
| history of american bandstand: Bandstandland Larry Lehmer, 2019-04-15 American Bandstand, one of the longest-running shows in television history, spotlighted well-scrubbed, properly dressed dancing teenagers on every show. They mirrored the show's perpetually youthful host, Dick Clark, who spun the music Clark often described as the soundtrack to our lives. These are the memories Clark carefully nurtured as he crafted the alternate teen universe of Bandstandland during the formative years of American Bandstand, from 1952 to 1964. Bandstandland was a mythical creation by Clark, who saw the show as a springboard to immense wealth rather than a tribute to teen culture. Clark was a relentless businessman who once had ownership stakes in 33 corporations, most created by him. He created rules to keep black teens off the show, promoted the teens that danced on the show when it served his purposes and banned them when it didn't and effectively turned American Bandstand into his own personal infomercial. Bandstandland sheds light on the little-known backstory of the TV program that was America's top-rated daytime television show in its heyday and enjoyed a 37-year run from 1952 to 1989. |
| history of american bandstand: TV-a-Go-Go Jake Austen, 2005-07 From Elvis and a hound dog wearing matching tuxedos and the comic adventures of artificially produced bands to elaborate music videos and contrived reality-show contests, television--as this critical look brilliantly shows--has done a superb job of presenting the energy of rock in a fabulously entertaining but patently fake manner. The dichotomy of fake and real music as it is portrayed on television is presented in detail through many generations of rock music: the Monkees shared the charts with the Beatles, Tupac and Slayer fans voted for corny American Idols, and shows like Shindig! and Soul Train somehow captured the unhinged energy of rock far more effectively than most long-haired guitar-smashing acts. Also shown is how TV has often delighted in breaking the rules while still mostly playing by them: Bo Diddley defied Ed Sullivan and sang rock and roll after he had been told not to, the Chipmunks' subversive antics prepared kids for punk rock, and things got out of hand when Saturday Night Live invited punk kids to attend a taping of the band Fear. Every aspect of the idiosyncratic history of rock and TV and their peculiar relationship is covered, including cartoon rock, music programming for African American audiences, punk on television, Michael Jackson's life on TV, and the tortured history of MTV and its progeny. |
| history of american bandstand: American Bandstand John A. Jackson, 1997 |
| history of american bandstand: LIFE Dick Clark and the History of Rock 'n' Roll Editors of Life, 2012-05-29 Dick Clark, known widely as America's oldest teenager, single-handedly formed the culture of the day on American Bandstand, and helped give rise to rock 'n' roll. He was a man of many roles: an entrepreneur, producer, game-show host and much more. It didn't feel like New Year's Eve in America if you weren't watching Dick Clark count down the minutes. The statistics are staggering; Bandstand brought in 40 million viewers a day when the country's population wasn't even 200 million and when many people were at work-one might size that up to airing a Super Bowl every day! However, Dick Clark's influence transcended the music. Against dissent, he integrated the dance floor and gave Baby Boomer America a daily vision of what a non-segregated society could be; early guests on his show included Chuck Berry and James Brown, as well as Jerry Lee Lewis and the Everly Brothers. Clark even made television an interactive pastime by reaching out to his viewers and getting them to call in and say what they thought about the couple of the day, or the song. This made Bandstand the progenitor of much of today's TV culture-shows like American Idol, The Voice and Dancing with the Stars. Dick Clark was also a friend of LIFE's; in this book, we bring back an earlier LIFE piece in which he reminiscences about the exciting early days of rock 'n' roll. He was a legend who introduced us to other legends, and for that, he will always be remembered. |
| history of american bandstand: Rock, Roll & Remember Dick Clark, Richard Robinson, 1978 |
| history of american bandstand: Love, Peace and Soul Ericka Blount Danois, 2013-08-01 Love, Peace, and Soul tells the story of the television phenomenon known as Soul Train, a show created in the land of bell bottoms, afros, and soul power; a show that became the touchstone of the Baby Boomer generation. Don Cornelius, host and owner of the show, was one of the coolest cats on television. With his platform shoes, wide neckties, and mellifluous voice, he showed the world just how corny American Bandstand was in comparison. In 2012, fans were shocked to hear one of the most powerful men in the music and television business took his own life. Love, Peace, and Soul is a celebratory, behind-the-scenes collection of anecdotes, stories, and reflections, from the people who were there, about the host, the show, and the power of black music and dance on television. Music and television connoisseurs will enjoy the history of not just Soul Train, but of other shows, including Shindig!, Don Kirshner's Rock Concert, Hullabaloo, American Bandstand, and Graffiti Rock. Entrepreneurs will be interested in Cornelius' humble beginnings with the local version of the show in Chicago, created with his own money. Fans will delight in the lively images and the quirky details. The first mass market book on Soul Train since Cornelius's passing, this volume has something for everyone. Includes afterword by Gary Harris. |
| history of american bandstand: All Shook Up Glenn C. Altschuler, 2003-08-07 The birth of rock 'n roll ignited a firestorm of controversy--one critic called it musical riots put to a switchblade beat--but if it generated much sound and fury, what, if anything, did it signify? As Glenn Altschuler reveals in All Shook Up, the rise of rock 'n roll--and the outraged reception to it--in fact can tell us a lot about the values of the United States in the 1950s, a decade that saw a great struggle for the control of popular culture. Altschuler shows, in particular, how rock's switchblade beat opened up wide fissures in American society along the fault-lines of family, sexuality, and race. For instance, the birth of rock coincided with the Civil Rights movement and brought race music into many white homes for the first time. Elvis freely credited blacks with originating the music he sang and some of the great early rockers were African American, most notably, Little Richard and Chuck Berry. In addition, rock celebrated romance and sex, rattled the reticent by pushing sexuality into the public arena, and mocked deferred gratification and the obsession with work of men in gray flannel suits. And it delighted in the separate world of the teenager and deepened the divide between the generations, helping teenagers differentiate themselves from others. Altschuler includes vivid biographical sketches of the great rock 'n rollers, including Elvis Presley, Fats Domino, Chuck Berry, Little Richard, Jerry Lee Lewis, and Buddy Holly--plus their white-bread doppelgangers such as Pat Boone. Rock 'n roll seemed to be everywhere during the decade, exhilarating, influential, and an outrage to those Americans intent on wishing away all forms of dissent and conflict. As vibrant as the music itself, All Shook Up reveals how rock 'n roll challenged and changed American culture and laid the foundation for the social upheaval of the sixties. |
| history of american bandstand: Turning Points in Rock and Roll Hank Bordowitz, 2004 The history of rock and roll is a long and winding road full of unforgettable moments, but some of them provided more than magic memories: They triggered social and cultural revolutions. They radically changed the way music is performed and recorded. They altered our very perception of what popular music is. Written by a longtime industry insider and featuring interviews with over 100 key figures, Turning Points in Rock and Roll gives you a front-row seat to the pivotal events and breakthroughs of the past fifty-plus years in music. From the first great music festival at Monterey to the violence at Altamont that signaled the beginning of a new era, from Elvis's swiveling hips to Mick Jagger's pouting lips...it's all here -- the people and events that have kept rock and roll vibrant, vital, and constantly evolving in bold new directions. Book jacket. |
| history of american bandstand: Steppin' on the Blues Jacqui Malone, 1996 Former dancer Jacqui Malone throws a fresh spotlight on the cultural history of black dance, the Africanisms that have influenced it, and the significant role that vocal harmony groups, black college and university marching bands, and black sorority and fraternity stepping teams have played in the evolution of dance in African American life. |
| history of american bandstand: Connecticut Rock ‘n’ Roll Tony Renzoni, 2017-08-07 Long neglected in the annals of American music, the Nutmeg State's influence on the history of rock'n'roll deserves recognition. Connecticut's musical highlights include the beautiful harmonies of New Haven's Five Satins, Gene Pitney's rise to fame, Stamford's the Fifth Estate and notable rockers such as Thurston Moore of Sonic Youth, Rivers Cuomo of Weezer and Saturday Night Live Band's Christine Ohlman. Rock Hall of Famers include Tina Weymouth and Chris Frantz of the Talking Heads and Dennis Dunaway of the Alice Cooper Band. Some events became legend, like Jimi Hendrix's spellbinding performance at Yale's Woolsey Hall, Jim Morrison's onstage arrest at the New Haven Arena and teenage Bob Dylan's appearance at Branford's Indian Neck Folk Festival. With in-depth interviews as well as rare, never-before-seen photos, author Tony Renzoni leads a sonic trip that captures the spirit and zenith of the local scene. |
| history of american bandstand: American Bandstand John Jackson, 1999-06-03 I don't make culture, I sell it Dick Clark once remarked. Indeed, the man who reigned as host of American Bandstand for nearly four decades may not have invented rock 'n' roll, but he sold it to the American public better than anyone before or since. Before Clark, rock 'n' roll was the step child of radio--which took to playing records as a cost-saving measure after television siphoned off radios most lucrative sponsors. But it was network television--and specifically Clarks Bandstand--that ultimately legitimized what was then viewed by most adults as vulgar, low-class music, broadcasting a sanitized vision of rock 'n' roll straight into Americas living rooms five afternoons a week. Here is the first book to tell the full story of what happened in front of--and behind--the cameras on Dick Clark's American Bandstand, providing both a history of this landmark show and of the changing styles of rock 'n' roll over four decades. Based on extensive interviews with music business figures, recording stars, and Clark himself, and featuring dozens of rare or never before published photographs, this is a riveting and uncensored account of a show that managed to survive countless revolutions in popular music. Jackson describes Bandstands humble beginnings in Philadelphias blue collar south side, the sex scandal that scuttled the first host of Bandstand and enabled Clark to launch his career, the glory days when an appearance on Bandstand was one of the most prized gigs in the music business and when teenagers lined up for blocks hoping to enter the studio, and memorable Bandstand appearances by rock 'n' roll royalty from Chubby Checker and Frankie Avalon, to Jerry Lee Lewis and Jefferson Airplane, to Pink Floyd and Madonna. Here as well is a candid look at the backstage financial maneuvering that allowed Clark to launch a video and entertainment empire worth nearly $200 million dollars today. Voted Most Likely To Sell The Brooklyn Bridge by his high school classmates, Clark emerges as a cunning business impresario determined to make millions. Readers learn how Clark decided which eager young singers would appear on the show, how he managed to survive a 1959 Congressional payola investigation that destroyed the careers of many other popular disc jockeys, how much money he earned from his personal financial investments in many of the songs played on Bandstand, and his importance to ABC in its fledgling days as a national television network. As entertaining as it is eye-opening, Dick Clark's American Bandstand will bring back a flood of memories to everyone who lived through that era. It will fascinate everyone interested in popular American culture or in rock 'n' roll history. |
| history of american bandstand: The History of Rock & Roll, Volume 1 Ed Ward, 2016-11-15 An Epic Journey through the Golden Era of Rock & Roll Embark on a thrilling musical voyage with The History of Rock & Roll, Volume 1. The book traces the evolution of rock and roll from its humble origins in the 1920s, culminating in the seismic shift ushered in by the Beatles in the 1960s. This rollercoaster ride through the decades invites you to tap your feet to the music of vaudeville and minstrel acts, rhythm and blues, and the unmistakable sounds that defined post-World War II America. Our guide through this iconic era is none other than celebrated writer Ed Ward. With his definitive narrative style enriched by a profound knowledge of music, Ward spotlights lesser-known heroes and big-name legends alike. Uncover the fascinating stories of Elvis Presley, Buddy Holly, Chuck Berry, and Ray Charles. Delve into the unsung tales of pioneers such as the Burnette brothers, the “5” Royales, and Marion Keisker. For all music lovers and rock & roll fans, Ward spins story after story of some of the most unforgettable and groundbreaking moments in rock history, introducing us to the musicians, DJs, record executives, and producers who were at the forefront of the genre and had a hand in creating the music we all know and love today. |
| history of american bandstand: The History of Rock & Roll, Volume 2 Ed Ward, 2019-11-19 From rock and roll historian Ed Ward comes a comprehensive, authoritative, and enthralling cultural history of one of rock's most exciting eras. It's February 1964 and The Beatles just landed in New York City, where the NYPD, swarms of fans, and a crowd of two hundred journalists await their first American press conference. It begins with the question on everyone's mind: Are you going to get a haircut in America? and ends with a reporter tugging Paul McCartney's hair in an attempt to remove his nonexistent wig. This is where The History of Rock & Roll, Volume 2 kicks off. Chronicling the years 1964 through the mid-1970s, this latest volume covers one of the most exciting eras of rock history, which saw a massive outpouring of popular and cutting-edge music. Ward weaves together an unputdownable narrative told through colorful anecdotes and shares the behind-the-scenes stories of the megastars, the trailblazers, DJs, record executives, concert promoters, and producers who were at the forefront of this incredible period in music history. From Bob Dylan to Bill Graham, Jimi Hendrix, Janis Joplin, The Byrds, Aretha Franklin, The Rolling Stones, and more, everyone's favorite musicians of the era make an appearance in this sweeping history that reveals how the different players, sounds, and trends came together to create the music we all know and love today. |
| history of american bandstand: Bobby Rydell Bobby Rydell, Allan Slutsky, 2016-04-29 From his vivid childhood on the fabled mid-20th-century streets of South Philadelphia, to his reign as the Justin Bieber of the Camelot era, his battles with alcoholism, and his lifesaving double-transplant surgery, multitalented entertainer Bobby Rydell has one hell of a story to tell. ... Co-written with award-winning musician-author-filmmaker Allan Slutsky (Standing in the Shadows of Motown), Teen Idol on the Rocks not only tells the story of Bobby Rydell, but that of American pop culture through the past six decades ... But, Teen Idol on the Rocks also is a very personal - and often-painful - story. Bobby delves into the darker and more dramatic aspects of his life, including the death of his beloved first wife, Camille, his decades of alcohol abuse, and the last-ditch transplant surgery that saved his life.--Publisher web page. |
| history of american bandstand: Opera at the Bandstand George Whitney Martin, 2014 In this book, George W. Martin surveys the role of concert bands in the 19th and early 20th centuries in making contemporary opera popular. At the same time, he chronicles how concert bands would lose their audience as they abandoned operatic repertory in the second half of the twentieth century. In conclusion Martin pleads for renewed interest among concert bands in operatic excerpts, especially from contemporary operas-for the good of both the bands and opera. This book starts with the Dodworth bands in New York City from the 1850s and tracks its way through the American tour of French conductor and composer Louis Antoine Jullien, bandmaster Patrick S. Gilmore's Jubilee festivals, the era of John Philip Sousa from 1892 to 1932, that of the Goldman Band of New York City from 1920 to 2005, to finally the wind ensembles sparked by Frederick Fennell. Throughout, Martin illustrates the degree to which operatic material comprised these bands' overall repertory and in a series of appendixes, he offers up detailed lists of band programs. |
| history of american bandstand: Five Years Ahead of My Time Seth Bovey, 2019-06-10 Five Years Ahead of My Time: Garage Rock from the 1950s to the Present tells of a musical phenomenon whose continuing influence on global popular culture is immeasurable. The story begins in 1950s America, when classic rock ’n’ roll was reaching middle age, and teenaged musicians kept its primal rawness going with rough-hewn instrumentals, practicing guitar riffs in their parents’ garages. In the mid-1960s came the Beatles and the British Invasion, and soon every neighborhood had its own garage band. Groups like the Sonics and 13th Floor Elevators burnt brightly but briefly, only to be rediscovered by a new generation of connoisseurs in the 1970s. Numerous compilation albums followed, spearheaded by Lenny Kaye’s iconic Nuggets, which resulted in garage rock’s rebirth during the 1980s and ’90s. Be it the White Stripes or the Black Keys, bands have consistently found inspiration in the simplicity and energy of garage rock. It is a revitalizing force, looking back to the past to forge the future of rock ’n’ roll. And this, for the first time, is its story. |
| history of american bandstand: Rock & Roll Generation Time-Life Books, 1998 300 pictures and countless quotations, bringing back the hopes, fear, and dreams of a one-of-a-kind generation, the nifty 50s. |
| history of american bandstand: Social Dancing in America: Lindy Hop to Hip Hop, 1901-2000 Ralph G. Giordano, 2007 Describes the history of social dancing in the United States from the complicated early set dances to modern breakdancing and the recent revival of swing, discussing how, why, and with whom Americans have danced. |
| history of american bandstand: A Companion to the History of American Broadcasting Aniko Bodroghkozy, 2018-10-02 Presented in a single volume, this engaging review reflects on the scholarship and the historical development of American broadcasting A Companion to the History of American Broadcasting comprehensively evaluates the vibrant history of American radio and television and reveals broadcasting’s influence on American history in the twentieth and twenty-first centuries. With contributions from leading scholars on the topic, this wide-ranging anthology explores the impact of broadcasting on American culture, politics, and society from an historical perspective as well as the effect on our economic and social structures. The text’s original and accessibly-written essays offer explorations on a wealth of topics including the production of broadcast media, the evolution of various television and radio genres, the development of the broadcast ratings system, the rise of Spanish language broadcasting in the United States, broadcast activism, African Americans and broadcasting, 1950’s television, and much more. This essential resource: Presents a scholarly overview of the history of radio and television broadcasting and its influence on contemporary American history Contains original essays from leading academics in the field Examines the role of radio in the television era Discusses the evolution of regulations in radio and television Offers insight into the cultural influence of radio and television Analyzes canonical texts that helped shape the field Written for students and scholars of media studies and twentieth-century history, A Companion to the History of American Broadcasting is an essential and field-defining guide to the history and historiography of American broadcasting and its many cultural, societal, and political impacts. |
| history of american bandstand: The Hippest Trip in America Nelson George, 2014-03-25 An authoritative history of the groundbreaking syndicated television show that has become an icon of American pop culture, from acclaimed author and filmmaker Nelson George, “the most accomplished black music critic of his generation” (Washington Post Book World). When it debuted in October 1971, seven years after the Civil Rights Act, Soul Train boldly went where no variety show had gone before, showcasing the cultural preferences of young African-Americans and the sounds that defined their lives: R&B, funk, jazz, disco, and gospel music. The brainchild of radio announcer Don Cornelius, the show’s producer and host, Soul Train featured a diverse range of stars, from James Brown and David Bowie to Christine Aguilera and R. Kelly; Marvin Gaye and Elton John to the New Kids on the Block and Stevie Wonder. The Hippest Trip in America tells the full story of this pop culture phenomenon that appealed not only to blacks, but to a wide crossover audience as well. Famous dancers like Rosie Perez and Jody Watley, performers such as Aretha Franklin, Al Green, and Barry White, and Cornelius himself share their memories, offering insights into the show and its time—a period of extraordinary social and political change. Colorful and pulsating, The Hippest Trip In America is a fascinating portrait of a revered cultural institution that has left an indelible mark on our national consciousness. |
| history of american bandstand: Tuba Skinny and Shaye Cohn Pops Coffee, 2017-11-10 Now updated to 2020, this is an account of the development and output of the great young traditional jazz band Tuba Skinny, which is based in New Orleans. Many recommendations are included of videos to watch and recordings available for purchase. |
| history of american bandstand: The Cincinnati Sound Randy McNutt, 2007 Chiefly historic photographs and programs, with descriptive text. |
| history of american bandstand: Surviving Cissy Kathy Garver, 2015-09-01 Kathy Garver, the teenage heartthrob from the hit series Family Affair (1966–1971), was no one-hit wonder, but a journeywoman actress who appeared in such classic films as Night of the Hunter and The Ten Commandments long before she became a television icon. This memoir is a recollection of a working actress’s experiences, from the many films, television shows, and stage plays in which she performed, to her second career as a voice-over specialist in popular animated films and audiobooks. Featuring anecdotes, Hollywood history, and details of her relationships with such stars as Charlton Heston and Jon Provost, Surviving Cissy is a veritable quilt of Kathy’s exciting life. |
| history of american bandstand: Looking Back to See Maxine Brown, 2009-12-30 Revealing, entertaining window on the music of the ’50s and ’60s |
| history of american bandstand: Rock 'n' Roll is Here to Pay Steve Chapple, Reebee Garofalo, 1977 |
| history of american bandstand: America, the Band Jude Warne, 2020-05-15 As if recovering from a raucous dream of the 1960s, Gerry Beckley, Dewey Bunnell, and Dan Peek arrived on 1970s American radio with a sound that echoed disenchanted hearts of young people everywhere. The three American boys had named their band after a country they’d watched and dreamt of from their London childhood Air Force base homes. What was this country? This new band? Classic and timeless, America embodied the dreams of a nation desperate to emerge from the desert and finally give their horse a name. Celebrating the band’s fiftieth anniversary, Gerry Beckley and Dewey Bunnell share stories of growing up, growing together, and growing older. Journalist Jude Warne weaves original interviews with Beckley, Bunnell, and many others into a dynamic cultural history of America, the band, and America, the nation. Reliving hits like “Ventura Highway,” “Tin Man,” and of course, “A Horse with No Name” from their 19 studio albums and incomparable live recordings, this book offers readers a new appreciation of what makes some music unforgettable and timeless. As America’s music stays in rhythm with the heartbeats of its millions of fans, new fans feel the draw of a familiar emotion. They’ve felt it before in their hearts and thanks to America, they can now hear it, share it, and sing along. |
| history of american bandstand: Sex & Travel & Vestiges of Metallic Fragments Cole Coonce, 2010-05-04 Sex & Travel & Vestiges of Metallic Fragments is an anthology of essays probing and deconstructing modern and historical concerns, from Katrina to Antietam to Hollywood to Irwindale; be it luscious low-rent lap dancers or land speed record losers; reactionary rock stars or genocidal Confederate Generals; Death Valley meth-heads or Japanese drifters; Teutonic milfs in swimsuits or Ashcroft informants; anarchic adrenaline-addled urban bicyclists or Scientologists; from Mark E. Smith and Merle Haggard to Kathie Lee Gifford, Courtney Love and the chick from the Yeah Yeah Yeahs. Of the zeitgeist and a cosmological constant, this collection of literary journalism for the fast, the inquisitive and the appalled. |
| history of american bandstand: Half American Matthew F. Delmont, 2024-01-09 The definitive history of World War II from the African American perspective, by award-winning historian and civil rights expert Winner of the 2023 Anisfield-Wolf Book Award in Nonfiction A New York Times Notable Book of 2022 A 2022 Book of the Year from TIME, Publishers Weekly, Booklist, and more More than one million Black soldiers served in World War II. Black troops were at Normandy, Iwo Jima, and the Battle of the Bulge, serving in segregated units while waging a dual battle against inequality in the very country for which they were laying down their lives. The stories of these Black veterans have long been ignored, cast aside in favor of the myth of the “Good War” fought by the “Greatest Generation.” And yet without their sacrifices, the United States could not have won the war. Half American is World War II history as you’ve likely never read it before. In these pages are stories of Black military heroes and civil rights icons such as Benjamin O. Davis Jr., the leader of the legendary Tuskegee Airmen, who fought to open the Air Force to Black pilots; Thurgood Marshall, the chief lawyer for the NAACP, who investigated and publicized violence against Black troops and veterans; poet Langston Hughes, who worked as a war correspondent for the Black press; Ella Baker, the civil rights leader who advocated on the home front for Black soldiers, veterans, and their families; and James G. Thompson, the twenty-six-year-old whose letter to a newspaper laying bare the hypocrisy of fighting against fascism abroad when racism still reigned at home set in motion the Double Victory campaign. Their bravery and patriotism in the face of unfathomable racism is both inspiring and galvanizing. An essential and meticulously researched retelling of the war, Half American honors the men and women who dared to fight not just for democracy abroad but for their dreams of a freer and more equal America. |
| history of american bandstand: Becoming Richard Pryor Scott Saul, 2014-12-09 A major biography—intimate, gripping, revelatory—of an artist who revolutionized American comedy. Richard Pryor may have been the most unlikely star in Hollywood history. Raised in his family’s brothels, he grew up an outsider to privilege. He took to the stage, originally, to escape the hard-bitten realities of his childhood, but later came to a reverberating discovery: that by plunging into the depths of his experience, he could make stand-up comedy as exhilarating and harrowing as the life he’d known. He brought that trembling vitality to Hollywood, where his movie career—Blazing Saddles, the buddy comedies with Gene Wilder, Blue Collar—flowed directly out of his spirit of creative improvisation. The major studios considered him dangerous. Audiences felt plugged directly into the socket of life. Becoming Richard Pryor brings the man and his comic genius into focus as never before. Drawing upon a mountain of original research—interviews with family and friends, court transcripts, unpublished journals, screenplay drafts—Scott Saul traces Pryor’s rough journey to the heights of fame: from his heartbreaking childhood, his trials in the Army, and his apprentice days in Greenwich Village to his soul-searching interlude in Berkeley and his ascent in the “New Hollywood” of the 1970s. Becoming Richard Pryor illuminates an entertainer who, by bringing together the spirits of the black freedom movement and the counterculture, forever altered the DNA of American comedy. It reveals that, while Pryor made himself a legend with his own account of his life onstage, the full truth of that life is more bracing still. |
| history of american bandstand: African American Dance Barbara S. Glass, 2012-05-10 Africans brought as slaves to North America arrived without possessions, but not without culture. The fascinating elements of African life manifested themselves richly in the New World, and among the most lasting and influential of these was the art of African dance. This generously illustrated history follows the dynamics of African dance forms throughout each generation. Early chapters discuss the African continent and the heritage of African American dance; the discrimination and marginalization of African Americans and the fortitude with which their dance forms survived; and black dance in the slavery era and later in the nineteenth century. Remaining chapters outline ten major characteristics that have consistently marked African American dance, and describe the various styles of black vernacular dance that became popular in America. The book concludes with a discussion of African dance at the end of the twentieth century and its important role in the flowering of African American arts. Instructors considering this book for use in a course may request an examination copy here. |
| history of american bandstand: The Nicest Kids in Town Matthew F. Delmont, 2012-02-22 American Bandstand, one of the most popular television shows ever, broadcast from Philadelphia in the late fifties, a time when that city had become a battleground for civil rights. Counter to host Dick Clark’s claims that he integrated American Bandstand, this book reveals how the first national television program directed at teens discriminated against black youth during its early years and how black teens and civil rights advocates protested this discrimination. Matthew F. Delmont brings together major themes in American history—civil rights, rock and roll, television, and the emergence of a youth culture—as he tells how white families around American Bandstand’s studio mobilized to maintain all-white neighborhoods and how local school officials reinforced segregation long after Brown vs. Board of Education. The Nicest Kids in Town powerfully illustrates how national issues and history have their roots in local situations, and how nostalgic representations of the past, like the musical film Hairspray, based on the American Bandstand era, can work as impediments to progress in the present. |
| history of american bandstand: Dick Clark's American Bandstand Dick Clark, 1997-05-01 A retrospective covers forty years worth of the best of American Bandstand, a popular music television show hosted by the author who remains a pop icon today and shares some of his own personal memories of the show and its guests. Simultaneous. |
| history of american bandstand: The Fabulous Sylvester Joshua Gamson, 2013-07-30 A journey back through the music, madness, and unparalleled freedom of an era of change-the '70s-as told through the life of ultra-fabulous superstar Sylvester Imagine a pied piper singing in a dazzling falsetto, wearing glittering sequins, and leading the young people of the nation to San Francisco and on to liberation where nothing was straight-laced or old-fashioned. And everyone, finally, was welcome-to come as themselves. This is not a fairy tale. This was real, mighty real, and disco sensation Sylvester was the piper. Joshua Gamson-a Yale-trained pop culture expert-uses him, a boy who would be fabulous, to lead us through the story of the '70s when a new era of change liberated us from conformity and boredom. Gamson captures the exuberant life, feeling, energy, and fun of a generation's wonderful, magical waking up-from the parties to the dancing and music. The story begins with a little black boy who started with nothing but a really big voice. We follow him from the Gospel chorus to the glory days in the Castro where a generation shook off its shame as Sylvester sang and began his rise as part of a now-notorious theatrical troup called the Cockettes. Celebrity, sociology, and music history mingle and merge around this endlessly entertaining story of a singer who embodied the freedom, spirit, and flamboyance of a golden moment in American culture. |
Check or delete your Chrome browsing history
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Delete browsing data in Chrome - Computer - Google Help
Download history: The list of files you've downloaded using Chrome is deleted, but the actual files aren't removed from your computer. Passwords: Records of passwords you saved are …
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Check or delete your Chrome browsing history
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Manage & delete your Search history - Computer - Google Help
On your computer, go to your Search history in My Activity. Choose the Search history you want to delete. You can choose: All your Search history: Above your history, click Delete Delete all time. …
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Under "History settings," click an activity or history setting you want to auto-delete. Click Auto-delete. Click the button for how long you want to keep your activity Next Confirm to save your …
Manage your Google data with My Activity
Access and manage your search history and activity in one central place from any device. View and filter activity by date, product, and keyword. Manually or automatically delete some or all activity. …
View or delete your YouTube search history
Delete search history. Visit the My Activity page. Select one of the following: Delete: Click beside a search to delete it. To delete more than one search from your history at a time, click DELETE. …
View a map over time - Google Earth Help
Current imagery automatically displays in Google Earth. To discover how images have changed over time or view past versions of a map on a timeline: On your device, open Google Earth.
Delete browsing data in Chrome - Computer - Google Help
Download history: The list of files you've downloaded using Chrome is deleted, but the actual files aren't removed from your computer. Passwords: Records of passwords you saved are deleted. …
Manage your Location History - Google Maps Help
Location History is off by default. We can only use it if you turn Location History on. You can turn off Location History at any time in your Google Account's Activity controls. You can review and …
