History Of The Cello

  history of the cello: The Cambridge Companion to the Cello Robin Stowell, 1999-06-28 This is a compact, composite and authoritative survey of the history and development of the cello and its repertory since the origins of the instrument. The volume comprises thirteen essays, written by a team of nine distinguished scholars and performers, and is intended to develop the cello's historical perspective in breadth and from every relevant angle, offering as comprehensive a coverage as possible. It focuses in particular on four principal areas: the instrument's structure, development and fundamental acoustical principles; the careers of the most distinguished cellists since the baroque era; the cello repertory (including chapters devoted to the concerto, the sonata, other solo repertory, and ensemble music); and its technique, teaching methods and relevant aspects of historical and performance practice. It is the most comprehensive book ever to be published about the instrument and provides essential information for performers, students and teachers.
  history of the cello: The Adventures of a Cello Carlos Prieto, 2011-03-29 In 1720, Antonio Stradivari crafted an exquisite work of art—a cello known as the Piatti. Over the next three centuries of its life, the Piatti cello left its birthplace of Cremona, Italy, and resided in Spain, Ireland, England, Italy, Germany, and the United States. In 1978, the Piatti became the musical soul mate of world-renowned cellist Carlos Prieto, with whom it has given concerts around the world. In this delightful book, Mr. Prieto recounts the adventurous life of his beloved Cello Prieto, tracing its history through each of its previous owners from Stradivari in 1720 to himself. He then describes his noteworthy experiences of playing the Piatti cello, with which he has premiered some eighty compositions. In this part of their mutual story, Prieto gives a concise summary of his own remarkable career and his relationships with many illustrious personalities, including Igor Stravinsky, Dmitry Shostakovich, Pablo Casals, Mstislav Rostropovich, Yo-Yo Ma, and Gabriel García Márquez. A new epilogue, in which he describes recent concert tours in Moscow, Siberia, and China and briefer visits to South Korea, Taiwan, and Venezuela, as well as recent recitals with Yo-Yo Ma, brings the story up to 2009. To make the story of his cello complete, Mr. Prieto also provides a brief history of violin making and a succinct review of cello music from Stradivari to the present. He highlights the work of composers from Latin America, Spain, and Portugal, for whose music he has long been an advocate and principal performer.
  history of the cello: Mellow Cello Gill Tennant, 2018-11 A short story collection.
  history of the cello: Cello Story Dimitry Markevitch, Florence W. Seder, 1999-11-27 Translated from the French by Florence W. Seder, Dimitry Markevitch concludes his preface, or Prelude as he calls it: History, fact and personal anecdote blend here to provide a complete story of the instrument. May this book entertain you, help you to know the cello to the fullest, and lead you to love it as I do. Reading the book confirms that he has amply accomplished his aims. His qualifications for doing so are of the highest. Markevitch is a performer of considerable note and a teacher at both the Ecole Normale de Musique and Conservatoire Serge Rachmaninoff in Paris. He also has a keen interest in musicology and has edited many works for publication. The book is divided into three parts: The Instrument, tracing the history of the cello and cello bow from earliest times, The Performers, anecdotes of historical cellists plus a long section on Markevitch's friend Piatigorsky, and Great Moments for the Cello, development of cello repertoire.
  history of the cello: The Cello Suites Eric Siblin, 2011-01-04 An award-winning journey through Johann Sebastian Bach’s six cello suites and the brilliant musician who revealed their lasting genius. One fateful evening, journalist and pop-music critic Eric Siblin attended a recital of Johann Sebastian Bach’s Cello Suites—an experience that set him on an epic quest to uncover the mysterious history of the entrancing compositions and their miraculous reemergence nearly two hundred years later. In pursuit of his musicological obsession, Siblin would unravel three centuries of intrigue, politics, and passion. Winner of the Mavis Gallant Prize for Non-fiction and the McAuslan First Book Prize, The Cello Suites weaves together three dramatic narratives: the disappearance of Bach’s manuscript in the eighteenth century, Pablo Casals’s discovery and popularization of the music in Spain in the late nineteenth century, and Siblin’s infatuation with the suites in the present day. The search led Siblin to Barcelona, where Casals, just thirteen and in possession of his first cello, roamed the backstreets with his father in search of sheet music and found Bach’s lost suites tucked in a dark corner of a store. Casals played them every day for twelve years before finally performing them in public. Siblin sheds new light on the mysteries that continue to haunt this music more than 250 years after its composer’s death: Why did Bach compose the suites for the cello, then considered a lowly instrument? What happened to the original manuscript? A seamless blend of biography and music history, The Cello Suites is a true-life journey of discovery, fueled by the power of these musical masterpieces. “The ironies of artistic genius and public taste are subtly explored in this winding, entertaining tale of a musical masterpiece.” —Publishers Weekly “Siblin’s writing is most inspired when describing the life of Casals, showing a genuine affection for the cellist, who . . . used his instrument and the suites as weapons of protest and pleas for peace.” —Booklist, starred review
  history of the cello: The Violoncello Jules de Swert, 1927
  history of the cello: CelloMind Hans Jørgen Jensen, Minna Rose Chung, 2017-11-03 CelloMind is a two-part pedagogical method book that focuses on intonation and left-hand cello technique. The coauthors of the book are Hans Jørgen Jensen, Professor of cello at the Bienen School of Music at Northwestern University and Minna Rose Chung, Associate Professor of Cello at the Desautels Faculty of Music at the University of Manitoba. Part I: Intonation. The mystery of intonation is revealed by defining and explaining the scientific principles that govern it. To know and understand how to combine the three primary intonation systems has never before been expounded in a methodology publication--and for good reason. Playing with exquisite intonation has mostly been reserved for those who possess a strong intuitive sense; however, CelloMind breaks down this taboo using a systematic approach with a highly attuned manner. The three systems of intonation that string players most commonly use today--equal temperament, just intonation, and Pythagorean tuning--are each explored and explained in great detail. All chapters in the book include many practical samples and listening exercises that bridge the gap between the theory and its application. The chapters on intonation conclude with practical examples from the following repertoire: Intonation Performance Practice in the Bach Solo Cello Suites and Intonation Performance Practice with Piano. Part II: Left-Hand Technique. The left-hand technique chapters in this section complement the study of intonation by providing a solid foundation of skills for essential cello playing. The topics and exercises have been selected to cover a wide range of technical skills that include playing with a light left-hand touch, speed, coordination, balanced vibrato, agility, finger independence, and efficient shifting. Original exercises developed for students over many years have also been incorporated into these chapters, as well as studies from Julius Klengel, Bernhard Cossmann, Louis R. Feuillard, Jean-Louis Duport, Yakov Rosenthal, and Fritz Albert Christian Rudinger.
  history of the cello: The First Hour Amit Peled, 2018-01-11 A Cellist's Daily Technical Regimen
  history of the cello: Cello Practice, Cello Performance Miranda Wilson, 2015-05-27 What does it mean to perform expressively on the cello? In Cello Practice, Cello Performance, professor Miranda Wilson teaches that effectiveness on the concert stage or in an audition reflects the intensity, efficiency, and organization of your practice. Far from being a mysterious gift randomly bestowed on a lucky few, successful cello performance is, in fact, a learnable skill that any player can master. Most other instructional works for cellists address techniques for each hand individually, as if their movements were independent. In Cello Practice, Cello Performance, Wilson demonstrates that the movements of the hands are vitally interdependent, supporting and empowering one another in any technical action. Original exercises in the fundamentals of cello playing include cross-lateral exercises, mindful breathing, and one of the most detailed discussions of intonation in the cello literature. Wilson translates this practice-room success to the concert hall through chapters on performance-focused practice, performance anxiety, and common interpretive challenges of cello playing. This book is a resource for all advanced cellists—college-bound high school students, undergraduate and graduate students, educators, and professional performers—and teaches them how to be their own best teachers.
  history of the cello: One Hundred Years of Violoncello Valerie Walden, 2004-08-19 The first book to address the full range of performance issues for the violoncello from the Baroque to the early Romantic period. Richly illustrated with over 300 music examples, plates and figures, this book provides playing instructions which can easily be applied by modern players to their own performance of period music.
  history of the cello: J. S. Bach - Cello Suite 1 (Lorimer) J.S. Bach, 2010-10-07 Bach's masterpieces transcribed for classical guitar.
  history of the cello: Cello William Pleeth, 1992 Philosophy of playing the cello - Technique on the cello - Teachers and parents - History and repertoire of the cello___
  history of the cello: The Art of Listening Anthony Arnone, 2021-03-17 In The Art of Listening, Anthony Arnone interviews 13 of the top cello teachers of our time, sharing valuable insights about performing, teaching, music, and life. While almost every other aspect of twenty-first-century life has been changed by technological advancements, the art of playing and teaching the cello has largely remained the same. Our instruments are still made exactly the same way and much of what we learn is passed on by demonstration and word of mouth from generation to generation. We are as much historians of music as we are teachers of the instrument. The teaching lineage in the classical music world has formed a family tree of sorts with a select number of iconic names at the top of the tree, such as Pablo Casals, Gregor Piatigorsky, and Leonard Rose. A large percentage of professional cellists working today studied with these giants of the cello world, or with their students. In addition to discussing the impact of these masters and their personal experience as their students, the renowned cellists interviewed in this book touch on a variety of topics from teaching philosophies to how technology has changed classical music.
  history of the cello: The Adventures of a Cello Carlos Prieto, 2006-10 In 1720, Antonio Stradivari crafted an exquisite work of art—a cello known as the Piatti. Over the next three centuries of its life, the Piatti cello left its birthplace of Cremona, Italy, and resided in Spain, Ireland, England, Italy, Germany, and the United States. The Piatti filled sacred spaces, such as the Santa Cueva de Cádiz, with its incomparable voice. It also spent time in more profane places, including New York City bars, where it served as a guarantee for unpaid liquor tabs. The Piatti narrowly escaped Nazi Germany in 1935 and was once even left lying in the street all night. In 1978, the Piatti became the musical soul mate of world-renowned cellist Carlos Prieto, with whom it has given concerts around the world. In this delightful book, Mr. Prieto recounts the adventurous life of his beloved Cello Prieto, tracing its history through each of its previous owners from Stradivari in 1720 to himself. He then describes his noteworthy experiences of playing the Piatti cello, with which he has premiered some eighty compositions. In this part of their mutual story, Prieto gives a concise summary of his own remarkable career and his relationships with many illustrious personalities, including Igor Stravinsky, Dmitry Shostakovich, Pablo Casals, Mstislav Rostropovich, Yo-Yo Ma, and Gabriel García Márquez. To make the story of his cello complete, Mr. Prieto also provides a brief history of violin making and a succinct review of cello music from Stradivari to the present. He highlights the work of composers from Latin America, Spain, and Portugal, for whose music he has long been an advocate and principal performer. Thus,The Adventures of a Cellooffers not only the first biography of a musical instrument but also an inviting overview of cello music and its preeminent composers and performers.
  history of the cello: The Violincello And Its History Wilhelm Joseph Von Wasielewski, 1968-08-21
  history of the cello: Playing the Cello, 1780-1930 George Kennaway, 2016-04-22 This innovative study of nineteenth-century cellists and cello playing shows how simple concepts of posture, technique and expression changed over time, while acknowledging that many different practices co-existed. By placing an awareness of this diversity at the centre of an historical narrative, George Kennaway has produced a unique cultural history of performance practices. In addition to drawing upon an unusually wide range of source materials - from instructional methods to poetry, novels and film - Kennaway acknowledges the instability and ambiguity of the data that supports historically informed performance. By examining nineteenth-century assumptions about the very nature of the cello itself, he demonstrates new ways of thinking about historical performance today. Kennaway’s treatment of tone quality and projection, and of posture, bow-strokes and fingering, is informed by his practical insights as a professional cellist and teacher. Vibrato and portamento are examined in the context of an increasing divergence between theory and practice, as seen in printed sources and heard in early cello recordings. Kennaway also explores differing nineteenth-century views of the cello’s gendered identity and the relevance of these cultural tropes to contemporary performance. By accepting the diversity and ambiguity of nineteenth-century sources, and by resisting oversimplified solutions, Kennaway has produced a nuanced performing history that will challenge and engage musicologists and performers alike.
  history of the cello: Maureen O'Carroll Leora O'Carroll, Maureen O'Carroll, 2019-01-24 Maureen O'Carroll vividly brings to life growing up in a large, quirky but ambitious Irish immigrant family, as seen through the eyes of middle child Maureen. After years of periodic imprisonment in Ireland for their fight for independence, Maureen's parents immigrated to Sydney, Australia where they raised ten children during the Depression and war time. The patriarch, John O'Carroll, sets up in the storefront of their Balmain terrace house a barbershop, The Anchor Hairdressing Salon, which becomes a hub of activity for the locals. Throughout this colorful memoir infused with Irish history, local politics, Catholicism and the humorous struggles of Depression-era life, music remains a vital theme; It is instrumental in all ten O'Carroll children overcoming their hard circumstances to achieve a better life.
  history of the cello: The Violoncello and Its History Wilhelm Joseph von Wasielewski, 1894
  history of the cello: The Mimetic Strand in the Cello Literature Urszula Mizia, 2020-09-04 This book is the first integral study of the imitative art that has led to the creation of cello transcriptions and arrangements. It has an interdisciplinary character and covers issues related to philosophy, history of aesthetics and the art of cello making, as well as the fine arts, including iconography.
  history of the cello: The Cello Elizabeth Cowling, 1983
  history of the cello: The Great Cellists Margaret Campbell, 2011-05-19 The Great Cellists is a comprehensive and authoritative history of the lives and work of the cello's great performers and teachers, from the emergence of the solo instrument in the seventeenth century to the present day.In its early history, the cello was a genuine 'bass' violin that came in three sizes and from the thirteenth century was played side by side with viols and later violins. The instrument we know today came into general use by the time the great makers of the seventeenth and eighteenth centuries - such as Amati, Stradivari and Guarneri - brought their craft to perfection and made numerous of the instruments most sought after by today's virtuosi.Many of the earliest known professional cellists were employed as court musicians, but their names have not been widely known. The most familiar names belong to those early cellists who were also composers: Boccherini, Romberg, Piatti and Popper. In more recent times, the great Europeans Becker, Klengel and Salmond led to Feuermann, Piatogorsky, Fournier, Rostropovich, and above all to Casals; and they, in turn, have greatly influenced contemporary musicians such as the late Jacqueline du Pré and the manifold brilliant players from Russia, Japan and the USA. The Great Cellists reveals a splendid range of personalities from the conventional to the eccentric. Included also are the numerous less well-known cellists who were important as founders of the various national 'schools'.Margaret Campbell has interviewed many eminent musicians and had rich access to letters and private documents in her coverage of the last hundred years. Her absorbing book presents to the reader a rich vision of skills and traditions that have been handed down nationally through the generations, and developed internationally since the twentieth century. It is a book for string players, students, concertgoers and CD buffs - indeed, anyone who enjoys the sound of the cello.
  history of the cello: Suzuki cello school Shinʼichi Suzuki, 1991
  history of the cello: History of the Violoncello, the Viol Da Gamba, Their Precursors and Collateral Instruments Edmund S. J. van der Straeten, 1915
  history of the cello: Stradivari's Genius Toby Faber, 2012-05-09 “’Tis God gives skill, but not without men’s hands: He could not make Antonio Stradivari’s violins without Antonio.” –George Eliot Antonio Stradivari (1644—1737) was a perfectionist whose single-minded pursuit of excellence changed the world of music. In the course of his long career in the northern Italian city of Cremona, he created more than a thousand stringed instruments; approximately six hundred survive. In this fascinating book, Toby Faber traces the rich, multilayered stories of six of these peerless instruments–five violins and a cello–and the one towering artist who brought them into being. Blending history, biography, meticulous detective work, and an abiding passion for music, Faber embarks on an absorbing journey as he follows some of the most prized instruments of all time. Mysteries and unanswered questions proliferate from the outset–starting with the enigma of Antonio Stradivari himself. What made this apparently unsophisticated craftsman so special? Why were his techniques not maintained by his successors? How is it that even two and a half centuries after his death, no one has succeeded in matching the purity, depth, and delicacy of a Stradivarius? In Faber’s illuminating narrative, each of the six fabled instruments becomes a character in its own right–a living entity cherished by artists, bought and sold by princes and plutocrats, coveted, collected, hidden, lost, copied, and occasionally played by a musician whose skill matches its maker’s. Here is the fabulous Viotti, named for the virtuoso who enchanted all Paris in the 1780s, only to fall foul of the French Revolution. Paganini supposedly made a pact with the devil to transform the art of the violin–and by the end of his life he owned eleven Strads. Then there’s the Davidov cello, fashioned in 1712 and lovingly handed down through a succession of celebrated artists until, in the 1980s, it passed into the capable hands of Yo-Yo Ma. From the salons of Vienna to the concert halls of New York, from the breakthroughs of Beethoven’s last quartets to the first phonographic recordings, Faber unfolds a narrative magnificent in its range and brilliant in its detail. “A great violin is alive,” said Yehudi Menuhin of his own Stradivarius. In the pages of this book, Faber invites us to share the life, the passion, the intrigue, and the incomparable beauty of the world’s most marvelous stringed instruments.
  history of the cello: Position Pieces for Cello Rick Mooney, Position Pieces for Cello is designed to give students a logical and fun way to learn their way around the fingerboard. Each hand position is introduced with exercises called Target Practice, Geography Quiz, and Names and Numbers. Following these exercises are tuneful cello duets which have been specifically composed to require students to play in that hand position. In this way, students gain a thorough knowledge of how to find the hand positions and, once there, which notes are possible to play. Using these pieces (with names like I Was a Teenage Monster, The Irish Tenor, and I've Got the Blues, Baby), position study on the cello has never been so much fun!
  history of the cello: Cello, Bow and You Evangeline Benedetti, 2017 Written for the cellist looking for an approach that demystifies cello playing, Cello, Bow and You is an innovative text in the field of string pedagogy written by a 40+ year veteran of the New York Philharmonic Orchestra and certified teacher of the Alexander Technique. Author Evangeline Benedetti has a unique voice and approach, and invites cellists of all levels to explore, make discoveries and organically internalize technique. Benedetti's approach compliments the work that students do with their teachers by encouraging them to be more aware of themselves and responsive to internal and external guidance. Cello, Bow and You allows students and professionals access to Benedetti's vast performance and teaching experience. She has pioneered an approach to playing that is a synthesis of the cellist's musical thought, the knowledge of the dynamic properties of the instrument and bow, and the ability to move effectively according to the mechanics of the human body. The synergy of these elements leads to physically healthy playing and frees players to be musically expressive. Written in engaging, informal prose, the book is a must-read for cellists and cello teachers - beginning, intermediate, or professional.
  history of the cello: Classical Music For Dummies David Pogue, Scott Speck, 2015-06-25 Haydn, Tchaikovsky, and Brahms, oh, my! The beginner's guide to classical music Classical Music For Dummies is a friendly, funny, easy-to-understand guide to composers, instruments, orchestras, concerts, recordings, and more. Classical music is widely considered one of the pinnacles of human achievement, and this informative guide will shows you just how beautiful and rewarding it can be. You'll learn how Bach is different from Beethoven, how Mozart is different still, and why not all classical music is actually Classical if it's really Baroque or Romantic. You'll be introduced to the composers and their work, and discover the groundbreaking pieces that shake the world every time they're played. Begin building your classical music library with the essential recordings that define orchestral, choral, and operatic beauty as you get acquainted with the orchestras and musicians that bring the composers to life. Whether you want to play classical music or just learn more about it, Classical Music For Dummies will teach you everything you need to know to get the most out of this increasingly popular genre. Distinguish flute from piccolo, violin from viola, and trumpet from trombone Learn the difference between overtures, requiems, arias, and masses Explore the composers that shaped music as we know it Discover the recordings your music library cannot be without Classical music has begun sneaking into the mainstream — if your interest has been piqued, there's never been a better time to develop an appreciation for this incredibly rich, complex, and varied body of work. Classical Music For Dummies lays the groundwork, and demonstrates just how amazing classical music can be.
  history of the cello: Valentin Berlinsky Maria Matalaev, 2018-09 Valentin Berlinsky (1925-2008), was a founding member of the Borodin Quartet and its cellist and mainstay for more than six decades. A proud Russian but also a man of compromise, his was a life lived for and through the Borodin Quartet. This book tells his story in his own words, lovingly compiled and edited by his grand-daughter, Maria Matalaev, from his diaries, correspondence and interviews, and his accounts of his close friendships with the likes of Shostakovich and Richter, Rostropovich and Oistrakh. Supplemented by tributes from family and friends, as well as an impressive annexure giving every performance, broadcast and recording made by the Borodin Quartet, this book constitutes one of the most revealing chronicles of Soviet and post-Soviet Russian musical life. In 2005, at the celebrations for both his 80th birthday and the 60th anniversary of the Borodin Quartet, Valentin Berlinsky sat down at a table with his students and said: 'My dears, please, keep going: never leave Russia!'
  history of the cello: Cello Playing for Music Lovers Vera Mattlin Jiji, 2007 You can teach yourself to play the cello. This comprehensive, authoritative guide covers basics to Bach. Including 116 selections, it explains reading music, playing-by-ear and theory. Play-along CD.
  history of the cello: The Violin Maker John Marchese, 2010-01-26 “[A] magical, profound, and elegant look at the continued need for high quality in our throw away society.” —Douglas Brinkley, Historian This intensely human story, which moves from an ageless workshop in Brooklyn to the rehearsal rooms of Carnegie Hall and Lincoln Center, and across the globe to Cremona, the birthplace of Stradivari, opens up for the reader the insular and fascinating realm of music, musicians, and the craftsmanship that is essential to that world. How does a simple piece of wood become the king of instruments? On a quest to learn about what many consider the world’s most perfect instrument, author and musician John Marchese befriends Sam Zygmuntowicz, an old-world craftsman in Brooklyn, New York, along with the man who is waiting for Sam’s next violin, Eugene Drucker of the world famous Emerson String Quartet. The violin does something remarkable, magical, and evocative. It is capable of bringing to life the mathematical marvels of Bach, the moan of a Gypsy melody, the wounded dignity of Beethoven's Concerto in D Major. No other instrument is steeped in such a rich brew of myth and lore—and yet the making of a violin starts with a simple block of wood. The Violin Maker takes the reader on a journey as that block of wood, in the hands of a master craftsman, becomes an instrument to rival one made by the greatest master of all time.
  history of the cello: House of Music Kadiatu Kanneh-Mason, 2020-09-03 WINNER OF THE ROYAL PHILHARMONIC SOCIETY STORYTELLING AWARD 2021 ‘Riveting, taking in prejudice as well as sacrifice. There are 4.30am starts, lost instruments, fractured wrists, all captured with vivid flourishes. A paean to camaraderie.’ Observer Seven brothers and sisters. All of them classically trained musicians. One was Young Musician of the Year and performed for the royal family. The eldest has released her first album, showcasing the works of Clara Schumann. These siblings don’t come from the rarefied environment of elite music schools, but from a state comprehensive in Nottingham. How did they do it? Their mother, Kadiatu Kanneh-Mason, opens up about what it takes to raise a musical family in a Britain divided by class and race. What comes out is a beautiful and heartrending memoir of the power of determination, camaraderie and a lot of hard work. The Kanneh-Masons are a remarkable family. But what truly sparkles in this eloquent memoir is the joyous affirmation that children are a gift and we must do all we can to nurture them.
  history of the cello: The Cellist Daniel Silva, 2021-07-13 #1 New York Times Bestseller “The pace of “The Cellist” never slackens as its action volleys from Zurich to Tel Aviv to Paris and beyond. Mr. Silva tells his story with zest, wit and superb timing, and he engineers enough surprises to startle even the most attentive reader.“—Wall Street Journal From Daniel Silva, the internationally acclaimed #1 New York Times bestselling author, comes a timely and explosive new thriller featuring art restorer and legendary spy Gabriel Allon. Viktor Orlov had a longstanding appointment with death. Once Russia’s richest man, he now resides in splendid exile in London, where he has waged a tireless crusade against the authoritarian kleptocrats who have seized control of the Kremlin. His mansion in Chelsea’s exclusive Cheyne Walk is one of the most heavily protected private dwellings in London. Yet somehow, on a rainy summer evening, in the midst of a global pandemic, Russia’s vengeful president finally manages to cross Orlov’s name off his kill list. Before him was the receiver from his landline telephone, a half-drunk glass of red wine, and a stack of documents.… The documents are contaminated with a deadly nerve agent. The Metropolitan Police determine that they were delivered to Orlov’s home by one of his employees, a prominent investigative reporter from the anti-Kremlin Moskovskaya Gazeta. And when the reporter slips from London hours after the killing, MI6 concludes she is a Moscow Center assassin who has cunningly penetrated Orlov’s formidable defenses. But Gabriel Allon, who owes his very life to Viktor Orlov, believes his friends in British intelligence are dangerously mistaken. His desperate search for the truth will take him from London to Amsterdam and eventually to Geneva, where a private intelligence service controlled by a childhood friend of the Russian president is using KGB-style “active measures” to undermine the West from within. Known as the Haydn Group, the unit is plotting an unspeakable act of violence that will plunge an already divided America into chaos and leave Russia unchallenged. Only Gabriel Allon, with the help of a brilliant young woman employed by the world’s dirtiest bank, can stop it. Elegant and sophisticated, provocative and daring, The Cellist explores one of the preeminent threats facing the West today—the corrupting influence of dirty money wielded by a revanchist and reckless Russia. It is at once a novel of hope and a stark warning about the fragile state of democracy. And it proves once again why Daniel Silva is regarded as his generation’s finest writer of suspense and international intrigue.
  history of the cello: Stradivarius Toby Faber, 2011-07-06 'An incredible story of musical instruments, how they're made and what people make of them' - Keith Richards Everyone knows of the legendary quality and unbelievable price tag of a Stradivarius violin. In this, the first popular account of the Stradivari phenomena, Toby Faber explores the life and methods of this unsurpassed craftsman. Following the life of his instruments as they pass through the hands of many of the greatest musicians that have ever lived, we learn how and why they have become objects of such veneration and desire. It is a dramatic tale of grand artistry, fantastic music, shady dealers, forgery and science. 'Fascinating, accessible and enjoyable' - Tracy Chevalier 'A captivating book . . . An extraordinary accomplishment and a compelling read' - TE Cahart, author of The Piano Shop On The Left Bank 'An inspired idea for a book' - Telegraph 'Faber has found in the Strad a delightful leitmotif for an original comedie humaine' - Financial Times 'Faber pitches the story just right, neither patronising nor baffling the reader' - Times
  history of the cello: The Cello Elizabeth Cowling, 1975 After a history of some 450 years the cello--thanks to the achievement of virtuosi such as Casals, Piatigorski, Feuermann and Rostropovitch--now enjoys a greater musical prestige than ever before. That this is so is borne out both by the increasing number of concerts at which the cello today appears either in consort or as a solo instrument, and also by the proliferation of important works which twentieth-century composers have written for it. ... [For] this book, Professor Cowling has in mind a readership made up of amateurs as well as students and professional musicians. In an opening section she describes the instrument itself, its anatomy, physics, early makers, variants, development, and its bow. The early history of the cello is then outlined, starting from the sixteenth-century origins and continuing to the spread in popularity during the eighteenth century to countries outside Italy. The literature of the instrument is next described, from the earliest compositions to the work of such twentieth-century composers as Elgar, Bloch, Debussy, Rachrnaninov, Prokofiev, Shostakovich and Britten. A final section discusses the qualities of some eminent modern cellists, and the book ends with the author's conclusions and reflections on her theme. Particularly useful are Professor Cowling's list of pieces for piano and cello and of effective transcriptions.--Jacket.
  history of the cello: The Cello Fun Book Larry E. Newman, 2011-12-31 The Cello Fun Book for Young Students by Larry E. Newman includes many innovative teaching techniques for elementary age students including: * Extra-large sized notation * Letter names inside the note heads * Limited material per page * Fun, child-centered graphics * Online Scorch Play-a-long files * Online videos For school discounts up to 50%, please visit www.musicfunbooks.com
  history of the cello: The Cello of Mr. O Jane Cutler, 2004-08-19 When a concert cellist plays in the square for his neighbors in a war-besieged city, his priceless instrument is destroyed by a mortar shell, but he finds the courage to return the next day to perform with a harmonica. Full color.
  history of the cello: B.C. Before Cremona John Huber, 2017-12
  history of the cello: The Baroque Cello Revival Paul R. Laird, 2004 This resource considers the Baroque cello's revival as part of the period instrument movement from the viewpoints of more than forty cellists from three generations and four luthiers who have worked on period cellos. What emerges is a nuanced and detailed picture of the cello in the past and present and the varied instruments now played under the label 'Baroque cello.' Period instruments played with appropriate techniques have become a major presence in classical music. For the cello, which changed substantially between the sixteenth and eighteenth centuries, it is challenging to describe specific traits for certain time periods. Through improvements in strings and the efforts of luthiers such as Stradivari, the cello became smaller and easier to play. Many controversies remain concerning the Baroque cello's form, including aspects of the bass bar, neck, fingerboard, and bridge. Although an uneasy consensus on technical matters has emerged for Baroque cellists today, one still encounters significant questions on important issues. Doubts compound when period performers enter the Classic and Romantic eras. By chronicling the searches of top cellists in England, Europe, and North America, the author reveals the great variety of forms that exist among what cellists call the 'Baroque cello.' This is the first study in which the revival of a single period instrument has been considered in such qualified detail. This book also offers many details concerning the history of the period performance movement in reference to famous ensembles and musicians. This volume will be welcomed by musicologists, luthiers, and anyone interested in string history.
  history of the cello: The Cellist's Notebook Kittie Lambton, 2020-01-30 The Cellist's Notebook is a charming, life-affirming tale of discovery surrounding an old family mystery. A young girl's curiosity, her love of a little melody and the beauty of a cello evokes memories long forgotten. Set in the present day, ten-year-old Emily Peters is spending the summer with her Nana Rose, a retired piano teacher, in rural Cumbria whilst Emily's sister Lizzie travels to Paris for a French exchange. When Emily notices an old photograph of a cellist dating back to the Second World War and discovers cellos and an old music manuscript in the attic, her Nana tells of the touching and compelling story of her brother Leni, a linguist, cellist and music composer, whose disappearance was marked 'ultimate fate unknown' following World War II. Emily's love of the unfinished cello melody, found in her Great Uncle Leni's music notebook, evokes memories for her Nana Rose and Emily returns to Norfolk with a passion to play the cello and a determination to learn the long-lost melody. A series of events unfold that change the life of Emily and her family forever.
  history of the cello: A History of the Lute from Antiquity to the Renaissance Douglas Alton Smith, 2002 By the year 1500, the lute's almost universal appeal throughout Europe had made it a unifying element of Western music and culture. Renaissance composers, singers and dancers all found in the lute a perfect tool for the musical development and maturation of their art. In fact, the lute's unique musical and physical characteristics inspired artists and poets alike to elevate it to a place of such high honor that the lute's image has come to symbolize music itself. This traces the lute's development from the early instruments of Classical Greece to its glorious flowering in Renaissance Europe's golden age of polyphony. This illustrated and comprehensive book explores the historical and cultural reasons behind the lute's importance as the preeminent musical instrument of the Renaissance. With its lengthy bibliography, index, 74 illustrations and 55 musical examples, the author has told the lute's story with a scholarly and visual depth.
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