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| a pictorial history of chinese architecture: A Pictorial History of Chinese Architecture Ssu-ch eng Liang, 1984 |
| a pictorial history of chinese architecture: Chinese Architecture Sicheng Liang, 2005 Portland, OR (booknews.com). |
| a pictorial history of chinese architecture: Chinese Houses Ronald G. Knapp, 2012-05-01 Winner of ForeWord Magazine's Architecture Book of the Year Award! Exquisite examples of traditional dwellings are scattered throughout modern-day China. Chinese Houses focuses on 20 well-preserved traditional Chinese homes, presenting examples from a range of rural and metropolitan areas throughout China. The photographs of each are accompanied by extensive background information and historical content. An introductory essay examines the different types of Chinese homes and provides an overview of the rich regional variety of Chinese dwelling forms. It also provides insights into little-known design concepts that emphasize the flexibility, adaptability, and versatility of traditional building forms and the work of traditional craftsmen. Richly illustrated with photographs, woodblock prints, historic images, and line drawings, Chinese Houses portrays an architectural tradition of amazing range and resilience. |
| a pictorial history of chinese architecture: Chinese Houses Congzhou Chen, Hongxuan Pan, Bingjie Lu, 2008 Step inside for a look at the fascinating houses of the Chinese. Stand outside, and you'll take in exteriors made with everything from stone to sand to animal hides. Whether they stand in bustling Beijing or on the grasslands of Inner Mongolia, a look at the traditional residences of China will transport you to a different world and provide you with a firsthand view of Chinese life. Written by noted Chinese architects and writers, this comprehensive architectural tour presents a window into the history of Chinese culture. In Chinese Houses hundreds of full-color photographs share space along with the diagrams and floor plans. As a whole this meticulously constructed book will open doors of understanding for anyone interested in learning more about Chinese culture.--Jacket. |
| a pictorial history of chinese architecture: Liang and Lin Wilma Fairbank, 2009-01-21 Wilma Fairbank documents, from both a historical and a uniquely personal perspective, the professional and personal achievements of Lin Whei-yin and Liang Sicheng. Liang and Lin were born in early twentieth-century China, a time when the influences of modernism were slowly bearing down on the traditional culture. In the 1920s, they traveled together to the Beaux Arts universe of Philadelphia, where they both graduated with honors from the architecture department of the University of Pennsylvania. Married in 1928, they returned to their native land and became the first two professors at the newly founded school of architecture in Shenyang's Tung Pei University. Wilma Fairbank and her husband, John King Fairbank, Harvard University's eminent historian of modern China, were lifelong friends of Liang and Lin. This relationship allows the author, herself a noted researcher of art and architecture, to paint a vivid picture of the couple within the context of China's turbulent past. Fairbank recounts how Liang and Lin used their Western training to initiate the study of China's architectural evolution. She also documents—as seen through the eyes of Liang and Lin—the tragic events that ravaged the Chinese homeland and its people: the 1937 invasion and bombings by the Japanese military and the ensuing illness and poverty; World War II and the civil war; the rise to power of the Communist government in 1949; and the victimization of the scholar class during the Cultural Revolution of 1966-76. Fairbank provides a highly readable, emotionally charged personal account of the couple's lives, and the numerous and sometimes horrific torments and humiliations they suffered. And, finally, when it was all too late, the posthumous praise and recognition. |
| a pictorial history of chinese architecture: Traditional Chinese Architecture Xinian Fu, 2017-05-30 A groundbreaking book by one of the world's leading historians of Chinese architecture Translated by Alexandra Harrer. Fu Xinian is considered by many to be the world's leading historian of Chinese architecture. He is an expert on every type of Chinese architecture from every period through the nineteenth century, and his work is at the cutting edge of the field. Traditional Chinese Architecture gathers together, for the first time in English, twelve seminal essays by Fu Xinian. This wide-ranging book pays special attention to the technical aspects of the building tradition since the first millennium BC, and Fu Xinian's signature drawings abundantly illustrate its nuances. The essays delve into the modular basis for individual structures, complexes, and cities; lateral and longitudinal building frames; the unity of sculpture and building to create viewing angles; the influence of Chinese construction on Japanese architecture; and the reliability of images to inform us about architecture. Organized chronologically, the book also examines such topics as the representation of architecture on vessels in the Warring States period, early Buddhist architecture, and the evolution of imperial architecture from the Tang to Ming dynasty. A biography of Fu Xinian and a detailed Chinese-English glossary are included. Bringing together some of the most groundbreaking scholarship in Chinese architectural history, Traditional Chinese Architecture showcases an uncontested master of the discipline. |
| a pictorial history of chinese architecture: Monumentality in Early Chinese Art and Architecture Wu Hung, 1995 Chinese decorative, pictorial, and architectural forms, often approached as separate traditions, are here explained as a broad artistic movement and contextualized as part of a well-defined cultural and political tradition. The book begins with the first comprehensive explanation of ritual art. This native genre encompasses ceremonial pottery, jades, and bronzes, which, though often small and hidden, manifest a unique sense of the monumental. The author traces the decline of this archaic tradition and the corresponding rise of palatial and funerary monuments against the background of China's transition from a network of principalities to a unified political state. He portrays the continual reinvention of the city in China as he analyzes the history of the Western Han capital, Chang'an, and brings to life the individual motives of builder, mourner, and deceased in discussing the unprecedented construction and decoration of mortuary monuments during the Eastern Han. The book concludes by reexamining what is arguably the most important event in Chinese art history: the appearance of individual artists during the post-Han period and their transformation of public monumental art into a private idiom.--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
| a pictorial history of chinese architecture: Three Thousand Years of Chinese Painting Richard M. Barnhart, Xin Yang, Nie Chongzheng, James Cahill, Hung Wu, Lang Shaojun, 1997-01-01 Written by a team of eminent international scholars, this book is the first to recount the history of Chinese painting over a span of some 3000 years. |
| a pictorial history of chinese architecture: Chinese Architecture Wang Qijun, 2011-03-10 With hundreds of illustrations and insightful text, Chinese Architecture: Discovering China explores the unique architecture of this vast country. The architecture of ancient China embodies the country's expansive cultural heritage, and represents one of the world's great architectural traditions. It also reflects the different topographies and peoples spread across the country's vast territory. Architectural historian Wang Qijun takes readers on a visual journey, investigating the most striking and significant aspects of Chinese architectural history. Accompanied by over 100 photographs and exquisite illustrations, more than 40 of the most important structures from different dynasties are highlighted in this book, such as the Great Wall, the Forbidden City, Yungang Cave, Daming Palace and Dule Temple. A fascinating overview of ancient Chinese architecture and how it influenced history and culture, this book is a must for those interested in learning more about China. |
| a pictorial history of chinese architecture: Imperial Illusions Kristina Kleutghen, 2015-01-01 In the Forbidden City and other palaces around Beijing, Emperor Qianlong (r. 1736-1795) surrounded himself with monumental paintings of architecture, gardens, people, and faraway places. The best artists of the imperial painting academy, including a number of European missionary painters, used Western perspectival illusionism to transform walls and ceilings with visually striking images that were also deeply meaningful to Qianlong. These unprecedented works not only offer new insights into late imperial China’s most influential emperor, but also reflect one way in which Chinese art integrated and domesticated foreign ideas. In Imperial Illusions, Kristina Kleutghen examines all known surviving examples of the Qing court phenomenon of “scenic illusion paintings” (tongjinghua), which today remain inaccessible inside the Forbidden City. Produced at the height of early modern cultural exchange between China and Europe, these works have received little scholarly attention. Richly illustrated, Imperial Illusions offers the first comprehensive investigation of the aesthetic, cultural, perceptual, and political importance of these illusionistic paintings essential to Qianlong’s world. Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/imperial-illusions |
| a pictorial history of chinese architecture: Chinese Architecture and Metaphor Jiren Feng, 2012-05-31 Investigating the historical tradition of Chinese architectural writing from antiquity to the twelfth century, Chinese Architecture and Metaphor reveals significant and fascinating social and cultural phenomena in the most important primary text for the study of the Chinese building tradition. Unlike previous scholarship, which has reviewed this imperially commissioned architectural manual largely as a technical work, this volume considers the Yingzao fashi’s unique literary value and explores the rich cultural implications in and behind its technical content. Utilizing a philological approach, the author pays particular attention to the traditional and contemporary architectural terminology presented in the Yingzao fashi. In examining the semantic meaning of the architectural terms used in the manual, he uncovers a systematic architectural metaphor wherein bracketing elements are likened to flowers, flowering branches, and foliage: Thus pillars with bracketing above are compared to blossoming trees. More importantly, this intriguing imagery was shared by different social groups, in particular craftsmen and literati, and craftsmen themselves employed literary knowledge in naming architectural elements. Relating these phenomena to the unprecedented flourishing of literature, the literati’s greater admiration of technical knowledge, and the higher intellectual capacity of craftsmen during the Song, Architecture and Metaphor demonstrates how the learned and “unlearned” cultures entangled in the construction of architectural knowledge in premodern China. It convincingly shows that technical language served as a faithful carrier of contemporary popular culture and aesthetic concepts. Chinese Architecture and Metaphor demonstrates a high level of engagement with a broad spectrum of sophisticated Chinese sources. It will become a classic work for all students and scholars of East Asian architecture. |
| a pictorial history of chinese architecture: Chinese Architecture Series Liang Sicheng, 2013-09-30 Showcases a collection of eight English essays by the renowned architectural historian Liang Sicheng (Liang Ssu-ch'eng, 1901-1972) on the history of Chinese architecture, covering topics such as art and architecture, Buddhist cave sculptures, pagodas, and China's oldest wooden structure--Fo-kuang Ssu. The most prominent of these discoveries are featured in this book. |
| a pictorial history of chinese architecture: Chinese Architecture Nancy Shatzman Steinhardt, 2019-05-14 An unprecedented survey of the origins and evolution of Chinese architecture, from the last millennia BCE to today Throughout history, China has maintained one of the world’s richest built civilizations. The nation’s architectural achievements range from its earliest walled cities and the First Emperor’s vision of city and empire, to bridges, pagodas, and the twentieth-century constructions of the Socialist state. In this beautifully illustrated book, Nancy Shatzman Steinhardt presents the first fully comprehensive survey of Chinese architecture in any language. With rich political and historical context, Steinhardt covers forty centuries of architecture, from the genesis of Chinese building through to the twenty-first century and the challenges of urban expansion and globalism. Steinhardt follows the extraordinary breadth of China’s architectural legacy—including excavation sites, gardens, guild halls, and relief sculpture—and considers the influence of Chinese architecture on Japan, Korea, Mongolia, and Tibet. Architectural examples from Chinese ethnic populations and various religions are examined, such as monasteries, mosques, observatories, and tombs. Steinhardt also shows that Chinese architecture is united by a standardized system of construction, applicable whether buildings are temples, imperial palaces, or shrines. Every architectural type is based on the models that came before it, and principles established centuries earlier dictate building practices. China’s unique system has allowed its built environment to stand as a profound symbol of Chinese culture. With unprecedented breadth united by a continuous chronological narrative, Chinese Architecture offers the best scholarship available on this remarkable subject for scholars, students, and general readers. |
| a pictorial history of chinese architecture: A Story of Ruins Wu Hung, 2013-02-15 This richly illustrated book examines the changing significance of ruins as vehicles for cultural memory in Chinese art and visual culture from ancient times to the present. The story of ruins in China is different from but connected to “ruin culture” in the West. This book explores indigenous Chinese concepts of ruins and their visual manifestations, as well as the complex historical interactions between China and the West since the eighteenth century. Wu Hung leads us through an array of traditional and contemporary visual materials, including painting, architecture, photography, prints, and cinema. A Story of Ruins shows how ruins are integral to traditional Chinese culture in both architecture and pictorial forms. It traces the changes in their representation over time, from indigenous methods of recording damage and decay in ancient China, to realistic images of architectural ruins in the nineteenth and twentieth centuries, to the strong interest in urban ruins in contemporary China, as shown in the many artworks that depict demolished houses and decaying industrial sites. The result is an original interpretation of the development of Chinese art, as well as a unique contribution to global art history. |
| a pictorial history of chinese architecture: Ten Thousand Things Lothar Ledderose, 2023-10-17 An incomparable look at how Chinese artists have used mass production to assemble exquisite objects from standardized parts Chinese workers in the third century BC created seven thousand life-sized terracotta soldiers to guard the tomb of the First Emperor. In the eleventh century AD, Chinese builders constructed a pagoda from as many as thirty thousand separately carved wooden pieces. As these examples show, throughout history, Chinese artisans have produced works of art in astonishing quantities, and have done so without sacrificing quality, affordability, or speed of manufacture. In this book, Lothar Ledderose takes us on a remarkable tour of Chinese art and culture to explain how artists used complex systems of mass production to assemble extraordinary objects from standardized parts or modules. He reveals how these systems have deep roots in Chinese thought and reflect characteristically Chinese modes of social organization. Combining invaluable aesthetic and cultural insights with a rich variety of illustrations, Ten Thousand Things make a profound statement about Chinese art and society. |
| a pictorial history of chinese architecture: The Wu Liang Shrine Wu Hung, 1989 The funerary shrine of the Confucian scholar Wu Liang, created in AD 151, is the most important surviving pre-Buddhist monument in China. That is to say, it is the most important single work of visual art from the centuries that set the patterns of Chinese thought for almost two millennia. The importance of the shrine lies in the beauty of the stone reliefs on its walls and, especially, in the remarkably comprehensive iconography of its nearly one hundred scenes. They constitute, in effect, a coherent symbolic structure of the universe as the Han Chinese conceived it. This structure consists of three sections: the ceiling carvings present the Mandate of Heaven; the scenes on the two gables depict the paradise of the immortals; and the 44 stories related on the walls illustrate the history of mankind, starting with the creators of human culture and ending with a portrait of Wu Liang, who designed his own memorial. The author finds the shrine comparable, in the comprehensiveness and cultural significance of its iconography, to the cathedral at Chartres or the Sistine Chapel. |
| a pictorial history of chinese architecture: San Francisco's Chinatown Judy Yung, 2006 An evocative collection of vintage photographs traces the history of San Francisco's Chinatown, the largest and oldest Chinese enclave outside of Asia, from the Gold Rush era to the present day, capturing the realities of everyday life, as well as the changes in the community, the challenges confronting the Chinese immigrants, and its rich cultural heritage. Original. |
| a pictorial history of chinese architecture: A Radical Vision by OPEN , 2022-04-12 This book presents the radical architectural strategies and poetic cultural projects developed by OPEN Architecture, and the opportunities and challenges that arise from redefining built forms. Drawing on a series of conversations and site visits to six recent groundbreaking projects, architecture writer Catherine Shaw describes how Beijing-based OPEN Architecture is reinventing and responding to China’s complex and fast-changing cultural landscape with projects that mark a new era for contemporary Chinese cultural architecture. OPEN Architecture was founded in New York in 2003 by Li Hu and Huang Wenjing, while their Beijing office opened in 2008. From a contemporary art gallery buried beneath a sand dune to a sculptural open-air theatre in a remote mountain valley near the Great Wall, co-founders Li Hu and Huang Wenjing re-evaluate conventional Western assumptions about culture and design as they base each pioneering project on the needs and plea-sures of humanity within the context of diverse terrains and climates. In doing so, they not only consider how cultural architecture looks, but how it works. Projects are presented with commentary and contextual information as well as new analyses and archival material, including outstanding color photography, plans and drawings, and exploratory sketches. This book provides a fresh perspective on contemporary cultural architecture and place making, hig-lighting the architects’ sources of inspiration, their challenges, and their construction methods, showing how each impactful project responds to China’s distinctive context. |
| a pictorial history of chinese architecture: Penjing Qingquan Zhao, 1997 |
| a pictorial history of chinese architecture: Framing Famous Mountains Li-tsui Flora Fu, 2009 Treating landscape painting as yet another framing systems, in both the symbolic and material sense, this book examines sixteenth-century paintings of famous mountains by three major artists in the light of a diachronic account of the evolution of famous mountains over time and a synchronic account of the vogue for the grand tour in late Ming society. --Book Jacket. |
| a pictorial history of chinese architecture: Chinese Painting and Its Audiences Craig Clunas, 2017-02-28 What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Richly illustrated, Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition. Arguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people. In discussing the changing audiences for Chinese art, Clunas emphasizes that the diversity and quantity of images in Chinese culture make it impossible to generalize definitively about what constitutes Chinese painting. Exploring the complex relationships between works of art and those who look at them, Chinese Painting and Its Audiences sheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years. |
| a pictorial history of chinese architecture: Henri Bertin and the Representation of China in Eighteenth-Century France John Finlay, 2020-07-09 This is an in-depth study of the intellectual, technical, and artistic encounters between Europe and China in the late eighteenth century, focusing on the purposeful acquisition of information and images that characterized a direct engagement with the idea of China. The central figure in this story is Henri-Léonard Bertin (1720–1792), who served as a minister of state under Louis XV and, briefly, Louis XVI. Both his official position and personal passion for all things Chinese placed him at the center of intersecting networks of like-minded individuals who shared his ideal vision of China as a nation from which France had much to learn. John Finlay examines a fascinating episode in the rich history of cross-cultural exchange between China and Europe in the early modern period, and this book will be an important and timely contribution to a very current discussion about Sino-French cultural relations. This book will be of interest to scholars in art history, visual culture, European and Chinese history. |
| a pictorial history of chinese architecture: Surviving Nirvana Sonya S. Lee, 2010-03-01 The Buddha's nirvana marks the end of the life of a great spiritual figure and the beginning of Buddhism as a world religion. Surviving Nirvana is the first book in the English language to examine how this historic moment was represented and received in the visual culture of China, of which the nirvana image has been a part for over 1,500 years. --Mining a selection of well-documented and well-preserved examples from the sixth to twelfth centuries, Sonya Lee offers a reassessment of medieval Chinese Buddhism by focusing on practices of devotion and image-making that were inspired by the Buddha's complete extinction. The nirvana image, comprised of a reclining Buddha and a mourning audience, was central to defining the local meanings of the nirvana moment in different times and places. The motif's many guises, whether on a stone-carved stele, inside a pagoda crypt, or as a painted mural in a cave temple, were the product of social interactions, religious institutions, and artistic practices prevalent in a given historical context. They were also cogent responses to the fundamental anxiety about the absence of the Buddha and the prospect of one's salvation. By reinventing the nirvana image to address its own needs, each community of patrons, makers, and viewers sought to recast the Buddha's death into an allegory of survival that was charged with local pride and contemporary relevance.- -Thoroughly researched, this study engages methods and debates from the fields of art history, religion, archaeology, architecture, and East Asian history that are relevant to scholars and students alike. The many examples analyzed in the book offer well-defined local contexts to discuss broader historical and theoretical issues concerning representation, patronage, religion and politics, family values, and vision.--Sonya S. Lee is assistant professor of art history and East Asian languages and cultures at University of Southern California.-- - |
| a pictorial history of chinese architecture: Architecture Francis D. K. Ching, 2012-07-16 A superb visual reference to the principles of architecture Now including interactive CD-ROM! For more than thirty years, the beautifully illustrated Architecture: Form, Space, and Order has been the classic introduction to the basic vocabulary of architectural design. The updated Third Edition features expanded sections on circulation, light, views, and site context, along with new considerations of environmental factors, building codes, and contemporary examples of form, space, and order. This classic visual reference helps both students and practicing architects understand the basic vocabulary of architectural design by examining how form and space are ordered in the built environment.? Using his trademark meticulous drawing, Professor Ching shows the relationship between fundamental elements of architecture through the ages and across cultural boundaries. By looking at these seminal ideas, Architecture: Form, Space, and Order encourages the reader to look critically at the built environment and promotes a more evocative understanding of architecture. In addition to updates to content and many of the illustrations, this new edition includes a companion CD-ROM that brings the book's architectural concepts to life through three-dimensional models and animations created by Professor Ching. |
| a pictorial history of chinese architecture: Recarving China's Past Cary Yee-Wei Liu, Michael Nylan, Anthony Jerome Barbieri-Low, Naomi Noble Richard, Michael Loewe, Susan L. Beningson, 2005 The Wu Family shrines, one of the most important cultural monuments of early China, comprise approximately 50 stone slabs from the so-called Wu cemetery in Shandong province. This illustrated book examines the stone slabs and their rubbings, as artifactswith a complex cultural history from the second century to the present. |
| a pictorial history of chinese architecture: The Chinese Art Book Colin Mackenzie, Katie Hill, Jeffrey Moser, 2013-09-23 The Chinese Art Book is a beautifully packaged, authoritative, and unprecedented overview of Chinese art from its earliest dynasties to the contemporary generation of artists enlivening today's art world. 300 works represent every form of Chinese visual art, including painting, calligraphy, sculpture, ceramics, figurines, jade, bronze, gold and silver, photography, video, installation, and performance art. Full of surprises for readers of all levels, The Chinese Art Book breaks new ground by pairing works that speak to one another in unexpected ways, enlightening historical, stylistic and cultural connections. Concise descriptive essays place each work in context, while cross-references lead the reader on a fascinating journey through Chinese art history. The Chinese Art Book features an introductory essay by Colin Mackenzie, Senior Curator of Chinese Art at the Nelson-Akins Museum of Art, along with an accessible summary of Chinese political and cultural history, a comprehensive glossary defining technical terms, and an illustrated timeline. |
| a pictorial history of chinese architecture: Fiery Cinema Weihong Bao, 2015 Introduction -- Resonance. Fiery action: toward an aesthetics of new heroism -- A culture of resonance: hypnotism, wireless cinema, and the invention of intermedial spectatorship -- Transparency. Dances of fire: mediating affective immediacy -- Transparent Shanghai: cinema, architecture, and a left-wing culture of glass -- Agitation. A vibrating art in the air: the infinite cinema and the media ensemble of propaganda -- Baptism by fire: atmospheric war, agitation, and a tale of three cities. |
| a pictorial history of chinese architecture: Penjing: The Chinese Art of Bonsai Zhao Qingquan, 2012-04-10 With hundreds of color photographs and illustrations, this Chinese gardening book is a wonderful introduction to penjing—China's treasured bonsai art. Although most people thing bonsai is a Japanese invention, the art originated in ancient China where it is called penjing. The two Chinese characters for penjing (pot and landscape) capture the essence of this art: sculpting microcosms of the beauty of the natural world from plants, rocks, soil, and water, both as an artistic process and as horticultural cultivation. Both penjing and bonsai are art forms that express the beauty of nature. In China, bonsai, as a part of penjing, is often called tree penjing, or tree in a pot. The Chinese divide penjing into three categories: tree penjing, rock penjing, and water-and-land penjing. This Chinese gardening book showcases the Chinese art of penjing in all its aspects for the benefit of penjing aficionados and all other readers interested in Chinese culture. It covers the concept, history, categories, aesthetic features, techniques, display, appreciation, and preservation of penjing. It is a feast for the eyes while providing a wealth of information for the academically inclined as well as the practically minded. There are more than 300 lavish illustrations grouped into three different categories of penjing. The reader will not only be awed by the beautiful compositions of penjing, but will also learn about the Chinese approach to nature and to life. |
| a pictorial history of chinese architecture: The Chinese Photobook (Signed Edition) Martin Parr, 2015-06-23 In the last decade there has been a major reappraisal of the role and status of the photobook within the history of photography. Newly revised histories of photography as recorded via the photobook have added enormously to our understanding of the medium's culture, particularly in places that are often marginalized, such as Latin America and Africa. However, until now, only a handful of Chinese books have made it onto historians' short lists. Yet China has a fascinating history of photobook publishing, and The Chinese Photobook will reveal for the first time the richness and diversity of this heritage. This volume is based on a collection compiled by Martin Parr and Beijing- and London-based Dutch photographer team WassinkLundgren. And while the collection was inspired initially by Parr's interest in propaganda books and in finding key works of socialist realist photography from the early days of the Communist Party and the Cultural Revolution era, the selection of books includes key volumes published as early as 1900, as well as contemporary volumes by emerging Chinese photographers. Each featured photobook offers a new perspective on the complicated history of China from the twentieth century onward. The Chinese Photobook embodies an unprecedented amount of research and scholarship in this area, and includes accompanying texts and individual title descriptions by Gu Zheng, Raymond Lum, Ruben Lundgren, Stephanie H. Tung and Gerry Badger. |
| a pictorial history of chinese architecture: Divine Custody Yeo Kang Shua, 2021-11-15 An architectural and historical study of Singapore's oldest Teochew Temple. At the turn of the nineteenth century, Teochew-speaking gambier and pepper farmers settled in Singapore. Surrounded by the skyscrapers of Singapore's central business district, Wak Hai Cheng Bio temple traces its history back to the earliest days of the colony. While no written sources or inscriptions commemorate the founding of the temple, Yeo Kang Shua's book delves into the history of the temple's foundation, encountering a rich history along the way. Poetic and commemorative, Yeo attends to the testimony of the building itself--the location, materials, ornamentation, and artwork that charge the space with meaning. Divine Custody tells the story of a temple that formed and was formed by its community. Of interest to heritage studies and those seeking to understand the experience of Chinese communities in Southeast Asia, this book is exemplary in the way it uses material culture and architectural history as historical sources. |
| a pictorial history of chinese architecture: Coming Man Philip P. Choy, 1994 |
| a pictorial history of chinese architecture: Beautified China Kris Provoost, 2019-10-07 Beautified China shows the country's modern architecture in new light - CNN Style Photo-Series Provides an abstracted look at China's iconic architecture, - ArchDaily.com. This book of stunning photographs by architect and photographer Kris Provoost captures the wave of the architectural revolution in China. Internationally renowned architects such as Zaha Hadid, Rem Koolhaas, Ole Scheeren, Herzog & de Meuron, Daniel Liebeskind and many others have been engaged in creative, futuristic, and flamboyant projects in China in recent years. The sky is literally the limit, both in terms of construction, use of materials and design. Unimaginable forms, which defy all rules of gravity, come to life in immense skyscrapers. Beautified China offers an overview of these revolutionary designs, capturing their surreal impact in photographs that explore the free play of form that characterises each building. The book features essays by Rem Koolhaas, Ma Yansong & Ole Scheeren, among others, and each photograph is accompanied by information pertinent to the project, including function, environment, and context. AUTHOR: Kris Provoost is a Belgian architect and photographer. After receiving his Master's in Architecture, he moved to China, where he further expanded his career. He worked for, among others, Zaha Hadid Architects & Buro Ole Scheeren. He also focuses on architectural photography. His work has previously appeared in CNN Style, Dezeen, ArchDaily, Designboom, gooood, That's Mag Beijing, Time Out Shanghai, Abduzeedo, Fubiz, and T-Magazine. SELLING POINTS: * A photo essay by Belgian architect and photographer Kris Provoost capturing the boldest and most iconic structures of the architectural revolution in China * Striking images of fantastical buildings from unexpected angles and perspectives 180 colour, 40 b/w images |
| a pictorial history of chinese architecture: The Fusion of Architecture & Art Kenneth Treister, 2015 Ken Treister is a world renowned architect, winner of multiple awards. Mr. Treister has designed and built iconic projects in every continent and major city in the world. The work with which he most identifies is the Holocaust Museum in Miami Beach, FL. It took over 5 years to build as it included the signature hand rising to the heavens cast in bronze. Mr. Treister designed the this piece and multiple figures that are in the museum building and its gardens. In lavish photos taken by Mr. Treister himself, the book provides a personal tour of the this heartbreakingly beautiful museum. With countless photos of every part of the museum, Mr. Treister recounts the significance both from a religious point of view as well as from a purely creative vision. This explains the title of the book. It truly is an unforgettable example of one man's inspired vision of a tragic moment in world history while at the same time celebrating the beauty, power and resilience of the jewish faith and its people.--Ken Treister |
| a pictorial history of chinese architecture: Where Dragon Veins Meet Stephen H. Whiteman, 2020 Inroduction: Historicizing the Early Qing Landscape -- Recovering the Kangxi Landscape. Excerpt from Record of Traveling at the Invitation of the Emperor by Zhang Yushu -- Reconstructing Kangxi -- Allegories of Empire. Mountain Veins -- Record of the Mountain Estate to Escape the Heat by the Kangxi Emperor -- Only Here in Rehe -- Space and Pictoriality. Painting and the Surveyed Site -- Paper Gardens -- The Metonymic Landscape. Touring the Rear Park -- Conclusion: The Landscape of the Emperor. |
| a pictorial history of chinese architecture: Designs of Chinese Buildings, Furniture, Dresses, Machines, and Utensils Sir William Chambers, 1757 |
| a pictorial history of chinese architecture: Pistols of the Warlords Ian McCollum, 2021-12 |
| a pictorial history of chinese architecture: China in the Eyes of Flying Tigers 1944-1945 , 2012 |
| a pictorial history of chinese architecture: Routledge Handbook of Chinese Architecture Jianfei Zhu, Chen Wei, Li Hua, 2022-11-30 This handbook, representing the collaboration of 40 scholars, provides a multi-faceted exploration of roughly 6,000 years of Chinese architecture, from ancient times to the present. This volume combines a broad-spectrum approach with a thematic framework for investigating Chinese architecture, integrating previously fragmented topics and combining the scholarship of all major periods of Chinese history. By organizing its approach into five parts, this handbook: Traces the practices and traditions of ancient China from imperial authority to folk culture Unveils a rich picture of early modern and republican China, revealing that modernization was already beginning to emerge Describes the social, intellectual, ideological, and formal enterprises of socialist architecture Frames a window on a complex and changing contemporary China by focusing on autonomy, state practices, and geopolitics of design, ultimately identifying its still evolving position on the world stage Examines the existing cultural and political theories to highlight potential avenues for future transformations in Chinese architecture that also retain Chinese identity Providing a pioneering combination of ancient and modern Chinese architecture in one coherent study, this book is a must-read for scholars, students, and educators of Chinese architecture, architectural history and theory, and the architecture of Asia. |
| a pictorial history of chinese architecture: Chinese Architecture and the Beaux-Arts Jeffrey W. Cody, Nancy Shatzman Steinhardt, Tony Atkin, 2011-01-31 In the early twentieth century, Chinese traditional architecture and the French-derived methods of the École des Beaux-Arts converged in the United States when Chinese students were given scholarships to train as architects at American universities whose design curricula were dominated by Beaux-Arts methods. Upon their return home in the 1920s and 1930s, these graduates began to practice architecture and create China’s first architectural schools, often transferring a version of what they had learned in the U.S. to Chinese situations. The resulting complex series of design-related transplantations had major implications for China between 1911 and 1949, as it simultaneously underwent cataclysmic social, economic, and political changes. After 1949 and the founding of the People’s Republic, China experienced a radically different wave of influence from the Beaux-Arts through advisors from the Soviet Union who, first under Stalin and later Khrushchev, brought Beaux-Arts ideals in the guise of socialist progress. In the early twenty-first century, China is still feeling the effects of these events. Chinese Architecture and the Beaux-Arts examines the coalescing of the two major architectural systems, placing significant shifts in architectural theory and practice in China within relevant, contemporary, cultural, and educational contexts. Fifteen major scholars from around the world analyze and synthesize these crucial events to shed light on the dramatic architectural and urban changes occurring in China today—many of which have global ramifications. This stimulating and generously illustrated work is divided into three sections, framed by an introduction and a postscript. The first focuses on the convergence of Chinese architecture and the École des Beaux-Arts, outlining the salient aspects of each and suggesting how and why the two met in the U.S. The second section centers on the question of how Chinese architects were influenced by the Beaux-Arts and how Chinese architecture was changed as a result. The third takes an even closer look at the Beaux-Arts influence, addressing how innovative practices, new schools of architecture, and buildings whose designs were linked to Beaux-Arts assumptions led to distinctive new paradigms that were rooted in a changing China. By virtue of its scope, scale, and scholarship, this volume promises to become a classic in the fields of Chinese and Western architectural history. Contributors: Tony Atkin, Peter J. Carroll, Yung Ho Chang,Jeffrey W. Cody, Kerry Sizheng Fan, Fu Chao-Ching, Gu Daqing, Seng Kuan,Delin Lai, Xing Ruan, Joseph Rykwert, Nancy S. Steinhardt, David VanZanten, Rudolf Wagner, Zhang Jie, Zhao Chen. |
| a pictorial history of chinese architecture: A Philosophy of Chinese Architecture David Wang, 2016-12-08 A Philosophy of Chinese Architecture: Past, Present, Future examines the impact of Chinese philosophy on China’s historic structures, as well as on modern Chinese urban aesthetics and architectural forms. For architecture in China moving forward, author David Wang posits a theory, the New Virtualism, which links current trends in computational design with long-standing Chinese philosophical themes. The book also assesses twentieth-century Chinese architecture through the lenses of positivism, consciousness (phenomenology), and linguistics (structuralism and poststructuralism). Illustrated with over 70 black-and-white images, this book establishes philosophical baselines for assessing architectural developments in China, past, present and future. |
PICTORIAL Definition & Meaning - Merriam-Webster
The meaning of PICTORIAL is of or relating to a painter, a painting, or the painting or drawing of pictures. How to use pictorial in a sentence.
Pictorial - definition of pictorial by The Free Dictionary
1. pertaining to, expressed in, or of the nature of a picture. 2. illustrated by or containing pictures: a pictorial history. 3. of or pertaining to the art of painting and drawing pictures, the pictures …
PICTORIAL | English meaning - Cambridge Dictionary
PICTORIAL definition: 1. shown in the form of a picture or photograph: 2. shown in the form of a picture or photograph…. Learn more.
What does Pictorial mean? - Definitions.net
Pictorial refers to anything that is expressed or illustrated using pictures or visual images. It is often associated with art, photography, maps, diagrams, or any representation that portrays an …
PICTORIAL definition and meaning | Collins English Dictionary
There was no pictorial record at all. We took photos in case pictorial evidence was needed. None of these canvases was intended to be a pictorial representation of what happened on stage. …
pictorial adjective - Definition, pictures, pronunciation and usage ...
Jun 11, 2017 · Definition of pictorial adjective in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
Pictorial - Definition, Meaning & Synonyms - Vocabulary.com
If something's pictorial, it has illustrations or photographs. A graphic novel is a pictorial way to tell a story. Years ago, a pictorial was the name for a magazine that had far more pictures than …
Pictorial Definition & Meaning - YourDictionary
Evoking or suggesting a mental image or picture; vivid; graphic, as a description. A periodical featuring many pictures. A magazine feature consisting mainly of pictures. (philately) A stamp …
PICTORIAL Definition & Meaning | Dictionary.com
pertaining to, expressed in, or of the nature of a picture. a pictorial history. the pictorial masterpieces of the Renaissance. a pictorial metaphor. a periodical in which pictures constitute …
pictorial - Wiktionary, the free dictionary
May 10, 2025 · pictorial (comparative more pictorial, superlative most pictorial) Of, relating to, composed of, or illustrated by pictures. Described or otherwise represented as if in a picture; …
PICTORIAL Definition & Meaning - Merriam-Webster
The meaning of PICTORIAL is of or relating to a painter, a painting, or the painting or drawing of pictures. How to use pictorial in a sentence.
Pictorial - definition of pictorial by The Free Dictionary
1. pertaining to, expressed in, or of the nature of a picture. 2. illustrated by or containing pictures: a pictorial history. 3. of or pertaining to the art of painting and drawing pictures, the pictures …
PICTORIAL | English meaning - Cambridge Dictionary
PICTORIAL definition: 1. shown in the form of a picture or photograph: 2. shown in the form of a picture or photograph…. Learn more.
What does Pictorial mean? - Definitions.net
Pictorial refers to anything that is expressed or illustrated using pictures or visual images. It is often associated with art, photography, maps, diagrams, or any representation that portrays an …
PICTORIAL definition and meaning | Collins English Dictionary
There was no pictorial record at all. We took photos in case pictorial evidence was needed. None of these canvases was intended to be a pictorial representation of what happened on stage. …
pictorial adjective - Definition, pictures, pronunciation and usage ...
Jun 11, 2017 · Definition of pictorial adjective in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
Pictorial - Definition, Meaning & Synonyms - Vocabulary.com
If something's pictorial, it has illustrations or photographs. A graphic novel is a pictorial way to tell a story. Years ago, a pictorial was the name for a magazine that had far more pictures than …
Pictorial Definition & Meaning - YourDictionary
Evoking or suggesting a mental image or picture; vivid; graphic, as a description. A periodical featuring many pictures. A magazine feature consisting mainly of pictures. (philately) A stamp …
PICTORIAL Definition & Meaning | Dictionary.com
pertaining to, expressed in, or of the nature of a picture. a pictorial history. the pictorial masterpieces of the Renaissance. a pictorial metaphor. a periodical in which pictures constitute …
pictorial - Wiktionary, the free dictionary
May 10, 2025 · pictorial (comparative more pictorial, superlative most pictorial) Of, relating to, composed of, or illustrated by pictures. Described or otherwise represented as if in a picture; …
