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| a raisin in the sun screenplay: A Raisin in the Sun Lorraine Hansberry, 2004-11-29 Never before, in the entire history of the American theater, has so much of the truth of Black people's lives been seen on the stage, observed James Baldwin shortly before A Raisin in the Sun opened on Broadway in 1959. This edition presents the fully restored, uncut version of Hansberry's landmark work with an introduction by Robert Nemiroff. Lorraine Hansberry's award-winning drama about the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of Black America—and changed American theater forever. The play's title comes from a line in Langston Hughes's poem Harlem, which warns that a dream deferred might dry up/like a raisin in the sun. The events of every passing year add resonance to A Raisin in the Sun, said The New York Times. It is as if history is conspiring to make the play a classic. |
| a raisin in the sun screenplay: A Raisin in the Sun Lorraine Hansberry, 1992-10-01 Under the editorship of the late Robert Nemiroff, with a provocative and thoughtful introduction by preeminent African-American scholar Margaret B. Wilkerson and a commentary by Spike Lee, this completely restored screenplay is the accurate and authoritative edition of Lorraine Hansberry's script and a testament to her unparalled accomplishment as a Black artist. The 1961 film version of A Raisin in the Sun, with a screenplay by the author, Lorraine Hansberry, won an award at the Cannes Film Festival even though one-third of the actual screenplay Hansberry had written had been cut out. The film did essentially bring Hansberry's extraordinary play to the screen, but it failed to fulfill her cinematic vision. Now, with this landmark edition of Lorraine Hansberry's original script for the movie of A Raisin in the Sun that audiences never viewed, readers have at hand an epic, eloquent work capturing not only the life and dreams of a Black family, but the Chicago—and the society—that surround and shape them. Important changes in dialogue and exterior shots, a stunning shift of focus to her male protagonist, and a dramatic rewriting of the final scene show us an artist who understood and used the cinematic medium to transform a stage play into a different art form—a profound and powerful film. |
| a raisin in the sun screenplay: A Raisin in the Sun Lorraine Hansberry, 2016-11-01 A Raisin in the Sun reflects Lorraine Hansberry's childhood experiences in segregated Chicago. This electrifying masterpiece has enthralled audiences and has been heaped with critical accolades. The play that changed American theatre forever - The New York Times. Edition Description |
| a raisin in the sun screenplay: Raisin In The Sun Lorraine Hansberry, 1995-04-01 A black family is united in love and pride as they struggle to overcome poor living conditions. |
| a raisin in the sun screenplay: Les Blancs: The Collected Last Plays Lorraine Hansberry, 1994-12-13 Here are Lorraine Hansberry's last three plays--Les Blancs, The Drinking Gourd, and What Use Are Flowers?--representing the capstone of her achievement. Includes a new preface by Jewell Gresham Nemiroff and a revised introduction by Margaret B. Wilkerson. |
| a raisin in the sun screenplay: Raisin Judd Woldin, Robert Nemiroff, Charlotte Zaltzberg, Robert Brittan, 1978 Based on Lorraine Hansberry's A Raisin in the Sun. Musical Drama / 9m, 6f, chorus and extras / Unit set This winner of Tony and Grammy awards as Best Musical ran for three years on Broadway and enjoyed a record breaking national tour. A proud family's quest for a better life meets conflicts that span three generations and set the stage for a drama rich in emotion and laughter. Taking place on Chicago's Southside, it explodes in song, dance, drama and comedy. Pure magic ... dazzling! Tremen |
| a raisin in the sun screenplay: A Raisin in the Sun Lorraine Hansberry, 1960 |
| a raisin in the sun screenplay: Raisin in the Sun Lorraine Hansberry, 1994 |
| a raisin in the sun screenplay: The Total Film-maker Jerry Lewis, 1971 A frank, personal story of the joys and pitfalls of making movies by a world famous film-maker. |
| a raisin in the sun screenplay: Lorraine Hansberry's The Sign in Sidney Brustein's Window Lorraine Hansberry, 1986 This is the probing, hilarious and provocative story of Sidney, a disenchanted Greenwich Village intellectual, his wife Iris, an aspiring actress, and their colorful circle of friends and relations. Set against the shenanigans of a stormy political campaign, the play follows its characters in their unorthodox quests for meaningful lives in an age of corruption, alienation and cynicism. With compassion, humor and poignancy, the author examines questions concerning the fragility of love, morality and ethics, interracial relationships, drugs, rebellion, conformity and especially withdrawal from or commitment to the world. |
| a raisin in the sun screenplay: Looking for Lorraine Imani Perry, 2018-09-18 Winner of the 2019 PEN/Jacqueline Bograd Weld Award for Biography Winner of the Lambda Literary Award for LGBTQ Nonfiction Winner of the Shilts-Grahn Triangle Award for Lesbian Nonfiction Winner of the 2019 Phi Beta Kappa Christian Gauss Award A New York Times Notable Book of 2018 A revealing portrait of one of the most gifted and charismatic, yet least understood, Black artists and intellectuals of the twentieth century. Lorraine Hansberry, who died at thirty-four, was by all accounts a force of nature. Although best-known for her work A Raisin in the Sun, her short life was full of extraordinary experiences and achievements, and she had an unflinching commitment to social justice, which brought her under FBI surveillance when she was barely in her twenties. While her close friends and contemporaries, like James Baldwin and Nina Simone, have been rightly celebrated, her story has been diminished and relegated to one work—until now. In 2018, Hansberry will get the recognition she deserves with the PBS American Masters documentary “Lorraine Hansberry: Sighted Eyes/Feeling Heart” and Imani Perry’s multi-dimensional, illuminating biography, Looking for Lorraine. After the success of A Raisin in the Sun, Hansberry used her prominence in myriad ways: challenging President Kennedy and his brother to take bolder stances on Civil Rights, supporting African anti-colonial leaders, and confronting the romantic racism of the Beat poets and Village hipsters. Though she married a man, she identified as lesbian and, risking censure and the prospect of being outed, joined one of the nation’s first lesbian organizations. Hansberry associated with many activists, writers, and musicians, including Malcolm X, Langston Hughes, Duke Ellington, Paul Robeson, W.E.B. Du Bois, among others. Looking for Lorraine is a powerful insight into Hansberry’s extraordinary life—a life that was tragically cut far too short. A Black Caucus of the American Library Association Honor Book for Nonfiction A 2019 Pauli Murray Book Prize Finalist |
| a raisin in the sun screenplay: The White Card Claudia Rankine, 2019-03-19 A play about the imagined fault line between black and white lives by Claudia Rankine, the author of Citizen The White Card stages a conversation that is both informed and derailed by the black/white American drama. The scenes in this one-act play, for all the characters’ disagreements, stalemates, and seeming impasses, explore what happens if one is willing to stay in the room when it is painful to bear the pressure to listen and the obligation to respond. —from the introduction by Claudia Rankine Claudia Rankine’s first published play, The White Card, poses the essential question: Can American society progress if whiteness remains invisible? Composed of two scenes, the play opens with a dinner party thrown by Virginia and Charles, an influential Manhattan couple, for the up-and-coming artist Charlotte. Their conversation about art and representations of race spirals toward the devastation of Virginia and Charles’s intentions. One year later, the second scene brings Charlotte and Charles into the artist’s studio, and their confrontation raises both the stakes and the questions of what—and who—is actually on display. Rankine’s The White Card is a moving and revelatory distillation of racial divisions as experienced in the white spaces of the living room, the art gallery, the theater, and the imagination itself. |
| a raisin in the sun screenplay: The Autobiography of An Ex-Colored Man James Weldon Johnson, 2021-01-01 First published in the year 1912, 'The Autobiography of an Ex-Colored Man' by James Weldon Johnson is the fictional account of a young biracial man, referred to as the Ex-Colored Man, living in post-Reconstruction era America in the late nineteenth and early twentieth centuries. |
| a raisin in the sun screenplay: The Trial of the Chicago 7: The Screenplay Aaron Sorkin, 2020-10-20 The brilliant screenplay of the Academy Award–nominated film The Trial of the Chicago 7 by Academy and Emmy Award–winning screenwriter and director Aaron Sorkin. Sorkin’s film dramatizes the 1969 trial of seven prominent anti-Vietnam War activists in Chicago. Originally there were eight defendants, but one, Bobby Seale, was severed from the trial by Judge Julius Hoffman—after Hoffman had ordered Seale bound and gagged in court. The defendants were a mix of counterculture revolutionaries such as Abbie Hoffman and Jerry Rubin, and political activists such as Tom Hayden, Rennie Davis, and David Dellinger, the last a longtime pacifist who was a generation older than the others. Their lawyers argued that the right to free speech was on trial, whether that speech concerned lifestyles or politics. The Trial of the Chicago 7 stars Sacha Baron Cohen, Eddie Redmayne, Frank Langella, and Mark Rylance, among others, directed by Aaron Sorkin. This book is Sorkin’s screenplay, the first of his movie screenplays ever published. |
| a raisin in the sun screenplay: Readings on A Raisin in the Sun Lawrence Kappel, 2000 Lorraine Hansberry's play is a psychological study of a working class black family on the south side of Chicago in the 1940s. This collection of essays explores the dominant characters and themes in the play and looks at its representation in various stage and screen adaptations. |
| a raisin in the sun screenplay: Manchester by the Sea Kenneth Lonergan, 2021-03-09 The Academy Award–winning screenplay of “a drama of surpassing beauty” (Wall Street Journal) Kenneth Lonergan’s Academy Award and BAFTA–winning screenplay for the acclaimed film Manchester by the Sea is a staggering achievement and an emotionally devastating meditation on grief. Lee Chandler is a brooding, irritable loner who works as a handyman in Boston. One damp winter day he gets a call summoning him to his hometown, Manchester-by-the-Sea, the fishing village where his working-class family has lived for generations. His brother’s heart has given out suddenly, and he’s been named guardian to his riotous 16-year-old nephew. His return re-opens an unspeakable tragedy, as he is forced to confront a past that separated him from his wife, Randi, and the community where he was born and raised. A sweeping story of loss and new beginnings, Manchester by the Sea “illuminates with quiet, unyielding grace how you and I and our neighbors get by, and sometimes how we don’t” (Boston Globe). Rounding out the volume is a trenchant and incisive introduction by Kenneth Lonergan on writing for film. |
| a raisin in the sun screenplay: The Kilroys List, Volume One The Kilroys, 2017-06-12 The superheroines of the theater are back—and better and bolder than ever.— Backstage These plays have been developed and vetted for artistic excellence; they just happen to possess the added bonus of representing a voice that's currently being underproduced. It's part of a larger movement to say: There's an embarrassment of riches here.— Sheila Callaghan for the Kilroys Not your typical book of monologues, this new collection embodies the mission of the Kilroys, an advocacy group founded in 2013 to raise awareness for the underutilized work of female and trans* playwrights. The collection is comprised of ninety-nine monologues, each from a different play off The List from 2014 and 2015, featuring the most unproduced (or under-produced), yet highest-recommended, plays by women in the United States. The monologues selected for this volume serve to highlight the talents of these writers in a wide array of pieces that vary in genre, style, and gender. As it says on their website, the Kilroys Make Trouble and Plays. The Kilroys are a gang of playwrights and producers in Los Angeles, California, who advocate for the visibility of women playwrights in theatre. Founded in 2013, the Kilroys are named after the iconic graffiti tag Kilroy Was Here that was first left by WWII soldiers in unexpected places, a playfully subversive way of making their presence known. The members include Zakiyyah Alexander, Bekah Brunstetter, Sheila Callaghan, Carla Ching, Annah Feinberg, Sarah Gubbins, Laura Jacqmin, Joy Meads, Kelly Miller, Meg Miroshnik, Daria Polatin, Tanya Saracho, and Marisa Wegrzyn. |
| a raisin in the sun screenplay: Young Adult Literature Michael Cart, 2010-09 Helps YA librarians who want to freshen up their readers advisory skills, teachers who use novels in the classroom, and adult services librarians who increasingly find themselves addressing the queries of teen patrons. |
| a raisin in the sun screenplay: Hansberry's Drama Steven R. Carter, 1991 This insightful study opens with an overview of Hansberry's cultural, social, political, and philosophical views and their relations to her artistic goals. |
| a raisin in the sun screenplay: If Beale Street Could Talk (Movie Tie-In) James Baldwin, 2018-10-30 A stunning love story about a young Black woman whose life is torn apart when her lover is wrongly accused of a crime—a moving, painful story, so vividly human and so obviously based on reality that it strikes us as timeless (The New York Times Book Review). One of the best books Baldwin has ever written—perhaps the best of all. —The Philadelphia Inquirer Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin’s story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions—affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche. |
| a raisin in the sun screenplay: Steel Magnolias Robert Harling, 1988 THE STORY: The action is set in Truvy's beauty salon in Chinquapin, Louisiana, where all the ladies who are anybody come to have their hair done. Helped by her eager new assistant, Annelle (who is not sure whether or not she is still married), th |
| a raisin in the sun screenplay: A Raisin in The Sun Black Theatre Canada Archives, Lorraine Hansberry, 1980 |
| a raisin in the sun screenplay: A Raisin in the Sun Lorraine Hansberry, 1959 The award-winning, now classic drama about a working-class African-American family on the South Side of Chicago--their hopes, their dreams, their aspirations. |
| a raisin in the sun screenplay: Tyrant: Shakespeare on Politics Stephen Greenblatt, 2018-05-08 Brilliant, beautifully organized, exceedingly readable. —Philip Roth World-renowned Shakespeare scholar Stephen Greenblatt explores the playwright’s insight into bad (and often mad) rulers. Examining the psyche—and psychoses—of the likes of Richard III, Macbeth, Lear, and Coriolanus, Greenblatt illuminates the ways in which William Shakespeare delved into the lust for absolute power and the disasters visited upon the societies over which these characters rule. Tyrant shows that Shakespeare’s work remains vitally relevant today, not least in its probing of the unquenchable, narcissistic appetites of demagogues and the self-destructive willingness of collaborators who indulge their appetites. |
| a raisin in the sun screenplay: Poitier Revisited Ian Gregory Strachan, Mia Mask, 2016-05-19 Sidney Poitier remains one of the most recognizable black men in the world. Widely celebrated but at times criticized for the roles he played during a career that spanned 60 years, there can be no comprehensive discussion of black men in American film, and no serious analysis of 20th century American film history that excludes him. Poitier Revisited offers a fresh interrogation of the social, cultural and political significance of the Poitier oeuvre. The contributions explore the broad spectrum of critical issues summoned up by Poitier's iconic work as actor, director and filmmaker. Despite his stature, Poitier has actually been under-examined in film criticism generally. This work reconsiders his pivotal role in film and American race relations, by arguing persuasively, that even in this supposedly 'post-racial' moment of Barack Obama, the struggles, aspirations, anxieties, and tensions Poitier's films explored are every bit as relevant today as when they were first made. |
| a raisin in the sun screenplay: Ruined Lynn Nottage, 2010-09 Mama Nadi, the owner of a brothel set in Congo, is a mother figure who keeps watch over her business, serving men from both sides of the conflict, and employing women, ruined by rape or torture, who are forced to work as prostitutes. |
| a raisin in the sun screenplay: The Bishop's Daughter: A Memoir Honor Moore, 2009-05-18 “An eloquent argument for speaking even the most difficult truths.” —New York Times Book Review Paul Moore’s vocation as an Episcopal priest took him— with his wife, Jenny, and their family of nine children—from robber-baron wealth to work among the urban poor, leadership in the civil rights and peace movements, and two decades as the bishop of New York. The Bishop’s Daughter is his daughter’s story of that complex, visionary man: a chronicle of her turbulent relationship with a father who struggled privately with his sexuality while she openly explored hers and a searching account of the consequences of sexual secrets. |
| a raisin in the sun screenplay: Picasso at the Lapin Agile and Other Plays Steve Martin, 1996 An imagined meeting between Pablo Picasso and Albert Einstein in 1904 examines the impact of science and art on a rapidly changing society |
| a raisin in the sun screenplay: Simply Heavenly David Martin, Langston Hughes, 1959 THE STORY: The New York Journal-American, called SIMPLY HEAVENLY ...a treat. This story by Langston Hughes, based on his novels about Jesse B. Semple, a Joe Doakes Harlemite, seems...to capture the color and the humor and poetry of these neighbors-to- |
| a raisin in the sun screenplay: Radical Vision Soyica Diggs Colbert, 2021-04-20 A captivating portrait of Lorraine Hansberry's life, art, and political activism--one of O Magazine's best books of April 2021 Hits the mark as a fresh and timely portrait of an influential playwright.--Publishers Weekly In this biography of Lorraine Hansberry (1930-1965), the author of A Raisin in the Sun, Soyica Diggs Colbert considers the playwright's life at the intersection of art and politics, with the theater operating as a rehearsal room for [her] political and intellectual work. Colbert argues that the success of Raisin overshadows Hansberry's other contributions, including the writer's innovative journalism and lesser known plays touching on controversial issues such as slavery, interracial communities, and black freedom movements. Colbert also details Hansberry's unique involvement in the black freedom struggles during the Cold War and the early civil rights movement, in order to paint a full portrait of her life and impact. Drawing from Hansberry's papers, speeches, and interviews, this book presents its subject as both a playwright and a political activist. It also reveals a new perspective on the roles of black women in mid-twentieth-century political movements. |
| a raisin in the sun screenplay: A Raisin in the Sun , 1992 |
| a raisin in the sun screenplay: The Man Who Wrote the Perfect Novel Charles J. Shields, 2018-10-15 When Stoner was published in 1965, the novel sold only a couple of thousand copies before disappearing with hardly a trace. Yet John Williams’s quietly powerful tale of a Midwestern college professor, William Stoner, whose life becomes a parable of solitude and anguish eventually found an admiring audience in America and especially in Europe. The New York Times called Stoner “a perfect novel,” and a host of writers and critics, including Colum McCann, Julian Barnes, Bret Easton Ellis, Ian McEwan, Emma Straub, Ruth Rendell, C. P. Snow, and Irving Howe, praised its artistry. The New Yorker deemed it “a masterly portrait of a truly virtuous and dedicated man.” The Man Who Wrote the Perfect Novel traces the life of Stoner’s author, John Williams. Acclaimed biographer Charles J. Shields follows the whole arc of Williams’s life, which in many ways paralleled that of his titular character, from their shared working-class backgrounds to their undistinguished careers in the halls of academia. Shields vividly recounts Williams’s development as an author, whose other works include the novels Butcher’s Crossing and Augustus (for the latter, Williams shared the 1972 National Book Award). Shields also reveals the astonishing afterlife of Stoner, which garnered new fans with each American reissue, and then became a bestseller all over Europe after Dutch publisher Lebowski brought out a translation in 2013. Since then, Stoner has been published in twenty-one countries and has sold over a million copies. |
| a raisin in the sun screenplay: Visions of Belonging Judith E. Smith, 2004 -- Elaine May, author of Homeward Bound: American Families in the Cold War Era. |
| a raisin in the sun screenplay: A Raisin in the Sun , 1996-03-21 The author writes of her childhood experiences with racism. |
| a raisin in the sun screenplay: A Good Talk Daniel Menaker, 2014-08-20 A GOOD TALK is an analysis of and guide to that most exclusively human of all activities-- conversation . Drawing on over forty years of experience in American letters, Menaker pinpoints the factors that drive and enliven every good conversation: the vagaries (and joys) of subtext; the deeper structure and meaning of conversational flow; the subliminal signals that guide our disclosures and confessions; and the countless other hurdles we must clear along the way. Moving beyond self-help musings and how to advice, he has created a stylish, funny, and surprising book: a celebration of the most excusively human of all activities. In a time when conversation remains deeply important-- for building relationships, for relaxing, even for figuring out who we are-- and also increasingly imperiled (with Blackberries and texting increasingly in vogue), A GOOD TALK is a refreshing celebration of the subtle adventures of a good conversation. |
| a raisin in the sun screenplay: Joe Papp: An American Life Helen Epstein, 2019-07-31 Joseph Papp (1921-1991), theater producer, champion of human rights and of the First Amendment, founder of the New York Shakespeare Festival and Public Theater, changed the American cultural landscape. Born Yussel Papirofsky in Williamsburg, Brooklyn, he discovered Shakespeare in public school and first produced a show on an aircraft carrier during World War II. After a stint at the Actors’ Lab in Hollywood, he moved to New York, where he worked as a CBS stage manager during the golden age of television. He fought Parks Commissioner Robert Moses (as well as Mayors Wagner, Lindsay, Beame and Koch) winning first the right to stage free Shakespeare in New York’s Central Park, then municipal funding to keep it going. He built the Delacorte Theater and later rebuilt the former Astor Library on Lafayette Street, transforming it into the Public Theater. In addition to helping create an American style of Shakespeare, Papp pioneered colorblind casting and theater as a not-for-profit institution. He showcased playwrights David Rabe, Elizabeth Swados, Ntozake Shange, David Hare, Wallace Shawn, John Guare, and Vaclav Havel; directors Michael Bennett, Wilford Leach and James Lapine; actors Al Pacino, Colleen Dewhurst, George C. Scott, James Earl Jones, Meryl Streep, Kevin Kline, Sam Waterston, and Denzel Washington; and produced Hair, Sticks and Bones, for colored girls, The Normal Heart, and A Chorus Line, the longest running musical in Broadway history. This first biography of the late Joseph Papp will be a hard act to follow. — Booklist The final portrait that emerges might have been jointly painted by Goya, Whistler and Francis Bacon. — Benedict Nightingale, front-page New York Times Sunday Book Review Playwright Tony Kushner called Papp one of the very few heroes this tawdry, timid business has produced and the book, a nourishing and juicy biography. Helen Epstein recounts [Papp's] career in [this] definitive, meticulously researched and highly readable biography. [...] It is a tribute to Epstein’s narrative skill that the detailed account of Papp’s decline and eventual defeat by cancer [...] reads as both riveting and horrifying. — Ellen Schiff, All About Jewish Theatre Oklahoma-born Paul Davis created 51 iconic posters for Joseph Papp, starting in 1975 with the New York Shakespeare Festival production of Hamlet starring Sam Waterston. It was inspiring to work with Joe, says Davis. We would discuss what he wanted to achieve in a production, and he trusted me to find a way to express it. And he respected the poster as its own dramatic form. The artist’s work has been exhibited in the U.S., Europe and Japan. He is a recipient of a special Drama Desk award created for his theater art. Davis was elected to the Art Directors Club Hall of Fame and the Society of Illustrators Hall of Fame, and is a Fellow of the American Academy in Rome. |
| a raisin in the sun screenplay: A Memory for Wonders Veronica Namoyo Le Goulard, 1993 Here for the first time is a captivating autobiography of a French girl raised in the wild Moroccan frontier by her communist parents who fled France and vowed that no one would speak to her of God and influence the development of her mind with oppressive superstition. Everything in her education, environment and training was targeted toward making her a perfect product of Marxist atheism. She sucked anti-Catholicism with her mother's milk. But God had other plans for Lucette. Emotionally neglected by her parents, Lucette became a difficult child leading a colorful life full of mischievous adventure all the while experiencing an unutterable loneliness. But the Hound of Heaven was gently pursuing her. At the age of three, upon witnessing the overwhelming beauty of a sunset after a violent sirocco sand storm, she gained the unshakable certainty that this beauty was created, and that there was a God. She began to pray. That was the first link in a chain of remarkable events that grace alone could forge, which led her to embrace the faith and become a Poor Clare nun in Algiers. Disowned by her parents, she put all her trust in Him for whom all things are possible. Her faith was rewarded with a dramatic answer to the prayers of her heart. Lucette, now Mother Veronica Namoyo, is an Abbess and foundress of two flourishing monasteries in Africa. |
| a raisin in the sun screenplay: Modern American Drama on Screen William Robert Bray, R. Barton Palmer, 2013-08-08 Focusing on key texts, leading scholars explore how Hollywood has given an enduring life to the classics of Broadway theater. |
| a raisin in the sun screenplay: Ceremonies in Dark Old Men Lonne Elder, III, 1969 Ceremonies in Dark Old Men, a classic of American theater, is the poignant story of a family in 1950s Harlem. In timeless prose, Lonne Elder explores the discontent of a generation that has grown old before its time, and the determination of the next generation to avoid such a fate. In the play, Russel B. Parker is a prodigal father and failed barber who exists on memories and ceremonies for survival. He spends his time recounting atmospheric tales of his life in vaudeville and tells, in darkly comic detail, about his days on the chain gang. Just beneath the surface of Elder's work lie the terrors of day-to-day life in a racist society--never directly mentioned, but always simmering unforgettably. Ceremonies in Dark Old Men had its debut Off-Broadway in 1969. It received enthusiastic reviews and moved into an extended run. Since its first performance, the play has been produced numerous times both on television and on the stage, with the leads being played by an honor roll of actors, including Laurence Fishburne, Denzel Washington, and Billy Dee Williams. |
| a raisin in the sun screenplay: As Sweet as Honey Indira Ganesan, 2013-02-12 In her latest novel, Indira Ganesan, a writer often likened to Arundhati Roy and Chitra Divakaruni, gives us an enchanting story of family life that is a dance of love and grief and rebirth set on a gorgeous island in the Indian Ocean. The island is filled with exotic flora and fauna and perfumed air. A large family compound is presided over by a benign, stalwart grandmother. There is a very tall South Asian heroine with the astonishing un-Indian name of Meterling, who has found love at last in the shape of a short, round, elegant Englishman who wears white suits. There are also numerous aunts, uncles, and young cousins—among them, Mina, grown now, and telling this story of a marriage ceremony that ends with a widowed bride who, in the midst of her grief, discovers she is pregnant. While enjoying their own games and growing pains, Mina and her young cousins follow every nuance of gossip, trying to puzzle out what is going on with their favorite aunt, particularly when the groom’s cousin arrives from England and begins to woo her. As Meterling—torn between Eastern and Western ideas of love and family, duty and loyalty—struggles to make a new life, we become as entranced with this family, its adventures and complications, as Mina is. And with her we celebrate a time and place where, although sometimes difficult, life was for the most part as sweet as honey. BONUS MATERIAL: This ebook edition includes an excerpt from India Ganesan's Inheritance. |
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May 23, 2025 · Raisin Recipes Because of their natural sweetness and versatility, raisins make an excellent cooking ingredient. Here are some great ways to use them!
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The Best Oatmeal Raisin Cookies - Food Network Kitchen
A chewy, raisin-filled center and crisp oaty, buttery edges make this the best oatmeal raisin cookie.
Raisin Recipes - Food Network
May 23, 2025 · Raisin Recipes Because of their natural sweetness and versatility, raisins make an excellent cooking ingredient. Here are some great ways to use them!
Cinnamon-Raisin Rice Pudding - Food Network Kitchen
This bowl of creamy, comforting rice pudding features the classic combo of cinnamon and raisin.
Bread Machine Cinnamon-Raisin Bread Recipe - Food Network
Cinnamon-raisin bread moves deliciously between breakfast, snack and dessert, and a bread machine makes it so easy you might be tempted to bake a loaf for each.
Oatmeal, Walnut and Raisin Cookies - Food Network Kitchen
Get Oatmeal, Walnut and Raisin Cookies Recipe from Food Network
