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| a history of violence staircase scene: David Cronenberg's A History of Violence Bart Beaty, 2008-01-01 David Cronenberg's A History of Violence - the lead title in the new Canadian Cinema series - presents readers with a lively study of some of the filmmaker's favourite themes: violence, concealment, transformation, sex, and guilt. |
| a history of violence staircase scene: The Philosophy of David Cronenberg Simon Riches, 2012-04-20 Initially regarded as a cult figure with a strong following amongst sci-fi and horror film fans, Canadian filmmaker David Cronenberg emerged as a major and commercially viable film director with mainstream hits such as A History of Violence (2005) and Eastern Promises (2007). With his unique ability to present imagery that is both disturbing and provocative, Cronenberg creates striking films, noteworthy not just for their cinematic beauty but also for the philosophical questions they raise. The Philosophy of David Cronenberg examines Cronenberg's body of work, from his breakthrough Scanners (1981) through his most recognizable films such as The Fly (1986) and more recent works. Editor Simon Riches and a collaboration of scholars introduce the filmmaker's horrific storylines and psychologically salient themes that reveal his pioneering use of the concept of body horror, as well as his continued aim to satirize the modern misuse of science and technology. The Philosophy of David Cronenberg also explores the mutation of self, authenticity and the human mind, as well as language and worldviews. While Cronenberg's films have moved from small-market cult classics to mainstream successes, his intriguing visions of humanity and the self endure. |
| a history of violence staircase scene: Crime Scene Jonathan Kellerman, Jesse Kellerman, 2017-08-01 NEW YORK TIMES BESTSELLER • A former star athlete turned deputy coroner is drawn into a brutal, complicated murder in this psychological thriller from a father-son writing team that delivers “brilliant, page-turning fiction” (Stephen King). Natural causes or foul play? That’s the question Clay Edison must answer each time he examines a body. Figuring out motives and chasing down suspects aren’t part of his beat—not until a seemingly open-and-shut case proves to be more than meets his highly trained eye. Eccentric, reclusive Walter Rennert lies cold at the bottom of his stairs. At first glance the scene looks straightforward: a once-respected psychology professor, done in by booze and a bad heart. But his daughter Tatiana insists that her father has been murdered, and she persuades Clay to take a closer look at the grim facts of Rennert’s life. What emerges is a history of scandal and violence, and an experiment gone horribly wrong that ended in the brutal murder of a coed. Walter Rennert, it appears, was a broken man—and maybe a marked one. And when Clay learns that a colleague of Rennert’s died in a nearly identical manner, he begins to question everything in the official record. All the while, his relationship with Tatiana is evolving into something forbidden. The closer they grow, the more determined he becomes to catch her father’s killer—even if he has to overstep his bounds to do it. The twisting trail Clay follows will lead him into the darkest corners of the human soul. It’s his job to listen to the tales the dead tell. But this time, he’s part of a story that makes his blood run cold. Praise for Crime Scene “You could drive yourself crazy trying to figure out who wrote what. . . . But whoever came up with the fine line, ‘When I meet new people, they’re usually dead,’ should pat himself on the back.”—The New York Times Book Review “A terrific book . . . Put Crime Scene at the top of your reading pile.”—Bookreporter “A character-driven, intricately plotted whodunit . . . Mystery readers will devour the book and look forward to the next father and son collaboration.”—Press Republican |
| a history of violence staircase scene: History of Violence Édouard Louis, 2018-06-19 Originally published in French in 2016 by Seuil, France, as Historie de la violence--Title page verso. |
| a history of violence staircase scene: Some Day Shemi Zarhin, 2013-10-15 On the shores of Israel’s Sea of Galilee lies the city of Tiberias, a place bursting with sexuality and longing for love. The air is saturated with smells of cooking and passion. Seven-year-old Shlomi, who develops a remarkable culinary talent, has fallen for Ella, the strange girl next door with suicidal tendencies; his little brother Hilik obsessively collects words in a notebook. In the wild, selfish but magical grown-up world that swirls around them, a mother with a poet’s soul mourns the deaths of literary giants while her handsome, wayward husband cheats on her both at home and abroad. Some Day is a gripping family saga, a sensual and emotional feast that plays out over decades. The characters find themselves caught in cycles of repetition, as if they were “rhymes in a poem, cursed with history.” They become victims of inspired recipes that bring joy and calamity to the cooks and diners. Mysterious curses cause people’s hair to fall out, their necks to swell and the elimination of rational thought amid capitulation to unhealthy urges. This is an enchanting tale about tragic fates that disrupt families and break our hearts. Zarhin’s hypnotic writing renders a painfully delicious vision of individual lives behind Israel’s larger national story. |
| a history of violence staircase scene: Horror after 9/11 Aviva Briefel, Sam J. Miller, 2012-08-24 Horror films have exploded in popularity since the tragic events of September 11, 2001, many of them breaking box-office records and generating broad public discourse. These films have attracted A-list talent and earned award nods, while at the same time becoming darker, more disturbing, and increasingly apocalyptic. Why has horror suddenly become more popular, and what does this say about us? What do specific horror films and trends convey about American society in the wake of events so horrific that many pundits initially predicted the death of the genre? How could American audiences, after tasting real horror, want to consume images of violence on screen? Horror after 9/11 represents the first major exploration of the horror genre through the lens of 9/11 and the subsequent transformation of American and global society. Films discussed include the Twilight saga; the Saw series; Hostel; Cloverfield; 28 Days Later; remakes of The Texas Chainsaw Massacre, Dawn of the Dead, and The Hills Have Eyes; and many more. The contributors analyze recent trends in the horror genre, including the rise of 'torture porn,' the big-budget remakes of classic horror films, the reinvention of traditional monsters such as vampires and zombies, and a new awareness of visual technologies as sites of horror in themselves. The essays examine the allegorical role that the horror film has held in the last ten years, and the ways that it has been translating and reinterpreting the discourses and images of terror into its own cinematic language. |
| a history of violence staircase scene: Psycho in the Shower Philip J. Skerry, 2009-04-01 With this book, Philip Skerry makes an ambitious and largely successful effort to restore perspective to the debate that has swirled around Psycho since Hitchcock first ripped back the shower curtain of our expectations in 1960 and plunged his knife into the collective cinematic consciousness. - John Baxter, Film International Psycho in the Shower is a multi-dimensional study of Psycho's astonishing shower scene. Philip J. Skerry shows how it may be the most significant and influential film scene of all and substantiates this claim by providing chapters on the evolution of the scene in Hitchcock's career, with particular focus on his methods for creating suspense and terror in the audience. In tracing the evolution of the shower scene, the author discusses and analyzes many films (both Hitchcockian and otherwise) that lead up to Psycho. The book places the shower scene in the cultural and social contexts of American popular culture of the 1950s and 1960s, arguing that it helped to create a revolution in both sensibility and cinematic style. Several unique dimensions help to set this study apart from other books on Psycho and Hitchcock: extensive and detailed interviews with people who worked on the film, including star Janet Leigh and screenwriter Joseph Stefano (the last significant interviews before their deaths); a close study of Hitchcock's employment of mise en scene and montage in the scenes leading up to the famous shower murder; a shot by shot analysis of the scene itself and a discussion of the numerous controversies surrounding it; and a provocative and insightful account of the writing of the book itself, which provides a unique look at the author's creative process. The book culminates with examples of how the shower scene has become embedded in the matrix of contemporary culture and the remarkable ways in which the scene affected people on first viewing. |
| a history of violence staircase scene: The History of Tom White, the Postilion ... [By Hannah More.] New Edition Hannah More, 1833 |
| a history of violence staircase scene: Film Music: A Very Short Introduction Kathryn Kalinak, 2010-03-11 Film music is as old as cinema itself. Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a compact, lucid, and thoroughly engaging overview written by one of the leading authorities on the subject. After opening with a fascinating analysis of the music from a key sequence in Quentin Tarantino's Reservoir Dogs, Kathryn Kalinak introduces readers not only to important composers and musical styles but also to modern theoretical concepts about how and why film music works. Throughout the book she embraces a global perspective, examining film music in Asia and the Middle East as well as in Europe and the United States. Key collaborations between directors and composers--Alfred Hitchcock and Bernard Herrmann, Akira Kurosawa and Fumio Hayasaka, Federico Fellini and Nino Rota, to name only a few--come under scrutiny, as do the oft-neglected practices of the silent film era. She also explores differences between original film scores and compilation soundtracks that cull music from pre-existing sources. As Kalinak points out, film music can do many things, from establishing mood and setting to clarifying plot points and creating emotions that are only dimly realized in the images. This book illuminates the many ways it accomplishes those tasks and will have its readers thinking a bit more deeply and critically the next time they sit in a darkened movie theater and music suddenly swells as the action unfolds onscreen. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam. |
| a history of violence staircase scene: A Little Life Hanya Yanagihara, 2016-01-26 NEW YORK TIMES BESTSELLER • A stunning “portrait of the enduring grace of friendship” (NPR) about the families we are born into, and those that we make for ourselves. A masterful depiction of love in the twenty-first century. NATIONAL BOOK AWARD FINALIST • MAN BOOKER PRIZE FINALIST • WINNER OF THE KIRKUS PRIZE A Little Life follows four college classmates—broke, adrift, and buoyed only by their friendship and ambition—as they move to New York in search of fame and fortune. While their relationships, which are tinged by addiction, success, and pride, deepen over the decades, the men are held together by their devotion to the brilliant, enigmatic Jude, a man scarred by an unspeakable childhood trauma. A hymn to brotherly bonds and a masterful depiction of love in the twenty-first century, Hanya Yanagihara’s stunning novel is about the families we are born into, and those that we make for ourselves. Look for Hanya Yanagihara’s latest bestselling novel, To Paradise. |
| a history of violence staircase scene: Movie Mavericks Jon Sandys, 2006 The bestselling author of Movie Mistakes presents a fascinating collection of memorable and unconventional movie facts about cult films as well as unusual trivia about more mainstream movies. Original. |
| a history of violence staircase scene: The Glitter Scene Monika Fagerholm, 2011-08-09 Teenage Johanna lives with her aunt Solveig in a small house bordering the forest on the outskirts of a remote coastal town in Finland. She leads a lonely existence that is punctuated by visits to her privileged classmate, Ulla Bäckström, who lives in the nearby luxury gated community. It isn’t until Ulla tells her the local lore about the American girl and the tragedy that took place more than thirty years before that Johanna begins to question how her parents fit into the story. She sets out to unravel her family history, the identity of her mother, and the dark secrets long buried with her father. In the process of opening closed doors, others in the community reflect back on the town’s history, on their youth, and on the dreams that play in their minds. Soon a new story emerges, that stirs up Johanna’s greatest fears, but ultimately leads to the answers she is searching for. The Glitter Scene is a riveting mystery that explores the roles of truth and myth, reality and fiction, and the repercussions of family secrets. |
| a history of violence staircase scene: The History of Hester Wilmot Hannah More, 2016-08-29 Rebecca Wilmot kept her house spotless for her own vanity’s sake. When her husband was messy, Rebecca would fly out in a terrible passion, and Hester would have to run and hide. Hester saved her shillings for a new gown for the May-day party, but her father had a gambling habit. Hester shines in the end with a good and hopeful heart in the face of adversity. |
| a history of violence staircase scene: Behind Closed Doors B.A. Paris, 2016-08-09 First published in Great Britain by MIRA/Harlequin, HarperCollins UK--Title page verso. |
| a history of violence staircase scene: A History of Violence John Wagner, 2011 Originally published: New York: Paradox Press, 1997. |
| a history of violence staircase scene: The History of Tom Jones, a Foundling Henry Fielding, 1820 A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squireathough he sometimes succumbs to the charms of the local girls. When Tom is banished to make his own fortune and Sophia follows him to London to escape an arranged marriage, the adventure begins. A vivid Hogarthian panorama of eighteenth-century life, spiced with danger and intrigue, bawdy exuberance and good-natured authorial interjections, Tom Jones is one of the greatest and most ambitious comic novels in English literature. |
| a history of violence staircase scene: The Secret History: A Read with Jenna Pick Donna Tartt, 2004-04-13 A READ WITH JENNA BOOK CLUB PICK • ONE OF TIME MAGAZINE'S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • INTERNATIONAL BESTSELLER • A contemporary literary classic and an accomplished psychological thriller ... absolutely chilling (Village Voice), from the Pulitzer Prize–winning author of The Goldfinch. One of The Atlantic’s Great American Novels of the Past 100 Years Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries. But their search for the transcendent leads them down a dangerous path, beyond human constructs of morality. “A remarkably powerful novel [and] a ferociously well-paced entertainment . . . Forceful, cerebral, and impeccably controlled.” —The New York Times |
| a history of violence staircase scene: The Negro Motorist Green Book Victor H. Green, The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century. |
| a history of violence staircase scene: A Lethal Lesson Iona Whishaw, 2021-05-11 Shortlisted for the 2022 BC and Yukon Book Prizes' Bill Duthie Booksellers' Choice Award An Indigo Top 10 Best Mystery of 2021 A Globe and Mail bestseller #1 Bestselling New Release in Canada Lane Winslow trades crime solving for substitute teaching in the eighth installment of this mystery series that Kirkus Reviews calls “riveting”. Back home in the Kootenays after her Arizona honeymoon, Lane offers her assistance when neither the outgoing teacher, Rose, nor her replacement, Wendy, show up at the local schoolhouse one blizzardy Monday in December. But when she finds the teachers' cottage ransacked with Rose unconscious and bleeding, and Wendy missing, Lane delivers Rose to the hospital in Nelson and turns the case over to her exasperated husband, Inspector Darling, and his capable colleagues, Sergeant Ames and Constable Terrell. Never one to leave a post unmanned, Lane enlists as substitute teacher for the final two weeks before the Christmas holidays, during which time she discovers a threatening note in the teachers' desk and a revolver in the supply cupboard. But these clues only convolute the case further. Who has been tormenting these women, and where has Wendy gone? Meanwhile, Darling finds the body of a hit-and-run victim in a snowbank miles outside of Nelson, the residents of King's Cove are preoccupied by the possibility of a new neighbour, and Sergeant Ames is as confused as ever by the inimitable Tina Van Eyck. |
| a history of violence staircase scene: The Canadian Magazine J. Gordon Mowat, John Alexander Cooper, Newton MacTavish, 1909 |
| a history of violence staircase scene: A History of England David Hume, 1874 |
| a history of violence staircase scene: The Sense of an Ending Julian Barnes, 2011-10-05 BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world. |
| a history of violence staircase scene: Martial Arts Cinema and Hong Kong Modernity Man-Fung Yip, 2017-09-05 At the core of Martial Arts Cinema and Hong Kong Modernity: Aesthetics, Representation, Circulation is a fascinating paradox: the martial arts film, long regarded as a vehicle of Chinese cultural nationalism, can also be understood as a mass cultural expression of Hong Kong’s modern urban-industrial society. This important and popular genre, Man-Fung Yip argues, articulates the experiential qualities, the competing social subjectivities and gender discourses, as well as the heightened circulation of capital, people, goods, information, and technologies in Hong Kong of the 1960s and 1970s. In addition to providing a novel conceptual framework for the study of Hong Kong martial arts cinema and shedding light on the nexus between social change and cultural/aesthetic form, this book offers perceptive analyses of individual films, including not only the canonical works of King Hu, Chang Cheh, and Bruce Lee, but also many lesser-known ones by Lau Kar-leung and Chor Yuen, among others, that have not been adequately discussed before. Thoroughly researched and lucidly written, Yip’s stimulating study will ignite debates in new directions for both scholars and fans of Chinese-language martial arts cinema. “Yip subjects critical clichés to rigorous examination, moving beyond generalized notions of martial arts cinema’s appeal and offering up informed scrutiny of every facet of the genre. He has the ability to encapsulate these films’ particularities with cogent examples and, at the same time, demonstrate a thorough familiarity with the historical context in which this endlessly fascinating genre arose.” —David Desser, professor emeritus, University of Illinois at Urbana-Champaign “Eschewing a reductive chronology, Yip offers a persuasive, detailed, and sophisticated excavation of martial arts cinema which is read through and in relation to rapid transformation of Hong Kong in the 1960s and 1970s. An exemplar of critical genre study, this book represents a significant contribution to the discipline.” —Yvonne Tasker, professor of film studies and dean of the Faculty of Arts and Humanities, University of East Anglia |
| a history of violence staircase scene: Life-Destroying Diagrams Eugenie Brinkema, 2022-01-14 In Life-Destroying Diagrams, Eugenie Brinkema brings the insights of her radical formalism to bear on supremely risky terrain: the ethical extremes of horror and love. Through close readings of works of film, literature, and philosophy, she explores how diagrams, grids, charts, lists, abecedaria, toroids, tempos, patterns, colors, negative space, lengths, increments, and thresholds attest to formal logics of torture and cruelty, violence and finitude, friendship and eros, debt and care. Beginning with a wholesale rethinking of the affect of horror, orienting it away from entrenched models of feeling toward impersonal schemes and structures, Brinkema moves outward to consider the relation between objects and affects, humiliation and metaphysics, genre and the general, bodily destruction and aesthetic generation, geometry and scenography, hatred and value, love and measurement, and, ultimately, the tensions, hazards, and speculative promise of formalism itself. Replete with etymological meditations, performative typography, and lyrical digressions, Life-Destroying Diagrams is at once a model of reading without guarantee and a series of generative experiments in the writing of aesthetic theory. |
| a history of violence staircase scene: The Canadian Magazine , 1909 |
| a history of violence staircase scene: Death's End Cixin Liu, 2016-09-20 Mutually assured destruction has led to decades of peace between humanity and the Trisolarans, but a new force is awakening and this delicate balance can no longer hold... Half a century after the Doomsday Battle, the uneasy balance of Dark Forest Deterrence keeps the Trisolaran invaders at bay. Earth enjoys unprecedented prosperity due to the infusion of Trisolaran knowledge. With human science advancing daily and the Trisolarans adopting Earth culture, it seems that the two civilizations will soon be able to co-exist peacefully as equals without the terrible threat of mutually assured annihilation. But the peace has also made humanity complacent. Cheng Xin, an aerospace engineer from the early twenty-first century, awakens from hibernation in this new age. She brings with her knowledge of a long-forgotten program dating from the beginning of the Trisolar Crisis, and her very presence may upset the delicate balance between two worlds. Will humanity reach for the stars or die in its cradle? Death's End is the New York Times bestselling conclusion to Cixin Liu's tour-de-force series that began with The Three-Body Problem. The War of the Worlds for the twenty-first century . . . Packed with a sense of wonder. --The Wall Street Journal A meditation on technology, progress, morality, extinction, and knowledge that doubles as a cosmos- in-the-balance thriller. --NPR The Remembrance of Earth's Past Trilogy The Three-Body Problem The Dark Forest Death's End Other Books Ball Lightning (forthcoming) |
| a history of violence staircase scene: Truly Devious Maureen Johnson, 2018-01-16 New York Times bestselling author Maureen Johnson weaves a delicate tale of murder and mystery in the first book of a striking new series, perfect for fans of Agatha Christie and E. Lockhart. Ellingham Academy is a famous private school in Vermont for the brightest thinkers, inventors, and artists. It was founded by Albert Ellingham, an early twentieth century tycoon, who wanted to make a wonderful place full of riddles, twisting pathways, and gardens. “A place,” he said, “where learning is a game.” Shortly after the school opened, his wife and daughter were kidnapped. The only real clue was a mocking riddle listing methods of murder, signed with the frightening pseudonym “Truly, Devious.” It became one of the great unsolved crimes of American history. True-crime aficionado Stevie Bell is set to begin her first year at Ellingham Academy, and she has an ambitious plan: She will solve this cold case. That is, she will solve the case when she gets a grip on her demanding new school life and her housemates: the inventor, the novelist, the actor, the artist, and the jokester. But something strange is happening. Truly Devious makes a surprise return, and death revisits Ellingham Academy. The past has crawled out of its grave. Someone has gotten away with murder. The two interwoven mysteries of this first book in the Truly Devious series dovetail brilliantly, and Stevie Bell will continue her relentless quest for the murderers in books two and three. Publishers Weekly Best Books of 2018 * Junior Library Guild Selection * 2019 YALSA Best Fiction for Young Adults Nomination * 2019 ALA's Best Fiction for Young Adults Nomination * Chicago Public Library Best of the Best Books 2018 * Goodreads Choice Award Nominee for Young Adult Fiction 2018 * 2018 Nerdy Book Club Young Adult Winner * Seventeen Best YA Book of 2018 * Lincoln Award Nominee * 2020-2021 South Carolina Book Awards Nominee * 2020 Pennsylvania Young Readers' Choice Award Winner |
| a history of violence staircase scene: A History of the City of Brooklyn Henry Reed Stiles, 1870 |
| a history of violence staircase scene: The History of England; from the Text of Hume and Smollett, to the Reign of George the Third and Thence Continued ... by T. Gaspey David Hume, 1852 |
| a history of violence staircase scene: A history of parliamentary elections and electioneering in the old days Joseph Grego, 1886 |
| a history of violence staircase scene: The Annual Register, Or, A View of the History and Politics of the Year ... , 1856 |
| a history of violence staircase scene: Scenography and Art History Astrid Von Rosen, Viveka Kjellmer, 2021-05-20 Scenography and Art History reimagines scenography as a critical concept for art history, and is the first book to demonstrate the importance and usefulness of this concept for art historians and scholars in related fields. It provides a vital evaluation of the contemporary importance of scenography as a critical tool for art historians and scholars from related branches of study addressing phenomena such as witchy designs, Early Modern festival books, live rock performances, digital fashion photography, and outdoor dance interventions. With its nuanced and detailed case studies, this book is an innovative contribution to ongoing debates within art history and visual studies concerning multisensory events. It extends the existing literature by demonstrating the importance of a reimagined scenography concept for comprehending historical and contemporary art histories and visual cultures more broadly. The book contends that scenography is no longer restricted to the traditional space of the theatre, but has become an important concept for approaching art historical and contemporary objects and events. It explores scenography not solely as a critical approach and theoretical concept, but also as an important practice linked with unrecognized labour and broader political, social and gendered issues in a great variety of contexts, such as festive culture, sacred settings, fashion, film, or performing arts. Designed as a key resource for students, teachers and researchers in art history, visual studies, and related subjects, the book, through its cross-disciplinary frame, does consider, implicitly and explicitly, the roles of both scenography and art in society. |
| a history of violence staircase scene: The Annual Register, Or, A View of the History, Politics, and Literature for the Year ... , 1834 |
| a history of violence staircase scene: Errol & Olivia Robert Matzen, 2017-03-27 IPPY Award Bronze Medalist for Performing Arts Digging deep into the vaults of Warner Brothers and the collections of the Academy of Motion Picture Arts and Sciences as well as other private archives, this book explores the complex personal and professional relationship of Errol Flynn and Olivia de Havilland. Flynn, even 50 years after his death, continues to conjure up images to the prototypical handsome, charismatic ladies' man; while de Havilland, a two-time Best Actress Academy Award winner, is the last surviving star of Gone with the Wind. Richly illustrated with both color and black-and-white photos, most previously unpublished, this detailed history tells the sexy story of these two massive stars, both together and apart. |
| a history of violence staircase scene: Book of Martyrs or a History of the Lives, Sufferings, and Triumphant Deaths, of the Primitive as Well as Protestant Martyrs John Foxe, Charles A. Goodrich, 2024-07-09 Reprint of the original, first published in 1845. |
| a history of violence staircase scene: Theatre History Studies 2021, Vol 40 Lisa Jackson-Schebetta, 2022-01-11 A peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference Introduction —LISA JACKSON-SCHEBETTA, WITH ODAI JOHNSON, CHRYSTYNA DAIL, AND JONATHAN SHANDELL PART I STUDIES IN THEATRE HISTORY Un-Reading Voltaire: The Ghost in the Cupboard of the House of Reason —ODAI JOHNSON Caricatured, Marginalized, and Erased: African American Artists and Philadelphia’s Negro Unit of the FTP, 1936–1939 —JONATHAN SHANDELL Stop Your Sobbing: White Fragility, Slippery Empathy, and Historical Consciousness in Branden Jacobs-Jenkins’s Appropriate —SCOTT PROUDFIT Asia and Alwin Nikolais: Interdisciplinarity, Orientalist Tendencies, and Midcentury American Dance —ANGELA K. AHLGREN PART II WITCH CHARACTERS AND WITCHY PERFORMANCE Editor’s Introduction to the Special Section Shifting Shapes: Witch Characters and Witchy Performances —CHRYSTYNA DAIL To Wright the Witch: The Case of Joanna Baillie’s Witchcraft —JANE BARNETTE Nothing Wicked This Way Comes: Shakespeare’s Subversion of Archetypal Witches in The Winter’s Tale —JESSICA HOLT Of Women and Witches: Performing the Female Body in Caryl Churchill’s Vinegar Tom —MAMATA SENGUPTA (Un)Limited: The Influence of Mentorship and Father-Daughter Relationships on Elphaba’s Heroine Journey in Wicked —REBECCA K. HAMMONDS Immersive Witches: New York City under the Spell of Sleep No More and Then She Fell —DAVID BISAHA PART III Essay from the Conference The Robert A. Schanke Award-Winning Essay, MATC 2020 New Conventions for a New Generation: High School Musicals and Broadway in the 2010s —LINDSEY MANTOAN |
| a history of violence staircase scene: The Annual Register, Or a View of the History, Politicks and Literature of the Year ... , 1781 |
| a history of violence staircase scene: Tales of a Grandfather Being the History of Scotland from the Earliest Times Adressed to His Grandson Hugh Littlejohn (John Hugh Lockhart). Walter Scott (Sir), 1869 |
| a history of violence staircase scene: The History of the Bottle , 1848 |
| a history of violence staircase scene: A history of the Scottish people from the earliest times Thomas Napier Thomson, 1894 |
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Access and manage your search history and activity in one central place from any device. View and filter activity by date, product, and keyword. Manually or automatically delete some or all …
View or delete your YouTube search history
Delete search history. Visit the My Activity page. Select one of the following: Delete: Click beside a search to delete it. To delete more than one search from your history at a time, click …
View a map over time - Google Earth Help
Current imagery automatically displays in Google Earth. To discover how images have changed over time or view past versions of a map on a timeline: On your device, open Google Earth.
Delete browsing data in Chrome - Computer - Google Help
Download history: The list of files you've downloaded using Chrome is deleted, but the actual files aren't removed from your computer. Passwords: Records of passwords you saved are …
Manage your Location History - Google Maps Help
Location History is off by default. We can only use it if you turn Location History on. You can turn off Location History at any time in your Google Account's Activity controls. You can review and …
