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| a piece of my heart monologue: A Piece of My Heart Shirley Lauro, 1992 Suggested by the book [A Piece of my heart, compiled] by Keith Walker. |
| a piece of my heart monologue: A Piece of My Heart I Leave Behind Diana Janse, 2019-06-20 The year before Diana Janse went to Kabul, she was a desk officer at the European Security Department in Stockholm. It was an unglamorous and stressful job that entailed working long hours at her desk, writing instructions for the government’s negotiators at the European Union delegation in Brussels. For the first time since her dream of becoming a diplomat was born, in a shabby student dorm on the outskirts of Moscow in the early 1990s, she doubted her choice of career. This was not what she had had in mind. But then what did she have in mind? When a new position at the embassy in Islamabad, Pakistan, with placement in Kabul, Afghanistan, was posted for the third time, it caught her eye. An escape route had opened up... She applied and left shortly thereafter. I Leave A Piece of My Heart Behind is part personal diary, part travelogue, and part an account of working as a diplomat in a war-torn and staggeringly poor country. It is a proclamation of love and fascination, but also of frustration, from a Westerner struggling to understand the world of politics and diplomacy in a culture entirely different from her own – while at the same time defending her choices to her family and friends back home. |
| a piece of my heart monologue: Samuel Beckett and the Theatre of the Witness Hannah Simpson, 2022-06-09 Samuel Beckett and the Theatre of the Witness explores Beckett's representation of physical pain in his theatre plays in the long aftermath of World War II, emphasising how the issues raised by this staging of pain speak directly to matters lying at the heart of his work: the affective power of the human body; the doubtful capacity of language as a means of communication; the aesthetic and ethical functioning of the theatre medium; and the vexed question of intersubjective empathy. Alongside the wartime and post-war plays of fellow Francophone writers Albert Camus, Eugène Ionesco, Pablo Picasso, and Marguerite Duras, this study resituates Beckett's early plays in a new conceptualising of le théâtre du témoin or a 'theatre of the witness'. These are plays concerned with the epistemological and ethical uncertainties of witnessing another's pain, rather than with the sufferer's own direct experience. They raise troubling questions about our capacity to comprehend and respond to another being's pain. Drawing on an interdisciplinary framework of extant criticism, recorded historical audience response, theatre and affect theory, and medical understandings of bodily pain, Hannah Simpson argues that these plays do not offer any easily negotiable encounter with physical suffering, pushing us to recognise the very 'otherness' of another being's pain, even as it invades our own affective sphere. In place of any comforting transcendence or redemption of endured pain, they offer a starkly sceptical, even pessimistic probing of what it is to witness another's suffering. |
| a piece of my heart monologue: Piece of My Heart Julia Watts, 1998 To be honest, my friends were getting on my nerves. Here I was, trying to get my mind off a woman, and they bring me to a lesbian bar where they talk about nothing but lesbians and sex. It was like they were forcing me to think about the one thing I didn't want to think about. As though I'd said, 'Look, the only thing I don't want to think about is hippopotamuses, ' and so to distract me, they took me to the zoo. -- from the book |
| a piece of my heart monologue: The Vagina Monologues Eve Ensler, 2000 THE STORY: An Obie Award-winning whirlwind tour of a forbidden zone, THE VAGINA MONOLOGUES introduces a wildly divergent gathering of female voices, including a six-year-old girl, a septuagenarian New Yorker, a vagina workshop participant, a woman |
| a piece of my heart monologue: Even More Monologues for Women by Women Tori Haring-Smith, 2001 Featured in this volume are a wide range of voices and characters with a more international focus. |
| a piece of my heart monologue: Monologues , 1904 |
| a piece of my heart monologue: Dialogues and Monologues ... for Parlor Performances William Brisbane Dick, 1885 |
| a piece of my heart monologue: The Double-Edged Sword Manav Pamnani, 2022-12-19 This book is an amalgamation of two stories with underlying themes of love, ambition, betrayal, revenge, murder, mystery and suspense: 1-The Murders in Room Number 1302: Three actors are brutally murdered in a single hotel room on one night. When the police question the multiple suspects, the case is almost solved but things get complicated and turn topsy-turvy when their main suspect suddenly gets murdered. This murder mystery is an amalgamation of a plethora of twists and turns and an unbelievable suspense! Falling in Love: A love story which started in college has the potential of turning into a relationship which lasts a lifetime. However, not all love stories are perfect. Will the protagonists be able to preserve what they have? Or will they suffer a setback because of the numerous obstacles that plague their journey? |
| a piece of my heart monologue: Violent Women in Contemporary Theatres Nancy Taylor Porter, 2017-12-14 This book brings together the fields of theatre, gender studies, and psychology/sociology in order to explore the relationships between what happens when women engage in violence, how the events and their reception intercept with cultural understandings of gender, how plays thoughtfully depict this topic, and how their productions impact audiences. Truthful portrayals force consideration of both the startling reality of women's violence — not how it's been sensationalized or demonized or sexualized, but how it is — and what parameters, what possibilities, should exist for its enactment in life and live theatre. These women appear in a wide array of contexts: they are mothers, daughters, lovers, streetfighters, boxers, soldiers, and dominatrixes. Who they are and why they choose to use violence varies dramatically. They stage resistance and challenge normative expectations for women. This fascinating and balanced study will appeal to anyone interested in gender/feminism issues and theatre. |
| a piece of my heart monologue: Snapshots Joyce Carol Oates, Janet Berliner, 2000 A collection of seventeen stories written by some of the century's best women writers deals with a single, central, and vital theme, the relationship of mothers to daughters and daughters to mothers.--Front jacket. |
| a piece of my heart monologue: Key Exchange Kevin Wade, 1982 The love lives of two cyclists are contrasted as one fights to save his marriage while the other avoids commitment. Background music. 9 scenes, 2 men, 1 woman, 1 exterior. |
| a piece of my heart monologue: An Avid's Guide to Sixties Songwriters Peter Dunbavan, 2017-02-28 An essential reference book for sixties music lovers, this encyclopedic overview includes detailed chart statistics and biographical information for eighty songwriters and covers around two thousand songs, some of which are among the greatest ever written. |
| a piece of my heart monologue: The Tell-Tale Heart Edgar Allan Poe, 2024-01-29 In Edgar Allan Poe's The Tell-Tale Heart, the narrator tries to prove his sanity after murdering an elderly man because of his vulture eye. His growing guilt leads him to hear the old man's heart beating under the floorboards, which drives him to confess the crime to the police. |
| a piece of my heart monologue: The Normal Heart Larry Kramer, 1985 Dramatizes the onset of the AIDS epidemic in New York City, the agonizing fight to get political and social recognition of it's problems, and the toll exacted on private lives. 2 acts, 16 scenes, 13 men, 1 woman, 1 setting. |
| a piece of my heart monologue: Be Wise, My Son, and Make My Heart Glad Christopher B. Ansberry, 2011 In view of the various proposals concerning the nature and function of the book of Proverbs, the present study focuses on the social dimensions of the document within its distinct, literary context. That is, the study examines the nature and function of the sapiential material within its new performance context, viz., the discursive context, the Sitz im Buch. In the main, the investigation explores the discourse setting of the book of Proverbs as well as the formal and thematic features of the individual collections. More specifically, the study highlights the fundamental features of the. |
| a piece of my heart monologue: Rotten Apple Marilyn Barr, 2023-06-07 Rose has loved Fae Princess Orchid since childhood. Helpless to stop Orchid’s exile to Strawberry, she vows to avenge her death. If she had one more day with Orchid, would she have the courage to confess her love? It’s too late now…or is it? Vampire Ryan’s myelodysplastic anemia has caught up with him. He fights in the Winter Solstice Battle for an honorable death but instead finds Orchid. While she’s not his ideal mate, she does offer him a trip to Magmell, where she promises their healers can cure him. Will he switch sides in the war against the Sluagh for immortality? When Rose and Orchid are reunited, their passion burns out of control, but Ryan has already left his mark and changed the trajectory of Magmell forever. Royal alliances are built and destroyed, leaving Strawberry’s future in the balance. In a tale of villains, who deserves a happily ever after? |
| a piece of my heart monologue: Imagine That! Robert Eidelberg, 2024-11-05 BY ROBERT EIDELBERG IN HIS UNIQUE SERIES OF INTERACTIVE BOOKS ON KNOWING, THINKING, AND CREATIVE WRITING: WE DON’T KNOW: The Book of Non-Knowledge and the Volume of Our Current Ignorance GOOD THINKING: A Self-Improvement Approach to Getting Your Mind to Go From “Huh?” to “Hmm” to “Aha!” PLAYING DETECTIVE: A Self-Improvement Approach to Becoming a More Mindful Thinker, Reader, and Writer by Solving Mysteries EVIDENTLY, MY DEAR ARMCHAIR DETECTIVE: Solving Ten Classic Mysteries Together With Their Celebrated Sleuths “WHO’S THERE?” IN SHAKESPEARE’S HAMLET |
| a piece of my heart monologue: My Heart Is an Idiot Davy Rothbart, 2012-09-04 Davy Rothbart is looking for love in all the wrong places. Constantly. He falls helplessly in love with pretty much every girl he meets—and rarely is the feeling reciprocated. Time after time, he hops in a car and tears across half of America with his heart on his sleeve. He's continually coming up with outrageous schemes, which he always manages to pull off. Well, almost always. But even when things don't work out, Rothbart finds meaning and humor in every moment. Whether it's humiliating a scammer who takes money from aspiring writers or playing harmless (but side-splitting) goofs on his deaf mother, nothing and no one is off-limits. But as much as Rothbart is a tragically lovable, irresistibly brokenhearted hero, it's his prose that's the star of the book. In the tradition of David Sedaris and Sloane Crosley but going places very much his own, his essays show how things that are seemingly so wrong can be so, so right. |
| a piece of my heart monologue: Browning and the Dramatic Monologue Samuel Silas Curry, 1908 |
| a piece of my heart monologue: A Midsummer Night's Dream William Shakespeare, 2024-05-13 NA |
| a piece of my heart monologue: Werner's Magazine , 1887 |
| a piece of my heart monologue: Gone Too Far West - The Complete Series Isobel Wycherley, 2023-05-17 Both two books in 'Gone Too Far West', a mystery series by Isobel Wycherley, now available in one volume! Gone Too Far West: In the face of a terminal diagnosis, Flic, a stoner college student, embarks on a quest to make her final year unforgettable with her loyal friends Len, Javan, and Jenkies. However, their plans take a dark turn when they stumble upon a murder. With fragmented memories of the night, they seek guidance from their beloved band, Tenacious Toes, who suggest using drugs to piece together the truth. As their recollections gradually resurface, they must confront the haunting question: What truly transpired that fateful evening, and how are they tied to the victim? Len World: Len Moscow, a man shrouded in enigma, finds himself transferred to George Lee's Psychiatric Hospital, where the uncompromising nurses quickly realize they have underestimated his complexities. Branded a murder suspect, Len teams up with his newfound companions, Big Al, Theo, and Scott Green, to aid fellow patients while striving to clear his own name. |
| a piece of my heart monologue: Sending My Heart Back Across the Years Hertha Dawn Wong, 1992-03-12 Using contemporary autobiography theory and literary, historical, and ethnographic approaches, Wong explores the transformation of Native American autobiography from pre-contact oral and pictographic personal narratives through late nineteenth-/early twentieth-century life histories to written contemporary autobiographies. This book expands the definition of autobiography to include non-written forms of personal narrative and non-Western concepts of self, highlighting the incorporation of traditional tribal modes of self-narration with Western forms of autobiography and charting the historical transition from orality to literacy. |
| a piece of my heart monologue: My Heart's a Suitcase Clare McIntyre, 1990 This play about fear and materialistic longing compares an angrily impoverished waitress and a philosophical ceramics teacher in the early stages of multiple sclerosis who are sharing a borrowed, run down seaside apartment for the weekend. Visitors include the shopaholic wife of the landlord, a drunken misfit and two spectral intruders: Pest, a bad memory and Luggage, the Patron Saint of Heavy Burdens. |
| a piece of my heart monologue: The Ultimate Scene and Monologue Sourcebook, Updated and Expanded Edition Ed Hooks, 2007-10-16 All actors and acting teachers need The Ultimate Scene and Monologue Sourcebook, the invaluable guide to finding just the right piece for every audition. This remarkable book describes the characters, action, and mood for more than 1,000 scenes in over 300 plays. This unique format is ideal for acting teachers who want their students to understand each monologue in context. Using these guidelines, the actor can quickly pinpoint the perfect monologue, then find the text in the Samuel French or Dramatist Play Service edition of the play. Newly revised and expanded, the book also includes the author’s own assessment of each monologue. |
| a piece of my heart monologue: Fearlessly Falling Lola Berry, 2021-10-26 As one of the key creators of the early wellness scene in Australia, Lola Berry knows a thing or two about how to overcome body and mental health issues with a complete life reset. She also knows the pain of fear and failure, having experienced life's inevitable ups and downs in her professional life and intimate relationships. Fearlessly Failing is about how to grow through challenges. Told with Lola's trademark charm, warmth and honesty it shares personal anecdotes, advice from experts and important lessons learned on everything from career failure, heartbreak and dingos (Lola's word for haters) to self-love and health, supplying you with a total mind, body and soul 'toolkit' to achieve your own brand of personal wellbeing and happiness. |
| a piece of my heart monologue: Contemporary American Monologues for Women Todd London, 2012-10-25 Audition monologues for female characters selected from recent works by American playwrights including Tony Kushner, Jon Robin Baitz, Constance Congdon, Paula Vogel, Donald Margulies, Emily Mann, Eric Bogosian, Nicky Silver, and others. Unique to the TCG monologue series is a bibliography of other works by the playwrights included. |
| a piece of my heart monologue: Stones of the New Consciousness Robert Simmons, 2021-01-12 • Details the spiritual, healing, and energetic qualities of stones such as Moldavite, Nuummite, Circle Stones, Nirvana Quartz from the Himalayas, and high-vibrational Natrolite from the emerald mines of Russia • Features color photos of exceptional examples of each of the stones • Includes practices for deepening one’s awareness of the stones’ gifts--from expanding consciousness, to healing, to awakening the Light Body, to fulfilling one’s personal and collective destiny In Stones of the New Consciousness Robert Simmons examines the 62 most important stones to help accelerate and enhance conscious evolution and spiritual awakening. Each entry is illustrated with color photos of exceptional examples. The stones include Moldavite, the extraterrestrial amorphous crystal; Nuummite, the oldest gemstone on Earth; and Circle Stones, the highly energetic Flint found in crop circle formations. Other featured rarities include Nirvana Quartz from the Himalayas and high-vibrational Natrolite from the emerald mines of Russia. Simmons begins with a new approach to meditation with stones and to the possibility of conscious relationship with the spiritual beings who express themselves in our world as crystals and minerals. He includes historical and mythological references for each stone, positing that the fabled Stone of the Holy Grail and the Philosopher’s Stone of the alchemists may have physical counterparts among the minerals discussed. Simmons presents practices for deepening one’s awareness of the stones’ gifts--from expanding one’s consciousness, to healing, to awakening the Light Body, to fulfilling one’s personal and collective destiny. While emphasizing direct contact with stones, the book also explores crystal energy tools, energy environments, and applications such as stone elixirs and essences that can aid anyone on a spiritual path. |
| a piece of my heart monologue: Moving Parts Nina Shengold, Eric Lane, 1992-01-01 Moving Parts offers actors the best monologues from great plays—pieces by both well-known and up-and-coming playwrights, including many minority artists—that offer a variety of dramatic styles for beginning and experienced actors. Included are more than a hundred monologues from such contemporary voices as Eric Bogosian, Caryl Churchill, Christopher Durang, Maria Irene Fornes, Athol Fugard, Philip Kan Gotanda, Václav Havel, Lanford Wilson, and George C. Wolfe. Designed for easy browsing, the monologues are indexed by gender, age, and subject to help actors locate appropriate material, and each is introduced with a short description of the plot, setting, and character type. These monologues stand on their own as good theater, while they give actors a well-defined character, a story to tell, and a wide range of behavior and feeling to portray. |
| a piece of my heart monologue: Speak the Speech! Rhona Silverbush, Sami Plotkin, 2002-09-18 A detailed guide to approaching Shakespearean text, Speak the speech! contains everything an actor needs to select and prepare a Shakespeare monologue for classwork, auditions, or performance. Included herein are over 150 monologues. Each one is placed in context with a brief introduction, is carefully punctuated in the manner that best illustrates its meaning, and is painstakingly and thoroughly annotated. Each is also accompanied by commentary that will spark the actor's imagination by exploring how the interrelationship of meter and the choice of words and sounds yields clues to character and performance. And throughout the book sidebars relate historical, topical, technical, and other useful and entertaining information relevant to the text. In addition, the authors include an overview of poetic and rhetorical elements, brief synopses of all the plays, and a comprehensive index along with other guidelines that will help readers locate the perfect monologue for their needs. |
| a piece of my heart monologue: The Pina Bausch Sourcebook Royd Climenhaga, 2013 Pina Bausch's work has had tremendous impact across the spectrum of late twentieth-century performance practice. It helped to redefine the possibilities of what both dance and theater can be. This edited collection presents a compendium of source material combined with contextual essays that serve as a base for the study of Pina Bausch's performance work. Edited by a renowned Bausch expert, Royd Climenhaga, it promises to help to open up Bausch's performative world for students, scholars and practitioners alike. |
| a piece of my heart monologue: Eigengrau Penelope Skinner, 2010-11-04 Eigengrau / [ay-gen-gr-ow ] - noun. intrinsic light; the colour seen by the eye in perfect darkness Rose believes in true love and leprechauns. Her flatmate Cassie is engaged in a fervent struggle against patriarchal oppression. Across London, Mark believes in the power of marketing. His flatmate Tim Muffin is engaged in a fervent struggle against his own waistline. In a city where Gumtree can feel like your closest friend, looking for the right person can lead you all the wrong places. Penelope Skinner's Eigengrau premiered at the Bush Theatre, London, in March 2010 in a Strawberry Vale production. |
| a piece of my heart monologue: Samuel French's Basic Catalogue of Plays Samuel French, Inc, 1997 |
| a piece of my heart monologue: Moving Parts Nina Shengold, Eric Lane, 1992 More than 125 monologues by Mamet, Shepard, August Wilson, and others. |
| a piece of my heart monologue: Gone Too Far West Isobel Wycherley, 2022-02-14 Stoner college student Flic has just received some bad news: she only has one more year to live. With her three best friends, Len, Javan and Jenkies, they decide to make it the best year ever - until one night, when they witness a murder. None of them really know what happened, but during a trip to Amsterdam to see their favourite band, Tenacious Toes, the lead singer tells them to use drugs to reconstruct their memories of that night. Slowly, the events of the hazy night begin to unravel. But what really happened, and is there a connection between them and the victim? |
| a piece of my heart monologue: Normal Instructor and Teachers World , 1921 |
| a piece of my heart monologue: My Heart Is a Chainsaw Stephen Graham Jones, 2021-08-31 Winner of the Bram Stoker Award for Best Novel In her quickly gentrifying rural lake town Jade sees recent events only her encyclopedic knowledge of horror films could have prepared her for in this latest chilling novel that “will give you nightmares. The good kind, of course” (BuzzFeed) from the Jordan Peele of horror literature, Stephen Graham Jones. “Some girls just don’t know how to die…” Shirley Jackson meets Friday the 13th in My Heart Is a Chainsaw, written by the New York Times bestselling author of The Only Good Indians Stephen Graham Jones, called “a literary master” by National Book Award winner Tananarive Due and “one of our most talented living writers” by Tommy Orange. Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life. Jade Daniels is an angry, half-Indian outcast with an abusive father, an absent mother, and an entire town that wants nothing to do with her. She lives in her own world, a world in which protection comes from an unusual source: horror movies…especially the ones where a masked killer seeks revenge on a world that wronged them. And Jade narrates the quirky history of Proofrock as if it is one of those movies. But when blood actually starts to spill into the waters of Indian Lake, she pulls us into her dizzying, encyclopedic mind of blood and masked murderers, and predicts exactly how the plot will unfold. Yet, even as Jade drags us into her dark fever dream, a surprising and intimate portrait emerges…a portrait of the scared and traumatized little girl beneath the Jason Voorhees mask: angry, yes, but also a girl who easily cries, fiercely loves, and desperately wants a home. A girl whose feelings are too big for her body. My Heart Is a Chainsaw is her story, her homage to horror and revenge and triumph. |
| a piece of my heart monologue: Women's Comedic Art as Social Revolution Domnica Radulescu, 2014-01-10 Though comic women have existed since the days of Baubo, the mythic figure of sexual humor, they have been neglected by scholars and critics. This pioneering volume tells the stories of five women who have created revolutionary forms of comic performance and discourse that defy prejudice. The artists include 16th-century performer Isabella Andreini, 17th-century improviser Caterina Biancolelli, 20th-century Italian playwright Franca Rame, and contemporary performance artists Deb Margolin and Kimberly Dark. All create humor that subverts patriarchal attitudes, conventional gender roles, and stereotypical images. The book ends with a practical guide for performers and teachers of theater. |
| a piece of my heart monologue: The Broken Heart John Ford, 1633 |
Moana Jr. 2020 Monologues - Brisbane Junior Theatre
You will board my boat, sail across the sea and restore the heart of Te Fiti. The ocean is a friend of mine…next stop Maui! (Brave but not confident) I am Moana of Motunui, you will board my …
Conflict. Both Ozymandias and My Last Duchess show the effects …
Both Ozymandias and My Last Duchess show the effects of power and how it corrupts. Shelley describes Ozymandias sneer of cold command as if to suggest that he is a cruel and heartless …
Guide to Folio Writing - LT Scotland
4 • It should give the reader a flavour of your personality • It should have a strong voice • It should express your thoughts and feelings – it should not be a series of narrated events • It should …
Piece Of My Heart - Janis Joplin - Notepad - guitaralliance.com
Piece Of My Heart - Janis Joplin [Intro] (guitar solo) F#m A B B B C#m B D B B B7 Oh come on, come on, come on, come on [Verse] E A B A Didn't I make you feel like you were my E A B A …
ROBERT BROWNING My Last Duchess - ARMYTAGE.NET
That piece a wonder, now: Frà Pandolf’s hands4 Worked busily a day, and there she stands. ... A heart— how shall I say?— too soon made glad, Too easily impressed; she liked whate’er She …
Act: Two Scene: One Character: Macbeth - Logo of the BBC
Hear not my steps, which way they walk, for fear Thy very stones prate of my whereabout, And take the present horror from the time, Which now suits with it. Whiles I threat, he lives: Words …
1) Please choose a piece of written text that has really engaged …
2) Write a theatre review: See at least one piece of live performance (any form) and review the piece in the style of a professional theatre review from the media. Max 700 words. This is due …
BECKETT’S A PIECE OF MONOLOGUE MEMORIA E …
Beckett A Piece of Monologue, utilizando el enfoque binario de Poética del Espacio de Gastón Bachelard y la biografía de Beckett. La ventana ausente en el escenario, que es parte del …
THE WOMAN IN BLACK - WJEC
sees the Woman in Black he says that his “knees began to tremble” and my “flesh to creep”. He also says his heart “gave a great lurch” and began “pounding in my chest like a hammer on an …
VDay University of Cincinnati 2014 The Vagina Monologues: …
dead animal smell cannot be removed. And its throat is slit and it bleeds through all my summer dresses. My vagina singing all girl songs, all goat bell ringing songs, all wild autumn field …
Mr. Jenkins and my Mother by Alexaner Lee-Rekers - StageMilk
bear and he- His heart just gave out.” It was my first experience with death. My mother never said anything … but I knew it was my fault. Worst part is she left him—his body, I suppose—on my …
12 Steps to Prepare Your Monologue - Juanita High School Drama
12 Steps to Prepare your Monologue Step 1 Make sure you can meet all the requirements regarding monologue selection and ... Repeat this process for the entire monologue until you …
Emperor of the Moon - Public Library
but a deuce on't, who shou'd come in and spoyl all but my Lover Charmante, so drest, so Gallant, that he drew together all the scatter'd fragments of my heart, confin'd my wandering thoughts, …
Again: the artistic choices are yours and yours alone, so think big ...
foamed at the mouth and started vibrating. I rolled my eyes into the back of my head, opened my mouth really wide, and passed out on the classroom floor. It was one of the scariest, most …
MARY, THE MOTHER by STEPHEN TEDESCHI SAMPLE COPY
Once the piece is . well memorized, have the actor perform the monologue at a pace that is definitely too quick, almost comical because of the speed. Then completely change the pace …
an extract from Act III, Scene 8 My Mother Said I Never Should
oh, I got a grass stain on my frock, but Jack says he’ll buy me a new one. And, Mother, and I got promoted to Head of Infants this morning! Miss Butterworth called me into her office, my heart …
MONOLOGUE PREP TIPS - GREAT Theatre
MONOLOGUE PREP TIPS Choosing your monologue is an important part of the audition preparation. A polished ... piece. Memorization is preferred, but not required. Bring your script …
performability in Beckett: translating A Piece of monologue
to write a whole piece about death. He advised Warrilow to make a selection from existing texts, but started writing a new piece beginning with: ‘My birth was my death’; a text he entitled …
DISTANCE LEARNING: SEND-HOME PACKET MONOLOGUE …
Monologue writing is an activity that is easily adaptable for distance learning. It’s also something ... Students will complete a piece of theatrical writing. ... burdened with ruddy fruit, which …
Character Breakdown (& Audition Songs) - PARKVIEW THEATRE
2.!Acting Audition – Learn monologue. Choose a specific character monologue, if one is not available for the character you wish to audition, select a general monologue. 3.!Vocal Audition …
LAMDA ACTING PROGRAMME 2020 GRADE FOUR – …
I'm going to take my test in two weeks and I know I'll pass. Yeah, technically you should be in the car with me, technically I have to wait two weeks to do my test, but I'll get my licence then...
Theatre in Your Pocket: Workshop Plan and Guide - Next Door But …
1. Read your monologue 2. Discuss or think through what the story is and who you think the character is. 3. Make decisions on the 4 questions presented in the video 4. Using the …
Audition Packet - The Belfry Theatre
The monologue does not need to reflect your interest in portraying a particular character, but it could. ... children (ages 6-16). The play is an ensemble piece and actors will be asked to …
MONOLOGUES FOR MARY POPPINS - Mercy McAuley
dad's a fine gentleman and he loves ya! You know, begging your pardon, but the one my heart goes out to is your father. There he is in that cold, heartless bank day after day, hemmed in by …
2015 The BesT Women sTage monologues - Chiles Theatre
leaves with my dad and jumping on the pile . . . but it was layered over my grandmother’s last year, when she was so bent over she could hardly see me and she sobbed every time I …
CRIMES OF THE HEART by Beth Henley - Daily Actor: …
thirst. My mouth was just as dry as a bone. I made it just the way I like it, with lots of sugar and lots of lemon- about ten lemons in all. Then I added two trays of ice and stirred it up with my …
Monologue 1: Nurse - WordPress.com
Monologue 1: Nurse How I wish the Argo never had reached the land Of Colchis, helmed by the heroes who in Pelias' name attempted The Golden Fleece! For then my mistress Medea …
The Tell-Tale Heart - American English
illness only made my mind, my feelings, my senses stronger, more powerful. My sense of hearing especially became more powerful. I could hear sounds I had never heard before. I heard …
Context Line-by-Line Analysis - gps.hslt.academy
Context – My Last Duchess was written by Robert Browning, and was first published in January 1842. Line-by-Line Analysis Robert Browning – Robert Browning (1812-1889) was an English …
WIZARD OF OZ- SIDES/SCENES FOR AUDITIONS - Weebly
WEST WITCH: Very well, I’ll bide my time and as for you, my fine lady, it’s true I can’t attend to you here and now as I’d like. But after a suitable period of mourning, I will have those slippers …
HEATRE TH RADE PEER ASSESSMENT SHEET: MONOLOGUE …
O Show expression that suited my character and the mood of the piece. O Stay in character. O Have a clear point of view and focus. O Speak loud and clearly. O Keep the audience …
BEAUTY AND THE BEAST MONOLOGUES FOR AUDITIONS
MONOLOGUE. THE MONOLOGUE YOU GIVE DOES NOT HAVE TO BE FOR THE CHARACTER YOU WOULD MOST LIKE TO PLAY. REMEMBER: SPEAK WITH LOTS OF …
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Please pick ONE from the selection below. It does not matter …
carpet or woke me up with “a true love kiss”! I’ve had to make it on my own – have you seen the king!! The best I can ever hope for with my apples is a decent piece of pie. So, I’ve decided to …
a script from
trembling, feeling more alone than I had ever felt in my entire life. And I didn’t understand. At all. But I should have. I had so many memories stored up in my heart…little things about my …
L LENNY - National Geographic Kids
untying-her-hair mood. A tickle-my-feet-and-I’ll-tell-you mood. We knew all her stories by heart, word for word, so that we could have told them ourselves if we needed to. The story of the day …
Julius Caesar Act III Scene 2 (Antony’s funeral speech) - wtps.org
My heart is in the coffin there with Caesar, And I must pause till it come back to me. First Citizen Methinks there is much reason in his sayings. Second Citizen If thou consider rightly of the …
Poems - Humanist
Forever on my heart ‘My funeral’ by Wendy Cope I hope I can trust you, friends, not to use our relationship As an excuse for an unsolicited ego-trip. I have seen enough of them at funerals …
National Eisteddfod Academy Awards 2024 Programme: Quarter …
DESMOND KOOLEN UPSTAGE CONCEPTS EN04-6032-02 English Comic Monologue Grade 2 4 Name of piece: - THALIA NAIDOO SUMMERHILL EN03-6028-02 English Poetry Own …
Monologue Mania! Whispers - Pioneer Drama
And if we all remember, then I can heal. Then my dad died for some-thing real—a memory. A memory of the cost of war. A memory of the price we pay for freedom. (Pause.) My name is …
Year 7 Drama Knowledge Booklet Autumn Term Melodrama - The …
Melodrama—a sensational dramatic piece with exaggerated characters and ... My heart belongs to JACK! LORD ARE: He will not be coming for you (JACK jumps in to the scene brandishing …
Audition Pieces The Children’s Hour by Lillian Hellman - Growl …
haven't changed. My hands look just the same, my face is the same, even my dress is old. We're in a room we've been in so many times before; you're sitting where you always sit; it's nearly …
just hit print every single monologue will print!!! From Published …
Line! Line! Line! Oh my god. (Gets idea.) O my god, I am heartily sorry for having offended thee , and I detest all my sins because I dread the loss of heaven and the pains of hell. But most of …
LAMDA – OWN CHOICE OF PROSE (APPROPRIATE FOR GRADES 2 …
At grades 1-3 you need a poem & piece of prose to represent your theme. At Grade 4 & 5 you need 3 pieces in total (any combination of verse & prose). All links must further progress your …
ACT ONE SCENE 1 Master of Ceremonies: Song #1 Overture …
Roxie: Don’t sweetheart me!(She shoots him again.) Maebel, Kitty: Whoopee! Lulu: Hotcha! MC: Jazz… Velma: (re-entering with fierceness, police officers enter through audience) No, I'm …
C My Last Duchess - GCWK
My Last Duchess Browning, Robert (1812 - 1889) Robert Browning, Dramatic Lyrics (1842). FERRARA 1That's my last Duchess painted on the wall, 2Looking as if she were alive. I call …
Monologue Writing 101: 10 Elements of Great Audition …
11/7/2017 How to write a monologue - Monologue Genie Monologue Writing 101: 10 Elements of Great Audition ... into 10 Elements of a Great Audition Monologue. In truth, there are so many …
MRS. MILDRED GOLDEN MONOLOGUE - Tennessee Baptist …
While I was still a small child, my parents left Boston for the hills of Tennessee. Through the years, a deep love for this beautiful state and her people took root and grew in my heart. I …
